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bobbypavlovsky
Bobby Pavlovsky
cinematographer
los angeles
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
PRIVATE @thenbhd |500T 35mm
“We shot 5219 push 2, knowing that when graded to black & white we could get even more contrast in the grade. We liked the idea of letting the film stock get grainy while letting sections fall into pitch-black. My gaffer Nick Durr and I had a light moving through the neighborhood exposed at 3 stops over key to really make it feel bright but knowing that the negative would hold onto the detail still at the top.” DP Bobby Pavlovsky
Tap the link in our bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @z4ldy_ @exileedit
Color by @kaitlynbattistelli @ethos_studio
Exec Producer @mrseri
Producer @jeffreyschroederfanpage
Produced by @stinkfilms
Co Production @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
Cast
@lydiaren & Wolverine
@plascu & Daisy olivia__otten`
@hunterabels Ed Saginian
@donovanwildfong
SANTA BABY
A FILM BY NADIA LEE COHEN AND CHARLIE DENIS
STARRING KIM KARDASHIAN
Directed by @nadialeecohen and @charliedenis
Shot by @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Makeup @lilly_keys
Production Design @thebritttt
Lighting Design @davidlopezosuna
Movement Direction @lexeesmith
Production @carlota.rdv @fabiencolas @andres.white @dmb_represents
SFX Artist @worshipmina
Cast Hair @ariannachayleneblean
Cast Makeup @marykendallll
Color @rickygausis
THANK YOU
@mitchryan
@suburbanrefugee
@maraweinstein
@soopercooper_
@kevincollide
@malcolmmcrae
@arianapapademetropoulos
@zizidonohoe
@yomatisse
@lilahsummer
@kuothwiel
@rubycaster
@ignasi
@myfriendpaige
@igorgrbesic
spring 26 campaign for @ysl starring @haileybieber
directed by @nadialeecohen
production @carlota.rdv @fabiencolas
dp @bobbypavlovsky
colorist @rickygausis
ac @furiosuh
1st photo assist @davidlopezosuna
2nd photo assist @soriano_gustavo_
pd @avavillafane
hair @evaniefrausto
make-up @missjobaker
styling @suzannekoller
pm @rickyknicks
spring 26 campaign for @ysl starring @haileybieber
directed by @nadialeecohen
production @carlota.rdv @fabiencolas
dp @bobbypavlovsky
colorist @rickygausis
ac @furiosuh
1st photo assist @davidlopezosuna
2nd photo assist @soriano_gustavo_
pd @avavillafane
hair @evaniefrausto
make-up @missjobaker
styling @suzannekoller
pm @rickyknicks
spring 26 campaign for @ysl starring @haileybieber
directed by @nadialeecohen
production @carlota.rdv @fabiencolas
dp @bobbypavlovsky
colorist @rickygausis
ac @furiosuh
1st photo assist @davidlopezosuna
2nd photo assist @soriano_gustavo_
pd @avavillafane
hair @evaniefrausto
make-up @missjobaker
styling @suzannekoller
pm @rickyknicks
spring 26 campaign for @ysl starring @haileybieber
directed by @nadialeecohen
production @carlota.rdv @fabiencolas
dp @bobbypavlovsky
colorist @rickygausis
ac @furiosuh
1st photo assist @davidlopezosuna
2nd photo assist @soriano_gustavo_
pd @avavillafane
hair @evaniefrausto
make-up @missjobaker
styling @suzannekoller
pm @rickyknicks
spring 26 campaign for @ysl starring @haileybieber
directed by @nadialeecohen
production @carlota.rdv @fabiencolas
dp @bobbypavlovsky
colorist @rickygausis
ac @furiosuh
1st photo assist @davidlopezosuna
2nd photo assist @soriano_gustavo_
pd @avavillafane
hair @evaniefrausto
make-up @missjobaker
styling @suzannekoller
pm @rickyknicks
