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The line-up.

Floating Pages Chapter #6 brings four new artists’ books to the Rhine this June — each part of ArchivorumxM, the series which invites artists to publish a book on any subject of their choice in collaboration with an independent publisher. Together, a small library on a moving boat.

↓ The artists
Francesco Vezzoli · with Lenz Press
Jonathan Monk · with B-R-U-N-O
Anthea Hamilton, Delphine Gaborit & Lewis Ronald · with American Art Catalogues
Jaime Welsh · with American Art Catalogues

16–18 June 2026 · Basel · Free, open to all
Book reveals coming next. ✦

#FloatingPages #ArchivorumChapter6 #FloatWithUs #ArtBasel2026

OFFPRINT LONDON 2026
We very much look forward to seeing you at Offprint, where we’ll be presenting new and recent publications.

180 SUDIOS
180 The Strand, London WC2R 1EA

15 May:3 PM—9 PM
16 May: 12 AM—8 PM
17 May: 11 AM—6 PM

@offprint_projects #lenzpress

Six chapters in. Same river. New books.
Floating Pages returns to Basel — 16–18 June 2026.
Float with us. ✦
.
#FloatingPages #ArchivorumChapter6 #FloatWithUs #ArtBasel2026 #Basel #ArtistBooks

“Routes” is a sound project conceived by @ordet_ for the @lenz.press bookshop in Milan. The project aims to foster a dialogue between artistic practices, research processes, books, and the public, through the experience of listening.

Artists are invited to put together a playlist or an audio project to be played inside for one month. Each contribution may be structured around a particular theme or conceived specifically for the context of the bookshop, which is viewed as a cultural platform and a space for listening, passing through, and spending time.

Routes takes shape as an open-ended, ever-evolving space, where listening becomes a conduit for reflection and experimentation—one with the capacity to redefine the everyday experience of the bookshop environment.

May: Ho Tzu Nyen
TTT: Twelve Tracks (from) Tzu

More info: www.ordet.org/projects/routes

Lenz
Via Filippino Lippi 10
20131 Milan, Italy
+39 02 47757753
Wed – Sat, 2 – 7 pm
www.lenz.press

‼️OUT NOW
Guglielmo Castelli: Sweet Baby Motel

Published on the occasion of the exhibitions at @castellodirivoli , Rivoli-Turin, and @kunsthallewien , Vienna, “Guglielmo Castelli: Sweet Baby Motel” is the first comprehensive monograph on the artist’s painting and sculpture. The publication conducts a wide-ranging investigation into the artist’s ethereal poetics, including newly commissioned essays by the curators of the exhibitions at Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien, and by art historian and critic Lillian Davies. Davies explores the enigmatic depths of Castelli’s painting practice, and curator Sarah Crowe pays particular attention to the artist’s weightless, boneless, and genderless figures. Francesco Manacorda interviews the artist on his scenographic, filmic approach.

Edited by @michellecottton and @francesco.manacorda
Texts by @guglielmocastelli , Sarah Crowe, @lillian.davies , and Francesco Manacorda
Designed by @lorenzomasonstudio
2026, English / Italian / German, 24 x 30 cm, 256 pages
More info: www.lenz.press

Photo: @nicola.gnesi_studio

#guglielmocastelli #castellodirivoli #kunsthallewien

‼️OUT NOW
Guglielmo Castelli: Sweet Baby Motel

Published on the occasion of the exhibitions at @castellodirivoli , Rivoli-Turin, and @kunsthallewien , Vienna, “Guglielmo Castelli: Sweet Baby Motel” is the first comprehensive monograph on the artist’s painting and sculpture. The publication conducts a wide-ranging investigation into the artist’s ethereal poetics, including newly commissioned essays by the curators of the exhibitions at Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien, and by art historian and critic Lillian Davies. Davies explores the enigmatic depths of Castelli’s painting practice, and curator Sarah Crowe pays particular attention to the artist’s weightless, boneless, and genderless figures. Francesco Manacorda interviews the artist on his scenographic, filmic approach.

Edited by @michellecottton and @francesco.manacorda
Texts by @guglielmocastelli , Sarah Crowe, @lillian.davies , and Francesco Manacorda
Designed by @lorenzomasonstudio
2026, English / Italian / German, 24 x 30 cm, 256 pages
More info: www.lenz.press

Photo: @nicola.gnesi_studio

#guglielmocastelli #castellodirivoli #kunsthallewien

‼️OUT NOW
Guglielmo Castelli: Sweet Baby Motel

Published on the occasion of the exhibitions at @castellodirivoli , Rivoli-Turin, and @kunsthallewien , Vienna, “Guglielmo Castelli: Sweet Baby Motel” is the first comprehensive monograph on the artist’s painting and sculpture. The publication conducts a wide-ranging investigation into the artist’s ethereal poetics, including newly commissioned essays by the curators of the exhibitions at Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien, and by art historian and critic Lillian Davies. Davies explores the enigmatic depths of Castelli’s painting practice, and curator Sarah Crowe pays particular attention to the artist’s weightless, boneless, and genderless figures. Francesco Manacorda interviews the artist on his scenographic, filmic approach.

Edited by @michellecottton and @francesco.manacorda
Texts by @guglielmocastelli , Sarah Crowe, @lillian.davies , and Francesco Manacorda
Designed by @lorenzomasonstudio
2026, English / Italian / German, 24 x 30 cm, 256 pages
More info: www.lenz.press

Photo: @nicola.gnesi_studio

#guglielmocastelli #castellodirivoli #kunsthallewien

‼️OUT NOW
Guglielmo Castelli: Sweet Baby Motel

Published on the occasion of the exhibitions at @castellodirivoli , Rivoli-Turin, and @kunsthallewien , Vienna, “Guglielmo Castelli: Sweet Baby Motel” is the first comprehensive monograph on the artist’s painting and sculpture. The publication conducts a wide-ranging investigation into the artist’s ethereal poetics, including newly commissioned essays by the curators of the exhibitions at Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien, and by art historian and critic Lillian Davies. Davies explores the enigmatic depths of Castelli’s painting practice, and curator Sarah Crowe pays particular attention to the artist’s weightless, boneless, and genderless figures. Francesco Manacorda interviews the artist on his scenographic, filmic approach.

