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Igor Kaczmarek
;video cutting enthusiast; psp photographer;unreadable typo connoisseu;moshed edit admirer;
Email: igikaczmarek@gmail.com
Portfolio:
Porsche Goodwood Festival Of Speed
I fell in love with English countryside thanks to this gig.
Together with @paweljermak @bartek_hlawka we were working on a difficult project aiming to present icons and legends of Porsche cars.
Since the beginning we’ve been working on the edit using various car commercials as placeholders. Time was our enemy and we had to have the montage structure created before the last shooting day - which was two days before the campaign launch. The final editing session was done in a Goodwood Hotel room at 5 am, 3 hours before the final grading session. Starlink saved our ass.
Big shoutout to the @untold_studios team who took care of us and our needs during this time in UK.
Thank you everyone.
Forever grateful for every experience.
Porsche Goodwood Festival Of Speed
I fell in love with English countryside thanks to this gig.
Together with @paweljermak @bartek_hlawka we were working on a difficult project aiming to present icons and legends of Porsche cars.
Since the beginning we’ve been working on the edit using various car commercials as placeholders. Time was our enemy and we had to have the montage structure created before the last shooting day - which was two days before the campaign launch. The final editing session was done in a Goodwood Hotel room at 5 am, 3 hours before the final grading session. Starlink saved our ass.
Big shoutout to the @untold_studios team who took care of us and our needs during this time in UK.
Thank you everyone.
Forever grateful for every experience.
Porsche Goodwood Festival Of Speed
I fell in love with English countryside thanks to this gig.
Together with @paweljermak @bartek_hlawka we were working on a difficult project aiming to present icons and legends of Porsche cars.
Since the beginning we’ve been working on the edit using various car commercials as placeholders. Time was our enemy and we had to have the montage structure created before the last shooting day - which was two days before the campaign launch. The final editing session was done in a Goodwood Hotel room at 5 am, 3 hours before the final grading session. Starlink saved our ass.
Big shoutout to the @untold_studios team who took care of us and our needs during this time in UK.
Thank you everyone.
Forever grateful for every experience.
Porsche Goodwood Festival Of Speed
I fell in love with English countryside thanks to this gig.
Together with @paweljermak @bartek_hlawka we were working on a difficult project aiming to present icons and legends of Porsche cars.
Since the beginning we’ve been working on the edit using various car commercials as placeholders. Time was our enemy and we had to have the montage structure created before the last shooting day - which was two days before the campaign launch. The final editing session was done in a Goodwood Hotel room at 5 am, 3 hours before the final grading session. Starlink saved our ass.
Big shoutout to the @untold_studios team who took care of us and our needs during this time in UK.
Thank you everyone.
Forever grateful for every experience.
Porsche Goodwood Festival Of Speed
I fell in love with English countryside thanks to this gig.
Together with @paweljermak @bartek_hlawka we were working on a difficult project aiming to present icons and legends of Porsche cars.
Since the beginning we’ve been working on the edit using various car commercials as placeholders. Time was our enemy and we had to have the montage structure created before the last shooting day - which was two days before the campaign launch. The final editing session was done in a Goodwood Hotel room at 5 am, 3 hours before the final grading session. Starlink saved our ass.
Big shoutout to the @untold_studios team who took care of us and our needs during this time in UK.
Thank you everyone.
Forever grateful for every experience.
Porsche Goodwood Festival Of Speed
I fell in love with English countryside thanks to this gig.
Together with @paweljermak @bartek_hlawka we were working on a difficult project aiming to present icons and legends of Porsche cars.
Since the beginning we’ve been working on the edit using various car commercials as placeholders. Time was our enemy and we had to have the montage structure created before the last shooting day - which was two days before the campaign launch. The final editing session was done in a Goodwood Hotel room at 5 am, 3 hours before the final grading session. Starlink saved our ass.
Big shoutout to the @untold_studios team who took care of us and our needs during this time in UK.
Thank you everyone.
Forever grateful for every experience.
Porsche Goodwood Festival Of Speed
I fell in love with English countryside thanks to this gig.
Together with @paweljermak @bartek_hlawka we were working on a difficult project aiming to present icons and legends of Porsche cars.
Since the beginning we’ve been working on the edit using various car commercials as placeholders. Time was our enemy and we had to have the montage structure created before the last shooting day - which was two days before the campaign launch. The final editing session was done in a Goodwood Hotel room at 5 am, 3 hours before the final grading session. Starlink saved our ass.
Big shoutout to the @untold_studios team who took care of us and our needs during this time in UK.
Thank you everyone.
Forever grateful for every experience.
Porsche Goodwood Festival Of Speed
I fell in love with English countryside thanks to this gig.
Together with @paweljermak @bartek_hlawka we were working on a difficult project aiming to present icons and legends of Porsche cars.
Since the beginning we’ve been working on the edit using various car commercials as placeholders. Time was our enemy and we had to have the montage structure created before the last shooting day - which was two days before the campaign launch. The final editing session was done in a Goodwood Hotel room at 5 am, 3 hours before the final grading session. Starlink saved our ass.
Big shoutout to the @untold_studios team who took care of us and our needs during this time in UK.
Thank you everyone.
Forever grateful for every experience.
Porsche Goodwood Festival Of Speed
I fell in love with English countryside thanks to this gig.
Together with @paweljermak @bartek_hlawka we were working on a difficult project aiming to present icons and legends of Porsche cars.
Since the beginning we’ve been working on the edit using various car commercials as placeholders. Time was our enemy and we had to have the montage structure created before the last shooting day - which was two days before the campaign launch. The final editing session was done in a Goodwood Hotel room at 5 am, 3 hours before the final grading session. Starlink saved our ass.
Big shoutout to the @untold_studios team who took care of us and our needs during this time in UK.
Thank you everyone.
Forever grateful for every experience.
Porsche Goodwood Festival Of Speed
I fell in love with English countryside thanks to this gig.
Together with @paweljermak @bartek_hlawka we were working on a difficult project aiming to present icons and legends of Porsche cars.
Since the beginning we’ve been working on the edit using various car commercials as placeholders. Time was our enemy and we had to have the montage structure created before the last shooting day - which was two days before the campaign launch. The final editing session was done in a Goodwood Hotel room at 5 am, 3 hours before the final grading session. Starlink saved our ass.
Big shoutout to the @untold_studios team who took care of us and our needs during this time in UK.
Thank you everyone.
Forever grateful for every experience.
Porsche Goodwood Festival Of Speed
I fell in love with English countryside thanks to this gig.
Together with @paweljermak @bartek_hlawka we were working on a difficult project aiming to present icons and legends of Porsche cars.
Since the beginning we’ve been working on the edit using various car commercials as placeholders. Time was our enemy and we had to have the montage structure created before the last shooting day - which was two days before the campaign launch. The final editing session was done in a Goodwood Hotel room at 5 am, 3 hours before the final grading session. Starlink saved our ass.
Big shoutout to the @untold_studios team who took care of us and our needs during this time in UK.
Thank you everyone.
Forever grateful for every experience.
