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⚰️⚡️🥀 I’m beyond excited to announce my next exhibition « Under the Skin » (or its French variant « À fleur de peau ») at @montpelliercontemporain, a group exhibition exploring the notion of monstrosity, the monstrous and mutant forms in contemporary art.

Under the Skin [À fleur de peau]
MO.CO. Panacée
13 June - 11 October 2026

Vernissage on Friday 12 June 2026.

Artists: Albrecht Becker, Kévin Blinderman, Julien Ceccaldi, Sue Coe, Julian Farade, Dorota Gawęda and Eglė Kulbokaitė, Penny Goring, Tirdad Hashemi, Richard Hawkins, Augustin Katz, Keunmin Lee, Tala Madani, Stéphane Mandelbaum, Mónica Mays, Brilant Milazimi, Nuria Mokhtar, Arthur Monteillet, Moor Mother with Glenn Espinosa and Cauleen Smith, Ulrike Ottinger, Lili Reynaud Dewar, James Richards and Steve Reinke, Sibylle Ruppert, Ebun Sodipo, Ceija Stojka, Michelle Uckotter, Jenkin van Zyl, Issy Wood.

Curated by moi with the best sidekick @alexis__loisel_montambaux

More to follow … ⛓️

(If you don’t hear from me over the next weeks, I don’t reply to your calls, messages, pigeon mail or search parties, it’s because I’m busy birthing this baby monster.)

Image credit (on poster):
Richard Hawkins, The Böcklin and Berdella Sequence, 2024 (video still, detail)
Digital video
Courtesy Galerie Buchholz

Art scribe news: I went to Zurich and wrote a review of « Location, Location, Location », @no.waves’s solo exhibition at @bernheimgallery.

« The British reality TV property programme Location, Location, Location first aired in the UK in 2000. Each week, the presenters guide a new set of hopeful buyers towards the fantasy of the perfect home. At its best offering a chance at social mobility, the show - still running today - has so far welcomed more than 400 happy house-hunters. Vladislav Markov’s first exhibition in Switzerland borrows the programme’s title, but instead of providing a wet dream of made-to-measure marble worktops and double-glazed French windows, the artist launches us into a nightmarish existential quagmire. If anything, he propels the viewer into a sensorial and psychological dislocation from which it is difficult to find an exit. »

The full text is available online at @friezeofficial and will materialise in print later on.

Art scribe news: I went to Zurich and wrote a review of « Location, Location, Location », @no.waves’s solo exhibition at @bernheimgallery.

« The British reality TV property programme Location, Location, Location first aired in the UK in 2000. Each week, the presenters guide a new set of hopeful buyers towards the fantasy of the perfect home. At its best offering a chance at social mobility, the show - still running today - has so far welcomed more than 400 happy house-hunters. Vladislav Markov’s first exhibition in Switzerland borrows the programme’s title, but instead of providing a wet dream of made-to-measure marble worktops and double-glazed French windows, the artist launches us into a nightmarish existential quagmire. If anything, he propels the viewer into a sensorial and psychological dislocation from which it is difficult to find an exit. »

The full text is available online at @friezeofficial and will materialise in print later on.

Art scribe news: I went to Zurich and wrote a review of « Location, Location, Location », @no.waves’s solo exhibition at @bernheimgallery.

« The British reality TV property programme Location, Location, Location first aired in the UK in 2000. Each week, the presenters guide a new set of hopeful buyers towards the fantasy of the perfect home. At its best offering a chance at social mobility, the show - still running today - has so far welcomed more than 400 happy house-hunters. Vladislav Markov’s first exhibition in Switzerland borrows the programme’s title, but instead of providing a wet dream of made-to-measure marble worktops and double-glazed French windows, the artist launches us into a nightmarish existential quagmire. If anything, he propels the viewer into a sensorial and psychological dislocation from which it is difficult to find an exit. »

The full text is available online at @friezeofficial and will materialise in print later on.

