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Here's a little something we shot for Xiaomi last year. Appreciate the opportunity to harpoon a bonnet - not something you get to do every day.

Thanks for all the friends, old and new who made this come alive.

client: @xiaomi.global
agency: vamind
production company: @vst_productions
service production company: @closer.video
director: @jaramoravec
executive producer - VST: xiao xiao @seanxiaosean
producer - VST: josie qu @qiusiejooo
producer - VST: zoe wang @wangzh1peng.9
post-production producer - VST: ceci fan @cicicobabe
photographer - VST: chandler si @Checkmate11_
service producer: @palmeerek
dop: @filipmaarek - @nochinochinochi
production manager: @kristynakapounova
1st ad: @janekpalovsky

art director: @vojtechkaleckycom
b-unit director: @lubosrezler
b-unit camera: @krystofmelka
wardrobe stylist: @volfmarek
make up artist: @makeupbyannaprague
casting director - Prague: @maja_hamplova - @castingbymaja
casting director - UK: @coralie_blamo_rose - @roadcasting
talents: @r_popz - @gallowaysagency, @djangochanreeves - @cvgg_ltd

supporting talents: @p.a.maynard, @georgiehobday - @fifthmodels, @antonin_vobr, johana matoušková, @lukasbliss, @vavrinec_kratochvíl, terezie chroustová, ben vojtíšek
featured extras: @terezie.vavrova, @adamkosataa, @pan_reprezentant_admzie, @jakub1892hofta, adrielly soares maciel, @herrschulz_

rugby extras: josef musil, juraj horský, daniel komárek, @karel_karlos_sampalik, @burbridge_red, martin loučka, jakub svátek, david miracký, @marek_skala, antonín bouma, patrik zeithaml
stunt double: @zivotnenikrasny, @katerina_simonovaa

editor: @katarina_gramatova - @nocap___collective
vfx: @rehakp - @3slashes.studio
sound design: @dromotooo
composer: @filipbadiar
grading: @andikdc at @electric_colour

production coordinator: @ktrnzckv
production assistant: @betti_n
2nd ad: @moni.smidova

propmaster: jan fiala
prop guy: tomáš pekárek, tomáš veselý, tomáš hais, tomáš lehovec, jiří ziegler, pavel diviš, jiří mašek, jiří bouda, roman šmahlík, miroslav čáslavka, antonín nemét, helena lounská, tomáš lehovec
sfx: jan rejnuš, jan ris, roman holub, roman tudzaroff, ondřej prýca
construction: david láznička

Here's a little something we shot for Xiaomi last year. Appreciate the opportunity to harpoon a bonnet - not something you get to do every day.

Thanks for all the friends, old and new who made this come alive.

client: @xiaomi.global
agency: vamind
production company: @vst_productions
service production company: @closer.video
director: @jaramoravec
executive producer - VST: xiao xiao @seanxiaosean
producer - VST: josie qu @qiusiejooo
producer - VST: zoe wang @wangzh1peng.9
post-production producer - VST: ceci fan @cicicobabe
photographer - VST: chandler si @Checkmate11_
service producer: @palmeerek
dop: @filipmaarek - @nochinochinochi
production manager: @kristynakapounova
1st ad: @janekpalovsky

art director: @vojtechkaleckycom
b-unit director: @lubosrezler
b-unit camera: @krystofmelka
wardrobe stylist: @volfmarek
make up artist: @makeupbyannaprague
casting director - Prague: @maja_hamplova - @castingbymaja
casting director - UK: @coralie_blamo_rose - @roadcasting
talents: @r_popz - @gallowaysagency, @djangochanreeves - @cvgg_ltd

supporting talents: @p.a.maynard, @georgiehobday - @fifthmodels, @antonin_vobr, johana matoušková, @lukasbliss, @vavrinec_kratochvíl, terezie chroustová, ben vojtíšek
featured extras: @terezie.vavrova, @adamkosataa, @pan_reprezentant_admzie, @jakub1892hofta, adrielly soares maciel, @herrschulz_

rugby extras: josef musil, juraj horský, daniel komárek, @karel_karlos_sampalik, @burbridge_red, martin loučka, jakub svátek, david miracký, @marek_skala, antonín bouma, patrik zeithaml
stunt double: @zivotnenikrasny, @katerina_simonovaa

editor: @katarina_gramatova - @nocap___collective
vfx: @rehakp - @3slashes.studio
sound design: @dromotooo
composer: @filipbadiar
grading: @andikdc at @electric_colour

production coordinator: @ktrnzckv
production assistant: @betti_n
2nd ad: @moni.smidova

propmaster: jan fiala
prop guy: tomáš pekárek, tomáš veselý, tomáš hais, tomáš lehovec, jiří ziegler, pavel diviš, jiří mašek, jiří bouda, roman šmahlík, miroslav čáslavka, antonín nemét, helena lounská, tomáš lehovec
sfx: jan rejnuš, jan ris, roman holub, roman tudzaroff, ondřej prýca
construction: david láznička

Here's a little something we shot for Xiaomi last year. Appreciate the opportunity to harpoon a bonnet - not something you get to do every day.

Thanks for all the friends, old and new who made this come alive.

client: @xiaomi.global
agency: vamind
production company: @vst_productions
service production company: @closer.video
director: @jaramoravec
executive producer - VST: xiao xiao @seanxiaosean
producer - VST: josie qu @qiusiejooo
producer - VST: zoe wang @wangzh1peng.9
post-production producer - VST: ceci fan @cicicobabe
photographer - VST: chandler si @Checkmate11_
service producer: @palmeerek
dop: @filipmaarek - @nochinochinochi
production manager: @kristynakapounova
1st ad: @janekpalovsky

art director: @vojtechkaleckycom
b-unit director: @lubosrezler
b-unit camera: @krystofmelka
wardrobe stylist: @volfmarek
make up artist: @makeupbyannaprague
casting director - Prague: @maja_hamplova - @castingbymaja
casting director - UK: @coralie_blamo_rose - @roadcasting
talents: @r_popz - @gallowaysagency, @djangochanreeves - @cvgg_ltd

supporting talents: @p.a.maynard, @georgiehobday - @fifthmodels, @antonin_vobr, johana matoušková, @lukasbliss, @vavrinec_kratochvíl, terezie chroustová, ben vojtíšek
featured extras: @terezie.vavrova, @adamkosataa, @pan_reprezentant_admzie, @jakub1892hofta, adrielly soares maciel, @herrschulz_

rugby extras: josef musil, juraj horský, daniel komárek, @karel_karlos_sampalik, @burbridge_red, martin loučka, jakub svátek, david miracký, @marek_skala, antonín bouma, patrik zeithaml
stunt double: @zivotnenikrasny, @katerina_simonovaa

editor: @katarina_gramatova - @nocap___collective
vfx: @rehakp - @3slashes.studio
sound design: @dromotooo
composer: @filipbadiar
grading: @andikdc at @electric_colour

production coordinator: @ktrnzckv
production assistant: @betti_n
2nd ad: @moni.smidova

propmaster: jan fiala
prop guy: tomáš pekárek, tomáš veselý, tomáš hais, tomáš lehovec, jiří ziegler, pavel diviš, jiří mašek, jiří bouda, roman šmahlík, miroslav čáslavka, antonín nemét, helena lounská, tomáš lehovec
sfx: jan rejnuš, jan ris, roman holub, roman tudzaroff, ondřej prýca
construction: david láznička

Here's a little something we shot for Xiaomi last year. Appreciate the opportunity to harpoon a bonnet - not something you get to do every day.

Thanks for all the friends, old and new who made this come alive.

client: @xiaomi.global
agency: vamind
production company: @vst_productions
service production company: @closer.video
director: @jaramoravec
executive producer - VST: xiao xiao @seanxiaosean
producer - VST: josie qu @qiusiejooo
producer - VST: zoe wang @wangzh1peng.9
post-production producer - VST: ceci fan @cicicobabe
photographer - VST: chandler si @Checkmate11_
service producer: @palmeerek
dop: @filipmaarek - @nochinochinochi
production manager: @kristynakapounova
1st ad: @janekpalovsky

art director: @vojtechkaleckycom
b-unit director: @lubosrezler
b-unit camera: @krystofmelka
wardrobe stylist: @volfmarek
make up artist: @makeupbyannaprague
casting director - Prague: @maja_hamplova - @castingbymaja
casting director - UK: @coralie_blamo_rose - @roadcasting
talents: @r_popz - @gallowaysagency, @djangochanreeves - @cvgg_ltd

supporting talents: @p.a.maynard, @georgiehobday - @fifthmodels, @antonin_vobr, johana matoušková, @lukasbliss, @vavrinec_kratochvíl, terezie chroustová, ben vojtíšek
featured extras: @terezie.vavrova, @adamkosataa, @pan_reprezentant_admzie, @jakub1892hofta, adrielly soares maciel, @herrschulz_

rugby extras: josef musil, juraj horský, daniel komárek, @karel_karlos_sampalik, @burbridge_red, martin loučka, jakub svátek, david miracký, @marek_skala, antonín bouma, patrik zeithaml
stunt double: @zivotnenikrasny, @katerina_simonovaa

editor: @katarina_gramatova - @nocap___collective
vfx: @rehakp - @3slashes.studio
sound design: @dromotooo
composer: @filipbadiar
grading: @andikdc at @electric_colour

production coordinator: @ktrnzckv
production assistant: @betti_n
2nd ad: @moni.smidova

propmaster: jan fiala
prop guy: tomáš pekárek, tomáš veselý, tomáš hais, tomáš lehovec, jiří ziegler, pavel diviš, jiří mašek, jiří bouda, roman šmahlík, miroslav čáslavka, antonín nemét, helena lounská, tomáš lehovec
sfx: jan rejnuš, jan ris, roman holub, roman tudzaroff, ondřej prýca
construction: david láznička

Here's a little something we shot for Xiaomi last year. Appreciate the opportunity to harpoon a bonnet - not something you get to do every day.

