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Chiennes manières, est un ‘livre sur les noms’. Via ses langages et écritures, c’est un double album conceptuel. La problématique est autant le titre que le pseudonyme de cet ouvrage - ‘hmoan’ : ‘how much of a name (a·or·e u)’ : ‘combien d’un nom es-tu contre toi’.

Partie 1, c’est KOTOR-la-polychick : un long poème épique et polyphonique qui reprend un CRPG (computer role playing game), Star Wars: Knights of the Old Republic II. Paru en 2004-2005, à l’histoire et aux conditions de possibilités complexes, il continue encore à écho dans ses motifs : là la nécessité de déjouer en rejouant.

Partie 2, c’est Chiennes manières, : 7 poèmes séquencés où se chiennent la théorie et la pratique. En voici la ‘table des manières’ : une autre expression sibylline du répertoire / tu vois ce que je veux dear, alors / à relire des entrées / une bonne correction / hot, génies, seules les légendes, etc. / les choses layered entre elles / types of ambiguity.

Lancement des Chiennes manières, ft. @nicojalageas – le mercredi 14 mai à 18h
@lescahiersdecolette,23/25 rue Rambuteau 75004 Parichienne

Lecture de KOTOR-la-polychick ft. @didymes – le mardi 20 mai à 19h
dans le cadre de la soirée double change où il y aura aussi Simone White (!)
Atelier Michael Woolworth, 2 rue de la Roquette / Cour Février, 75011 Parichienne

La meilleure rencontre ft. @annesarah_huet – le jeudi 3 juillet à 19h30
@zoeme_galerieeditionlibrairie, 8 rue Vian, 13006 Marseillienne

d’autres dates, qui chienne
d’autres lieux, woofienne

defiyinggravity.psd @sarahnefissa
T-shirt @tiina_tkt
Photochienne @coachdevide
Typo Baskervvol @bye.byebinary
Maison d’édition @editions_pol

15,5x20,5 cm - 176 pages - 21 €
ISBN : 978-2-8180-6193-0

tysm xoxo woof woof woof woof,,,,,,,,,,,,,,,

Chiennes manières, est un ‘livre sur les noms’. Via ses langages et écritures, c’est un double album conceptuel. La problématique est autant le titre que le pseudonyme de cet ouvrage - ‘hmoan’ : ‘how much of a name (a·or·e u)’ : ‘combien d’un nom es-tu contre toi’.

Partie 1, c’est KOTOR-la-polychick : un long poème épique et polyphonique qui reprend un CRPG (computer role playing game), Star Wars: Knights of the Old Republic II. Paru en 2004-2005, à l’histoire et aux conditions de possibilités complexes, il continue encore à écho dans ses motifs : là la nécessité de déjouer en rejouant.

Partie 2, c’est Chiennes manières, : 7 poèmes séquencés où se chiennent la théorie et la pratique. En voici la ‘table des manières’ : une autre expression sibylline du répertoire / tu vois ce que je veux dear, alors / à relire des entrées / une bonne correction / hot, génies, seules les légendes, etc. / les choses layered entre elles / types of ambiguity.

Lancement des Chiennes manières, ft. @nicojalageas – le mercredi 14 mai à 18h
@lescahiersdecolette,23/25 rue Rambuteau 75004 Parichienne

Lecture de KOTOR-la-polychick ft. @didymes – le mardi 20 mai à 19h
dans le cadre de la soirée double change où il y aura aussi Simone White (!)
Atelier Michael Woolworth, 2 rue de la Roquette / Cour Février, 75011 Parichienne

La meilleure rencontre ft. @annesarah_huet – le jeudi 3 juillet à 19h30
@zoeme_galerieeditionlibrairie, 8 rue Vian, 13006 Marseillienne

d’autres dates, qui chienne
d’autres lieux, woofienne

defiyinggravity.psd @sarahnefissa
T-shirt @tiina_tkt
Photochienne @coachdevide
Typo Baskervvol @bye.byebinary
Maison d’édition @editions_pol

15,5x20,5 cm - 176 pages - 21 €
ISBN : 978-2-8180-6193-0

tysm xoxo woof woof woof woof,,,,,,,,,,,,,,,

Chiennes manières, est un ‘livre sur les noms’. Via ses langages et écritures, c’est un double album conceptuel. La problématique est autant le titre que le pseudonyme de cet ouvrage - ‘hmoan’ : ‘how much of a name (a·or·e u)’ : ‘combien d’un nom es-tu contre toi’.

Partie 1, c’est KOTOR-la-polychick : un long poème épique et polyphonique qui reprend un CRPG (computer role playing game), Star Wars: Knights of the Old Republic II. Paru en 2004-2005, à l’histoire et aux conditions de possibilités complexes, il continue encore à écho dans ses motifs : là la nécessité de déjouer en rejouant.

Partie 2, c’est Chiennes manières, : 7 poèmes séquencés où se chiennent la théorie et la pratique. En voici la ‘table des manières’ : une autre expression sibylline du répertoire / tu vois ce que je veux dear, alors / à relire des entrées / une bonne correction / hot, génies, seules les légendes, etc. / les choses layered entre elles / types of ambiguity.

Lancement des Chiennes manières, ft. @nicojalageas – le mercredi 14 mai à 18h
@lescahiersdecolette,23/25 rue Rambuteau 75004 Parichienne

Lecture de KOTOR-la-polychick ft. @didymes – le mardi 20 mai à 19h
dans le cadre de la soirée double change où il y aura aussi Simone White (!)
Atelier Michael Woolworth, 2 rue de la Roquette / Cour Février, 75011 Parichienne

La meilleure rencontre ft. @annesarah_huet – le jeudi 3 juillet à 19h30
@zoeme_galerieeditionlibrairie, 8 rue Vian, 13006 Marseillienne

d’autres dates, qui chienne
d’autres lieux, woofienne

defiyinggravity.psd @sarahnefissa
T-shirt @tiina_tkt
Photochienne @coachdevide
Typo Baskervvol @bye.byebinary
Maison d’édition @editions_pol

15,5x20,5 cm - 176 pages - 21 €
ISBN : 978-2-8180-6193-0

tysm xoxo woof woof woof woof,,,,,,,,,,,,,,,

pov

yamaha quicksilver
(committed to)
lucky mercury

Un chien vient d’être appelé : “Contact !” On m’a dit ce sera tellement le nom de ton chien je me suis dit que je l’appellerai (1997) pour éviter toute confusion

RDV samedi 25 avril de 14h à 22h pour la troisième édition du Salon de Poésie Latérale et Sauvage PLS à la Parole Errante❤️‍🔥

Lecture de @medium_nique à partir de 20h 🫶🏽

Ce salon est auto-organisé de manière bénévole par les éditions Nous, l’Oie de Cravan, le Sabot, des libraires, des membres du café librairie Michèle Firk, des lecteurices de poésie et d’autres textes. Les bénéfices servent à la vie du lieu qu’est la Parole Errante, et à l’organisation des éditions suivantes.

