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1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

1965: Malcolm in Winter: A Translation Exercise documents @theastergates ’s recent show at @whitecube Bermondsey, honouring Malcolm X on the centenary of his birth and 60 years after his assassination. The book weaves together Gates’s archival practice with documents from the Black radical archive of Japanese journalist Ei Nagata and his partner Haruhi Ishitani.

Wrapped in a silver screen-printed buckram jacket, the publication walks readers through the exhibition’s architectural interventions, sculptures, archival materials and new film work. It includes an essay by Najha Zigbi-Johnson and a lively conversation between Gates, curator Zoé Whitley, and artist John Akomfrah on Black militancy, artistic solidarities and personhood.

Published by @whitecube
Edited by @honeyluard and Elaine ML Tam @deep_frill
With installation process photographs by Polly Brown @pollyholiday, documenting the exhibition coming together

A.B. Real Life brings together texts of ten spoken performance works by artist @amelia__barratt . The artist’s readings, which were mastered at Abbey Road Studios, are also sampled inside the book on two flexi discs inserted in a bespoke PVC book jacket.

Designed by Studio Ard @guillaumechuard @zoppi.michela

Edited and produced by @charlesaspreytyersstreet

With contributions by Isobel Harbison, @hollypest and @alvarobarrington

A.B. Real Life brings together texts of ten spoken performance works by artist @amelia__barratt . The artist’s readings, which were mastered at Abbey Road Studios, are also sampled inside the book on two flexi discs inserted in a bespoke PVC book jacket.

Designed by Studio Ard @guillaumechuard @zoppi.michela

Edited and produced by @charlesaspreytyersstreet

With contributions by Isobel Harbison, @hollypest and @alvarobarrington

A.B. Real Life brings together texts of ten spoken performance works by artist @amelia__barratt . The artist’s readings, which were mastered at Abbey Road Studios, are also sampled inside the book on two flexi discs inserted in a bespoke PVC book jacket.

Designed by Studio Ard @guillaumechuard @zoppi.michela

Edited and produced by @charlesaspreytyersstreet

With contributions by Isobel Harbison, @hollypest and @alvarobarrington

A.B. Real Life brings together texts of ten spoken performance works by artist @amelia__barratt . The artist’s readings, which were mastered at Abbey Road Studios, are also sampled inside the book on two flexi discs inserted in a bespoke PVC book jacket.

Designed by Studio Ard @guillaumechuard @zoppi.michela

Edited and produced by @charlesaspreytyersstreet

With contributions by Isobel Harbison, @hollypest and @alvarobarrington

A.B. Real Life brings together texts of ten spoken performance works by artist @amelia__barratt . The artist’s readings, which were mastered at Abbey Road Studios, are also sampled inside the book on two flexi discs inserted in a bespoke PVC book jacket.

Designed by Studio Ard @guillaumechuard @zoppi.michela

Edited and produced by @charlesaspreytyersstreet

With contributions by Isobel Harbison, @hollypest and @alvarobarrington

A.B. Real Life brings together texts of ten spoken performance works by artist @amelia__barratt . The artist’s readings, which were mastered at Abbey Road Studios, are also sampled inside the book on two flexi discs inserted in a bespoke PVC book jacket.

Designed by Studio Ard @guillaumechuard @zoppi.michela

Edited and produced by @charlesaspreytyersstreet

With contributions by Isobel Harbison, @hollypest and @alvarobarrington

A.B. Real Life brings together texts of ten spoken performance works by artist @amelia__barratt . The artist’s readings, which were mastered at Abbey Road Studios, are also sampled inside the book on two flexi discs inserted in a bespoke PVC book jacket.

Designed by Studio Ard @guillaumechuard @zoppi.michela

Edited and produced by @charlesaspreytyersstreet

With contributions by Isobel Harbison, @hollypest and @alvarobarrington

A.B. Real Life brings together texts of ten spoken performance works by artist @amelia__barratt . The artist’s readings, which were mastered at Abbey Road Studios, are also sampled inside the book on two flexi discs inserted in a bespoke PVC book jacket.

Designed by Studio Ard @guillaumechuard @zoppi.michela

Edited and produced by @charlesaspreytyersstreet

With contributions by Isobel Harbison, @hollypest and @alvarobarrington

Another great collaboration with @charlesaspreytyersstreet & Michael Bracewell 🌹 Beauty in Some Recent Arts presents a timely and provocative case for beauty as central to contemporary art. In his essay, Michael Bracewell explores a renewed interest in aesthetics rooted in feeling rather than identity, and in a literary sensibility that avoids stereotype and sociopolitical jargon.

Taking direct inspiration from Cecil Beaton’s famous Scrapbook, the small-format hardcover combines a variety of paper stocks—from Japanese embossed and kraft papers that reference elements of Bracewell’s text to cotton paper and glossy stock—creating a rich mix of tones and textures, and playing on the ambiguity of the publication title.

Published earlier this year by @ridinghousebooks @sophiecarolinekullmann

Another great collaboration with @charlesaspreytyersstreet & Michael Bracewell 🌹 Beauty in Some Recent Arts presents a timely and provocative case for beauty as central to contemporary art. In his essay, Michael Bracewell explores a renewed interest in aesthetics rooted in feeling rather than identity, and in a literary sensibility that avoids stereotype and sociopolitical jargon.

Taking direct inspiration from Cecil Beaton’s famous Scrapbook, the small-format hardcover combines a variety of paper stocks—from Japanese embossed and kraft papers that reference elements of Bracewell’s text to cotton paper and glossy stock—creating a rich mix of tones and textures, and playing on the ambiguity of the publication title.

Published earlier this year by @ridinghousebooks @sophiecarolinekullmann

Another great collaboration with @charlesaspreytyersstreet & Michael Bracewell 🌹 Beauty in Some Recent Arts presents a timely and provocative case for beauty as central to contemporary art. In his essay, Michael Bracewell explores a renewed interest in aesthetics rooted in feeling rather than identity, and in a literary sensibility that avoids stereotype and sociopolitical jargon.

Taking direct inspiration from Cecil Beaton’s famous Scrapbook, the small-format hardcover combines a variety of paper stocks—from Japanese embossed and kraft papers that reference elements of Bracewell’s text to cotton paper and glossy stock—creating a rich mix of tones and textures, and playing on the ambiguity of the publication title.

Published earlier this year by @ridinghousebooks @sophiecarolinekullmann

Another great collaboration with @charlesaspreytyersstreet & Michael Bracewell 🌹 Beauty in Some Recent Arts presents a timely and provocative case for beauty as central to contemporary art. In his essay, Michael Bracewell explores a renewed interest in aesthetics rooted in feeling rather than identity, and in a literary sensibility that avoids stereotype and sociopolitical jargon.

Taking direct inspiration from Cecil Beaton’s famous Scrapbook, the small-format hardcover combines a variety of paper stocks—from Japanese embossed and kraft papers that reference elements of Bracewell’s text to cotton paper and glossy stock—creating a rich mix of tones and textures, and playing on the ambiguity of the publication title.