Thanks for all the friends, old and new who made this come alive.

client: @xiaomi.global
agency: vamind
production company: @vst_productions
service production company: @closer.video
director: @jaramoravec
executive producer - VST: xiao xiao @seanxiaosean
producer - VST: josie qu @qiusiejooo
producer - VST: zoe wang @wangzh1peng.9
post-production producer - VST: ceci fan @cicicobabe
photographer - VST: chandler si @Checkmate11_
service producer: @palmeerek
dop: @filipmaarek - @nochinochinochi
production manager: @kristynakapounova
1st ad: @janekpalovsky

art director: @vojtechkaleckycom
b-unit director: @lubosrezler
b-unit camera: @krystofmelka
wardrobe stylist: @volfmarek
make up artist: @makeupbyannaprague
casting director - Prague: @maja_hamplova - @castingbymaja
casting director - UK: @coralie_blamo_rose - @roadcasting
talents: @r_popz - @gallowaysagency, @djangochanreeves - @cvgg_ltd

supporting talents: @p.a.maynard, @georgiehobday - @fifthmodels, @antonin_vobr, johana matoušková, @lukasbliss, @vavrinec_kratochvíl, terezie chroustová, ben vojtíšek
featured extras: @terezie.vavrova, @adamkosataa, @pan_reprezentant_admzie, @jakub1892hofta, adrielly soares maciel, @herrschulz_

rugby extras: josef musil, juraj horský, daniel komárek, @karel_karlos_sampalik, @burbridge_red, martin loučka, jakub svátek, david miracký, @marek_skala, antonín bouma, patrik zeithaml
stunt double: @zivotnenikrasny, @katerina_simonovaa

editor: @katarina_gramatova - @nocap___collective
vfx: @rehakp - @3slashes.studio
sound design: @dromotooo
composer: @filipbadiar
grading: @andikdc at @electric_colour

production coordinator: @ktrnzckv
production assistant: @betti_n
2nd ad: @moni.smidova

propmaster: jan fiala
prop guy: tomáš pekárek, tomáš veselý, tomáš hais, tomáš lehovec, jiří ziegler, pavel diviš, jiří mašek, jiří bouda, roman šmahlík, miroslav čáslavka, antonín nemét, helena lounská, tomáš lehovec
sfx: jan rejnuš, jan ris, roman holub, roman tudzaroff, ondřej prýca
construction: david láznička

Here's a little something we shot for Xiaomi last year. Appreciate the opportunity to harpoon a bonnet - not something you get to do every day.

Thanks for all the friends, old and new who made this come alive.

client: @xiaomi.global
agency: vamind
production company: @vst_productions
service production company: @closer.video
director: @jaramoravec
executive producer - VST: xiao xiao @seanxiaosean
producer - VST: josie qu @qiusiejooo
producer - VST: zoe wang @wangzh1peng.9
post-production producer - VST: ceci fan @cicicobabe
photographer - VST: chandler si @Checkmate11_
service producer: @palmeerek
dop: @filipmaarek - @nochinochinochi
production manager: @kristynakapounova
1st ad: @janekpalovsky

art director: @vojtechkaleckycom
b-unit director: @lubosrezler
b-unit camera: @krystofmelka
wardrobe stylist: @volfmarek
make up artist: @makeupbyannaprague
casting director - Prague: @maja_hamplova - @castingbymaja
casting director - UK: @coralie_blamo_rose - @roadcasting
talents: @r_popz - @gallowaysagency, @djangochanreeves - @cvgg_ltd

supporting talents: @p.a.maynard, @georgiehobday - @fifthmodels, @antonin_vobr, johana matoušková, @lukasbliss, @vavrinec_kratochvíl, terezie chroustová, ben vojtíšek
featured extras: @terezie.vavrova, @adamkosataa, @pan_reprezentant_admzie, @jakub1892hofta, adrielly soares maciel, @herrschulz_

rugby extras: josef musil, juraj horský, daniel komárek, @karel_karlos_sampalik, @burbridge_red, martin loučka, jakub svátek, david miracký, @marek_skala, antonín bouma, patrik zeithaml
stunt double: @zivotnenikrasny, @katerina_simonovaa

editor: @katarina_gramatova - @nocap___collective
vfx: @rehakp - @3slashes.studio
sound design: @dromotooo
composer: @filipbadiar
grading: @andikdc at @electric_colour

production coordinator: @ktrnzckv
production assistant: @betti_n
2nd ad: @moni.smidova

propmaster: jan fiala
prop guy: tomáš pekárek, tomáš veselý, tomáš hais, tomáš lehovec, jiří ziegler, pavel diviš, jiří mašek, jiří bouda, roman šmahlík, miroslav čáslavka, antonín nemét, helena lounská, tomáš lehovec
sfx: jan rejnuš, jan ris, roman holub, roman tudzaroff, ondřej prýca
construction: david láznička

Here's a little something we shot for Xiaomi last year. Appreciate the opportunity to harpoon a bonnet - not something you get to do every day.

Thanks for all the friends, old and new who made this come alive.

client: @xiaomi.global
agency: vamind
production company: @vst_productions
service production company: @closer.video
director: @jaramoravec
executive producer - VST: xiao xiao @seanxiaosean
producer - VST: josie qu @qiusiejooo
producer - VST: zoe wang @wangzh1peng.9
post-production producer - VST: ceci fan @cicicobabe
photographer - VST: chandler si @Checkmate11_
service producer: @palmeerek
dop: @filipmaarek - @nochinochinochi
production manager: @kristynakapounova
1st ad: @janekpalovsky

art director: @vojtechkaleckycom
b-unit director: @lubosrezler
b-unit camera: @krystofmelka
wardrobe stylist: @volfmarek
make up artist: @makeupbyannaprague
casting director - Prague: @maja_hamplova - @castingbymaja
casting director - UK: @coralie_blamo_rose - @roadcasting
talents: @r_popz - @gallowaysagency, @djangochanreeves - @cvgg_ltd

supporting talents: @p.a.maynard, @georgiehobday - @fifthmodels, @antonin_vobr, johana matoušková, @lukasbliss, @vavrinec_kratochvíl, terezie chroustová, ben vojtíšek
featured extras: @terezie.vavrova, @adamkosataa, @pan_reprezentant_admzie, @jakub1892hofta, adrielly soares maciel, @herrschulz_

rugby extras: josef musil, juraj horský, daniel komárek, @karel_karlos_sampalik, @burbridge_red, martin loučka, jakub svátek, david miracký, @marek_skala, antonín bouma, patrik zeithaml
stunt double: @zivotnenikrasny, @katerina_simonovaa

editor: @katarina_gramatova - @nocap___collective
vfx: @rehakp - @3slashes.studio
sound design: @dromotooo
composer: @filipbadiar
grading: @andikdc at @electric_colour

production coordinator: @ktrnzckv
production assistant: @betti_n
2nd ad: @moni.smidova

propmaster: jan fiala
prop guy: tomáš pekárek, tomáš veselý, tomáš hais, tomáš lehovec, jiří ziegler, pavel diviš, jiří mašek, jiří bouda, roman šmahlík, miroslav čáslavka, antonín nemét, helena lounská, tomáš lehovec
sfx: jan rejnuš, jan ris, roman holub, roman tudzaroff, ondřej prýca
construction: david láznička

Here's a little something we shot for Xiaomi last year. Appreciate the opportunity to harpoon a bonnet - not something you get to do every day.

Thanks for all the friends, old and new who made this come alive.

client: @xiaomi.global
agency: vamind
production company: @vst_productions
service production company: @closer.video
director: @jaramoravec
executive producer - VST: xiao xiao @seanxiaosean
producer - VST: josie qu @qiusiejooo
producer - VST: zoe wang @wangzh1peng.9
post-production producer - VST: ceci fan @cicicobabe
photographer - VST: chandler si @Checkmate11_
service producer: @palmeerek
dop: @filipmaarek - @nochinochinochi
production manager: @kristynakapounova
1st ad: @janekpalovsky

art director: @vojtechkaleckycom
b-unit director: @lubosrezler
b-unit camera: @krystofmelka
wardrobe stylist: @volfmarek
make up artist: @makeupbyannaprague
casting director - Prague: @maja_hamplova - @castingbymaja
casting director - UK: @coralie_blamo_rose - @roadcasting
talents: @r_popz - @gallowaysagency, @djangochanreeves - @cvgg_ltd

supporting talents: @p.a.maynard, @georgiehobday - @fifthmodels, @antonin_vobr, johana matoušková, @lukasbliss, @vavrinec_kratochvíl, terezie chroustová, ben vojtíšek
featured extras: @terezie.vavrova, @adamkosataa, @pan_reprezentant_admzie, @jakub1892hofta, adrielly soares maciel, @herrschulz_

rugby extras: josef musil, juraj horský, daniel komárek, @karel_karlos_sampalik, @burbridge_red, martin loučka, jakub svátek, david miracký, @marek_skala, antonín bouma, patrik zeithaml
stunt double: @zivotnenikrasny, @katerina_simonovaa

editor: @katarina_gramatova - @nocap___collective
vfx: @rehakp - @3slashes.studio
sound design: @dromotooo
composer: @filipbadiar
grading: @andikdc at @electric_colour

production coordinator: @ktrnzckv
production assistant: @betti_n
2nd ad: @moni.smidova

propmaster: jan fiala
prop guy: tomáš pekárek, tomáš veselý, tomáš hais, tomáš lehovec, jiří ziegler, pavel diviš, jiří mašek, jiří bouda, roman šmahlík, miroslav čáslavka, antonín nemét, helena lounská, tomáš lehovec
sfx: jan rejnuš, jan ris, roman holub, roman tudzaroff, ondřej prýca
construction: david láznička

Here's a little something we shot for Xiaomi last year. Appreciate the opportunity to harpoon a bonnet - not something you get to do every day.