spring 26 campaign for @ysl starring @haileybieber
directed by @nadialeecohen
production @carlota.rdv @fabiencolas
dp @bobbypavlovsky
colorist @rickygausis
ac @furiosuh
1st photo assist @davidlopezosuna
2nd photo assist @soriano_gustavo_
pd @avavillafane
hair @evaniefrausto
make-up @missjobaker
styling @suzannekoller
pm @rickyknicks
spring 26 campaign for @ysl starring @haileybieber
directed by @nadialeecohen
production @carlota.rdv @fabiencolas
dp @bobbypavlovsky
colorist @rickygausis
ac @furiosuh
1st photo assist @davidlopezosuna
2nd photo assist @soriano_gustavo_
pd @avavillafane
hair @evaniefrausto
make-up @missjobaker
styling @suzannekoller
pm @rickyknicks
spring 26 campaign for @ysl starring @haileybieber
directed by @nadialeecohen
production @carlota.rdv @fabiencolas
dp @bobbypavlovsky
colorist @rickygausis
ac @furiosuh
1st photo assist @davidlopezosuna
2nd photo assist @soriano_gustavo_
pd @avavillafane
hair @evaniefrausto
make-up @missjobaker
styling @suzannekoller
pm @rickyknicks
spring 26 campaign for @ysl starring @haileybieber
directed by @nadialeecohen
production @carlota.rdv @fabiencolas
dp @bobbypavlovsky
colorist @rickygausis
ac @furiosuh
1st photo assist @davidlopezosuna
2nd photo assist @soriano_gustavo_
pd @avavillafane
hair @evaniefrausto
make-up @missjobaker
styling @suzannekoller
pm @rickyknicks
spring 26 campaign for @ysl starring @haileybieber
directed by @nadialeecohen
production @carlota.rdv @fabiencolas
dp @bobbypavlovsky
colorist @rickygausis
ac @furiosuh
1st photo assist @davidlopezosuna
2nd photo assist @soriano_gustavo_
pd @avavillafane
hair @evaniefrausto
make-up @missjobaker
styling @suzannekoller
pm @rickyknicks
spring 26 campaign for @ysl starring @haileybieber
directed by @nadialeecohen
production @carlota.rdv @fabiencolas
dp @bobbypavlovsky
colorist @rickygausis
ac @furiosuh
1st photo assist @davidlopezosuna
2nd photo assist @soriano_gustavo_
pd @avavillafane
hair @evaniefrausto
make-up @missjobaker
styling @suzannekoller
pm @rickyknicks
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@theperfectmagazine
Directed by @nadialeecohen
Written by David Owen of @idea.ltd
Cinematographer @bobbypavlovsky
Styling @chloeandchenelle
Hair @jakegallagherhair
Make-up @lilly_keys
Set Design @avavillafane
Movement @ericvonchristison
Featuring @steve.lacy @tony_ward_official @brvceanderson @michaelvaccaro @phillipricke & Jon Patrick
editor in chief @kegrand
1st Lighting Assistant: @davidlopezsuna
2nd Lighting Assistant: @soriano_gustavo_
Colour Grade Film: @rickygausis
Film edit @g_scruton @nickels2dime
Finishing: @kushtrimkunushevci & Theo at @artprocess.co
Executive Producer: @carlota.rdv
Producer: @fabiencolas
Production manager: Richard Knickerbocker
Graphic Design: @karlajarvinen
Location Manager: Alison Dyer
Casting: @tallulahbernardcasting
Digi-Tech: @studiocodycloud
Hair Assistance: @marykendallll
Prop Stylist: Emily Joe
Prop Assistant: Sabrina Nguyen, Drew Lee Fashion Assistants: @sweetnsour, Sophia Bohmeiere
Tailor: @alicehunanyan
Production Assistant: Boris Navaro
Production Assistant: Kabir Mogaji
@towabird GENTLEMAN
Director @charliedenis
Cinematographer @bobbypavlovsky
Production Design @paidfollower001
Movement Director @mattypcock
Color @taylorgrades @the.trafik
EP @jordanhana
CD @joaomo @humberto
1st AC Riley Keeton
2nd AC @kateruthenbeck
DIT Elhanan Matos
Camera @standard.camera
