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I’m excited to be presenting a new bass + visuals performance, HOW TO MOVE A BRIDGE at the @canadiancentreforarchitecture on Saturday, February 28. Thanks to @zhou_xin for sharing his research archive of Chinese “science and education” film reels, which I’ve re-assembled to project during the performance. These images of nature, labour, construction, and destruction inspired me to contemplate alternate stories in the footage, and try and create a live soundtrack shifting between atmospheric, ghostly, mechanical, and trance-inducing. (The clips are from my rehearsals). Hope Montreal friends can come out!

Free as part of @nuitblanchemtl - Two 30-min performances at 21:30 and 23:00! Thanks to CCA for their wonderful support, especially @emiliezephiseretailleau Kaysie Hawke @sebastien_lariviere_101 and @pbattikha.

I’m excited to be presenting a new bass + visuals performance, HOW TO MOVE A BRIDGE at the @canadiancentreforarchitecture on Saturday, February 28. Thanks to @zhou_xin for sharing his research archive of Chinese “science and education” film reels, which I’ve re-assembled to project during the performance. These images of nature, labour, construction, and destruction inspired me to contemplate alternate stories in the footage, and try and create a live soundtrack shifting between atmospheric, ghostly, mechanical, and trance-inducing. (The clips are from my rehearsals). Hope Montreal friends can come out!

Free as part of @nuitblanchemtl - Two 30-min performances at 21:30 and 23:00! Thanks to CCA for their wonderful support, especially @emiliezephiseretailleau Kaysie Hawke @sebastien_lariviere_101 and @pbattikha.

I’m excited to be presenting a new bass + visuals performance, HOW TO MOVE A BRIDGE at the @canadiancentreforarchitecture on Saturday, February 28. Thanks to @zhou_xin for sharing his research archive of Chinese “science and education” film reels, which I’ve re-assembled to project during the performance. These images of nature, labour, construction, and destruction inspired me to contemplate alternate stories in the footage, and try and create a live soundtrack shifting between atmospheric, ghostly, mechanical, and trance-inducing. (The clips are from my rehearsals). Hope Montreal friends can come out!

Free as part of @nuitblanchemtl - Two 30-min performances at 21:30 and 23:00! Thanks to CCA for their wonderful support, especially @emiliezephiseretailleau Kaysie Hawke @sebastien_lariviere_101 and @pbattikha.

I’m excited to be presenting a new bass + visuals performance, HOW TO MOVE A BRIDGE at the @canadiancentreforarchitecture on Saturday, February 28. Thanks to @zhou_xin for sharing his research archive of Chinese “science and education” film reels, which I’ve re-assembled to project during the performance. These images of nature, labour, construction, and destruction inspired me to contemplate alternate stories in the footage, and try and create a live soundtrack shifting between atmospheric, ghostly, mechanical, and trance-inducing. (The clips are from my rehearsals). Hope Montreal friends can come out!

Free as part of @nuitblanchemtl - Two 30-min performances at 21:30 and 23:00! Thanks to CCA for their wonderful support, especially @emiliezephiseretailleau Kaysie Hawke @sebastien_lariviere_101 and @pbattikha.

THE GOLDEN VILLAGE: Karen Cho’s latest short documentary looks at the parallel world of Chinese malls in Richmond, BC, where boy scouts meet in a Buddhist temple, retirees dance in food court atriums, and the God of Wealth replaces Santa Claus for the holidays. It was a pleasure to lens this project and work with such a talented and thoughtful team.

Premiering at Cinéma du Parc on Feb 25 – link in bio for tickets! It’s also a fundraiser for Montreal’s great @jiafoundationmtl - I’ll be part of a panel conversation with the crew.

Directed by @digichoto
Editor: @xifengstudio
Cinematographer: 👋
Colour: @beatricetremblay_
Field producers: Mark Lee, Fiona Fu
Produced by @eyesteelfilm @rw_moore @goodeyemckay @audreyanndp @milaaungthwin

featuring a great track by @angelbabyband too!

THE GOLDEN VILLAGE: Karen Cho’s latest short documentary looks at the parallel world of Chinese malls in Richmond, BC, where boy scouts meet in a Buddhist temple, retirees dance in food court atriums, and the God of Wealth replaces Santa Claus for the holidays. It was a pleasure to lens this project and work with such a talented and thoughtful team.

Premiering at Cinéma du Parc on Feb 25 – link in bio for tickets! It’s also a fundraiser for Montreal’s great @jiafoundationmtl - I’ll be part of a panel conversation with the crew.