I’m very glad to share my part in the recent RELIC project, which I’ve been editing on and off for the last two years — constantly coming back to review my timelines. Together with @paweljermak , we edited (I think) over 40 versions in different formats, experimenting with the footage our amazing crew delivered from the rocky shores of Croatia.
RELIC is not a story. For me, it’s a tribute to creativity and the unleashed process — a love letter to people working on things they love and are passionate about.
It reminded me why editing can be fun, expressive, bitchy, hard, and mind-dwelling. It reminded me of the freedom of creation (’cause I had no script or reference — Paweł just told me to edit the shit out of it).
It’s been a fantastic journey to see it all come together and to watch amazing people connect and contribute to this project. It’s a privilege to have friends like this and to be part of such a process. For that, I’m forever grateful.
CREDITS
Paweł Jermak @paweljermak (Creative & Director)
Adrian Kuciel @akuciel (DOP)
Jakub Walicki @kubawalicki (Starring)
Piotr Seweryn @sewimedia (Gear & 1AC)
Igor Kaczmarek (Editing)
Weronika Wysoczyńska @wero_wysoczynska (Costume Design)
Piotr Klimek @flmoonsta (Relic CGI)
Ars Thanea @arsthanea (Thunderstorm CGI & VFX)
Ars Thanea (Design & Animation)
Jakub Grobelny (Studio Supervisor)
Maciej Mizer @mosk (Creative Director)
Łukasz Szyszka (3D Supervisor)
Mesrop Hovannisyan (Animation & FX)
Mateusz Bargiel, Kacper Kałużyński & Mesrop Hovannisyan (Light)
Martyna Nawrot-Gaworczyk (Media Traffic)
Łukasz Stolarski@lukas.stolarski (Compositing)
Grzegorz Suszkiewicz (Props & 3D Printing)
Adrian Kuciel, Piotr Seweryn & Paweł Jermak (Best Boys & Gaffers)
Mateusz Koźbiałek (Drone)
Marlon Beatt (Music & Sound Design)
Asia Gawron @ag________________________ (Motion & Graphic Design)
Tomasz Kret @tomaszkret (Stills Photographer)
Rikka Eiro & Kristian Turner / Wooden Gun (Stills Retouch)
Black Photon (Postproduction)
Zosia Krajewska (Postproduction Manager)
Szymon Obrostek @szy_obrostek (Colour Grading)
Igor Kaczmarek (Online & Rendering)
Bartek Hławka @bartek_hlawka (Special Thanks)
Dominik Koszałka (Special Thanks)
I’m very glad to share my part in the recent RELIC project, which I’ve been editing on and off for the last two years — constantly coming back to review my timelines. Together with @paweljermak , we edited (I think) over 40 versions in different formats, experimenting with the footage our amazing crew delivered from the rocky shores of Croatia.
RELIC is not a story. For me, it’s a tribute to creativity and the unleashed process — a love letter to people working on things they love and are passionate about.
It reminded me why editing can be fun, expressive, bitchy, hard, and mind-dwelling. It reminded me of the freedom of creation (’cause I had no script or reference — Paweł just told me to edit the shit out of it).
It’s been a fantastic journey to see it all come together and to watch amazing people connect and contribute to this project. It’s a privilege to have friends like this and to be part of such a process. For that, I’m forever grateful.
CREDITS
Paweł Jermak @paweljermak (Creative & Director)
Adrian Kuciel @akuciel (DOP)
Jakub Walicki @kubawalicki (Starring)
Piotr Seweryn @sewimedia (Gear & 1AC)
Igor Kaczmarek (Editing)
Weronika Wysoczyńska @wero_wysoczynska (Costume Design)
Piotr Klimek @flmoonsta (Relic CGI)
Ars Thanea @arsthanea (Thunderstorm CGI & VFX)
Ars Thanea (Design & Animation)
Jakub Grobelny (Studio Supervisor)
Maciej Mizer @mosk (Creative Director)
Łukasz Szyszka (3D Supervisor)
Mesrop Hovannisyan (Animation & FX)
Mateusz Bargiel, Kacper Kałużyński & Mesrop Hovannisyan (Light)
Martyna Nawrot-Gaworczyk (Media Traffic)
Łukasz Stolarski@lukas.stolarski (Compositing)
Grzegorz Suszkiewicz (Props & 3D Printing)
Adrian Kuciel, Piotr Seweryn & Paweł Jermak (Best Boys & Gaffers)
Mateusz Koźbiałek (Drone)
Marlon Beatt (Music & Sound Design)
Asia Gawron @ag________________________ (Motion & Graphic Design)
Tomasz Kret @tomaszkret (Stills Photographer)
Rikka Eiro & Kristian Turner / Wooden Gun (Stills Retouch)
Black Photon (Postproduction)
Zosia Krajewska (Postproduction Manager)
Szymon Obrostek @szy_obrostek (Colour Grading)
Igor Kaczmarek (Online & Rendering)
Bartek Hławka @bartek_hlawka (Special Thanks)
Dominik Koszałka (Special Thanks)
I’m very glad to share my part in the recent RELIC project, which I’ve been editing on and off for the last two years — constantly coming back to review my timelines. Together with @paweljermak , we edited (I think) over 40 versions in different formats, experimenting with the footage our amazing crew delivered from the rocky shores of Croatia.
RELIC is not a story. For me, it’s a tribute to creativity and the unleashed process — a love letter to people working on things they love and are passionate about.
It reminded me why editing can be fun, expressive, bitchy, hard, and mind-dwelling. It reminded me of the freedom of creation (’cause I had no script or reference — Paweł just told me to edit the shit out of it).
It’s been a fantastic journey to see it all come together and to watch amazing people connect and contribute to this project. It’s a privilege to have friends like this and to be part of such a process. For that, I’m forever grateful.
CREDITS
Paweł Jermak @paweljermak (Creative & Director)
Adrian Kuciel @akuciel (DOP)
Jakub Walicki @kubawalicki (Starring)
Piotr Seweryn @sewimedia (Gear & 1AC)
Igor Kaczmarek (Editing)
Weronika Wysoczyńska @wero_wysoczynska (Costume Design)
Piotr Klimek @flmoonsta (Relic CGI)
Ars Thanea @arsthanea (Thunderstorm CGI & VFX)
Ars Thanea (Design & Animation)
Jakub Grobelny (Studio Supervisor)
Maciej Mizer @mosk (Creative Director)
Łukasz Szyszka (3D Supervisor)
Mesrop Hovannisyan (Animation & FX)
Mateusz Bargiel, Kacper Kałużyński & Mesrop Hovannisyan (Light)
Martyna Nawrot-Gaworczyk (Media Traffic)
Łukasz Stolarski@lukas.stolarski (Compositing)
Grzegorz Suszkiewicz (Props & 3D Printing)
Adrian Kuciel, Piotr Seweryn & Paweł Jermak (Best Boys & Gaffers)
Mateusz Koźbiałek (Drone)
Marlon Beatt (Music & Sound Design)
Asia Gawron @ag________________________ (Motion & Graphic Design)
Tomasz Kret @tomaszkret (Stills Photographer)
Rikka Eiro & Kristian Turner / Wooden Gun (Stills Retouch)
Black Photon (Postproduction)
Zosia Krajewska (Postproduction Manager)
Szymon Obrostek @szy_obrostek (Colour Grading)
Igor Kaczmarek (Online & Rendering)
Bartek Hławka @bartek_hlawka (Special Thanks)
Dominik Koszałka (Special Thanks)
I’m very glad to share my part in the recent RELIC project, which I’ve been editing on and off for the last two years — constantly coming back to review my timelines. Together with @paweljermak , we edited (I think) over 40 versions in different formats, experimenting with the footage our amazing crew delivered from the rocky shores of Croatia.