Published earlier this year by @ridinghousebooks @sophiecarolinekullmann

Another great collaboration with @charlesaspreytyersstreet & Michael Bracewell 🌹 Beauty in Some Recent Arts presents a timely and provocative case for beauty as central to contemporary art. In his essay, Michael Bracewell explores a renewed interest in aesthetics rooted in feeling rather than identity, and in a literary sensibility that avoids stereotype and sociopolitical jargon.

Taking direct inspiration from Cecil Beaton’s famous Scrapbook, the small-format hardcover combines a variety of paper stocks—from Japanese embossed and kraft papers that reference elements of Bracewell’s text to cotton paper and glossy stock—creating a rich mix of tones and textures, and playing on the ambiguity of the publication title.

Published earlier this year by @ridinghousebooks @sophiecarolinekullmann

Another great collaboration with @charlesaspreytyersstreet & Michael Bracewell 🌹 Beauty in Some Recent Arts presents a timely and provocative case for beauty as central to contemporary art. In his essay, Michael Bracewell explores a renewed interest in aesthetics rooted in feeling rather than identity, and in a literary sensibility that avoids stereotype and sociopolitical jargon.

Taking direct inspiration from Cecil Beaton’s famous Scrapbook, the small-format hardcover combines a variety of paper stocks—from Japanese embossed and kraft papers that reference elements of Bracewell’s text to cotton paper and glossy stock—creating a rich mix of tones and textures, and playing on the ambiguity of the publication title.

Published earlier this year by @ridinghousebooks @sophiecarolinekullmann

Another great collaboration with @charlesaspreytyersstreet & Michael Bracewell 🌹 Beauty in Some Recent Arts presents a timely and provocative case for beauty as central to contemporary art. In his essay, Michael Bracewell explores a renewed interest in aesthetics rooted in feeling rather than identity, and in a literary sensibility that avoids stereotype and sociopolitical jargon.

Taking direct inspiration from Cecil Beaton’s famous Scrapbook, the small-format hardcover combines a variety of paper stocks—from Japanese embossed and kraft papers that reference elements of Bracewell’s text to cotton paper and glossy stock—creating a rich mix of tones and textures, and playing on the ambiguity of the publication title.

Published earlier this year by @ridinghousebooks @sophiecarolinekullmann

Another great collaboration with @charlesaspreytyersstreet & Michael Bracewell 🌹 Beauty in Some Recent Arts presents a timely and provocative case for beauty as central to contemporary art. In his essay, Michael Bracewell explores a renewed interest in aesthetics rooted in feeling rather than identity, and in a literary sensibility that avoids stereotype and sociopolitical jargon.

Taking direct inspiration from Cecil Beaton’s famous Scrapbook, the small-format hardcover combines a variety of paper stocks—from Japanese embossed and kraft papers that reference elements of Bracewell’s text to cotton paper and glossy stock—creating a rich mix of tones and textures, and playing on the ambiguity of the publication title.

Published earlier this year by @ridinghousebooks @sophiecarolinekullmann

Another great collaboration with @charlesaspreytyersstreet & Michael Bracewell 🌹 Beauty in Some Recent Arts presents a timely and provocative case for beauty as central to contemporary art. In his essay, Michael Bracewell explores a renewed interest in aesthetics rooted in feeling rather than identity, and in a literary sensibility that avoids stereotype and sociopolitical jargon.

Taking direct inspiration from Cecil Beaton’s famous Scrapbook, the small-format hardcover combines a variety of paper stocks—from Japanese embossed and kraft papers that reference elements of Bracewell’s text to cotton paper and glossy stock—creating a rich mix of tones and textures, and playing on the ambiguity of the publication title.

Published earlier this year by @ridinghousebooks @sophiecarolinekullmann

Another great collaboration with @charlesaspreytyersstreet & Michael Bracewell 🌹 Beauty in Some Recent Arts presents a timely and provocative case for beauty as central to contemporary art. In his essay, Michael Bracewell explores a renewed interest in aesthetics rooted in feeling rather than identity, and in a literary sensibility that avoids stereotype and sociopolitical jargon.

Taking direct inspiration from Cecil Beaton’s famous Scrapbook, the small-format hardcover combines a variety of paper stocks—from Japanese embossed and kraft papers that reference elements of Bracewell’s text to cotton paper and glossy stock—creating a rich mix of tones and textures, and playing on the ambiguity of the publication title.

Published earlier this year by @ridinghousebooks @sophiecarolinekullmann

Another great collaboration with @charlesaspreytyersstreet & Michael Bracewell 🌹 Beauty in Some Recent Arts presents a timely and provocative case for beauty as central to contemporary art. In his essay, Michael Bracewell explores a renewed interest in aesthetics rooted in feeling rather than identity, and in a literary sensibility that avoids stereotype and sociopolitical jargon.

Taking direct inspiration from Cecil Beaton’s famous Scrapbook, the small-format hardcover combines a variety of paper stocks—from Japanese embossed and kraft papers that reference elements of Bracewell’s text to cotton paper and glossy stock—creating a rich mix of tones and textures, and playing on the ambiguity of the publication title.

Published earlier this year by @ridinghousebooks @sophiecarolinekullmann

Livia Lauber. Objects & Stories — a miniature monograph on London-based product designer @livialauber . Published to coincide with her display at @tenderbooks during London Design Festival 2025, the publication is also available for free as a perforated poster that can be folded and bound into a 64-page book. Typeset in LL Ivory by @aurele_sack @lineto_com

Livia Lauber. Objects & Stories — a miniature monograph on London-based product designer @livialauber . Published to coincide with her display at @tenderbooks during London Design Festival 2025, the publication is also available for free as a perforated poster that can be folded and bound into a 64-page book. Typeset in LL Ivory by @aurele_sack @lineto_com

Livia Lauber. Objects & Stories — a miniature monograph on London-based product designer @livialauber . Published to coincide with her display at @tenderbooks during London Design Festival 2025, the publication is also available for free as a perforated poster that can be folded and bound into a 64-page book. Typeset in LL Ivory by @aurele_sack @lineto_com

Livia Lauber. Objects & Stories — a miniature monograph on London-based product designer @livialauber . Published to coincide with her display at @tenderbooks during London Design Festival 2025, the publication is also available for free as a perforated poster that can be folded and bound into a 64-page book. Typeset in LL Ivory by @aurele_sack @lineto_com

Livia Lauber. Objects & Stories — a miniature monograph on London-based product designer @livialauber . Published to coincide with her display at @tenderbooks during London Design Festival 2025, the publication is also available for free as a perforated poster that can be folded and bound into a 64-page book. Typeset in LL Ivory by @aurele_sack @lineto_com

Livia Lauber. Objects & Stories — a miniature monograph on London-based product designer @livialauber . Published to coincide with her display at @tenderbooks during London Design Festival 2025, the publication is also available for free as a perforated poster that can be folded and bound into a 64-page book. Typeset in LL Ivory by @aurele_sack @lineto_com

Livia Lauber. Objects & Stories — a miniature monograph on London-based product designer @livialauber . Published to coincide with her display at @tenderbooks during London Design Festival 2025, the publication is also available for free as a perforated poster that can be folded and bound into a 64-page book. Typeset in LL Ivory by @aurele_sack @lineto_com

Launching tonight at @librairieyvonlambert and next week at the Arles Photo Festival.

