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Happy TDOV?

1. Nasty Girl 2 (The Beast) - 2024
2. Nasty Girl (The Sharpest Girl in Town) - 2023
3. An Other Ending - 2023
4. Illustrations for Libations, Attestations, Affirmation - 2020
5. Celeste - She of the Sea- 2023
6. So, what are you doing here - 2025

Happy TDOV?

1. Nasty Girl 2 (The Beast) - 2024
2. Nasty Girl (The Sharpest Girl in Town) - 2023
3. An Other Ending - 2023
4. Illustrations for Libations, Attestations, Affirmation - 2020
5. Celeste - She of the Sea- 2023
6. So, what are you doing here - 2025

Happy TDOV?

1. Nasty Girl 2 (The Beast) - 2024
2. Nasty Girl (The Sharpest Girl in Town) - 2023
3. An Other Ending - 2023
4. Illustrations for Libations, Attestations, Affirmation - 2020
5. Celeste - She of the Sea- 2023
6. So, what are you doing here - 2025

Happy TDOV?

1. Nasty Girl 2 (The Beast) - 2024
2. Nasty Girl (The Sharpest Girl in Town) - 2023
3. An Other Ending - 2023
4. Illustrations for Libations, Attestations, Affirmation - 2020
5. Celeste - She of the Sea- 2023
6. So, what are you doing here - 2025

Happy TDOV?

1. Nasty Girl 2 (The Beast) - 2024
2. Nasty Girl (The Sharpest Girl in Town) - 2023
3. An Other Ending - 2023
4. Illustrations for Libations, Attestations, Affirmation - 2020
5. Celeste - She of the Sea- 2023
6. So, what are you doing here - 2025

Happy TDOV?

1. Nasty Girl 2 (The Beast) - 2024
2. Nasty Girl (The Sharpest Girl in Town) - 2023
3. An Other Ending - 2023
4. Illustrations for Libations, Attestations, Affirmation - 2020
5. Celeste - She of the Sea- 2023
6. So, what are you doing here - 2025

I'm just a woman, an ordinary person
2024

Mylar, digital prints, resin, acrylic

I'm just a woman, an ordinary person
2024

Mylar, digital prints, resin, acrylic

my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!

my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!

my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!

my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!

my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!

my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!

my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!

my body reminds us water v
Thank you @pamuseum_ for inviting me to perform at the historic Jewel's Catch One alongside other incredible artists!

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This was Ebun Sodipo, « You see her walking », a performance with Davia Spain.

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

This Thursday:

Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève

Guided by Black feminist studies and employing a methodology of collage and storytelling, Ebun Sodipo’s work identifies and produces real and imagined narratives of the presence, embodiment, and inner lives of Black trans women across the past, present, and future, filling historical gaps to create moments of archival pleasure. Her work unfolds across multiple spaces (galleries, festivals, theater, digital, and print) and in various forms (sound, performance, text, installation, video, and sculpture).

Davia Spain is a performance artist, musician, and filmmaker who was born and raised in California. She draws on Afrofuturist themes such as time travel, multidimensionality, and the theory of circular time to imagine new possibilities for this physical plane.

Images:
1 & 2: Vitoria Buraco, Live Collision, Dublin

@epastry @daviaspain

This Thursday:

Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève

Guided by Black feminist studies and employing a methodology of collage and storytelling, Ebun Sodipo’s work identifies and produces real and imagined narratives of the presence, embodiment, and inner lives of Black trans women across the past, present, and future, filling historical gaps to create moments of archival pleasure. Her work unfolds across multiple spaces (galleries, festivals, theater, digital, and print) and in various forms (sound, performance, text, installation, video, and sculpture).

Davia Spain is a performance artist, musician, and filmmaker who was born and raised in California. She draws on Afrofuturist themes such as time travel, multidimensionality, and the theory of circular time to imagine new possibilities for this physical plane.

Images:
1 & 2: Vitoria Buraco, Live Collision, Dublin

@epastry @daviaspain

This Thursday:

Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève

Guided by Black feminist studies and employing a methodology of collage and storytelling, Ebun Sodipo’s work identifies and produces real and imagined narratives of the presence, embodiment, and inner lives of Black trans women across the past, present, and future, filling historical gaps to create moments of archival pleasure. Her work unfolds across multiple spaces (galleries, festivals, theater, digital, and print) and in various forms (sound, performance, text, installation, video, and sculpture).