RELIC is not a story. For me, it’s a tribute to creativity and the unleashed process — a love letter to people working on things they love and are passionate about.
It reminded me why editing can be fun, expressive, bitchy, hard, and mind-dwelling. It reminded me of the freedom of creation (’cause I had no script or reference — Paweł just told me to edit the shit out of it).
It’s been a fantastic journey to see it all come together and to watch amazing people connect and contribute to this project. It’s a privilege to have friends like this and to be part of such a process. For that, I’m forever grateful.
CREDITS
Paweł Jermak @paweljermak (Creative & Director)
Adrian Kuciel @akuciel (DOP)
Jakub Walicki @kubawalicki (Starring)
Piotr Seweryn @sewimedia (Gear & 1AC)
Igor Kaczmarek (Editing)
Weronika Wysoczyńska @wero_wysoczynska (Costume Design)
Piotr Klimek @flmoonsta (Relic CGI)
Ars Thanea @arsthanea (Thunderstorm CGI & VFX)
Ars Thanea (Design & Animation)
Jakub Grobelny (Studio Supervisor)
Maciej Mizer @mosk (Creative Director)
Łukasz Szyszka (3D Supervisor)
Mesrop Hovannisyan (Animation & FX)
Mateusz Bargiel, Kacper Kałużyński & Mesrop Hovannisyan (Light)
Martyna Nawrot-Gaworczyk (Media Traffic)
Łukasz Stolarski@lukas.stolarski (Compositing)
Grzegorz Suszkiewicz (Props & 3D Printing)
Adrian Kuciel, Piotr Seweryn & Paweł Jermak (Best Boys & Gaffers)
Mateusz Koźbiałek (Drone)
Marlon Beatt (Music & Sound Design)
Asia Gawron @ag________________________ (Motion & Graphic Design)
Tomasz Kret @tomaszkret (Stills Photographer)
Rikka Eiro & Kristian Turner / Wooden Gun (Stills Retouch)
Black Photon (Postproduction)
Zosia Krajewska (Postproduction Manager)
Szymon Obrostek @szy_obrostek (Colour Grading)
Igor Kaczmarek (Online & Rendering)
Bartek Hławka @bartek_hlawka (Special Thanks)
Dominik Koszałka (Special Thanks)
I’m very glad to share my part in the recent RELIC project, which I’ve been editing on and off for the last two years — constantly coming back to review my timelines. Together with @paweljermak , we edited (I think) over 40 versions in different formats, experimenting with the footage our amazing crew delivered from the rocky shores of Croatia.
RELIC is not a story. For me, it’s a tribute to creativity and the unleashed process — a love letter to people working on things they love and are passionate about.
It reminded me why editing can be fun, expressive, bitchy, hard, and mind-dwelling. It reminded me of the freedom of creation (’cause I had no script or reference — Paweł just told me to edit the shit out of it).
It’s been a fantastic journey to see it all come together and to watch amazing people connect and contribute to this project. It’s a privilege to have friends like this and to be part of such a process. For that, I’m forever grateful.
CREDITS
Paweł Jermak @paweljermak (Creative & Director)
Adrian Kuciel @akuciel (DOP)
Jakub Walicki @kubawalicki (Starring)
Piotr Seweryn @sewimedia (Gear & 1AC)
Igor Kaczmarek (Editing)
Weronika Wysoczyńska @wero_wysoczynska (Costume Design)
Piotr Klimek @flmoonsta (Relic CGI)
Ars Thanea @arsthanea (Thunderstorm CGI & VFX)
Ars Thanea (Design & Animation)
Jakub Grobelny (Studio Supervisor)
Maciej Mizer @mosk (Creative Director)
Łukasz Szyszka (3D Supervisor)
Mesrop Hovannisyan (Animation & FX)
Mateusz Bargiel, Kacper Kałużyński & Mesrop Hovannisyan (Light)
Martyna Nawrot-Gaworczyk (Media Traffic)
Łukasz Stolarski@lukas.stolarski (Compositing)
Grzegorz Suszkiewicz (Props & 3D Printing)
Adrian Kuciel, Piotr Seweryn & Paweł Jermak (Best Boys & Gaffers)
Mateusz Koźbiałek (Drone)
Marlon Beatt (Music & Sound Design)
Asia Gawron @ag________________________ (Motion & Graphic Design)
Tomasz Kret @tomaszkret (Stills Photographer)
Rikka Eiro & Kristian Turner / Wooden Gun (Stills Retouch)
Black Photon (Postproduction)
Zosia Krajewska (Postproduction Manager)
Szymon Obrostek @szy_obrostek (Colour Grading)
Igor Kaczmarek (Online & Rendering)
Bartek Hławka @bartek_hlawka (Special Thanks)
Dominik Koszałka (Special Thanks)
I’m very glad to share my part in the recent RELIC project, which I’ve been editing on and off for the last two years — constantly coming back to review my timelines. Together with @paweljermak , we edited (I think) over 40 versions in different formats, experimenting with the footage our amazing crew delivered from the rocky shores of Croatia.
RELIC is not a story. For me, it’s a tribute to creativity and the unleashed process — a love letter to people working on things they love and are passionate about.
It reminded me why editing can be fun, expressive, bitchy, hard, and mind-dwelling. It reminded me of the freedom of creation (’cause I had no script or reference — Paweł just told me to edit the shit out of it).
It’s been a fantastic journey to see it all come together and to watch amazing people connect and contribute to this project. It’s a privilege to have friends like this and to be part of such a process. For that, I’m forever grateful.
CREDITS
Paweł Jermak @paweljermak (Creative & Director)
Adrian Kuciel @akuciel (DOP)
Jakub Walicki @kubawalicki (Starring)
Piotr Seweryn @sewimedia (Gear & 1AC)
Igor Kaczmarek (Editing)
Weronika Wysoczyńska @wero_wysoczynska (Costume Design)
Piotr Klimek @flmoonsta (Relic CGI)
Ars Thanea @arsthanea (Thunderstorm CGI & VFX)
Ars Thanea (Design & Animation)
Jakub Grobelny (Studio Supervisor)
Maciej Mizer @mosk (Creative Director)
Łukasz Szyszka (3D Supervisor)
Mesrop Hovannisyan (Animation & FX)
Mateusz Bargiel, Kacper Kałużyński & Mesrop Hovannisyan (Light)
Martyna Nawrot-Gaworczyk (Media Traffic)
Łukasz Stolarski@lukas.stolarski (Compositing)
Grzegorz Suszkiewicz (Props & 3D Printing)
Adrian Kuciel, Piotr Seweryn & Paweł Jermak (Best Boys & Gaffers)
Mateusz Koźbiałek (Drone)
Marlon Beatt (Music & Sound Design)
Asia Gawron @ag________________________ (Motion & Graphic Design)
Tomasz Kret @tomaszkret (Stills Photographer)
Rikka Eiro & Kristian Turner / Wooden Gun (Stills Retouch)
Black Photon (Postproduction)
Zosia Krajewska (Postproduction Manager)
Szymon Obrostek @szy_obrostek (Colour Grading)
Igor Kaczmarek (Online & Rendering)
Bartek Hławka @bartek_hlawka (Special Thanks)
Dominik Koszałka (Special Thanks)
I’m very glad to share my part in the recent RELIC project, which I’ve been editing on and off for the last two years — constantly coming back to review my timelines. Together with @paweljermak , we edited (I think) over 40 versions in different formats, experimenting with the footage our amazing crew delivered from the rocky shores of Croatia.
