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old_fast_glass
Old Fast Glass
Los Angeles Rental House: Lenses | Digital & 35mm/16mm/8mm Film Cameras | Prep Spaces | Lens Test Studio | Ultimate Cinema Lens Library | OFG Customs
Here’s the teaser for our ALEXA 265 x STATERA Anamorphic Lens Test (Link in Bio to the full 4K Lens Test). In case you missed our recent post with @lens_addiction and @ancientoptics - STATERA 1.5x FF+ Anamorphic lenses are one of the few viable anamorphic lens options to pair with ALEXA 265. We wanted to show that you can get great results for a 2.40:1 presentation which utilizes most of the ALEXA 265’s huge image sensor, and delivers more anamorphic character than 1.3x anamorphic lenses, giving you a great balance of resolution and character for 65mm format. Enjoy!
Featuring - @priscilla_mars
DP - @marklafleur_dp
AC - @kemalettinsert
EDIT - @rosiesirk
#anamorphiclenses #vintagelenses #alexa265 #lenstest #alexa65
Introducing the @ofgcustoms LONG SHOT. The Long Shot is an optical adapter that allows you to use Full Frame/Large Format/Vista Vision lenses, and retain the full field of view, depth of field, and character of those lenses onto the 16mm format. It was designed specifically to use with PL mount 16mm cameras like the ARRI 416, ARRI SR3, AATON Xtera, XTR Prod, and more. You now have 10 times the lens options for 16mm film, as well as the ability to capture a completely new look, no one has ever seen for 16mm. This truly is 16mm reimagined. The Long Shot has swappable mounts, and we have mounts for PL, LPL, Canon EF, Nikon F, Canon FD, BNCR, and more!
Special thanks to cinematographer Gary Long @prince.dpx for brining us this project, and trusting OFG with his concept. He also shot all the gorgeous test footage in this demo reel. Huge thanks and praise to OFG Customs’ Cameron McAlpine @cambob3000 for designing and building the Long Shot. It’s a functional work of art. Thank you to Rosie Sirk @rosesirk for editing this reel. And thank you to @kodak_shootfilm @ducloslenses @fotokem_la and @originsarchival for the help and support.
The Long Shot is currently available for rental only at @old_fast_glass
Watch on YouTube for a better viewing experience. Link in Bio.
#oldfastglass #ofgcustoms #16mm #16mmfilm #super16 #super16mm #super16mmfilm #kodakshootfilm #cinematography #filmisnotdead #kodak #arrisr3 #arri416 #aatonxtr #aatonxtera #aatonxtrprod #bolex #bolex16mm #vistavision #fullframe #bokeh #lensflare #largeformat @wpagency
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
We have something extremely important to share today. Nick Demaree, one of Old Fast Glass’ most incredible people, suffered a tragic accident recently, leaving him paralyzed from the chest down. As you can imagine, treatment, care, rehab, and other huge changes to Nick’s life, have a substantial financial cost. During this season of giving, we are asking you to support Nick and his family. We have added a donation link to our Link Tree (link in bio). In this post, we shared Nick’s recent IG post: @nichdema - to give some more context to the situation. If you have any questions about how you can help, please don’t hesitate to reach out to us. Nick is a truly special person. Anyone who’s met him knows how sincere, passionate, friendly, and electric he is. Let’s come together and support him and his family any way we can. We will continue to share Nick’s posts, his story, and other information. Thank you in advance for the support.
- The Old Fast Glass Team
#oldfastglass
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed Sunday, we will give you 2 reasons today! These are two of our widest lenses for LF/VV/FF and beyond: the @zerooptik Canon+ 10mm T3.7, and the @arri Enso 10.5mm T2.8. Zero Optik optimized this 10mm for 65mm format coverage! So this might be the widest lens available for that format. It’s sharp on center, with gradual fall-off toward the edges. It has lovely bokeh and flare character, with just the right amount of barrel distortion. It’s a great choice to pair with vintage lens sets. But if you need a modern ultra-wide, the Enso is a great choice. Extrememely sharp. No focus breathing, controlled flare character, smooth bokeh, and almost no distortion. It’s the widest lens in the Enso range.