Understudies Studies brings together the work of 29 creatives in an exploration of the often overlooked and under-recognized figure in the creative process: the understudy.

Inspired by evidence folders, the publication features a bespoke cover containing a collection of large gatefolds and single pages, all bound together with two metal fasteners.

Curated and edited by @daniellawilsonk and @arthurmorisset, and published by @understudy.studio.

Featuring contributions from:
Vytautas Kum̌za, Juan Brenner, Etienne Buyse, Heavens Okwuego, Thomas Rousset, Parker Ito, Maggie Shannon, David Brandon Geeting, Lina Sun Park, Alice Schillaci, Dario Salomone, Charles Nègre, Charlie Engman, Sim Kyu Dong, Erica Ohmi, Hubert Marot, Manabu Koga, Ashling Massoumi, Studio Ingmar, Atelier Brenda, Casa Susanna, Hans Neumann, Sophie Becker, Quinn Bentley, Dean Giffin, Jon Rafman, Olivier Noraz, Casper Sejersen & Elin Svahn

Texts: @mildred.simantov

Design by Ardworks
Typeset in Giela by @xleetype

@vytautaskumza @juan_brenner @etienne.buyse @heavens_o @thomasroussset @creamydreamy @maggiehshannon @davidbrandongeeting @oo0000oo0 @aliceschillaci @dario.salamone @charlesnegre @charlieengman @simkyudong @ericaohmi @hubert_marot @manabukoga_underwater @ashlingmassoumi @studioingmar @atelierbrenda @casasusana @hansneumann @trophysophie @quinn_bentley @joy.cgi @jonrafman @oliviernoraz @caspersejersenstudio @elinsvahn

Launching tonight at @librairieyvonlambert and next week at the Arles Photo Festival.

Understudies Studies brings together the work of 29 creatives in an exploration of the often overlooked and under-recognized figure in the creative process: the understudy.

Inspired by evidence folders, the publication features a bespoke cover containing a collection of large gatefolds and single pages, all bound together with two metal fasteners.

Curated and edited by @daniellawilsonk and @arthurmorisset, and published by @understudy.studio.

Featuring contributions from:
Vytautas Kum̌za, Juan Brenner, Etienne Buyse, Heavens Okwuego, Thomas Rousset, Parker Ito, Maggie Shannon, David Brandon Geeting, Lina Sun Park, Alice Schillaci, Dario Salomone, Charles Nègre, Charlie Engman, Sim Kyu Dong, Erica Ohmi, Hubert Marot, Manabu Koga, Ashling Massoumi, Studio Ingmar, Atelier Brenda, Casa Susanna, Hans Neumann, Sophie Becker, Quinn Bentley, Dean Giffin, Jon Rafman, Olivier Noraz, Casper Sejersen & Elin Svahn

Texts: @mildred.simantov

Design by Ardworks
Typeset in Giela by @xleetype

@vytautaskumza @juan_brenner @etienne.buyse @heavens_o @thomasroussset @creamydreamy @maggiehshannon @davidbrandongeeting @oo0000oo0 @aliceschillaci @dario.salamone @charlesnegre @charlieengman @simkyudong @ericaohmi @hubert_marot @manabukoga_underwater @ashlingmassoumi @studioingmar @atelierbrenda @casasusana @hansneumann @trophysophie @quinn_bentley @joy.cgi @jonrafman @oliviernoraz @caspersejersenstudio @elinsvahn

Launching tonight at @librairieyvonlambert and next week at the Arles Photo Festival.

Understudies Studies brings together the work of 29 creatives in an exploration of the often overlooked and under-recognized figure in the creative process: the understudy.

Inspired by evidence folders, the publication features a bespoke cover containing a collection of large gatefolds and single pages, all bound together with two metal fasteners.

Curated and edited by @daniellawilsonk and @arthurmorisset, and published by @understudy.studio.

Featuring contributions from:
Vytautas Kum̌za, Juan Brenner, Etienne Buyse, Heavens Okwuego, Thomas Rousset, Parker Ito, Maggie Shannon, David Brandon Geeting, Lina Sun Park, Alice Schillaci, Dario Salomone, Charles Nègre, Charlie Engman, Sim Kyu Dong, Erica Ohmi, Hubert Marot, Manabu Koga, Ashling Massoumi, Studio Ingmar, Atelier Brenda, Casa Susanna, Hans Neumann, Sophie Becker, Quinn Bentley, Dean Giffin, Jon Rafman, Olivier Noraz, Casper Sejersen & Elin Svahn

Texts: @mildred.simantov

Design by Ardworks
Typeset in Giela by @xleetype

@vytautaskumza @juan_brenner @etienne.buyse @heavens_o @thomasroussset @creamydreamy @maggiehshannon @davidbrandongeeting @oo0000oo0 @aliceschillaci @dario.salamone @charlesnegre @charlieengman @simkyudong @ericaohmi @hubert_marot @manabukoga_underwater @ashlingmassoumi @studioingmar @atelierbrenda @casasusana @hansneumann @trophysophie @quinn_bentley @joy.cgi @jonrafman @oliviernoraz @caspersejersenstudio @elinsvahn

Launching tonight at @librairieyvonlambert and next week at the Arles Photo Festival.

Understudies Studies brings together the work of 29 creatives in an exploration of the often overlooked and under-recognized figure in the creative process: the understudy.

Inspired by evidence folders, the publication features a bespoke cover containing a collection of large gatefolds and single pages, all bound together with two metal fasteners.

Curated and edited by @daniellawilsonk and @arthurmorisset, and published by @understudy.studio.

Featuring contributions from:
Vytautas Kum̌za, Juan Brenner, Etienne Buyse, Heavens Okwuego, Thomas Rousset, Parker Ito, Maggie Shannon, David Brandon Geeting, Lina Sun Park, Alice Schillaci, Dario Salomone, Charles Nègre, Charlie Engman, Sim Kyu Dong, Erica Ohmi, Hubert Marot, Manabu Koga, Ashling Massoumi, Studio Ingmar, Atelier Brenda, Casa Susanna, Hans Neumann, Sophie Becker, Quinn Bentley, Dean Giffin, Jon Rafman, Olivier Noraz, Casper Sejersen & Elin Svahn

Texts: @mildred.simantov

Design by Ardworks
Typeset in Giela by @xleetype

@vytautaskumza @juan_brenner @etienne.buyse @heavens_o @thomasroussset @creamydreamy @maggiehshannon @davidbrandongeeting @oo0000oo0 @aliceschillaci @dario.salamone @charlesnegre @charlieengman @simkyudong @ericaohmi @hubert_marot @manabukoga_underwater @ashlingmassoumi @studioingmar @atelierbrenda @casasusana @hansneumann @trophysophie @quinn_bentley @joy.cgi @jonrafman @oliviernoraz @caspersejersenstudio @elinsvahn

Launching tonight at @librairieyvonlambert and next week at the Arles Photo Festival.

