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Selecta LV

A custom version of Selecta specially developed by Maxitype in 2022 for a publication celebrating the 20th anniversary of Tambour, Louis Vuitton’s line of modern luxury watches.

#SelectaTypeface #SelectaLV #maxitype #customfont #typography #customtype #louisvuitton #louisvuittontambour #grotesk #sansserif #luxurywatches #lv #MaxitypeCustomFonts

Selecta LV

A custom version of Selecta specially developed by Maxitype in 2022 for a publication celebrating the 20th anniversary of Tambour, Louis Vuitton’s line of modern luxury watches.

#SelectaTypeface #SelectaLV #maxitype #customfont #typography #customtype #louisvuitton #louisvuittontambour #grotesk #sansserif #luxurywatches #lv #MaxitypeCustomFonts

Rhymes

Maxitype’s first serif typeface available for retail, was drawn between 2017 and 2021 by the Czech designer Jakub Samek. 

#RhymesTypeface #maxitype @jakubsamek.info #variablefonts #typefoundry #opticalsizes

Teletext. A humanist pixel typeface designed by Adrian Frutiger in 1979 for the airport screens at Paris CDG, and released by Maxitype in 2025. Teletext Regular is included in MXTP Vol. 1.

Adrian Frutiger (1979) & Maximage (2025)
2025
5 styles
463 glyphs
#adrianfrutiger @maximage_societe_suisse 🐜

Teletext. A humanist pixel typeface designed by Adrian Frutiger in 1979 for the airport screens at Paris CDG, and released by Maxitype in 2025. Teletext Regular is included in MXTP Vol. 1.

Adrian Frutiger (1979) & Maximage (2025)
2025
5 styles
463 glyphs
#adrianfrutiger @maximage_societe_suisse 🐜

Teletext. A humanist pixel typeface designed by Adrian Frutiger in 1979 for the airport screens at Paris CDG, and released by Maxitype in 2025. Teletext Regular is included in MXTP Vol. 1.

Adrian Frutiger (1979) & Maximage (2025)
2025
5 styles
463 glyphs
#adrianfrutiger @maximage_societe_suisse 🐜

Teletext. A humanist pixel typeface designed by Adrian Frutiger in 1979 for the airport screens at Paris CDG, and released by Maxitype in 2025. Teletext Regular is included in MXTP Vol. 1.

Adrian Frutiger (1979) & Maximage (2025)
2025
5 styles
463 glyphs
#adrianfrutiger @maximage_societe_suisse 🐜

Teletext. A humanist pixel typeface designed by Adrian Frutiger in 1979 for the airport screens at Paris CDG, and released by Maxitype in 2025. Teletext Regular is included in MXTP Vol. 1.

Adrian Frutiger (1979) & Maximage (2025)
2025
5 styles
463 glyphs
#adrianfrutiger @maximage_societe_suisse 🐜

Teletext. A humanist pixel typeface designed by Adrian Frutiger in 1979 for the airport screens at Paris CDG, and released by Maxitype in 2025. Teletext Regular is included in MXTP Vol. 1.

Adrian Frutiger (1979) & Maximage (2025)
2025
5 styles
463 glyphs
#adrianfrutiger @maximage_societe_suisse 🐜

Teletext. A humanist pixel typeface designed by Adrian Frutiger in 1979 for the airport screens at Paris CDG, and released by Maxitype in 2025. Teletext Regular is included in MXTP Vol. 1.

Adrian Frutiger (1979) & Maximage (2025)
2025
5 styles
463 glyphs
#adrianfrutiger @maximage_societe_suisse 🐜

Teletext. A humanist pixel typeface designed by Adrian Frutiger in 1979 for the airport screens at Paris CDG, and released by Maxitype in 2025. Teletext Regular is included in MXTP Vol. 1.

Adrian Frutiger (1979) & Maximage (2025)
2025
5 styles
463 glyphs
#adrianfrutiger @maximage_societe_suisse 🐜

😂

WIM. Project by Alicia Godel @aliciamariagodel

WIM is a typeface developed from an unfinished sketch in Wim Crouwel’s New Alphabet (1967), reinterpreting and completing its modular logic. Originally created during the first type design module, the project evolved continuously throughout the studies, resulting in an expanded glyph set and a refined specimen. The typeface extends Crouwel’s experimental approach into a contemporary context, balancing systematic construction with practical application. WIM has since been used across various projects and was featured in @mxtp_vol.1

Module Type Design Basics. 2024.

