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A line is a dot taking a walk

🚶🏼‍♀️🚶🏼‍♀️🚶🏼‍♀️
OSP is excited to continue the plotter workshop series, a series of four workshops from February to June, focusing on languages and uses related to pen plotters*.
 
📁📁📁
During this second workshop, through: scaling up, scaling down, making bold, thin, thick, on top, next to, drawing with a modern or old machine, using Posca or Stabilo pens, copying, and remixing and reusing vectors and paper — we will play with the line, its tension, its vibration and sharpness; and experiment with drawing, flirting with the fragility the machine brings.

📊📊📊📊
Together with our special guest Louis Garrido @louisgarrido91 we’ll look at existing vector libraries and use their illustrations to draw on various administrative papers.

🗑️🗑️🗑️🗑️🗑️🗑️
A phone bill, a train ticket, an unpaid invoice, a cherished receipt, a useless diploma, a recycling guideline letter from the commune… bring any administrative paper lying at home that you are willing to tweak, customize, mark. 

🗂️🗂️🗂️🗂️
What to bring?
- your computer
- useless administrative papers

📋📋📋📋
optional :
- Inkscape** installed on your computer
- your favorite snack

📜📜📜📜
No particular experience is required, we will only manipulate vectors on Inkscape**.

🎟🎟🎟🎟
We can only welcome a limited amount of participants and we aim for a diverse group in experiences. 

🧾🧾🧾🧾🧾
Send us a note to this email address before May 25 : cookwithus@osp.kitchen

✒️✒️✒️
We’ll get back to you asap for confirmation and further information.

❗❗❗
Saturday the 30th of May
1pm-6pm
at Jette400, in Koekelberg, Brussels, métro Simonis
⌨️ @jette4hundred

🏷️🏷️🏷️🏷️
Jette400 is accessible only through stairs.
The workshop is free and funded by FWB

🖥️ plotterstation.osp.kitchen

🚶‍♀️🚶‍♀️🚶‍♀️

A line is a dot taking a walk

🚶🏼‍♀️🚶🏼‍♀️🚶🏼‍♀️
OSP is excited to continue the plotter workshop series, a series of four workshops from February to June, focusing on languages and uses related to pen plotters*.
 
📁📁📁
During this second workshop, through: scaling up, scaling down, making bold, thin, thick, on top, next to, drawing with a modern or old machine, using Posca or Stabilo pens, copying, and remixing and reusing vectors and paper — we will play with the line, its tension, its vibration and sharpness; and experiment with drawing, flirting with the fragility the machine brings.

📊📊📊📊
Together with our special guest Louis Garrido @louisgarrido91 we’ll look at existing vector libraries and use their illustrations to draw on various administrative papers.

🗑️🗑️🗑️🗑️🗑️🗑️
A phone bill, a train ticket, an unpaid invoice, a cherished receipt, a useless diploma, a recycling guideline letter from the commune… bring any administrative paper lying at home that you are willing to tweak, customize, mark. 

🗂️🗂️🗂️🗂️
What to bring?
- your computer
- useless administrative papers

📋📋📋📋
optional :
- Inkscape** installed on your computer
- your favorite snack

📜📜📜📜
No particular experience is required, we will only manipulate vectors on Inkscape**.

🎟🎟🎟🎟
We can only welcome a limited amount of participants and we aim for a diverse group in experiences. 

🧾🧾🧾🧾🧾
Send us a note to this email address before May 25 : cookwithus@osp.kitchen

✒️✒️✒️
We’ll get back to you asap for confirmation and further information.

❗❗❗
Saturday the 30th of May
1pm-6pm
at Jette400, in Koekelberg, Brussels, métro Simonis
⌨️ @jette4hundred

🏷️🏷️🏷️🏷️
Jette400 is accessible only through stairs.
The workshop is free and funded by FWB

🖥️ plotterstation.osp.kitchen

🚶‍♀️🚶‍♀️🚶‍♀️

A line is a dot taking a walk

🚶🏼‍♀️🚶🏼‍♀️🚶🏼‍♀️
OSP is excited to continue the plotter workshop series, a series of four workshops from February to June, focusing on languages and uses related to pen plotters*.
 