Thanks for all the friends, old and new who made this come alive.

client: @xiaomi.global
agency: vamind
production company: @vst_productions
service production company: @closer.video
director: @jaramoravec
executive producer - VST: xiao xiao @seanxiaosean
producer - VST: josie qu @qiusiejooo
producer - VST: zoe wang @wangzh1peng.9
post-production producer - VST: ceci fan @cicicobabe
photographer - VST: chandler si @Checkmate11_
service producer: @palmeerek
dop: @filipmaarek - @nochinochinochi
production manager: @kristynakapounova
1st ad: @janekpalovsky

art director: @vojtechkaleckycom
b-unit director: @lubosrezler
b-unit camera: @krystofmelka
wardrobe stylist: @volfmarek
make up artist: @makeupbyannaprague
casting director - Prague: @maja_hamplova - @castingbymaja
casting director - UK: @coralie_blamo_rose - @roadcasting
talents: @r_popz - @gallowaysagency, @djangochanreeves - @cvgg_ltd

supporting talents: @p.a.maynard, @georgiehobday - @fifthmodels, @antonin_vobr, johana matoušková, @lukasbliss, @vavrinec_kratochvíl, terezie chroustová, ben vojtíšek
featured extras: @terezie.vavrova, @adamkosataa, @pan_reprezentant_admzie, @jakub1892hofta, adrielly soares maciel, @herrschulz_

rugby extras: josef musil, juraj horský, daniel komárek, @karel_karlos_sampalik, @burbridge_red, martin loučka, jakub svátek, david miracký, @marek_skala, antonín bouma, patrik zeithaml
stunt double: @zivotnenikrasny, @katerina_simonovaa

editor: @katarina_gramatova - @nocap___collective
vfx: @rehakp - @3slashes.studio
sound design: @dromotooo
composer: @filipbadiar
grading: @andikdc at @electric_colour

production coordinator: @ktrnzckv
production assistant: @betti_n
2nd ad: @moni.smidova

propmaster: jan fiala
prop guy: tomáš pekárek, tomáš veselý, tomáš hais, tomáš lehovec, jiří ziegler, pavel diviš, jiří mašek, jiří bouda, roman šmahlík, miroslav čáslavka, antonín nemét, helena lounská, tomáš lehovec
sfx: jan rejnuš, jan ris, roman holub, roman tudzaroff, ondřej prýca
construction: david láznička

Here's a little something we shot for Xiaomi last year. Appreciate the opportunity to harpoon a bonnet - not something you get to do every day.

Thanks for all the friends, old and new who made this come alive.

client: @xiaomi.global
agency: vamind
production company: @vst_productions
service production company: @closer.video
director: @jaramoravec
executive producer - VST: xiao xiao @seanxiaosean
producer - VST: josie qu @qiusiejooo
producer - VST: zoe wang @wangzh1peng.9
post-production producer - VST: ceci fan @cicicobabe
photographer - VST: chandler si @Checkmate11_
service producer: @palmeerek
dop: @filipmaarek - @nochinochinochi
production manager: @kristynakapounova
1st ad: @janekpalovsky

art director: @vojtechkaleckycom
b-unit director: @lubosrezler
b-unit camera: @krystofmelka
wardrobe stylist: @volfmarek
make up artist: @makeupbyannaprague
casting director - Prague: @maja_hamplova - @castingbymaja
casting director - UK: @coralie_blamo_rose - @roadcasting
talents: @r_popz - @gallowaysagency, @djangochanreeves - @cvgg_ltd

supporting talents: @p.a.maynard, @georgiehobday - @fifthmodels, @antonin_vobr, johana matoušková, @lukasbliss, @vavrinec_kratochvíl, terezie chroustová, ben vojtíšek
featured extras: @terezie.vavrova, @adamkosataa, @pan_reprezentant_admzie, @jakub1892hofta, adrielly soares maciel, @herrschulz_

rugby extras: josef musil, juraj horský, daniel komárek, @karel_karlos_sampalik, @burbridge_red, martin loučka, jakub svátek, david miracký, @marek_skala, antonín bouma, patrik zeithaml
stunt double: @zivotnenikrasny, @katerina_simonovaa

editor: @katarina_gramatova - @nocap___collective
vfx: @rehakp - @3slashes.studio
sound design: @dromotooo
composer: @filipbadiar
grading: @andikdc at @electric_colour

production coordinator: @ktrnzckv
production assistant: @betti_n
2nd ad: @moni.smidova

propmaster: jan fiala
prop guy: tomáš pekárek, tomáš veselý, tomáš hais, tomáš lehovec, jiří ziegler, pavel diviš, jiří mašek, jiří bouda, roman šmahlík, miroslav čáslavka, antonín nemét, helena lounská, tomáš lehovec
sfx: jan rejnuš, jan ris, roman holub, roman tudzaroff, ondřej prýca
construction: david láznička

W144 ‘Dear Traders’ directed by @jaramoravec with @melic.agency for Bitvavo

Director: @jaramoravec
Production Company: ProdCo @prodcofficial
Founding Partners / EPs: @ianponsjewell & Zico Judge
Executive Producer: Jon Adams
HOP: @samlevene99
Producer: @pdupoussin
DOP: @jake_gabbay
1st AD: Joe Carter
Production Manager: @eggadonna
Production Coordinator: Louise Flood
Production Runner: Iga Pietruska
Script Supervisor: Norina Mackey
Production Designer: @sarah.jenneson
Wardrobe Stylist: @ladydias
Post Producer: @anya.mykhailenko

Client: Bitvavo
Bitvavo VP: Carine van der Heijden
Bitvavo Marketing: Diana Agudelo

Agency: @melic.agency
Melic Brand & Client Service Director: @whatabiggame
Melic EP: @pepetealamar
Creative Directors: Carlos Ortiz & @mccmco
Melic Producer: @sr_woof

Edit: @katarina_gramatova

VFX: @fall.sins
Mastering: Yevhen Yezhov

Colour House: @_baconx_
Colorist: @hanniballang_colour
Colour Coordinator: Zara Bækkelund & Helga Einarsdottir
Conform artists: Søren Knudsen & Preston Drake-Hillyard

Music composer: @filipbadiar
Sound designer: @peter_hilcansky

VO artist: @annatolstoy
VO cast: @yaketyyakvoices
Casting Director: Kharmel Cochrane

Talent
Max: Thomas Flynn
Helmut: Alisdair Simpson
Waitress: Pauline Chabosseau
Samir: Emeka Essay
Mara: Lea Anderson
Lu: Primrose Matambo

Talent agency: Talent Talks
Agent: Louise Smith
Café Customers: Ikran Zamir, Ildiko Zonda, Jeanette Maskell, Leila Murray, Mark Brice, Michael Lung, Nahid Memari, Naya Reid, Tony Stevens, Zakariya Gayle
Café Chef: Anthony Rankin & James Muimi

Location Manager: Algy Sloane

A few more bits and bobs from the Aperol adventure. One of the nicest shoots — with zero van life, mountains towering over Ascoli Piceno and Italian textures for days. And, of course, the impossibly cute Italians.

Take me back.

A few more bits and bobs from the Aperol adventure. One of the nicest shoots — with zero van life, mountains towering over Ascoli Piceno and Italian textures for days. And, of course, the impossibly cute Italians.

Take me back.

A few more bits and bobs from the Aperol adventure. One of the nicest shoots — with zero van life, mountains towering over Ascoli Piceno and Italian textures for days. And, of course, the impossibly cute Italians.

Take me back.

A few more bits and bobs from the Aperol adventure. One of the nicest shoots — with zero van life, mountains towering over Ascoli Piceno and Italian textures for days. And, of course, the impossibly cute Italians.

Take me back.

A few more bits and bobs from the Aperol adventure. One of the nicest shoots — with zero van life, mountains towering over Ascoli Piceno and Italian textures for days. And, of course, the impossibly cute Italians.

Take me back.

A few more bits and bobs from the Aperol adventure. One of the nicest shoots — with zero van life, mountains towering over Ascoli Piceno and Italian textures for days. And, of course, the impossibly cute Italians.

Take me back.

A few more bits and bobs from the Aperol adventure. One of the nicest shoots — with zero van life, mountains towering over Ascoli Piceno and Italian textures for days. And, of course, the impossibly cute Italians.

Take me back.

A few more bits and bobs from the Aperol adventure. One of the nicest shoots — with zero van life, mountains towering over Ascoli Piceno and Italian textures for days. And, of course, the impossibly cute Italians.

Take me back.

A few more bits and bobs from the Aperol adventure. One of the nicest shoots — with zero van life, mountains towering over Ascoli Piceno and Italian textures for days. And, of course, the impossibly cute Italians.

Take me back.

A few more bits and bobs from the Aperol adventure. One of the nicest shoots — with zero van life, mountains towering over Ascoli Piceno and Italian textures for days. And, of course, the impossibly cute Italians.

Take me back.

A few more bits and bobs from the Aperol adventure. One of the nicest shoots — with zero van life, mountains towering over Ascoli Piceno and Italian textures for days. And, of course, the impossibly cute Italians.

Take me back.

A few more bits and bobs from the Aperol adventure. One of the nicest shoots — with zero van life, mountains towering over Ascoli Piceno and Italian textures for days. And, of course, the impossibly cute Italians.

Take me back.