Visuel par @rotoluxpress

RDV samedi 25 avril de 14h à 22h pour la troisième édition du Salon de Poésie Latérale et Sauvage PLS à la Parole Errante❤️‍🔥

Lecture de @medium_nique à partir de 20h 🫶🏽

Ce salon est auto-organisé de manière bénévole par les éditions Nous, l’Oie de Cravan, le Sabot, des libraires, des membres du café librairie Michèle Firk, des lecteurices de poésie et d’autres textes. Les bénéfices servent à la vie du lieu qu’est la Parole Errante, et à l’organisation des éditions suivantes.

Visuel par @rotoluxpress

RDV samedi 25 avril de 14h à 22h pour la troisième édition du Salon de Poésie Latérale et Sauvage PLS à la Parole Errante❤️‍🔥

Lecture de @medium_nique à partir de 20h 🫶🏽

Ce salon est auto-organisé de manière bénévole par les éditions Nous, l’Oie de Cravan, le Sabot, des libraires, des membres du café librairie Michèle Firk, des lecteurices de poésie et d’autres textes. Les bénéfices servent à la vie du lieu qu’est la Parole Errante, et à l’organisation des éditions suivantes.

Visuel par @rotoluxpress

❤️‍🔥 IMMENSE joie + honneur + excitation de recevoirmardi 3 mars McKenzie Wark (@mckenziewark3000) pour une conversation avec Mia Trabalon* à l’occasion de la sortie de Trans Amazone aux éditions Plon (@editionsplon) dans une traduction parfaite d’Antoine Chainas & Olga Rozenblum (@olgasararoz). Cru, punk, théorique ce livre est une merveille : ici tout vibre, se déplace, se trouble ; on avance par brefs chapitres, colléEs aux mouvements du désir (des désirs) de l’autrice, prisEs dans la foule qu’elle convoque. Parce que McKenzie Wark ne débarque pas seule : elle arrive entourée d’une multitude d’auteurices adorées – Monique Wittig, Jean Genet, Michelle Tea, Kay Gabriel, Robert Glück, Chris Kraus, Kathy Acker, René Crevel, etc. etc. etc.
 
*pour rappel : autrice de l’un des meilleurs livres de poésie de 2025 (et au-delà) : Chiennes manières, aux éditions POL @medium_nique

Crédits
Photo : Z Walsh @zwalshphotography
Nouvelle DA de la librairie : Urgence Graphique @urgencegraphique

❤️‍🔥 IMMENSE joie + honneur + excitation de recevoirmardi 3 mars McKenzie Wark (@mckenziewark3000) pour une conversation avec Mia Trabalon* à l’occasion de la sortie de Trans Amazone aux éditions Plon (@editionsplon) dans une traduction parfaite d’Antoine Chainas & Olga Rozenblum (@olgasararoz). Cru, punk, théorique ce livre est une merveille : ici tout vibre, se déplace, se trouble ; on avance par brefs chapitres, colléEs aux mouvements du désir (des désirs) de l’autrice, prisEs dans la foule qu’elle convoque. Parce que McKenzie Wark ne débarque pas seule : elle arrive entourée d’une multitude d’auteurices adorées – Monique Wittig, Jean Genet, Michelle Tea, Kay Gabriel, Robert Glück, Chris Kraus, Kathy Acker, René Crevel, etc. etc. etc.
 
*pour rappel : autrice de l’un des meilleurs livres de poésie de 2025 (et au-delà) : Chiennes manières, aux éditions POL @medium_nique

Crédits
Photo : Z Walsh @zwalshphotography
Nouvelle DA de la librairie : Urgence Graphique @urgencegraphique

❤️‍🔥 IMMENSE joie + honneur + excitation de recevoirmardi 3 mars McKenzie Wark (@mckenziewark3000) pour une conversation avec Mia Trabalon* à l’occasion de la sortie de Trans Amazone aux éditions Plon (@editionsplon) dans une traduction parfaite d’Antoine Chainas & Olga Rozenblum (@olgasararoz). Cru, punk, théorique ce livre est une merveille : ici tout vibre, se déplace, se trouble ; on avance par brefs chapitres, colléEs aux mouvements du désir (des désirs) de l’autrice, prisEs dans la foule qu’elle convoque. Parce que McKenzie Wark ne débarque pas seule : elle arrive entourée d’une multitude d’auteurices adorées – Monique Wittig, Jean Genet, Michelle Tea, Kay Gabriel, Robert Glück, Chris Kraus, Kathy Acker, René Crevel, etc. etc. etc.
 
*pour rappel : autrice de l’un des meilleurs livres de poésie de 2025 (et au-delà) : Chiennes manières, aux éditions POL @medium_nique

Crédits
Photo : Z Walsh @zwalshphotography
Nouvelle DA de la librairie : Urgence Graphique @urgencegraphique

McKenzie Wark à Paris les 3 et 5 mars. (Photo @sunnyleeras)

McKenzie Wark à Paris les 3 et 5 mars. (Photo @sunnyleeras)

McKenzie Wark à Paris les 3 et 5 mars. (Photo @sunnyleeras)

(💎 RARE) hello world, emlavoo is a double audio cassette / diptych from emla more (@medium_nique) released by @takeninakerecords on August 19th (READ ↙️)

Side 🅰️ . —what took you so long? —mois d’août pour long songs (redux), 40’31”, 19/08/2022

Side 🅱️. dejavux quasimix (redux), 44’58” 19/08/2023

These two mixes were made / available on SoundCloud back in 2022 and 2023, on the 19th of August, celebrating the cinematics of the summer daze turned birthday mixtape for Deja Vux <3

Both mixes are laden with rarities, reminders and revivals. The first one is on the dreamier end of the spectrum, the second, remade shorter to fit on the cassette, is a steeper sequel. Diptychs, baby!

This cassette will also be available in a bundle with memlamix, part of the TKMX series, and / or other TKNK releases… Do you think you’re better off alone?

The production costs will be covered with 10 copies sold, and help produce future TAKENINAKE releases, and the rest of the money will help fund the @front_transfem trans support work

Cassettes produced by: @band_cds
Graphic Design: @takeninake / @medium_nique
Font: Trickster, Jean-Baptiste Morizot. Distributed by @velvetyne_type_foundry

20 physical copies
15 euros w/ shipping via Bandcamp
10 euros hand delivery BXL / Paris
mixes can be streamed for free on MixCloud
tracklist printed on the tapes
#TYBG - emla more & Takeninake Records

(💎 RARE) hello world, emlavoo is a double audio cassette / diptych from emla more (@medium_nique) released by @takeninakerecords on August 19th (READ ↙️)

Side 🅰️ . —what took you so long? —mois d’août pour long songs (redux), 40’31”, 19/08/2022

Side 🅱️. dejavux quasimix (redux), 44’58” 19/08/2023

These two mixes were made / available on SoundCloud back in 2022 and 2023, on the 19th of August, celebrating the cinematics of the summer daze turned birthday mixtape for Deja Vux <3

Both mixes are laden with rarities, reminders and revivals. The first one is on the dreamier end of the spectrum, the second, remade shorter to fit on the cassette, is a steeper sequel. Diptychs, baby!

This cassette will also be available in a bundle with memlamix, part of the TKMX series, and / or other TKNK releases… Do you think you’re better off alone?

