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severinweber_
Severin Weber
Office for Creative Prototyping
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Graphic design for the launch zine of last summer’s Spencer Badu × Hoka Elevon X collaboration. Grateful for the trust and amazing opportunity @spencerbadu @hoka @kazeemkuteyi
Photographer: Michael Kazik @michael.kazik , TJ Saw @tj.saw1
Lighting Tech: George Robson @geornden
Lighting Assist: Ella Costache @ellacostache
Set Designer: Omar Reilly
MUA: Racheal Adedigba @touchedbyracheal
Executive Producer: TARAN @teeeezyc
Production Company: Odyssey @odyssey.tv
Creative Producer: TJ Saw @tj.saw1
Production Manager: Tyrell Thomas
Motion Director: TARAN @teeeezyc
DOP + Edit : Jakub Libicki @jakublibicki
Talent: Jean-Jacques Ndjoli @ndjolijean
Score: LATEKID @latekid_
Image credit slide 7: @neilanthonywatson
#spencerbadu #hoka #layout #graphicdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Join us tomorrow for our official exhibition opening with a guided walkthrough as well as aperitif and don’t miss your chance to get a copy of our freshly printed book!
The publication results from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
Authors
Janus Lafontaine Carboni @jllfcb
Dr. Martina Diaz
Mariam Issoufou @mariamissoufouk
Neo Maditla
Graphic Design
Severin Weber @severinweber_
Typefaces
Recital @optimofoundry @malte_bentzen
Grotesk @dimitris.giannoulas
#dismantlingarchitecturalfictions#architecture #editorialdesign
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
Visual system for the three-day symposium and workshop Unarchiving Architecture: Towards a Critical Practice for Restitution in Building Heritage hosted by @chair.issoufou @gta_archive_ethz
The identity draws on the logic of data compression and extraction — processes of archiving, unzipping, and recovering fragmented information. Typography is reduce to the edge of legibility but also flexibly released and applied to different formats. Relations and grid units based on the increments of 8(-bit) referencing technology and The Blue Screen of Death: How much meaning survives when a file is decompressed, and what is irreversibly lost in the process?
Typefaces
Arketa @outline____online
System @maxitype_com @eurostandard
#graphicdesign #identity #system #ethz #gtaarchive
After years in the making, we are pleased to announce the forthcoming publication of our book project, co-authored by Janus Lafontaine Carboni @jllfcb , Martina Diaz, Mariam Issoufou @mariamissoufouk and Neo Maditla. Developed in parallel with the exhibition of the same name the book will be officially launched on 15 April 2026 at 18:00, during the exhibition opening, in the presence of the chair.
The thoughts and reflections result from study and teaching activities aimed at conveying the urgency of understanding the intangible dynamics that continue to shape architectural studies within Eurocentric academic contexts. The authors seek to provide readers with a foundation for positioning themselves according to their perspectives and intentions. Presented in a condensed form, the contents also reflect ongoing discussions with students in the architectural design studio at the Chair of Architectural Heritage and Sustainability of ETH Zurich. Through this brief reading, we hope to encourage broader debates and inspire interest in dismantling imperialist and colonial frameworks in favor of a more critical and just pedagogy.
More information will follow soon.
Designed by @severinweber_
#dismantlingarchitecturalfictions
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
Last summer our small dream of creating a custom football jersey came true. Together with @yungjonu we developed the kit concept, several graphic elements and executed a shooting for 09-ZZZ-0825 (Taylor Swift Gang Football Club) via @zeitgeistkulturInfinitely grateful for my grandparents and friends that were part of the process and shooting.