Supervised by David Keshavjee @maxitype_com Giliane Cachin @gilianecachin and Samira Schneuwly @samiraschneuwly

#typedesign #newalphabet #wimcrouwel #experimentaltype #graphicdesign #vczhdk #visualcommunication #zhdk

WIM. Project by Alicia Godel @aliciamariagodel

WIM is a typeface developed from an unfinished sketch in Wim Crouwel’s New Alphabet (1967), reinterpreting and completing its modular logic. Originally created during the first type design module, the project evolved continuously throughout the studies, resulting in an expanded glyph set and a refined specimen. The typeface extends Crouwel’s experimental approach into a contemporary context, balancing systematic construction with practical application. WIM has since been used across various projects and was featured in @mxtp_vol.1

Module Type Design Basics. 2024.

Supervised by David Keshavjee @maxitype_com Giliane Cachin @gilianecachin and Samira Schneuwly @samiraschneuwly

#typedesign #newalphabet #wimcrouwel #experimentaltype #graphicdesign #vczhdk #visualcommunication #zhdk

WIM. Project by Alicia Godel @aliciamariagodel

WIM is a typeface developed from an unfinished sketch in Wim Crouwel’s New Alphabet (1967), reinterpreting and completing its modular logic. Originally created during the first type design module, the project evolved continuously throughout the studies, resulting in an expanded glyph set and a refined specimen. The typeface extends Crouwel’s experimental approach into a contemporary context, balancing systematic construction with practical application. WIM has since been used across various projects and was featured in @mxtp_vol.1

Module Type Design Basics. 2024.

Supervised by David Keshavjee @maxitype_com Giliane Cachin @gilianecachin and Samira Schneuwly @samiraschneuwly

#typedesign #newalphabet #wimcrouwel #experimentaltype #graphicdesign #vczhdk #visualcommunication #zhdk

WIM. Project by Alicia Godel @aliciamariagodel

WIM is a typeface developed from an unfinished sketch in Wim Crouwel’s New Alphabet (1967), reinterpreting and completing its modular logic. Originally created during the first type design module, the project evolved continuously throughout the studies, resulting in an expanded glyph set and a refined specimen. The typeface extends Crouwel’s experimental approach into a contemporary context, balancing systematic construction with practical application. WIM has since been used across various projects and was featured in @mxtp_vol.1

Module Type Design Basics. 2024.

Supervised by David Keshavjee @maxitype_com Giliane Cachin @gilianecachin and Samira Schneuwly @samiraschneuwly

#typedesign #newalphabet #wimcrouwel #experimentaltype #graphicdesign #vczhdk #visualcommunication #zhdk

WIM. Project by Alicia Godel @aliciamariagodel

WIM is a typeface developed from an unfinished sketch in Wim Crouwel’s New Alphabet (1967), reinterpreting and completing its modular logic. Originally created during the first type design module, the project evolved continuously throughout the studies, resulting in an expanded glyph set and a refined specimen. The typeface extends Crouwel’s experimental approach into a contemporary context, balancing systematic construction with practical application. WIM has since been used across various projects and was featured in @mxtp_vol.1

Module Type Design Basics. 2024.

Supervised by David Keshavjee @maxitype_com Giliane Cachin @gilianecachin and Samira Schneuwly @samiraschneuwly

#typedesign #newalphabet #wimcrouwel #experimentaltype #graphicdesign #vczhdk #visualcommunication #zhdk

WIM. Project by Alicia Godel @aliciamariagodel

WIM is a typeface developed from an unfinished sketch in Wim Crouwel’s New Alphabet (1967), reinterpreting and completing its modular logic. Originally created during the first type design module, the project evolved continuously throughout the studies, resulting in an expanded glyph set and a refined specimen. The typeface extends Crouwel’s experimental approach into a contemporary context, balancing systematic construction with practical application. WIM has since been used across various projects and was featured in @mxtp_vol.1

Module Type Design Basics. 2024.

Supervised by David Keshavjee @maxitype_com Giliane Cachin @gilianecachin and Samira Schneuwly @samiraschneuwly

#typedesign #newalphabet #wimcrouwel #experimentaltype #graphicdesign #vczhdk #visualcommunication #zhdk

WIM. Project by Alicia Godel @aliciamariagodel

WIM is a typeface developed from an unfinished sketch in Wim Crouwel’s New Alphabet (1967), reinterpreting and completing its modular logic. Originally created during the first type design module, the project evolved continuously throughout the studies, resulting in an expanded glyph set and a refined specimen. The typeface extends Crouwel’s experimental approach into a contemporary context, balancing systematic construction with practical application. WIM has since been used across various projects and was featured in @mxtp_vol.1

Module Type Design Basics. 2024.