Understudies Studies brings together the work of 29 creatives in an exploration of the often overlooked and under-recognized figure in the creative process: the understudy.

Inspired by evidence folders, the publication features a bespoke cover containing a collection of large gatefolds and single pages, all bound together with two metal fasteners.

Curated and edited by @daniellawilsonk and @arthurmorisset, and published by @understudy.studio.

Featuring contributions from:
Vytautas Kum̌za, Juan Brenner, Etienne Buyse, Heavens Okwuego, Thomas Rousset, Parker Ito, Maggie Shannon, David Brandon Geeting, Lina Sun Park, Alice Schillaci, Dario Salomone, Charles Nègre, Charlie Engman, Sim Kyu Dong, Erica Ohmi, Hubert Marot, Manabu Koga, Ashling Massoumi, Studio Ingmar, Atelier Brenda, Casa Susanna, Hans Neumann, Sophie Becker, Quinn Bentley, Dean Giffin, Jon Rafman, Olivier Noraz, Casper Sejersen & Elin Svahn

Texts: @mildred.simantov

Design by Ardworks
Typeset in Giela by @xleetype

@vytautaskumza @juan_brenner @etienne.buyse @heavens_o @thomasroussset @creamydreamy @maggiehshannon @davidbrandongeeting @oo0000oo0 @aliceschillaci @dario.salamone @charlesnegre @charlieengman @simkyudong @ericaohmi @hubert_marot @manabukoga_underwater @ashlingmassoumi @studioingmar @atelierbrenda @casasusana @hansneumann @trophysophie @quinn_bentley @joy.cgi @jonrafman @oliviernoraz @caspersejersenstudio @elinsvahn

Launching tonight at @librairieyvonlambert and next week at the Arles Photo Festival.

Understudies Studies brings together the work of 29 creatives in an exploration of the often overlooked and under-recognized figure in the creative process: the understudy.

Inspired by evidence folders, the publication features a bespoke cover containing a collection of large gatefolds and single pages, all bound together with two metal fasteners.

Curated and edited by @daniellawilsonk and @arthurmorisset, and published by @understudy.studio.

Featuring contributions from:
Vytautas Kum̌za, Juan Brenner, Etienne Buyse, Heavens Okwuego, Thomas Rousset, Parker Ito, Maggie Shannon, David Brandon Geeting, Lina Sun Park, Alice Schillaci, Dario Salomone, Charles Nègre, Charlie Engman, Sim Kyu Dong, Erica Ohmi, Hubert Marot, Manabu Koga, Ashling Massoumi, Studio Ingmar, Atelier Brenda, Casa Susanna, Hans Neumann, Sophie Becker, Quinn Bentley, Dean Giffin, Jon Rafman, Olivier Noraz, Casper Sejersen & Elin Svahn

Texts: @mildred.simantov

Design by Ardworks
Typeset in Giela by @xleetype

@vytautaskumza @juan_brenner @etienne.buyse @heavens_o @thomasroussset @creamydreamy @maggiehshannon @davidbrandongeeting @oo0000oo0 @aliceschillaci @dario.salamone @charlesnegre @charlieengman @simkyudong @ericaohmi @hubert_marot @manabukoga_underwater @ashlingmassoumi @studioingmar @atelierbrenda @casasusana @hansneumann @trophysophie @quinn_bentley @joy.cgi @jonrafman @oliviernoraz @caspersejersenstudio @elinsvahn

Launching tonight at @librairieyvonlambert and next week at the Arles Photo Festival.

Understudies Studies brings together the work of 29 creatives in an exploration of the often overlooked and under-recognized figure in the creative process: the understudy.

Inspired by evidence folders, the publication features a bespoke cover containing a collection of large gatefolds and single pages, all bound together with two metal fasteners.

Curated and edited by @daniellawilsonk and @arthurmorisset, and published by @understudy.studio.

Featuring contributions from:
Vytautas Kum̌za, Juan Brenner, Etienne Buyse, Heavens Okwuego, Thomas Rousset, Parker Ito, Maggie Shannon, David Brandon Geeting, Lina Sun Park, Alice Schillaci, Dario Salomone, Charles Nègre, Charlie Engman, Sim Kyu Dong, Erica Ohmi, Hubert Marot, Manabu Koga, Ashling Massoumi, Studio Ingmar, Atelier Brenda, Casa Susanna, Hans Neumann, Sophie Becker, Quinn Bentley, Dean Giffin, Jon Rafman, Olivier Noraz, Casper Sejersen & Elin Svahn

Texts: @mildred.simantov

Design by Ardworks
Typeset in Giela by @xleetype

@vytautaskumza @juan_brenner @etienne.buyse @heavens_o @thomasroussset @creamydreamy @maggiehshannon @davidbrandongeeting @oo0000oo0 @aliceschillaci @dario.salamone @charlesnegre @charlieengman @simkyudong @ericaohmi @hubert_marot @manabukoga_underwater @ashlingmassoumi @studioingmar @atelierbrenda @casasusana @hansneumann @trophysophie @quinn_bentley @joy.cgi @jonrafman @oliviernoraz @caspersejersenstudio @elinsvahn

Launching tonight at @librairieyvonlambert and next week at the Arles Photo Festival.

Understudies Studies brings together the work of 29 creatives in an exploration of the often overlooked and under-recognized figure in the creative process: the understudy.

Inspired by evidence folders, the publication features a bespoke cover containing a collection of large gatefolds and single pages, all bound together with two metal fasteners.

Curated and edited by @daniellawilsonk and @arthurmorisset, and published by @understudy.studio.

Featuring contributions from:
Vytautas Kum̌za, Juan Brenner, Etienne Buyse, Heavens Okwuego, Thomas Rousset, Parker Ito, Maggie Shannon, David Brandon Geeting, Lina Sun Park, Alice Schillaci, Dario Salomone, Charles Nègre, Charlie Engman, Sim Kyu Dong, Erica Ohmi, Hubert Marot, Manabu Koga, Ashling Massoumi, Studio Ingmar, Atelier Brenda, Casa Susanna, Hans Neumann, Sophie Becker, Quinn Bentley, Dean Giffin, Jon Rafman, Olivier Noraz, Casper Sejersen & Elin Svahn

Texts: @mildred.simantov

Design by Ardworks
Typeset in Giela by @xleetype

@vytautaskumza @juan_brenner @etienne.buyse @heavens_o @thomasroussset @creamydreamy @maggiehshannon @davidbrandongeeting @oo0000oo0 @aliceschillaci @dario.salamone @charlesnegre @charlieengman @simkyudong @ericaohmi @hubert_marot @manabukoga_underwater @ashlingmassoumi @studioingmar @atelierbrenda @casasusana @hansneumann @trophysophie @quinn_bentley @joy.cgi @jonrafman @oliviernoraz @caspersejersenstudio @elinsvahn

Launching tonight at @librairieyvonlambert and next week at the Arles Photo Festival.