Davia Spain is a performance artist, musician, and filmmaker who was born and raised in California. She draws on Afrofuturist themes such as time travel, multidimensionality, and the theory of circular time to imagine new possibilities for this physical plane.

Images:
1 & 2: Vitoria Buraco, Live Collision, Dublin

@epastry @daviaspain

Next Thursday, in Geneva, comme see her walking:

Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève

« You see her walking » is a new performance piece that continues Ebun Sodipo’s investigation into the formation of gender and patriarchy, conjured through the embodiment of historical or speculated figures, and the violence and desire that surrounds them.

Images:
1. Cardion Nights, ICA, photo: Christa Holka
2. Celeste – She of the Sea. Film Still (2023) Courtesy of Soft Opening and the artist.

@epastry @daviaspain

Next Thursday, in Geneva, comme see her walking:

Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève

« You see her walking » is a new performance piece that continues Ebun Sodipo’s investigation into the formation of gender and patriarchy, conjured through the embodiment of historical or speculated figures, and the violence and desire that surrounds them.

Images:
1. Cardion Nights, ICA, photo: Christa Holka
2. Celeste – She of the Sea. Film Still (2023) Courtesy of Soft Opening and the artist.

@epastry @daviaspain

In exactly one week:

Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

Images:
2. My body reminds us of water, Performance art museum, photo: Christopher Wormald
3, 4. Self portrait / I am my ancestor’s tongue. Courtesy the artist & Soft Opening, London

@epastry @daviaspain @mahgeneve

In exactly one week:

Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

Images:
2. My body reminds us of water, Performance art museum, photo: Christopher Wormald
3, 4. Self portrait / I am my ancestor’s tongue. Courtesy the artist & Soft Opening, London

@epastry @daviaspain @mahgeneve

In exactly one week:

Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

Images:
2. My body reminds us of water, Performance art museum, photo: Christopher Wormald
3, 4. Self portrait / I am my ancestor’s tongue. Courtesy the artist & Soft Opening, London

@epastry @daviaspain @mahgeneve

In exactly one week:

Ebun Sodipo with Davia Spain
« You see her walking »
April 23, 2026
18:00 - 18:40
Musée d’Art et d’Histoire, Genève

In five vignettes, Ebun Sodipo and Davia Spain walk viewers through millennia of encounters with women who we now call trans. In the meandering, the performance lingers on the one watching, on desire as it forms and shifts shape, revealing unstable edges. Other forces rush into the yearning: fear, fixation, shame, fetish, worship.

Images:
2. My body reminds us of water, Performance art museum, photo: Christopher Wormald
3, 4. Self portrait / I am my ancestor’s tongue. Courtesy the artist & Soft Opening, London

@epastry @daviaspain @mahgeneve

Olukemi Lijadu in conversation with Ebun Sodipo

The full interview was published in our Issue 14. Get your copy now via the link in bio!

Ebun Sodipo's (b.1993, London, UK) work has recently been included in exhibitions held at Shmorévaz, Paris (2025, forthcoming solo); Aspex, Portsmouth (2025, solo); Soft Opening, London, Soft Opening at Paul Soto, Los Angeles (2024); g39, Cardiff and Southwark ParkGalleries, London as part of Jerwood Survey IIII (2024); Inter.pblc, Copenhagen (2024, solo); Hauser & Wirth, Somerset (2024); VO Curations, London (2023, solo); Goldsmiths CCA, London (2022, solo); VISUAL Centre for Contemporary Art, Carlow
(2022); FACT, Liverpool (2022) and The Block Museum of Art, Evanston (2021) among others. The artist has performed at venues including Performance Art Museum, Los Angeles (2024); Edinburgh Arts Festival, Edinburgh (2024); Live Collision International Festival at Project Arts Centre, Dublin (2023); Bergen Kunsthall, Norway (2022); Turner Contemporary, Margate (2022); Camden Arts Centre, London (2021); Frieze Art Fair, London (2021); South London Gallery, London (2020) and Auto Italia, London (2019)

Olukemi Lijadu in conversation with Ebun Sodipo

The full interview was published in our Issue 14. Get your copy now via the link in bio!