W132 ProdCo x Henry ‘L’Unico. Per tutti.’ directed by @jaramoravec with DDB Paris for Aperol Spritz

Director: @jaramoravec
Production Company: ProdCo @prodcofficial x Henry @henry.tv
Henry Founder & Executive Producer: @jeanozannnat
ProdCo Founding Partners / EPs: @ianponsjewell & Zico Judge
Line Producer: @thomlepeutrec
Production Manager: @acl_pamplemousse
Production Coordinator: @elssm
DOP: @filipmaarek
2nd Unit DOP: @dusanhusar
Production Designer: @vojtechkaleckycom
Stylist: @zaltieriaurora
Casting: Armando Pizzuti, Andrea Romagnoli, Sofia Michaud
Post Producer: @anya.mykhailenko, @clempignal

Client: Aperol Aperol Spritz
Global CMO: Thomas Moradpour
Managing Director, House of Aperitifs: Andrea Neri
Global Head of Marketing, Aperitifs: Mattia Carlozzo
Global Marketing Director, Aperol, Gin, Sparkling Wines: Pasquale Bradascio
Global Sr Brand Manager, Aperol: Giovanni Barbarisi
Digital Marketing Manager: Francesco Brambati
Aperol Production Advisory, Campari: Sabrina Allaria
 
Agency: DDB Paris
CCO/CEO: Alexander Kalchev
Copywriter: Linnea Kavsjo
Art Directors: Jonathan Baudet-Botella, Mathieu Massé
Agency Producer: Quentin Moenne-Loccoz
Account Directors: Louise Guyon, Mathilde Bodin
Account Executive: Raquel Varandas Teixeira

Post House: @everest_studio
Post-Producers: Jean-Marie Ravot
Editor: @katarina_gramatova
Graphics: @juliarambaldi

Color: @company_3
Colorist: @matthieu.toullet
EP: Ellora Soret
Senior Colour Producer: Harry Watts

Sound: @peter_hilcansky

Music: @pnrm.house
Producers: Christoffer Berg, Fabian Roos, Yosef Madar
Musicians: Giuseppe Guerriero (Vocals), Melker Pettersson (Guitar), Max Johansson (Drums)

Production Service: @groenlandia_film
Advertising Manager: Leonardo Godano
EP / Line Producer: @bbarbarabrown
Producer: @martaans
Production Manager: Rocco Marcandino
Unit Manager: Carlo Venerus
Production Coord: Laura Ragazzola, Marta Imperiale
PA: Andrea Yu
Location Manager, Marche: Barbara Rita Bernabei
1st AD: Lucas Cecilio Adamson
2nd AD: Michele Leonardi
3rd AD: Nicola Zapparoli

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

A little peek behind the Ramp shoot, including one fake braces company, a golden spark gun and a couple of fascinating humans.

W125 ‘Chasing Receipts’ directed by @jaramoravec with Arts & Letters for Ramp

Director: @jaramoravec
Production Company: ProdCo @prodcofficial
ProdCo Co-founders / EPs: @ianponsjewell & Zico Judge
MD: Emma Wilcockson
Executive Producer: Patrick Wood
Producer: Adriana Mora
Production Supervisor: Courtney Nolen
Director of Photography: @filipmaarek
Production Designer: @julijafricsone
1st AD: Keith Giesbrecht
Post Production: @anya.mykhailenko
Makeup/Hair: @lisavella
Wardrobe Stylist: Carla Candela
Set Decorator: @kat.sewell

Client: Ramp
Executive Creative Director: Jack Beveridge
VP, Design: Diego Zaks
Sr. Brand Producer: Alexandra Hudson
Senior Brand Writer: Ariel Levin
Head, Marketing Tech & Performance Marketing: Calvin Lee
Chief of Staff: Anne Kong

Agency: Arts & Letters
Creative Director: Geoff Castillo
Art Director: Jon Hirsch
Copywriters: Sam Case & Craig Gerringer
Executive Producer: Jon Serna
Sr. Producer: Momo Berg-Munch
Producer: Farheena Mustafa
Group Biz Director: Emily Jackson
Business Director: Abby Bornstein
Business Manager: Chelsea Skettini

Editor: @katarina_gramatova

VFX: @preymaker
VFX team: Angus Kneale, Verity Kneale, Melanie Wickham, Michelle Cevallos, Robert Petrie, Simon Holden, Greg Cutler, Jamie Scott, Michael Reed, Casey Herrick, David Grzesik, Jongmoon Woo, Keenan Olivari, Kristof Monori, Malte Bogl, Helmut-Sisipho Fritsche, Nathan Anderson, Jeremy Lloyd-Styles, Mark Sanna, Yashira Diaz, Brandon Phillis, Paul Cardon, Ross Ochs, Ashley Madera, Bridgette Doran, Katherine Lannon

Additional VFX: @3slashes.studio

Color: @nadia.khairat

Sound: @vladimir.chorvatovic

VO Artist: @kristinwhotalks

Music Supervision: @sheerazbaz

Music by the legendary Herb Alpert & The Tijuana Brass.
“LADYFINGERS” is a timeless classic that beautifully reflects the bittersweet, melancholic spirit of Ramp. We’re deeply grateful to Herb for allowing us to feature “LADY FINGERS” exclusively in this director’s cut.

Going a bit more sinister for LAFORMELA.

Last year, @tomaaskotas and and I got to explore an idea: What happens when you trap someone inside a cube… inside another cube?

An endless walk through synthetic space.
No exit. No purpose. Just a hunch - and the unsettling feeling that someone is watching.

Grateful to so many who helped bring this to life.

Huge thanks to Antonin Soukup, Miroslava Kohutarová, and @grombirik for that first creative spark - and for carrying it through. @francesca_kk for supporting us all the way.

@luisa.weissflog , an absolute dream collaborator - patient, present, and somehow floating through all scenes in high heels like it’s nothing.

@dominika_ott and the team at @stinkfilms , for producing the hell out of it.

@tomaaskotas for his light witchery but also dipping his toes into directing.

Radoslav Zákutný, Adrian Putz, and the whole @sorrywecan crew—for dreaming, building and polishing the CG world until it was just right. @notreal_virtual for title sequence.

@fredmannnn for his uncanny musical genius. @oliverfillner and @samo_jurkovic for crafting the sound design.

@kum37 for sculpting the blue screen madness, frame by frame. And @jalob for finding exactly the right green.

Going a bit more sinister for LAFORMELA.

Last year, @tomaaskotas and and I got to explore an idea: What happens when you trap someone inside a cube… inside another cube?

An endless walk through synthetic space.
No exit. No purpose. Just a hunch - and the unsettling feeling that someone is watching.

Grateful to so many who helped bring this to life.

Huge thanks to Antonin Soukup, Miroslava Kohutarová, and @grombirik for that first creative spark - and for carrying it through. @francesca_kk for supporting us all the way.

@luisa.weissflog , an absolute dream collaborator - patient, present, and somehow floating through all scenes in high heels like it’s nothing.

@dominika_ott and the team at @stinkfilms , for producing the hell out of it.

@tomaaskotas for his light witchery but also dipping his toes into directing.

Radoslav Zákutný, Adrian Putz, and the whole @sorrywecan crew—for dreaming, building and polishing the CG world until it was just right. @notreal_virtual for title sequence.

@fredmannnn for his uncanny musical genius. @oliverfillner and @samo_jurkovic for crafting the sound design.

@kum37 for sculpting the blue screen madness, frame by frame. And @jalob for finding exactly the right green.

Going a bit more sinister for LAFORMELA.

Last year, @tomaaskotas and and I got to explore an idea: What happens when you trap someone inside a cube… inside another cube?

An endless walk through synthetic space.
No exit. No purpose. Just a hunch - and the unsettling feeling that someone is watching.

Grateful to so many who helped bring this to life.

Huge thanks to Antonin Soukup, Miroslava Kohutarová, and @grombirik for that first creative spark - and for carrying it through. @francesca_kk for supporting us all the way.

@luisa.weissflog , an absolute dream collaborator - patient, present, and somehow floating through all scenes in high heels like it’s nothing.

@dominika_ott and the team at @stinkfilms , for producing the hell out of it.

@tomaaskotas for his light witchery but also dipping his toes into directing.

Radoslav Zákutný, Adrian Putz, and the whole @sorrywecan crew—for dreaming, building and polishing the CG world until it was just right. @notreal_virtual for title sequence.

@fredmannnn for his uncanny musical genius. @oliverfillner and @samo_jurkovic for crafting the sound design.

@kum37 for sculpting the blue screen madness, frame by frame. And @jalob for finding exactly the right green.

Going a bit more sinister for LAFORMELA.

Last year, @tomaaskotas and and I got to explore an idea: What happens when you trap someone inside a cube… inside another cube?

An endless walk through synthetic space.
No exit. No purpose. Just a hunch - and the unsettling feeling that someone is watching.

Grateful to so many who helped bring this to life.

Huge thanks to Antonin Soukup, Miroslava Kohutarová, and @grombirik for that first creative spark - and for carrying it through. @francesca_kk for supporting us all the way.

@luisa.weissflog , an absolute dream collaborator - patient, present, and somehow floating through all scenes in high heels like it’s nothing.

@dominika_ott and the team at @stinkfilms , for producing the hell out of it.

@tomaaskotas for his light witchery but also dipping his toes into directing.

Radoslav Zákutný, Adrian Putz, and the whole @sorrywecan crew—for dreaming, building and polishing the CG world until it was just right. @notreal_virtual for title sequence.

@fredmannnn for his uncanny musical genius. @oliverfillner and @samo_jurkovic for crafting the sound design.

@kum37 for sculpting the blue screen madness, frame by frame. And @jalob for finding exactly the right green.

Going a bit more sinister for LAFORMELA.

Last year, @tomaaskotas and and I got to explore an idea: What happens when you trap someone inside a cube… inside another cube?

An endless walk through synthetic space.
No exit. No purpose. Just a hunch - and the unsettling feeling that someone is watching.

Grateful to so many who helped bring this to life.

Huge thanks to Antonin Soukup, Miroslava Kohutarová, and @grombirik for that first creative spark - and for carrying it through. @francesca_kk for supporting us all the way.

@luisa.weissflog , an absolute dream collaborator - patient, present, and somehow floating through all scenes in high heels like it’s nothing.

@dominika_ott and the team at @stinkfilms , for producing the hell out of it.

@tomaaskotas for his light witchery but also dipping his toes into directing.

Radoslav Zákutný, Adrian Putz, and the whole @sorrywecan crew—for dreaming, building and polishing the CG world until it was just right. @notreal_virtual for title sequence.

