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@swedestop is London’s first Swedish pizzeria 🍕My brother and I went to Hammersmith to try their pizza. As Italian-Swedes (my brother was born in Milan, and I was born in Linköping, Sweden), something about Swedish pizza pokes at our culinary heritage. Not only is Swedish pizza a culinary icon, it’s also symbol of the politics of migration in Sweden. Go to @swedestop to try a slice of authentic Swedish pizza in London!!❣️🍽️

@swedestop is London’s first Swedish pizzeria 🍕My brother and I went to Hammersmith to try their pizza. As Italian-Swedes (my brother was born in Milan, and I was born in Linköping, Sweden), something about Swedish pizza pokes at our culinary heritage. Not only is Swedish pizza a culinary icon, it’s also symbol of the politics of migration in Sweden. Go to @swedestop to try a slice of authentic Swedish pizza in London!!❣️🍽️

@swedestop is London’s first Swedish pizzeria 🍕My brother and I went to Hammersmith to try their pizza. As Italian-Swedes (my brother was born in Milan, and I was born in Linköping, Sweden), something about Swedish pizza pokes at our culinary heritage. Not only is Swedish pizza a culinary icon, it’s also symbol of the politics of migration in Sweden. Go to @swedestop to try a slice of authentic Swedish pizza in London!!❣️🍽️

@swedestop is London’s first Swedish pizzeria 🍕My brother and I went to Hammersmith to try their pizza. As Italian-Swedes (my brother was born in Milan, and I was born in Linköping, Sweden), something about Swedish pizza pokes at our culinary heritage. Not only is Swedish pizza a culinary icon, it’s also symbol of the politics of migration in Sweden. Go to @swedestop to try a slice of authentic Swedish pizza in London!!❣️🍽️

@swedestop is London’s first Swedish pizzeria 🍕My brother and I went to Hammersmith to try their pizza. As Italian-Swedes (my brother was born in Milan, and I was born in Linköping, Sweden), something about Swedish pizza pokes at our culinary heritage. Not only is Swedish pizza a culinary icon, it’s also symbol of the politics of migration in Sweden. Go to @swedestop to try a slice of authentic Swedish pizza in London!!❣️🍽️

@swedestop is London’s first Swedish pizzeria 🍕My brother and I went to Hammersmith to try their pizza. As Italian-Swedes (my brother was born in Milan, and I was born in Linköping, Sweden), something about Swedish pizza pokes at our culinary heritage. Not only is Swedish pizza a culinary icon, it’s also symbol of the politics of migration in Sweden. Go to @swedestop to try a slice of authentic Swedish pizza in London!!❣️🍽️

@swedestop is London’s first Swedish pizzeria 🍕My brother and I went to Hammersmith to try their pizza. As Italian-Swedes (my brother was born in Milan, and I was born in Linköping, Sweden), something about Swedish pizza pokes at our culinary heritage. Not only is Swedish pizza a culinary icon, it’s also symbol of the politics of migration in Sweden. Go to @swedestop to try a slice of authentic Swedish pizza in London!!❣️🍽️

@swedestop is London’s first Swedish pizzeria 🍕My brother and I went to Hammersmith to try their pizza. As Italian-Swedes (my brother was born in Milan, and I was born in Linköping, Sweden), something about Swedish pizza pokes at our culinary heritage. Not only is Swedish pizza a culinary icon, it’s also symbol of the politics of migration in Sweden. Go to @swedestop to try a slice of authentic Swedish pizza in London!!❣️🍽️

@swedestop is London’s first Swedish pizzeria 🍕My brother and I went to Hammersmith to try their pizza. As Italian-Swedes (my brother was born in Milan, and I was born in Linköping, Sweden), something about Swedish pizza pokes at our culinary heritage. Not only is Swedish pizza a culinary icon, it’s also symbol of the politics of migration in Sweden. Go to @swedestop to try a slice of authentic Swedish pizza in London!!❣️🍽️

@swedestop is London’s first Swedish pizzeria 🍕My brother and I went to Hammersmith to try their pizza. As Italian-Swedes (my brother was born in Milan, and I was born in Linköping, Sweden), something about Swedish pizza pokes at our culinary heritage. Not only is Swedish pizza a culinary icon, it’s also symbol of the politics of migration in Sweden. Go to @swedestop to try a slice of authentic Swedish pizza in London!!❣️🍽️