RELIC is not a story. For me, it’s a tribute to creativity and the unleashed process — a love letter to people working on things they love and are passionate about.
It reminded me why editing can be fun, expressive, bitchy, hard, and mind-dwelling. It reminded me of the freedom of creation (’cause I had no script or reference — Paweł just told me to edit the shit out of it).
It’s been a fantastic journey to see it all come together and to watch amazing people connect and contribute to this project. It’s a privilege to have friends like this and to be part of such a process. For that, I’m forever grateful.
CREDITS
Paweł Jermak @paweljermak (Creative & Director)
Adrian Kuciel @akuciel (DOP)
Jakub Walicki @kubawalicki (Starring)
Piotr Seweryn @sewimedia (Gear & 1AC)
Igor Kaczmarek (Editing)
Weronika Wysoczyńska @wero_wysoczynska (Costume Design)
Piotr Klimek @flmoonsta (Relic CGI)
Ars Thanea @arsthanea (Thunderstorm CGI & VFX)
Ars Thanea (Design & Animation)
Jakub Grobelny (Studio Supervisor)
Maciej Mizer @mosk (Creative Director)
Łukasz Szyszka (3D Supervisor)
Mesrop Hovannisyan (Animation & FX)
Mateusz Bargiel, Kacper Kałużyński & Mesrop Hovannisyan (Light)
Martyna Nawrot-Gaworczyk (Media Traffic)
Łukasz Stolarski@lukas.stolarski (Compositing)
Grzegorz Suszkiewicz (Props & 3D Printing)
Adrian Kuciel, Piotr Seweryn & Paweł Jermak (Best Boys & Gaffers)
Mateusz Koźbiałek (Drone)
Marlon Beatt (Music & Sound Design)
Asia Gawron @ag________________________ (Motion & Graphic Design)
Tomasz Kret @tomaszkret (Stills Photographer)
Rikka Eiro & Kristian Turner / Wooden Gun (Stills Retouch)
Black Photon (Postproduction)
Zosia Krajewska (Postproduction Manager)
Szymon Obrostek @szy_obrostek (Colour Grading)
Igor Kaczmarek (Online & Rendering)
Bartek Hławka @bartek_hlawka (Special Thanks)
Dominik Koszałka (Special Thanks)
I’m very glad to share my part in the recent RELIC project, which I’ve been editing on and off for the last two years — constantly coming back to review my timelines. Together with @paweljermak , we edited (I think) over 40 versions in different formats, experimenting with the footage our amazing crew delivered from the rocky shores of Croatia.
RELIC is not a story. For me, it’s a tribute to creativity and the unleashed process — a love letter to people working on things they love and are passionate about.
It reminded me why editing can be fun, expressive, bitchy, hard, and mind-dwelling. It reminded me of the freedom of creation (’cause I had no script or reference — Paweł just told me to edit the shit out of it).
It’s been a fantastic journey to see it all come together and to watch amazing people connect and contribute to this project. It’s a privilege to have friends like this and to be part of such a process. For that, I’m forever grateful.
CREDITS
Paweł Jermak @paweljermak (Creative & Director)
Adrian Kuciel @akuciel (DOP)
Jakub Walicki @kubawalicki (Starring)
Piotr Seweryn @sewimedia (Gear & 1AC)
Igor Kaczmarek (Editing)
Weronika Wysoczyńska @wero_wysoczynska (Costume Design)
Piotr Klimek @flmoonsta (Relic CGI)
Ars Thanea @arsthanea (Thunderstorm CGI & VFX)
Ars Thanea (Design & Animation)
Jakub Grobelny (Studio Supervisor)
Maciej Mizer @mosk (Creative Director)
Łukasz Szyszka (3D Supervisor)
Mesrop Hovannisyan (Animation & FX)
Mateusz Bargiel, Kacper Kałużyński & Mesrop Hovannisyan (Light)
Martyna Nawrot-Gaworczyk (Media Traffic)
Łukasz Stolarski@lukas.stolarski (Compositing)
Grzegorz Suszkiewicz (Props & 3D Printing)
Adrian Kuciel, Piotr Seweryn & Paweł Jermak (Best Boys & Gaffers)
Mateusz Koźbiałek (Drone)
Marlon Beatt (Music & Sound Design)
Asia Gawron @ag________________________ (Motion & Graphic Design)
Tomasz Kret @tomaszkret (Stills Photographer)
Rikka Eiro & Kristian Turner / Wooden Gun (Stills Retouch)
Black Photon (Postproduction)
Zosia Krajewska (Postproduction Manager)
Szymon Obrostek @szy_obrostek (Colour Grading)
Igor Kaczmarek (Online & Rendering)
Bartek Hławka @bartek_hlawka (Special Thanks)
Dominik Koszałka (Special Thanks)
A while ago, after an intense period I felt I kinda lack the spark that pushed me all the way from my hometown to Warsaw. Felt like I fell out of proportions, doing a lot of work that gave me cash, but not that much when it comes to fulfilling your own creative desires. This project and the very passion of @paweljermak to create this short film was like a long-awaited ignition. We’ve spent some time on editing, making 2137 touches to appeal your eyes. Pawel is one of a kind, giving you a free hand to do your best, yet delicately guiding you to achieve a coherent vision. I am more than thankful for letting me edit the shit out of it, and even more proud of my girl for the great job she did in reflecting the visual intensity of film onto a still poster that came out in three different versions.
Big shoutout to @bartek_hlawka for atmospheric live action shots, big props for @marohehe and @naxiuuu for gobsmacking CGI shots, and big shoutout to everyone involved in this beautiful project.