@fredmannnn for his uncanny musical genius. @oliverfillner and @samo_jurkovic for crafting the sound design.

@kum37 for sculpting the blue screen madness, frame by frame. And @jalob for finding exactly the right green.

Going a bit more sinister for LAFORMELA.

Last year, @tomaaskotas and and I got to explore an idea: What happens when you trap someone inside a cube… inside another cube?

An endless walk through synthetic space.
No exit. No purpose. Just a hunch - and the unsettling feeling that someone is watching.

Grateful to so many who helped bring this to life.

Huge thanks to Antonin Soukup, Miroslava Kohutarová, and @grombirik for that first creative spark - and for carrying it through. @francesca_kk for supporting us all the way.

@luisa.weissflog , an absolute dream collaborator - patient, present, and somehow floating through all scenes in high heels like it’s nothing.

@dominika_ott and the team at @stinkfilms , for producing the hell out of it.

@tomaaskotas for his light witchery but also dipping his toes into directing.

Radoslav Zákutný, Adrian Putz, and the whole @sorrywecan crew—for dreaming, building and polishing the CG world until it was just right. @notreal_virtual for title sequence.

@fredmannnn for his uncanny musical genius. @oliverfillner and @samo_jurkovic for crafting the sound design.

@kum37 for sculpting the blue screen madness, frame by frame. And @jalob for finding exactly the right green.

Going a bit more sinister for LAFORMELA.

Last year, @tomaaskotas and and I got to explore an idea: What happens when you trap someone inside a cube… inside another cube?

An endless walk through synthetic space.
No exit. No purpose. Just a hunch - and the unsettling feeling that someone is watching.

Grateful to so many who helped bring this to life.

Huge thanks to Antonin Soukup, Miroslava Kohutarová, and @grombirik for that first creative spark - and for carrying it through. @francesca_kk for supporting us all the way.

@luisa.weissflog , an absolute dream collaborator - patient, present, and somehow floating through all scenes in high heels like it’s nothing.

@dominika_ott and the team at @stinkfilms , for producing the hell out of it.

@tomaaskotas for his light witchery but also dipping his toes into directing.

Radoslav Zákutný, Adrian Putz, and the whole @sorrywecan crew—for dreaming, building and polishing the CG world until it was just right. @notreal_virtual for title sequence.

@fredmannnn for his uncanny musical genius. @oliverfillner and @samo_jurkovic for crafting the sound design.

@kum37 for sculpting the blue screen madness, frame by frame. And @jalob for finding exactly the right green.

Going a bit more sinister for LAFORMELA.

Last year, @tomaaskotas and and I got to explore an idea: What happens when you trap someone inside a cube… inside another cube?

An endless walk through synthetic space.
No exit. No purpose. Just a hunch - and the unsettling feeling that someone is watching.

Grateful to so many who helped bring this to life.

Huge thanks to Antonin Soukup, Miroslava Kohutarová, and @grombirik for that first creative spark - and for carrying it through. @francesca_kk for supporting us all the way.

@luisa.weissflog , an absolute dream collaborator - patient, present, and somehow floating through all scenes in high heels like it’s nothing.

@dominika_ott and the team at @stinkfilms , for producing the hell out of it.

@tomaaskotas for his light witchery but also dipping his toes into directing.

Radoslav Zákutný, Adrian Putz, and the whole @sorrywecan crew—for dreaming, building and polishing the CG world until it was just right. @notreal_virtual for title sequence.

@fredmannnn for his uncanny musical genius. @oliverfillner and @samo_jurkovic for crafting the sound design.

@kum37 for sculpting the blue screen madness, frame by frame. And @jalob for finding exactly the right green.

Going a bit more sinister for LAFORMELA.

Last year, @tomaaskotas and and I got to explore an idea: What happens when you trap someone inside a cube… inside another cube?

An endless walk through synthetic space.
No exit. No purpose. Just a hunch - and the unsettling feeling that someone is watching.

Grateful to so many who helped bring this to life.

Huge thanks to Antonin Soukup, Miroslava Kohutarová, and @grombirik for that first creative spark - and for carrying it through. @francesca_kk for supporting us all the way.

@luisa.weissflog , an absolute dream collaborator - patient, present, and somehow floating through all scenes in high heels like it’s nothing.

@dominika_ott and the team at @stinkfilms , for producing the hell out of it.

@tomaaskotas for his light witchery but also dipping his toes into directing.

Radoslav Zákutný, Adrian Putz, and the whole @sorrywecan crew—for dreaming, building and polishing the CG world until it was just right. @notreal_virtual for title sequence.

@fredmannnn for his uncanny musical genius. @oliverfillner and @samo_jurkovic for crafting the sound design.

@kum37 for sculpting the blue screen madness, frame by frame. And @jalob for finding exactly the right green.

Going a bit more sinister for LAFORMELA.

Last year, @tomaaskotas and and I got to explore an idea: What happens when you trap someone inside a cube… inside another cube?

An endless walk through synthetic space.
No exit. No purpose. Just a hunch - and the unsettling feeling that someone is watching.

Grateful to so many who helped bring this to life.

Huge thanks to Antonin Soukup, Miroslava Kohutarová, and @grombirik for that first creative spark - and for carrying it through. @francesca_kk for supporting us all the way.

@luisa.weissflog , an absolute dream collaborator - patient, present, and somehow floating through all scenes in high heels like it’s nothing.

@dominika_ott and the team at @stinkfilms , for producing the hell out of it.

@tomaaskotas for his light witchery but also dipping his toes into directing.

Radoslav Zákutný, Adrian Putz, and the whole @sorrywecan crew—for dreaming, building and polishing the CG world until it was just right. @notreal_virtual for title sequence.

@fredmannnn for his uncanny musical genius. @oliverfillner and @samo_jurkovic for crafting the sound design.

@kum37 for sculpting the blue screen madness, frame by frame. And @jalob for finding exactly the right green.

Going a bit more sinister for LAFORMELA.

Last year, @tomaaskotas and and I got to explore an idea: What happens when you trap someone inside a cube… inside another cube?

An endless walk through synthetic space.
No exit. No purpose. Just a hunch - and the unsettling feeling that someone is watching.

Grateful to so many who helped bring this to life.

Huge thanks to Antonin Soukup, Miroslava Kohutarová, and @grombirik for that first creative spark - and for carrying it through. @francesca_kk for supporting us all the way.

@luisa.weissflog , an absolute dream collaborator - patient, present, and somehow floating through all scenes in high heels like it’s nothing.

@dominika_ott and the team at @stinkfilms , for producing the hell out of it.

@tomaaskotas for his light witchery but also dipping his toes into directing.

Radoslav Zákutný, Adrian Putz, and the whole @sorrywecan crew—for dreaming, building and polishing the CG world until it was just right. @notreal_virtual for title sequence.

@fredmannnn for his uncanny musical genius. @oliverfillner and @samo_jurkovic for crafting the sound design.

@kum37 for sculpting the blue screen madness, frame by frame. And @jalob for finding exactly the right green.

Going a bit more sinister for LAFORMELA.

Last year, @tomaaskotas and and I got to explore an idea: What happens when you trap someone inside a cube… inside another cube?

An endless walk through synthetic space.
No exit. No purpose. Just a hunch - and the unsettling feeling that someone is watching.

Grateful to so many who helped bring this to life.

Huge thanks to Antonin Soukup, Miroslava Kohutarová, and @grombirik for that first creative spark - and for carrying it through. @francesca_kk for supporting us all the way.

@luisa.weissflog , an absolute dream collaborator - patient, present, and somehow floating through all scenes in high heels like it’s nothing.

@dominika_ott and the team at @stinkfilms , for producing the hell out of it.

@tomaaskotas for his light witchery but also dipping his toes into directing.

Radoslav Zákutný, Adrian Putz, and the whole @sorrywecan crew—for dreaming, building and polishing the CG world until it was just right. @notreal_virtual for title sequence.

@fredmannnn for his uncanny musical genius. @oliverfillner and @samo_jurkovic for crafting the sound design.

@kum37 for sculpting the blue screen madness, frame by frame. And @jalob for finding exactly the right green.

W086 ‘Galaxy Z Flip6’ directed by @jaramoravec with Ogilvy for Samsung

Director: @jaramoravec
Production Company: ProdCo @prodcofficial
Founding Partners / EPs:@ianponsjewell & Zico Judge
EP: Emma Wilcockson
Associate Producer: Sophie Laine Floyd
DOP: @filipmaarek
Producer: @doochy1
PM: griffithscarmen
Production Designer: @_ivantrivino
Stylist: @yolandaarmengol
Post Producer: @ann_mykhailenko

Client: Samsung
Brand Managers: Adrian Wilson, Jennifer Kim, Hyomi Kang

Agency: Ogilvy
EPs: Sarah Patterson, Steph Walker-Wells
GCD: Fernando Hernandez
Associate Creative Director: Ian Dunlop
GCD - Writer: Jared Elms
CD: Marcus Johnson
Art Director: Audrey Laliberte
Executive Group Director: Khai Nguyen
Acct Supervisor: Todd Steiner
Acct Executive: Eimibell De Los Santos
VFX Supervisor: Murray Butler

Edit: @nocap___collective
Editor: @katarina_gramatova
Editor Representation: @thedeneditorial

Music, Sound Design & Mix: @gera_taraman

VFX: @framestore
EP: Nick Fraser
Producer: Christina Chung, Semley Wilkinson, Casey Sincic
Associate Producer: Meghana Penumarthi
CG Lead: Patrick Ross
CG Supervisor: John Montefusco
CG Layout: Jass Tsai
CG Asset: Scott Denton
CG Rigging: Jeremy Livingston
CG Animation: Jim Hundertmark, Sean Curran
CG Lighting: Kayla Whitehead
CG FX: Saabir Pinkney
Comp Supervisor: Corrina Wilson
Compositors: Alejandro Taylor, Avery Herzog, Brian Yu, Christina Shin, Craig Tozzi, Danny Noren, David Dam, Dhruv Shankar, Elaina Brillantes, Jesus Yapor, Jiri Kilevnik, Jonathan Jobin, Navid Bagherzadeh, Noah Catan, Shauna Prescott, Stanislav Shapetskiy
Digital Matte Painter: Cedric Menard
Flame Finishing: Ethan Chang
Design: Antara Ghosh, Cisco Torres, Coy Yuan, Evan diLeo, Jessica Tong, John Haley