@swedestop is London’s first Swedish pizzeria 🍕My brother and I went to Hammersmith to try their pizza. As Italian-Swedes (my brother was born in Milan, and I was born in Linköping, Sweden), something about Swedish pizza pokes at our culinary heritage. Not only is Swedish pizza a culinary icon, it’s also symbol of the politics of migration in Sweden. Go to @swedestop to try a slice of authentic Swedish pizza in London!!❣️🍽️

@swedestop is London’s first Swedish pizzeria 🍕My brother and I went to Hammersmith to try their pizza. As Italian-Swedes (my brother was born in Milan, and I was born in Linköping, Sweden), something about Swedish pizza pokes at our culinary heritage. Not only is Swedish pizza a culinary icon, it’s also symbol of the politics of migration in Sweden. Go to @swedestop to try a slice of authentic Swedish pizza in London!!❣️🍽️

Venice Biennale 2026
Words by Sofia Hallström

The full article on this year's edition is now available to read on our website.

"Care, here, is not metaphorical. It is a physical demand the work makes of you, however briefly. Each doll has been assigned a birth date, and a QR code unlocks a poem tied to that date which you can read whilst changing the baby's nappies. What makes the work so distinctive is the behaviour it draws out of people. Some visitors cradle their dolls instinctively, adjusting their hold, supporting the weight with the attentiveness of a new parent, whilst others carry them at arm's length, stiff and self-conscious. The mirrored sunglasses reflect these responses back at you, implicating the viewer in their own discomfort. The pavilion asks, without ever quite stating it, whether we are adequate custodians of what comes next."

Venice Biennale 2026
Words by Sofia Hallström

The full article on this year's edition is now available to read on our website.

"Care, here, is not metaphorical. It is a physical demand the work makes of you, however briefly. Each doll has been assigned a birth date, and a QR code unlocks a poem tied to that date which you can read whilst changing the baby's nappies. What makes the work so distinctive is the behaviour it draws out of people. Some visitors cradle their dolls instinctively, adjusting their hold, supporting the weight with the attentiveness of a new parent, whilst others carry them at arm's length, stiff and self-conscious. The mirrored sunglasses reflect these responses back at you, implicating the viewer in their own discomfort. The pavilion asks, without ever quite stating it, whether we are adequate custodians of what comes next."

Venice Biennale 2026
Words by Sofia Hallström

The full article on this year's edition is now available to read on our website.

"Care, here, is not metaphorical. It is a physical demand the work makes of you, however briefly. Each doll has been assigned a birth date, and a QR code unlocks a poem tied to that date which you can read whilst changing the baby's nappies. What makes the work so distinctive is the behaviour it draws out of people. Some visitors cradle their dolls instinctively, adjusting their hold, supporting the weight with the attentiveness of a new parent, whilst others carry them at arm's length, stiff and self-conscious. The mirrored sunglasses reflect these responses back at you, implicating the viewer in their own discomfort. The pavilion asks, without ever quite stating it, whether we are adequate custodians of what comes next."

Venice Biennale 2026
Words by Sofia Hallström

The full article on this year's edition is now available to read on our website.

"Care, here, is not metaphorical. It is a physical demand the work makes of you, however briefly. Each doll has been assigned a birth date, and a QR code unlocks a poem tied to that date which you can read whilst changing the baby's nappies. What makes the work so distinctive is the behaviour it draws out of people. Some visitors cradle their dolls instinctively, adjusting their hold, supporting the weight with the attentiveness of a new parent, whilst others carry them at arm's length, stiff and self-conscious. The mirrored sunglasses reflect these responses back at you, implicating the viewer in their own discomfort. The pavilion asks, without ever quite stating it, whether we are adequate custodians of what comes next."

Venice Biennale 2026
Words by Sofia Hallström

The full article on this year's edition is now available to read on our website.