For this year’s edition of @curatedby.at we are pleased to announce our collaboration with @anyacharrison

Anya Harrison is a curator and writer based in Montpellier, France. She has a background in art history and literature at the University of Oxford, Université de Sorbonne – Paris IV and The Courtauld Institute of Art, London, and has worked internationally as an independent curator and within institutions. Since 2019, she is curator at MO.CO. Montpellier Contemporain where she has organised solo presentations of Betty Tompkins (2021), Marilyn Minter (2021), Max Hooper Schneider (2022), Aurélien Potier (2024) and Ivana Bašić (2025), as well as thematic group exhibitions, such as Soleil Triste (2023) and Sense Unknown (2025). Previously, she has worked with Le Bicolore - La Maison de Danemark (Paris, 2023), the Kosovo Pavilion - 58th Venice Biennale (2019), the Baltic Triennial 13 (2017-2018), Manchester International Festival (2017) and Garage Museum of Contemporary Art (Moscow and London, 2011-2013).

Her research interests include sexual and body politics, questions relating to transgression, representation and marginality (and their limits), often read through feminist, avant-garde and subcultural lenses. She is currently working on a major group exhibition Under the Skin, opening at MO.CO. in June 2026, exploring the notion of monstrosity, mutant and monstrous forms in contemporary art, as well as a solo exhibition of June Crespo (December 2026) in collaboration with Secession, Vienna, and Fondazione Sandretto Re Rebaudengo, Turin. As a writer, she contributes regularly to magazines (Flash Art International, Frieze, Texte zur Kunst, Numéro art, Arcane), exhibition catalogues and other publications.

Curated by festival Vienna opens on 11 SEP 2026.

Photo: Rob Kulisek

#curatedby
#galerienaechstststephan
#galerienaechstststephanrosemarieschwarzwaelder

EXTRAMENTALE EXTRAVAGANZA ⛓️🔪

I’m molto heureuse to have contributed to chère @marchand.julia @extramentale_venice newly baked publication « I AM THE F****** SUBJECT: ART AND ADOLESCENCE », out now with @lenz.press. Could not be in a better company of artists, writers and other adolescently minded thinkers 🖤

« Kill The Cop In Your Head » is an essay that explores moral panics and literary extremity in a time when society’s fetishization of adolescence continues to generate intense debates. I address works by Dennis Cooper, Gisèle Vienne, Karl Andersson, Michael Salerno / Kiddiepunk and the exhibition « Présumés innocents » (CAPC, Bordeaux, 2000).

Available at all good bookshops.

Credit where credit’s due - merci to mastermind @creepjacuzzi for the inspirational title of my text ⚰️

Join Lenz Press and Dover Street Market Paris to celebrate the launch of “I AM THE F****** SUBJECT: ART AND ADOLESCENCE” by Julia Marchand, in conversation with Julie Ackermann, Anya Harrison, Tohé Commaret, Caroline Poggi, Jonathan Vinel, and Kevin Blinderman. ⁠
⁠
On Friday, April 10th, 6PM – 7:30PM⁠
Rose Bakery⁠
⁠
RSVP now at the link in bio⁠
⁠
Artwork by Dominika Kovacikova, “Alone in a crowded room”, 2025, oil on canvas. ⁠
⁠
A special thanks to Guillaume Marchand⁠
⁠
We look forward to seeing you!

@marchand.julia
@lenz.press
@julie_ackermann
@anyacharrison
@extramentale_venice
@te.pirater
@caroline_poggi
@jonathanvinel
@kevinblinderman

Join us for the talk with Jannis Marwitz & curator and writer Anya Harrison upcoming Thursday 19. March at 6:30 pm 💭💬

@anyacharrison

‘Fish fish’ is the current exhibition by Jannis Marwitz at the gallery in Zurich and on view until 28. March 2026.

Is a gap the opposite of a hole? When we consider a hole, the void, the core, the nothingness, and the emptiness – still assuming the gap might be its opposite – is the gap the place where light shines through? But whereas there might be only one hole, which stands for all the holes existing, a gap is something in between the things. A gap is something that connects, though vague. A gap is something that gives rhythm, is it repeated. It’s flickering. To embody the gap and its repetition in the exhibition, several radiators are depicted in paintings. These works are called Radiator Pieces. A title, that is carried over to other, sculptural works in the show. Even though this choice is made to emphasise a connection of sense over several media - here sculpture and painting - you might consider an agglomeration under the same title a piece of manual or a form of guidance for something that can be easily repeated at home.

It may be useful to remember, however, that a gap can also be a cut, a gaping wound. Something difficult to trust. A gap can be dangerous if we underestimate its distance. And if we do, we fall, into the brightest of holes.