Gaffer @dicknurr
BBE Rodolfo Martinez
Electric Driver Noah Shettel
Key Grip @wadsworthgrips
BBG Chris Wieland
Grip Driver Jason Webster
Dancer @tritri_0
Dancer @kelci_schu
Dancer @angelmammoliti
Production Co @kingrexxproductions
Producer @nabeerzkhan
Production Manager @emilyyjinhee
1st AD @cobb_was_here
Art Leadman Andrew Bond
Set Dresser Rob Kompare
Set Dresser Eric Moore
Set Dresser Mia Gualtieri
Styling @jakesammis
Hair @fitchlunarhair
Makeup @zaheersyn
Styling Assist Natalie O’Campo
Makeup Assist Lily Nalbandyan
Locations Peter Wulff
Truck PA Aramis Johnson
Set PA Arnold Juarez
Set PA Kelly Hernandez
@towabird GENTLEMAN
Director @charliedenis
Cinematographer @bobbypavlovsky
Production Design @paidfollower001
Movement Director @mattypcock
Color @taylorgrades @the.trafik
EP @jordanhana
CD @joaomo @humberto
1st AC Riley Keeton
2nd AC @kateruthenbeck
DIT Elhanan Matos
Camera @standard.camera
Gaffer @dicknurr
BBE Rodolfo Martinez
Electric Driver Noah Shettel
Key Grip @wadsworthgrips
BBG Chris Wieland
Grip Driver Jason Webster
Dancer @tritri_0
Dancer @kelci_schu
Dancer @angelmammoliti
Production Co @kingrexxproductions
Producer @nabeerzkhan
Production Manager @emilyyjinhee
1st AD @cobb_was_here
Art Leadman Andrew Bond
Set Dresser Rob Kompare
Set Dresser Eric Moore
Set Dresser Mia Gualtieri
Styling @jakesammis
Hair @fitchlunarhair
Makeup @zaheersyn
Styling Assist Natalie O’Campo
Makeup Assist Lily Nalbandyan
Locations Peter Wulff
Truck PA Aramis Johnson
Set PA Arnold Juarez
Set PA Kelly Hernandez
@towabird GENTLEMAN
Director @charliedenis
Cinematographer @bobbypavlovsky
Production Design @paidfollower001
Movement Director @mattypcock
Color @taylorgrades @the.trafik
EP @jordanhana
CD @joaomo @humberto
1st AC Riley Keeton
2nd AC @kateruthenbeck
DIT Elhanan Matos
Camera @standard.camera
Gaffer @dicknurr
BBE Rodolfo Martinez
Electric Driver Noah Shettel
Key Grip @wadsworthgrips
BBG Chris Wieland
Grip Driver Jason Webster
Dancer @tritri_0
Dancer @kelci_schu
Dancer @angelmammoliti
Production Co @kingrexxproductions
Producer @nabeerzkhan
Production Manager @emilyyjinhee
1st AD @cobb_was_here
Art Leadman Andrew Bond
Set Dresser Rob Kompare
Set Dresser Eric Moore
Set Dresser Mia Gualtieri
Styling @jakesammis
Hair @fitchlunarhair
Makeup @zaheersyn
Styling Assist Natalie O’Campo
Makeup Assist Lily Nalbandyan
Locations Peter Wulff
Truck PA Aramis Johnson
Set PA Arnold Juarez
Set PA Kelly Hernandez
@towabird GENTLEMAN
Director @charliedenis
Cinematographer @bobbypavlovsky
Production Design @paidfollower001
Movement Director @mattypcock
Color @taylorgrades @the.trafik
EP @jordanhana
CD @joaomo @humberto
1st AC Riley Keeton
2nd AC @kateruthenbeck
DIT Elhanan Matos
Camera @standard.camera
Gaffer @dicknurr
BBE Rodolfo Martinez
Electric Driver Noah Shettel
Key Grip @wadsworthgrips
BBG Chris Wieland
Grip Driver Jason Webster
Dancer @tritri_0
Dancer @kelci_schu
Dancer @angelmammoliti
Production Co @kingrexxproductions
Producer @nabeerzkhan
Production Manager @emilyyjinhee
1st AD @cobb_was_here
Art Leadman Andrew Bond
Set Dresser Rob Kompare
Set Dresser Eric Moore
Set Dresser Mia Gualtieri
Styling @jakesammis
Hair @fitchlunarhair
Makeup @zaheersyn
Styling Assist Natalie O’Campo
Makeup Assist Lily Nalbandyan
Locations Peter Wulff
Truck PA Aramis Johnson
Set PA Arnold Juarez
Set PA Kelly Hernandez
@towabird GENTLEMAN
Director @charliedenis