Edited by @michellecottton and @francesco.manacorda
Texts by @guglielmocastelli , Sarah Crowe, @lillian.davies , and Francesco Manacorda
Designed by @lorenzomasonstudio
2026, English / Italian / German, 24 x 30 cm, 256 pages
More info: www.lenz.press

Photo: @nicola.gnesi_studio

#guglielmocastelli #castellodirivoli #kunsthallewien

‼️OUT NOW
Guglielmo Castelli: Sweet Baby Motel

Published on the occasion of the exhibitions at @castellodirivoli , Rivoli-Turin, and @kunsthallewien , Vienna, “Guglielmo Castelli: Sweet Baby Motel” is the first comprehensive monograph on the artist’s painting and sculpture. The publication conducts a wide-ranging investigation into the artist’s ethereal poetics, including newly commissioned essays by the curators of the exhibitions at Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien, and by art historian and critic Lillian Davies. Davies explores the enigmatic depths of Castelli’s painting practice, and curator Sarah Crowe pays particular attention to the artist’s weightless, boneless, and genderless figures. Francesco Manacorda interviews the artist on his scenographic, filmic approach.

Edited by @michellecottton and @francesco.manacorda
Texts by @guglielmocastelli , Sarah Crowe, @lillian.davies , and Francesco Manacorda
Designed by @lorenzomasonstudio
2026, English / Italian / German, 24 x 30 cm, 256 pages
More info: www.lenz.press

Photo: @nicola.gnesi_studio

#guglielmocastelli #castellodirivoli #kunsthallewien

‼️OUT NOW
Guglielmo Castelli: Sweet Baby Motel

Published on the occasion of the exhibitions at @castellodirivoli , Rivoli-Turin, and @kunsthallewien , Vienna, “Guglielmo Castelli: Sweet Baby Motel” is the first comprehensive monograph on the artist’s painting and sculpture. The publication conducts a wide-ranging investigation into the artist’s ethereal poetics, including newly commissioned essays by the curators of the exhibitions at Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien, and by art historian and critic Lillian Davies. Davies explores the enigmatic depths of Castelli’s painting practice, and curator Sarah Crowe pays particular attention to the artist’s weightless, boneless, and genderless figures. Francesco Manacorda interviews the artist on his scenographic, filmic approach.

Edited by @michellecottton and @francesco.manacorda
Texts by @guglielmocastelli , Sarah Crowe, @lillian.davies , and Francesco Manacorda
Designed by @lorenzomasonstudio
2026, English / Italian / German, 24 x 30 cm, 256 pages
More info: www.lenz.press

Photo: @nicola.gnesi_studio

#guglielmocastelli #castellodirivoli #kunsthallewien

‼️OUT NOW
Guglielmo Castelli: Sweet Baby Motel

Published on the occasion of the exhibitions at @castellodirivoli , Rivoli-Turin, and @kunsthallewien , Vienna, “Guglielmo Castelli: Sweet Baby Motel” is the first comprehensive monograph on the artist’s painting and sculpture. The publication conducts a wide-ranging investigation into the artist’s ethereal poetics, including newly commissioned essays by the curators of the exhibitions at Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien, and by art historian and critic Lillian Davies. Davies explores the enigmatic depths of Castelli’s painting practice, and curator Sarah Crowe pays particular attention to the artist’s weightless, boneless, and genderless figures. Francesco Manacorda interviews the artist on his scenographic, filmic approach.

Edited by @michellecottton and @francesco.manacorda
Texts by @guglielmocastelli , Sarah Crowe, @lillian.davies , and Francesco Manacorda
Designed by @lorenzomasonstudio
2026, English / Italian / German, 24 x 30 cm, 256 pages
More info: www.lenz.press

Photo: @nicola.gnesi_studio

#guglielmocastelli #castellodirivoli #kunsthallewien

‼️OUT NOW
Guglielmo Castelli: Sweet Baby Motel

Published on the occasion of the exhibitions at @castellodirivoli , Rivoli-Turin, and @kunsthallewien , Vienna, “Guglielmo Castelli: Sweet Baby Motel” is the first comprehensive monograph on the artist’s painting and sculpture. The publication conducts a wide-ranging investigation into the artist’s ethereal poetics, including newly commissioned essays by the curators of the exhibitions at Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien, and by art historian and critic Lillian Davies. Davies explores the enigmatic depths of Castelli’s painting practice, and curator Sarah Crowe pays particular attention to the artist’s weightless, boneless, and genderless figures. Francesco Manacorda interviews the artist on his scenographic, filmic approach.

Edited by @michellecottton and @francesco.manacorda
Texts by @guglielmocastelli , Sarah Crowe, @lillian.davies , and Francesco Manacorda
Designed by @lorenzomasonstudio
2026, English / Italian / German, 24 x 30 cm, 256 pages
More info: www.lenz.press

Photo: @nicola.gnesi_studio

#guglielmocastelli #castellodirivoli #kunsthallewien

‼️OUT NOW
Guglielmo Castelli: Sweet Baby Motel

Published on the occasion of the exhibitions at @castellodirivoli , Rivoli-Turin, and @kunsthallewien , Vienna, “Guglielmo Castelli: Sweet Baby Motel” is the first comprehensive monograph on the artist’s painting and sculpture. The publication conducts a wide-ranging investigation into the artist’s ethereal poetics, including newly commissioned essays by the curators of the exhibitions at Castello di Rivoli Museo d’Arte Contemporanea and Kunsthalle Wien, and by art historian and critic Lillian Davies. Davies explores the enigmatic depths of Castelli’s painting practice, and curator Sarah Crowe pays particular attention to the artist’s weightless, boneless, and genderless figures. Francesco Manacorda interviews the artist on his scenographic, filmic approach.

Edited by @michellecottton and @francesco.manacorda
Texts by @guglielmocastelli , Sarah Crowe, @lillian.davies , and Francesco Manacorda
Designed by @lorenzomasonstudio
2026, English / Italian / German, 24 x 30 cm, 256 pages
More info: www.lenz.press

Photo: @nicola.gnesi_studio

#guglielmocastelli #castellodirivoli #kunsthallewien

Tomaso Binga (Bianca Pucciarelli Menna, born in Salerno in 1931) stands as a pioneer figure in the Italian contemporary art scene. Rooted in her cultural background, she embodies an emancipated voice that has consistently challenged artistic, social, and gender conventions.

A true pioneer of visual and sound poetry, her work unfolds through irony and sharp reflections on identity and the politics of gender — including her bold decision to adopt a male pseudonym in 1971.

"Euforia", now available in our library, is published in 2024 by @lenz.press and edited by Eva Fabbris, Lilou Vidal, Stefania Zuliani with Anna Cuomo, gathers texts by Binga herself alongside contributions from Eva Fabbris, Daria Khan, Quinn Latimer, Luca Lo Pinto, Lilou Vidal, and Stefania Zuliani.

Tomaso Binga (Bianca Pucciarelli Menna, born in Salerno in 1931) stands as a pioneer figure in the Italian contemporary art scene. Rooted in her cultural background, she embodies an emancipated voice that has consistently challenged artistic, social, and gender conventions.

A true pioneer of visual and sound poetry, her work unfolds through irony and sharp reflections on identity and the politics of gender — including her bold decision to adopt a male pseudonym in 1971.