Directed by @digichoto
Editor: @xifengstudio
Cinematographer: 👋
Colour: @beatricetremblay_
Field producers: Mark Lee, Fiona Fu
Produced by @eyesteelfilm @rw_moore @goodeyemckay @audreyanndp @milaaungthwin

featuring a great track by @angelbabyband too!

THE GOLDEN VILLAGE: Karen Cho’s latest short documentary looks at the parallel world of Chinese malls in Richmond, BC, where boy scouts meet in a Buddhist temple, retirees dance in food court atriums, and the God of Wealth replaces Santa Claus for the holidays. It was a pleasure to lens this project and work with such a talented and thoughtful team.

Premiering at Cinéma du Parc on Feb 25 – link in bio for tickets! It’s also a fundraiser for Montreal’s great @jiafoundationmtl - I’ll be part of a panel conversation with the crew.

Directed by @digichoto
Editor: @xifengstudio
Cinematographer: 👋
Colour: @beatricetremblay_
Field producers: Mark Lee, Fiona Fu
Produced by @eyesteelfilm @rw_moore @goodeyemckay @audreyanndp @milaaungthwin

featuring a great track by @angelbabyband too!

THE GOLDEN VILLAGE: Karen Cho’s latest short documentary looks at the parallel world of Chinese malls in Richmond, BC, where boy scouts meet in a Buddhist temple, retirees dance in food court atriums, and the God of Wealth replaces Santa Claus for the holidays. It was a pleasure to lens this project and work with such a talented and thoughtful team.

Premiering at Cinéma du Parc on Feb 25 – link in bio for tickets! It’s also a fundraiser for Montreal’s great @jiafoundationmtl - I’ll be part of a panel conversation with the crew.

Directed by @digichoto
Editor: @xifengstudio
Cinematographer: 👋
Colour: @beatricetremblay_
Field producers: Mark Lee, Fiona Fu
Produced by @eyesteelfilm @rw_moore @goodeyemckay @audreyanndp @milaaungthwin

featuring a great track by @angelbabyband too!

THE GOLDEN VILLAGE: Karen Cho’s latest short documentary looks at the parallel world of Chinese malls in Richmond, BC, where boy scouts meet in a Buddhist temple, retirees dance in food court atriums, and the God of Wealth replaces Santa Claus for the holidays. It was a pleasure to lens this project and work with such a talented and thoughtful team.

Premiering at Cinéma du Parc on Feb 25 – link in bio for tickets! It’s also a fundraiser for Montreal’s great @jiafoundationmtl - I’ll be part of a panel conversation with the crew.

Directed by @digichoto
Editor: @xifengstudio
Cinematographer: 👋
Colour: @beatricetremblay_
Field producers: Mark Lee, Fiona Fu
Produced by @eyesteelfilm @rw_moore @goodeyemckay @audreyanndp @milaaungthwin

featuring a great track by @angelbabyband too!

THE GOLDEN VILLAGE: Karen Cho’s latest short documentary looks at the parallel world of Chinese malls in Richmond, BC, where boy scouts meet in a Buddhist temple, retirees dance in food court atriums, and the God of Wealth replaces Santa Claus for the holidays. It was a pleasure to lens this project and work with such a talented and thoughtful team.

Premiering at Cinéma du Parc on Feb 25 – link in bio for tickets! It’s also a fundraiser for Montreal’s great @jiafoundationmtl - I’ll be part of a panel conversation with the crew.

Directed by @digichoto
Editor: @xifengstudio
Cinematographer: 👋
Colour: @beatricetremblay_
Field producers: Mark Lee, Fiona Fu
Produced by @eyesteelfilm @rw_moore @goodeyemckay @audreyanndp @milaaungthwin

featuring a great track by @angelbabyband too!

THE GOLDEN VILLAGE: Karen Cho’s latest short documentary looks at the parallel world of Chinese malls in Richmond, BC, where boy scouts meet in a Buddhist temple, retirees dance in food court atriums, and the God of Wealth replaces Santa Claus for the holidays. It was a pleasure to lens this project and work with such a talented and thoughtful team.

Premiering at Cinéma du Parc on Feb 25 – link in bio for tickets! It’s also a fundraiser for Montreal’s great @jiafoundationmtl - I’ll be part of a panel conversation with the crew.

Directed by @digichoto
Editor: @xifengstudio
Cinematographer: 👋
Colour: @beatricetremblay_
Field producers: Mark Lee, Fiona Fu
Produced by @eyesteelfilm @rw_moore @goodeyemckay @audreyanndp @milaaungthwin

featuring a great track by @angelbabyband too!

THE GOLDEN VILLAGE: Karen Cho’s latest short documentary looks at the parallel world of Chinese malls in Richmond, BC, where boy scouts meet in a Buddhist temple, retirees dance in food court atriums, and the God of Wealth replaces Santa Claus for the holidays. It was a pleasure to lens this project and work with such a talented and thoughtful team.

