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-function

-function is a series of six booklets featuring twelve perspectives on design theory. The series aims to challenge the concept of functionalism and invites to collect and interchange. Its own normograph was used for drawings and to highlight text passages.

We still have some copies left so hit us up if you want your own ;)

Fonts in use:
nomo mono – @leajohannabecker thanks a lot!!!
DINdong – @clara_sambot @bye.byebinary

@hsm.kommunikationsdesign #hsmkd

-function

-function is a series of six booklets featuring twelve perspectives on design theory. The series aims to challenge the concept of functionalism and invites to collect and interchange. Its own normograph was used for drawings and to highlight text passages.

We still have some copies left so hit us up if you want your own ;)

Fonts in use:
nomo mono – @leajohannabecker thanks a lot!!!
DINdong – @clara_sambot @bye.byebinary

@hsm.kommunikationsdesign #hsmkd

-function

-function is a series of six booklets featuring twelve perspectives on design theory. The series aims to challenge the concept of functionalism and invites to collect and interchange. Its own normograph was used for drawings and to highlight text passages.

We still have some copies left so hit us up if you want your own ;)

Fonts in use:
nomo mono – @leajohannabecker thanks a lot!!!
DINdong – @clara_sambot @bye.byebinary

@hsm.kommunikationsdesign #hsmkd

-function

-function is a series of six booklets featuring twelve perspectives on design theory. The series aims to challenge the concept of functionalism and invites to collect and interchange. Its own normograph was used for drawings and to highlight text passages.

We still have some copies left so hit us up if you want your own ;)

Fonts in use:
nomo mono – @leajohannabecker thanks a lot!!!
DINdong – @clara_sambot @bye.byebinary

@hsm.kommunikationsdesign #hsmkd

-function

-function is a series of six booklets featuring twelve perspectives on design theory. The series aims to challenge the concept of functionalism and invites to collect and interchange. Its own normograph was used for drawings and to highlight text passages.

We still have some copies left so hit us up if you want your own ;)

Fonts in use:
nomo mono – @leajohannabecker thanks a lot!!!
DINdong – @clara_sambot @bye.byebinary

@hsm.kommunikationsdesign #hsmkd

-function

-function is a series of six booklets featuring twelve perspectives on design theory. The series aims to challenge the concept of functionalism and invites to collect and interchange. Its own normograph was used for drawings and to highlight text passages.

We still have some copies left so hit us up if you want your own ;)

Fonts in use:
nomo mono – @leajohannabecker thanks a lot!!!
DINdong – @clara_sambot @bye.byebinary

@hsm.kommunikationsdesign #hsmkd

-function

-function is a series of six booklets featuring twelve perspectives on design theory. The series aims to challenge the concept of functionalism and invites to collect and interchange. Its own normograph was used for drawings and to highlight text passages.

We still have some copies left so hit us up if you want your own ;)

Fonts in use:
nomo mono – @leajohannabecker thanks a lot!!!
DINdong – @clara_sambot @bye.byebinary

@hsm.kommunikationsdesign #hsmkd

🌀Ins Rollen kommen🌀
explores social roles and cycle-related experiences. In a shared gathering, we exchanged thoughts on PM(D)S and experimented with creative practices (and heavy duty rolls) to start rolling. The whole process of our research, an interview with an psychoanalyst and former gynaecologist and the different perspectives of the gathering are collected on a scroll, creating a physical, rolling dialogue between the (menstruating) body, society, history and design.

Many thanks our friends who shared their experiences of being a menstruating body (with PM(D)S) with us and get this project rolling💜
& big thank you @marcelbackscheider for supervising our project and @billuartmc for your reasearch about female health technologies! (was such a good source of information)
Fonts in use Chemins Serif by @amelie.tnomud & Fabio XM by @bojjoe 🌀🌀

🌀Ins Rollen kommen🌀
explores social roles and cycle-related experiences. In a shared gathering, we exchanged thoughts on PM(D)S and experimented with creative practices (and heavy duty rolls) to start rolling. The whole process of our research, an interview with an psychoanalyst and former gynaecologist and the different perspectives of the gathering are collected on a scroll, creating a physical, rolling dialogue between the (menstruating) body, society, history and design.