📁📁📁
During this second workshop, through: scaling up, scaling down, making bold, thin, thick, on top, next to, drawing with a modern or old machine, using Posca or Stabilo pens, copying, and remixing and reusing vectors and paper — we will play with the line, its tension, its vibration and sharpness; and experiment with drawing, flirting with the fragility the machine brings.

📊📊📊📊
Together with our special guest Louis Garrido @louisgarrido91 we’ll look at existing vector libraries and use their illustrations to draw on various administrative papers.

🗑️🗑️🗑️🗑️🗑️🗑️
A phone bill, a train ticket, an unpaid invoice, a cherished receipt, a useless diploma, a recycling guideline letter from the commune… bring any administrative paper lying at home that you are willing to tweak, customize, mark. 

🗂️🗂️🗂️🗂️
What to bring?
- your computer
- useless administrative papers

📋📋📋📋
optional :
- Inkscape** installed on your computer
- your favorite snack

📜📜📜📜
No particular experience is required, we will only manipulate vectors on Inkscape**.

🎟🎟🎟🎟
We can only welcome a limited amount of participants and we aim for a diverse group in experiences. 

🧾🧾🧾🧾🧾
Send us a note to this email address before May 25 : cookwithus@osp.kitchen

✒️✒️✒️
We’ll get back to you asap for confirmation and further information.

❗❗❗
Saturday the 30th of May
1pm-6pm
at Jette400, in Koekelberg, Brussels, métro Simonis
⌨️ @jette4hundred

🏷️🏷️🏷️🏷️
Jette400 is accessible only through stairs.
The workshop is free and funded by FWB

🖥️ plotterstation.osp.kitchen

🚶‍♀️🚶‍♀️🚶‍♀️

A line is a dot taking a walk

🚶🏼‍♀️🚶🏼‍♀️🚶🏼‍♀️
OSP is excited to continue the plotter workshop series, a series of four workshops from February to June, focusing on languages and uses related to pen plotters*.
 
📁📁📁
During this second workshop, through: scaling up, scaling down, making bold, thin, thick, on top, next to, drawing with a modern or old machine, using Posca or Stabilo pens, copying, and remixing and reusing vectors and paper — we will play with the line, its tension, its vibration and sharpness; and experiment with drawing, flirting with the fragility the machine brings.

📊📊📊📊
Together with our special guest Louis Garrido @louisgarrido91 we’ll look at existing vector libraries and use their illustrations to draw on various administrative papers.

🗑️🗑️🗑️🗑️🗑️🗑️
A phone bill, a train ticket, an unpaid invoice, a cherished receipt, a useless diploma, a recycling guideline letter from the commune… bring any administrative paper lying at home that you are willing to tweak, customize, mark. 

🗂️🗂️🗂️🗂️
What to bring?
- your computer
- useless administrative papers

📋📋📋📋
optional :
- Inkscape** installed on your computer
- your favorite snack

📜📜📜📜
No particular experience is required, we will only manipulate vectors on Inkscape**.

🎟🎟🎟🎟
We can only welcome a limited amount of participants and we aim for a diverse group in experiences. 

🧾🧾🧾🧾🧾
Send us a note to this email address before May 25 : cookwithus@osp.kitchen

✒️✒️✒️
We’ll get back to you asap for confirmation and further information.

❗❗❗
Saturday the 30th of May
1pm-6pm
at Jette400, in Koekelberg, Brussels, métro Simonis
⌨️ @jette4hundred

🏷️🏷️🏷️🏷️
Jette400 is accessible only through stairs.
The workshop is free and funded by FWB

🖥️ plotterstation.osp.kitchen

🚶‍♀️🚶‍♀️🚶‍♀️

A line is a dot taking a walk

🚶🏼‍♀️🚶🏼‍♀️🚶🏼‍♀️
OSP is excited to continue the plotter workshop series, a series of four workshops from February to June, focusing on languages and uses related to pen plotters*.
 
📁📁📁
During this second workshop, through: scaling up, scaling down, making bold, thin, thick, on top, next to, drawing with a modern or old machine, using Posca or Stabilo pens, copying, and remixing and reusing vectors and paper — we will play with the line, its tension, its vibration and sharpness; and experiment with drawing, flirting with the fragility the machine brings.

📊📊📊📊
Together with our special guest Louis Garrido @louisgarrido91 we’ll look at existing vector libraries and use their illustrations to draw on various administrative papers.