"Care, here, is not metaphorical. It is a physical demand the work makes of you, however briefly. Each doll has been assigned a birth date, and a QR code unlocks a poem tied to that date which you can read whilst changing the baby's nappies. What makes the work so distinctive is the behaviour it draws out of people. Some visitors cradle their dolls instinctively, adjusting their hold, supporting the weight with the attentiveness of a new parent, whilst others carry them at arm's length, stiff and self-conscious. The mirrored sunglasses reflect these responses back at you, implicating the viewer in their own discomfort. The pavilion asks, without ever quite stating it, whether we are adequate custodians of what comes next."

Venice Biennale 2026
Words by Sofia Hallström

The full article on this year's edition is now available to read on our website.

"Care, here, is not metaphorical. It is a physical demand the work makes of you, however briefly. Each doll has been assigned a birth date, and a QR code unlocks a poem tied to that date which you can read whilst changing the baby's nappies. What makes the work so distinctive is the behaviour it draws out of people. Some visitors cradle their dolls instinctively, adjusting their hold, supporting the weight with the attentiveness of a new parent, whilst others carry them at arm's length, stiff and self-conscious. The mirrored sunglasses reflect these responses back at you, implicating the viewer in their own discomfort. The pavilion asks, without ever quite stating it, whether we are adequate custodians of what comes next."

Venice Biennale 2026
Words by Sofia Hallström

The full article on this year's edition is now available to read on our website.

"Care, here, is not metaphorical. It is a physical demand the work makes of you, however briefly. Each doll has been assigned a birth date, and a QR code unlocks a poem tied to that date which you can read whilst changing the baby's nappies. What makes the work so distinctive is the behaviour it draws out of people. Some visitors cradle their dolls instinctively, adjusting their hold, supporting the weight with the attentiveness of a new parent, whilst others carry them at arm's length, stiff and self-conscious. The mirrored sunglasses reflect these responses back at you, implicating the viewer in their own discomfort. The pavilion asks, without ever quite stating it, whether we are adequate custodians of what comes next."

Venice Biennale 2026
Words by Sofia Hallström

The full article on this year's edition is now available to read on our website.

"Care, here, is not metaphorical. It is a physical demand the work makes of you, however briefly. Each doll has been assigned a birth date, and a QR code unlocks a poem tied to that date which you can read whilst changing the baby's nappies. What makes the work so distinctive is the behaviour it draws out of people. Some visitors cradle their dolls instinctively, adjusting their hold, supporting the weight with the attentiveness of a new parent, whilst others carry them at arm's length, stiff and self-conscious. The mirrored sunglasses reflect these responses back at you, implicating the viewer in their own discomfort. The pavilion asks, without ever quite stating it, whether we are adequate custodians of what comes next."

Venice Biennale 2026
Words by Sofia Hallström

The full article on this year's edition is now available to read on our website.

"Care, here, is not metaphorical. It is a physical demand the work makes of you, however briefly. Each doll has been assigned a birth date, and a QR code unlocks a poem tied to that date which you can read whilst changing the baby's nappies. What makes the work so distinctive is the behaviour it draws out of people. Some visitors cradle their dolls instinctively, adjusting their hold, supporting the weight with the attentiveness of a new parent, whilst others carry them at arm's length, stiff and self-conscious. The mirrored sunglasses reflect these responses back at you, implicating the viewer in their own discomfort. The pavilion asks, without ever quite stating it, whether we are adequate custodians of what comes next."

Venice Biennale 2026
Words by Sofia Hallström

The full article on this year's edition is now available to read on our website.

"Care, here, is not metaphorical. It is a physical demand the work makes of you, however briefly. Each doll has been assigned a birth date, and a QR code unlocks a poem tied to that date which you can read whilst changing the baby's nappies. What makes the work so distinctive is the behaviour it draws out of people. Some visitors cradle their dolls instinctively, adjusting their hold, supporting the weight with the attentiveness of a new parent, whilst others carry them at arm's length, stiff and self-conscious. The mirrored sunglasses reflect these responses back at you, implicating the viewer in their own discomfort. The pavilion asks, without ever quite stating it, whether we are adequate custodians of what comes next."