Many thanks our friends who shared their experiences of being a menstruating body (with PM(D)S) with us and get this project rolling💜
& big thank you @marcelbackscheider for supervising our project and @billuartmc for your reasearch about female health technologies! (was such a good source of information)
Fonts in use Chemins Serif by @amelie.tnomud & Fabio XM by @bojjoe 🌀🌀

🌀Ins Rollen kommen🌀
explores social roles and cycle-related experiences. In a shared gathering, we exchanged thoughts on PM(D)S and experimented with creative practices (and heavy duty rolls) to start rolling. The whole process of our research, an interview with an psychoanalyst and former gynaecologist and the different perspectives of the gathering are collected on a scroll, creating a physical, rolling dialogue between the (menstruating) body, society, history and design.

Many thanks our friends who shared their experiences of being a menstruating body (with PM(D)S) with us and get this project rolling💜
& big thank you @marcelbackscheider for supervising our project and @billuartmc for your reasearch about female health technologies! (was such a good source of information)
Fonts in use Chemins Serif by @amelie.tnomud & Fabio XM by @bojjoe 🌀🌀

🌀Ins Rollen kommen🌀
explores social roles and cycle-related experiences. In a shared gathering, we exchanged thoughts on PM(D)S and experimented with creative practices (and heavy duty rolls) to start rolling. The whole process of our research, an interview with an psychoanalyst and former gynaecologist and the different perspectives of the gathering are collected on a scroll, creating a physical, rolling dialogue between the (menstruating) body, society, history and design.

Many thanks our friends who shared their experiences of being a menstruating body (with PM(D)S) with us and get this project rolling💜
& big thank you @marcelbackscheider for supervising our project and @billuartmc for your reasearch about female health technologies! (was such a good source of information)
Fonts in use Chemins Serif by @amelie.tnomud & Fabio XM by @bojjoe 🌀🌀

🌀Ins Rollen kommen🌀
explores social roles and cycle-related experiences. In a shared gathering, we exchanged thoughts on PM(D)S and experimented with creative practices (and heavy duty rolls) to start rolling. The whole process of our research, an interview with an psychoanalyst and former gynaecologist and the different perspectives of the gathering are collected on a scroll, creating a physical, rolling dialogue between the (menstruating) body, society, history and design.

Many thanks our friends who shared their experiences of being a menstruating body (with PM(D)S) with us and get this project rolling💜
& big thank you @marcelbackscheider for supervising our project and @billuartmc for your reasearch about female health technologies! (was such a good source of information)
Fonts in use Chemins Serif by @amelie.tnomud & Fabio XM by @bojjoe 🌀🌀

🌀Ins Rollen kommen🌀
explores social roles and cycle-related experiences. In a shared gathering, we exchanged thoughts on PM(D)S and experimented with creative practices (and heavy duty rolls) to start rolling. The whole process of our research, an interview with an psychoanalyst and former gynaecologist and the different perspectives of the gathering are collected on a scroll, creating a physical, rolling dialogue between the (menstruating) body, society, history and design.

Many thanks our friends who shared their experiences of being a menstruating body (with PM(D)S) with us and get this project rolling💜
& big thank you @marcelbackscheider for supervising our project and @billuartmc for your reasearch about female health technologies! (was such a good source of information)
Fonts in use Chemins Serif by @amelie.tnomud & Fabio XM by @bojjoe 🌀🌀

🌀Ins Rollen kommen🌀
explores social roles and cycle-related experiences. In a shared gathering, we exchanged thoughts on PM(D)S and experimented with creative practices (and heavy duty rolls) to start rolling. The whole process of our research, an interview with an psychoanalyst and former gynaecologist and the different perspectives of the gathering are collected on a scroll, creating a physical, rolling dialogue between the (menstruating) body, society, history and design.

Many thanks our friends who shared their experiences of being a menstruating body (with PM(D)S) with us and get this project rolling💜
& big thank you @marcelbackscheider for supervising our project and @billuartmc for your reasearch about female health technologies! (was such a good source of information)
Fonts in use Chemins Serif by @amelie.tnomud & Fabio XM by @bojjoe 🌀🌀

🌀Ins Rollen kommen🌀
explores social roles and cycle-related experiences. In a shared gathering, we exchanged thoughts on PM(D)S and experimented with creative practices (and heavy duty rolls) to start rolling. The whole process of our research, an interview with an psychoanalyst and former gynaecologist and the different perspectives of the gathering are collected on a scroll, creating a physical, rolling dialogue between the (menstruating) body, society, history and design.