The production costs will be covered with 10 copies sold, and help produce future TAKENINAKE releases, and the rest of the money will help fund the @front_transfem trans support work

Cassettes produced by: @band_cds
Graphic Design: @takeninake / @medium_nique
Font: Trickster, Jean-Baptiste Morizot. Distributed by @velvetyne_type_foundry

20 physical copies
15 euros w/ shipping via Bandcamp
10 euros hand delivery BXL / Paris
mixes can be streamed for free on MixCloud
tracklist printed on the tapes
#TYBG - emla more & Takeninake Records

(💎 RARE) hello world, emlavoo is a double audio cassette / diptych from emla more (@medium_nique) released by @takeninakerecords on August 19th (READ ↙️)

Side 🅰️ . —what took you so long? —mois d’août pour long songs (redux), 40’31”, 19/08/2022

Side 🅱️. dejavux quasimix (redux), 44’58” 19/08/2023

These two mixes were made / available on SoundCloud back in 2022 and 2023, on the 19th of August, celebrating the cinematics of the summer daze turned birthday mixtape for Deja Vux <3

Both mixes are laden with rarities, reminders and revivals. The first one is on the dreamier end of the spectrum, the second, remade shorter to fit on the cassette, is a steeper sequel. Diptychs, baby!

This cassette will also be available in a bundle with memlamix, part of the TKMX series, and / or other TKNK releases… Do you think you’re better off alone?

The production costs will be covered with 10 copies sold, and help produce future TAKENINAKE releases, and the rest of the money will help fund the @front_transfem trans support work

Cassettes produced by: @band_cds
Graphic Design: @takeninake / @medium_nique
Font: Trickster, Jean-Baptiste Morizot. Distributed by @velvetyne_type_foundry

20 physical copies
15 euros w/ shipping via Bandcamp
10 euros hand delivery BXL / Paris
mixes can be streamed for free on MixCloud
tracklist printed on the tapes
#TYBG - emla more & Takeninake Records

(💎 RARE) hello world, emlavoo is a double audio cassette / diptych from emla more (@medium_nique) released by @takeninakerecords on August 19th (READ ↙️)

Side 🅰️ . —what took you so long? —mois d’août pour long songs (redux), 40’31”, 19/08/2022

Side 🅱️. dejavux quasimix (redux), 44’58” 19/08/2023

These two mixes were made / available on SoundCloud back in 2022 and 2023, on the 19th of August, celebrating the cinematics of the summer daze turned birthday mixtape for Deja Vux <3

Both mixes are laden with rarities, reminders and revivals. The first one is on the dreamier end of the spectrum, the second, remade shorter to fit on the cassette, is a steeper sequel. Diptychs, baby!

This cassette will also be available in a bundle with memlamix, part of the TKMX series, and / or other TKNK releases… Do you think you’re better off alone?

The production costs will be covered with 10 copies sold, and help produce future TAKENINAKE releases, and the rest of the money will help fund the @front_transfem trans support work

Cassettes produced by: @band_cds
Graphic Design: @takeninake / @medium_nique
Font: Trickster, Jean-Baptiste Morizot. Distributed by @velvetyne_type_foundry

20 physical copies
15 euros w/ shipping via Bandcamp
10 euros hand delivery BXL / Paris
mixes can be streamed for free on MixCloud
tracklist printed on the tapes
#TYBG - emla more & Takeninake Records

Lectures de Simone White et Mia Trabalon + Thalie Yang-Barnier mardi 20 mai à l’atelier Michael Woolworth, 19h. doublechange.org ✨

Dans le cadre d’un atelier de traduction collective organisé du lundi 19 au jeudi 22 mai à l’Université Gustave Eiffel. Informations à https://www.poetscritics.org/collective-translation-seminars-universite-gustave-eiffel-2022/

#poetry #poésie #translation #traduction #SimoneWhite #MiaTrabalon #ThalieYangBarnier #editionspol #dukeuniversitypress #uglyducklingpresse #ateliermichaelwoolworth #poesiecontemporaine #litteratureaméricaine #doublechange #paris #bastille #universitegustaveeiffel

Lectures de Simone White et Mia Trabalon + Thalie Yang-Barnier mardi 20 mai à l’atelier Michael Woolworth, 19h. doublechange.org ✨

Dans le cadre d’un atelier de traduction collective organisé du lundi 19 au jeudi 22 mai à l’Université Gustave Eiffel. Informations à https://www.poetscritics.org/collective-translation-seminars-universite-gustave-eiffel-2022/

#poetry #poésie #translation #traduction #SimoneWhite #MiaTrabalon #ThalieYangBarnier #editionspol #dukeuniversitypress #uglyducklingpresse #ateliermichaelwoolworth #poesiecontemporaine #litteratureaméricaine #doublechange #paris #bastille #universitegustaveeiffel

(💎 RARE) hello world, memlamix is a double audio cassette / diptych from emla more (@medium_nique) released by @takeninakerecords on April 14th (READ ↙️)

Side 🅰️ . i want some more (IDL), (“— wait, it's all IDL? — always has been”), 45’01’’, 22/04/2022

Side 🅱️. Analyzing Avril 14th on April 15th+Avril 14th, (Avril 14th learns how to be played by @ixi.music and reciprocally.) 48’02” 28/04/2022

These two mixes were made / available on SoundCloud back in 2022. Although ‘physical never mattered’ (the label’s motto), here they are again in limited copies (20! available on Bandcamp or hand delivery in Paris / Brussels).

Their influences are 1. Moments in Mixtape by NGUZUNGUZU (2010) ; L’Amour Toujours (vol. I-V) by Valentine (2020-) ; Better all at once by dejavux (2024). The last two can be found on @radiogaloche, just as Avril 11+1+1+1th (2021), a sort of prequel from emla.

@medium_nique says: Vincent & I send each other music ever since we met in 2012. In 2013, he dedicates me the JOOP mixtape. Each late August between 2014 and 2019, I sent him yearly mixtapes summarizing the school year that passed, under the deep grouse moniker.

@takeninake says: this netlabel exists since 2020 (10 years+ listening to music on the internet, and it’s ‘zinzin’!) dedicated to the labels that built my relationship to music, remaining lost and yet to be found in the web meanders. 24 releases since, still questioning the status of the physical format.

Last month, the ‘YEAR 5’ compilation features friends/comrades of the label, including witty moniker with s/o bassine – a digging of ‘Shake it off’.

The production costs will be covered with 10 copies sold, and help produce the next diptych, emlavoo, releasing this summer, and the rest of the money will help fund the @front_transfem trans support work

Cassettes produced by: @band_cds
Graphic Design: @takeninake / @medium_nique
Font: Trickster, Jean-Baptiste Morizot. Distributed by @velvetyne_type_foundry

20 physical copies
15 euros w/ shipping via Bandcamp
10 euros hand delivery BXL / Paris
mixes can be streamed for free on MixCloud
tracklist printed on the tapes
#TYBG - emla more & Takeninake Records

(💎 RARE) hello world, memlamix is a double audio cassette / diptych from emla more (@medium_nique) released by @takeninakerecords on April 14th (READ ↙️)

Side 🅰️ . i want some more (IDL), (“— wait, it's all IDL? — always has been”), 45’01’’, 22/04/2022

Side 🅱️. Analyzing Avril 14th on April 15th+Avril 14th, (Avril 14th learns how to be played by @ixi.music and reciprocally.) 48’02” 28/04/2022

These two mixes were made / available on SoundCloud back in 2022. Although ‘physical never mattered’ (the label’s motto), here they are again in limited copies (20! available on Bandcamp or hand delivery in Paris / Brussels).