Supervised by David Keshavjee @maxitype_com Giliane Cachin @gilianecachin and Samira Schneuwly @samiraschneuwly

#typedesign #newalphabet #wimcrouwel #experimentaltype #graphicdesign #vczhdk #visualcommunication #zhdk

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

New Swiss Banknote Series (2nd Prize)

Our proposal for the new Swiss banknote series “Switzerland as Ecosystem” was awarded 2nd prize by the Swiss National Bank (SNB).

Our series reveals the richness and diversity of Switzerland through the lens of the ecosystem. Each landscape is understood as a living system in which organisms (biocoenosis) continuously interact with their physical environment (biotope). Through this perspective, Switzerland unfolds as a network of interconnected habitats.

The front side of each banknote features an emblematic animal and its environment, illustrating this living balance. The reverse side introduces a cartographic dimension. When the six notes are aligned, they assemble into a complete miniature atlas of the country.

This series celebrates Swiss nature and its landscapes while inviting reflection on our place within this vast living ecosystem.

Thanks to the extended “dream team” who worked with us:
@gilianecachin @mariettaeugster @langage_universel @guymeldem

And congratulations to @emphase_lausanne_bern for winning the 1st prize!

Animation and renderings:
@meyergrafik @matej_martinec

Hoodie + MXTP Vol.1 Bundle
Limited edition. Oversized fit. 350 GSM cotton.
Includes desktop license for 40 fonts!!
maxitype.com/shop

Hoodie + MXTP Vol.1 Bundle
Limited edition. Oversized fit. 350 GSM cotton.
Includes desktop license for 40 fonts!!
maxitype.com/shop

Hoodie + MXTP Vol.1 Bundle
Limited edition. Oversized fit. 350 GSM cotton.
Includes desktop license for 40 fonts!!
maxitype.com/shop

Art direction and graphic design by @julien_hebert in collaboration with @celine_le_chien for Baloney 5uicide, the final album of their artist friend @violettpi.

It’s bold and conceptually sharp. Illusion turned into a physical metaphor. The tension between romance and falseness is powerful, and the embossed metal detail transforms it into an object, almost ritualistic.

Fonts: Metaballs + Rhymes @maxitype_com
3D: @alexis.quesnel

Art direction and graphic design by @julien_hebert in collaboration with @celine_le_chien for Baloney 5uicide, the final album of their artist friend @violettpi.

It’s bold and conceptually sharp. Illusion turned into a physical metaphor. The tension between romance and falseness is powerful, and the embossed metal detail transforms it into an object, almost ritualistic.

Fonts: Metaballs + Rhymes @maxitype_com
3D: @alexis.quesnel

Art direction and graphic design by @julien_hebert in collaboration with @celine_le_chien for Baloney 5uicide, the final album of their artist friend @violettpi.

It’s bold and conceptually sharp. Illusion turned into a physical metaphor. The tension between romance and falseness is powerful, and the embossed metal detail transforms it into an object, almost ritualistic.

Fonts: Metaballs + Rhymes @maxitype_com
3D: @alexis.quesnel

Art direction and graphic design by @julien_hebert in collaboration with @celine_le_chien for Baloney 5uicide, the final album of their artist friend @violettpi.

It’s bold and conceptually sharp. Illusion turned into a physical metaphor. The tension between romance and falseness is powerful, and the embossed metal detail transforms it into an object, almost ritualistic.

Fonts: Metaballs + Rhymes @maxitype_com
3D: @alexis.quesnel

Art direction and graphic design by @julien_hebert in collaboration with @celine_le_chien for Baloney 5uicide, the final album of their artist friend @violettpi.

It’s bold and conceptually sharp. Illusion turned into a physical metaphor. The tension between romance and falseness is powerful, and the embossed metal detail transforms it into an object, almost ritualistic.

Fonts: Metaballs + Rhymes @maxitype_com
3D: @alexis.quesnel

Art direction and graphic design by @julien_hebert in collaboration with @celine_le_chien for Baloney 5uicide, the final album of their artist friend @violettpi.