Premiering at Cinéma du Parc on Feb 25 – link in bio for tickets! It’s also a fundraiser for Montreal’s great @jiafoundationmtl - I’ll be part of a panel conversation with the crew.

Directed by @digichoto
Editor: @xifengstudio
Cinematographer: 👋
Colour: @beatricetremblay_
Field producers: Mark Lee, Fiona Fu
Produced by @eyesteelfilm @rw_moore @goodeyemckay @audreyanndp @milaaungthwin

featuring a great track by @angelbabyband too!

THE GOLDEN VILLAGE: Karen Cho’s latest short documentary looks at the parallel world of Chinese malls in Richmond, BC, where boy scouts meet in a Buddhist temple, retirees dance in food court atriums, and the God of Wealth replaces Santa Claus for the holidays. It was a pleasure to lens this project and work with such a talented and thoughtful team.

Premiering at Cinéma du Parc on Feb 25 – link in bio for tickets! It’s also a fundraiser for Montreal’s great @jiafoundationmtl - I’ll be part of a panel conversation with the crew.

Directed by @digichoto
Editor: @xifengstudio
Cinematographer: 👋
Colour: @beatricetremblay_
Field producers: Mark Lee, Fiona Fu
Produced by @eyesteelfilm @rw_moore @goodeyemckay @audreyanndp @milaaungthwin

featuring a great track by @angelbabyband too!

Grateful to receive support as a @scipsychedelics documentary fellow this year, on a project I’m working onwith @j_88_f in the kingdom under the clouds: Yunnan, China, exploring how a certain unique mushroom stirs our imaginations and tastes.

Grateful to receive support as a @scipsychedelics documentary fellow this year, on a project I’m working onwith @j_88_f in the kingdom under the clouds: Yunnan, China, exploring how a certain unique mushroom stirs our imaginations and tastes.

Grateful to receive support as a @scipsychedelics documentary fellow this year, on a project I’m working onwith @j_88_f in the kingdom under the clouds: Yunnan, China, exploring how a certain unique mushroom stirs our imaginations and tastes.

Grateful to receive support as a @scipsychedelics documentary fellow this year, on a project I’m working onwith @j_88_f in the kingdom under the clouds: Yunnan, China, exploring how a certain unique mushroom stirs our imaginations and tastes.

Grateful to receive support as a @scipsychedelics documentary fellow this year, on a project I’m working onwith @j_88_f in the kingdom under the clouds: Yunnan, China, exploring how a certain unique mushroom stirs our imaginations and tastes.

Grateful to receive support as a @scipsychedelics documentary fellow this year, on a project I’m working onwith @j_88_f in the kingdom under the clouds: Yunnan, China, exploring how a certain unique mushroom stirs our imaginations and tastes.

Grateful to receive support as a @scipsychedelics documentary fellow this year, on a project I’m working onwith @j_88_f in the kingdom under the clouds: Yunnan, China, exploring how a certain unique mushroom stirs our imaginations and tastes.

Grateful to receive support as a @scipsychedelics documentary fellow this year, on a project I’m working onwith @j_88_f in the kingdom under the clouds: Yunnan, China, exploring how a certain unique mushroom stirs our imaginations and tastes.

Grateful to receive support as a @scipsychedelics documentary fellow this year, on a project I’m working onwith @j_88_f in the kingdom under the clouds: Yunnan, China, exploring how a certain unique mushroom stirs our imaginations and tastes.

Grateful to receive support as a @scipsychedelics documentary fellow this year, on a project I’m working onwith @j_88_f in the kingdom under the clouds: Yunnan, China, exploring how a certain unique mushroom stirs our imaginations and tastes.

Grateful to receive support as a @scipsychedelics documentary fellow this year, on a project I’m working onwith @j_88_f in the kingdom under the clouds: Yunnan, China, exploring how a certain unique mushroom stirs our imaginations and tastes.

New film: “Yung Ho Chang, In Love with the Tangible World”, a 27min documentary following the Chinese-American architect as he visits Sweden and the work of the Swedish masters Lewerentz, Asplund, and more. Link in bio.

Made for “A Meeting with Architects” by @fromhitolo
EP: @zhujulia1124
Directed by 👋
Cinematography: 👋 @j_88_f
Edit: @yiwei.mov
Production associate: @xuet.harry
Help and friendship beyond compare: @arialxin

✰ POP Montréal présente Joshua Frank le 27 septembre au Hémisphère Gauche ✰

Joshua Frank est un bassiste né à Montréal et un réalisateur de documentaires. Actif au sein du duo Beijing « phantom rhythm » Gong Gong Gong, acclamé par la critique, son travail solo combine des techniques de jeu étendues avec des effets d’overdrive et de fuzz pour explorer les possibilités harmoniques et tonales de la guitare basse.