Their influences are 1. Moments in Mixtape by NGUZUNGUZU (2010) ; L’Amour Toujours (vol. I-V) by Valentine (2020-) ; Better all at once by dejavux (2024). The last two can be found on @radiogaloche, just as Avril 11+1+1+1th (2021), a sort of prequel from emla.

@medium_nique says: Vincent & I send each other music ever since we met in 2012. In 2013, he dedicates me the JOOP mixtape. Each late August between 2014 and 2019, I sent him yearly mixtapes summarizing the school year that passed, under the deep grouse moniker.

@takeninake says: this netlabel exists since 2020 (10 years+ listening to music on the internet, and it’s ‘zinzin’!) dedicated to the labels that built my relationship to music, remaining lost and yet to be found in the web meanders. 24 releases since, still questioning the status of the physical format.

Last month, the ‘YEAR 5’ compilation features friends/comrades of the label, including witty moniker with s/o bassine – a digging of ‘Shake it off’.

The production costs will be covered with 10 copies sold, and help produce the next diptych, emlavoo, releasing this summer, and the rest of the money will help fund the @front_transfem trans support work

Cassettes produced by: @band_cds
Graphic Design: @takeninake / @medium_nique
Font: Trickster, Jean-Baptiste Morizot. Distributed by @velvetyne_type_foundry

20 physical copies
15 euros w/ shipping via Bandcamp
10 euros hand delivery BXL / Paris
mixes can be streamed for free on MixCloud
tracklist printed on the tapes
#TYBG - emla more & Takeninake Records

(💎 RARE) hello world, memlamix is a double audio cassette / diptych from emla more (@medium_nique) released by @takeninakerecords on April 14th (READ ↙️)

Side 🅰️ . i want some more (IDL), (“— wait, it's all IDL? — always has been”), 45’01’’, 22/04/2022

Side 🅱️. Analyzing Avril 14th on April 15th+Avril 14th, (Avril 14th learns how to be played by @ixi.music and reciprocally.) 48’02” 28/04/2022

These two mixes were made / available on SoundCloud back in 2022. Although ‘physical never mattered’ (the label’s motto), here they are again in limited copies (20! available on Bandcamp or hand delivery in Paris / Brussels).

Their influences are 1. Moments in Mixtape by NGUZUNGUZU (2010) ; L’Amour Toujours (vol. I-V) by Valentine (2020-) ; Better all at once by dejavux (2024). The last two can be found on @radiogaloche, just as Avril 11+1+1+1th (2021), a sort of prequel from emla.

@medium_nique says: Vincent & I send each other music ever since we met in 2012. In 2013, he dedicates me the JOOP mixtape. Each late August between 2014 and 2019, I sent him yearly mixtapes summarizing the school year that passed, under the deep grouse moniker.

@takeninake says: this netlabel exists since 2020 (10 years+ listening to music on the internet, and it’s ‘zinzin’!) dedicated to the labels that built my relationship to music, remaining lost and yet to be found in the web meanders. 24 releases since, still questioning the status of the physical format.

Last month, the ‘YEAR 5’ compilation features friends/comrades of the label, including witty moniker with s/o bassine – a digging of ‘Shake it off’.

The production costs will be covered with 10 copies sold, and help produce the next diptych, emlavoo, releasing this summer, and the rest of the money will help fund the @front_transfem trans support work

Cassettes produced by: @band_cds
Graphic Design: @takeninake / @medium_nique
Font: Trickster, Jean-Baptiste Morizot. Distributed by @velvetyne_type_foundry

20 physical copies
15 euros w/ shipping via Bandcamp
10 euros hand delivery BXL / Paris
mixes can be streamed for free on MixCloud
tracklist printed on the tapes
#TYBG - emla more & Takeninake Records

(💎 RARE) hello world, memlamix is a double audio cassette / diptych from emla more (@medium_nique) released by @takeninakerecords on April 14th (READ ↙️)

Side 🅰️ . i want some more (IDL), (“— wait, it's all IDL? — always has been”), 45’01’’, 22/04/2022

Side 🅱️. Analyzing Avril 14th on April 15th+Avril 14th, (Avril 14th learns how to be played by @ixi.music and reciprocally.) 48’02” 28/04/2022

These two mixes were made / available on SoundCloud back in 2022. Although ‘physical never mattered’ (the label’s motto), here they are again in limited copies (20! available on Bandcamp or hand delivery in Paris / Brussels).

Their influences are 1. Moments in Mixtape by NGUZUNGUZU (2010) ; L’Amour Toujours (vol. I-V) by Valentine (2020-) ; Better all at once by dejavux (2024). The last two can be found on @radiogaloche, just as Avril 11+1+1+1th (2021), a sort of prequel from emla.

@medium_nique says: Vincent & I send each other music ever since we met in 2012. In 2013, he dedicates me the JOOP mixtape. Each late August between 2014 and 2019, I sent him yearly mixtapes summarizing the school year that passed, under the deep grouse moniker.

@takeninake says: this netlabel exists since 2020 (10 years+ listening to music on the internet, and it’s ‘zinzin’!) dedicated to the labels that built my relationship to music, remaining lost and yet to be found in the web meanders. 24 releases since, still questioning the status of the physical format.

Last month, the ‘YEAR 5’ compilation features friends/comrades of the label, including witty moniker with s/o bassine – a digging of ‘Shake it off’.

The production costs will be covered with 10 copies sold, and help produce the next diptych, emlavoo, releasing this summer, and the rest of the money will help fund the @front_transfem trans support work

Cassettes produced by: @band_cds
Graphic Design: @takeninake / @medium_nique
Font: Trickster, Jean-Baptiste Morizot. Distributed by @velvetyne_type_foundry

20 physical copies
15 euros w/ shipping via Bandcamp
10 euros hand delivery BXL / Paris
mixes can be streamed for free on MixCloud
tracklist printed on the tapes
#TYBG - emla more & Takeninake Records

(💎 RARE) hello world, memlamix is a double audio cassette / diptych from emla more (@medium_nique) released by @takeninakerecords on April 14th (READ ↙️)

Side 🅰️ . i want some more (IDL), (“— wait, it's all IDL? — always has been”), 45’01’’, 22/04/2022

Side 🅱️. Analyzing Avril 14th on April 15th+Avril 14th, (Avril 14th learns how to be played by @ixi.music and reciprocally.) 48’02” 28/04/2022

These two mixes were made / available on SoundCloud back in 2022. Although ‘physical never mattered’ (the label’s motto), here they are again in limited copies (20! available on Bandcamp or hand delivery in Paris / Brussels).

Their influences are 1. Moments in Mixtape by NGUZUNGUZU (2010) ; L’Amour Toujours (vol. I-V) by Valentine (2020-) ; Better all at once by dejavux (2024). The last two can be found on @radiogaloche, just as Avril 11+1+1+1th (2021), a sort of prequel from emla.