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

Writer @sofia_hallstrom_ shares their @labiennale highlights so far:
1. Lydia Ourahmane’s 5 Works at the Nicoletta Fiorucci Foundation. A Dorsoduro palazzo curated by Polly Staple, the show follows a residency during which Ourahmane worked with Venetian craftspeople and local activist organisations, among them ‘Poveglia per tutti’, a group reclaiming the haunted, largely inaccessible plague island of Poveglia as a public park.
2. Fondazione In Between Art Film’s Canicula staged eight new site-specific video installations at the Complesso dell’Ospedaletto, including @lawrenceabuhamdan forensic investigation into the sonic weapon deployed against a silent vigil in Belgrade in 2025. At Ocean Space inside the former Church of San Lorenzo, the Repatriates Collective’s Tide of Returns: a ceremonial act of reclamation exploring cultural repatriation as a living, relational process, its west wing flooded with reddish sand from Anindilyakwa Country, populated with thousands of tiny shell-and-grass figures which are Indigenous Australian dolls recently returned from European museums, finally arriving somewhere they belong.
3. In the Giardini: @habitual_body_monitoring2 makes history as the youngest artist ever to represent Denmark, with Things to Come. Ei Arakawa-Nash’s Grass Babies, Moon Babies marks the Japanese Pavilion’s 70th anniversary. At the newly renovated French Pavilion, @ytobarrada has filled the space with enormous stitched drapes of wool, and UK’s @lubainapics presents ‘Predicting History: Testing Translation’, her richly layered painterly enquiry into identity, memory, and what gets lost.
4. At the Arsenale, The Latvian Pavilion presents Untamed Fashion Assemblies , an annual carnivalesque festival that took place in Riga between 1990 and 1999 which fused alternative fashion, drag, and visual art. Isabel Nolan represents Ireland with Dreamshook, named for the sensation of waking from a dream and featuring hand-tufted tapestry, sculpture, and drawing centred on Aldo Manuzio, the 15th-century Venice-based printer who urged people to choose words over weapons. #venicebiennale2026

‘In 1986, six fashion graduates from the Royal Academy of Fine Arts in Antwerp packed a van with their collections and drove to the British Designer Show, a trade fair at Kensington’s Olympia that preceded London Fashion Week,’ writes Sofia Hallström (@sofia_hallstrom_) in a review of a new exhibition on view at Momu (@momuantwerp), Antwerp, through 17 January 2027.⁠
⁠
‘They had no industry contacts, no private financial backing and no invitations to fashion events or parties (although they did forge some). What they had was subsidised tuition fees and government-backed production funding, a body of work, and each other. The British press, unable to pronounce their Flemish surnames, coined them The Antwerp Six, made up of Dirk Bikkembergs, Ann Demeulemeester, Marina Yee, Walter Van Beirendonck, Dries Van Noten, and Dirk Van Saene, with Martin Margiela arriving shortly after as an unofficial seventh.’ ⁠
⁠
Read the full review at the link in bio.

‘In 1986, six fashion graduates from the Royal Academy of Fine Arts in Antwerp packed a van with their collections and drove to the British Designer Show, a trade fair at Kensington’s Olympia that preceded London Fashion Week,’ writes Sofia Hallström (@sofia_hallstrom_) in a review of a new exhibition on view at Momu (@momuantwerp), Antwerp, through 17 January 2027.⁠
⁠
‘They had no industry contacts, no private financial backing and no invitations to fashion events or parties (although they did forge some). What they had was subsidised tuition fees and government-backed production funding, a body of work, and each other. The British press, unable to pronounce their Flemish surnames, coined them The Antwerp Six, made up of Dirk Bikkembergs, Ann Demeulemeester, Marina Yee, Walter Van Beirendonck, Dries Van Noten, and Dirk Van Saene, with Martin Margiela arriving shortly after as an unofficial seventh.’ ⁠
⁠
Read the full review at the link in bio.

‘In 1986, six fashion graduates from the Royal Academy of Fine Arts in Antwerp packed a van with their collections and drove to the British Designer Show, a trade fair at Kensington’s Olympia that preceded London Fashion Week,’ writes Sofia Hallström (@sofia_hallstrom_) in a review of a new exhibition on view at Momu (@momuantwerp), Antwerp, through 17 January 2027.⁠
⁠
‘They had no industry contacts, no private financial backing and no invitations to fashion events or parties (although they did forge some). What they had was subsidised tuition fees and government-backed production funding, a body of work, and each other. The British press, unable to pronounce their Flemish surnames, coined them The Antwerp Six, made up of Dirk Bikkembergs, Ann Demeulemeester, Marina Yee, Walter Van Beirendonck, Dries Van Noten, and Dirk Van Saene, with Martin Margiela arriving shortly after as an unofficial seventh.’ ⁠
⁠
Read the full review at the link in bio.