Understudies Studies brings together the work of 29 creatives in an exploration of the often overlooked and under-recognized figure in the creative process: the understudy.

Inspired by evidence folders, the publication features a bespoke cover containing a collection of large gatefolds and single pages, all bound together with two metal fasteners.

Curated and edited by @daniellawilsonk and @arthurmorisset, and published by @understudy.studio.

Featuring contributions from:
Vytautas Kum̌za, Juan Brenner, Etienne Buyse, Heavens Okwuego, Thomas Rousset, Parker Ito, Maggie Shannon, David Brandon Geeting, Lina Sun Park, Alice Schillaci, Dario Salomone, Charles Nègre, Charlie Engman, Sim Kyu Dong, Erica Ohmi, Hubert Marot, Manabu Koga, Ashling Massoumi, Studio Ingmar, Atelier Brenda, Casa Susanna, Hans Neumann, Sophie Becker, Quinn Bentley, Dean Giffin, Jon Rafman, Olivier Noraz, Casper Sejersen & Elin Svahn

Texts: @mildred.simantov

Design by Ardworks
Typeset in Giela by @xleetype

@vytautaskumza @juan_brenner @etienne.buyse @heavens_o @thomasroussset @creamydreamy @maggiehshannon @davidbrandongeeting @oo0000oo0 @aliceschillaci @dario.salamone @charlesnegre @charlieengman @simkyudong @ericaohmi @hubert_marot @manabukoga_underwater @ashlingmassoumi @studioingmar @atelierbrenda @casasusana @hansneumann @trophysophie @quinn_bentley @joy.cgi @jonrafman @oliviernoraz @caspersejersenstudio @elinsvahn

Portfolio 2025 is out now!!! ❤️

Design: Guillaume Chuard @studio.ardworks @guillaumechuard
Photography: Diana Pfammatter @dianapfammatter

Portfolio 2025 is out now!!! ❤️

Design: Guillaume Chuard @studio.ardworks @guillaumechuard
Photography: Diana Pfammatter @dianapfammatter

Portfolio 2025 is out now!!! ❤️

Design: Guillaume Chuard @studio.ardworks @guillaumechuard
Photography: Diana Pfammatter @dianapfammatter

Portfolio 2025 is out now!!! ❤️

Design: Guillaume Chuard @studio.ardworks @guillaumechuard
Photography: Diana Pfammatter @dianapfammatter

Portfolio 2025 is out now!!! ❤️

Design: Guillaume Chuard @studio.ardworks @guillaumechuard
Photography: Diana Pfammatter @dianapfammatter

Portfolio 2025 is out now!!! ❤️

Design: Guillaume Chuard @studio.ardworks @guillaumechuard
Photography: Diana Pfammatter @dianapfammatter

Portfolio 2025 is out now!!! ❤️

Design: Guillaume Chuard @studio.ardworks @guillaumechuard
Photography: Diana Pfammatter @dianapfammatter

Portfolio 2025 is out now!!! ❤️

Design: Guillaume Chuard @studio.ardworks @guillaumechuard
Photography: Diana Pfammatter @dianapfammatter

Portfolio 2025 is out now!!! ❤️

Design: Guillaume Chuard @studio.ardworks @guillaumechuard
Photography: Diana Pfammatter @dianapfammatter

Portfolio 2025 is out now!!! ❤️

Design: Guillaume Chuard @studio.ardworks @guillaumechuard
Photography: Diana Pfammatter @dianapfammatter

Out now! The Wire issue 493. On the cover, @masmadreamworld photographed by @courtsyy 🔥

Makeup: @nina_carelli_
Production: @east__co
Studio: Flux Lumina

Out now! The Wire issue 493. On the cover, @masmadreamworld photographed by @courtsyy 🔥

Makeup: @nina_carelli_
Production: @east__co
Studio: Flux Lumina

Out now! The Wire issue 493. On the cover, @masmadreamworld photographed by @courtsyy 🔥

Makeup: @nina_carelli_
Production: @east__co
Studio: Flux Lumina

Out now! The Wire issue 493. On the cover, @masmadreamworld photographed by @courtsyy 🔥

Makeup: @nina_carelli_
Production: @east__co
Studio: Flux Lumina

Out now! The Wire issue 493. On the cover, @masmadreamworld photographed by @courtsyy 🔥

Makeup: @nina_carelli_
Production: @east__co
Studio: Flux Lumina

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Thrilled to be looking after the visual communication for the Swiss Grand Award for Design @swissdesignawards since 2021. We’ve developed a system for a series of concise monographs—three per year, one for each awardee. These publications are available for free at the Swiss Design Awards exhibition during the Art Basel fair. A special box set edition is also published and distributed by @scheidegger_und_spiess .

Featured here, the 2022 edition of the prize publication, honoring @bartschland , Verena Huber, and @beat_streuli .

Commissioned by the Federal Office of Culture @annaniederhaeuser and edited by Mirjam Fischer @millepages
All typeset in LL Geigy, a typeface by our dear friend Robert Huber @lineto_com

Sidewalk Stills, a book designed for dear friend @charlesnegre, who has been capturing abandoned remnants as they were found on the pavement at the end of various Parisian food markets. Using raw materials, we ‘wrapped’ the image sequence in the simplest way possible, reflecting the practical spontaneity of the food markets themselves.

Published by @rvb_books in collaboration with @lambertlambert_
With an essay by @maculabulligen
All typeset in Rhymes by @maxitype_com

Sidewalk Stills, a book designed for dear friend @charlesnegre, who has been capturing abandoned remnants as they were found on the pavement at the end of various Parisian food markets. Using raw materials, we ‘wrapped’ the image sequence in the simplest way possible, reflecting the practical spontaneity of the food markets themselves.

Published by @rvb_books in collaboration with @lambertlambert_
With an essay by @maculabulligen
All typeset in Rhymes by @maxitype_com

Sidewalk Stills, a book designed for dear friend @charlesnegre, who has been capturing abandoned remnants as they were found on the pavement at the end of various Parisian food markets. Using raw materials, we ‘wrapped’ the image sequence in the simplest way possible, reflecting the practical spontaneity of the food markets themselves.

Published by @rvb_books in collaboration with @lambertlambert_
With an essay by @maculabulligen
All typeset in Rhymes by @maxitype_com

Sidewalk Stills, a book designed for dear friend @charlesnegre, who has been capturing abandoned remnants as they were found on the pavement at the end of various Parisian food markets. Using raw materials, we ‘wrapped’ the image sequence in the simplest way possible, reflecting the practical spontaneity of the food markets themselves.

Published by @rvb_books in collaboration with @lambertlambert_
With an essay by @maculabulligen
All typeset in Rhymes by @maxitype_com

Sidewalk Stills, a book designed for dear friend @charlesnegre, who has been capturing abandoned remnants as they were found on the pavement at the end of various Parisian food markets. Using raw materials, we ‘wrapped’ the image sequence in the simplest way possible, reflecting the practical spontaneity of the food markets themselves.