✰ POP Montréal presents Joshua Frank on September 27 at Hémisphère Gauche ✰

Joshua Frank is a Montreal-born bassist and documentary filmmaker. Active in the critically acclaimed Beijing “phantom rhythm” duo Gong Gong Gong, his solo work combines extended playing techniques with overdrive and fuzz effects to explore the harmonic and tonal possibilities of bass guitar.

#popmontreal

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WITH AN ACRE: Some images from the final film and exhibition in the @canadiancentreforarchitecture’s Groundwork series, which embarks into the research of @carlajuacaba as she stages a light-footed yet ambitious project in Brazil’s coffee-growing heartland, Minas Gerais. Working closely with @milenadealmeidarodrigues and @flordecafebr’s collective of smallholder coffee farmers, their project aims to promote more ecological ways of farming, to encourage reforestation in a region characterized by extractivism, and to help coffee producers receive higher compensation for the fruits of their labour.

With An Acre was beautifully lensed by @iris.ng.cinematographer, who I was so lucky to bring on to shoot for CCA for a second time! It was masterfully edited by @n10ee, who struck a perfect balance between scorching site visits and dreamy reflections in the narrative.

This film could not have been achieved without @jmbusquetss, whose producing, drone piloting, live interpretation, behind-the-scenes photography, and occasional animal wrangling allowed everything to come together. @igor.sci’s location sound and stunning surround recordings of the Atlantic Forest, along with mixing and sound design by @__operaa and @mortal_stream made the sound in this film perhaps the most engaging of the whole Groundwork series. And @olivier.seguidang.colo’s colour grading perfectly captured the impressive lushness, and unrelenting harshness, of the landscape.

It’s hard to encapsulate the intense and illuminating process of working on Groundwork with the CCA over almost two years, with the incredible team led by curators @fgarutti and Irene Chin with production manager @camillelp1089. I’m deeply grateful for their trust and support, and proud to have collaborated with our talented, devoted, (and nice!) team across the world, from Montreal to China, Germany, and Brazil.

Thank you to @yessica_oui @wavy_peas and @ahntg who gave me advice and encouragement from the very beginning and patiently lent their ears along the way.

With An Acre is up at the CCA until September 14, 2025. For the previous two films, you can watch them online at the links in my bio!

WARM REMINDER! @gonggonggong_band au Canada! Montréal 6/22 Toronto 7/10 Vancouver 7/13 double bill concert + live score of @gregforaday special film Hong Kong Made Me. Very happy to have @tom4ng on this side of the world for a month, galactic Cantonese cowboy rhythms return. Excited to play with new/old friends @moabmusick (in Montreal) and @hotspring (in Vancouver). All are bienvenue to attend these special performances, Merci! ticket links @gonggonggong_band while supplies last.

WARM REMINDER! @gonggonggong_band au Canada! Montréal 6/22 Toronto 7/10 Vancouver 7/13 double bill concert + live score of @gregforaday special film Hong Kong Made Me. Very happy to have @tom4ng on this side of the world for a month, galactic Cantonese cowboy rhythms return. Excited to play with new/old friends @moabmusick (in Montreal) and @hotspring (in Vancouver). All are bienvenue to attend these special performances, Merci! ticket links @gonggonggong_band while supplies last.

WARM REMINDER! @gonggonggong_band au Canada! Montréal 6/22 Toronto 7/10 Vancouver 7/13 double bill concert + live score of @gregforaday special film Hong Kong Made Me. Very happy to have @tom4ng on this side of the world for a month, galactic Cantonese cowboy rhythms return. Excited to play with new/old friends @moabmusick (in Montreal) and @hotspring (in Vancouver). All are bienvenue to attend these special performances, Merci! ticket links @gonggonggong_band while supplies last.

WARM REMINDER! @gonggonggong_band au Canada! Montréal 6/22 Toronto 7/10 Vancouver 7/13 double bill concert + live score of @gregforaday special film Hong Kong Made Me. Very happy to have @tom4ng on this side of the world for a month, galactic Cantonese cowboy rhythms return. Excited to play with new/old friends @moabmusick (in Montreal) and @hotspring (in Vancouver). All are bienvenue to attend these special performances, Merci! ticket links @gonggonggong_band while supplies last.