Many thanks our friends who shared their experiences of being a menstruating body (with PM(D)S) with us and get this project rolling💜
& big thank you @marcelbackscheider for supervising our project and @billuartmc for your reasearch about female health technologies! (was such a good source of information)
Fonts in use Chemins Serif by @amelie.tnomud & Fabio XM by @bojjoe 🌀🌀

🌀Ins Rollen kommen🌀
explores social roles and cycle-related experiences. In a shared gathering, we exchanged thoughts on PM(D)S and experimented with creative practices (and heavy duty rolls) to start rolling. The whole process of our research, an interview with an psychoanalyst and former gynaecologist and the different perspectives of the gathering are collected on a scroll, creating a physical, rolling dialogue between the (menstruating) body, society, history and design.

Many thanks our friends who shared their experiences of being a menstruating body (with PM(D)S) with us and get this project rolling💜
& big thank you @marcelbackscheider for supervising our project and @billuartmc for your reasearch about female health technologies! (was such a good source of information)
Fonts in use Chemins Serif by @amelie.tnomud & Fabio XM by @bojjoe 🌀🌀

🌀Ins Rollen kommen🌀
explores social roles and cycle-related experiences. In a shared gathering, we exchanged thoughts on PM(D)S and experimented with creative practices (and heavy duty rolls) to start rolling. The whole process of our research, an interview with an psychoanalyst and former gynaecologist and the different perspectives of the gathering are collected on a scroll, creating a physical, rolling dialogue between the (menstruating) body, society, history and design.

Many thanks our friends who shared their experiences of being a menstruating body (with PM(D)S) with us and get this project rolling💜
& big thank you @marcelbackscheider for supervising our project and @billuartmc for your reasearch about female health technologies! (was such a good source of information)
Fonts in use Chemins Serif by @amelie.tnomud & Fabio XM by @bojjoe 🌀🌀

🌀Ins Rollen kommen🌀
explores social roles and cycle-related experiences. In a shared gathering, we exchanged thoughts on PM(D)S and experimented with creative practices (and heavy duty rolls) to start rolling. The whole process of our research, an interview with an psychoanalyst and former gynaecologist and the different perspectives of the gathering are collected on a scroll, creating a physical, rolling dialogue between the (menstruating) body, society, history and design.

Many thanks our friends who shared their experiences of being a menstruating body (with PM(D)S) with us and get this project rolling💜
& big thank you @marcelbackscheider for supervising our project and @billuartmc for your reasearch about female health technologies! (was such a good source of information)
Fonts in use Chemins Serif by @amelie.tnomud & Fabio XM by @bojjoe 🌀🌀

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Expo d’Erasmus
!!! Save the date !!!

Handwritten and hand-drawn, risograph-printed invitations and posters for a mini-exhibition about my Erasmus stay in Amiens, France.
The typography is inspired by French handwriting « écriture cursive », which is taught in schools using special calligraphy paper. This paper serves as the basis for the grid.
________________
Chèr:e:s ami:e:s,
 chère famille,

nach einem Jahr Erasmus in Amiens stelle ich meine Projekte aus zwei Semestern « design graphique » bei mir zuhause aus.
 Am 30. März 2025 sind zwischen 11 und 18 Uhr die Türen für euch offen: kommt, wann ihr möchtet.
 Außerdem gibt es Snacks, Getränke, einen kleinen Flohmarkt und Prints.

 Bisous,
Fay
________________
3-colour riso print (blue, black, red)
invitations: around DIN A5
poster: DIN A3

02–03/2025

Parenthèse (women in type design)

« Parenthèse » (parenthesis) is a collaborative zine about whatever topic we want to put into — or take out of — parentheses. Each participant created one article and one poster about their chosen topic. My article is about women in type design, offering a brief insight into ongoing visibility projects and featuring an interview with ESAD Type graduate Lois Hinshelwood @proper__signs

2-colour riso print (fluorescent pink, black)
zine: DIN A4
article / poster: DIN A3
100 copies
fonts in use: Helvetica Neue – @bymonotype , SPER – @proper__signs

11/2024

Parenthèse (women in type design)