Published by @rvb_books in collaboration with @lambertlambert_
With an essay by @maculabulligen
All typeset in Rhymes by @maxitype_com

Sidewalk Stills, a book designed for dear friend @charlesnegre, who has been capturing abandoned remnants as they were found on the pavement at the end of various Parisian food markets. Using raw materials, we ‘wrapped’ the image sequence in the simplest way possible, reflecting the practical spontaneity of the food markets themselves.

Published by @rvb_books in collaboration with @lambertlambert_
With an essay by @maculabulligen
All typeset in Rhymes by @maxitype_com

Sidewalk Stills, a book designed for dear friend @charlesnegre, who has been capturing abandoned remnants as they were found on the pavement at the end of various Parisian food markets. Using raw materials, we ‘wrapped’ the image sequence in the simplest way possible, reflecting the practical spontaneity of the food markets themselves.

Published by @rvb_books in collaboration with @lambertlambert_
With an essay by @maculabulligen
All typeset in Rhymes by @maxitype_com

Sidewalk Stills, a book designed for dear friend @charlesnegre, who has been capturing abandoned remnants as they were found on the pavement at the end of various Parisian food markets. Using raw materials, we ‘wrapped’ the image sequence in the simplest way possible, reflecting the practical spontaneity of the food markets themselves.

Published by @rvb_books in collaboration with @lambertlambert_
With an essay by @maculabulligen
All typeset in Rhymes by @maxitype_com

Sidewalk Stills, a book designed for dear friend @charlesnegre, who has been capturing abandoned remnants as they were found on the pavement at the end of various Parisian food markets. Using raw materials, we ‘wrapped’ the image sequence in the simplest way possible, reflecting the practical spontaneity of the food markets themselves.

Published by @rvb_books in collaboration with @lambertlambert_
With an essay by @maculabulligen
All typeset in Rhymes by @maxitype_com

Published by @whitecube on the occasion of South African artist @cinga_samson ’s solo exhibition at White Cube Mason’s Yard, this monograph features a series of dreamlike large-scale tableaux and enigmatic portraits, alongside photographs of the artist’s studio printed on light, translucent stock. The cover plate is tipped onto the book, wrapping around the front cover panel.

Texts by Lwandile Fikeni and Tamar Garb
Edited by @honeyluard
Designed with @zoppi.michela

Published by @whitecube on the occasion of South African artist @cinga_samson ’s solo exhibition at White Cube Mason’s Yard, this monograph features a series of dreamlike large-scale tableaux and enigmatic portraits, alongside photographs of the artist’s studio printed on light, translucent stock. The cover plate is tipped onto the book, wrapping around the front cover panel.

Texts by Lwandile Fikeni and Tamar Garb
Edited by @honeyluard
Designed with @zoppi.michela

Published by @whitecube on the occasion of South African artist @cinga_samson ’s solo exhibition at White Cube Mason’s Yard, this monograph features a series of dreamlike large-scale tableaux and enigmatic portraits, alongside photographs of the artist’s studio printed on light, translucent stock. The cover plate is tipped onto the book, wrapping around the front cover panel.

Texts by Lwandile Fikeni and Tamar Garb
Edited by @honeyluard
Designed with @zoppi.michela

Published by @whitecube on the occasion of South African artist @cinga_samson ’s solo exhibition at White Cube Mason’s Yard, this monograph features a series of dreamlike large-scale tableaux and enigmatic portraits, alongside photographs of the artist’s studio printed on light, translucent stock. The cover plate is tipped onto the book, wrapping around the front cover panel.

Texts by Lwandile Fikeni and Tamar Garb
Edited by @honeyluard
Designed with @zoppi.michela

Published by @whitecube on the occasion of South African artist @cinga_samson ’s solo exhibition at White Cube Mason’s Yard, this monograph features a series of dreamlike large-scale tableaux and enigmatic portraits, alongside photographs of the artist’s studio printed on light, translucent stock. The cover plate is tipped onto the book, wrapping around the front cover panel.

Texts by Lwandile Fikeni and Tamar Garb
Edited by @honeyluard
Designed with @zoppi.michela

Published by @whitecube on the occasion of South African artist @cinga_samson ’s solo exhibition at White Cube Mason’s Yard, this monograph features a series of dreamlike large-scale tableaux and enigmatic portraits, alongside photographs of the artist’s studio printed on light, translucent stock. The cover plate is tipped onto the book, wrapping around the front cover panel.

Texts by Lwandile Fikeni and Tamar Garb
Edited by @honeyluard
Designed with @zoppi.michela

Published by @whitecube on the occasion of South African artist @cinga_samson ’s solo exhibition at White Cube Mason’s Yard, this monograph features a series of dreamlike large-scale tableaux and enigmatic portraits, alongside photographs of the artist’s studio printed on light, translucent stock. The cover plate is tipped onto the book, wrapping around the front cover panel.

Texts by Lwandile Fikeni and Tamar Garb
Edited by @honeyluard
Designed with @zoppi.michela

Published by @whitecube on the occasion of South African artist @cinga_samson ’s solo exhibition at White Cube Mason’s Yard, this monograph features a series of dreamlike large-scale tableaux and enigmatic portraits, alongside photographs of the artist’s studio printed on light, translucent stock. The cover plate is tipped onto the book, wrapping around the front cover panel.

Texts by Lwandile Fikeni and Tamar Garb
Edited by @honeyluard
Designed with @zoppi.michela

Published by @whitecube on the occasion of South African artist @cinga_samson ’s solo exhibition at White Cube Mason’s Yard, this monograph features a series of dreamlike large-scale tableaux and enigmatic portraits, alongside photographs of the artist’s studio printed on light, translucent stock. The cover plate is tipped onto the book, wrapping around the front cover panel.

Texts by Lwandile Fikeni and Tamar Garb
Edited by @honeyluard
Designed with @zoppi.michela

Published by @whitecube on the occasion of South African artist @cinga_samson ’s solo exhibition at White Cube Mason’s Yard, this monograph features a series of dreamlike large-scale tableaux and enigmatic portraits, alongside photographs of the artist’s studio printed on light, translucent stock. The cover plate is tipped onto the book, wrapping around the front cover panel.

Texts by Lwandile Fikeni and Tamar Garb
Edited by @honeyluard
Designed with @zoppi.michela

Published by @whitecube on the occasion of South African artist @cinga_samson ’s solo exhibition at White Cube Mason’s Yard, this monograph features a series of dreamlike large-scale tableaux and enigmatic portraits, alongside photographs of the artist’s studio printed on light, translucent stock. The cover plate is tipped onto the book, wrapping around the front cover panel.

Texts by Lwandile Fikeni and Tamar Garb
Edited by @honeyluard
Designed with @zoppi.michela

Published by @whitecube on the occasion of South African artist @cinga_samson ’s solo exhibition at White Cube Mason’s Yard, this monograph features a series of dreamlike large-scale tableaux and enigmatic portraits, alongside photographs of the artist’s studio printed on light, translucent stock. The cover plate is tipped onto the book, wrapping around the front cover panel.