🗑️🗑️🗑️🗑️🗑️🗑️
A phone bill, a train ticket, an unpaid invoice, a cherished receipt, a useless diploma, a recycling guideline letter from the commune… bring any administrative paper lying at home that you are willing to tweak, customize, mark. 

🗂️🗂️🗂️🗂️
What to bring?
- your computer
- useless administrative papers

📋📋📋📋
optional :
- Inkscape** installed on your computer
- your favorite snack

📜📜📜📜
No particular experience is required, we will only manipulate vectors on Inkscape**.

🎟🎟🎟🎟
We can only welcome a limited amount of participants and we aim for a diverse group in experiences. 

🧾🧾🧾🧾🧾
Send us a note to this email address before May 25 : cookwithus@osp.kitchen

✒️✒️✒️
We’ll get back to you asap for confirmation and further information.

❗❗❗
Saturday the 30th of May
1pm-6pm
at Jette400, in Koekelberg, Brussels, métro Simonis
⌨️ @jette4hundred

🏷️🏷️🏷️🏷️
Jette400 is accessible only through stairs.
The workshop is free and funded by FWB

🖥️ plotterstation.osp.kitchen

🚶‍♀️🚶‍♀️🚶‍♀️

More wooden carved boots and prints for David Posth-Kohler current exhibition at @lescapucins.embrun 👢👢👢👢👢👢👢👠👠👠👡👡👡👡👢👢👠👠👠

More wooden carved boots and prints for David Posth-Kohler current exhibition at @lescapucins.embrun 👢👢👢👢👢👢👢👠👠👠👡👡👡👡👢👢👠👠👠

More wooden carved boots and prints for David Posth-Kohler current exhibition at @lescapucins.embrun 👢👢👢👢👢👢👢👠👠👠👡👡👡👡👢👢👠👠👠

More wooden carved boots and prints for David Posth-Kohler current exhibition at @lescapucins.embrun 👢👢👢👢👢👢👢👠👠👠👡👡👡👡👢👢👠👠👠

More wooden carved boots and prints for David Posth-Kohler current exhibition at @lescapucins.embrun 👢👢👢👢👢👢👢👠👠👠👡👡👡👡👢👢👠👠👠

More wooden carved boots and prints for David Posth-Kohler current exhibition at @lescapucins.embrun 👢👢👢👢👢👢👢👠👠👠👡👡👡👡👢👢👠👠👠

More wooden carved boots and prints for David Posth-Kohler current exhibition at @lescapucins.embrun 👢👢👢👢👢👢👢👠👠👠👡👡👡👡👢👢👠👠👠

More wooden carved boots and prints for David Posth-Kohler current exhibition at @lescapucins.embrun 👢👢👢👢👢👢👢👠👠👠👡👡👡👡👢👢👠👠👠

More wooden carved boots and prints for David Posth-Kohler current exhibition at @lescapucins.embrun 👢👢👢👢👢👢👢👠👠👠👡👡👡👡👢👢👠👠👠

More wooden carved boots and prints for David Posth-Kohler current exhibition at @lescapucins.embrun 👢👢👢👢👢👢👢👠👠👠👡👡👡👡👢👢👠👠👠

✒️We [OSP] added a small documentation about our previous plotterstation workshop 🪽’When you love letters, every letter is a love letter’🪽 held on Valentine’s Day 🫦

🎨 https://plotterstation.osp.kitchen/agenda 🖇️

✍🏼 The next one is planned for May 30 in collaboration with Louis Garrido @louisgarrido91 around remixing vector illustrations. ✔️

🟩 Two others will happen in May and June : One around cascading patterns @green_fabric_bxl and another exploring the relationship between humans and machines through the lens of role-playing. ➿

✒️We [OSP] added a small documentation about our previous plotterstation workshop 🪽’When you love letters, every letter is a love letter’🪽 held on Valentine’s Day 🫦

🎨 https://plotterstation.osp.kitchen/agenda 🖇️

✍🏼 The next one is planned for May 30 in collaboration with Louis Garrido @louisgarrido91 around remixing vector illustrations. ✔️

🟩 Two others will happen in May and June : One around cascading patterns @green_fabric_bxl and another exploring the relationship between humans and machines through the lens of role-playing. ➿

✒️We [OSP] added a small documentation about our previous plotterstation workshop 🪽’When you love letters, every letter is a love letter’🪽 held on Valentine’s Day 🫦