Ebun Sodipo's (b.1993, London, UK) work has recently been included in exhibitions held at Shmorévaz, Paris (2025, forthcoming solo); Aspex, Portsmouth (2025, solo); Soft Opening, London, Soft Opening at Paul Soto, Los Angeles (2024); g39, Cardiff and Southwark ParkGalleries, London as part of Jerwood Survey IIII (2024); Inter.pblc, Copenhagen (2024, solo); Hauser & Wirth, Somerset (2024); VO Curations, London (2023, solo); Goldsmiths CCA, London (2022, solo); VISUAL Centre for Contemporary Art, Carlow
(2022); FACT, Liverpool (2022) and The Block Museum of Art, Evanston (2021) among others. The artist has performed at venues including Performance Art Museum, Los Angeles (2024); Edinburgh Arts Festival, Edinburgh (2024); Live Collision International Festival at Project Arts Centre, Dublin (2023); Bergen Kunsthall, Norway (2022); Turner Contemporary, Margate (2022); Camden Arts Centre, London (2021); Frieze Art Fair, London (2021); South London Gallery, London (2020) and Auto Italia, London (2019)

Olukemi Lijadu in conversation with Ebun Sodipo

The full interview was published in our Issue 14. Get your copy now via the link in bio!

Ebun Sodipo's (b.1993, London, UK) work has recently been included in exhibitions held at Shmorévaz, Paris (2025, forthcoming solo); Aspex, Portsmouth (2025, solo); Soft Opening, London, Soft Opening at Paul Soto, Los Angeles (2024); g39, Cardiff and Southwark ParkGalleries, London as part of Jerwood Survey IIII (2024); Inter.pblc, Copenhagen (2024, solo); Hauser & Wirth, Somerset (2024); VO Curations, London (2023, solo); Goldsmiths CCA, London (2022, solo); VISUAL Centre for Contemporary Art, Carlow
(2022); FACT, Liverpool (2022) and The Block Museum of Art, Evanston (2021) among others. The artist has performed at venues including Performance Art Museum, Los Angeles (2024); Edinburgh Arts Festival, Edinburgh (2024); Live Collision International Festival at Project Arts Centre, Dublin (2023); Bergen Kunsthall, Norway (2022); Turner Contemporary, Margate (2022); Camden Arts Centre, London (2021); Frieze Art Fair, London (2021); South London Gallery, London (2020) and Auto Italia, London (2019)

Olukemi Lijadu in conversation with Ebun Sodipo

The full interview was published in our Issue 14. Get your copy now via the link in bio!

Ebun Sodipo's (b.1993, London, UK) work has recently been included in exhibitions held at Shmorévaz, Paris (2025, forthcoming solo); Aspex, Portsmouth (2025, solo); Soft Opening, London, Soft Opening at Paul Soto, Los Angeles (2024); g39, Cardiff and Southwark ParkGalleries, London as part of Jerwood Survey IIII (2024); Inter.pblc, Copenhagen (2024, solo); Hauser & Wirth, Somerset (2024); VO Curations, London (2023, solo); Goldsmiths CCA, London (2022, solo); VISUAL Centre for Contemporary Art, Carlow
(2022); FACT, Liverpool (2022) and The Block Museum of Art, Evanston (2021) among others. The artist has performed at venues including Performance Art Museum, Los Angeles (2024); Edinburgh Arts Festival, Edinburgh (2024); Live Collision International Festival at Project Arts Centre, Dublin (2023); Bergen Kunsthall, Norway (2022); Turner Contemporary, Margate (2022); Camden Arts Centre, London (2021); Frieze Art Fair, London (2021); South London Gallery, London (2020) and Auto Italia, London (2019)

Olukemi Lijadu in conversation with Ebun Sodipo

The full interview was published in our Issue 14. Get your copy now via the link in bio!