« Parenthèse » (parenthesis) is a collaborative zine about whatever topic we want to put into — or take out of — parentheses. Each participant created one article and one poster about their chosen topic. My article is about women in type design, offering a brief insight into ongoing visibility projects and featuring an interview with ESAD Type graduate Lois Hinshelwood @proper__signs

2-colour riso print (fluorescent pink, black)
zine: DIN A4
article / poster: DIN A3
100 copies
fonts in use: Helvetica Neue – @bymonotype , SPER – @proper__signs

11/2024

Parenthèse (women in type design)

« Parenthèse » (parenthesis) is a collaborative zine about whatever topic we want to put into — or take out of — parentheses. Each participant created one article and one poster about their chosen topic. My article is about women in type design, offering a brief insight into ongoing visibility projects and featuring an interview with ESAD Type graduate Lois Hinshelwood @proper__signs

2-colour riso print (fluorescent pink, black)
zine: DIN A4
article / poster: DIN A3
100 copies
fonts in use: Helvetica Neue – @bymonotype , SPER – @proper__signs

11/2024

Parenthèse (women in type design)

« Parenthèse » (parenthesis) is a collaborative zine about whatever topic we want to put into — or take out of — parentheses. Each participant created one article and one poster about their chosen topic. My article is about women in type design, offering a brief insight into ongoing visibility projects and featuring an interview with ESAD Type graduate Lois Hinshelwood @proper__signs

2-colour riso print (fluorescent pink, black)
zine: DIN A4
article / poster: DIN A3
100 copies
fonts in use: Helvetica Neue – @bymonotype , SPER – @proper__signs

11/2024

Parenthèse (women in type design)

« Parenthèse » (parenthesis) is a collaborative zine about whatever topic we want to put into — or take out of — parentheses. Each participant created one article and one poster about their chosen topic. My article is about women in type design, offering a brief insight into ongoing visibility projects and featuring an interview with ESAD Type graduate Lois Hinshelwood @proper__signs

2-colour riso print (fluorescent pink, black)
zine: DIN A4
article / poster: DIN A3
100 copies
fonts in use: Helvetica Neue – @bymonotype , SPER – @proper__signs

11/2024

Parenthèse (women in type design)

« Parenthèse » (parenthesis) is a collaborative zine about whatever topic we want to put into — or take out of — parentheses. Each participant created one article and one poster about their chosen topic. My article is about women in type design, offering a brief insight into ongoing visibility projects and featuring an interview with ESAD Type graduate Lois Hinshelwood @proper__signs

2-colour riso print (fluorescent pink, black)
zine: DIN A4
article / poster: DIN A3
100 copies
fonts in use: Helvetica Neue – @bymonotype , SPER – @proper__signs

11/2024

Parenthèse (women in type design)

« Parenthèse » (parenthesis) is a collaborative zine about whatever topic we want to put into — or take out of — parentheses. Each participant created one article and one poster about their chosen topic. My article is about women in type design, offering a brief insight into ongoing visibility projects and featuring an interview with ESAD Type graduate Lois Hinshelwood @proper__signs

2-colour riso print (fluorescent pink, black)
zine: DIN A4
article / poster: DIN A3
100 copies
fonts in use: Helvetica Neue – @bymonotype , SPER – @proper__signs

11/2024

Parenthèse (women in type design)

« Parenthèse » (parenthesis) is a collaborative zine about whatever topic we want to put into — or take out of — parentheses. Each participant created one article and one poster about their chosen topic. My article is about women in type design, offering a brief insight into ongoing visibility projects and featuring an interview with ESAD Type graduate Lois Hinshelwood @proper__signs

2-colour riso print (fluorescent pink, black)
zine: DIN A4
article / poster: DIN A3
100 copies
fonts in use: Helvetica Neue – @bymonotype , SPER – @proper__signs

11/2024

Parenthèse (women in type design)

« Parenthèse » (parenthesis) is a collaborative zine about whatever topic we want to put into — or take out of — parentheses. Each participant created one article and one poster about their chosen topic. My article is about women in type design, offering a brief insight into ongoing visibility projects and featuring an interview with ESAD Type graduate Lois Hinshelwood @proper__signs

2-colour riso print (fluorescent pink, black)
zine: DIN A4
article / poster: DIN A3
100 copies
fonts in use: Helvetica Neue – @bymonotype , SPER – @proper__signs