Cinematographer @bobbypavlovsky
Production Design @paidfollower001
Movement Director @mattypcock
Color @taylorgrades @the.trafik
EP @jordanhana
CD @joaomo @humberto
1st AC Riley Keeton
2nd AC @kateruthenbeck
DIT Elhanan Matos
Camera @standard.camera
Gaffer @dicknurr
BBE Rodolfo Martinez
Electric Driver Noah Shettel
Key Grip @wadsworthgrips
BBG Chris Wieland
Grip Driver Jason Webster
Dancer @tritri_0
Dancer @kelci_schu
Dancer @angelmammoliti
Production Co @kingrexxproductions
Producer @nabeerzkhan
Production Manager @emilyyjinhee
1st AD @cobb_was_here
Art Leadman Andrew Bond
Set Dresser Rob Kompare
Set Dresser Eric Moore
Set Dresser Mia Gualtieri
Styling @jakesammis
Hair @fitchlunarhair
Makeup @zaheersyn
Styling Assist Natalie O’Campo
Makeup Assist Lily Nalbandyan
Locations Peter Wulff
Truck PA Aramis Johnson
Set PA Arnold Juarez
Set PA Kelly Hernandez
@towabird GENTLEMAN
Director @charliedenis
Cinematographer @bobbypavlovsky
Production Design @paidfollower001
Movement Director @mattypcock
Color @taylorgrades @the.trafik
EP @jordanhana
CD @joaomo @humberto
1st AC Riley Keeton
2nd AC @kateruthenbeck
DIT Elhanan Matos
Camera @standard.camera
Gaffer @dicknurr
BBE Rodolfo Martinez
Electric Driver Noah Shettel
Key Grip @wadsworthgrips
BBG Chris Wieland
Grip Driver Jason Webster
Dancer @tritri_0
Dancer @kelci_schu
Dancer @angelmammoliti
Production Co @kingrexxproductions
Producer @nabeerzkhan
Production Manager @emilyyjinhee
1st AD @cobb_was_here
Art Leadman Andrew Bond
Set Dresser Rob Kompare
Set Dresser Eric Moore
Set Dresser Mia Gualtieri
Styling @jakesammis
Hair @fitchlunarhair
Makeup @zaheersyn
Styling Assist Natalie O’Campo
Makeup Assist Lily Nalbandyan
Locations Peter Wulff
Truck PA Aramis Johnson
Set PA Arnold Juarez
Set PA Kelly Hernandez
@towabird GENTLEMAN
Director @charliedenis
Cinematographer @bobbypavlovsky
Production Design @paidfollower001
Movement Director @mattypcock
Color @taylorgrades @the.trafik
EP @jordanhana
CD @joaomo @humberto
1st AC Riley Keeton
2nd AC @kateruthenbeck
DIT Elhanan Matos
Camera @standard.camera
Gaffer @dicknurr
BBE Rodolfo Martinez
Electric Driver Noah Shettel
Key Grip @wadsworthgrips
BBG Chris Wieland
Grip Driver Jason Webster
Dancer @tritri_0
Dancer @kelci_schu
Dancer @angelmammoliti
Production Co @kingrexxproductions
Producer @nabeerzkhan
Production Manager @emilyyjinhee
1st AD @cobb_was_here
Art Leadman Andrew Bond
Set Dresser Rob Kompare
Set Dresser Eric Moore
Set Dresser Mia Gualtieri
Styling @jakesammis
Hair @fitchlunarhair
Makeup @zaheersyn
Styling Assist Natalie O’Campo
Makeup Assist Lily Nalbandyan
Locations Peter Wulff
Truck PA Aramis Johnson
Set PA Arnold Juarez
Set PA Kelly Hernandez
@towabird GENTLEMAN
Director @charliedenis
Cinematographer @bobbypavlovsky
Production Design @paidfollower001
Movement Director @mattypcock
Color @taylorgrades @the.trafik
EP @jordanhana
CD @joaomo @humberto
1st AC Riley Keeton
2nd AC @kateruthenbeck
DIT Elhanan Matos
Camera @standard.camera
Gaffer @dicknurr
BBE Rodolfo Martinez
Electric Driver Noah Shettel
Key Grip @wadsworthgrips
BBG Chris Wieland
Grip Driver Jason Webster
Dancer @tritri_0
Dancer @kelci_schu
Dancer @angelmammoliti
Production Co @kingrexxproductions
Producer @nabeerzkhan
Production Manager @emilyyjinhee
1st AD @cobb_was_here
Art Leadman Andrew Bond
Set Dresser Rob Kompare
Set Dresser Eric Moore
Set Dresser Mia Gualtieri
Styling @jakesammis