Ebun Sodipo's (b.1993, London, UK) work has recently been included in exhibitions held at Shmorévaz, Paris (2025, forthcoming solo); Aspex, Portsmouth (2025, solo); Soft Opening, London, Soft Opening at Paul Soto, Los Angeles (2024); g39, Cardiff and Southwark ParkGalleries, London as part of Jerwood Survey IIII (2024); Inter.pblc, Copenhagen (2024, solo); Hauser & Wirth, Somerset (2024); VO Curations, London (2023, solo); Goldsmiths CCA, London (2022, solo); VISUAL Centre for Contemporary Art, Carlow
(2022); FACT, Liverpool (2022) and The Block Museum of Art, Evanston (2021) among others. The artist has performed at venues including Performance Art Museum, Los Angeles (2024); Edinburgh Arts Festival, Edinburgh (2024); Live Collision International Festival at Project Arts Centre, Dublin (2023); Bergen Kunsthall, Norway (2022); Turner Contemporary, Margate (2022); Camden Arts Centre, London (2021); Frieze Art Fair, London (2021); South London Gallery, London (2020) and Auto Italia, London (2019)

Olukemi Lijadu in conversation with Ebun Sodipo

The full interview was published in our Issue 14. Get your copy now via the link in bio!

Ebun Sodipo's (b.1993, London, UK) work has recently been included in exhibitions held at Shmorévaz, Paris (2025, forthcoming solo); Aspex, Portsmouth (2025, solo); Soft Opening, London, Soft Opening at Paul Soto, Los Angeles (2024); g39, Cardiff and Southwark ParkGalleries, London as part of Jerwood Survey IIII (2024); Inter.pblc, Copenhagen (2024, solo); Hauser & Wirth, Somerset (2024); VO Curations, London (2023, solo); Goldsmiths CCA, London (2022, solo); VISUAL Centre for Contemporary Art, Carlow
(2022); FACT, Liverpool (2022) and The Block Museum of Art, Evanston (2021) among others. The artist has performed at venues including Performance Art Museum, Los Angeles (2024); Edinburgh Arts Festival, Edinburgh (2024); Live Collision International Festival at Project Arts Centre, Dublin (2023); Bergen Kunsthall, Norway (2022); Turner Contemporary, Margate (2022); Camden Arts Centre, London (2021); Frieze Art Fair, London (2021); South London Gallery, London (2020) and Auto Italia, London (2019)

1. What is a nation? 2025
2. Killed by an abstraction. 2025

Mylar, digital prints, resin, acrylic

'Is it right that children around the world can live and play in comfort and safety while we live in death and destruction?'

The central image of thefirst work shows a child holding a stone. In front of him is a rifle wielding Isreali soldier. It is 1993, at the close of the first Intifada.

The central image of the second work shows another child, 12 year old Syed speaking to a BBC journalist. It is 2015 and his brother and cousins have been recently killed by Isreali snipers. It is Syed who asks the above question.

🇵🇸

1. What is a nation? 2025
2. Killed by an abstraction. 2025

Mylar, digital prints, resin, acrylic

'Is it right that children around the world can live and play in comfort and safety while we live in death and destruction?'

The central image of thefirst work shows a child holding a stone. In front of him is a rifle wielding Isreali soldier. It is 1993, at the close of the first Intifada.

The central image of the second work shows another child, 12 year old Syed speaking to a BBC journalist. It is 2015 and his brother and cousins have been recently killed by Isreali snipers. It is Syed who asks the above question.

🇵🇸

Join myself, april forrest lin 林森 @a_f__lin and Ebun Sodipo @epastry at the BFI @britishfilminstitute in January where I’ll be hosting a gentle panel on queer DIY transgressive filmmaking practice. It’s a dream come true and alongside two wonderful practitioners also.

The discussion will investigate the capacity for the concept of elsewheres and queered utopic landscapes while celebrating the creative autonomy of refusal. Queer utopia is alive and in reach.

11:45–12:30, Blue Room at the @britishfilminstitute on Saturday the 24th of January.

Tickets are available on the BFI website.

Maybe we will see you there. 💌 Queer horizons and new beginnings are afoot. #womanwithamoviecamerasummit #womanwithamoviecamera

*An annual event, the summit programme is formed by over 20 events exploring film and television, focused on lending female and non-binary voices a chance to speak about the issues facing them in today’s workplace and culture.*

Join myself, april forrest lin 林森 @a_f__lin and Ebun Sodipo @epastry at the BFI @britishfilminstitute in January where I’ll be hosting a gentle panel on queer DIY transgressive filmmaking practice. It’s a dream come true and alongside two wonderful practitioners also.