11/2024

Parenthèse (women in type design)

« Parenthèse » (parenthesis) is a collaborative zine about whatever topic we want to put into — or take out of — parentheses. Each participant created one article and one poster about their chosen topic. My article is about women in type design, offering a brief insight into ongoing visibility projects and featuring an interview with ESAD Type graduate Lois Hinshelwood @proper__signs

2-colour riso print (fluorescent pink, black)
zine: DIN A4
article / poster: DIN A3
100 copies
fonts in use: Helvetica Neue – @bymonotype , SPER – @proper__signs

11/2024

Parenthèse (women in type design)

« Parenthèse » (parenthesis) is a collaborative zine about whatever topic we want to put into — or take out of — parentheses. Each participant created one article and one poster about their chosen topic. My article is about women in type design, offering a brief insight into ongoing visibility projects and featuring an interview with ESAD Type graduate Lois Hinshelwood @proper__signs

2-colour riso print (fluorescent pink, black)
zine: DIN A4
article / poster: DIN A3
100 copies
fonts in use: Helvetica Neue – @bymonotype , SPER – @proper__signs

11/2024

Parenthèse (women in type design)

« Parenthèse » (parenthesis) is a collaborative zine about whatever topic we want to put into — or take out of — parentheses. Each participant created one article and one poster about their chosen topic. My article is about women in type design, offering a brief insight into ongoing visibility projects and featuring an interview with ESAD Type graduate Lois Hinshelwood @proper__signs

2-colour riso print (fluorescent pink, black)
zine: DIN A4
article / poster: DIN A3
100 copies
fonts in use: Helvetica Neue – @bymonotype , SPER – @proper__signs

11/2024

Proposition of a poster for the open days (journées portes ouvertes) 2025 of ÉSAD Amiens

400 x 600 mm
inkjet print
font in use: Neue Haas Grotesk – @commercialtype

11/2024

Proposition of a poster for the open days (journées portes ouvertes) 2025 of ÉSAD Amiens

400 x 600 mm
inkjet print
font in use: Neue Haas Grotesk – @commercialtype

11/2024

Proposition of a poster for the open days (journées portes ouvertes) 2025 of ÉSAD Amiens

400 x 600 mm
inkjet print
font in use: Neue Haas Grotesk – @commercialtype

11/2024

Proposition of a poster for the open days (journées portes ouvertes) 2025 of ÉSAD Amiens

400 x 600 mm
inkjet print
font in use: Neue Haas Grotesk – @commercialtype

11/2024

Les pouBelles d’Amiens

Last semester, I became obsessed with rubbish bins. In February, I suddenly started taking loads of photos of the bins around me. I suppose it was because of the different colours and the aesthetic of the plain bins and their surroundings. So I decided to print a riso book as a collection of aesthetic unaesthetics.

3-colour riso print (red, yellow, blue)
printed on random paper I found in the bins of ÉSAD Amiens
105 x 297 mm
10 copies
fonts in use: Carol Gothic – @paratype , Authentic Sans – @veryauthentic

06/2024

Les pouBelles d’Amiens

Last semester, I became obsessed with rubbish bins. In February, I suddenly started taking loads of photos of the bins around me. I suppose it was because of the different colours and the aesthetic of the plain bins and their surroundings. So I decided to print a riso book as a collection of aesthetic unaesthetics.

3-colour riso print (red, yellow, blue)
printed on random paper I found in the bins of ÉSAD Amiens
105 x 297 mm
10 copies
fonts in use: Carol Gothic – @paratype , Authentic Sans – @veryauthentic

06/2024

Les pouBelles d’Amiens

Last semester, I became obsessed with rubbish bins. In February, I suddenly started taking loads of photos of the bins around me. I suppose it was because of the different colours and the aesthetic of the plain bins and their surroundings. So I decided to print a riso book as a collection of aesthetic unaesthetics.

3-colour riso print (red, yellow, blue)
printed on random paper I found in the bins of ÉSAD Amiens
105 x 297 mm
10 copies
fonts in use: Carol Gothic – @paratype , Authentic Sans – @veryauthentic

06/2024

Les pouBelles d’Amiens

Last semester, I became obsessed with rubbish bins. In February, I suddenly started taking loads of photos of the bins around me. I suppose it was because of the different colours and the aesthetic of the plain bins and their surroundings. So I decided to print a riso book as a collection of aesthetic unaesthetics.