"Euforia", now available in our library, is published in 2024 by @lenz.press and edited by Eva Fabbris, Lilou Vidal, Stefania Zuliani with Anna Cuomo, gathers texts by Binga herself alongside contributions from Eva Fabbris, Daria Khan, Quinn Latimer, Luca Lo Pinto, Lilou Vidal, and Stefania Zuliani.

Tomaso Binga (Bianca Pucciarelli Menna, born in Salerno in 1931) stands as a pioneer figure in the Italian contemporary art scene. Rooted in her cultural background, she embodies an emancipated voice that has consistently challenged artistic, social, and gender conventions.

A true pioneer of visual and sound poetry, her work unfolds through irony and sharp reflections on identity and the politics of gender — including her bold decision to adopt a male pseudonym in 1971.

"Euforia", now available in our library, is published in 2024 by @lenz.press and edited by Eva Fabbris, Lilou Vidal, Stefania Zuliani with Anna Cuomo, gathers texts by Binga herself alongside contributions from Eva Fabbris, Daria Khan, Quinn Latimer, Luca Lo Pinto, Lilou Vidal, and Stefania Zuliani.

Tomaso Binga (Bianca Pucciarelli Menna, born in Salerno in 1931) stands as a pioneer figure in the Italian contemporary art scene. Rooted in her cultural background, she embodies an emancipated voice that has consistently challenged artistic, social, and gender conventions.

A true pioneer of visual and sound poetry, her work unfolds through irony and sharp reflections on identity and the politics of gender — including her bold decision to adopt a male pseudonym in 1971.

"Euforia", now available in our library, is published in 2024 by @lenz.press and edited by Eva Fabbris, Lilou Vidal, Stefania Zuliani with Anna Cuomo, gathers texts by Binga herself alongside contributions from Eva Fabbris, Daria Khan, Quinn Latimer, Luca Lo Pinto, Lilou Vidal, and Stefania Zuliani.

Tomaso Binga (Bianca Pucciarelli Menna, born in Salerno in 1931) stands as a pioneer figure in the Italian contemporary art scene. Rooted in her cultural background, she embodies an emancipated voice that has consistently challenged artistic, social, and gender conventions.

A true pioneer of visual and sound poetry, her work unfolds through irony and sharp reflections on identity and the politics of gender — including her bold decision to adopt a male pseudonym in 1971.

"Euforia", now available in our library, is published in 2024 by @lenz.press and edited by Eva Fabbris, Lilou Vidal, Stefania Zuliani with Anna Cuomo, gathers texts by Binga herself alongside contributions from Eva Fabbris, Daria Khan, Quinn Latimer, Luca Lo Pinto, Lilou Vidal, and Stefania Zuliani.

Tomaso Binga (Bianca Pucciarelli Menna, born in Salerno in 1931) stands as a pioneer figure in the Italian contemporary art scene. Rooted in her cultural background, she embodies an emancipated voice that has consistently challenged artistic, social, and gender conventions.

A true pioneer of visual and sound poetry, her work unfolds through irony and sharp reflections on identity and the politics of gender — including her bold decision to adopt a male pseudonym in 1971.

"Euforia", now available in our library, is published in 2024 by @lenz.press and edited by Eva Fabbris, Lilou Vidal, Stefania Zuliani with Anna Cuomo, gathers texts by Binga herself alongside contributions from Eva Fabbris, Daria Khan, Quinn Latimer, Luca Lo Pinto, Lilou Vidal, and Stefania Zuliani.

Tomaso Binga (Bianca Pucciarelli Menna, born in Salerno in 1931) stands as a pioneer figure in the Italian contemporary art scene. Rooted in her cultural background, she embodies an emancipated voice that has consistently challenged artistic, social, and gender conventions.

A true pioneer of visual and sound poetry, her work unfolds through irony and sharp reflections on identity and the politics of gender — including her bold decision to adopt a male pseudonym in 1971.

"Euforia", now available in our library, is published in 2024 by @lenz.press and edited by Eva Fabbris, Lilou Vidal, Stefania Zuliani with Anna Cuomo, gathers texts by Binga herself alongside contributions from Eva Fabbris, Daria Khan, Quinn Latimer, Luca Lo Pinto, Lilou Vidal, and Stefania Zuliani.

Tomaso Binga (Bianca Pucciarelli Menna, born in Salerno in 1931) stands as a pioneer figure in the Italian contemporary art scene. Rooted in her cultural background, she embodies an emancipated voice that has consistently challenged artistic, social, and gender conventions.

A true pioneer of visual and sound poetry, her work unfolds through irony and sharp reflections on identity and the politics of gender — including her bold decision to adopt a male pseudonym in 1971.

"Euforia", now available in our library, is published in 2024 by @lenz.press and edited by Eva Fabbris, Lilou Vidal, Stefania Zuliani with Anna Cuomo, gathers texts by Binga herself alongside contributions from Eva Fabbris, Daria Khan, Quinn Latimer, Luca Lo Pinto, Lilou Vidal, and Stefania Zuliani.

Tomaso Binga (Bianca Pucciarelli Menna, born in Salerno in 1931) stands as a pioneer figure in the Italian contemporary art scene. Rooted in her cultural background, she embodies an emancipated voice that has consistently challenged artistic, social, and gender conventions.

A true pioneer of visual and sound poetry, her work unfolds through irony and sharp reflections on identity and the politics of gender — including her bold decision to adopt a male pseudonym in 1971.

"Euforia", now available in our library, is published in 2024 by @lenz.press and edited by Eva Fabbris, Lilou Vidal, Stefania Zuliani with Anna Cuomo, gathers texts by Binga herself alongside contributions from Eva Fabbris, Daria Khan, Quinn Latimer, Luca Lo Pinto, Lilou Vidal, and Stefania Zuliani.

Tomaso Binga (Bianca Pucciarelli Menna, born in Salerno in 1931) stands as a pioneer figure in the Italian contemporary art scene. Rooted in her cultural background, she embodies an emancipated voice that has consistently challenged artistic, social, and gender conventions.

A true pioneer of visual and sound poetry, her work unfolds through irony and sharp reflections on identity and the politics of gender — including her bold decision to adopt a male pseudonym in 1971.

"Euforia", now available in our library, is published in 2024 by @lenz.press and edited by Eva Fabbris, Lilou Vidal, Stefania Zuliani with Anna Cuomo, gathers texts by Binga herself alongside contributions from Eva Fabbris, Daria Khan, Quinn Latimer, Luca Lo Pinto, Lilou Vidal, and Stefania Zuliani.

We are pleased to invite you to the Book Launch of Lorenza Longhi’s catalogue How About Another Problem? at Bar Basso this coming Saturday, April 18 from 6 to 9pm.