Stop by and test out these lenses, and many more at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass, hosted by @old_fast_glass and @ancientoptics
We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #ensoprimes #zerooptik #fullframe
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed Sunday, we will give you 2 reasons today! These are two of our widest lenses for LF/VV/FF and beyond: the @zerooptik Canon+ 10mm T3.7, and the @arri Enso 10.5mm T2.8. Zero Optik optimized this 10mm for 65mm format coverage! So this might be the widest lens available for that format. It’s sharp on center, with gradual fall-off toward the edges. It has lovely bokeh and flare character, with just the right amount of barrel distortion. It’s a great choice to pair with vintage lens sets. But if you need a modern ultra-wide, the Enso is a great choice. Extrememely sharp. No focus breathing, controlled flare character, smooth bokeh, and almost no distortion. It’s the widest lens in the Enso range.
Stop by and test out these lenses, and many more at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass, hosted by @old_fast_glass and @ancientoptics
We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #ensoprimes #zerooptik #fullframe
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed Sunday, we will give you 2 reasons today! These are two of our widest lenses for LF/VV/FF and beyond: the @zerooptik Canon+ 10mm T3.7, and the @arri Enso 10.5mm T2.8. Zero Optik optimized this 10mm for 65mm format coverage! So this might be the widest lens available for that format. It’s sharp on center, with gradual fall-off toward the edges. It has lovely bokeh and flare character, with just the right amount of barrel distortion. It’s a great choice to pair with vintage lens sets. But if you need a modern ultra-wide, the Enso is a great choice. Extrememely sharp. No focus breathing, controlled flare character, smooth bokeh, and almost no distortion. It’s the widest lens in the Enso range.
Stop by and test out these lenses, and many more at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass, hosted by @old_fast_glass and @ancientoptics
We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #ensoprimes #zerooptik #fullframe
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed Sunday, we will give you 2 reasons today! These are two of our widest lenses for LF/VV/FF and beyond: the @zerooptik Canon+ 10mm T3.7, and the @arri Enso 10.5mm T2.8. Zero Optik optimized this 10mm for 65mm format coverage! So this might be the widest lens available for that format. It’s sharp on center, with gradual fall-off toward the edges. It has lovely bokeh and flare character, with just the right amount of barrel distortion. It’s a great choice to pair with vintage lens sets. But if you need a modern ultra-wide, the Enso is a great choice. Extrememely sharp. No focus breathing, controlled flare character, smooth bokeh, and almost no distortion. It’s the widest lens in the Enso range.
Stop by and test out these lenses, and many more at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass, hosted by @old_fast_glass and @ancientoptics
We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #ensoprimes #zerooptik #fullframe
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed Sunday, we will give you 2 reasons today! These are two of our widest lenses for LF/VV/FF and beyond: the @zerooptik Canon+ 10mm T3.7, and the @arri Enso 10.5mm T2.8. Zero Optik optimized this 10mm for 65mm format coverage! So this might be the widest lens available for that format. It’s sharp on center, with gradual fall-off toward the edges. It has lovely bokeh and flare character, with just the right amount of barrel distortion. It’s a great choice to pair with vintage lens sets. But if you need a modern ultra-wide, the Enso is a great choice. Extrememely sharp. No focus breathing, controlled flare character, smooth bokeh, and almost no distortion. It’s the widest lens in the Enso range.
Stop by and test out these lenses, and many more at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass, hosted by @old_fast_glass and @ancientoptics
We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #ensoprimes #zerooptik #fullframe
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed Sunday, we will give you 2 reasons today! These are two of our widest lenses for LF/VV/FF and beyond: the @zerooptik Canon+ 10mm T3.7, and the @arri Enso 10.5mm T2.8. Zero Optik optimized this 10mm for 65mm format coverage! So this might be the widest lens available for that format. It’s sharp on center, with gradual fall-off toward the edges. It has lovely bokeh and flare character, with just the right amount of barrel distortion. It’s a great choice to pair with vintage lens sets. But if you need a modern ultra-wide, the Enso is a great choice. Extrememely sharp. No focus breathing, controlled flare character, smooth bokeh, and almost no distortion. It’s the widest lens in the Enso range.