3-colour riso print (red, yellow, blue)
printed on random paper I found in the bins of ÉSAD Amiens
105 x 297 mm
10 copies
fonts in use: Carol Gothic – @paratype , Authentic Sans – @veryauthentic

06/2024

Les pouBelles d’Amiens

Last semester, I became obsessed with rubbish bins. In February, I suddenly started taking loads of photos of the bins around me. I suppose it was because of the different colours and the aesthetic of the plain bins and their surroundings. So I decided to print a riso book as a collection of aesthetic unaesthetics.

3-colour riso print (red, yellow, blue)
printed on random paper I found in the bins of ÉSAD Amiens
105 x 297 mm
10 copies
fonts in use: Carol Gothic – @paratype , Authentic Sans – @veryauthentic

06/2024

Les pouBelles d’Amiens

Last semester, I became obsessed with rubbish bins. In February, I suddenly started taking loads of photos of the bins around me. I suppose it was because of the different colours and the aesthetic of the plain bins and their surroundings. So I decided to print a riso book as a collection of aesthetic unaesthetics.

3-colour riso print (red, yellow, blue)
printed on random paper I found in the bins of ÉSAD Amiens
105 x 297 mm
10 copies
fonts in use: Carol Gothic – @paratype , Authentic Sans – @veryauthentic

06/2024

Les pouBelles d’Amiens

Last semester, I became obsessed with rubbish bins. In February, I suddenly started taking loads of photos of the bins around me. I suppose it was because of the different colours and the aesthetic of the plain bins and their surroundings. So I decided to print a riso book as a collection of aesthetic unaesthetics.

3-colour riso print (red, yellow, blue)
printed on random paper I found in the bins of ÉSAD Amiens
105 x 297 mm
10 copies
fonts in use: Carol Gothic – @paratype , Authentic Sans – @veryauthentic

06/2024

Les pouBelles d’Amiens

Last semester, I became obsessed with rubbish bins. In February, I suddenly started taking loads of photos of the bins around me. I suppose it was because of the different colours and the aesthetic of the plain bins and their surroundings. So I decided to print a riso book as a collection of aesthetic unaesthetics.

3-colour riso print (red, yellow, blue)
printed on random paper I found in the bins of ÉSAD Amiens
105 x 297 mm
10 copies
fonts in use: Carol Gothic – @paratype , Authentic Sans – @veryauthentic

06/2024

I made some bags with rope I found on the local market in Amiens.

inspired by climbing & my friends.

thank you @proper__signs , @mishehaddad & @leo_bidani for modeling

I made some bags with rope I found on the local market in Amiens.

inspired by climbing & my friends.

thank you @proper__signs , @mishehaddad & @leo_bidani for modeling

I made some bags with rope I found on the local market in Amiens.

inspired by climbing & my friends.

thank you @proper__signs , @mishehaddad & @leo_bidani for modeling

I made some bags with rope I found on the local market in Amiens.

inspired by climbing & my friends.

thank you @proper__signs , @mishehaddad & @leo_bidani for modeling

I made some bags with rope I found on the local market in Amiens.

inspired by climbing & my friends.

thank you @proper__signs , @mishehaddad & @leo_bidani for modeling

I made some bags with rope I found on the local market in Amiens.

inspired by climbing & my friends.

thank you @proper__signs , @mishehaddad & @leo_bidani for modeling

I made some bags with rope I found on the local market in Amiens.

inspired by climbing & my friends.

thank you @proper__signs , @mishehaddad & @leo_bidani for modeling

I made some bags with rope I found on the local market in Amiens.

inspired by climbing & my friends.

thank you @proper__signs , @mishehaddad & @leo_bidani for modeling

I made some bags with rope I found on the local market in Amiens.

inspired by climbing & my friends.

thank you @proper__signs , @mishehaddad & @leo_bidani for modeling

Carceri • 07/2023

für den kurs „freedom! what freedom?“ sollten wir eine lebensverändernde erfahrung machen, um zu erforschen, wieviel freiheit wir eigentlich wirklich leben. also gingen lena @lena.esb (@ameisenburger) und ich für vier tage ins schweigekloster sießen.