It’s bold and conceptually sharp. Illusion turned into a physical metaphor. The tension between romance and falseness is powerful, and the embossed metal detail transforms it into an object, almost ritualistic.

Fonts: Metaballs + Rhymes @maxitype_com
3D: @alexis.quesnel

Art direction and graphic design by @julien_hebert in collaboration with @celine_le_chien for Baloney 5uicide, the final album of their artist friend @violettpi.

It’s bold and conceptually sharp. Illusion turned into a physical metaphor. The tension between romance and falseness is powerful, and the embossed metal detail transforms it into an object, almost ritualistic.

Fonts: Metaballs + Rhymes @maxitype_com
3D: @alexis.quesnel

Art direction and graphic design by @julien_hebert in collaboration with @celine_le_chien for Baloney 5uicide, the final album of their artist friend @violettpi.

It’s bold and conceptually sharp. Illusion turned into a physical metaphor. The tension between romance and falseness is powerful, and the embossed metal detail transforms it into an object, almost ritualistic.

Fonts: Metaballs + Rhymes @maxitype_com
3D: @alexis.quesnel

Custom font based on the Eurocat typeface for the 50th anniversary of the brand @camper

Produced by @maxitype_com & @gilianecachin
Art direction by @registosetti
Bridge programming by @aatb_ch
Pictograms by @whooooooooosh

#EurocatTypeface #Maxitype

Custom font based on the Eurocat typeface for the 50th anniversary of the brand @camper

Produced by @maxitype_com & @gilianecachin
Art direction by @registosetti
Bridge programming by @aatb_ch
Pictograms by @whooooooooosh

#EurocatTypeface #Maxitype

Custom font based on the Eurocat typeface for the 50th anniversary of the brand @camper

Produced by @maxitype_com & @gilianecachin
Art direction by @registosetti
Bridge programming by @aatb_ch
Pictograms by @whooooooooosh

#EurocatTypeface #Maxitype

Custom font based on the Eurocat typeface for the 50th anniversary of the brand @camper

Produced by @maxitype_com & @gilianecachin
Art direction by @registosetti
Bridge programming by @aatb_ch
Pictograms by @whooooooooosh

#EurocatTypeface #Maxitype

Custom font based on the Eurocat typeface for the 50th anniversary of the brand @camper

Produced by @maxitype_com & @gilianecachin
Art direction by @registosetti
Bridge programming by @aatb_ch
Pictograms by @whooooooooosh

#EurocatTypeface #Maxitype

Custom font based on the Eurocat typeface for the 50th anniversary of the brand @camper

Produced by @maxitype_com & @gilianecachin
Art direction by @registosetti
Bridge programming by @aatb_ch
Pictograms by @whooooooooosh

#EurocatTypeface #Maxitype

Custom font based on the Eurocat typeface for the 50th anniversary of the brand @camper

Produced by @maxitype_com & @gilianecachin
Art direction by @registosetti
Bridge programming by @aatb_ch
Pictograms by @whooooooooosh

#EurocatTypeface #Maxitype

Custom font based on the Eurocat typeface for the 50th anniversary of the brand @camper

Produced by @maxitype_com & @gilianecachin
Art direction by @registosetti
Bridge programming by @aatb_ch
Pictograms by @whooooooooosh

#EurocatTypeface #Maxitype

Custom font based on the Eurocat typeface for the 50th anniversary of the brand @camper

Produced by @maxitype_com & @gilianecachin
Art direction by @registosetti
Bridge programming by @aatb_ch
Pictograms by @whooooooooosh

#EurocatTypeface #Maxitype

Custom font based on the Eurocat typeface for the 50th anniversary of the brand @camper

Produced by @maxitype_com & @gilianecachin
Art direction by @registosetti
Bridge programming by @aatb_ch
Pictograms by @whooooooooosh

#EurocatTypeface #Maxitype

Custom font based on the Eurocat typeface for the 50th anniversary of the brand @camper

Produced by @maxitype_com & @gilianecachin
Art direction by @registosetti
Bridge programming by @aatb_ch
Pictograms by @whooooooooosh

#EurocatTypeface #Maxitype

This publication includes a Desktop License (1 CPU) for the 40 fonts in this volume.