WARM REMINDER! @gonggonggong_band au Canada! Montréal 6/22 Toronto 7/10 Vancouver 7/13 double bill concert + live score of @gregforaday special film Hong Kong Made Me. Very happy to have @tom4ng on this side of the world for a month, galactic Cantonese cowboy rhythms return. Excited to play with new/old friends @moabmusick (in Montreal) and @hotspring (in Vancouver). All are bienvenue to attend these special performances, Merci! ticket links @gonggonggong_band while supplies last.

WARM REMINDER! @gonggonggong_band au Canada! Montréal 6/22 Toronto 7/10 Vancouver 7/13 double bill concert + live score of @gregforaday special film Hong Kong Made Me. Very happy to have @tom4ng on this side of the world for a month, galactic Cantonese cowboy rhythms return. Excited to play with new/old friends @moabmusick (in Montreal) and @hotspring (in Vancouver). All are bienvenue to attend these special performances, Merci! ticket links @gonggonggong_band while supplies last.

WARM REMINDER! @gonggonggong_band au Canada! Montréal 6/22 Toronto 7/10 Vancouver 7/13 double bill concert + live score of @gregforaday special film Hong Kong Made Me. Very happy to have @tom4ng on this side of the world for a month, galactic Cantonese cowboy rhythms return. Excited to play with new/old friends @moabmusick (in Montreal) and @hotspring (in Vancouver). All are bienvenue to attend these special performances, Merci! ticket links @gonggonggong_band while supplies last.

MONTREAL SHOWS SOON! I’m very happy to be opening for NYC pals @75dollarbill at Casa del Popolo on May 19. Just me + bass. Sound on for previews of an upcoming solo album I recorded with @radwanghazimoumneh at Hotel2Tango, mixed by maestro @nahashisalive. Thanks to @heavytrip for making this dream show happen and @juliettekoldl for the trio of amazing posters. Last video by @zeeyangli. AND June 22 @gonggonggong_band is back in town! Intimate show at Ptit Ours with jammers @moabmusick. Please get tickets in advance if you would like to come, capacity is limited 🙏 links in bio

MONTREAL SHOWS SOON! I’m very happy to be opening for NYC pals @75dollarbill at Casa del Popolo on May 19. Just me + bass. Sound on for previews of an upcoming solo album I recorded with @radwanghazimoumneh at Hotel2Tango, mixed by maestro @nahashisalive. Thanks to @heavytrip for making this dream show happen and @juliettekoldl for the trio of amazing posters. Last video by @zeeyangli. AND June 22 @gonggonggong_band is back in town! Intimate show at Ptit Ours with jammers @moabmusick. Please get tickets in advance if you would like to come, capacity is limited 🙏 links in bio

MONTREAL SHOWS SOON! I’m very happy to be opening for NYC pals @75dollarbill at Casa del Popolo on May 19. Just me + bass. Sound on for previews of an upcoming solo album I recorded with @radwanghazimoumneh at Hotel2Tango, mixed by maestro @nahashisalive. Thanks to @heavytrip for making this dream show happen and @juliettekoldl for the trio of amazing posters. Last video by @zeeyangli. AND June 22 @gonggonggong_band is back in town! Intimate show at Ptit Ours with jammers @moabmusick. Please get tickets in advance if you would like to come, capacity is limited 🙏 links in bio

MONTREAL SHOWS SOON! I’m very happy to be opening for NYC pals @75dollarbill at Casa del Popolo on May 19. Just me + bass. Sound on for previews of an upcoming solo album I recorded with @radwanghazimoumneh at Hotel2Tango, mixed by maestro @nahashisalive. Thanks to @heavytrip for making this dream show happen and @juliettekoldl for the trio of amazing posters. Last video by @zeeyangli. AND June 22 @gonggonggong_band is back in town! Intimate show at Ptit Ours with jammers @moabmusick. Please get tickets in advance if you would like to come, capacity is limited 🙏 links in bio

MONTREAL SHOWS SOON! I’m very happy to be opening for NYC pals @75dollarbill at Casa del Popolo on May 19. Just me + bass. Sound on for previews of an upcoming solo album I recorded with @radwanghazimoumneh at Hotel2Tango, mixed by maestro @nahashisalive. Thanks to @heavytrip for making this dream show happen and @juliettekoldl for the trio of amazing posters. Last video by @zeeyangli. AND June 22 @gonggonggong_band is back in town! Intimate show at Ptit Ours with jammers @moabmusick. Please get tickets in advance if you would like to come, capacity is limited 🙏 links in bio

Coming up at @systeme_mtl! Wayward Cloud is a live performance series with the goal of bringing unexpected sounds from across cultures into an electronic context. Experimental, accesible, weird, fun 💭💭💭

First up: W🌀RM trio of @interzone_editions w/sax, guitar, synth and upright bass, 1/2 Gong Gong Gong Joshua Frank’s @j_88_f electric bass workouts, and Nahash @nahashisalive DJing “Sunn O))) to Sun Araw” with unreleased trax in the mix.