Service Production: @blur__________
Producer: Cris Sánchez
Production Manager: Marta Pijoan
Production Coordinators: Yas Ikimou, Edgar Barceló
PA: Coni Diaz
Talent Coordinator: Eva Cid
PA: Javier Gonzalez
Unit Manager: Victor Macià
Director’s Driver: Soufi Mazzaouri
Agency’s Drivers: Gerard Llopart, Marc Ros
Client’s Driver: Roger Rediu
Unit Drivers: Sandro Mann, Uri Recasens, Joao Santos
Talent Drivers: Juanki Juarez, Jaume Bosch
Eco Manager: Eva Moreno

W086 ‘Galaxy Z Flip6’ directed by @jaramoravec with Ogilvy for Samsung

Director: @jaramoravec
Production Company: ProdCo @prodcofficial
Founding Partners / EPs:@ianponsjewell & Zico Judge
EP: Emma Wilcockson
Associate Producer: Sophie Laine Floyd
DOP: @filipmaarek
Producer: @doochy1
PM: griffithscarmen
Production Designer: @_ivantrivino
Stylist: @yolandaarmengol
Post Producer: @ann_mykhailenko

Client: Samsung
Brand Managers: Adrian Wilson, Jennifer Kim, Hyomi Kang

Agency: Ogilvy
EPs: Sarah Patterson, Steph Walker-Wells
GCD: Fernando Hernandez
Associate Creative Director: Ian Dunlop
GCD - Writer: Jared Elms
CD: Marcus Johnson
Art Director: Audrey Laliberte
Executive Group Director: Khai Nguyen
Acct Supervisor: Todd Steiner
Acct Executive: Eimibell De Los Santos
VFX Supervisor: Murray Butler

Edit: @nocap___collective
Editor: @katarina_gramatova
Editor Representation: @thedeneditorial

Music, Sound Design & Mix: @gera_taraman

VFX: @framestore
EP: Nick Fraser
Producer: Christina Chung, Semley Wilkinson, Casey Sincic
Associate Producer: Meghana Penumarthi
CG Lead: Patrick Ross
CG Supervisor: John Montefusco
CG Layout: Jass Tsai
CG Asset: Scott Denton
CG Rigging: Jeremy Livingston
CG Animation: Jim Hundertmark, Sean Curran
CG Lighting: Kayla Whitehead
CG FX: Saabir Pinkney
Comp Supervisor: Corrina Wilson
Compositors: Alejandro Taylor, Avery Herzog, Brian Yu, Christina Shin, Craig Tozzi, Danny Noren, David Dam, Dhruv Shankar, Elaina Brillantes, Jesus Yapor, Jiri Kilevnik, Jonathan Jobin, Navid Bagherzadeh, Noah Catan, Shauna Prescott, Stanislav Shapetskiy
Digital Matte Painter: Cedric Menard
Flame Finishing: Ethan Chang
Design: Antara Ghosh, Cisco Torres, Coy Yuan, Evan diLeo, Jessica Tong, John Haley

Service Production: @blur__________
Producer: Cris Sánchez
Production Manager: Marta Pijoan
Production Coordinators: Yas Ikimou, Edgar Barceló
PA: Coni Diaz
Talent Coordinator: Eva Cid
PA: Javier Gonzalez
Unit Manager: Victor Macià
Director’s Driver: Soufi Mazzaouri
Agency’s Drivers: Gerard Llopart, Marc Ros
Client’s Driver: Roger Rediu
Unit Drivers: Sandro Mann, Uri Recasens, Joao Santos
Talent Drivers: Juanki Juarez, Jaume Bosch
Eco Manager: Eva Moreno

W086 ‘Galaxy Z Flip6’ directed by @jaramoravec with Ogilvy for Samsung

Director: @jaramoravec
Production Company: ProdCo @prodcofficial
Founding Partners / EPs:@ianponsjewell & Zico Judge
EP: Emma Wilcockson
Associate Producer: Sophie Laine Floyd
DOP: @filipmaarek
Producer: @doochy1
PM: griffithscarmen
Production Designer: @_ivantrivino
Stylist: @yolandaarmengol
Post Producer: @ann_mykhailenko

Client: Samsung
Brand Managers: Adrian Wilson, Jennifer Kim, Hyomi Kang

Agency: Ogilvy
EPs: Sarah Patterson, Steph Walker-Wells
GCD: Fernando Hernandez
Associate Creative Director: Ian Dunlop
GCD - Writer: Jared Elms
CD: Marcus Johnson
Art Director: Audrey Laliberte
Executive Group Director: Khai Nguyen
Acct Supervisor: Todd Steiner
Acct Executive: Eimibell De Los Santos
VFX Supervisor: Murray Butler

Edit: @nocap___collective
Editor: @katarina_gramatova
Editor Representation: @thedeneditorial

Music, Sound Design & Mix: @gera_taraman

VFX: @framestore
EP: Nick Fraser
Producer: Christina Chung, Semley Wilkinson, Casey Sincic
Associate Producer: Meghana Penumarthi
CG Lead: Patrick Ross
CG Supervisor: John Montefusco
CG Layout: Jass Tsai
CG Asset: Scott Denton
CG Rigging: Jeremy Livingston
CG Animation: Jim Hundertmark, Sean Curran
CG Lighting: Kayla Whitehead
CG FX: Saabir Pinkney
Comp Supervisor: Corrina Wilson
Compositors: Alejandro Taylor, Avery Herzog, Brian Yu, Christina Shin, Craig Tozzi, Danny Noren, David Dam, Dhruv Shankar, Elaina Brillantes, Jesus Yapor, Jiri Kilevnik, Jonathan Jobin, Navid Bagherzadeh, Noah Catan, Shauna Prescott, Stanislav Shapetskiy
Digital Matte Painter: Cedric Menard
Flame Finishing: Ethan Chang
Design: Antara Ghosh, Cisco Torres, Coy Yuan, Evan diLeo, Jessica Tong, John Haley

Service Production: @blur__________
Producer: Cris Sánchez
Production Manager: Marta Pijoan
Production Coordinators: Yas Ikimou, Edgar Barceló
PA: Coni Diaz
Talent Coordinator: Eva Cid
PA: Javier Gonzalez
Unit Manager: Victor Macià
Director’s Driver: Soufi Mazzaouri
Agency’s Drivers: Gerard Llopart, Marc Ros
Client’s Driver: Roger Rediu
Unit Drivers: Sandro Mann, Uri Recasens, Joao Santos
Talent Drivers: Juanki Juarez, Jaume Bosch
Eco Manager: Eva Moreno

W075 ‘The Candidate’ directed by @jaramoravec with VCCP for Barclays

Director: @jaramoravec
Production Company: ProdCo @prodcofficial
Founding Partners / EPs: @ianponsjewell and Zico Judge
MD: Jon Adams
Head of Production: @samlevene99
Executive Producer: @ella.t.g
Producer: Robert Leonard
Post Producer: @ann_mykhailenko
DOP: @filipmaarek
Production Designer: Max Meronti

Client: Barclays
Senior Marketing Manager: James Tyrrell
Marketing Graduate: Joe Gomersall

Agency: VCCP
Creative Director: Frances Leach
Creative: Tom Lee
Creative: Alice Goodrich
Business Director: Kate Fitzgerald
Producer: Helen Brownlie
Account Director: Lou Fox

Service Production Company: @sugarfree_tv
Executive Service Producer: @michob1
Senior Service Producer: Glyn Davidson
Production Manager: @maneeta_t.x
Production Runner: Harry Soutter

Edit: @thedeneditorial
Producer: Andrea Aronson
Editor: @katarina_gramatova

Post: @electric_theatre_collective
Executive Producer: Holly Treacy
VFX Supervisor: Pete Smith

Music & Sound Design:
Music mix: @gregory_caron
Sound design and final mix: @sawuel_jukrovic

Music:
Tenor saxophone: Jan Kyncl
Piano, synths: Kristina Barta
Double bass: Rasťo Uhrík
Drums: Marek Urbánek

Cast:
Ruby: Krish Menon
Teacher: Caitlin Mary Mac
Henry: Andre Larnyoh
Band: Ollie Canham, Henry Wakley, Edward Kainyek

ADs
1st AD: @bencgill
2nd AD: Dom Child
3rd AD: Ben Plummer
Runner: Adam Lloyd Jones, Victor Oderinde, Dominic McCaw
Runner / Green Steward: Lois Griffiths

Camera
Steadicam: Alf Tramontin
Drone Pilot: Aaron Cole
Aerial Camera Operator: James Davis
Aerial AC: Sandra Coulson
Focus Puller: Ben Oliver
Camera Assistant: Stuart Went
Playback: Matt Hewitt
DIT: Lauchlan Scott

Grip
Key Grip: Jason Lee
Grip Assistant: Craig Taylor

Sound: Paul Lord
Camera Car Driver: Paul Kenny

Art Department:
Master Props: James Moss
Props: Jordan Mason, Jonathan Ibal

Wardrobe & Styling:
Stylist: Paula McNamara
Styling Assistant: Chris Le Good, Kat Evans

Hair & Makeup:
Hair & Makeup Artist: @louisemeadowsmakeup
Hair & Makeup Assistant: Claire Quick, Jahmeca Brown, Holly Dunwoodie

VFX on set:
VFX Supervisor: Pete Smith

One more with Oppo.

Gotta thank a couple of people for all the care and patience. 

Obviously @filipmaarek for being the best criminal mastermind.