#lorenzalonghi
#kunstmuseumwinterthur

Dozie Kanu, Marc Camille Chaimowicz
The Second Shadow

What if the shadow moved first? From March to May 2026, the exhibition “The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits” at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.

The project stems from the collaboration between @ica_milano , @nicolettafioruccifoundation , and @lenz.press

More info: www.lenz.press

@dozie.kanu @rita.selvaggio @giuliacivardi
#doziekanu #marccamillechaimowicz

Dozie Kanu, Marc Camille Chaimowicz
The Second Shadow

What if the shadow moved first? From March to May 2026, the exhibition “The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits” at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.

The project stems from the collaboration between @ica_milano , @nicolettafioruccifoundation , and @lenz.press

More info: www.lenz.press

@dozie.kanu @rita.selvaggio @giuliacivardi
#doziekanu #marccamillechaimowicz

Dozie Kanu, Marc Camille Chaimowicz
The Second Shadow

What if the shadow moved first? From March to May 2026, the exhibition “The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits” at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.

The project stems from the collaboration between @ica_milano , @nicolettafioruccifoundation , and @lenz.press

More info: www.lenz.press

@dozie.kanu @rita.selvaggio @giuliacivardi
#doziekanu #marccamillechaimowicz

Dozie Kanu, Marc Camille Chaimowicz
The Second Shadow

What if the shadow moved first? From March to May 2026, the exhibition “The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits” at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.

The project stems from the collaboration between @ica_milano , @nicolettafioruccifoundation , and @lenz.press

More info: www.lenz.press

@dozie.kanu @rita.selvaggio @giuliacivardi
#doziekanu #marccamillechaimowicz

Dozie Kanu, Marc Camille Chaimowicz
The Second Shadow

What if the shadow moved first? From March to May 2026, the exhibition “The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits” at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.

The project stems from the collaboration between @ica_milano , @nicolettafioruccifoundation , and @lenz.press

More info: www.lenz.press

@dozie.kanu @rita.selvaggio @giuliacivardi
#doziekanu #marccamillechaimowicz

Dozie Kanu, Marc Camille Chaimowicz
The Second Shadow

What if the shadow moved first? From March to May 2026, the exhibition “The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits” at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.

The project stems from the collaboration between @ica_milano , @nicolettafioruccifoundation , and @lenz.press

More info: www.lenz.press

@dozie.kanu @rita.selvaggio @giuliacivardi
#doziekanu #marccamillechaimowicz

Dozie Kanu, Marc Camille Chaimowicz
The Second Shadow

What if the shadow moved first? From March to May 2026, the exhibition “The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits” at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.

The project stems from the collaboration between @ica_milano , @nicolettafioruccifoundation , and @lenz.press

More info: www.lenz.press

@dozie.kanu @rita.selvaggio @giuliacivardi
#doziekanu #marccamillechaimowicz

Dozie Kanu, Marc Camille Chaimowicz
The Second Shadow

What if the shadow moved first? From March to May 2026, the exhibition “The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits” at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.

The project stems from the collaboration between @ica_milano , @nicolettafioruccifoundation , and @lenz.press

More info: www.lenz.press

@dozie.kanu @rita.selvaggio @giuliacivardi
#doziekanu #marccamillechaimowicz

Dozie Kanu, Marc Camille Chaimowicz
The Second Shadow

What if the shadow moved first? From March to May 2026, the exhibition “The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits” at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.

The project stems from the collaboration between @ica_milano , @nicolettafioruccifoundation , and @lenz.press

More info: www.lenz.press

@dozie.kanu @rita.selvaggio @giuliacivardi
#doziekanu #marccamillechaimowicz

Dozie Kanu, Marc Camille Chaimowicz
The Second Shadow

What if the shadow moved first? From March to May 2026, the exhibition “The Second Shadow. Dozie Kanu Mirroring Marc Camille Chaimowicz, with Shared Echoes and Kindred Spirits” at Fondazione ICA Milano unfolds online through a series of voices and crossings that shift its gravity. Not an extension. A displacement.

The project stems from the collaboration between @ica_milano , @nicolettafioruccifoundation , and @lenz.press

More info: www.lenz.press

@dozie.kanu @rita.selvaggio @giuliacivardi
#doziekanu #marccamillechaimowicz

OUT NOW • BIM'24 – A Cosmic Movie Camera⁠
Edited by Andrea Bellini & Nora N. Khan, published by @lenz.press⁠
⁠
The catalogue of the 18th edition of the Biennale de l’Image en Mouvement, produced and hosted by @centredartcontemporaingeneve from January 24 to May 16, 2024, is now available!⁠
⁠
Curated by Khan and Bellini, the exhibition presented fifteen new works specifically commissioned for the occasion, explorig the concepts of the invisible and the unknown, as expressed through aesthetics, the use of technology, and a wide variety of sensibilities.⁠
⁠
The catalogue documenting the exhibition was conceived as an archive that may preserve the memory of the project in a dystopian future: inside a spaceship or in the building of the Centre, transformed in the distant future.⁠
⁠
Combinating print and digital formats, the real and the virtual, the past and the future, it conveys the conceptual core of the Biennale, which explores the inextricable intertwining of AI, digital culture, and art in the contemporary world.⁠
⁠
📚 Purchase your copy via the link in bio!⁠
⁠
Texts by Basel Abbas (@basel.abb) & Ruanne Abou-Rahme (@ruanne.ar), Andrea Bellini, Danielle Brathwaite-Shirley (@ladydangfua), Giacomo Castagnola (@giacomocastagnola), Sheila Chiamaka Chukwulozie (@heauxmosapiens), Cairo Clarke (@cairoc), Tamar Clarke-Brown (@licklemore_), Hajra Haider Karrar (@hajrakarrar), Aziz Hazara (@azizhazara), Nasrin Himada, Interspecifics (@interspecifics), Will Jennings (@willjennings80), Nora N. Khan (@prometheanwatch), Michael Kurtz (@michaelkurtz), Lauren Lee McCarthy (@laurenleemack), Luc Meier (@luc_meier), Margarida Mendes (@margarida___mendes), Harlan Levey (@harlan_levey_projects), Shuang Li (@shuangbot), Alessandro Rabottini (@alessandro.rabottini), Sahej Rahal (@sahejrahal), Francesca Recchia, Elvia Wilk (@elviaagain).⁠
Visual essay designed by @epoch.gallery.⁠
⁠
Design: @lorenzomasonstudio⁠
⁠
Other BIM'24 artists: @alfatiharufa @evanderauwera @a_____rtist @die.marcon @jennasutela @lawrencelek @formafantasma⁠
•⁠
•⁠
•⁠
#BIM24 #BiennaledelImageenMouvement #CentredArtContemporainGeneve #lenzpress⁠
Photos: @nicola.gnesi_studio