Wednesday Feb 26, 9:30PM. $15 at the door, all proceeds go to the artists. Come out this time and there will be more!

Coming up at @systeme_mtl! Wayward Cloud is a live performance series with the goal of bringing unexpected sounds from across cultures into an electronic context. Experimental, accesible, weird, fun 💭💭💭

First up: W🌀RM trio of @interzone_editions w/sax, guitar, synth and upright bass, 1/2 Gong Gong Gong Joshua Frank’s @j_88_f electric bass workouts, and Nahash @nahashisalive DJing “Sunn O))) to Sun Araw” with unreleased trax in the mix.

Wednesday Feb 26, 9:30PM. $15 at the door, all proceeds go to the artists. Come out this time and there will be more!

Coming up at @systeme_mtl! Wayward Cloud is a live performance series with the goal of bringing unexpected sounds from across cultures into an electronic context. Experimental, accesible, weird, fun 💭💭💭

First up: W🌀RM trio of @interzone_editions w/sax, guitar, synth and upright bass, 1/2 Gong Gong Gong Joshua Frank’s @j_88_f electric bass workouts, and Nahash @nahashisalive DJing “Sunn O))) to Sun Araw” with unreleased trax in the mix.

Wednesday Feb 26, 9:30PM. $15 at the door, all proceeds go to the artists. Come out this time and there will be more!

Coming up at @systeme_mtl! Wayward Cloud is a live performance series with the goal of bringing unexpected sounds from across cultures into an electronic context. Experimental, accesible, weird, fun 💭💭💭

First up: W🌀RM trio of @interzone_editions w/sax, guitar, synth and upright bass, 1/2 Gong Gong Gong Joshua Frank’s @j_88_f electric bass workouts, and Nahash @nahashisalive DJing “Sunn O))) to Sun Araw” with unreleased trax in the mix.

Wednesday Feb 26, 9:30PM. $15 at the door, all proceeds go to the artists. Come out this time and there will be more!

Coming up at @systeme_mtl! Wayward Cloud is a live performance series with the goal of bringing unexpected sounds from across cultures into an electronic context. Experimental, accesible, weird, fun 💭💭💭

First up: W🌀RM trio of @interzone_editions w/sax, guitar, synth and upright bass, 1/2 Gong Gong Gong Joshua Frank’s @j_88_f electric bass workouts, and Nahash @nahashisalive DJing “Sunn O))) to Sun Araw” with unreleased trax in the mix.

Wednesday Feb 26, 9:30PM. $15 at the door, all proceeds go to the artists. Come out this time and there will be more!

Coming up at @systeme_mtl! Wayward Cloud is a live performance series with the goal of bringing unexpected sounds from across cultures into an electronic context. Experimental, accesible, weird, fun 💭💭💭

First up: W🌀RM trio of @interzone_editions w/sax, guitar, synth and upright bass, 1/2 Gong Gong Gong Joshua Frank’s @j_88_f electric bass workouts, and Nahash @nahashisalive DJing “Sunn O))) to Sun Araw” with unreleased trax in the mix.

Wednesday Feb 26, 9:30PM. $15 at the door, all proceeds go to the artists. Come out this time and there will be more!

Coming up at @systeme_mtl! Wayward Cloud is a live performance series with the goal of bringing unexpected sounds from across cultures into an electronic context. Experimental, accesible, weird, fun 💭💭💭

First up: W🌀RM trio of @interzone_editions w/sax, guitar, synth and upright bass, 1/2 Gong Gong Gong Joshua Frank’s @j_88_f electric bass workouts, and Nahash @nahashisalive DJing “Sunn O))) to Sun Araw” with unreleased trax in the mix.

Wednesday Feb 26, 9:30PM. $15 at the door, all proceeds go to the artists. Come out this time and there will be more!

Coming up at @systeme_mtl! Wayward Cloud is a live performance series with the goal of bringing unexpected sounds from across cultures into an electronic context. Experimental, accesible, weird, fun 💭💭💭

First up: W🌀RM trio of @interzone_editions w/sax, guitar, synth and upright bass, 1/2 Gong Gong Gong Joshua Frank’s @j_88_f electric bass workouts, and Nahash @nahashisalive DJing “Sunn O))) to Sun Araw” with unreleased trax in the mix.

Wednesday Feb 26, 9:30PM. $15 at the door, all proceeds go to the artists. Come out this time and there will be more!