Hair @fitchlunarhair
Makeup @zaheersyn
Styling Assist Natalie O’Campo
Makeup Assist Lily Nalbandyan
Locations Peter Wulff
Truck PA Aramis Johnson
Set PA Arnold Juarez
Set PA Kelly Hernandez
@towabird GENTLEMAN
Director @charliedenis
Cinematographer @bobbypavlovsky
Production Design @paidfollower001
Movement Director @mattypcock
Color @taylorgrades @the.trafik
EP @jordanhana
CD @joaomo @humberto
1st AC Riley Keeton
2nd AC @kateruthenbeck
DIT Elhanan Matos
Camera @standard.camera
Gaffer @dicknurr
BBE Rodolfo Martinez
Electric Driver Noah Shettel
Key Grip @wadsworthgrips
BBG Chris Wieland
Grip Driver Jason Webster
Dancer @tritri_0
Dancer @kelci_schu
Dancer @angelmammoliti
Production Co @kingrexxproductions
Producer @nabeerzkhan
Production Manager @emilyyjinhee
1st AD @cobb_was_here
Art Leadman Andrew Bond
Set Dresser Rob Kompare
Set Dresser Eric Moore
Set Dresser Mia Gualtieri
Styling @jakesammis
Hair @fitchlunarhair
Makeup @zaheersyn
Styling Assist Natalie O’Campo
Makeup Assist Lily Nalbandyan
Locations Peter Wulff
Truck PA Aramis Johnson
Set PA Arnold Juarez
Set PA Kelly Hernandez
A Gucci love story with Paris Hilton for Interview Magazine. @parishilton @gucci @interviewmag
directed by @charliedenis
cinematographer @bobbypavlovsky
stylist @lanajaylackey
hair @jakegallagherhair
makeup @glamtechstevent
nails @britneytokyo
set design @thebritttt
lighting #thomaspatton
digi tech @nichlscharliefish
tailor #susiekourinian
editor-in-chief @melzy917
production director @thealexandraweiss
production producer @georgiaafordd
production @carlota.rdv
on-set production @jacobeppy
Shot on @kodak_shootfilm
A Gucci love story with Paris Hilton for Interview Magazine. @parishilton @gucci @interviewmag
directed by @charliedenis
cinematographer @bobbypavlovsky
stylist @lanajaylackey
hair @jakegallagherhair
makeup @glamtechstevent
nails @britneytokyo
set design @thebritttt
lighting #thomaspatton
digi tech @nichlscharliefish
tailor #susiekourinian
editor-in-chief @melzy917
production director @thealexandraweiss
production producer @georgiaafordd
production @carlota.rdv
on-set production @jacobeppy
Shot on @kodak_shootfilm
A Gucci love story with Paris Hilton for Interview Magazine. @parishilton @gucci @interviewmag
directed by @charliedenis
cinematographer @bobbypavlovsky
stylist @lanajaylackey
hair @jakegallagherhair
makeup @glamtechstevent
nails @britneytokyo
set design @thebritttt
lighting #thomaspatton
digi tech @nichlscharliefish
tailor #susiekourinian
editor-in-chief @melzy917
production director @thealexandraweiss
production producer @georgiaafordd
production @carlota.rdv
on-set production @jacobeppy
Shot on @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
HULA GIRL @thenbhd | 250D & 500T 35mm
“In natural daylight, film is the only medium that can really capture the world as you see it without a big fuss. Our day exteriors used no lighting, only mirrors and bounces, shot on 5207.
Capturing the feeling of a dim bar was an entirely different approach. We opted for a bit of tungsten sources just to break up the red bar lighting, slightly underexposing and printing the film down in the grade, which helped us still retain the detail we wanted in the shadows. It was important to shoot bar interiors that actually felt dark and not overly lit, shot on 5219 push 1.” Director Ramez Silyan
Link in bio to watch the full music film.