All hard working producers who make this possible - @julie.bostie , @mathiaskerner , @bazvds , @jjfelstead on @hamlet.tv side and @khucame , Patrick, Ihxel and @hayette at @madrefocatv team for putting up with endless: “I thought it would be really cool to” ideas.

James and Tanny for being awesome agency/client partners, letting us run pretty loose.

@lucianolasca for endless jokes about his exes, funny voice messages, awesome art direction and jumping into the frame for an impromptu cameo. @lajapo for great styling.

Our awesome Mexican crew, you guys have been on point!

Carmen Vasquez for all the energy, running across dusty fields over and over.

Back home, I wanna thank @katarina_gramatova for making sense of all the nonsense we shot. @arthurpaux for giving Mexico even more flair. @sawuel_jurkovic for doing his very special thing, once again. @lucasaidl and his team did all the post work with incredible patience, I owe you one!

Thanks Thore Garberg for super last minute discovery of a rock band in Oslo, soundtracking the client version. Thank you Munster Record for letting us use their Peruvian 60’s gem by Los York’s.

Over and out!

One more with Oppo.

Gotta thank a couple of people for all the care and patience. 

Obviously @filipmaarek for being the best criminal mastermind.

All hard working producers who make this possible - @julie.bostie , @mathiaskerner , @bazvds , @jjfelstead on @hamlet.tv side and @khucame , Patrick, Ihxel and @hayette at @madrefocatv team for putting up with endless: “I thought it would be really cool to” ideas.

James and Tanny for being awesome agency/client partners, letting us run pretty loose.

@lucianolasca for endless jokes about his exes, funny voice messages, awesome art direction and jumping into the frame for an impromptu cameo. @lajapo for great styling.

Our awesome Mexican crew, you guys have been on point!

Carmen Vasquez for all the energy, running across dusty fields over and over.

Back home, I wanna thank @katarina_gramatova for making sense of all the nonsense we shot. @arthurpaux for giving Mexico even more flair. @sawuel_jurkovic for doing his very special thing, once again. @lucasaidl and his team did all the post work with incredible patience, I owe you one!

Thanks Thore Garberg for super last minute discovery of a rock band in Oslo, soundtracking the client version. Thank you Munster Record for letting us use their Peruvian 60’s gem by Los York’s.

Over and out!

One more with Oppo.

Gotta thank a couple of people for all the care and patience. 

Obviously @filipmaarek for being the best criminal mastermind.

All hard working producers who make this possible - @julie.bostie , @mathiaskerner , @bazvds , @jjfelstead on @hamlet.tv side and @khucame , Patrick, Ihxel and @hayette at @madrefocatv team for putting up with endless: “I thought it would be really cool to” ideas.

James and Tanny for being awesome agency/client partners, letting us run pretty loose.

@lucianolasca for endless jokes about his exes, funny voice messages, awesome art direction and jumping into the frame for an impromptu cameo. @lajapo for great styling.

Our awesome Mexican crew, you guys have been on point!

Carmen Vasquez for all the energy, running across dusty fields over and over.

Back home, I wanna thank @katarina_gramatova for making sense of all the nonsense we shot. @arthurpaux for giving Mexico even more flair. @sawuel_jurkovic for doing his very special thing, once again. @lucasaidl and his team did all the post work with incredible patience, I owe you one!

Thanks Thore Garberg for super last minute discovery of a rock band in Oslo, soundtracking the client version. Thank you Munster Record for letting us use their Peruvian 60’s gem by Los York’s.

Over and out!

One more with Oppo.

Gotta thank a couple of people for all the care and patience. 

Obviously @filipmaarek for being the best criminal mastermind.

All hard working producers who make this possible - @julie.bostie , @mathiaskerner , @bazvds , @jjfelstead on @hamlet.tv side and @khucame , Patrick, Ihxel and @hayette at @madrefocatv team for putting up with endless: “I thought it would be really cool to” ideas.

James and Tanny for being awesome agency/client partners, letting us run pretty loose.

@lucianolasca for endless jokes about his exes, funny voice messages, awesome art direction and jumping into the frame for an impromptu cameo. @lajapo for great styling.

Our awesome Mexican crew, you guys have been on point!

Carmen Vasquez for all the energy, running across dusty fields over and over.

Back home, I wanna thank @katarina_gramatova for making sense of all the nonsense we shot. @arthurpaux for giving Mexico even more flair. @sawuel_jurkovic for doing his very special thing, once again. @lucasaidl and his team did all the post work with incredible patience, I owe you one!

Thanks Thore Garberg for super last minute discovery of a rock band in Oslo, soundtracking the client version. Thank you Munster Record for letting us use their Peruvian 60’s gem by Los York’s.

Over and out!

One more with Oppo.

Gotta thank a couple of people for all the care and patience. 

Obviously @filipmaarek for being the best criminal mastermind.

All hard working producers who make this possible - @julie.bostie , @mathiaskerner , @bazvds , @jjfelstead on @hamlet.tv side and @khucame , Patrick, Ihxel and @hayette at @madrefocatv team for putting up with endless: “I thought it would be really cool to” ideas.

James and Tanny for being awesome agency/client partners, letting us run pretty loose.

@lucianolasca for endless jokes about his exes, funny voice messages, awesome art direction and jumping into the frame for an impromptu cameo. @lajapo for great styling.

Our awesome Mexican crew, you guys have been on point!

Carmen Vasquez for all the energy, running across dusty fields over and over.

Back home, I wanna thank @katarina_gramatova for making sense of all the nonsense we shot. @arthurpaux for giving Mexico even more flair. @sawuel_jurkovic for doing his very special thing, once again. @lucasaidl and his team did all the post work with incredible patience, I owe you one!

Thanks Thore Garberg for super last minute discovery of a rock band in Oslo, soundtracking the client version. Thank you Munster Record for letting us use their Peruvian 60’s gem by Los York’s.

Over and out!

One more with Oppo.

Gotta thank a couple of people for all the care and patience. 

Obviously @filipmaarek for being the best criminal mastermind.

All hard working producers who make this possible - @julie.bostie , @mathiaskerner , @bazvds , @jjfelstead on @hamlet.tv side and @khucame , Patrick, Ihxel and @hayette at @madrefocatv team for putting up with endless: “I thought it would be really cool to” ideas.

James and Tanny for being awesome agency/client partners, letting us run pretty loose.

@lucianolasca for endless jokes about his exes, funny voice messages, awesome art direction and jumping into the frame for an impromptu cameo. @lajapo for great styling.

Our awesome Mexican crew, you guys have been on point!

Carmen Vasquez for all the energy, running across dusty fields over and over.

Back home, I wanna thank @katarina_gramatova for making sense of all the nonsense we shot. @arthurpaux for giving Mexico even more flair. @sawuel_jurkovic for doing his very special thing, once again. @lucasaidl and his team did all the post work with incredible patience, I owe you one!

Thanks Thore Garberg for super last minute discovery of a rock band in Oslo, soundtracking the client version. Thank you Munster Record for letting us use their Peruvian 60’s gem by Los York’s.

Over and out!

One more with Oppo.

Gotta thank a couple of people for all the care and patience. 

Obviously @filipmaarek for being the best criminal mastermind.

All hard working producers who make this possible - @julie.bostie , @mathiaskerner , @bazvds , @jjfelstead on @hamlet.tv side and @khucame , Patrick, Ihxel and @hayette at @madrefocatv team for putting up with endless: “I thought it would be really cool to” ideas.

James and Tanny for being awesome agency/client partners, letting us run pretty loose.

@lucianolasca for endless jokes about his exes, funny voice messages, awesome art direction and jumping into the frame for an impromptu cameo. @lajapo for great styling.

Our awesome Mexican crew, you guys have been on point!

Carmen Vasquez for all the energy, running across dusty fields over and over.

Back home, I wanna thank @katarina_gramatova for making sense of all the nonsense we shot. @arthurpaux for giving Mexico even more flair. @sawuel_jurkovic for doing his very special thing, once again. @lucasaidl and his team did all the post work with incredible patience, I owe you one!

Thanks Thore Garberg for super last minute discovery of a rock band in Oslo, soundtracking the client version. Thank you Munster Record for letting us use their Peruvian 60’s gem by Los York’s.

Over and out!

One more with Oppo.

Gotta thank a couple of people for all the care and patience. 

Obviously @filipmaarek for being the best criminal mastermind.

All hard working producers who make this possible - @julie.bostie , @mathiaskerner , @bazvds , @jjfelstead on @hamlet.tv side and @khucame , Patrick, Ihxel and @hayette at @madrefocatv team for putting up with endless: “I thought it would be really cool to” ideas.

James and Tanny for being awesome agency/client partners, letting us run pretty loose.

@lucianolasca for endless jokes about his exes, funny voice messages, awesome art direction and jumping into the frame for an impromptu cameo. @lajapo for great styling.

Our awesome Mexican crew, you guys have been on point!

Carmen Vasquez for all the energy, running across dusty fields over and over.

Back home, I wanna thank @katarina_gramatova for making sense of all the nonsense we shot. @arthurpaux for giving Mexico even more flair. @sawuel_jurkovic for doing his very special thing, once again. @lucasaidl and his team did all the post work with incredible patience, I owe you one!

Thanks Thore Garberg for super last minute discovery of a rock band in Oslo, soundtracking the client version. Thank you Munster Record for letting us use their Peruvian 60’s gem by Los York’s.

Over and out!

One more with Oppo.

Gotta thank a couple of people for all the care and patience. 

Obviously @filipmaarek for being the best criminal mastermind.

All hard working producers who make this possible - @julie.bostie , @mathiaskerner , @bazvds , @jjfelstead on @hamlet.tv side and @khucame , Patrick, Ihxel and @hayette at @madrefocatv team for putting up with endless: “I thought it would be really cool to” ideas.

James and Tanny for being awesome agency/client partners, letting us run pretty loose.