#tsgfc #graphicdesign #footballkit
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The second half of Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin operates as a dense collage of borrowed voices and found material. Texts from researchers sit alongside tattoo supply listings, legal excerpts, anime references, and tattoo studio advertisements closing with the removal of the ink, without an imposed order or hierarchy. Rather than explaining tattooing, this section exposes how it circulates across disciplines, markets, regulations, and popular imagery. The juxtaposition of these materials foregrounds contradictions—between legality and practice, subculture and commerce, intimacy and mass reproduction. Meaning is produced through proximity rather than sequence. The unchanged header still remains the only constant, functioning as a structural anchor within an otherwise unstable and fragmented field of references.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
The first half of my last editorial design student project “Spirit of Tattooing: A Visual Collection of Artefacts on the Human Skin” explores various aspects of tattooing and its history. It traces a trajectory from early origins, such as those found on Ötzi, through gang tattoos and cultural trends like the tramp stamp. The book does not aim to present a complete or comprehensive history of tattooing; instead, it highlights selected themes and moments in chronological order.
The project also seeks to push the boundaries of the book as a format, examining how diverse material can be brought together without overcomplicating a systematic intervention. The header remains the only coherent and unchanged element across all sequences.
Typefaces
Herbik @counter__forms
Waldenburg @kimeracorp @michaelclasen
Sacral Beta @dimitris.giannoulas
Mentoring
@vc.zhdk
@lea.n.michel
@romy__st
#graphicdesign #editorial #layout #tattoo #editorialgrid
F4 contribution for the charity auction and exhibition DRAWINGS FOR GAZA that was held at @milkspace.pr last October 2025. Words are the rawest form of human expression. Shaped only by thought and breath. Free Palestine فلسطين حرة — now and forever.
Event organized by @vaynberg.a @maciverekchevroulet @ofreia_architecture @johanna____roth @studio_iannone @studiotekkeh @alexisgargaloni
#freepalestine
F4 contribution for the charity auction and exhibition DRAWINGS FOR GAZA that was held at @milkspace.pr last October 2025. Words are the rawest form of human expression. Shaped only by thought and breath. Free Palestine فلسطين حرة — now and forever.
Event organized by @vaynberg.a @maciverekchevroulet @ofreia_architecture @johanna____roth @studio_iannone @studiotekkeh @alexisgargaloni
#freepalestine
F4 contribution for the charity auction and exhibition DRAWINGS FOR GAZA that was held at @milkspace.pr last October 2025. Words are the rawest form of human expression. Shaped only by thought and breath. Free Palestine فلسطين حرة — now and forever.
Event organized by @vaynberg.a @maciverekchevroulet @ofreia_architecture @johanna____roth @studio_iannone @studiotekkeh @alexisgargaloni
#freepalestine
F4 contribution for the charity auction and exhibition DRAWINGS FOR GAZA that was held at @milkspace.pr last October 2025. Words are the rawest form of human expression. Shaped only by thought and breath. Free Palestine فلسطين حرة — now and forever.
Event organized by @vaynberg.a @maciverekchevroulet @ofreia_architecture @johanna____roth @studio_iannone @studiotekkeh @alexisgargaloni
#freepalestine
F4 contribution for the charity auction and exhibition DRAWINGS FOR GAZA that was held at @milkspace.pr last October 2025. Words are the rawest form of human expression. Shaped only by thought and breath. Free Palestine فلسطين حرة — now and forever.
Event organized by @vaynberg.a @maciverekchevroulet @ofreia_architecture @johanna____roth @studio_iannone @studiotekkeh @alexisgargaloni
#freepalestine
F4 contribution for the charity auction and exhibition DRAWINGS FOR GAZA that was held at @milkspace.pr last October 2025. Words are the rawest form of human expression. Shaped only by thought and breath. Free Palestine فلسطين حرة — now and forever.
Event organized by @vaynberg.a @maciverekchevroulet @ofreia_architecture @johanna____roth @studio_iannone @studiotekkeh @alexisgargaloni
#freepalestine
F4 contribution for the charity auction and exhibition DRAWINGS FOR GAZA that was held at @milkspace.pr last October 2025. Words are the rawest form of human expression. Shaped only by thought and breath. Free Palestine فلسطين حرة — now and forever.