Available at www.draw-down.com

MXTP Vol. 1 (Display Typefaces)

Maxitype presents MXTP Vol. 1, a compilation of blocky, funky, artificial, experimental, geometric, brainy, comic, distorted, remixed, organic, bubbly, pixelated, obsolete, brutal, reflective, regular, medium, sensitive, dusty, arrogant, sticky, unbalanced, trippy and bumpy display typefaces, designed mostly during the hot summer type residency programmes held by Maxitype and friends in Cucuron, Luberon, France.

This parallel program, orginally called Maxitype Free Font Residency—later renamed MXTP— aims to invest time and energy in the development of typefaces liberated from market needs, without the pressure to design anything aesthetically acceptable of commercially relevant. Out of office, loud music always: references, techniques, software and shapes are unleashed. Playing with different inputs and speeds, some fonts were created in the course of a week, a day, or even in an hour by the swimming pool or late at night at the bar La Payotte. After three years of MXTP summer residencies, we're happy to compile the results in a volume that functions as a visual mix tape.

Typefaces in this volume were designed by Selina Bernet, Orlando Brunner, Giliane Cachin, Anatole Couteau, Pablo Desportes, Jules Estèves, Marietta Eugster, Eurostandard, Adrian Frutiger, Alicia Godel, Daniel Haettenschwiller, Thomas Hervé, Sarah Iller, David Keshavjee, Martin Lostis, Simon Mager, Maximage, Guy Meldem, Omnitype, Thomas Petit, Clemens Piontek, Clément Rouzaud, Jakub Samek, Teo Schifferli and Julien Tavelli.

This publication includes a Desktop License (1 CPU) for the 40 fonts in this volume.

Available at www.draw-down.com

MXTP Vol. 1 (Display Typefaces)

Maxitype presents MXTP Vol. 1, a compilation of blocky, funky, artificial, experimental, geometric, brainy, comic, distorted, remixed, organic, bubbly, pixelated, obsolete, brutal, reflective, regular, medium, sensitive, dusty, arrogant, sticky, unbalanced, trippy and bumpy display typefaces, designed mostly during the hot summer type residency programmes held by Maxitype and friends in Cucuron, Luberon, France.

This parallel program, orginally called Maxitype Free Font Residency—later renamed MXTP— aims to invest time and energy in the development of typefaces liberated from market needs, without the pressure to design anything aesthetically acceptable of commercially relevant. Out of office, loud music always: references, techniques, software and shapes are unleashed. Playing with different inputs and speeds, some fonts were created in the course of a week, a day, or even in an hour by the swimming pool or late at night at the bar La Payotte. After three years of MXTP summer residencies, we're happy to compile the results in a volume that functions as a visual mix tape.

Typefaces in this volume were designed by Selina Bernet, Orlando Brunner, Giliane Cachin, Anatole Couteau, Pablo Desportes, Jules Estèves, Marietta Eugster, Eurostandard, Adrian Frutiger, Alicia Godel, Daniel Haettenschwiller, Thomas Hervé, Sarah Iller, David Keshavjee, Martin Lostis, Simon Mager, Maximage, Guy Meldem, Omnitype, Thomas Petit, Clemens Piontek, Clément Rouzaud, Jakub Samek, Teo Schifferli and Julien Tavelli.

This publication includes a Desktop License (1 CPU) for the 40 fonts in this volume.

Available at www.draw-down.com

MXTP Vol. 1 (Display Typefaces)

Maxitype presents MXTP Vol. 1, a compilation of blocky, funky, artificial, experimental, geometric, brainy, comic, distorted, remixed, organic, bubbly, pixelated, obsolete, brutal, reflective, regular, medium, sensitive, dusty, arrogant, sticky, unbalanced, trippy and bumpy display typefaces, designed mostly during the hot summer type residency programmes held by Maxitype and friends in Cucuron, Luberon, France.

This parallel program, orginally called Maxitype Free Font Residency—later renamed MXTP— aims to invest time and energy in the development of typefaces liberated from market needs, without the pressure to design anything aesthetically acceptable of commercially relevant. Out of office, loud music always: references, techniques, software and shapes are unleashed. Playing with different inputs and speeds, some fonts were created in the course of a week, a day, or even in an hour by the swimming pool or late at night at the bar La Payotte. After three years of MXTP summer residencies, we're happy to compile the results in a volume that functions as a visual mix tape.