‘In 1986, six fashion graduates from the Royal Academy of Fine Arts in Antwerp packed a van with their collections and drove to the British Designer Show, a trade fair at Kensington’s Olympia that preceded London Fashion Week,’ writes Sofia Hallström (@sofia_hallstrom_) in a review of a new exhibition on view at Momu (@momuantwerp), Antwerp, through 17 January 2027.⁠
⁠
‘They had no industry contacts, no private financial backing and no invitations to fashion events or parties (although they did forge some). What they had was subsidised tuition fees and government-backed production funding, a body of work, and each other. The British press, unable to pronounce their Flemish surnames, coined them The Antwerp Six, made up of Dirk Bikkembergs, Ann Demeulemeester, Marina Yee, Walter Van Beirendonck, Dries Van Noten, and Dirk Van Saene, with Martin Margiela arriving shortly after as an unofficial seventh.’ ⁠
⁠
Read the full review at the link in bio.

‘In 1986, six fashion graduates from the Royal Academy of Fine Arts in Antwerp packed a van with their collections and drove to the British Designer Show, a trade fair at Kensington’s Olympia that preceded London Fashion Week,’ writes Sofia Hallström (@sofia_hallstrom_) in a review of a new exhibition on view at Momu (@momuantwerp), Antwerp, through 17 January 2027.⁠
⁠
‘They had no industry contacts, no private financial backing and no invitations to fashion events or parties (although they did forge some). What they had was subsidised tuition fees and government-backed production funding, a body of work, and each other. The British press, unable to pronounce their Flemish surnames, coined them The Antwerp Six, made up of Dirk Bikkembergs, Ann Demeulemeester, Marina Yee, Walter Van Beirendonck, Dries Van Noten, and Dirk Van Saene, with Martin Margiela arriving shortly after as an unofficial seventh.’ ⁠
⁠
Read the full review at the link in bio.

Really enjoyed writing about these visionary jewellery designers for @wallpapermag 🧷🖤🖇️ each designer draws from a completely different set of references in their work, from street signs and textures of Lahore and New York, to 1930s Hollywood glamour, queer South Asian narratives, and tales of Dionysus 🍇 https://www.wallpaper.com/watches-jewellery/modern-jewellery-designers thanks to @_hannahsilver_ x

Really enjoyed writing about these visionary jewellery designers for @wallpapermag 🧷🖤🖇️ each designer draws from a completely different set of references in their work, from street signs and textures of Lahore and New York, to 1930s Hollywood glamour, queer South Asian narratives, and tales of Dionysus 🍇 https://www.wallpaper.com/watches-jewellery/modern-jewellery-designers thanks to @_hannahsilver_ x

Really enjoyed writing about these visionary jewellery designers for @wallpapermag 🧷🖤🖇️ each designer draws from a completely different set of references in their work, from street signs and textures of Lahore and New York, to 1930s Hollywood glamour, queer South Asian narratives, and tales of Dionysus 🍇 https://www.wallpaper.com/watches-jewellery/modern-jewellery-designers thanks to @_hannahsilver_ x

Really enjoyed writing about these visionary jewellery designers for @wallpapermag 🧷🖤🖇️ each designer draws from a completely different set of references in their work, from street signs and textures of Lahore and New York, to 1930s Hollywood glamour, queer South Asian narratives, and tales of Dionysus 🍇 https://www.wallpaper.com/watches-jewellery/modern-jewellery-designers thanks to @_hannahsilver_ x

Really enjoyed writing about these visionary jewellery designers for @wallpapermag 🧷🖤🖇️ each designer draws from a completely different set of references in their work, from street signs and textures of Lahore and New York, to 1930s Hollywood glamour, queer South Asian narratives, and tales of Dionysus 🍇 https://www.wallpaper.com/watches-jewellery/modern-jewellery-designers thanks to @_hannahsilver_ x