Event organized by @vaynberg.a @maciverekchevroulet @ofreia_architecture @johanna____roth @studio_iannone @studiotekkeh @alexisgargaloni
#freepalestine
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Selected spreads of this semester‘s case studies and topic readers for @chair.issoufou confronting Climate Echoes.
#ethz #graphicdesign #darch #editorial #layout #bookdesign #typography
Decal sheet amongst other beautiful additional print assets for @zeitungmagazine issue 0.00208DAYS, featuring nine-time world champion in Scale Model Aircraft Andreas Lüthi. Background poster showing On LightSpray shot by Cyriane Rawyler (@cyclope) and Johanna Bommer (@johannabommer).
Grab a copy! Edited by the great team @obzcure @ryanbains @emanuelbosonnet @nicolabryner @melvintobler
#graphicdesign #typography #zeitungmagazine #andreasluethi #stickers
Decal sheet amongst other beautiful additional print assets for @zeitungmagazine issue 0.00208DAYS, featuring nine-time world champion in Scale Model Aircraft Andreas Lüthi. Background poster showing On LightSpray shot by Cyriane Rawyler (@cyclope) and Johanna Bommer (@johannabommer).
Grab a copy! Edited by the great team @obzcure @ryanbains @emanuelbosonnet @nicolabryner @melvintobler
#graphicdesign #typography #zeitungmagazine #andreasluethi #stickers
Decal sheet amongst other beautiful additional print assets for @zeitungmagazine issue 0.00208DAYS, featuring nine-time world champion in Scale Model Aircraft Andreas Lüthi. Background poster showing On LightSpray shot by Cyriane Rawyler (@cyclope) and Johanna Bommer (@johannabommer).
Grab a copy! Edited by the great team @obzcure @ryanbains @emanuelbosonnet @nicolabryner @melvintobler
#graphicdesign #typography #zeitungmagazine #andreasluethi #stickers
Decal sheet amongst other beautiful additional print assets for @zeitungmagazine issue 0.00208DAYS, featuring nine-time world champion in Scale Model Aircraft Andreas Lüthi. Background poster showing On LightSpray shot by Cyriane Rawyler (@cyclope) and Johanna Bommer (@johannabommer).
Grab a copy! Edited by the great team @obzcure @ryanbains @emanuelbosonnet @nicolabryner @melvintobler
#graphicdesign #typography #zeitungmagazine #andreasluethi #stickers
Decal sheet amongst other beautiful additional print assets for @zeitungmagazine issue 0.00208DAYS, featuring nine-time world champion in Scale Model Aircraft Andreas Lüthi. Background poster showing On LightSpray shot by Cyriane Rawyler (@cyclope) and Johanna Bommer (@johannabommer).
Grab a copy! Edited by the great team @obzcure @ryanbains @emanuelbosonnet @nicolabryner @melvintobler
#graphicdesign #typography #zeitungmagazine #andreasluethi #stickers
Shirt graphics for @newcurrency including a variable color system for the alphabetic soft foam puzzle visual.
#graphicdesign #teegraphics #newcurrency
Shirt graphics for @newcurrency including a variable color system for the alphabetic soft foam puzzle visual.
#graphicdesign #teegraphics #newcurrency
Shirt graphics for @newcurrency including a variable color system for the alphabetic soft foam puzzle visual.
#graphicdesign #teegraphics #newcurrency
Shirt graphics for @newcurrency including a variable color system for the alphabetic soft foam puzzle visual.
#graphicdesign #teegraphics #newcurrency
Shirt graphics for @newcurrency including a variable color system for the alphabetic soft foam puzzle visual.
#graphicdesign #teegraphics #newcurrency
Shirt graphics for @newcurrency including a variable color system for the alphabetic soft foam puzzle visual.
#graphicdesign #teegraphics #newcurrency
Book spine for Iris Michel‘s painting collection “Lebenselixier” consolidating the past years of her artistic practice.
#graphicdesign #editorialdesign #book #typography
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
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