Typefaces in this volume were designed by Selina Bernet, Orlando Brunner, Giliane Cachin, Anatole Couteau, Pablo Desportes, Jules Estèves, Marietta Eugster, Eurostandard, Adrian Frutiger, Alicia Godel, Daniel Haettenschwiller, Thomas Hervé, Sarah Iller, David Keshavjee, Martin Lostis, Simon Mager, Maximage, Guy Meldem, Omnitype, Thomas Petit, Clemens Piontek, Clément Rouzaud, Jakub Samek, Teo Schifferli and Julien Tavelli.

This publication includes a Desktop License (1 CPU) for the 40 fonts in this volume.

Available at www.draw-down.com

MXTP Vol. 1 (Display Typefaces)

Maxitype presents MXTP Vol. 1, a compilation of blocky, funky, artificial, experimental, geometric, brainy, comic, distorted, remixed, organic, bubbly, pixelated, obsolete, brutal, reflective, regular, medium, sensitive, dusty, arrogant, sticky, unbalanced, trippy and bumpy display typefaces, designed mostly during the hot summer type residency programmes held by Maxitype and friends in Cucuron, Luberon, France.

This parallel program, orginally called Maxitype Free Font Residency—later renamed MXTP— aims to invest time and energy in the development of typefaces liberated from market needs, without the pressure to design anything aesthetically acceptable of commercially relevant. Out of office, loud music always: references, techniques, software and shapes are unleashed. Playing with different inputs and speeds, some fonts were created in the course of a week, a day, or even in an hour by the swimming pool or late at night at the bar La Payotte. After three years of MXTP summer residencies, we're happy to compile the results in a volume that functions as a visual mix tape.

Typefaces in this volume were designed by Selina Bernet, Orlando Brunner, Giliane Cachin, Anatole Couteau, Pablo Desportes, Jules Estèves, Marietta Eugster, Eurostandard, Adrian Frutiger, Alicia Godel, Daniel Haettenschwiller, Thomas Hervé, Sarah Iller, David Keshavjee, Martin Lostis, Simon Mager, Maximage, Guy Meldem, Omnitype, Thomas Petit, Clemens Piontek, Clément Rouzaud, Jakub Samek, Teo Schifferli and Julien Tavelli.

This publication includes a Desktop License (1 CPU) for the 40 fonts in this volume.

Available at www.draw-down.com

MXTP Vol. 1 (Display Typefaces)

Maxitype presents MXTP Vol. 1, a compilation of blocky, funky, artificial, experimental, geometric, brainy, comic, distorted, remixed, organic, bubbly, pixelated, obsolete, brutal, reflective, regular, medium, sensitive, dusty, arrogant, sticky, unbalanced, trippy and bumpy display typefaces, designed mostly during the hot summer type residency programmes held by Maxitype and friends in Cucuron, Luberon, France.

This parallel program, orginally called Maxitype Free Font Residency—later renamed MXTP— aims to invest time and energy in the development of typefaces liberated from market needs, without the pressure to design anything aesthetically acceptable of commercially relevant. Out of office, loud music always: references, techniques, software and shapes are unleashed. Playing with different inputs and speeds, some fonts were created in the course of a week, a day, or even in an hour by the swimming pool or late at night at the bar La Payotte. After three years of MXTP summer residencies, we're happy to compile the results in a volume that functions as a visual mix tape.

Typefaces in this volume were designed by Selina Bernet, Orlando Brunner, Giliane Cachin, Anatole Couteau, Pablo Desportes, Jules Estèves, Marietta Eugster, Eurostandard, Adrian Frutiger, Alicia Godel, Daniel Haettenschwiller, Thomas Hervé, Sarah Iller, David Keshavjee, Martin Lostis, Simon Mager, Maximage, Guy Meldem, Omnitype, Thomas Petit, Clemens Piontek, Clément Rouzaud, Jakub Samek, Teo Schifferli and Julien Tavelli.

✨GIVEAWAY✨
Your chance to win:

1× Maxitype Full Library (Desktop License)
2× Typeface of your choice (Desktop License)
3× Book/Specimen of your choice
4× MXTP Vol. 1 (Book + Fonts)
5× MXTP Font Package (Desktop License)

How to enter:
1. follow both @maxitype_com & @mxtp_vol.1
2. share this in your story
3. tag 3 friends in the comments

⚡You can participate until Wed 31 Dec 2025
#maxitype #giveaway #2026loading

20% OFF
on books & type specimens
until 13 Dec
use code: MX20BKS

20% OFF
on books & type specimens
until 13 Dec
use code: MX20BKS