das buch, eine mischung aus braver bibel und wildem tagebuch, ist ein erfahrungsbericht über unsere zeit mit den franziskanerinnen. darin werden reflexionsfragen, zeichnungen und gedichte verarbeitet.

wer an den ohrwürmern, die uns in der stillen zeit wie radio im kopf gequält haben, interessiert ist: checkt slide 8 für den spotify code zur ✨klosterohrwürmerplaylist✨

danke an @lena_stojsic (@smiljqa) für das foto und @lena.esb für die spannende erfahrung, die wir miteinander teilen konnten. 🧡💜

font: avenir next – akira kobayashi, adrian frutiger

Carceri • 07/2023

für den kurs „freedom! what freedom?“ sollten wir eine lebensverändernde erfahrung machen, um zu erforschen, wieviel freiheit wir eigentlich wirklich leben. also gingen lena @lena.esb (@ameisenburger) und ich für vier tage ins schweigekloster sießen.

das buch, eine mischung aus braver bibel und wildem tagebuch, ist ein erfahrungsbericht über unsere zeit mit den franziskanerinnen. darin werden reflexionsfragen, zeichnungen und gedichte verarbeitet.

wer an den ohrwürmern, die uns in der stillen zeit wie radio im kopf gequält haben, interessiert ist: checkt slide 8 für den spotify code zur ✨klosterohrwürmerplaylist✨

danke an @lena_stojsic (@smiljqa) für das foto und @lena.esb für die spannende erfahrung, die wir miteinander teilen konnten. 🧡💜

font: avenir next – akira kobayashi, adrian frutiger

Carceri • 07/2023

für den kurs „freedom! what freedom?“ sollten wir eine lebensverändernde erfahrung machen, um zu erforschen, wieviel freiheit wir eigentlich wirklich leben. also gingen lena @lena.esb (@ameisenburger) und ich für vier tage ins schweigekloster sießen.

das buch, eine mischung aus braver bibel und wildem tagebuch, ist ein erfahrungsbericht über unsere zeit mit den franziskanerinnen. darin werden reflexionsfragen, zeichnungen und gedichte verarbeitet.

wer an den ohrwürmern, die uns in der stillen zeit wie radio im kopf gequält haben, interessiert ist: checkt slide 8 für den spotify code zur ✨klosterohrwürmerplaylist✨

danke an @lena_stojsic (@smiljqa) für das foto und @lena.esb für die spannende erfahrung, die wir miteinander teilen konnten. 🧡💜

font: avenir next – akira kobayashi, adrian frutiger

Carceri • 07/2023

für den kurs „freedom! what freedom?“ sollten wir eine lebensverändernde erfahrung machen, um zu erforschen, wieviel freiheit wir eigentlich wirklich leben. also gingen lena @lena.esb (@ameisenburger) und ich für vier tage ins schweigekloster sießen.

das buch, eine mischung aus braver bibel und wildem tagebuch, ist ein erfahrungsbericht über unsere zeit mit den franziskanerinnen. darin werden reflexionsfragen, zeichnungen und gedichte verarbeitet.

wer an den ohrwürmern, die uns in der stillen zeit wie radio im kopf gequält haben, interessiert ist: checkt slide 8 für den spotify code zur ✨klosterohrwürmerplaylist✨

danke an @lena_stojsic (@smiljqa) für das foto und @lena.esb für die spannende erfahrung, die wir miteinander teilen konnten. 🧡💜

font: avenir next – akira kobayashi, adrian frutiger

Carceri • 07/2023

für den kurs „freedom! what freedom?“ sollten wir eine lebensverändernde erfahrung machen, um zu erforschen, wieviel freiheit wir eigentlich wirklich leben. also gingen lena @lena.esb (@ameisenburger) und ich für vier tage ins schweigekloster sießen.

das buch, eine mischung aus braver bibel und wildem tagebuch, ist ein erfahrungsbericht über unsere zeit mit den franziskanerinnen. darin werden reflexionsfragen, zeichnungen und gedichte verarbeitet.

wer an den ohrwürmern, die uns in der stillen zeit wie radio im kopf gequält haben, interessiert ist: checkt slide 8 für den spotify code zur ✨klosterohrwürmerplaylist✨

danke an @lena_stojsic (@smiljqa) für das foto und @lena.esb für die spannende erfahrung, die wir miteinander teilen konnten. 🧡💜

font: avenir next – akira kobayashi, adrian frutiger

Carceri • 07/2023

für den kurs „freedom! what freedom?“ sollten wir eine lebensverändernde erfahrung machen, um zu erforschen, wieviel freiheit wir eigentlich wirklich leben. also gingen lena @lena.esb (@ameisenburger) und ich für vier tage ins schweigekloster sießen.