OUT NOW • BIM'24 – A Cosmic Movie Camera⁠
Edited by Andrea Bellini & Nora N. Khan, published by @lenz.press⁠
⁠
The catalogue of the 18th edition of the Biennale de l’Image en Mouvement, produced and hosted by @centredartcontemporaingeneve from January 24 to May 16, 2024, is now available!⁠
⁠
Curated by Khan and Bellini, the exhibition presented fifteen new works specifically commissioned for the occasion, explorig the concepts of the invisible and the unknown, as expressed through aesthetics, the use of technology, and a wide variety of sensibilities.⁠
⁠
The catalogue documenting the exhibition was conceived as an archive that may preserve the memory of the project in a dystopian future: inside a spaceship or in the building of the Centre, transformed in the distant future.⁠
⁠
Combinating print and digital formats, the real and the virtual, the past and the future, it conveys the conceptual core of the Biennale, which explores the inextricable intertwining of AI, digital culture, and art in the contemporary world.⁠
⁠
📚 Purchase your copy via the link in bio!⁠
⁠
Texts by Basel Abbas (@basel.abb) & Ruanne Abou-Rahme (@ruanne.ar), Andrea Bellini, Danielle Brathwaite-Shirley (@ladydangfua), Giacomo Castagnola (@giacomocastagnola), Sheila Chiamaka Chukwulozie (@heauxmosapiens), Cairo Clarke (@cairoc), Tamar Clarke-Brown (@licklemore_), Hajra Haider Karrar (@hajrakarrar), Aziz Hazara (@azizhazara), Nasrin Himada, Interspecifics (@interspecifics), Will Jennings (@willjennings80), Nora N. Khan (@prometheanwatch), Michael Kurtz (@michaelkurtz), Lauren Lee McCarthy (@laurenleemack), Luc Meier (@luc_meier), Margarida Mendes (@margarida___mendes), Harlan Levey (@harlan_levey_projects), Shuang Li (@shuangbot), Alessandro Rabottini (@alessandro.rabottini), Sahej Rahal (@sahejrahal), Francesca Recchia, Elvia Wilk (@elviaagain).⁠
Visual essay designed by @epoch.gallery.⁠
⁠
Design: @lorenzomasonstudio⁠
⁠
Other BIM'24 artists: @alfatiharufa @evanderauwera @a_____rtist @die.marcon @jennasutela @lawrencelek @formafantasma⁠
•⁠
•⁠
•⁠
#BIM24 #BiennaledelImageenMouvement #CentredArtContemporainGeneve #lenzpress⁠
Photos: @nicola.gnesi_studio

OUT NOW • BIM'24 – A Cosmic Movie Camera⁠
Edited by Andrea Bellini & Nora N. Khan, published by @lenz.press⁠
⁠
The catalogue of the 18th edition of the Biennale de l’Image en Mouvement, produced and hosted by @centredartcontemporaingeneve from January 24 to May 16, 2024, is now available!⁠
⁠
Curated by Khan and Bellini, the exhibition presented fifteen new works specifically commissioned for the occasion, explorig the concepts of the invisible and the unknown, as expressed through aesthetics, the use of technology, and a wide variety of sensibilities.⁠
⁠
The catalogue documenting the exhibition was conceived as an archive that may preserve the memory of the project in a dystopian future: inside a spaceship or in the building of the Centre, transformed in the distant future.⁠
⁠
Combinating print and digital formats, the real and the virtual, the past and the future, it conveys the conceptual core of the Biennale, which explores the inextricable intertwining of AI, digital culture, and art in the contemporary world.⁠
⁠
📚 Purchase your copy via the link in bio!⁠
⁠
Texts by Basel Abbas (@basel.abb) & Ruanne Abou-Rahme (@ruanne.ar), Andrea Bellini, Danielle Brathwaite-Shirley (@ladydangfua), Giacomo Castagnola (@giacomocastagnola), Sheila Chiamaka Chukwulozie (@heauxmosapiens), Cairo Clarke (@cairoc), Tamar Clarke-Brown (@licklemore_), Hajra Haider Karrar (@hajrakarrar), Aziz Hazara (@azizhazara), Nasrin Himada, Interspecifics (@interspecifics), Will Jennings (@willjennings80), Nora N. Khan (@prometheanwatch), Michael Kurtz (@michaelkurtz), Lauren Lee McCarthy (@laurenleemack), Luc Meier (@luc_meier), Margarida Mendes (@margarida___mendes), Harlan Levey (@harlan_levey_projects), Shuang Li (@shuangbot), Alessandro Rabottini (@alessandro.rabottini), Sahej Rahal (@sahejrahal), Francesca Recchia, Elvia Wilk (@elviaagain).⁠
Visual essay designed by @epoch.gallery.⁠
⁠
Design: @lorenzomasonstudio⁠
⁠
Other BIM'24 artists: @alfatiharufa @evanderauwera @a_____rtist @die.marcon @jennasutela @lawrencelek @formafantasma⁠
•⁠
•⁠
•⁠
#BIM24 #BiennaledelImageenMouvement #CentredArtContemporainGeneve #lenzpress⁠
Photos: @nicola.gnesi_studio

OUT NOW • BIM'24 – A Cosmic Movie Camera⁠
Edited by Andrea Bellini & Nora N. Khan, published by @lenz.press⁠
⁠
The catalogue of the 18th edition of the Biennale de l’Image en Mouvement, produced and hosted by @centredartcontemporaingeneve from January 24 to May 16, 2024, is now available!⁠
⁠
Curated by Khan and Bellini, the exhibition presented fifteen new works specifically commissioned for the occasion, explorig the concepts of the invisible and the unknown, as expressed through aesthetics, the use of technology, and a wide variety of sensibilities.⁠
⁠
The catalogue documenting the exhibition was conceived as an archive that may preserve the memory of the project in a dystopian future: inside a spaceship or in the building of the Centre, transformed in the distant future.⁠
⁠
Combinating print and digital formats, the real and the virtual, the past and the future, it conveys the conceptual core of the Biennale, which explores the inextricable intertwining of AI, digital culture, and art in the contemporary world.⁠
⁠
📚 Purchase your copy via the link in bio!⁠
⁠
Texts by Basel Abbas (@basel.abb) & Ruanne Abou-Rahme (@ruanne.ar), Andrea Bellini, Danielle Brathwaite-Shirley (@ladydangfua), Giacomo Castagnola (@giacomocastagnola), Sheila Chiamaka Chukwulozie (@heauxmosapiens), Cairo Clarke (@cairoc), Tamar Clarke-Brown (@licklemore_), Hajra Haider Karrar (@hajrakarrar), Aziz Hazara (@azizhazara), Nasrin Himada, Interspecifics (@interspecifics), Will Jennings (@willjennings80), Nora N. Khan (@prometheanwatch), Michael Kurtz (@michaelkurtz), Lauren Lee McCarthy (@laurenleemack), Luc Meier (@luc_meier), Margarida Mendes (@margarida___mendes), Harlan Levey (@harlan_levey_projects), Shuang Li (@shuangbot), Alessandro Rabottini (@alessandro.rabottini), Sahej Rahal (@sahejrahal), Francesca Recchia, Elvia Wilk (@elviaagain).⁠
Visual essay designed by @epoch.gallery.⁠
⁠
Design: @lorenzomasonstudio⁠
⁠
Other BIM'24 artists: @alfatiharufa @evanderauwera @a_____rtist @die.marcon @jennasutela @lawrencelek @formafantasma⁠
•⁠
•⁠
•⁠
#BIM24 #BiennaledelImageenMouvement #CentredArtContemporainGeneve #lenzpress⁠
Photos: @nicola.gnesi_studio