@medium_nique says: Vincent & I send each other music ever since we met in 2012. In 2013, he dedicates me the JOOP mixtape. Each late August between 2014 and 2019, I sent him yearly mixtapes summarizing the school year that passed, under the deep grouse moniker.

@takeninake says: this netlabel exists since 2020 (10 years+ listening to music on the internet, and it’s ‘zinzin’!) dedicated to the labels that built my relationship to music, remaining lost and yet to be found in the web meanders. 24 releases since, still questioning the status of the physical format.

Last month, the ‘YEAR 5’ compilation features friends/comrades of the label, including witty moniker with s/o bassine – a digging of ‘Shake it off’.

The production costs will be covered with 10 copies sold, and help produce the next diptych, emlavoo, releasing this summer, and the rest of the money will help fund the @front_transfem trans support work

Cassettes produced by: @band_cds
Graphic Design: @takeninake / @medium_nique
Font: Trickster, Jean-Baptiste Morizot. Distributed by @velvetyne_type_foundry

20 physical copies
15 euros w/ shipping via Bandcamp
10 euros hand delivery BXL / Paris
mixes can be streamed for free on MixCloud
tracklist printed on the tapes
#TYBG - emla more & Takeninake Records

(💎 RARE) hello world, memlamix is a double audio cassette / diptych from emla more (@medium_nique) released by @takeninakerecords on April 14th (READ ↙️)

Side 🅰️ . i want some more (IDL), (“— wait, it's all IDL? — always has been”), 45’01’’, 22/04/2022

Side 🅱️. Analyzing Avril 14th on April 15th+Avril 14th, (Avril 14th learns how to be played by @ixi.music and reciprocally.) 48’02” 28/04/2022

These two mixes were made / available on SoundCloud back in 2022. Although ‘physical never mattered’ (the label’s motto), here they are again in limited copies (20! available on Bandcamp or hand delivery in Paris / Brussels).

Their influences are 1. Moments in Mixtape by NGUZUNGUZU (2010) ; L’Amour Toujours (vol. I-V) by Valentine (2020-) ; Better all at once by dejavux (2024). The last two can be found on @radiogaloche, just as Avril 11+1+1+1th (2021), a sort of prequel from emla.

@medium_nique says: Vincent & I send each other music ever since we met in 2012. In 2013, he dedicates me the JOOP mixtape. Each late August between 2014 and 2019, I sent him yearly mixtapes summarizing the school year that passed, under the deep grouse moniker.

@takeninake says: this netlabel exists since 2020 (10 years+ listening to music on the internet, and it’s ‘zinzin’!) dedicated to the labels that built my relationship to music, remaining lost and yet to be found in the web meanders. 24 releases since, still questioning the status of the physical format.

Last month, the ‘YEAR 5’ compilation features friends/comrades of the label, including witty moniker with s/o bassine – a digging of ‘Shake it off’.

The production costs will be covered with 10 copies sold, and help produce the next diptych, emlavoo, releasing this summer, and the rest of the money will help fund the @front_transfem trans support work

Cassettes produced by: @band_cds
Graphic Design: @takeninake / @medium_nique
Font: Trickster, Jean-Baptiste Morizot. Distributed by @velvetyne_type_foundry

20 physical copies
15 euros w/ shipping via Bandcamp
10 euros hand delivery BXL / Paris
mixes can be streamed for free on MixCloud
tracklist printed on the tapes
#TYBG - emla more & Takeninake Records

ok ma dernière publication manquait peut-être de clarté

mais c’était fait exprès pour manquer d’avoir votre attention

j’ai écrit un poème en anglais pour une revue à l’automne 2023

c’est très personnel mais venez pour le collectif

y’a cinq parties divisées en huit parties

et ça peut se lire de plein de manières

je lirai la version boucle / spirale sur une piste instrumentale

faite en utilisant Party Over de Mobb Deep, 16 rimes de La Brigade (ft. Lunatic) et Dang de Caroline Polachek

merci @non.assistance @mapinyourmind @ex.coda pour la confiance

@maisondes10chiennes pour les couleurs

@hardtodefine pour les refs nécessaires

@tiina_tkt pour le t shirt

@ vous si vous le souhaitez

ok ma dernière publication manquait peut-être de clarté

mais c’était fait exprès pour manquer d’avoir votre attention

j’ai écrit un poème en anglais pour une revue à l’automne 2023

c’est très personnel mais venez pour le collectif

y’a cinq parties divisées en huit parties

et ça peut se lire de plein de manières

je lirai la version boucle / spirale sur une piste instrumentale

faite en utilisant Party Over de Mobb Deep, 16 rimes de La Brigade (ft. Lunatic) et Dang de Caroline Polachek

merci @non.assistance @mapinyourmind @ex.coda pour la confiance

@maisondes10chiennes pour les couleurs

@hardtodefine pour les refs nécessaires

@tiina_tkt pour le t shirt

@ vous si vous le souhaitez

🐾 hello, si cette publication manque de clarté, ask me anything ➰

Beginnings

Softback, + Insert, 96pp
110 × 175 × 10mm

Edit and design:
Manon Michèle and Oliver Boulton @non.assistance @mapinyourmind
Publisher: @ex.coda 

Contributors:

Alice dos Reis @alicedreis
Anaïs Fontanges @anais____98
Anna Bierler @annauuannauua
Auriane Preud’homme @aurianepreudhomme
Bravas Graphix @bravas.graphix
Calli Uzza Layton @ultimate_tuna_melt
Clara Pasteau @clara_pasteau
Cleo Tsw @cleotsw
D-E-A-L @deal_eu
Elina Birkehag @elinabirkehag
Eliott Déchamboux @lile.nova
Émilie Pitoiset @emiliepitoiset
Heleen Mineur @heleenmineur
Hyo Young Chu @chuccar
Josefina Anjou @josefinamjao
Juliette Lepineau @juliettelepineau
Kimberley Cosmilla @kimberleydolores
Manon Michèle @non.assistance
Maria Paris @moldymary
Marie-Mam Sai Bellier @sai.mam
Mathis Perron @pseudoscience_17
Mia Trabalon @medium_nique
Pablo Bardinet @pablobardinet
Pays de Glossolalie @pyroliso @lena_slbrt
Philip Ullman @philipullman
Raphaël Massart @raphaelmassart
Sanae Oujjit @demo___crazy
Silvana Mc Nulty @silvana_mcnulty_
Yunie Chae @chaechup

Printed by Cassochrome @cassochrome.printing (Gent, BE). Cover: 2/0 black + PMS translucent metallic on (coated) 240gsm. Inner: 1/1 black on (uncoated) 90gsm. Cold glue. Insert: 3/0 risograph printed; fluorescent green, blue, red by Studio Fidèle @studio_fidele (Paris, FR).