Stop by and test out these lenses, and many more at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass, hosted by @old_fast_glass and @ancientoptics
We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #ensoprimes #zerooptik #fullframe
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed Sunday, we will give you 2 reasons today! These are two of our widest lenses for LF/VV/FF and beyond: the @zerooptik Canon+ 10mm T3.7, and the @arri Enso 10.5mm T2.8. Zero Optik optimized this 10mm for 65mm format coverage! So this might be the widest lens available for that format. It’s sharp on center, with gradual fall-off toward the edges. It has lovely bokeh and flare character, with just the right amount of barrel distortion. It’s a great choice to pair with vintage lens sets. But if you need a modern ultra-wide, the Enso is a great choice. Extrememely sharp. No focus breathing, controlled flare character, smooth bokeh, and almost no distortion. It’s the widest lens in the Enso range.
Stop by and test out these lenses, and many more at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass, hosted by @old_fast_glass and @ancientoptics
We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #ensoprimes #zerooptik #fullframe
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed yesterday, we will give you 2 reasons today! This is the brand new Zeiss B-Speed 14mm T1.4. This one was a collaboration between @ancientoptics and @gl_optics and is the follow-up to the 135mm T2.2 B-Speed we announced recently. Both lenses expand on the original 5-lens set, and both feature the B-Speeds’ unique triangular iris. So now you have a uniform, perfectly matched, unique set of vintage optics from 14mm to 135mm.
The lenses have internal focus, improved close focus, expanded focus scales, matching gear positions, and rock-solid, reliable mechanics. Wide open, the lenses create a more traditional, vintage textured aesthetic. The triangular iris does not reveal its character until you stop down. Around T2, T2/2.8 split is the sweet spot if you like the look of rounded triangular bokeh. It’s really special.
The lenses have Zeiss’ legendary vintage leaded glass, and T* coatings. The lenses deliver very flattering skin tones, and lens flares are beautiful without overwhelming the image. They are truly stunning lenses.
Stop by and test them out at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass. We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #zeissbspeed #zeisssuperspeed #zeisshighspeed
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed yesterday, we will give you 2 reasons today! This is the brand new Zeiss B-Speed 14mm T1.4. This one was a collaboration between @ancientoptics and @gl_optics and is the follow-up to the 135mm T2.2 B-Speed we announced recently. Both lenses expand on the original 5-lens set, and both feature the B-Speeds’ unique triangular iris. So now you have a uniform, perfectly matched, unique set of vintage optics from 14mm to 135mm.
The lenses have internal focus, improved close focus, expanded focus scales, matching gear positions, and rock-solid, reliable mechanics. Wide open, the lenses create a more traditional, vintage textured aesthetic. The triangular iris does not reveal its character until you stop down. Around T2, T2/2.8 split is the sweet spot if you like the look of rounded triangular bokeh. It’s really special.
The lenses have Zeiss’ legendary vintage leaded glass, and T* coatings. The lenses deliver very flattering skin tones, and lens flares are beautiful without overwhelming the image. They are truly stunning lenses.
Stop by and test them out at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass. We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #zeissbspeed #zeisssuperspeed #zeisshighspeed
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed yesterday, we will give you 2 reasons today! This is the brand new Zeiss B-Speed 14mm T1.4. This one was a collaboration between @ancientoptics and @gl_optics and is the follow-up to the 135mm T2.2 B-Speed we announced recently. Both lenses expand on the original 5-lens set, and both feature the B-Speeds’ unique triangular iris. So now you have a uniform, perfectly matched, unique set of vintage optics from 14mm to 135mm.
The lenses have internal focus, improved close focus, expanded focus scales, matching gear positions, and rock-solid, reliable mechanics. Wide open, the lenses create a more traditional, vintage textured aesthetic. The triangular iris does not reveal its character until you stop down. Around T2, T2/2.8 split is the sweet spot if you like the look of rounded triangular bokeh. It’s really special.
The lenses have Zeiss’ legendary vintage leaded glass, and T* coatings. The lenses deliver very flattering skin tones, and lens flares are beautiful without overwhelming the image. They are truly stunning lenses.