@lucianolasca for endless jokes about his exes, funny voice messages, awesome art direction and jumping into the frame for an impromptu cameo. @lajapo for great styling.

Our awesome Mexican crew, you guys have been on point!

Carmen Vasquez for all the energy, running across dusty fields over and over.

Back home, I wanna thank @katarina_gramatova for making sense of all the nonsense we shot. @arthurpaux for giving Mexico even more flair. @sawuel_jurkovic for doing his very special thing, once again. @lucasaidl and his team did all the post work with incredible patience, I owe you one!

Thanks Thore Garberg for super last minute discovery of a rock band in Oslo, soundtracking the client version. Thank you Munster Record for letting us use their Peruvian 60’s gem by Los York’s.

Over and out!

One more with Oppo.

Gotta thank a couple of people for all the care and patience. 

Obviously @filipmaarek for being the best criminal mastermind.

All hard working producers who make this possible - @julie.bostie , @mathiaskerner , @bazvds , @jjfelstead on @hamlet.tv side and @khucame , Patrick, Ihxel and @hayette at @madrefocatv team for putting up with endless: “I thought it would be really cool to” ideas.

James and Tanny for being awesome agency/client partners, letting us run pretty loose.

@lucianolasca for endless jokes about his exes, funny voice messages, awesome art direction and jumping into the frame for an impromptu cameo. @lajapo for great styling.

Our awesome Mexican crew, you guys have been on point!

Carmen Vasquez for all the energy, running across dusty fields over and over.

Back home, I wanna thank @katarina_gramatova for making sense of all the nonsense we shot. @arthurpaux for giving Mexico even more flair. @sawuel_jurkovic for doing his very special thing, once again. @lucasaidl and his team did all the post work with incredible patience, I owe you one!

Thanks Thore Garberg for super last minute discovery of a rock band in Oslo, soundtracking the client version. Thank you Munster Record for letting us use their Peruvian 60’s gem by Los York’s.

Over and out!

Oppo - Make Every Photo Stand Out

A look back at our Mexican mission last November. 
I got sunburnt, scammed by a taxi driver, had my phone stolen on the last shoot day and yet I would go back in a heartbeat.

This one was really an exercise on how much can be crammed into 3 days of shooting. Filip and I had to shoot some stuff on our own due to a pretty nasty rain spell derailing the whole schedule right on day 1. I even got to operate a camera for an unplanned lunch break shot on the back of a pick up truck - not my thing at all ha.

Lots of obligatory van life, lots of running around, too many tacos, not enough mezcal and bathing in mild Mexican sun. Good times.

Full video at the end, credits coming shortly!

Oppo - Make Every Photo Stand Out

A look back at our Mexican mission last November. 
I got sunburnt, scammed by a taxi driver, had my phone stolen on the last shoot day and yet I would go back in a heartbeat.

This one was really an exercise on how much can be crammed into 3 days of shooting. Filip and I had to shoot some stuff on our own due to a pretty nasty rain spell derailing the whole schedule right on day 1. I even got to operate a camera for an unplanned lunch break shot on the back of a pick up truck - not my thing at all ha.

Lots of obligatory van life, lots of running around, too many tacos, not enough mezcal and bathing in mild Mexican sun. Good times.

Full video at the end, credits coming shortly!

Oppo - Make Every Photo Stand Out

A look back at our Mexican mission last November. 
I got sunburnt, scammed by a taxi driver, had my phone stolen on the last shoot day and yet I would go back in a heartbeat.

This one was really an exercise on how much can be crammed into 3 days of shooting. Filip and I had to shoot some stuff on our own due to a pretty nasty rain spell derailing the whole schedule right on day 1. I even got to operate a camera for an unplanned lunch break shot on the back of a pick up truck - not my thing at all ha.

Lots of obligatory van life, lots of running around, too many tacos, not enough mezcal and bathing in mild Mexican sun. Good times.

Full video at the end, credits coming shortly!

Oppo - Make Every Photo Stand Out

A look back at our Mexican mission last November. 
I got sunburnt, scammed by a taxi driver, had my phone stolen on the last shoot day and yet I would go back in a heartbeat.

This one was really an exercise on how much can be crammed into 3 days of shooting. Filip and I had to shoot some stuff on our own due to a pretty nasty rain spell derailing the whole schedule right on day 1. I even got to operate a camera for an unplanned lunch break shot on the back of a pick up truck - not my thing at all ha.

Lots of obligatory van life, lots of running around, too many tacos, not enough mezcal and bathing in mild Mexican sun. Good times.

Full video at the end, credits coming shortly!

Oppo - Make Every Photo Stand Out

A look back at our Mexican mission last November. 
I got sunburnt, scammed by a taxi driver, had my phone stolen on the last shoot day and yet I would go back in a heartbeat.

This one was really an exercise on how much can be crammed into 3 days of shooting. Filip and I had to shoot some stuff on our own due to a pretty nasty rain spell derailing the whole schedule right on day 1. I even got to operate a camera for an unplanned lunch break shot on the back of a pick up truck - not my thing at all ha.

Lots of obligatory van life, lots of running around, too many tacos, not enough mezcal and bathing in mild Mexican sun. Good times.

Full video at the end, credits coming shortly!

Oppo - Make Every Photo Stand Out

A look back at our Mexican mission last November. 
I got sunburnt, scammed by a taxi driver, had my phone stolen on the last shoot day and yet I would go back in a heartbeat.

This one was really an exercise on how much can be crammed into 3 days of shooting. Filip and I had to shoot some stuff on our own due to a pretty nasty rain spell derailing the whole schedule right on day 1. I even got to operate a camera for an unplanned lunch break shot on the back of a pick up truck - not my thing at all ha.

Lots of obligatory van life, lots of running around, too many tacos, not enough mezcal and bathing in mild Mexican sun. Good times.

Full video at the end, credits coming shortly!

Oppo - Make Every Photo Stand Out

A look back at our Mexican mission last November. 
I got sunburnt, scammed by a taxi driver, had my phone stolen on the last shoot day and yet I would go back in a heartbeat.

This one was really an exercise on how much can be crammed into 3 days of shooting. Filip and I had to shoot some stuff on our own due to a pretty nasty rain spell derailing the whole schedule right on day 1. I even got to operate a camera for an unplanned lunch break shot on the back of a pick up truck - not my thing at all ha.

Lots of obligatory van life, lots of running around, too many tacos, not enough mezcal and bathing in mild Mexican sun. Good times.

Full video at the end, credits coming shortly!

Oppo - Make Every Photo Stand Out

A look back at our Mexican mission last November. 
I got sunburnt, scammed by a taxi driver, had my phone stolen on the last shoot day and yet I would go back in a heartbeat.

This one was really an exercise on how much can be crammed into 3 days of shooting. Filip and I had to shoot some stuff on our own due to a pretty nasty rain spell derailing the whole schedule right on day 1. I even got to operate a camera for an unplanned lunch break shot on the back of a pick up truck - not my thing at all ha.

Lots of obligatory van life, lots of running around, too many tacos, not enough mezcal and bathing in mild Mexican sun. Good times.

Full video at the end, credits coming shortly!

Oppo - Make Every Photo Stand Out

A look back at our Mexican mission last November. 
I got sunburnt, scammed by a taxi driver, had my phone stolen on the last shoot day and yet I would go back in a heartbeat.

This one was really an exercise on how much can be crammed into 3 days of shooting. Filip and I had to shoot some stuff on our own due to a pretty nasty rain spell derailing the whole schedule right on day 1. I even got to operate a camera for an unplanned lunch break shot on the back of a pick up truck - not my thing at all ha.

Lots of obligatory van life, lots of running around, too many tacos, not enough mezcal and bathing in mild Mexican sun. Good times.

Full video at the end, credits coming shortly!

Oppo - Make Every Photo Stand Out

A look back at our Mexican mission last November. 
I got sunburnt, scammed by a taxi driver, had my phone stolen on the last shoot day and yet I would go back in a heartbeat.

This one was really an exercise on how much can be crammed into 3 days of shooting. Filip and I had to shoot some stuff on our own due to a pretty nasty rain spell derailing the whole schedule right on day 1. I even got to operate a camera for an unplanned lunch break shot on the back of a pick up truck - not my thing at all ha.

Lots of obligatory van life, lots of running around, too many tacos, not enough mezcal and bathing in mild Mexican sun. Good times.

Full video at the end, credits coming shortly!

W035 ‘Untold Stories’ directed by @jaramoravec for Samsung with BBH

Director: @jaramoravec
Production Company: ProdCo
Co-Founder/EP: Zico Judge
Partner/Global EP: Jon Adams
Executive Producer: Emma Wilcockson
Associate Producer: Sophie Laine Floyd
Producer: @richard.fenton.716
DOP: @konstantin_mazov

Agency: BBH
Agency Producer: Tamara Lecker
Account Executive: Alex Wyatt
Account Director: Nicole Daniel
ECD: Ryan Paulson
CD: Francisco Valenzuela, Kev Meager

Client: Samsung

VFX: @untold_studios
Editor: @adamhartmarshall at @whitehousepost

Audio Post Production: @stringandtins
Sound Designers: @willcogram and @i.am.kaspar
Audio Post Producers: Olivia Endersby and @rachelelizabethhough

Service Production: @unitsofa
1st AD: @bencgill
VFX Supervisor: Chris Redding
Line Producer: @kalovatereza
PM: Rola Brzobohata
Production Designer: Vojta Kalecky
Production Coordinator: @eleonorabudkova
Cast Coordinator: spicakovamarije
Asst to ProdCo Producer: @nellakinzl
PA: Kiki Matouskova
1st AD Czechia: @remco.groenendijk
2nd AD: Jirka Smid
Runner: Roman Dlauhy, Vendula Zieglerova, Jose Castorena  
Location Manager: Michal Rossler
Location Assistant: Martin Velinger
WDB Stylist: @dagmarstefflova, @ondrej.kinsky
MUA/Hair: Ana Ipatova