Ex. Coda 3

🐾 hello, si cette publication manque de clarté, ask me anything ➰

Beginnings

Softback, + Insert, 96pp
110 × 175 × 10mm

Edit and design:
Manon Michèle and Oliver Boulton @non.assistance @mapinyourmind
Publisher: @ex.coda 

Contributors:

Alice dos Reis @alicedreis
Anaïs Fontanges @anais____98
Anna Bierler @annauuannauua
Auriane Preud’homme @aurianepreudhomme
Bravas Graphix @bravas.graphix
Calli Uzza Layton @ultimate_tuna_melt
Clara Pasteau @clara_pasteau
Cleo Tsw @cleotsw
D-E-A-L @deal_eu
Elina Birkehag @elinabirkehag
Eliott Déchamboux @lile.nova
Émilie Pitoiset @emiliepitoiset
Heleen Mineur @heleenmineur
Hyo Young Chu @chuccar
Josefina Anjou @josefinamjao
Juliette Lepineau @juliettelepineau
Kimberley Cosmilla @kimberleydolores
Manon Michèle @non.assistance
Maria Paris @moldymary
Marie-Mam Sai Bellier @sai.mam
Mathis Perron @pseudoscience_17
Mia Trabalon @medium_nique
Pablo Bardinet @pablobardinet
Pays de Glossolalie @pyroliso @lena_slbrt
Philip Ullman @philipullman
Raphaël Massart @raphaelmassart
Sanae Oujjit @demo___crazy
Silvana Mc Nulty @silvana_mcnulty_
Yunie Chae @chaechup

Printed by Cassochrome @cassochrome.printing (Gent, BE). Cover: 2/0 black + PMS translucent metallic on (coated) 240gsm. Inner: 1/1 black on (uncoated) 90gsm. Cold glue. Insert: 3/0 risograph printed; fluorescent green, blue, red by Studio Fidèle @studio_fidele (Paris, FR).

Ex. Coda 3

🐾 hello, si cette publication manque de clarté, ask me anything ➰

Beginnings

Softback, + Insert, 96pp
110 × 175 × 10mm

Edit and design:
Manon Michèle and Oliver Boulton @non.assistance @mapinyourmind
Publisher: @ex.coda 

Contributors:

Alice dos Reis @alicedreis
Anaïs Fontanges @anais____98
Anna Bierler @annauuannauua
Auriane Preud’homme @aurianepreudhomme
Bravas Graphix @bravas.graphix
Calli Uzza Layton @ultimate_tuna_melt
Clara Pasteau @clara_pasteau
Cleo Tsw @cleotsw
D-E-A-L @deal_eu
Elina Birkehag @elinabirkehag
Eliott Déchamboux @lile.nova
Émilie Pitoiset @emiliepitoiset
Heleen Mineur @heleenmineur
Hyo Young Chu @chuccar
Josefina Anjou @josefinamjao
Juliette Lepineau @juliettelepineau
Kimberley Cosmilla @kimberleydolores
Manon Michèle @non.assistance
Maria Paris @moldymary
Marie-Mam Sai Bellier @sai.mam
Mathis Perron @pseudoscience_17
Mia Trabalon @medium_nique
Pablo Bardinet @pablobardinet
Pays de Glossolalie @pyroliso @lena_slbrt
Philip Ullman @philipullman
Raphaël Massart @raphaelmassart
Sanae Oujjit @demo___crazy
Silvana Mc Nulty @silvana_mcnulty_
Yunie Chae @chaechup

Printed by Cassochrome @cassochrome.printing (Gent, BE). Cover: 2/0 black + PMS translucent metallic on (coated) 240gsm. Inner: 1/1 black on (uncoated) 90gsm. Cold glue. Insert: 3/0 risograph printed; fluorescent green, blue, red by Studio Fidèle @studio_fidele (Paris, FR).

Ex. Coda 3

🐾 hello, si cette publication manque de clarté, ask me anything ➰

Beginnings

Softback, + Insert, 96pp
110 × 175 × 10mm

Edit and design:
Manon Michèle and Oliver Boulton @non.assistance @mapinyourmind
Publisher: @ex.coda 

Contributors:

Alice dos Reis @alicedreis
Anaïs Fontanges @anais____98
Anna Bierler @annauuannauua
Auriane Preud’homme @aurianepreudhomme
Bravas Graphix @bravas.graphix
Calli Uzza Layton @ultimate_tuna_melt
Clara Pasteau @clara_pasteau
Cleo Tsw @cleotsw
D-E-A-L @deal_eu
Elina Birkehag @elinabirkehag
Eliott Déchamboux @lile.nova
Émilie Pitoiset @emiliepitoiset
Heleen Mineur @heleenmineur
Hyo Young Chu @chuccar
Josefina Anjou @josefinamjao
Juliette Lepineau @juliettelepineau
Kimberley Cosmilla @kimberleydolores
Manon Michèle @non.assistance
Maria Paris @moldymary
Marie-Mam Sai Bellier @sai.mam
Mathis Perron @pseudoscience_17
Mia Trabalon @medium_nique
Pablo Bardinet @pablobardinet
Pays de Glossolalie @pyroliso @lena_slbrt
Philip Ullman @philipullman
Raphaël Massart @raphaelmassart
Sanae Oujjit @demo___crazy
Silvana Mc Nulty @silvana_mcnulty_
Yunie Chae @chaechup

Printed by Cassochrome @cassochrome.printing (Gent, BE). Cover: 2/0 black + PMS translucent metallic on (coated) 240gsm. Inner: 1/1 black on (uncoated) 90gsm. Cold glue. Insert: 3/0 risograph printed; fluorescent green, blue, red by Studio Fidèle @studio_fidele (Paris, FR).

Ex. Coda 3

🐾 hello, si cette publication manque de clarté, ask me anything ➰

Beginnings

Softback, + Insert, 96pp
110 × 175 × 10mm

Edit and design:
Manon Michèle and Oliver Boulton @non.assistance @mapinyourmind
Publisher: @ex.coda 

Contributors:

Alice dos Reis @alicedreis
Anaïs Fontanges @anais____98
Anna Bierler @annauuannauua
Auriane Preud’homme @aurianepreudhomme
Bravas Graphix @bravas.graphix
Calli Uzza Layton @ultimate_tuna_melt
Clara Pasteau @clara_pasteau
Cleo Tsw @cleotsw
D-E-A-L @deal_eu
Elina Birkehag @elinabirkehag
Eliott Déchamboux @lile.nova
Émilie Pitoiset @emiliepitoiset
Heleen Mineur @heleenmineur
Hyo Young Chu @chuccar
Josefina Anjou @josefinamjao
Juliette Lepineau @juliettelepineau
Kimberley Cosmilla @kimberleydolores
Manon Michèle @non.assistance
Maria Paris @moldymary
Marie-Mam Sai Bellier @sai.mam
Mathis Perron @pseudoscience_17
Mia Trabalon @medium_nique
Pablo Bardinet @pablobardinet
Pays de Glossolalie @pyroliso @lena_slbrt
Philip Ullman @philipullman
Raphaël Massart @raphaelmassart
Sanae Oujjit @demo___crazy
Silvana Mc Nulty @silvana_mcnulty_
Yunie Chae @chaechup

Printed by Cassochrome @cassochrome.printing (Gent, BE). Cover: 2/0 black + PMS translucent metallic on (coated) 240gsm. Inner: 1/1 black on (uncoated) 90gsm. Cold glue. Insert: 3/0 risograph printed; fluorescent green, blue, red by Studio Fidèle @studio_fidele (Paris, FR).