#jannismarwitz

Join us for the talk with Jannis Marwitz & curator and writer Anya Harrison upcoming Thursday 19. March at 6:30 pm 💭💬

@anyacharrison

‘Fish fish’ is the current exhibition by Jannis Marwitz at the gallery in Zurich and on view until 28. March 2026.

Is a gap the opposite of a hole? When we consider a hole, the void, the core, the nothingness, and the emptiness – still assuming the gap might be its opposite – is the gap the place where light shines through? But whereas there might be only one hole, which stands for all the holes existing, a gap is something in between the things. A gap is something that connects, though vague. A gap is something that gives rhythm, is it repeated. It’s flickering. To embody the gap and its repetition in the exhibition, several radiators are depicted in paintings. These works are called Radiator Pieces. A title, that is carried over to other, sculptural works in the show. Even though this choice is made to emphasise a connection of sense over several media - here sculpture and painting - you might consider an agglomeration under the same title a piece of manual or a form of guidance for something that can be easily repeated at home.

It may be useful to remember, however, that a gap can also be a cut, a gaping wound. Something difficult to trust. A gap can be dangerous if we underestimate its distance. And if we do, we fall, into the brightest of holes.

#jannismarwitz

OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press

Edited by @marchand.julia
in collaboration with @vittoriamorpurgo

This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.

This book also celebrates the closing of Extramentale (2016-2026)

With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara

Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło

Designed by Lorenzo Mason Studio

2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8

OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press

Edited by @marchand.julia
in collaboration with @vittoriamorpurgo

This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.

This book also celebrates the closing of Extramentale (2016-2026)

With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara

Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło

Designed by Lorenzo Mason Studio

2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8

OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press

Edited by @marchand.julia
in collaboration with @vittoriamorpurgo

This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.

This book also celebrates the closing of Extramentale (2016-2026)

With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara

Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło

Designed by Lorenzo Mason Studio

2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8

OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press

Edited by @marchand.julia
in collaboration with @vittoriamorpurgo

This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.

This book also celebrates the closing of Extramentale (2016-2026)

With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara

Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło

Designed by Lorenzo Mason Studio

2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8

OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press

Edited by @marchand.julia
in collaboration with @vittoriamorpurgo

This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.

This book also celebrates the closing of Extramentale (2016-2026)

With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara

Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło

Designed by Lorenzo Mason Studio

2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8

OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press

Edited by @marchand.julia
in collaboration with @vittoriamorpurgo

This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.

This book also celebrates the closing of Extramentale (2016-2026)

With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara

Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło

Designed by Lorenzo Mason Studio

2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8

OUT NOW « I Am The F****** Subject: Art & Adolescence » published by @lenz.press

Edited by @marchand.julia
in collaboration with @vittoriamorpurgo

This volume redefines the coming-of-age genre by addressing the contours of the obsession with the prolonged teenager years. Contemporary art views adolescence as a mental state, a condition that has eroded the traditional markers of the passage into adulthood; not a transitory phase but a prolonged mode of being or even a critique of a world that itself refuses to stabilize.

This book also celebrates the closing of Extramentale (2016-2026)

With Texts by Morgan Labar, Julia Marchand, Julie Ackermann, Anya Harrison, Giulia Mariachiara Galiano
@julie__ackermann @anyacharrison @giuliamariachiara

Cecilia Larese, Vittoria Morpurgo interviewed alongside Julia Marchand, artists and curators: Robin Plus, Gaia Vincensini, Raphaëlle Serre, Linda Voorwinde, Tohé Commaret, Louise Nicolas de Lamballerie, Caroline Poggi, Jonathan Vinel, Kevin Blinderman, Mohamed Bourouissa, Michal Novotný, Laura Owens, Magda Szpecht, Thomas Liu Le Lann, Velvet Aubry, Arnaud Dezoteux, Prune Phi, Alban Diaz, Ant łakomsk, Liselor Perez, Francesca Grilli, Camille Aleña, Joanna Kordjak, Katarzyna Kołodziej-Podsiadło

Designed by Lorenzo Mason Studio

2026, English, softcover, 11 x 18.5 cm, 160 pages
ISBN 979-12-80579-89-8

NO ROMANCE 🧊

To coincide with Gili Tal’s @foreverdelayed_ solo exhibition « Soft and Bouncy » currently on at Galerie Buchholz in Berlin, I wrote a feature on Tal’s practice for the new issue of @flashartmagazine. There’s a lot there about exhaustion, fracking for images, hot air, alchemy, smoke and mirrors …

As always thanks to @michelaisajedi for commissioning 🌪️🖤

NO ROMANCE 🧊

To coincide with Gili Tal’s @foreverdelayed_ solo exhibition « Soft and Bouncy » currently on at Galerie Buchholz in Berlin, I wrote a feature on Tal’s practice for the new issue of @flashartmagazine. There’s a lot there about exhaustion, fracking for images, hot air, alchemy, smoke and mirrors …

As always thanks to @michelaisajedi for commissioning 🌪️🖤

It’s GOOD or TRASH !!