🎨 https://plotterstation.osp.kitchen/agenda 🖇️

✍🏼 The next one is planned for May 30 in collaboration with Louis Garrido @louisgarrido91 around remixing vector illustrations. ✔️

🟩 Two others will happen in May and June : One around cascading patterns @green_fabric_bxl and another exploring the relationship between humans and machines through the lens of role-playing. ➿

✒️We [OSP] added a small documentation about our previous plotterstation workshop 🪽’When you love letters, every letter is a love letter’🪽 held on Valentine’s Day 🫦

🎨 https://plotterstation.osp.kitchen/agenda 🖇️

✍🏼 The next one is planned for May 30 in collaboration with Louis Garrido @louisgarrido91 around remixing vector illustrations. ✔️

🟩 Two others will happen in May and June : One around cascading patterns @green_fabric_bxl and another exploring the relationship between humans and machines through the lens of role-playing. ➿

✒️We [OSP] added a small documentation about our previous plotterstation workshop 🪽’When you love letters, every letter is a love letter’🪽 held on Valentine’s Day 🫦

🎨 https://plotterstation.osp.kitchen/agenda 🖇️

✍🏼 The next one is planned for May 30 in collaboration with Louis Garrido @louisgarrido91 around remixing vector illustrations. ✔️

🟩 Two others will happen in May and June : One around cascading patterns @green_fabric_bxl and another exploring the relationship between humans and machines through the lens of role-playing. ➿

✒️We [OSP] added a small documentation about our previous plotterstation workshop 🪽’When you love letters, every letter is a love letter’🪽 held on Valentine’s Day 🫦

🎨 https://plotterstation.osp.kitchen/agenda 🖇️

✍🏼 The next one is planned for May 30 in collaboration with Louis Garrido @louisgarrido91 around remixing vector illustrations. ✔️

🟩 Two others will happen in May and June : One around cascading patterns @green_fabric_bxl and another exploring the relationship between humans and machines through the lens of role-playing. ➿

✒️We [OSP] added a small documentation about our previous plotterstation workshop 🪽’When you love letters, every letter is a love letter’🪽 held on Valentine’s Day 🫦

🎨 https://plotterstation.osp.kitchen/agenda 🖇️

✍🏼 The next one is planned for May 30 in collaboration with Louis Garrido @louisgarrido91 around remixing vector illustrations. ✔️

🟩 Two others will happen in May and June : One around cascading patterns @green_fabric_bxl and another exploring the relationship between humans and machines through the lens of role-playing. ➿

🖨️ English and french printed publication for the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice 🖨️

🖇️ Made with @belouhabibi and @alicedusapin 🖇️

❤️ Using curvy polished asciis + figlet fonts and Publifluor font ❤️

🖨️ English and french printed publication for the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice 🖨️

🖇️ Made with @belouhabibi and @alicedusapin 🖇️

❤️ Using curvy polished asciis + figlet fonts and Publifluor font ❤️

🖨️ English and french printed publication for the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice 🖨️

🖇️ Made with @belouhabibi and @alicedusapin 🖇️

❤️ Using curvy polished asciis + figlet fonts and Publifluor font ❤️

🖨️ English and french printed publication for the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice 🖨️

🖇️ Made with @belouhabibi and @alicedusapin 🖇️

❤️ Using curvy polished asciis + figlet fonts and Publifluor font ❤️

🖨️ English and french printed publication for the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice 🖨️

🖇️ Made with @belouhabibi and @alicedusapin 🖇️

❤️ Using curvy polished asciis + figlet fonts and Publifluor font ❤️

🖨️ English and french printed publication for the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice 🖨️

🖇️ Made with @belouhabibi and @alicedusapin 🖇️

❤️ Using curvy polished asciis + figlet fonts and Publifluor font ❤️

🖨️ English and french printed publication for the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice 🖨️

🖇️ Made with @belouhabibi and @alicedusapin 🖇️

❤️ Using curvy polished asciis + figlet fonts and Publifluor font ❤️

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

Views on the exhibition “Magnanrama, Portraits, networks and contemporary resonances of Nathalie Magnan” at @villaarsonnice