Really enjoyed writing about these visionary jewellery designers for @wallpapermag 🧷🖤🖇️ each designer draws from a completely different set of references in their work, from street signs and textures of Lahore and New York, to 1930s Hollywood glamour, queer South Asian narratives, and tales of Dionysus 🍇 https://www.wallpaper.com/watches-jewellery/modern-jewellery-designers thanks to @_hannahsilver_ x

Really enjoyed writing about these visionary jewellery designers for @wallpapermag 🧷🖤🖇️ each designer draws from a completely different set of references in their work, from street signs and textures of Lahore and New York, to 1930s Hollywood glamour, queer South Asian narratives, and tales of Dionysus 🍇 https://www.wallpaper.com/watches-jewellery/modern-jewellery-designers thanks to @_hannahsilver_ x

Really enjoyed writing about these visionary jewellery designers for @wallpapermag 🧷🖤🖇️ each designer draws from a completely different set of references in their work, from street signs and textures of Lahore and New York, to 1930s Hollywood glamour, queer South Asian narratives, and tales of Dionysus 🍇 https://www.wallpaper.com/watches-jewellery/modern-jewellery-designers thanks to @_hannahsilver_ x

Really enjoyed writing about these visionary jewellery designers for @wallpapermag 🧷🖤🖇️ each designer draws from a completely different set of references in their work, from street signs and textures of Lahore and New York, to 1930s Hollywood glamour, queer South Asian narratives, and tales of Dionysus 🍇 https://www.wallpaper.com/watches-jewellery/modern-jewellery-designers thanks to @_hannahsilver_ x

Really enjoyed writing about these visionary jewellery designers for @wallpapermag 🧷🖤🖇️ each designer draws from a completely different set of references in their work, from street signs and textures of Lahore and New York, to 1930s Hollywood glamour, queer South Asian narratives, and tales of Dionysus 🍇 https://www.wallpaper.com/watches-jewellery/modern-jewellery-designers thanks to @_hannahsilver_ x

Really enjoyed writing about these visionary jewellery designers for @wallpapermag 🧷🖤🖇️ each designer draws from a completely different set of references in their work, from street signs and textures of Lahore and New York, to 1930s Hollywood glamour, queer South Asian narratives, and tales of Dionysus 🍇 https://www.wallpaper.com/watches-jewellery/modern-jewellery-designers thanks to @_hannahsilver_ x

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

Recent highlights 🕸️🌠
ANOHNI performing at @inezandvinoodh’s exhibition @kunstmuseum.nl
The Antwerp Six & Embroidering Palestine exhibitions at @momuantwerp 🪡
Mr Beale @elliebbeale has the most beautiful voice
Celebrating Jago & his new book! @ecstasy_cookbook
Marc Camille Chaimowicz & @dozie.kanu’s installations at @ica_milano
A gargoyle & flamingos in Milan 🦩
Interviewing Collier Schorr on her exhibition at @stuartshavemodernart in Paris
@jill.westwood at @nevengallery 🖤
Magazine covers & Bjork’s Lionsong music video shot by @inezandvinoodh @kunstmuseum.nl
Schiaparelli buckle trousers and telephone dial makeup powder 💄☎️
A Chinese-Lithuanian fusion dinner🫰
Kunstmuseum Den Haag’s Art Deco building designed by H.P. Berlage

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

1. Big Ben in Kolkata
2-3. Sculptures made with mud from the Hooghly river
4-6. A lotus opening in the flower market
7-9. Satyajit Ray’s film posters lining the street to his home where he lived for the last 20 years of his life
10-11. Drawing and text by Tagore🩷
12. Thums up
13. A Mughal drawing of Majnun and the emaciated horse
14-18. Different modes of transport
20. my cousin’s beautiful wedding 💒💘💒

Botticelli’s Venus in Paris 💛
2. Giangiacomo Rossetti at @mendeswooddm
4-5. Tadashi Kawamata at Palais de Tokyo, and the art deco relief that decorates @palaisdetokyo’s facade
8. Sara Graça’s horse stable installation at Goswell Road @saragraca123 @goswellroad
10. Matthias Odin’s Parallaxe Hotel (Tour Eiffel) at Galerie Peter Kilchmann @matthias_odin