CREATED WRITTEN AND DIRECTED BY @paweljermak
DOP @bartek_hlawka
LEAD CINEMATIC ARTIST @marohehe
CINEMATIC ARTIST @naxiuuu
POSTER DESIGN @gabbbron @render.rage
EDITED BY ME
Chase: Filip Gołąb
Chase VO: Sean Palmer
Detective: Paweł Peterman
Race Communicator: Konstancja Dangel
1AC Piotr Seweryn
Live Action Line Producer @wrednebabsko
Music: @pilotpriest
Sound design: @source_sound_inc
GAFFER: MATEUSZ ŚWIDER
SPARKS: DAMIAN GOCAL, PATRYK WAS
VO SOUND STUDIO: ZTUDIO & BURZA
VO MANAGER: MARTA MAJEWSKA
VO SOUND RECORDING: ADAM BURZA BURZYŃSKI
GEAR: PIOTR SEWERYN
RENTAL: @atmsystem
COSTUMES & MAKE UP: @wero_wysoczynska
POSTPRODUCTION: @vein_postproduction
COLORIST: @piotrnowicki
POSTPRODUCTION MANAGER: DANA SAKAIEVA
POSTPRODUCTION MANAGER: KRZYSZTOF DUDEK
CREDITS SEQUENCE & DESIGN: ANDREI D. POPA
WEBSITE DESIGN: DARIA PANKOVA
CG STILLS: @bywoodengun
CG: @kristianturner
RETOUCH: RIIKKA EIRO
LOCATION: KONRAD KUŹMIŃSKI
CAR: DRAKE
COFFEE & BTS: ADAM KUTYŁOWSKI
SPECIAL THANKS TO DARIA OWCZAREK
SPECIAL THANKS TO PAWEŁ ŚWIERCZYŃSKI
PRODUCED BY ROUTE
A while ago, after an intense period I felt I kinda lack the spark that pushed me all the way from my hometown to Warsaw. Felt like I fell out of proportions, doing a lot of work that gave me cash, but not that much when it comes to fulfilling your own creative desires. This project and the very passion of @paweljermak to create this short film was like a long-awaited ignition. We’ve spent some time on editing, making 2137 touches to appeal your eyes. Pawel is one of a kind, giving you a free hand to do your best, yet delicately guiding you to achieve a coherent vision. I am more than thankful for letting me edit the shit out of it, and even more proud of my girl for the great job she did in reflecting the visual intensity of film onto a still poster that came out in three different versions.
Big shoutout to @bartek_hlawka for atmospheric live action shots, big props for @marohehe and @naxiuuu for gobsmacking CGI shots, and big shoutout to everyone involved in this beautiful project.
CREATED WRITTEN AND DIRECTED BY @paweljermak
DOP @bartek_hlawka
LEAD CINEMATIC ARTIST @marohehe
CINEMATIC ARTIST @naxiuuu
POSTER DESIGN @gabbbron @render.rage
EDITED BY ME
Chase: Filip Gołąb
Chase VO: Sean Palmer
Detective: Paweł Peterman
Race Communicator: Konstancja Dangel
1AC Piotr Seweryn
Live Action Line Producer @wrednebabsko
Music: @pilotpriest
Sound design: @source_sound_inc
GAFFER: MATEUSZ ŚWIDER
SPARKS: DAMIAN GOCAL, PATRYK WAS
VO SOUND STUDIO: ZTUDIO & BURZA
VO MANAGER: MARTA MAJEWSKA
VO SOUND RECORDING: ADAM BURZA BURZYŃSKI
GEAR: PIOTR SEWERYN
RENTAL: @atmsystem
COSTUMES & MAKE UP: @wero_wysoczynska
POSTPRODUCTION: @vein_postproduction
COLORIST: @piotrnowicki
POSTPRODUCTION MANAGER: DANA SAKAIEVA
POSTPRODUCTION MANAGER: KRZYSZTOF DUDEK
CREDITS SEQUENCE & DESIGN: ANDREI D. POPA
WEBSITE DESIGN: DARIA PANKOVA
CG STILLS: @bywoodengun
CG: @kristianturner
RETOUCH: RIIKKA EIRO
LOCATION: KONRAD KUŹMIŃSKI
CAR: DRAKE
COFFEE & BTS: ADAM KUTYŁOWSKI
SPECIAL THANKS TO DARIA OWCZAREK
SPECIAL THANKS TO PAWEŁ ŚWIERCZYŃSKI
PRODUCED BY ROUTE
A while ago, after an intense period I felt I kinda lack the spark that pushed me all the way from my hometown to Warsaw. Felt like I fell out of proportions, doing a lot of work that gave me cash, but not that much when it comes to fulfilling your own creative desires. This project and the very passion of @paweljermak to create this short film was like a long-awaited ignition. We’ve spent some time on editing, making 2137 touches to appeal your eyes. Pawel is one of a kind, giving you a free hand to do your best, yet delicately guiding you to achieve a coherent vision. I am more than thankful for letting me edit the shit out of it, and even more proud of my girl for the great job she did in reflecting the visual intensity of film onto a still poster that came out in three different versions.
Big shoutout to @bartek_hlawka for atmospheric live action shots, big props for @marohehe and @naxiuuu for gobsmacking CGI shots, and big shoutout to everyone involved in this beautiful project.
CREATED WRITTEN AND DIRECTED BY @paweljermak
DOP @bartek_hlawka
LEAD CINEMATIC ARTIST @marohehe
CINEMATIC ARTIST @naxiuuu
POSTER DESIGN @gabbbron @render.rage
EDITED BY ME
Chase: Filip Gołąb
Chase VO: Sean Palmer
Detective: Paweł Peterman
Race Communicator: Konstancja Dangel
1AC Piotr Seweryn
Live Action Line Producer @wrednebabsko
Music: @pilotpriest
Sound design: @source_sound_inc
GAFFER: MATEUSZ ŚWIDER
SPARKS: DAMIAN GOCAL, PATRYK WAS
VO SOUND STUDIO: ZTUDIO & BURZA
VO MANAGER: MARTA MAJEWSKA
VO SOUND RECORDING: ADAM BURZA BURZYŃSKI
GEAR: PIOTR SEWERYN
RENTAL: @atmsystem
COSTUMES & MAKE UP: @wero_wysoczynska
POSTPRODUCTION: @vein_postproduction
COLORIST: @piotrnowicki
POSTPRODUCTION MANAGER: DANA SAKAIEVA
POSTPRODUCTION MANAGER: KRZYSZTOF DUDEK
CREDITS SEQUENCE & DESIGN: ANDREI D. POPA
WEBSITE DESIGN: DARIA PANKOVA
CG STILLS: @bywoodengun
CG: @kristianturner
RETOUCH: RIIKKA EIRO
LOCATION: KONRAD KUŹMIŃSKI
CAR: DRAKE
COFFEE & BTS: ADAM KUTYŁOWSKI
SPECIAL THANKS TO DARIA OWCZAREK
SPECIAL THANKS TO PAWEŁ ŚWIERCZYŃSKI
PRODUCED BY ROUTE
A while ago, after an intense period I felt I kinda lack the spark that pushed me all the way from my hometown to Warsaw. Felt like I fell out of proportions, doing a lot of work that gave me cash, but not that much when it comes to fulfilling your own creative desires. This project and the very passion of @paweljermak to create this short film was like a long-awaited ignition. We’ve spent some time on editing, making 2137 touches to appeal your eyes. Pawel is one of a kind, giving you a free hand to do your best, yet delicately guiding you to achieve a coherent vision. I am more than thankful for letting me edit the shit out of it, and even more proud of my girl for the great job she did in reflecting the visual intensity of film onto a still poster that came out in three different versions.
Big shoutout to @bartek_hlawka for atmospheric live action shots, big props for @marohehe and @naxiuuu for gobsmacking CGI shots, and big shoutout to everyone involved in this beautiful project.