Texts by Lwandile Fikeni and Tamar Garb
Edited by @honeyluard
Designed with @zoppi.michela

Published on the occasion of Moving Bodies, Moving Images, an exhibition at @whitechapelgallery that brought together a selection of short films from the last decade by contemporary artists exploring the intersection of dance, choreography, and moving image.

The 200-page catalogue features over 400 video stills arranged mechanically in strips of varying densities, visually transcribing the narrative of the films and deconstructing key body movements in the artists’ works.

Featuring films by
Alexandra Bachzetsis @alexandra.bachzetsis
Pauline Boudry @pauline_yavor / Renate Lorenz
Eglė Budvytytė @egle_budvytyte
Eric Minh Cuong Castaing @ericminhcuong
Alia Farid @alia_farid
Hetain Patel @patelhetain
Bárbara Wagner @barbarawagner__ and Benjamin de Burca @benjamindeburca
Alberta Whittle @purebred.mongrel

Edited by Lydia Yee and @grace__storey
Designed with @zoppi.michela
All typeset in Rhyme by @maxitype_com

Published on the occasion of Moving Bodies, Moving Images, an exhibition at @whitechapelgallery that brought together a selection of short films from the last decade by contemporary artists exploring the intersection of dance, choreography, and moving image.

The 200-page catalogue features over 400 video stills arranged mechanically in strips of varying densities, visually transcribing the narrative of the films and deconstructing key body movements in the artists’ works.

Featuring films by
Alexandra Bachzetsis @alexandra.bachzetsis
Pauline Boudry @pauline_yavor / Renate Lorenz
Eglė Budvytytė @egle_budvytyte
Eric Minh Cuong Castaing @ericminhcuong
Alia Farid @alia_farid
Hetain Patel @patelhetain
Bárbara Wagner @barbarawagner__ and Benjamin de Burca @benjamindeburca
Alberta Whittle @purebred.mongrel

Edited by Lydia Yee and @grace__storey
Designed with @zoppi.michela
All typeset in Rhyme by @maxitype_com

Published on the occasion of Moving Bodies, Moving Images, an exhibition at @whitechapelgallery that brought together a selection of short films from the last decade by contemporary artists exploring the intersection of dance, choreography, and moving image.

The 200-page catalogue features over 400 video stills arranged mechanically in strips of varying densities, visually transcribing the narrative of the films and deconstructing key body movements in the artists’ works.

Featuring films by
Alexandra Bachzetsis @alexandra.bachzetsis
Pauline Boudry @pauline_yavor / Renate Lorenz
Eglė Budvytytė @egle_budvytyte
Eric Minh Cuong Castaing @ericminhcuong
Alia Farid @alia_farid
Hetain Patel @patelhetain
Bárbara Wagner @barbarawagner__ and Benjamin de Burca @benjamindeburca
Alberta Whittle @purebred.mongrel

Edited by Lydia Yee and @grace__storey
Designed with @zoppi.michela
All typeset in Rhyme by @maxitype_com

Published on the occasion of Moving Bodies, Moving Images, an exhibition at @whitechapelgallery that brought together a selection of short films from the last decade by contemporary artists exploring the intersection of dance, choreography, and moving image.

The 200-page catalogue features over 400 video stills arranged mechanically in strips of varying densities, visually transcribing the narrative of the films and deconstructing key body movements in the artists’ works.

Featuring films by
Alexandra Bachzetsis @alexandra.bachzetsis
Pauline Boudry @pauline_yavor / Renate Lorenz
Eglė Budvytytė @egle_budvytyte
Eric Minh Cuong Castaing @ericminhcuong
Alia Farid @alia_farid
Hetain Patel @patelhetain
Bárbara Wagner @barbarawagner__ and Benjamin de Burca @benjamindeburca
Alberta Whittle @purebred.mongrel

Edited by Lydia Yee and @grace__storey
Designed with @zoppi.michela
All typeset in Rhyme by @maxitype_com

Published on the occasion of Moving Bodies, Moving Images, an exhibition at @whitechapelgallery that brought together a selection of short films from the last decade by contemporary artists exploring the intersection of dance, choreography, and moving image.

The 200-page catalogue features over 400 video stills arranged mechanically in strips of varying densities, visually transcribing the narrative of the films and deconstructing key body movements in the artists’ works.

Featuring films by
Alexandra Bachzetsis @alexandra.bachzetsis
Pauline Boudry @pauline_yavor / Renate Lorenz
Eglė Budvytytė @egle_budvytyte
Eric Minh Cuong Castaing @ericminhcuong
Alia Farid @alia_farid
Hetain Patel @patelhetain
Bárbara Wagner @barbarawagner__ and Benjamin de Burca @benjamindeburca
Alberta Whittle @purebred.mongrel

Edited by Lydia Yee and @grace__storey
Designed with @zoppi.michela
All typeset in Rhyme by @maxitype_com

Published on the occasion of Moving Bodies, Moving Images, an exhibition at @whitechapelgallery that brought together a selection of short films from the last decade by contemporary artists exploring the intersection of dance, choreography, and moving image.

The 200-page catalogue features over 400 video stills arranged mechanically in strips of varying densities, visually transcribing the narrative of the films and deconstructing key body movements in the artists’ works.

Featuring films by
Alexandra Bachzetsis @alexandra.bachzetsis
Pauline Boudry @pauline_yavor / Renate Lorenz
Eglė Budvytytė @egle_budvytyte
Eric Minh Cuong Castaing @ericminhcuong
Alia Farid @alia_farid
Hetain Patel @patelhetain
Bárbara Wagner @barbarawagner__ and Benjamin de Burca @benjamindeburca
Alberta Whittle @purebred.mongrel

Edited by Lydia Yee and @grace__storey
Designed with @zoppi.michela
All typeset in Rhyme by @maxitype_com

Published on the occasion of Moving Bodies, Moving Images, an exhibition at @whitechapelgallery that brought together a selection of short films from the last decade by contemporary artists exploring the intersection of dance, choreography, and moving image.

The 200-page catalogue features over 400 video stills arranged mechanically in strips of varying densities, visually transcribing the narrative of the films and deconstructing key body movements in the artists’ works.

Featuring films by
Alexandra Bachzetsis @alexandra.bachzetsis
Pauline Boudry @pauline_yavor / Renate Lorenz
Eglė Budvytytė @egle_budvytyte
Eric Minh Cuong Castaing @ericminhcuong
Alia Farid @alia_farid
Hetain Patel @patelhetain
Bárbara Wagner @barbarawagner__ and Benjamin de Burca @benjamindeburca
Alberta Whittle @purebred.mongrel

Edited by Lydia Yee and @grace__storey
Designed with @zoppi.michela
All typeset in Rhyme by @maxitype_com

Published on the occasion of Moving Bodies, Moving Images, an exhibition at @whitechapelgallery that brought together a selection of short films from the last decade by contemporary artists exploring the intersection of dance, choreography, and moving image.