Making plans and moving furniture. It’s inspiring to see architects like @bplus.xyz so committed to push for change and in such a DIY way. Their HouseEurope! initiative is a legal proposal that can help fight the EU housing crisis and protect the environment by making renovation the new normal. If you’re an EU citizen, sign their petition @houseeurope.eu. You can watch my film on @bplus.xyz’s work, To Build Law, as part of an exhibition in Montreal at @canadiancentreforarchitecture, and online soon!

It was a pleasure to shoot with @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many co-conspirators. To Build Law was curated by @fgarutti and Irene Chin, shot by @iris.ng.cinematographer, edited by @kaylafragman and produced by @camillelp1089 @_guanni and @un_toine9966 with sound recording by @pascalcapitolin and @etiennehaug and mixing/sound design by @__operaa and @mortal_stream. Thanks also to @cyril_digitalcolorist_mtl, @poste_moderne and @casadelfilms. Exhibition open until May 25, 2025!

Making plans and moving furniture. It’s inspiring to see architects like @bplus.xyz so committed to push for change and in such a DIY way. Their HouseEurope! initiative is a legal proposal that can help fight the EU housing crisis and protect the environment by making renovation the new normal. If you’re an EU citizen, sign their petition @houseeurope.eu. You can watch my film on @bplus.xyz’s work, To Build Law, as part of an exhibition in Montreal at @canadiancentreforarchitecture, and online soon!

It was a pleasure to shoot with @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many co-conspirators. To Build Law was curated by @fgarutti and Irene Chin, shot by @iris.ng.cinematographer, edited by @kaylafragman and produced by @camillelp1089 @_guanni and @un_toine9966 with sound recording by @pascalcapitolin and @etiennehaug and mixing/sound design by @__operaa and @mortal_stream. Thanks also to @cyril_digitalcolorist_mtl, @poste_moderne and @casadelfilms. Exhibition open until May 25, 2025!

Making plans and moving furniture. It’s inspiring to see architects like @bplus.xyz so committed to push for change and in such a DIY way. Their HouseEurope! initiative is a legal proposal that can help fight the EU housing crisis and protect the environment by making renovation the new normal. If you’re an EU citizen, sign their petition @houseeurope.eu. You can watch my film on @bplus.xyz’s work, To Build Law, as part of an exhibition in Montreal at @canadiancentreforarchitecture, and online soon!

It was a pleasure to shoot with @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many co-conspirators. To Build Law was curated by @fgarutti and Irene Chin, shot by @iris.ng.cinematographer, edited by @kaylafragman and produced by @camillelp1089 @_guanni and @un_toine9966 with sound recording by @pascalcapitolin and @etiennehaug and mixing/sound design by @__operaa and @mortal_stream. Thanks also to @cyril_digitalcolorist_mtl, @poste_moderne and @casadelfilms. Exhibition open until May 25, 2025!

Making plans and moving furniture. It’s inspiring to see architects like @bplus.xyz so committed to push for change and in such a DIY way. Their HouseEurope! initiative is a legal proposal that can help fight the EU housing crisis and protect the environment by making renovation the new normal. If you’re an EU citizen, sign their petition @houseeurope.eu. You can watch my film on @bplus.xyz’s work, To Build Law, as part of an exhibition in Montreal at @canadiancentreforarchitecture, and online soon!

It was a pleasure to shoot with @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many co-conspirators. To Build Law was curated by @fgarutti and Irene Chin, shot by @iris.ng.cinematographer, edited by @kaylafragman and produced by @camillelp1089 @_guanni and @un_toine9966 with sound recording by @pascalcapitolin and @etiennehaug and mixing/sound design by @__operaa and @mortal_stream. Thanks also to @cyril_digitalcolorist_mtl, @poste_moderne and @casadelfilms. Exhibition open until May 25, 2025!

Making plans and moving furniture. It’s inspiring to see architects like @bplus.xyz so committed to push for change and in such a DIY way. Their HouseEurope! initiative is a legal proposal that can help fight the EU housing crisis and protect the environment by making renovation the new normal. If you’re an EU citizen, sign their petition @houseeurope.eu. You can watch my film on @bplus.xyz’s work, To Build Law, as part of an exhibition in Montreal at @canadiancentreforarchitecture, and online soon!

It was a pleasure to shoot with @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many co-conspirators. To Build Law was curated by @fgarutti and Irene Chin, shot by @iris.ng.cinematographer, edited by @kaylafragman and produced by @camillelp1089 @_guanni and @un_toine9966 with sound recording by @pascalcapitolin and @etiennehaug and mixing/sound design by @__operaa and @mortal_stream. Thanks also to @cyril_digitalcolorist_mtl, @poste_moderne and @casadelfilms. Exhibition open until May 25, 2025!