Stop by and test them out at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass. We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #zeissbspeed #zeisssuperspeed #zeisshighspeed
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed yesterday, we will give you 2 reasons today! This is the brand new Zeiss B-Speed 14mm T1.4. This one was a collaboration between @ancientoptics and @gl_optics and is the follow-up to the 135mm T2.2 B-Speed we announced recently. Both lenses expand on the original 5-lens set, and both feature the B-Speeds’ unique triangular iris. So now you have a uniform, perfectly matched, unique set of vintage optics from 14mm to 135mm.
The lenses have internal focus, improved close focus, expanded focus scales, matching gear positions, and rock-solid, reliable mechanics. Wide open, the lenses create a more traditional, vintage textured aesthetic. The triangular iris does not reveal its character until you stop down. Around T2, T2/2.8 split is the sweet spot if you like the look of rounded triangular bokeh. It’s really special.
The lenses have Zeiss’ legendary vintage leaded glass, and T* coatings. The lenses deliver very flattering skin tones, and lens flares are beautiful without overwhelming the image. They are truly stunning lenses.
Stop by and test them out at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass. We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #zeissbspeed #zeisssuperspeed #zeisshighspeed
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed yesterday, we will give you 2 reasons today! This is the brand new Zeiss B-Speed 14mm T1.4. This one was a collaboration between @ancientoptics and @gl_optics and is the follow-up to the 135mm T2.2 B-Speed we announced recently. Both lenses expand on the original 5-lens set, and both feature the B-Speeds’ unique triangular iris. So now you have a uniform, perfectly matched, unique set of vintage optics from 14mm to 135mm.
The lenses have internal focus, improved close focus, expanded focus scales, matching gear positions, and rock-solid, reliable mechanics. Wide open, the lenses create a more traditional, vintage textured aesthetic. The triangular iris does not reveal its character until you stop down. Around T2, T2/2.8 split is the sweet spot if you like the look of rounded triangular bokeh. It’s really special.
The lenses have Zeiss’ legendary vintage leaded glass, and T* coatings. The lenses deliver very flattering skin tones, and lens flares are beautiful without overwhelming the image. They are truly stunning lenses.
Stop by and test them out at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass. We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #zeissbspeed #zeisssuperspeed #zeisshighspeed
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed yesterday, we will give you 2 reasons today! This is the brand new Zeiss B-Speed 14mm T1.4. This one was a collaboration between @ancientoptics and @gl_optics and is the follow-up to the 135mm T2.2 B-Speed we announced recently. Both lenses expand on the original 5-lens set, and both feature the B-Speeds’ unique triangular iris. So now you have a uniform, perfectly matched, unique set of vintage optics from 14mm to 135mm.
The lenses have internal focus, improved close focus, expanded focus scales, matching gear positions, and rock-solid, reliable mechanics. Wide open, the lenses create a more traditional, vintage textured aesthetic. The triangular iris does not reveal its character until you stop down. Around T2, T2/2.8 split is the sweet spot if you like the look of rounded triangular bokeh. It’s really special.
The lenses have Zeiss’ legendary vintage leaded glass, and T* coatings. The lenses deliver very flattering skin tones, and lens flares are beautiful without overwhelming the image. They are truly stunning lenses.
Stop by and test them out at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass. We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #zeissbspeed #zeisssuperspeed #zeisshighspeed
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed yesterday, we will give you 2 reasons today! This is the brand new Zeiss B-Speed 14mm T1.4. This one was a collaboration between @ancientoptics and @gl_optics and is the follow-up to the 135mm T2.2 B-Speed we announced recently. Both lenses expand on the original 5-lens set, and both feature the B-Speeds’ unique triangular iris. So now you have a uniform, perfectly matched, unique set of vintage optics from 14mm to 135mm.
The lenses have internal focus, improved close focus, expanded focus scales, matching gear positions, and rock-solid, reliable mechanics. Wide open, the lenses create a more traditional, vintage textured aesthetic. The triangular iris does not reveal its character until you stop down. Around T2, T2/2.8 split is the sweet spot if you like the look of rounded triangular bokeh. It’s really special.
The lenses have Zeiss’ legendary vintage leaded glass, and T* coatings. The lenses deliver very flattering skin tones, and lens flares are beautiful without overwhelming the image. They are truly stunning lenses.