das buch, eine mischung aus braver bibel und wildem tagebuch, ist ein erfahrungsbericht über unsere zeit mit den franziskanerinnen. darin werden reflexionsfragen, zeichnungen und gedichte verarbeitet.

wer an den ohrwürmern, die uns in der stillen zeit wie radio im kopf gequält haben, interessiert ist: checkt slide 8 für den spotify code zur ✨klosterohrwürmerplaylist✨

danke an @lena_stojsic (@smiljqa) für das foto und @lena.esb für die spannende erfahrung, die wir miteinander teilen konnten. 🧡💜

font: avenir next – akira kobayashi, adrian frutiger

Carceri • 07/2023

für den kurs „freedom! what freedom?“ sollten wir eine lebensverändernde erfahrung machen, um zu erforschen, wieviel freiheit wir eigentlich wirklich leben. also gingen lena @lena.esb (@ameisenburger) und ich für vier tage ins schweigekloster sießen.

das buch, eine mischung aus braver bibel und wildem tagebuch, ist ein erfahrungsbericht über unsere zeit mit den franziskanerinnen. darin werden reflexionsfragen, zeichnungen und gedichte verarbeitet.

wer an den ohrwürmern, die uns in der stillen zeit wie radio im kopf gequält haben, interessiert ist: checkt slide 8 für den spotify code zur ✨klosterohrwürmerplaylist✨

danke an @lena_stojsic (@smiljqa) für das foto und @lena.esb für die spannende erfahrung, die wir miteinander teilen konnten. 🧡💜

font: avenir next – akira kobayashi, adrian frutiger

Carceri • 07/2023

für den kurs „freedom! what freedom?“ sollten wir eine lebensverändernde erfahrung machen, um zu erforschen, wieviel freiheit wir eigentlich wirklich leben. also gingen lena @lena.esb (@ameisenburger) und ich für vier tage ins schweigekloster sießen.

das buch, eine mischung aus braver bibel und wildem tagebuch, ist ein erfahrungsbericht über unsere zeit mit den franziskanerinnen. darin werden reflexionsfragen, zeichnungen und gedichte verarbeitet.

wer an den ohrwürmern, die uns in der stillen zeit wie radio im kopf gequält haben, interessiert ist: checkt slide 8 für den spotify code zur ✨klosterohrwürmerplaylist✨

danke an @lena_stojsic (@smiljqa) für das foto und @lena.esb für die spannende erfahrung, die wir miteinander teilen konnten. 🧡💜

font: avenir next – akira kobayashi, adrian frutiger

Carceri • 07/2023

für den kurs „freedom! what freedom?“ sollten wir eine lebensverändernde erfahrung machen, um zu erforschen, wieviel freiheit wir eigentlich wirklich leben. also gingen lena @lena.esb (@ameisenburger) und ich für vier tage ins schweigekloster sießen.

das buch, eine mischung aus braver bibel und wildem tagebuch, ist ein erfahrungsbericht über unsere zeit mit den franziskanerinnen. darin werden reflexionsfragen, zeichnungen und gedichte verarbeitet.

wer an den ohrwürmern, die uns in der stillen zeit wie radio im kopf gequält haben, interessiert ist: checkt slide 8 für den spotify code zur ✨klosterohrwürmerplaylist✨

danke an @lena_stojsic (@smiljqa) für das foto und @lena.esb für die spannende erfahrung, die wir miteinander teilen konnten. 🧡💜

font: avenir next – akira kobayashi, adrian frutiger

swim bike run shirt & hoodie🦋
-> funktional von wechselzone bis afterhour🚲
design & print @faynesache

swim bike run shirt & hoodie🦋
-> funktional von wechselzone bis afterhour🚲
design & print @faynesache

swim bike run shirt & hoodie🦋
-> funktional von wechselzone bis afterhour🚲
design & print @faynesache

swim bike run shirt & hoodie🦋
-> funktional von wechselzone bis afterhour🚲
design & print @faynesache