📂📂📂📂📂📂📂📂📂📂

I’m immensely honoured to have realised the identity for this exhibition, celebrating Nathalie Magnan💡 cyberfeminism 💡open source💡teaching💡learning💡lgbtqi+ activism💡collective and marginal practices💡anti techno fachism💡autonomy💡media theory💡connections💡affects💡💡💡💡💡💡💡💡💡💡

🖨🖨🖨🖨🖨🖨🖨🖨🖨🖨

Curated by @belouhabibi 🤎

🔌🔌🔌🔌🔌🔌🔌🔌🔌🔌

Scenography by @cecilbouffard 💜

🖇🖇🖇🖇🖇🖇🖇🖇🖇🖇

With Nathalie Magnan, Shu Lea Cheang, Cindy Coutant @efficacindy, Chloé Desmoineaux @chloemoineau avec Bobby Brim et Ada LaNerd, Guerrilla Girls, DeeDee Halleck, Barbara Hammer, Old Boys Network, Paper Tiger Television, Julia Scher, The Yes Men, VNS Matrix ⛓

💾💾💾💾💾💾💾💾💾💾

Until 31st of May, in Nice, France

📹📹📹📹📹📹📹📹📹📹

Photographs by Antoine Asphebero / Villa Arson Nice

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).

The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).

The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).

The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).

The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).

The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).

The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).

The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).

The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).

The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).

The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).
The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).
The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).
The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).
The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).
The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

I’m very grateful to have collaborated with Laurie Charles @lauriecharles_ to build a website for her research project *Illness Narratives*, which brings forward new emancipatory stories of sick bodies.

🥄💙🥄💜🥄🩷🥄🥄

The project invites artists, writers, curators, and cultural practitioners to contribute texts — all available at illnessnarratives.net.

🥄🥄💜🥄🩷🥄💙🥄

Texts by Bettina Samson (@betttsam ), Georgia René-Worms (@georgia_r_w ), Vanessa Desclaux, Won Jin Choi (@won.jin.Choi ), and Laurie Charles (@lauriecharles_ ).

🥄💙🥄🥄🥄🥄

The website also gathers critical texts on illness and their accompanying paintings by Laurie, alongside a selection of health-conscious recipes.

I was equally grateful to be present during Laurie’s inspiring research day at l’Académie des Beaux-Arts de Bruxelles (@arba_esa ) last January 2025, “The Illness Narratives – Récits pluriels de la maladie – outils d’émancipation narratifs et artistiques.”
Also part of the research day: Georgia René-Worms (@georgia_r_w), CrashRoom (@crashroom.ooo ) (Etienne Chosson and Lari Medawar @lari_medawar ), Vanessa Desclaux, Guslagie Malanda, Bettina Samson (@betttsam), and Won Jin Choi (@won.jin.choi).
The day brought together readings, some translated with CrashRoom, discussions, and exchanges around illness, its invisibilization, and the power of narrative as a tool for artistic and political emancipation.

🥄🥄💜🥄🥄🥄💜

m mmmm mmmmmm mmmm

Book design [not a website!!] for MAISA IN WEBLAND
written by my star @iammans
published by @setmargins

(obviously designing a book about web/interfaces)

Mega thanks ma dear @iammans for your trust and to @setmargins for your precious materiality advices 🖇️

book photographs by Annette Behrens

Available at @setmargins (wordlwide), @rile.books (BE), @san.serriffe (NL) and mmm mmmmmore

m mmmm mmmmmm mmmm

Book design [not a website!!] for MAISA IN WEBLAND
written by my star @iammans
published by @setmargins

(obviously designing a book about web/interfaces)

Mega thanks ma dear @iammans for your trust and to @setmargins for your precious materiality advices 🖇️

book photographs by Annette Behrens

Available at @setmargins (wordlwide), @rile.books (BE), @san.serriffe (NL) and mmm mmmmmore

m mmmm mmmmmm mmmm

Book design [not a website!!] for MAISA IN WEBLAND
written by my star @iammans
published by @setmargins

(obviously designing a book about web/interfaces)

Mega thanks ma dear @iammans for your trust and to @setmargins for your precious materiality advices 🖇️

book photographs by Annette Behrens

Available at @setmargins (wordlwide), @rile.books (BE), @san.serriffe (NL) and mmm mmmmmore

m mmmm mmmmmm mmmm

Book design [not a website!!] for MAISA IN WEBLAND
written by my star @iammans
published by @setmargins