Making plans and moving furniture. It’s inspiring to see architects like @bplus.xyz so committed to push for change and in such a DIY way. Their HouseEurope! initiative is a legal proposal that can help fight the EU housing crisis and protect the environment by making renovation the new normal. If you’re an EU citizen, sign their petition @houseeurope.eu. You can watch my film on @bplus.xyz’s work, To Build Law, as part of an exhibition in Montreal at @canadiancentreforarchitecture, and online soon!

It was a pleasure to shoot with @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many co-conspirators. To Build Law was curated by @fgarutti and Irene Chin, shot by @iris.ng.cinematographer, edited by @kaylafragman and produced by @camillelp1089 @_guanni and @un_toine9966 with sound recording by @pascalcapitolin and @etiennehaug and mixing/sound design by @__operaa and @mortal_stream. Thanks also to @cyril_digitalcolorist_mtl, @poste_moderne and @casadelfilms. Exhibition open until May 25, 2025!

Making plans and moving furniture. It’s inspiring to see architects like @bplus.xyz so committed to push for change and in such a DIY way. Their HouseEurope! initiative is a legal proposal that can help fight the EU housing crisis and protect the environment by making renovation the new normal. If you’re an EU citizen, sign their petition @houseeurope.eu. You can watch my film on @bplus.xyz’s work, To Build Law, as part of an exhibition in Montreal at @canadiancentreforarchitecture, and online soon!

It was a pleasure to shoot with @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many co-conspirators. To Build Law was curated by @fgarutti and Irene Chin, shot by @iris.ng.cinematographer, edited by @kaylafragman and produced by @camillelp1089 @_guanni and @un_toine9966 with sound recording by @pascalcapitolin and @etiennehaug and mixing/sound design by @__operaa and @mortal_stream. Thanks also to @cyril_digitalcolorist_mtl, @poste_moderne and @casadelfilms. Exhibition open until May 25, 2025!

Making plans and moving furniture. It’s inspiring to see architects like @bplus.xyz so committed to push for change and in such a DIY way. Their HouseEurope! initiative is a legal proposal that can help fight the EU housing crisis and protect the environment by making renovation the new normal. If you’re an EU citizen, sign their petition @houseeurope.eu. You can watch my film on @bplus.xyz’s work, To Build Law, as part of an exhibition in Montreal at @canadiancentreforarchitecture, and online soon!

It was a pleasure to shoot with @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many co-conspirators. To Build Law was curated by @fgarutti and Irene Chin, shot by @iris.ng.cinematographer, edited by @kaylafragman and produced by @camillelp1089 @_guanni and @un_toine9966 with sound recording by @pascalcapitolin and @etiennehaug and mixing/sound design by @__operaa and @mortal_stream. Thanks also to @cyril_digitalcolorist_mtl, @poste_moderne and @casadelfilms. Exhibition open until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!

TO BUILD LAW: a 50-min documentary following architecture studio @bplus.xyz and their @houseeurope.eu initiative is now on view at @canadiancentreforarchitecture in Montreal! Conceived by @fgarutti and Irene Chin, and directed by me, the film follows b+ in the nascent stages of a collective campaign to propose law incentivizing renovation and fighting demolition across the EU.

Deep gratitude to @olaf_grawert, @kolinaalar, Arno Brandlhuber, Roberta Jurčić, Jonas Janke, @jolenelee__ @malte.wilms and their many collaborators who welcomed our crew over multiple trips this year.

We braced ourselves to make a film comprised of various meetings—and ended up crafting a story which I think is urgent, inspiring, funny, (hopefully) a call to action, and certainly a compelling argument to rethink architecture’s role in shaping the environment and society.

It was incredible to collaborate with @iris.ng.cinematographer, whose creativity, genuine interest and patience, and excitement in solving tricky visual challenges together, gave the film an energy that resonates throughout. And @kaylafragman’s meticulously observant and heartfelt editing brought the personalities and drive of each of the film’s subjects into focus. Not to mention their ear for transforming urban clang and dialog—recorded by @pascalcapitolin and @etiennehaug and powerfully mixed/designed by @__operaa and @mortal_stream—into a moving film soundtrack.

Production manager @camillelp1089 masterfully oversaw an enormous amount of moving parts with incredible patience to keep everything together! And on the ground in Berlin and Zurich, field producers @_guanni un_toine9966 made it happen.

The film was beautifully coloured by @cyril_digitalcolorist_mtl and brought to the finish line by @poste_moderne @casadel_films and @divisioncouleur.

I learned so much making To Build Law, from the film’s subjects as well as our team, and I thank CCA for their trust in me and vision to challenge expectations of both architecture and documentary filmmaking. The film and exhibition will be on display from now until May 25, 2025!