Botticelli’s Venus in Paris 💛
2. Giangiacomo Rossetti at @mendeswooddm
4-5. Tadashi Kawamata at Palais de Tokyo, and the art deco relief that decorates @palaisdetokyo’s facade
8. Sara Graça’s horse stable installation at Goswell Road @saragraca123 @goswellroad
10. Matthias Odin’s Parallaxe Hotel (Tour Eiffel) at Galerie Peter Kilchmann @matthias_odin

Botticelli’s Venus in Paris 💛
2. Giangiacomo Rossetti at @mendeswooddm
4-5. Tadashi Kawamata at Palais de Tokyo, and the art deco relief that decorates @palaisdetokyo’s facade
8. Sara Graça’s horse stable installation at Goswell Road @saragraca123 @goswellroad
10. Matthias Odin’s Parallaxe Hotel (Tour Eiffel) at Galerie Peter Kilchmann @matthias_odin

Botticelli’s Venus in Paris 💛
2. Giangiacomo Rossetti at @mendeswooddm
4-5. Tadashi Kawamata at Palais de Tokyo, and the art deco relief that decorates @palaisdetokyo’s facade
8. Sara Graça’s horse stable installation at Goswell Road @saragraca123 @goswellroad
10. Matthias Odin’s Parallaxe Hotel (Tour Eiffel) at Galerie Peter Kilchmann @matthias_odin

Botticelli’s Venus in Paris 💛
2. Giangiacomo Rossetti at @mendeswooddm
4-5. Tadashi Kawamata at Palais de Tokyo, and the art deco relief that decorates @palaisdetokyo’s facade
8. Sara Graça’s horse stable installation at Goswell Road @saragraca123 @goswellroad
10. Matthias Odin’s Parallaxe Hotel (Tour Eiffel) at Galerie Peter Kilchmann @matthias_odin

Botticelli’s Venus in Paris 💛
2. Giangiacomo Rossetti at @mendeswooddm
4-5. Tadashi Kawamata at Palais de Tokyo, and the art deco relief that decorates @palaisdetokyo’s facade
8. Sara Graça’s horse stable installation at Goswell Road @saragraca123 @goswellroad
10. Matthias Odin’s Parallaxe Hotel (Tour Eiffel) at Galerie Peter Kilchmann @matthias_odin

Botticelli’s Venus in Paris 💛
2. Giangiacomo Rossetti at @mendeswooddm
4-5. Tadashi Kawamata at Palais de Tokyo, and the art deco relief that decorates @palaisdetokyo’s facade
8. Sara Graça’s horse stable installation at Goswell Road @saragraca123 @goswellroad
10. Matthias Odin’s Parallaxe Hotel (Tour Eiffel) at Galerie Peter Kilchmann @matthias_odin

Botticelli’s Venus in Paris 💛
2. Giangiacomo Rossetti at @mendeswooddm
4-5. Tadashi Kawamata at Palais de Tokyo, and the art deco relief that decorates @palaisdetokyo’s facade
8. Sara Graça’s horse stable installation at Goswell Road @saragraca123 @goswellroad
10. Matthias Odin’s Parallaxe Hotel (Tour Eiffel) at Galerie Peter Kilchmann @matthias_odin

Botticelli’s Venus in Paris 💛
2. Giangiacomo Rossetti at @mendeswooddm
4-5. Tadashi Kawamata at Palais de Tokyo, and the art deco relief that decorates @palaisdetokyo’s facade
8. Sara Graça’s horse stable installation at Goswell Road @saragraca123 @goswellroad
10. Matthias Odin’s Parallaxe Hotel (Tour Eiffel) at Galerie Peter Kilchmann @matthias_odin

Botticelli’s Venus in Paris 💛
2. Giangiacomo Rossetti at @mendeswooddm
4-5. Tadashi Kawamata at Palais de Tokyo, and the art deco relief that decorates @palaisdetokyo’s facade
8. Sara Graça’s horse stable installation at Goswell Road @saragraca123 @goswellroad
10. Matthias Odin’s Parallaxe Hotel (Tour Eiffel) at Galerie Peter Kilchmann @matthias_odin