OUT NOW • BIM'24 – A Cosmic Movie Camera⁠
Edited by Andrea Bellini & Nora N. Khan, published by @lenz.press⁠
⁠
The catalogue of the 18th edition of the Biennale de l’Image en Mouvement, produced and hosted by @centredartcontemporaingeneve from January 24 to May 16, 2024, is now available!⁠
⁠
Curated by Khan and Bellini, the exhibition presented fifteen new works specifically commissioned for the occasion, explorig the concepts of the invisible and the unknown, as expressed through aesthetics, the use of technology, and a wide variety of sensibilities.⁠
⁠
The catalogue documenting the exhibition was conceived as an archive that may preserve the memory of the project in a dystopian future: inside a spaceship or in the building of the Centre, transformed in the distant future.⁠
⁠
Combinating print and digital formats, the real and the virtual, the past and the future, it conveys the conceptual core of the Biennale, which explores the inextricable intertwining of AI, digital culture, and art in the contemporary world.⁠
⁠
📚 Purchase your copy via the link in bio!⁠
⁠
Texts by Basel Abbas (@basel.abb) & Ruanne Abou-Rahme (@ruanne.ar), Andrea Bellini, Danielle Brathwaite-Shirley (@ladydangfua), Giacomo Castagnola (@giacomocastagnola), Sheila Chiamaka Chukwulozie (@heauxmosapiens), Cairo Clarke (@cairoc), Tamar Clarke-Brown (@licklemore_), Hajra Haider Karrar (@hajrakarrar), Aziz Hazara (@azizhazara), Nasrin Himada, Interspecifics (@interspecifics), Will Jennings (@willjennings80), Nora N. Khan (@prometheanwatch), Michael Kurtz (@michaelkurtz), Lauren Lee McCarthy (@laurenleemack), Luc Meier (@luc_meier), Margarida Mendes (@margarida___mendes), Harlan Levey (@harlan_levey_projects), Shuang Li (@shuangbot), Alessandro Rabottini (@alessandro.rabottini), Sahej Rahal (@sahejrahal), Francesca Recchia, Elvia Wilk (@elviaagain).⁠
Visual essay designed by @epoch.gallery.⁠
⁠
Design: @lorenzomasonstudio⁠
⁠
Other BIM'24 artists: @alfatiharufa @evanderauwera @a_____rtist @die.marcon @jennasutela @lawrencelek @formafantasma⁠
•⁠
•⁠
•⁠
#BIM24 #BiennaledelImageenMouvement #CentredArtContemporainGeneve #lenzpress⁠
Photos: @nicola.gnesi_studio

OUT NOW • BIM'24 – A Cosmic Movie Camera⁠
Edited by Andrea Bellini & Nora N. Khan, published by @lenz.press⁠
⁠
The catalogue of the 18th edition of the Biennale de l’Image en Mouvement, produced and hosted by @centredartcontemporaingeneve from January 24 to May 16, 2024, is now available!⁠
⁠
Curated by Khan and Bellini, the exhibition presented fifteen new works specifically commissioned for the occasion, explorig the concepts of the invisible and the unknown, as expressed through aesthetics, the use of technology, and a wide variety of sensibilities.⁠
⁠
The catalogue documenting the exhibition was conceived as an archive that may preserve the memory of the project in a dystopian future: inside a spaceship or in the building of the Centre, transformed in the distant future.⁠
⁠
Combinating print and digital formats, the real and the virtual, the past and the future, it conveys the conceptual core of the Biennale, which explores the inextricable intertwining of AI, digital culture, and art in the contemporary world.⁠
⁠
📚 Purchase your copy via the link in bio!⁠
⁠
Texts by Basel Abbas (@basel.abb) & Ruanne Abou-Rahme (@ruanne.ar), Andrea Bellini, Danielle Brathwaite-Shirley (@ladydangfua), Giacomo Castagnola (@giacomocastagnola), Sheila Chiamaka Chukwulozie (@heauxmosapiens), Cairo Clarke (@cairoc), Tamar Clarke-Brown (@licklemore_), Hajra Haider Karrar (@hajrakarrar), Aziz Hazara (@azizhazara), Nasrin Himada, Interspecifics (@interspecifics), Will Jennings (@willjennings80), Nora N. Khan (@prometheanwatch), Michael Kurtz (@michaelkurtz), Lauren Lee McCarthy (@laurenleemack), Luc Meier (@luc_meier), Margarida Mendes (@margarida___mendes), Harlan Levey (@harlan_levey_projects), Shuang Li (@shuangbot), Alessandro Rabottini (@alessandro.rabottini), Sahej Rahal (@sahejrahal), Francesca Recchia, Elvia Wilk (@elviaagain).⁠
Visual essay designed by @epoch.gallery.⁠
⁠
Design: @lorenzomasonstudio⁠
⁠
Other BIM'24 artists: @alfatiharufa @evanderauwera @a_____rtist @die.marcon @jennasutela @lawrencelek @formafantasma⁠
•⁠
•⁠
•⁠
#BIM24 #BiennaledelImageenMouvement #CentredArtContemporainGeneve #lenzpress⁠
Photos: @nicola.gnesi_studio