I penned a text to accompany the group show « There was a monster in my bed » that is currently on view at the one and only @good_or_trash, and I can tell you that I had a lot of fun thinking about all things sexy and monstrous in relation to the works by @jlnccc @shoplifting__ @billycoulthurst4 @bernadettevanhuy @waystomakemoneyonline

Merci @kevinblinderman @good_or_trash and @ladygaga

PS. Art scribe offices are back in business and open for all your 2026 art scribing needs ✍️

It’s GOOD or TRASH !!

I penned a text to accompany the group show « There was a monster in my bed » that is currently on view at the one and only @good_or_trash, and I can tell you that I had a lot of fun thinking about all things sexy and monstrous in relation to the works by @jlnccc @shoplifting__ @billycoulthurst4 @bernadettevanhuy @waystomakemoneyonline

Merci @kevinblinderman @good_or_trash and @ladygaga

PS. Art scribe offices are back in business and open for all your 2026 art scribing needs ✍️

It’s GOOD or TRASH !!

I penned a text to accompany the group show « There was a monster in my bed » that is currently on view at the one and only @good_or_trash, and I can tell you that I had a lot of fun thinking about all things sexy and monstrous in relation to the works by @jlnccc @shoplifting__ @billycoulthurst4 @bernadettevanhuy @waystomakemoneyonline

Merci @kevinblinderman @good_or_trash and @ladygaga

PS. Art scribe offices are back in business and open for all your 2026 art scribing needs ✍️

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

How to get through winter: mode d’emploi

It’s that time of the year again 🎀🥀☄️ 🎈🫧 where I announce that I’ve completed another spin and twirl around the sun, but this time I’ve thrown in a grand jeté 🩰🌪️

~ moi today
~ moi yesterday
~ moi when I looked like a new potato 🥔 …
~ … but I ALWAYS knew how to strike a pose

Always and forever #ageaprèschrist

It’s that time of the year again 🎀🥀☄️ 🎈🫧 where I announce that I’ve completed another spin and twirl around the sun, but this time I’ve thrown in a grand jeté 🩰🌪️

~ moi today
~ moi yesterday
~ moi when I looked like a new potato 🥔 …
~ … but I ALWAYS knew how to strike a pose

Always and forever #ageaprèschrist

It’s that time of the year again 🎀🥀☄️ 🎈🫧 where I announce that I’ve completed another spin and twirl around the sun, but this time I’ve thrown in a grand jeté 🩰🌪️

~ moi today
~ moi yesterday
~ moi when I looked like a new potato 🥔 …
~ … but I ALWAYS knew how to strike a pose

Always and forever #ageaprèschrist

It’s that time of the year again 🎀🥀☄️ 🎈🫧 where I announce that I’ve completed another spin and twirl around the sun, but this time I’ve thrown in a grand jeté 🩰🌪️

~ moi today
~ moi yesterday
~ moi when I looked like a new potato 🥔 …
~ … but I ALWAYS knew how to strike a pose

Always and forever #ageaprèschrist

SPIT AND IMAGE
Screening and conversation

SUNDAY, 14 DECEMBER 2025
19:00-21:00
Cinema Club de l’Etoile
14 Rue Troyon, 75017 Paris

Free entrance
Reserve your ticket online via the link in bio or come directly at the cinema @clubdeletoile

Artists: Dorota Gawęda and Eglė Kulbokaitė @gaweda_kulbokaite
Curator: Anya Harrison @anyacharrison
Founder and Film Producer at artcore @artcoreproduction: Maya Vidgrain @maya_alternative

Taking the form of a visual essay, the event will focus on recent video works by Dorota Gaweda and Eglé Kulbokaite and will open up questions about technology and fear, horror and monstrosity, which will be discussed with Spit and Image producer Maya Vidgrain, and writer and curator Anya Harrison.