CREATED WRITTEN AND DIRECTED BY @paweljermak
DOP @bartek_hlawka
LEAD CINEMATIC ARTIST @marohehe
CINEMATIC ARTIST @naxiuuu
POSTER DESIGN @gabbbron @render.rage
EDITED BY ME
Chase: Filip Gołąb
Chase VO: Sean Palmer
Detective: Paweł Peterman
Race Communicator: Konstancja Dangel
1AC Piotr Seweryn
Live Action Line Producer @wrednebabsko
Music: @pilotpriest
Sound design: @source_sound_inc
GAFFER: MATEUSZ ŚWIDER
SPARKS: DAMIAN GOCAL, PATRYK WAS
VO SOUND STUDIO: ZTUDIO & BURZA
VO MANAGER: MARTA MAJEWSKA
VO SOUND RECORDING: ADAM BURZA BURZYŃSKI
GEAR: PIOTR SEWERYN
RENTAL: @atmsystem
COSTUMES & MAKE UP: @wero_wysoczynska
POSTPRODUCTION: @vein_postproduction
COLORIST: @piotrnowicki
POSTPRODUCTION MANAGER: DANA SAKAIEVA
POSTPRODUCTION MANAGER: KRZYSZTOF DUDEK
CREDITS SEQUENCE & DESIGN: ANDREI D. POPA
WEBSITE DESIGN: DARIA PANKOVA
CG STILLS: @bywoodengun
CG: @kristianturner
RETOUCH: RIIKKA EIRO
LOCATION: KONRAD KUŹMIŃSKI
CAR: DRAKE
COFFEE & BTS: ADAM KUTYŁOWSKI
SPECIAL THANKS TO DARIA OWCZAREK
SPECIAL THANKS TO PAWEŁ ŚWIERCZYŃSKI
PRODUCED BY ROUTE
A while ago, after an intense period I felt I kinda lack the spark that pushed me all the way from my hometown to Warsaw. Felt like I fell out of proportions, doing a lot of work that gave me cash, but not that much when it comes to fulfilling your own creative desires. This project and the very passion of @paweljermak to create this short film was like a long-awaited ignition. We’ve spent some time on editing, making 2137 touches to appeal your eyes. Pawel is one of a kind, giving you a free hand to do your best, yet delicately guiding you to achieve a coherent vision. I am more than thankful for letting me edit the shit out of it, and even more proud of my girl for the great job she did in reflecting the visual intensity of film onto a still poster that came out in three different versions.
Big shoutout to @bartek_hlawka for atmospheric live action shots, big props for @marohehe and @naxiuuu for gobsmacking CGI shots, and big shoutout to everyone involved in this beautiful project.
CREATED WRITTEN AND DIRECTED BY @paweljermak
DOP @bartek_hlawka
LEAD CINEMATIC ARTIST @marohehe
CINEMATIC ARTIST @naxiuuu
POSTER DESIGN @gabbbron @render.rage
EDITED BY ME
Chase: Filip Gołąb
Chase VO: Sean Palmer
Detective: Paweł Peterman
Race Communicator: Konstancja Dangel
1AC Piotr Seweryn
Live Action Line Producer @wrednebabsko
Music: @pilotpriest
Sound design: @source_sound_inc
GAFFER: MATEUSZ ŚWIDER
SPARKS: DAMIAN GOCAL, PATRYK WAS
VO SOUND STUDIO: ZTUDIO & BURZA
VO MANAGER: MARTA MAJEWSKA
VO SOUND RECORDING: ADAM BURZA BURZYŃSKI
GEAR: PIOTR SEWERYN
RENTAL: @atmsystem
COSTUMES & MAKE UP: @wero_wysoczynska
POSTPRODUCTION: @vein_postproduction
COLORIST: @piotrnowicki
POSTPRODUCTION MANAGER: DANA SAKAIEVA
POSTPRODUCTION MANAGER: KRZYSZTOF DUDEK
CREDITS SEQUENCE & DESIGN: ANDREI D. POPA
WEBSITE DESIGN: DARIA PANKOVA
CG STILLS: @bywoodengun
CG: @kristianturner
RETOUCH: RIIKKA EIRO
LOCATION: KONRAD KUŹMIŃSKI
CAR: DRAKE
COFFEE & BTS: ADAM KUTYŁOWSKI
SPECIAL THANKS TO DARIA OWCZAREK
SPECIAL THANKS TO PAWEŁ ŚWIERCZYŃSKI
PRODUCED BY ROUTE
A while ago, after an intense period I felt I kinda lack the spark that pushed me all the way from my hometown to Warsaw. Felt like I fell out of proportions, doing a lot of work that gave me cash, but not that much when it comes to fulfilling your own creative desires. This project and the very passion of @paweljermak to create this short film was like a long-awaited ignition. We’ve spent some time on editing, making 2137 touches to appeal your eyes. Pawel is one of a kind, giving you a free hand to do your best, yet delicately guiding you to achieve a coherent vision. I am more than thankful for letting me edit the shit out of it, and even more proud of my girl for the great job she did in reflecting the visual intensity of film onto a still poster that came out in three different versions.
Big shoutout to @bartek_hlawka for atmospheric live action shots, big props for @marohehe and @naxiuuu for gobsmacking CGI shots, and big shoutout to everyone involved in this beautiful project.
CREATED WRITTEN AND DIRECTED BY @paweljermak
DOP @bartek_hlawka
LEAD CINEMATIC ARTIST @marohehe
CINEMATIC ARTIST @naxiuuu
POSTER DESIGN @gabbbron @render.rage
EDITED BY ME
Chase: Filip Gołąb
Chase VO: Sean Palmer
Detective: Paweł Peterman
Race Communicator: Konstancja Dangel
1AC Piotr Seweryn
Live Action Line Producer @wrednebabsko
Music: @pilotpriest
Sound design: @source_sound_inc
GAFFER: MATEUSZ ŚWIDER
SPARKS: DAMIAN GOCAL, PATRYK WAS
VO SOUND STUDIO: ZTUDIO & BURZA
VO MANAGER: MARTA MAJEWSKA
VO SOUND RECORDING: ADAM BURZA BURZYŃSKI
GEAR: PIOTR SEWERYN
RENTAL: @atmsystem
COSTUMES & MAKE UP: @wero_wysoczynska
POSTPRODUCTION: @vein_postproduction
COLORIST: @piotrnowicki
POSTPRODUCTION MANAGER: DANA SAKAIEVA
POSTPRODUCTION MANAGER: KRZYSZTOF DUDEK
CREDITS SEQUENCE & DESIGN: ANDREI D. POPA
WEBSITE DESIGN: DARIA PANKOVA
CG STILLS: @bywoodengun
CG: @kristianturner
RETOUCH: RIIKKA EIRO
LOCATION: KONRAD KUŹMIŃSKI
CAR: DRAKE
COFFEE & BTS: ADAM KUTYŁOWSKI
SPECIAL THANKS TO DARIA OWCZAREK
SPECIAL THANKS TO PAWEŁ ŚWIERCZYŃSKI
PRODUCED BY ROUTE
A while ago, after an intense period I felt I kinda lack the spark that pushed me all the way from my hometown to Warsaw. Felt like I fell out of proportions, doing a lot of work that gave me cash, but not that much when it comes to fulfilling your own creative desires. This project and the very passion of @paweljermak to create this short film was like a long-awaited ignition. We’ve spent some time on editing, making 2137 touches to appeal your eyes. Pawel is one of a kind, giving you a free hand to do your best, yet delicately guiding you to achieve a coherent vision. I am more than thankful for letting me edit the shit out of it, and even more proud of my girl for the great job she did in reflecting the visual intensity of film onto a still poster that came out in three different versions.