The 200-page catalogue features over 400 video stills arranged mechanically in strips of varying densities, visually transcribing the narrative of the films and deconstructing key body movements in the artists’ works.

Featuring films by
Alexandra Bachzetsis @alexandra.bachzetsis
Pauline Boudry @pauline_yavor / Renate Lorenz
Eglė Budvytytė @egle_budvytyte
Eric Minh Cuong Castaing @ericminhcuong
Alia Farid @alia_farid
Hetain Patel @patelhetain
Bárbara Wagner @barbarawagner__ and Benjamin de Burca @benjamindeburca
Alberta Whittle @purebred.mongrel

Edited by Lydia Yee and @grace__storey
Designed with @zoppi.michela
All typeset in Rhyme by @maxitype_com

Published on the occasion of Moving Bodies, Moving Images, an exhibition at @whitechapelgallery that brought together a selection of short films from the last decade by contemporary artists exploring the intersection of dance, choreography, and moving image.

The 200-page catalogue features over 400 video stills arranged mechanically in strips of varying densities, visually transcribing the narrative of the films and deconstructing key body movements in the artists’ works.

Featuring films by
Alexandra Bachzetsis @alexandra.bachzetsis
Pauline Boudry @pauline_yavor / Renate Lorenz
Eglė Budvytytė @egle_budvytyte
Eric Minh Cuong Castaing @ericminhcuong
Alia Farid @alia_farid
Hetain Patel @patelhetain
Bárbara Wagner @barbarawagner__ and Benjamin de Burca @benjamindeburca
Alberta Whittle @purebred.mongrel

Edited by Lydia Yee and @grace__storey
Designed with @zoppi.michela
All typeset in Rhyme by @maxitype_com

Out now! A 256-page monograph for Indian-born British artist Raqib Shaw @raqibshawstudio . Inspired by the old masters yet infused with his own personal iconography, Raqib’s work blends Easter and Western mythology to create a fresh, contemporary fusion of styles.

Published by @rizzolibooks and edited by Honey Luard @honeyluard . Featuring essays by Dawn Ades, Diana Campbell @josephinedawnades , and Sir Norman Rosenthal @rosenthal.norman .

Out now! A 256-page monograph for Indian-born British artist Raqib Shaw @raqibshawstudio . Inspired by the old masters yet infused with his own personal iconography, Raqib’s work blends Easter and Western mythology to create a fresh, contemporary fusion of styles.

Published by @rizzolibooks and edited by Honey Luard @honeyluard . Featuring essays by Dawn Ades, Diana Campbell @josephinedawnades , and Sir Norman Rosenthal @rosenthal.norman .

Out now! A 256-page monograph for Indian-born British artist Raqib Shaw @raqibshawstudio . Inspired by the old masters yet infused with his own personal iconography, Raqib’s work blends Easter and Western mythology to create a fresh, contemporary fusion of styles.

Published by @rizzolibooks and edited by Honey Luard @honeyluard . Featuring essays by Dawn Ades, Diana Campbell @josephinedawnades , and Sir Norman Rosenthal @rosenthal.norman .

Out now! A 256-page monograph for Indian-born British artist Raqib Shaw @raqibshawstudio . Inspired by the old masters yet infused with his own personal iconography, Raqib’s work blends Easter and Western mythology to create a fresh, contemporary fusion of styles.

Published by @rizzolibooks and edited by Honey Luard @honeyluard . Featuring essays by Dawn Ades, Diana Campbell @josephinedawnades , and Sir Norman Rosenthal @rosenthal.norman .

Out now! A 256-page monograph for Indian-born British artist Raqib Shaw @raqibshawstudio . Inspired by the old masters yet infused with his own personal iconography, Raqib’s work blends Easter and Western mythology to create a fresh, contemporary fusion of styles.

Published by @rizzolibooks and edited by Honey Luard @honeyluard . Featuring essays by Dawn Ades, Diana Campbell @josephinedawnades , and Sir Norman Rosenthal @rosenthal.norman .

Out now! A 256-page monograph for Indian-born British artist Raqib Shaw @raqibshawstudio . Inspired by the old masters yet infused with his own personal iconography, Raqib’s work blends Easter and Western mythology to create a fresh, contemporary fusion of styles.

Published by @rizzolibooks and edited by Honey Luard @honeyluard . Featuring essays by Dawn Ades, Diana Campbell @josephinedawnades , and Sir Norman Rosenthal @rosenthal.norman .

Out now! A 256-page monograph for Indian-born British artist Raqib Shaw @raqibshawstudio . Inspired by the old masters yet infused with his own personal iconography, Raqib’s work blends Easter and Western mythology to create a fresh, contemporary fusion of styles.

Published by @rizzolibooks and edited by Honey Luard @honeyluard . Featuring essays by Dawn Ades, Diana Campbell @josephinedawnades , and Sir Norman Rosenthal @rosenthal.norman .

Out now! A 256-page monograph for Indian-born British artist Raqib Shaw @raqibshawstudio . Inspired by the old masters yet infused with his own personal iconography, Raqib’s work blends Easter and Western mythology to create a fresh, contemporary fusion of styles.

Published by @rizzolibooks and edited by Honey Luard @honeyluard . Featuring essays by Dawn Ades, Diana Campbell @josephinedawnades , and Sir Norman Rosenthal @rosenthal.norman .

Out now! A 256-page monograph for Indian-born British artist Raqib Shaw @raqibshawstudio . Inspired by the old masters yet infused with his own personal iconography, Raqib’s work blends Easter and Western mythology to create a fresh, contemporary fusion of styles.

Published by @rizzolibooks and edited by Honey Luard @honeyluard . Featuring essays by Dawn Ades, Diana Campbell @josephinedawnades , and Sir Norman Rosenthal @rosenthal.norman .

Out now! A 256-page monograph for Indian-born British artist Raqib Shaw @raqibshawstudio . Inspired by the old masters yet infused with his own personal iconography, Raqib’s work blends Easter and Western mythology to create a fresh, contemporary fusion of styles.

Published by @rizzolibooks and edited by Honey Luard @honeyluard . Featuring essays by Dawn Ades, Diana Campbell @josephinedawnades , and Sir Norman Rosenthal @rosenthal.norman .

Out now! A 256-page monograph for Indian-born British artist Raqib Shaw @raqibshawstudio . Inspired by the old masters yet infused with his own personal iconography, Raqib’s work blends Easter and Western mythology to create a fresh, contemporary fusion of styles.

Published by @rizzolibooks and edited by Honey Luard @honeyluard . Featuring essays by Dawn Ades, Diana Campbell @josephinedawnades , and Sir Norman Rosenthal @rosenthal.norman .

Out now! A 256-page monograph for Indian-born British artist Raqib Shaw @raqibshawstudio . Inspired by the old masters yet infused with his own personal iconography, Raqib’s work blends Easter and Western mythology to create a fresh, contemporary fusion of styles.

Published by @rizzolibooks and edited by Honey Luard @honeyluard . Featuring essays by Dawn Ades, Diana Campbell @josephinedawnades , and Sir Norman Rosenthal @rosenthal.norman .