(obviously designing a book about web/interfaces)

Mega thanks ma dear @iammans for your trust and to @setmargins for your precious materiality advices 🖇️

book photographs by Annette Behrens

Available at @setmargins (wordlwide), @rile.books (BE), @san.serriffe (NL) and mmm mmmmmore

m mmmm mmmmmm mmmm

Book design [not a website!!] for MAISA IN WEBLAND
written by my star @iammans
published by @setmargins

(obviously designing a book about web/interfaces)

Mega thanks ma dear @iammans for your trust and to @setmargins for your precious materiality advices 🖇️

book photographs by Annette Behrens

Available at @setmargins (wordlwide), @rile.books (BE), @san.serriffe (NL) and mmm mmmmmore

m mmmm mmmmmm mmmm

Book design [not a website!!] for MAISA IN WEBLAND
written by my star @iammans
published by @setmargins

(obviously designing a book about web/interfaces)

Mega thanks ma dear @iammans for your trust and to @setmargins for your precious materiality advices 🖇️

book photographs by Annette Behrens

Available at @setmargins (wordlwide), @rile.books (BE), @san.serriffe (NL) and mmm mmmmmore

m mmmm mmmmmm mmmm

Book design [not a website!!] for MAISA IN WEBLAND
written by my star @iammans
published by @setmargins

(obviously designing a book about web/interfaces)

Mega thanks ma dear @iammans for your trust and to @setmargins for your precious materiality advices 🖇️

book photographs by Annette Behrens

Available at @setmargins (wordlwide), @rile.books (BE), @san.serriffe (NL) and mmm mmmmmore

m mmmm mmmmmm mmmm

Book design [not a website!!] for MAISA IN WEBLAND
written by my star @iammans
published by @setmargins

(obviously designing a book about web/interfaces)

Mega thanks ma dear @iammans for your trust and to @setmargins for your precious materiality advices 🖇️

book photographs by Annette Behrens

Available at @setmargins (wordlwide), @rile.books (BE), @san.serriffe (NL) and mmm mmmmmore

Dear letters lovers, 
📪📭📬

OSP is happy to start the plotter workshop series, a series of four workshops from February to June, focusing on languages and uses related to pen plotters*.

The first workshop will focus on the so called single line fonts.

Together with our special guest Mariel Nils @mariel.nils we will write love letters to [current, future, past] lovers, friends, favorite glyphs, summer lake, collective, picture, preferred useless object, etc.
We will revisit the font(s) you brought using one of our recipes. Through a series of scripts and steps we’ll find their shaking spines (ductus or central line).
We will then draw your declarations on paper, envelope or fabric using the spines and a pen-plotter machine*. 
While we’ll work with fonts, this is not a workshop about type design rather an encounter with the tangibility of letterforms, pens and algorithmic processing.

Join us for this introduction to rafting on the river in the heart of our glyphs throughout a set of software pieces.
#skelefont #wubbly #wired #inlove #kraft 

What to bring?
- your favorite font (the curviest the best) as a file (.otf, .ttf)
- your computer
optional :
- special papers
- pieces of fabric

We can only welcome a limited amount of participants and we aim for a diverse group in experiences. 
Please send us an email with what you hope to find in the workshop and your curiosities around plotters, letter(shape)s or love letters…

Apply to this email address before February 5 : cookwithus@osp.kitchen
You can apply alone or as a small group.

We’ll get back to you asap for confirmation and further information.

Saturday the 14th of February
10am-5pm
at Meyboom Artist run Spaces, in Anderlecht
⌨️ meyboom.space

🖥️ plotterstation.osp.kitchen
Funded by FWB

🏹🏹🏹

✒️✒️✒️
* A pen plotter is a mechanical drawing machine using 'normal' pens, they were originally developed in the 70's and 80's, used at the time for large format prints of architectural plans, CAD drawings or business graphs. The best tools for making vectors tangible and perceptible, our collection of machines is vintage, see 
plotterstation.osp.kitchen/plotters.html

Dear letters lovers, 
📪📭📬

OSP is happy to start the plotter workshop series, a series of four workshops from February to June, focusing on languages and uses related to pen plotters*.

The first workshop will focus on the so called single line fonts.

