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2024 Reel!
Finally get to share this footage. Big thanks to @skycandystudios for the majority of this.
Music by @bronson

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

This spot was inspired by the Colombian up-mountain gravel cycling movement known as Los Escarabajos (“The Scarabs”), an enduring symbol of resilience, which has grown in popularity among Latin athletic communities around the world.

Something that’s hard to appreciate in 30 seconds is how tiring the physical demands of cycling up and down mountains for two days actually are. Take after take, hour after hour, never complaining, never asking to pause filming to recover, even when soaked in sweat and out of breath — the whole cast remained unshakable and positive. THANK YOU Gilberto, Ramon, Chonzie, Tara, Carlos, Matt and Jaimes. Especially amid the shoot’s many technical complexities, you kept my spirits lifted and made our jobs easy.

Special shout out to @mikeypackage for the stunning color work and @loganfpv for the ace drone bending!!

Also, when I heard there was arm car team who transformed into a drone team at the flip of a button, with the drone kit literally popping out of the hood, I was admittedly somewhat skeptical. Car shoots allow for such a minuscule margin of error that we generally seek out highly specialized talent in all departments because a single technician can grind the big expensive party to a halt. In my infinite ignorance I couldn’t imagine the chimeric multi-expertise that is @bu66a and the whole Motion State team. You guys were rockstars and our anchor for four long days. God bless you.

🚴‍♀️ CAST 🚴‍♂️
VO: @bryancranston 
Gilberto Del Campo @gilbertomartindelcampo
Ramon Alcantara @ramonsimplex
Matthew Garel @themattgarel
Carlos Dias @carlosdiasshow
Tara Moore @tara.erica.moore
Jaimes Timas @jaimestimas
Chonzie Bhota @chonzie

DoP: @kristoferbonnell
PD: @traekingdesign
Edit: @pezzillosview
2nd Dir: @terryrayment
2nd DoP: @chadterpstra

New work for @outdoorresearch
Fun couple of days in the forests of Washington earlier this year. Thanks to this crew!

Director: @jakefordyce_
DP: @bentcowan
AC: @sacha_rollandb
FPV: 🙋‍♂️
Gaffer: @_mlindberg
Edit: @nickj.joyce
Sound: @slossaudio
Color: @bentcowan
PA: @jqrem
PA: @adam.kubota

Moody day with the Mavic 4 Pro

A couple packs at the dunes

Thanks @nathan_martinez2614 for the ride 😮‍💨

Last November, during a bomb cyclone @brooksrunning

Featuring: @dancurts, @roberto_delorenzi, @annaagibsonn, @hillygoat_climbs
Director:  @nolangrose
DP: @jordanraykelley
Executive Producer:  @danman820
Line Producer:  @annievarberg, @fellows031
Prod co: @brother.films

Senior Art Designer, Brooks: Alex Brubacher
Senior Content Producer, Brooks: @melissa_rame
Content Producer, Brooks: @gavindoremus
Copywriter, Brooks: Hailey Thompson
Senior Sports Marketing Specialist, Brooks: Jordan Hamm
Apparel Brand Marketing Manager, Brooks: @rachydavy

Photographer: @andrewmaguirephoto
Stills First Assist: @thatsdano
DigiTech: Jon Rose

Camera Operator: @colebecker_
AC: @jessetobler
Gaffer: @eric.bixler
Key Grip: Ryan Fritz
Swing: Levi Anderson
FPV: @loganfpv
Sound Mixer: Kent Romney
Wardrobe Stylist: @jeancourtney1
PA: @503evan
PA: @follexposures
PA: @chasing.candice

Post: @brother.films
Score: @alexander_panos
Editor: @nolangrose
Color: @ryanurzi
Mix: Matt Harmon

Spent a week in The Garden Island, Kauai 🌸
Shoutout to the surfers for being so cool with me filming them. Hopefully I can come back when the swells are pumping!