Ex. Coda 3

🐾 hello, si cette publication manque de clarté, ask me anything ➰

Beginnings

Softback, + Insert, 96pp
110 × 175 × 10mm

Edit and design:
Manon Michèle and Oliver Boulton @non.assistance @mapinyourmind
Publisher: @ex.coda 

Contributors:

Alice dos Reis @alicedreis
Anaïs Fontanges @anais____98
Anna Bierler @annauuannauua
Auriane Preud’homme @aurianepreudhomme
Bravas Graphix @bravas.graphix
Calli Uzza Layton @ultimate_tuna_melt
Clara Pasteau @clara_pasteau
Cleo Tsw @cleotsw
D-E-A-L @deal_eu
Elina Birkehag @elinabirkehag
Eliott Déchamboux @lile.nova
Émilie Pitoiset @emiliepitoiset
Heleen Mineur @heleenmineur
Hyo Young Chu @chuccar
Josefina Anjou @josefinamjao
Juliette Lepineau @juliettelepineau
Kimberley Cosmilla @kimberleydolores
Manon Michèle @non.assistance
Maria Paris @moldymary
Marie-Mam Sai Bellier @sai.mam
Mathis Perron @pseudoscience_17
Mia Trabalon @medium_nique
Pablo Bardinet @pablobardinet
Pays de Glossolalie @pyroliso @lena_slbrt
Philip Ullman @philipullman
Raphaël Massart @raphaelmassart
Sanae Oujjit @demo___crazy
Silvana Mc Nulty @silvana_mcnulty_
Yunie Chae @chaechup

Printed by Cassochrome @cassochrome.printing (Gent, BE). Cover: 2/0 black + PMS translucent metallic on (coated) 240gsm. Inner: 1/1 black on (uncoated) 90gsm. Cold glue. Insert: 3/0 risograph printed; fluorescent green, blue, red by Studio Fidèle @studio_fidele (Paris, FR).

Ex. Coda 3

🐾 hello, si cette publication manque de clarté, ask me anything ➰

Beginnings

Softback, + Insert, 96pp
110 × 175 × 10mm

Edit and design:
Manon Michèle and Oliver Boulton @non.assistance @mapinyourmind
Publisher: @ex.coda 

Contributors:

Alice dos Reis @alicedreis
Anaïs Fontanges @anais____98
Anna Bierler @annauuannauua
Auriane Preud’homme @aurianepreudhomme
Bravas Graphix @bravas.graphix
Calli Uzza Layton @ultimate_tuna_melt
Clara Pasteau @clara_pasteau
Cleo Tsw @cleotsw
D-E-A-L @deal_eu
Elina Birkehag @elinabirkehag
Eliott Déchamboux @lile.nova
Émilie Pitoiset @emiliepitoiset
Heleen Mineur @heleenmineur
Hyo Young Chu @chuccar
Josefina Anjou @josefinamjao
Juliette Lepineau @juliettelepineau
Kimberley Cosmilla @kimberleydolores
Manon Michèle @non.assistance
Maria Paris @moldymary
Marie-Mam Sai Bellier @sai.mam
Mathis Perron @pseudoscience_17
Mia Trabalon @medium_nique
Pablo Bardinet @pablobardinet
Pays de Glossolalie @pyroliso @lena_slbrt
Philip Ullman @philipullman
Raphaël Massart @raphaelmassart
Sanae Oujjit @demo___crazy
Silvana Mc Nulty @silvana_mcnulty_
Yunie Chae @chaechup

Printed by Cassochrome @cassochrome.printing (Gent, BE). Cover: 2/0 black + PMS translucent metallic on (coated) 240gsm. Inner: 1/1 black on (uncoated) 90gsm. Cold glue. Insert: 3/0 risograph printed; fluorescent green, blue, red by Studio Fidèle @studio_fidele (Paris, FR).

Ex. Coda 3

🐾 hello, si cette publication manque de clarté, ask me anything ➰

Beginnings

Softback, + Insert, 96pp
110 × 175 × 10mm

Edit and design:
Manon Michèle and Oliver Boulton @non.assistance @mapinyourmind
Publisher: @ex.coda 

Contributors:

Alice dos Reis @alicedreis
Anaïs Fontanges @anais____98
Anna Bierler @annauuannauua
Auriane Preud’homme @aurianepreudhomme
Bravas Graphix @bravas.graphix
Calli Uzza Layton @ultimate_tuna_melt
Clara Pasteau @clara_pasteau
Cleo Tsw @cleotsw
D-E-A-L @deal_eu
Elina Birkehag @elinabirkehag
Eliott Déchamboux @lile.nova
Émilie Pitoiset @emiliepitoiset
Heleen Mineur @heleenmineur
Hyo Young Chu @chuccar
Josefina Anjou @josefinamjao
Juliette Lepineau @juliettelepineau
Kimberley Cosmilla @kimberleydolores
Manon Michèle @non.assistance
Maria Paris @moldymary
Marie-Mam Sai Bellier @sai.mam
Mathis Perron @pseudoscience_17
Mia Trabalon @medium_nique
Pablo Bardinet @pablobardinet
Pays de Glossolalie @pyroliso @lena_slbrt
Philip Ullman @philipullman
Raphaël Massart @raphaelmassart
Sanae Oujjit @demo___crazy
Silvana Mc Nulty @silvana_mcnulty_
Yunie Chae @chaechup

Printed by Cassochrome @cassochrome.printing (Gent, BE). Cover: 2/0 black + PMS translucent metallic on (coated) 240gsm. Inner: 1/1 black on (uncoated) 90gsm. Cold glue. Insert: 3/0 risograph printed; fluorescent green, blue, red by Studio Fidèle @studio_fidele (Paris, FR).

Ex. Coda 3

[english ⬇️] Le 27 avril, retrouvez-nous sur zoom pour l’admin reveal des deux amateur sleuths derrière le compte de memes @hardtodefine : nous, @medium_nique et @sarahnefissa

Depuis deux ans, on a publié du contenu autour de la série The OA en faisant des crossovers avec un spectre assez large de thématiques abordées.

Cette présentation sera l’opportunité pour nous de rendre plus compréhensible ce que nous avons pu mettre en ligne.

L’évènement commence à 15 heures pour la première conférence OA, organisée par :

Franck Boulègue, Associated Scholar, University of Liège and author, Twin Peaks: Unwrapping the Plastic

Marisa C. Hayes, University of Brighton, School of Art and in Media and editor, Art in Motion: Current Research in Screendance

Robert Sinnerbrink, Macquarie University and author, New Philosophies of Film

David Sweeney, Glasgow School of Art and author, Constellations: The OA

You come find us !

On the 27th of April, join us on zoom for an admin reveal of the two amateur sleuths behind @hardtodefine : us, @medium_nique and @sarahnefissa

For the past two years, we’ve been posting OA-related content tackling a wide array of themes that we enjoy making crossovers with.

This presentation will be an opportunity for us making it easier to define what we have been posting.

We will be live starting 3PM for the first OA conference, organized by:

Franck Boulègue, Associated Scholar, University of Liège and author, Twin Peaks: Unwrapping the Plastic

Marisa C. Hayes, University of Brighton, School of Art and in Media and editor, Art in Motion: Current Research in Screendance

Robert Sinnerbrink, Macquarie University and author, New Philosophies of Film

David Sweeney, Glasgow School of Art and author, Constellations: The OA

You come find us!