Together with our special guest Mariel Nils @mariel.nils we will write love letters to [current, future, past] lovers, friends, favorite glyphs, summer lake, collective, picture, preferred useless object, etc.
We will revisit the font(s) you brought using one of our recipes. Through a series of scripts and steps we’ll find their shaking spines (ductus or central line).
We will then draw your declarations on paper, envelope or fabric using the spines and a pen-plotter machine*. 
While we’ll work with fonts, this is not a workshop about type design rather an encounter with the tangibility of letterforms, pens and algorithmic processing.

Join us for this introduction to rafting on the river in the heart of our glyphs throughout a set of software pieces.
#skelefont #wubbly #wired #inlove #kraft 

What to bring?
- your favorite font (the curviest the best) as a file (.otf, .ttf)
- your computer
optional :
- special papers
- pieces of fabric

We can only welcome a limited amount of participants and we aim for a diverse group in experiences. 
Please send us an email with what you hope to find in the workshop and your curiosities around plotters, letter(shape)s or love letters…

Apply to this email address before February 5 : cookwithus@osp.kitchen
You can apply alone or as a small group.

We’ll get back to you asap for confirmation and further information.

Saturday the 14th of February
10am-5pm
at Meyboom Artist run Spaces, in Anderlecht
⌨️ meyboom.space

🖥️ plotterstation.osp.kitchen
Funded by FWB

🏹🏹🏹

✒️✒️✒️
* A pen plotter is a mechanical drawing machine using 'normal' pens, they were originally developed in the 70's and 80's, used at the time for large format prints of architectural plans, CAD drawings or business graphs. The best tools for making vectors tangible and perceptible, our collection of machines is vintage, see 
plotterstation.osp.kitchen/plotters.html

Dear letters lovers, 
📪📭📬

OSP is happy to start the plotter workshop series, a series of four workshops from February to June, focusing on languages and uses related to pen plotters*.

The first workshop will focus on the so called single line fonts.

Together with our special guest Mariel Nils @mariel.nils we will write love letters to [current, future, past] lovers, friends, favorite glyphs, summer lake, collective, picture, preferred useless object, etc.
We will revisit the font(s) you brought using one of our recipes. Through a series of scripts and steps we’ll find their shaking spines (ductus or central line).
We will then draw your declarations on paper, envelope or fabric using the spines and a pen-plotter machine*. 
While we’ll work with fonts, this is not a workshop about type design rather an encounter with the tangibility of letterforms, pens and algorithmic processing.

Join us for this introduction to rafting on the river in the heart of our glyphs throughout a set of software pieces.
#skelefont #wubbly #wired #inlove #kraft 

What to bring?
- your favorite font (the curviest the best) as a file (.otf, .ttf)
- your computer
optional :
- special papers
- pieces of fabric

We can only welcome a limited amount of participants and we aim for a diverse group in experiences. 
Please send us an email with what you hope to find in the workshop and your curiosities around plotters, letter(shape)s or love letters…

Apply to this email address before February 5 : cookwithus@osp.kitchen
You can apply alone or as a small group.

We’ll get back to you asap for confirmation and further information.

Saturday the 14th of February
10am-5pm
at Meyboom Artist run Spaces, in Anderlecht
⌨️ meyboom.space

🖥️ plotterstation.osp.kitchen
Funded by FWB

🏹🏹🏹

✒️✒️✒️
* A pen plotter is a mechanical drawing machine using 'normal' pens, they were originally developed in the 70's and 80's, used at the time for large format prints of architectural plans, CAD drawings or business graphs. The best tools for making vectors tangible and perceptible, our collection of machines is vintage, see 
plotterstation.osp.kitchen/plotters.html

Was offline earlier this year when this happened: reading my text 🧊 HTML (Hyper Tensions Mindful Liberation) 🫧 at Rile @rile.books in Brussels🪑aka a <body> scan meditation through <html elements> 🧠👂👄🦷🫁👣🚶🏼‍♀️that made everyone sleepy and chewy hihi 🕯️🪡 This was during the launch of the publication Beginnings, next to @cleotsw @deal_eu @ultimate_tuna_melt ⛲️

+ View on the spreads in Beginnings 🫗

🛶 Thanks Manon and Oliver for publishing my text next to other mysterious/sensible/bold/fragile contributions in this beautiful object 🏹

“Beginnings is a collective attempt at questioning protocols and forms of narration, initiated by Manon Michèle. The publication gathers textual and visual works from twenty-nine artists, writers and collectives. With two covers, ninety-six pages, and no end, the publication remains in flux, with no definitive conclusions but the shape of an ongoing question: Where do we start and where might the act of arriving lead.”