OUT NOW • BIM'24 – A Cosmic Movie Camera⁠
Edited by Andrea Bellini & Nora N. Khan, published by @lenz.press⁠
⁠
The catalogue of the 18th edition of the Biennale de l’Image en Mouvement, produced and hosted by @centredartcontemporaingeneve from January 24 to May 16, 2024, is now available!⁠
⁠
Curated by Khan and Bellini, the exhibition presented fifteen new works specifically commissioned for the occasion, explorig the concepts of the invisible and the unknown, as expressed through aesthetics, the use of technology, and a wide variety of sensibilities.⁠
⁠
The catalogue documenting the exhibition was conceived as an archive that may preserve the memory of the project in a dystopian future: inside a spaceship or in the building of the Centre, transformed in the distant future.⁠
⁠
Combinating print and digital formats, the real and the virtual, the past and the future, it conveys the conceptual core of the Biennale, which explores the inextricable intertwining of AI, digital culture, and art in the contemporary world.⁠
⁠
📚 Purchase your copy via the link in bio!⁠
⁠
Texts by Basel Abbas (@basel.abb) & Ruanne Abou-Rahme (@ruanne.ar), Andrea Bellini, Danielle Brathwaite-Shirley (@ladydangfua), Giacomo Castagnola (@giacomocastagnola), Sheila Chiamaka Chukwulozie (@heauxmosapiens), Cairo Clarke (@cairoc), Tamar Clarke-Brown (@licklemore_), Hajra Haider Karrar (@hajrakarrar), Aziz Hazara (@azizhazara), Nasrin Himada, Interspecifics (@interspecifics), Will Jennings (@willjennings80), Nora N. Khan (@prometheanwatch), Michael Kurtz (@michaelkurtz), Lauren Lee McCarthy (@laurenleemack), Luc Meier (@luc_meier), Margarida Mendes (@margarida___mendes), Harlan Levey (@harlan_levey_projects), Shuang Li (@shuangbot), Alessandro Rabottini (@alessandro.rabottini), Sahej Rahal (@sahejrahal), Francesca Recchia, Elvia Wilk (@elviaagain).⁠
Visual essay designed by @epoch.gallery.⁠
⁠
Design: @lorenzomasonstudio⁠
⁠
Other BIM'24 artists: @alfatiharufa @evanderauwera @a_____rtist @die.marcon @jennasutela @lawrencelek @formafantasma⁠
•⁠
•⁠
•⁠
#BIM24 #BiennaledelImageenMouvement #CentredArtContemporainGeneve #lenzpress⁠
Photos: @nicola.gnesi_studio

OUT NOW • BIM'24 – A Cosmic Movie Camera⁠
Edited by Andrea Bellini & Nora N. Khan, published by @lenz.press⁠
⁠
The catalogue of the 18th edition of the Biennale de l’Image en Mouvement, produced and hosted by @centredartcontemporaingeneve from January 24 to May 16, 2024, is now available!⁠
⁠
Curated by Khan and Bellini, the exhibition presented fifteen new works specifically commissioned for the occasion, explorig the concepts of the invisible and the unknown, as expressed through aesthetics, the use of technology, and a wide variety of sensibilities.⁠
⁠
The catalogue documenting the exhibition was conceived as an archive that may preserve the memory of the project in a dystopian future: inside a spaceship or in the building of the Centre, transformed in the distant future.⁠
⁠
Combinating print and digital formats, the real and the virtual, the past and the future, it conveys the conceptual core of the Biennale, which explores the inextricable intertwining of AI, digital culture, and art in the contemporary world.⁠
⁠
📚 Purchase your copy via the link in bio!⁠
⁠
Texts by Basel Abbas (@basel.abb) & Ruanne Abou-Rahme (@ruanne.ar), Andrea Bellini, Danielle Brathwaite-Shirley (@ladydangfua), Giacomo Castagnola (@giacomocastagnola), Sheila Chiamaka Chukwulozie (@heauxmosapiens), Cairo Clarke (@cairoc), Tamar Clarke-Brown (@licklemore_), Hajra Haider Karrar (@hajrakarrar), Aziz Hazara (@azizhazara), Nasrin Himada, Interspecifics (@interspecifics), Will Jennings (@willjennings80), Nora N. Khan (@prometheanwatch), Michael Kurtz (@michaelkurtz), Lauren Lee McCarthy (@laurenleemack), Luc Meier (@luc_meier), Margarida Mendes (@margarida___mendes), Harlan Levey (@harlan_levey_projects), Shuang Li (@shuangbot), Alessandro Rabottini (@alessandro.rabottini), Sahej Rahal (@sahejrahal), Francesca Recchia, Elvia Wilk (@elviaagain).⁠
Visual essay designed by @epoch.gallery.⁠
⁠
Design: @lorenzomasonstudio⁠
⁠
Other BIM'24 artists: @alfatiharufa @evanderauwera @a_____rtist @die.marcon @jennasutela @lawrencelek @formafantasma⁠
•⁠
•⁠
•⁠
#BIM24 #BiennaledelImageenMouvement #CentredArtContemporainGeneve #lenzpress⁠
Photos: @nicola.gnesi_studio

OUT NOW • BIM'24 – A Cosmic Movie Camera⁠
Edited by Andrea Bellini & Nora N. Khan, published by @lenz.press⁠
⁠
The catalogue of the 18th edition of the Biennale de l’Image en Mouvement, produced and hosted by @centredartcontemporaingeneve from January 24 to May 16, 2024, is now available!⁠
⁠
Curated by Khan and Bellini, the exhibition presented fifteen new works specifically commissioned for the occasion, explorig the concepts of the invisible and the unknown, as expressed through aesthetics, the use of technology, and a wide variety of sensibilities.⁠
⁠
The catalogue documenting the exhibition was conceived as an archive that may preserve the memory of the project in a dystopian future: inside a spaceship or in the building of the Centre, transformed in the distant future.⁠
⁠
Combinating print and digital formats, the real and the virtual, the past and the future, it conveys the conceptual core of the Biennale, which explores the inextricable intertwining of AI, digital culture, and art in the contemporary world.⁠
⁠
📚 Purchase your copy via the link in bio!⁠
⁠
Texts by Basel Abbas (@basel.abb) & Ruanne Abou-Rahme (@ruanne.ar), Andrea Bellini, Danielle Brathwaite-Shirley (@ladydangfua), Giacomo Castagnola (@giacomocastagnola), Sheila Chiamaka Chukwulozie (@heauxmosapiens), Cairo Clarke (@cairoc), Tamar Clarke-Brown (@licklemore_), Hajra Haider Karrar (@hajrakarrar), Aziz Hazara (@azizhazara), Nasrin Himada, Interspecifics (@interspecifics), Will Jennings (@willjennings80), Nora N. Khan (@prometheanwatch), Michael Kurtz (@michaelkurtz), Lauren Lee McCarthy (@laurenleemack), Luc Meier (@luc_meier), Margarida Mendes (@margarida___mendes), Harlan Levey (@harlan_levey_projects), Shuang Li (@shuangbot), Alessandro Rabottini (@alessandro.rabottini), Sahej Rahal (@sahejrahal), Francesca Recchia, Elvia Wilk (@elviaagain).⁠
Visual essay designed by @epoch.gallery.⁠
⁠
Design: @lorenzomasonstudio⁠
⁠
Other BIM'24 artists: @alfatiharufa @evanderauwera @a_____rtist @die.marcon @jennasutela @lawrencelek @formafantasma⁠
•⁠
•⁠
•⁠
#BIM24 #BiennaledelImageenMouvement #CentredArtContemporainGeneve #lenzpress⁠
Photos: @nicola.gnesi_studio