Botticelli’s Venus in Paris 💛
2. Giangiacomo Rossetti at @mendeswooddm
4-5. Tadashi Kawamata at Palais de Tokyo, and the art deco relief that decorates @palaisdetokyo’s facade
8. Sara Graça’s horse stable installation at Goswell Road @saragraca123 @goswellroad
10. Matthias Odin’s Parallaxe Hotel (Tour Eiffel) at Galerie Peter Kilchmann @matthias_odin

Botticelli’s Venus in Paris 💛
2. Giangiacomo Rossetti at @mendeswooddm
4-5. Tadashi Kawamata at Palais de Tokyo, and the art deco relief that decorates @palaisdetokyo’s facade
8. Sara Graça’s horse stable installation at Goswell Road @saragraca123 @goswellroad
10. Matthias Odin’s Parallaxe Hotel (Tour Eiffel) at Galerie Peter Kilchmann @matthias_odin

A 500 year old helmet from Iran, a mysterious, unidentified object found in a village in northern Oman, necklace made from melted down Maria Theresa thaler coins, and a 2 million year old hand axe, the oldest man-made object found in the Arabian Peninsula

A 500 year old helmet from Iran, a mysterious, unidentified object found in a village in northern Oman, necklace made from melted down Maria Theresa thaler coins, and a 2 million year old hand axe, the oldest man-made object found in the Arabian Peninsula

A 500 year old helmet from Iran, a mysterious, unidentified object found in a village in northern Oman, necklace made from melted down Maria Theresa thaler coins, and a 2 million year old hand axe, the oldest man-made object found in the Arabian Peninsula

A 500 year old helmet from Iran, a mysterious, unidentified object found in a village in northern Oman, necklace made from melted down Maria Theresa thaler coins, and a 2 million year old hand axe, the oldest man-made object found in the Arabian Peninsula

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

Earlier this year, towards the end of summer, @izzzeeee invited me to write about a project she was working on in Lithuania with the artist and author @gabijagrusaite, set in her father’s vast, dust-laden warehouse near the Belarusian border. The space is packed with objects her father has hoarded over decades: rusted machinery, tools, cars, casts, marble offcuts, and religious iconography. @gabijagrusaite’s film ‘Ferma’ explores hoarding as a political gesture, set against the seismic political changes in Lithuania since the collapse of the Soviet Union.

For @tankmagazine’s December travel issue, I reported on the art of hoarding, borders and generational trauma, alongside a few travel tips for anyone looking to visit a relatively underexplored European destination. The issue is full of brilliantly eccentric travel features, including eternal icon @matteo.p.i.n.i climbing Snowdonia in a robotic exoskeleton suit; ancient craft making in South-west China by @_nell_whittaker_; @ecstasy_cookbook and @l__o_w___e__n___a in Estonia; hardware stores from São Paulo to Helsinki; Chinese takeaways from Accra to Athens; and interviews with @sumi_v, @ruby.tandoh and @lawrenceabuhamdan. Plus get your own Tony Soprano gabagool sticker, included in the issue #gabagool

My review of Alexandra Bachzetsis’s performance RUSH(ES) at London’s Hellenic Centre in early October is in the new issue of @art_monthly_uk, alongside some excellent reviews and profiles throughout the magazine 🗞️ Thanks to @chriskbmccormack for the incisive edits.

My review of Alexandra Bachzetsis’s performance RUSH(ES) at London’s Hellenic Centre in early October is in the new issue of @art_monthly_uk, alongside some excellent reviews and profiles throughout the magazine 🗞️ Thanks to @chriskbmccormack for the incisive edits.

My review of Alexandra Bachzetsis’s performance RUSH(ES) at London’s Hellenic Centre in early October is in the new issue of @art_monthly_uk, alongside some excellent reviews and profiles throughout the magazine 🗞️ Thanks to @chriskbmccormack for the incisive edits.

My review of Alexandra Bachzetsis’s performance RUSH(ES) at London’s Hellenic Centre in early October is in the new issue of @art_monthly_uk, alongside some excellent reviews and profiles throughout the magazine 🗞️ Thanks to @chriskbmccormack for the incisive edits.

My review of Alexandra Bachzetsis’s performance RUSH(ES) at London’s Hellenic Centre in early October is in the new issue of @art_monthly_uk, alongside some excellent reviews and profiles throughout the magazine 🗞️ Thanks to @chriskbmccormack for the incisive edits.