Big shoutout to @bartek_hlawka for atmospheric live action shots, big props for @marohehe and @naxiuuu for gobsmacking CGI shots, and big shoutout to everyone involved in this beautiful project.
CREATED WRITTEN AND DIRECTED BY @paweljermak
DOP @bartek_hlawka
LEAD CINEMATIC ARTIST @marohehe
CINEMATIC ARTIST @naxiuuu
POSTER DESIGN @gabbbron @render.rage
EDITED BY ME
Chase: Filip Gołąb
Chase VO: Sean Palmer
Detective: Paweł Peterman
Race Communicator: Konstancja Dangel
1AC Piotr Seweryn
Live Action Line Producer @wrednebabsko
Music: @pilotpriest
Sound design: @source_sound_inc
GAFFER: MATEUSZ ŚWIDER
SPARKS: DAMIAN GOCAL, PATRYK WAS
VO SOUND STUDIO: ZTUDIO & BURZA
VO MANAGER: MARTA MAJEWSKA
VO SOUND RECORDING: ADAM BURZA BURZYŃSKI
GEAR: PIOTR SEWERYN
RENTAL: @atmsystem
COSTUMES & MAKE UP: @wero_wysoczynska
POSTPRODUCTION: @vein_postproduction
COLORIST: @piotrnowicki
POSTPRODUCTION MANAGER: DANA SAKAIEVA
POSTPRODUCTION MANAGER: KRZYSZTOF DUDEK
CREDITS SEQUENCE & DESIGN: ANDREI D. POPA
WEBSITE DESIGN: DARIA PANKOVA
CG STILLS: @bywoodengun
CG: @kristianturner
RETOUCH: RIIKKA EIRO
LOCATION: KONRAD KUŹMIŃSKI
CAR: DRAKE
COFFEE & BTS: ADAM KUTYŁOWSKI
SPECIAL THANKS TO DARIA OWCZAREK
SPECIAL THANKS TO PAWEŁ ŚWIERCZYŃSKI
PRODUCED BY ROUTE
A while ago, after an intense period I felt I kinda lack the spark that pushed me all the way from my hometown to Warsaw. Felt like I fell out of proportions, doing a lot of work that gave me cash, but not that much when it comes to fulfilling your own creative desires. This project and the very passion of @paweljermak to create this short film was like a long-awaited ignition. We’ve spent some time on editing, making 2137 touches to appeal your eyes. Pawel is one of a kind, giving you a free hand to do your best, yet delicately guiding you to achieve a coherent vision. I am more than thankful for letting me edit the shit out of it, and even more proud of my girl for the great job she did in reflecting the visual intensity of film onto a still poster that came out in three different versions.
Big shoutout to @bartek_hlawka for atmospheric live action shots, big props for @marohehe and @naxiuuu for gobsmacking CGI shots, and big shoutout to everyone involved in this beautiful project.
CREATED WRITTEN AND DIRECTED BY @paweljermak
DOP @bartek_hlawka
LEAD CINEMATIC ARTIST @marohehe
CINEMATIC ARTIST @naxiuuu
POSTER DESIGN @gabbbron @render.rage
EDITED BY ME
Chase: Filip Gołąb
Chase VO: Sean Palmer
Detective: Paweł Peterman
Race Communicator: Konstancja Dangel
1AC Piotr Seweryn
Live Action Line Producer @wrednebabsko
Music: @pilotpriest
Sound design: @source_sound_inc
GAFFER: MATEUSZ ŚWIDER
SPARKS: DAMIAN GOCAL, PATRYK WAS
VO SOUND STUDIO: ZTUDIO & BURZA
VO MANAGER: MARTA MAJEWSKA
VO SOUND RECORDING: ADAM BURZA BURZYŃSKI
GEAR: PIOTR SEWERYN
RENTAL: @atmsystem
COSTUMES & MAKE UP: @wero_wysoczynska
POSTPRODUCTION: @vein_postproduction
COLORIST: @piotrnowicki
POSTPRODUCTION MANAGER: DANA SAKAIEVA
POSTPRODUCTION MANAGER: KRZYSZTOF DUDEK
CREDITS SEQUENCE & DESIGN: ANDREI D. POPA
WEBSITE DESIGN: DARIA PANKOVA
CG STILLS: @bywoodengun
CG: @kristianturner
RETOUCH: RIIKKA EIRO
LOCATION: KONRAD KUŹMIŃSKI
CAR: DRAKE
COFFEE & BTS: ADAM KUTYŁOWSKI
SPECIAL THANKS TO DARIA OWCZAREK
SPECIAL THANKS TO PAWEŁ ŚWIERCZYŃSKI
PRODUCED BY ROUTE
Edit for @itsjaxe METAMORPHING
Dir @mareether
Concept/Creative Direction @itsjaxe
DoP @oliwierfaikis
Performer @elisabeth.mulenga
Stylist @lenaangelides
MUA @jo.makeupart
Color Grading @kuba_matras.colorist
Edit for @itsjaxe METAMORPHING
Dir @mareether
Concept/Creative Direction @itsjaxe
DoP @oliwierfaikis
Performer @elisabeth.mulenga
Stylist @lenaangelides
MUA @jo.makeupart
Color Grading @kuba_matras.colorist
Edit for @itsjaxe METAMORPHING
Dir @mareether
Concept/Creative Direction @itsjaxe
DoP @oliwierfaikis
Performer @elisabeth.mulenga
Stylist @lenaangelides
MUA @jo.makeupart
Color Grading @kuba_matras.colorist
Edit for @itsjaxe METAMORPHING
Dir @mareether
Concept/Creative Direction @itsjaxe
DoP @oliwierfaikis
Performer @elisabeth.mulenga
Stylist @lenaangelides
MUA @jo.makeupart
Color Grading @kuba_matras.colorist
Edit for @itsjaxe METAMORPHING
Dir @mareether
Concept/Creative Direction @itsjaxe
DoP @oliwierfaikis
Performer @elisabeth.mulenga
Stylist @lenaangelides
MUA @jo.makeupart
Color Grading @kuba_matras.colorist
Mfs hittin 26 and be like Im over a quarter of the C€ntury old
#26 #youngadult #polishboy #handsome #l4l
Mfs hittin 26 and be like Im over a quarter of the C€ntury old
#26 #youngadult #polishboy #handsome #l4l
Mfs hittin 26 and be like Im over a quarter of the C€ntury old
#26 #youngadult #polishboy #handsome #l4l
Mfs hittin 26 and be like Im over a quarter of the C€ntury old
#26 #youngadult #polishboy #handsome #l4l
Mfs hittin 26 and be like Im over a quarter of the C€ntury old
#26 #youngadult #polishboy #handsome #l4l
Mfs hittin 26 and be like Im over a quarter of the C€ntury old
#26 #youngadult #polishboy #handsome #l4l
Mfs hittin 26 and be like Im over a quarter of the C€ntury old
#26 #youngadult #polishboy #handsome #l4l
CHANGES (Short Film)
The interview with @trevorpowers directed and shot by @nikodemmarek . I had so much fun editing this, felt refreshing.