FPV cut from new work for @toyota and @natgeo with @brother.films
Had a blast on this one flying Komodo and a bit of Ember at 600fps!
Featuring: @jodymacdonaldphoto
Director: @nolangrose
Executive Producer: @danman820
Senior CD, Nat Geo: Tom King
Producer, Nat Geo: @tessmigos
DP: @jordanraykelley
AC: @jessetobler
Line Producer: @annievarberg
Post: @brother.films
Editor: @nolangrose
Assistant Editor: @luke_finnell
Score: @alihelnwein
Color: @grantbenesh
Mix: Matt Harmon
FPV: @loganfpv
Sound Mixer: @sound_of_nordy
Pursuit Car: @via_films
Motorcane Driver/Grip: @danielmhurst
Arm Operator: @engstrom_media
PA: @503evan
PA: @jackrosellvisuals
PA: @tolanfriesen
Prod co: @brother.films

FIFA World Cup 2026 - Miami 🌴

Some of our favorite moments from The 305. Swipe to see the 45s cut ➡️

Crew:
Production - @skycandystudios
Producer team - @annievarberg @fellows031 @katie_crayons @jordanalberino
Creative Director/Cinematographer - @samuelli
Cinematographer/Editor - @daltonmisner
FPV - @loganfpv
Timelapse/Drone- @gianlorenzo_photography
City - @fwc26miami
Sound - @bam_studios
Color - @kendall_rittenour

FIFA World Cup 2026 - Miami 🌴

Some of our favorite moments from The 305. Swipe to see the 45s cut ➡️

Crew:
Production - @skycandystudios
Producer team - @annievarberg @fellows031 @katie_crayons @jordanalberino
Creative Director/Cinematographer - @samuelli
Cinematographer/Editor - @daltonmisner
FPV - @loganfpv
Timelapse/Drone- @gianlorenzo_photography
City - @fwc26miami
Sound - @bam_studios
Color - @kendall_rittenour

FIFA World Cup 2026 - Miami 🌴

Some of our favorite moments from The 305. Swipe to see the 45s cut ➡️

Crew:
Production - @skycandystudios
Producer team - @annievarberg @fellows031 @katie_crayons @jordanalberino
Creative Director/Cinematographer - @samuelli
Cinematographer/Editor - @daltonmisner
FPV - @loganfpv
Timelapse/Drone- @gianlorenzo_photography
City - @fwc26miami
Sound - @bam_studios
Color - @kendall_rittenour

FIFA World Cup 2026 - Miami 🌴

Some of our favorite moments from The 305. Swipe to see the 45s cut ➡️

Crew:
Production - @skycandystudios
Producer team - @annievarberg @fellows031 @katie_crayons @jordanalberino
Creative Director/Cinematographer - @samuelli
Cinematographer/Editor - @daltonmisner
FPV - @loganfpv
Timelapse/Drone- @gianlorenzo_photography
City - @fwc26miami
Sound - @bam_studios
Color - @kendall_rittenour

FIFA World Cup 2026 - Miami 🌴

Some of our favorite moments from The 305. Swipe to see the 45s cut ➡️

Crew:
Production - @skycandystudios
Producer team - @annievarberg @fellows031 @katie_crayons @jordanalberino
Creative Director/Cinematographer - @samuelli
Cinematographer/Editor - @daltonmisner
FPV - @loganfpv
Timelapse/Drone- @gianlorenzo_photography
City - @fwc26miami
Sound - @bam_studios
Color - @kendall_rittenour

FPV selects for @janellerabbott

talent @safeplace.rl @kalinachung @ciera_carris
stylist @kalinachung
DP @ryzemke
producer @isaac_baik
movi op @justinscottbro
AC @ilanarahaman
fpv @loganfpv
editor Ben Kaplan
color @ryan_h_berger

FIFA World Cup 2026 - Guadalajara, Mexico.

We spent the majority of 2024 capturing the amazing 2026 FIFA World Cup Cities. It was an opportunity to showcase the brilliance of each location and establish why they were chosen for this Iconic event.

It was an honor to work with an amazing crew who put their heart and soul into this project and the results speak for themselves.

Crew

Production - @skycandystudios
Producer team - @annievarberg @fellows031@katie_crayons
@jordanalberino

Creative Director/Editor - @cassheridan

A Camera - @kielymizumoto
TL/Shooter - @maxrenfro
FPV - @loganfpv
Cinema Drone - @mwelsh33
Color Grade - @kendall_rittenour
Sound Design - @bam_studios
Location Fixer - @film.in.mexico
Everything Man- @okusono
City - @fwc26guadalajara

#fpv #fpvdrone #fpvpilot #fpvlife #fifa2026🇨🇦🇺🇸🇲🇽 #mexico #fifa #méxico #mexicotravel

Some close calls on long range for this one!
@gopro