#TheOAisReal #SaveTheOA

[english ⬇️] Le 27 avril, retrouvez-nous sur zoom pour l’admin reveal des deux amateur sleuths derrière le compte de memes @hardtodefine : nous, @medium_nique et @sarahnefissa

Depuis deux ans, on a publié du contenu autour de la série The OA en faisant des crossovers avec un spectre assez large de thématiques abordées.

Cette présentation sera l’opportunité pour nous de rendre plus compréhensible ce que nous avons pu mettre en ligne.

L’évènement commence à 15 heures pour la première conférence OA, organisée par :

Franck Boulègue, Associated Scholar, University of Liège and author, Twin Peaks: Unwrapping the Plastic

Marisa C. Hayes, University of Brighton, School of Art and in Media and editor, Art in Motion: Current Research in Screendance

Robert Sinnerbrink, Macquarie University and author, New Philosophies of Film

David Sweeney, Glasgow School of Art and author, Constellations: The OA

You come find us !

On the 27th of April, join us on zoom for an admin reveal of the two amateur sleuths behind @hardtodefine : us, @medium_nique and @sarahnefissa

For the past two years, we’ve been posting OA-related content tackling a wide array of themes that we enjoy making crossovers with.

This presentation will be an opportunity for us making it easier to define what we have been posting.

We will be live starting 3PM for the first OA conference, organized by:

Franck Boulègue, Associated Scholar, University of Liège and author, Twin Peaks: Unwrapping the Plastic

Marisa C. Hayes, University of Brighton, School of Art and in Media and editor, Art in Motion: Current Research in Screendance

Robert Sinnerbrink, Macquarie University and author, New Philosophies of Film

David Sweeney, Glasgow School of Art and author, Constellations: The OA

You come find us!

#TheOAisReal #SaveTheOA

[english ⬇️] Le 27 avril, retrouvez-nous sur zoom pour l’admin reveal des deux amateur sleuths derrière le compte de memes @hardtodefine : nous, @medium_nique et @sarahnefissa

Depuis deux ans, on a publié du contenu autour de la série The OA en faisant des crossovers avec un spectre assez large de thématiques abordées.

Cette présentation sera l’opportunité pour nous de rendre plus compréhensible ce que nous avons pu mettre en ligne.

L’évènement commence à 15 heures pour la première conférence OA, organisée par :

Franck Boulègue, Associated Scholar, University of Liège and author, Twin Peaks: Unwrapping the Plastic

Marisa C. Hayes, University of Brighton, School of Art and in Media and editor, Art in Motion: Current Research in Screendance

Robert Sinnerbrink, Macquarie University and author, New Philosophies of Film

David Sweeney, Glasgow School of Art and author, Constellations: The OA

You come find us !

On the 27th of April, join us on zoom for an admin reveal of the two amateur sleuths behind @hardtodefine : us, @medium_nique and @sarahnefissa

For the past two years, we’ve been posting OA-related content tackling a wide array of themes that we enjoy making crossovers with.

This presentation will be an opportunity for us making it easier to define what we have been posting.

We will be live starting 3PM for the first OA conference, organized by:

Franck Boulègue, Associated Scholar, University of Liège and author, Twin Peaks: Unwrapping the Plastic

Marisa C. Hayes, University of Brighton, School of Art and in Media and editor, Art in Motion: Current Research in Screendance

Robert Sinnerbrink, Macquarie University and author, New Philosophies of Film

David Sweeney, Glasgow School of Art and author, Constellations: The OA

You come find us!

#TheOAisReal #SaveTheOA

[english ⬇️] Le 27 avril, retrouvez-nous sur zoom pour l’admin reveal des deux amateur sleuths derrière le compte de memes @hardtodefine : nous, @medium_nique et @sarahnefissa

Depuis deux ans, on a publié du contenu autour de la série The OA en faisant des crossovers avec un spectre assez large de thématiques abordées.

Cette présentation sera l’opportunité pour nous de rendre plus compréhensible ce que nous avons pu mettre en ligne.

L’évènement commence à 15 heures pour la première conférence OA, organisée par :

Franck Boulègue, Associated Scholar, University of Liège and author, Twin Peaks: Unwrapping the Plastic

Marisa C. Hayes, University of Brighton, School of Art and in Media and editor, Art in Motion: Current Research in Screendance

Robert Sinnerbrink, Macquarie University and author, New Philosophies of Film

David Sweeney, Glasgow School of Art and author, Constellations: The OA

You come find us !

On the 27th of April, join us on zoom for an admin reveal of the two amateur sleuths behind @hardtodefine : us, @medium_nique and @sarahnefissa

For the past two years, we’ve been posting OA-related content tackling a wide array of themes that we enjoy making crossovers with.

This presentation will be an opportunity for us making it easier to define what we have been posting.

We will be live starting 3PM for the first OA conference, organized by:

Franck Boulègue, Associated Scholar, University of Liège and author, Twin Peaks: Unwrapping the Plastic

Marisa C. Hayes, University of Brighton, School of Art and in Media and editor, Art in Motion: Current Research in Screendance

Robert Sinnerbrink, Macquarie University and author, New Philosophies of Film

David Sweeney, Glasgow School of Art and author, Constellations: The OA

You come find us!

#TheOAisReal #SaveTheOA

[english ⬇️] Le 27 avril, retrouvez-nous sur zoom pour l’admin reveal des deux amateur sleuths derrière le compte de memes @hardtodefine : nous, @medium_nique et @sarahnefissa

Depuis deux ans, on a publié du contenu autour de la série The OA en faisant des crossovers avec un spectre assez large de thématiques abordées.

Cette présentation sera l’opportunité pour nous de rendre plus compréhensible ce que nous avons pu mettre en ligne.

L’évènement commence à 15 heures pour la première conférence OA, organisée par :

Franck Boulègue, Associated Scholar, University of Liège and author, Twin Peaks: Unwrapping the Plastic

Marisa C. Hayes, University of Brighton, School of Art and in Media and editor, Art in Motion: Current Research in Screendance

Robert Sinnerbrink, Macquarie University and author, New Philosophies of Film

David Sweeney, Glasgow School of Art and author, Constellations: The OA

You come find us !

On the 27th of April, join us on zoom for an admin reveal of the two amateur sleuths behind @hardtodefine : us, @medium_nique and @sarahnefissa

For the past two years, we’ve been posting OA-related content tackling a wide array of themes that we enjoy making crossovers with.

This presentation will be an opportunity for us making it easier to define what we have been posting.

We will be live starting 3PM for the first OA conference, organized by:

Franck Boulègue, Associated Scholar, University of Liège and author, Twin Peaks: Unwrapping the Plastic

Marisa C. Hayes, University of Brighton, School of Art and in Media and editor, Art in Motion: Current Research in Screendance

Robert Sinnerbrink, Macquarie University and author, New Philosophies of Film

David Sweeney, Glasgow School of Art and author, Constellations: The OA

You come find us!

#TheOAisReal #SaveTheOA