Directed by @getmezzy
Cinematography @bobbypavlovsky
Production Design @mattt.toth
Edit by @leadprotagonist & @getmezzy
Color by @ryanurzi @ethos_studio
EP @mrseri
Prod.co @stinkfilms
Producer @jeffreyschroederfanpage
Co-prod. @deepcutfilms.xyz
UPM @quinoito
1st AD @twwilson01
2nd AD @ashorama
1st AC @eric.ugland
2nd AC @joe_ashi
Loader @sergio____torres
Photosonics OP @ryancampbellfinally
Gaffer @dicknurr
BBE @justin.roxbrough
Electric Terrell Bradford, Vahagan Guasyan
Electric Driver @thee_nshet
Key Grip @picassogrip
BBG @harvill0890
Grip Alex Schmidt @samsatossky @danny_valles
Dolly Grip Rex Kennedy
Art Director @kelliearceneaux_
Set Dresser @devindif
Art PA Jonathan Rodriguez
Art PA Savannah Toth
Sfx Art Hayes
Groomer @thegabriellealvarez
Set Stills @ninetyeyes
Prod Asst. Calvin Gibbon, Reggie Ware
Marcus Duarte, Marcus Bell
Mgmt Kirk Harding @ourbadhabit
Commissioner @devinsarno
Label @warnerrecords
With
@craigstark_
@igorgrbesic
@joshuaharizmendi
@reneeherbert_
@genevieveandrewss
@stephen.f.alvermann
@jacbrooke
@katieschust
@louis.magnano
Myra Alvermann
Oscar Martinez
Thanks to @kodak_shootfilm
65mm 5207 spooled for 120
Elgin, Scotland
When I first started working with 65mm and had this idea - everyone told me don’t bother, others have already tried and 65mm is taller than 120 so it won’t work…
The mad man @justincary at @midwestfilmcompany made it possible! Such a gift to not only be able to shoot motion picture stocks in 35mm but now in 120 as well.
65mm 5207 spooled for 120
Elgin, Scotland
When I first started working with 65mm and had this idea - everyone told me don’t bother, others have already tried and 65mm is taller than 120 so it won’t work…
The mad man @justincary at @midwestfilmcompany made it possible! Such a gift to not only be able to shoot motion picture stocks in 35mm but now in 120 as well.
65mm 5207 spooled for 120
Elgin, Scotland
When I first started working with 65mm and had this idea - everyone told me don’t bother, others have already tried and 65mm is taller than 120 so it won’t work…
The mad man @justincary at @midwestfilmcompany made it possible! Such a gift to not only be able to shoot motion picture stocks in 35mm but now in 120 as well.
65mm 5207 spooled for 120
Elgin, Scotland
When I first started working with 65mm and had this idea - everyone told me don’t bother, others have already tried and 65mm is taller than 120 so it won’t work…
The mad man @justincary at @midwestfilmcompany made it possible! Such a gift to not only be able to shoot motion picture stocks in 35mm but now in 120 as well.
65mm 5207 spooled for 120
Elgin, Scotland
When I first started working with 65mm and had this idea - everyone told me don’t bother, others have already tried and 65mm is taller than 120 so it won’t work…
The mad man @justincary at @midwestfilmcompany made it possible! Such a gift to not only be able to shoot motion picture stocks in 35mm but now in 120 as well.
65mm 5207 spooled for 120
Elgin, Scotland
When I first started working with 65mm and had this idea - everyone told me don’t bother, others have already tried and 65mm is taller than 120 so it won’t work…
The mad man @justincary at @midwestfilmcompany made it possible! Such a gift to not only be able to shoot motion picture stocks in 35mm but now in 120 as well.
65mm 5207 spooled for 120
Elgin, Scotland
When I first started working with 65mm and had this idea - everyone told me don’t bother, others have already tried and 65mm is taller than 120 so it won’t work…
The mad man @justincary at @midwestfilmcompany made it possible! Such a gift to not only be able to shoot motion picture stocks in 35mm but now in 120 as well.
65mm 5207 spooled for 120
Elgin, Scotland
When I first started working with 65mm and had this idea - everyone told me don’t bother, others have already tried and 65mm is taller than 120 so it won’t work…
The mad man @justincary at @midwestfilmcompany made it possible! Such a gift to not only be able to shoot motion picture stocks in 35mm but now in 120 as well.
Moments from Jack by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
Moments from Jack by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
Moments from Jack by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
Moments from Jack by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
Moments from Jack by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
Moments from Jack by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
Moments from Jack by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
Moments from Jack by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
Moments from Jack by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
Moments from Jack by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
Moments from Jack by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
Moments from Jack by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
“Jack” by @natandalex
Directed by @getmezzy
Produced by @mrseri @stinkfilms
Shot by @bobbypavlovsky
Color by @ryanurzi @ethos_studio
Mix by Brent Asbury at Beta Petrol
1st AC @e.gonzalez_600
Loader @magnustnolan
Sound Mixer @jodie_froster
PA @aaronwas
PA Driver @johannesandreas__
Grooming by @by.aikaflores
Special Thanks to @thom_kuo
@old_fast_glass and @evanthicke
Shot on @kodak_shootfilm
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