OUT NOW • BIM'24 – A Cosmic Movie Camera⁠
Edited by Andrea Bellini & Nora N. Khan, published by @lenz.press⁠
⁠
The catalogue of the 18th edition of the Biennale de l’Image en Mouvement, produced and hosted by @centredartcontemporaingeneve from January 24 to May 16, 2024, is now available!⁠
⁠
Curated by Khan and Bellini, the exhibition presented fifteen new works specifically commissioned for the occasion, explorig the concepts of the invisible and the unknown, as expressed through aesthetics, the use of technology, and a wide variety of sensibilities.⁠
⁠
The catalogue documenting the exhibition was conceived as an archive that may preserve the memory of the project in a dystopian future: inside a spaceship or in the building of the Centre, transformed in the distant future.⁠
⁠
Combinating print and digital formats, the real and the virtual, the past and the future, it conveys the conceptual core of the Biennale, which explores the inextricable intertwining of AI, digital culture, and art in the contemporary world.⁠
⁠
📚 Purchase your copy via the link in bio!⁠
⁠
Texts by Basel Abbas (@basel.abb) & Ruanne Abou-Rahme (@ruanne.ar), Andrea Bellini, Danielle Brathwaite-Shirley (@ladydangfua), Giacomo Castagnola (@giacomocastagnola), Sheila Chiamaka Chukwulozie (@heauxmosapiens), Cairo Clarke (@cairoc), Tamar Clarke-Brown (@licklemore_), Hajra Haider Karrar (@hajrakarrar), Aziz Hazara (@azizhazara), Nasrin Himada, Interspecifics (@interspecifics), Will Jennings (@willjennings80), Nora N. Khan (@prometheanwatch), Michael Kurtz (@michaelkurtz), Lauren Lee McCarthy (@laurenleemack), Luc Meier (@luc_meier), Margarida Mendes (@margarida___mendes), Harlan Levey (@harlan_levey_projects), Shuang Li (@shuangbot), Alessandro Rabottini (@alessandro.rabottini), Sahej Rahal (@sahejrahal), Francesca Recchia, Elvia Wilk (@elviaagain).⁠
Visual essay designed by @epoch.gallery.⁠
⁠
Design: @lorenzomasonstudio⁠
⁠
Other BIM'24 artists: @alfatiharufa @evanderauwera @a_____rtist @die.marcon @jennasutela @lawrencelek @formafantasma⁠
•⁠
•⁠
•⁠
#BIM24 #BiennaledelImageenMouvement #CentredArtContemporainGeneve #lenzpress⁠
Photos: @nicola.gnesi_studio

April: Jasper Marsalis
Moi Non Plus

Moi Non Plus translates to “me neither.” I saw this phrase written on a gong in a documentary about Karlheinz Stockhausen. I like the phrase because the subject cancels itself out. This playlist explores inverted figure–ground relationships, a collection of sonic landscapes.

—Jasper Marsalis, April 2026

Special Thanks: Ligia Lewis, Nunguja Kisalya, Tom Skinner, Abraham El Makawy, Silas Johnson, Nicholas Wetherwell

Routes is a sound project conceived by Ordet for the Lenz bookshop in Milan, located adjacent to the exhibition space. The project aims to foster a dialogue between artistic practices, research processes, books, and the public, through the experience of listening.

Artists are invited to put together a playlist or an audio project to be played inside for one month. Each contribution may be structured around a particular theme or conceived specifically for the context of the bookshop, which is viewed as a cultural platform and a space for listening, passing through, and spending time.

Routes takes shape as an open-ended, ever-evolving space, where listening becomes a conduit for reflection and experimentation—one with the capacity to redefine the everyday experience of the bookshop environment.

Lenz
Bookshop
Via Filippino Lippi 10
20131 Milan, Italy
+39 02 47757753
Wed – Sat, 2 – 7 pm

Join Lenz Press and Dover Street Market Paris to celebrate the launch of “I AM THE F****** SUBJECT: ART AND ADOLESCENCE” by Julia Marchand, in conversation with Julie Ackermann, Anya Harrison, Tohé Commaret, Caroline Poggi, Jonathan Vinel, and Kevin Blinderman. ⁠
⁠
On Friday, April 10th, 6PM – 7:30PM⁠
Rose Bakery⁠
⁠
RSVP now at the link in bio⁠
⁠
Artwork by Dominika Kovacikova, “Alone in a crowded room”, 2025, oil on canvas. ⁠
⁠
A special thanks to Guillaume Marchand⁠
⁠
We look forward to seeing you!

@marchand.julia
@lenz.press
@julie_ackermann
@anyacharrison
@extramentale_venice
@te.pirater
@caroline_poggi
@jonathanvinel
@kevinblinderman

book presentation
 
I Am The F****** Subject. Art And Adolescence, Julia Marchand (ed.), Vittoria Morpurgo, Lenz 2026
 
15 April 2026 | h 18:30
Julia Marchand in conversation with Charlotte Laubard

Why be the object when you can dive into yourself and archive your own adolescence? And what about this adolescence when it lasts until the late thirties, and expands beyond the traditional understanding of age group?

This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.

book presentation
 
I Am The F****** Subject. Art And Adolescence, Julia Marchand (ed.), Vittoria Morpurgo, Lenz 2026
 
15 April 2026 | h 18:30
Julia Marchand in conversation with Charlotte Laubard

Why be the object when you can dive into yourself and archive your own adolescence? And what about this adolescence when it lasts until the late thirties, and expands beyond the traditional understanding of age group?

This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.

book presentation
 
I Am The F****** Subject. Art And Adolescence, Julia Marchand (ed.), Vittoria Morpurgo, Lenz 2026
 
15 April 2026 | h 18:30
Julia Marchand in conversation with Charlotte Laubard

Why be the object when you can dive into yourself and archive your own adolescence? And what about this adolescence when it lasts until the late thirties, and expands beyond the traditional understanding of age group?

This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.

book presentation
 
I Am The F****** Subject. Art And Adolescence, Julia Marchand (ed.), Vittoria Morpurgo, Lenz 2026
 
15 April 2026 | h 18:30
Julia Marchand in conversation with Charlotte Laubard

Why be the object when you can dive into yourself and archive your own adolescence? And what about this adolescence when it lasts until the late thirties, and expands beyond the traditional understanding of age group?

This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.

book presentation
 
I Am The F****** Subject. Art And Adolescence, Julia Marchand (ed.), Vittoria Morpurgo, Lenz 2026
 
15 April 2026 | h 18:30
Julia Marchand in conversation with Charlotte Laubard

Why be the object when you can dive into yourself and archive your own adolescence? And what about this adolescence when it lasts until the late thirties, and expands beyond the traditional understanding of age group?

This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.