Full video on YouTube
Directed: Nikodem Marek
Music: Youth Lagoon
Photography: Karol Gustav Małecki
Edit: Igor Kaczmarek
Drawings: Nikodem Marek
Produced by STRIGL.
CHANGES (Short Film)
The interview with @trevorpowers directed and shot by @nikodemmarek . I had so much fun editing this, felt refreshing.
Full video on YouTube
Directed: Nikodem Marek
Music: Youth Lagoon
Photography: Karol Gustav Małecki
Edit: Igor Kaczmarek
Drawings: Nikodem Marek
Produced by STRIGL.
CHANGES (Short Film)
The interview with @trevorpowers directed and shot by @nikodemmarek . I had so much fun editing this, felt refreshing.
Full video on YouTube
Directed: Nikodem Marek
Music: Youth Lagoon
Photography: Karol Gustav Małecki
Edit: Igor Kaczmarek
Drawings: Nikodem Marek
Produced by STRIGL.
CHANGES (Short Film)
The interview with @trevorpowers directed and shot by @nikodemmarek . I had so much fun editing this, felt refreshing.
Full video on YouTube
Directed: Nikodem Marek
Music: Youth Lagoon
Photography: Karol Gustav Małecki
Edit: Igor Kaczmarek
Drawings: Nikodem Marek
Produced by STRIGL.
CHANGES (Short Film)
The interview with @trevorpowers directed and shot by @nikodemmarek . I had so much fun editing this, felt refreshing.
Full video on YouTube
Directed: Nikodem Marek
Music: Youth Lagoon
Photography: Karol Gustav Małecki
Edit: Igor Kaczmarek
Drawings: Nikodem Marek
Produced by STRIGL.
Fall dump, friends and works.
Some archived logos for @smalltalkswarsaw
Some old bills found in my late grandpa’s home
Fall dump, friends and works.
Some archived logos for @smalltalkswarsaw
Some old bills found in my late grandpa’s home
Fall dump, friends and works.
Some archived logos for @smalltalkswarsaw
Some old bills found in my late grandpa’s home
Fall dump, friends and works.
Some archived logos for @smalltalkswarsaw
Some old bills found in my late grandpa’s home
Fall dump, friends and works.
Some archived logos for @smalltalkswarsaw
Some old bills found in my late grandpa’s home
Fall dump, friends and works.
Some archived logos for @smalltalkswarsaw
Some old bills found in my late grandpa’s home
Fall dump, friends and works.
Some archived logos for @smalltalkswarsaw
Some old bills found in my late grandpa’s home
PTAKOLUD
SHORTFILM
DIR/DOP: @yas.shila
Edit: @ne.edy
Titles/graphic: @elektrastation
Producer: @mateusz.kopecki @michalinaanowak
1AD.: @mehdairy
Focus: @andrejdlabac @theobau
Gaffer.: @oty_davidson
Set design:@merry_zdziechowska
Music: @uncaame
Boom operator: @adam_techner_
Cast.: Ewa Bilska @doli_w_niedoli, @m__t_3_g_ @ignaczakacper @szkolafilmowawlodzi
PTAKOLUD
SHORTFILM
DIR/DOP: @yas.shila
Edit: @ne.edy
Titles/graphic: @elektrastation
Producer: @mateusz.kopecki @michalinaanowak
1AD.: @mehdairy
Focus: @andrejdlabac @theobau
Gaffer.: @oty_davidson
Set design:@merry_zdziechowska
Music: @uncaame
Boom operator: @adam_techner_
Cast.: Ewa Bilska @doli_w_niedoli, @m__t_3_g_ @ignaczakacper @szkolafilmowawlodzi
PTAKOLUD
SHORTFILM
DIR/DOP: @yas.shila
Edit: @ne.edy
Titles/graphic: @elektrastation
Producer: @mateusz.kopecki @michalinaanowak
1AD.: @mehdairy
Focus: @andrejdlabac @theobau
Gaffer.: @oty_davidson
Set design:@merry_zdziechowska
Music: @uncaame
Boom operator: @adam_techner_
Cast.: Ewa Bilska @doli_w_niedoli, @m__t_3_g_ @ignaczakacper @szkolafilmowawlodzi
PTAKOLUD
SHORTFILM
DIR/DOP: @yas.shila
Edit: @ne.edy
Titles/graphic: @elektrastation
Producer: @mateusz.kopecki @michalinaanowak
1AD.: @mehdairy
Focus: @andrejdlabac @theobau
Gaffer.: @oty_davidson
Set design:@merry_zdziechowska
Music: @uncaame
Boom operator: @adam_techner_
Cast.: Ewa Bilska @doli_w_niedoli, @m__t_3_g_ @ignaczakacper @szkolafilmowawlodzi
PTAKOLUD
SHORTFILM
DIR/DOP: @yas.shila
Edit: @ne.edy
Titles/graphic: @elektrastation
Producer: @mateusz.kopecki @michalinaanowak
1AD.: @mehdairy
Focus: @andrejdlabac @theobau
Gaffer.: @oty_davidson
Set design:@merry_zdziechowska
Music: @uncaame
Boom operator: @adam_techner_
Cast.: Ewa Bilska @doli_w_niedoli, @m__t_3_g_ @ignaczakacper @szkolafilmowawlodzi
a non-website, because who said it has to be clean and digital looking. made for a super skilled guy @ne.edy and influenced by an unlimited source of inspiration @ashworthchris
a non-website, because who said it has to be clean and digital looking. made for a super skilled guy @ne.edy and influenced by an unlimited source of inspiration @ashworthchris
a non-website, because who said it has to be clean and digital looking. made for a super skilled guy @ne.edy and influenced by an unlimited source of inspiration @ashworthchris
a non-website, because who said it has to be clean and digital looking. made for a super skilled guy @ne.edy and influenced by an unlimited source of inspiration @ashworthchris
a non-website, because who said it has to be clean and digital looking. made for a super skilled guy @ne.edy and influenced by an unlimited source of inspiration @ashworthchris
a non-website, because who said it has to be clean and digital looking. made for a super skilled guy @ne.edy and influenced by an unlimited source of inspiration @ashworthchris
a non-website, because who said it has to be clean and digital looking. made for a super skilled guy @ne.edy and influenced by an unlimited source of inspiration @ashworthchris
a non-website, because who said it has to be clean and digital looking. made for a super skilled guy @ne.edy and influenced by an unlimited source of inspiration @ashworthchris
a non-website, because who said it has to be clean and digital looking. made for a super skilled guy @ne.edy and influenced by an unlimited source of inspiration @ashworthchris
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