The discussion will investigate the capacity for the concept of elsewheres and queered utopic landscapes while celebrating the creative autonomy of refusal. Queer utopia is alive and in reach.

11:45–12:30, Blue Room at the @britishfilminstitute on Saturday the 24th of January.

Tickets are available on the BFI website.

Maybe we will see you there. 💌 Queer horizons and new beginnings are afoot. #womanwithamoviecamerasummit #womanwithamoviecamera

*An annual event, the summit programme is formed by over 20 events exploring film and television, focused on lending female and non-binary voices a chance to speak about the issues facing them in today’s workplace and culture.*

Join myself, april forrest lin 林森 @a_f__lin and Ebun Sodipo @epastry at the BFI @britishfilminstitute in January where I’ll be hosting a gentle panel on queer DIY transgressive filmmaking practice. It’s a dream come true and alongside two wonderful practitioners also.

The discussion will investigate the capacity for the concept of elsewheres and queered utopic landscapes while celebrating the creative autonomy of refusal. Queer utopia is alive and in reach.

11:45–12:30, Blue Room at the @britishfilminstitute on Saturday the 24th of January.

Tickets are available on the BFI website.

Maybe we will see you there. 💌 Queer horizons and new beginnings are afoot. #womanwithamoviecamerasummit #womanwithamoviecamera

*An annual event, the summit programme is formed by over 20 events exploring film and television, focused on lending female and non-binary voices a chance to speak about the issues facing them in today’s workplace and culture.*

Join myself, april forrest lin 林森 @a_f__lin and Ebun Sodipo @epastry at the BFI @britishfilminstitute in January where I’ll be hosting a gentle panel on queer DIY transgressive filmmaking practice. It’s a dream come true and alongside two wonderful practitioners also.

The discussion will investigate the capacity for the concept of elsewheres and queered utopic landscapes while celebrating the creative autonomy of refusal. Queer utopia is alive and in reach.

11:45–12:30, Blue Room at the @britishfilminstitute on Saturday the 24th of January.

Tickets are available on the BFI website.

Maybe we will see you there. 💌 Queer horizons and new beginnings are afoot. #womanwithamoviecamerasummit #womanwithamoviecamera

*An annual event, the summit programme is formed by over 20 events exploring film and television, focused on lending female and non-binary voices a chance to speak about the issues facing them in today’s workplace and culture.*

Join myself, april forrest lin 林森 @a_f__lin and Ebun Sodipo @epastry at the BFI @britishfilminstitute in January where I’ll be hosting a gentle panel on queer DIY transgressive filmmaking practice. It’s a dream come true and alongside two wonderful practitioners also.

The discussion will investigate the capacity for the concept of elsewheres and queered utopic landscapes while celebrating the creative autonomy of refusal. Queer utopia is alive and in reach.

11:45–12:30, Blue Room at the @britishfilminstitute on Saturday the 24th of January.

Tickets are available on the BFI website.

Maybe we will see you there. 💌 Queer horizons and new beginnings are afoot. #womanwithamoviecamerasummit #womanwithamoviecamera

*An annual event, the summit programme is formed by over 20 events exploring film and television, focused on lending female and non-binary voices a chance to speak about the issues facing them in today’s workplace and culture.*

Resting.

Its been a busy couple months

Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.

Resting.

Its been a busy couple months

Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.

Resting.

Its been a busy couple months

Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.

Resting.

Its been a busy couple months

Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.

Resting.

Its been a busy couple months

Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.

Resting.

Its been a busy couple months

Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.

Resting.

Its been a busy couple months

Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.

Resting.

Its been a busy couple months

Thank you @evalangret for the nomination. So proud to have been included alongside so many incredible women in Elle mag's 40 for 40. Thank you @walktalkazores for inviting me to do research and present a performance about Vitoria's life on Sao Miguel.

This week, everyone’s talking about these four artists. Are you ready to get to know them?

For Elephant, Sofia Hallström (@sofia_hallstrom_) spoke with Ebun Sodipo (@epastry), Gray Wielebinski (@gray_wielebinski), Eunjo Lee (@eunjo.lee), and Cato (@cato.ink) about the ideas behind their work, what to expect from their presentations at the fair (@friezeofficial) and the influence of the city on their practice.

All photography by Saffron Liberty @saffronliberty