Edited and designed by Manon Michèle and Oliver Boulton @non.assistance @mapinyourmind
Published by Ex. Coda @ex.coda

Was offline earlier this year when this happened: reading my text 🧊 HTML (Hyper Tensions Mindful Liberation) 🫧 at Rile @rile.books in Brussels🪑aka a <body> scan meditation through <html elements> 🧠👂👄🦷🫁👣🚶🏼‍♀️that made everyone sleepy and chewy hihi 🕯️🪡 This was during the launch of the publication Beginnings, next to @cleotsw @deal_eu @ultimate_tuna_melt ⛲️

+ View on the spreads in Beginnings 🫗

🛶 Thanks Manon and Oliver for publishing my text next to other mysterious/sensible/bold/fragile contributions in this beautiful object 🏹

“Beginnings is a collective attempt at questioning protocols and forms of narration, initiated by Manon Michèle. The publication gathers textual and visual works from twenty-nine artists, writers and collectives. With two covers, ninety-six pages, and no end, the publication remains in flux, with no definitive conclusions but the shape of an ongoing question: Where do we start and where might the act of arriving lead.”

Edited and designed by Manon Michèle and Oliver Boulton @non.assistance @mapinyourmind
Published by Ex. Coda @ex.coda

Was offline earlier this year when this happened: reading my text 🧊 HTML (Hyper Tensions Mindful Liberation) 🫧 at Rile @rile.books in Brussels🪑aka a <body> scan meditation through <html elements> 🧠👂👄🦷🫁👣🚶🏼‍♀️that made everyone sleepy and chewy hihi 🕯️🪡 This was during the launch of the publication Beginnings, next to @cleotsw @deal_eu @ultimate_tuna_melt ⛲️

+ View on the spreads in Beginnings 🫗

🛶 Thanks Manon and Oliver for publishing my text next to other mysterious/sensible/bold/fragile contributions in this beautiful object 🏹

“Beginnings is a collective attempt at questioning protocols and forms of narration, initiated by Manon Michèle. The publication gathers textual and visual works from twenty-nine artists, writers and collectives. With two covers, ninety-six pages, and no end, the publication remains in flux, with no definitive conclusions but the shape of an ongoing question: Where do we start and where might the act of arriving lead.”

Edited and designed by Manon Michèle and Oliver Boulton @non.assistance @mapinyourmind
Published by Ex. Coda @ex.coda

Was offline earlier this year when this happened: reading my text 🧊 HTML (Hyper Tensions Mindful Liberation) 🫧 at Rile @rile.books in Brussels🪑aka a <body> scan meditation through <html elements> 🧠👂👄🦷🫁👣🚶🏼‍♀️that made everyone sleepy and chewy hihi 🕯️🪡 This was during the launch of the publication Beginnings, next to @cleotsw @deal_eu @ultimate_tuna_melt ⛲️

+ View on the spreads in Beginnings 🫗

🛶 Thanks Manon and Oliver for publishing my text next to other mysterious/sensible/bold/fragile contributions in this beautiful object 🏹

“Beginnings is a collective attempt at questioning protocols and forms of narration, initiated by Manon Michèle. The publication gathers textual and visual works from twenty-nine artists, writers and collectives. With two covers, ninety-six pages, and no end, the publication remains in flux, with no definitive conclusions but the shape of an ongoing question: Where do we start and where might the act of arriving lead.”

Edited and designed by Manon Michèle and Oliver Boulton @non.assistance @mapinyourmind
Published by Ex. Coda @ex.coda

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi

✳️ Missing you @lescapucins.embrun ❇️

🪚 Identity work together @sai.mam and @clara_pasteau 🪚

🪵 Custom glyphs and font Carpe Diem by @sai.mam 🪵

👑 Thanks to @sam.evers for her brilliant work with us 👑

🗜️ Posters and co for the 2025 season 🗜️

Une Soupe aux Herbes Sauvages
Le Peuple des Pyjamas au Pays des Coquillettes
Chant des Tempêtes
@belouhabibi