Stop by and test them out at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass. We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #zeissbspeed #zeisssuperspeed #zeisshighspeed
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed yesterday, we will give you 2 reasons today! This is the brand new Zeiss B-Speed 14mm T1.4. This one was a collaboration between @ancientoptics and @gl_optics and is the follow-up to the 135mm T2.2 B-Speed we announced recently. Both lenses expand on the original 5-lens set, and both feature the B-Speeds’ unique triangular iris. So now you have a uniform, perfectly matched, unique set of vintage optics from 14mm to 135mm.
The lenses have internal focus, improved close focus, expanded focus scales, matching gear positions, and rock-solid, reliable mechanics. Wide open, the lenses create a more traditional, vintage textured aesthetic. The triangular iris does not reveal its character until you stop down. Around T2, T2/2.8 split is the sweet spot if you like the look of rounded triangular bokeh. It’s really special.
The lenses have Zeiss’ legendary vintage leaded glass, and T* coatings. The lenses deliver very flattering skin tones, and lens flares are beautiful without overwhelming the image. They are truly stunning lenses.
Stop by and test them out at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass. We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #zeissbspeed #zeisssuperspeed #zeisshighspeed
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed yesterday, we will give you 2 reasons today! This is the brand new Zeiss B-Speed 14mm T1.4. This one was a collaboration between @ancientoptics and @gl_optics and is the follow-up to the 135mm T2.2 B-Speed we announced recently. Both lenses expand on the original 5-lens set, and both feature the B-Speeds’ unique triangular iris. So now you have a uniform, perfectly matched, unique set of vintage optics from 14mm to 135mm.
The lenses have internal focus, improved close focus, expanded focus scales, matching gear positions, and rock-solid, reliable mechanics. Wide open, the lenses create a more traditional, vintage textured aesthetic. The triangular iris does not reveal its character until you stop down. Around T2, T2/2.8 split is the sweet spot if you like the look of rounded triangular bokeh. It’s really special.
The lenses have Zeiss’ legendary vintage leaded glass, and T* coatings. The lenses deliver very flattering skin tones, and lens flares are beautiful without overwhelming the image. They are truly stunning lenses.
Stop by and test them out at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass. We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #zeissbspeed #zeisssuperspeed #zeisshighspeed
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed yesterday, we will give you 2 reasons today! This is the brand new Zeiss B-Speed 14mm T1.4. This one was a collaboration between @ancientoptics and @gl_optics and is the follow-up to the 135mm T2.2 B-Speed we announced recently. Both lenses expand on the original 5-lens set, and both feature the B-Speeds’ unique triangular iris. So now you have a uniform, perfectly matched, unique set of vintage optics from 14mm to 135mm.
The lenses have internal focus, improved close focus, expanded focus scales, matching gear positions, and rock-solid, reliable mechanics. Wide open, the lenses create a more traditional, vintage textured aesthetic. The triangular iris does not reveal its character until you stop down. Around T2, T2/2.8 split is the sweet spot if you like the look of rounded triangular bokeh. It’s really special.
The lenses have Zeiss’ legendary vintage leaded glass, and T* coatings. The lenses deliver very flattering skin tones, and lens flares are beautiful without overwhelming the image. They are truly stunning lenses.
Stop by and test them out at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass. We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #zeissbspeed #zeisssuperspeed #zeisshighspeed
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed yesterday, we will give you 2 reasons today! This is the brand new Zeiss B-Speed 14mm T1.4. This one was a collaboration between @ancientoptics and @gl_optics and is the follow-up to the 135mm T2.2 B-Speed we announced recently. Both lenses expand on the original 5-lens set, and both feature the B-Speeds’ unique triangular iris. So now you have a uniform, perfectly matched, unique set of vintage optics from 14mm to 135mm.
The lenses have internal focus, improved close focus, expanded focus scales, matching gear positions, and rock-solid, reliable mechanics. Wide open, the lenses create a more traditional, vintage textured aesthetic. The triangular iris does not reveal its character until you stop down. Around T2, T2/2.8 split is the sweet spot if you like the look of rounded triangular bokeh. It’s really special.
The lenses have Zeiss’ legendary vintage leaded glass, and T* coatings. The lenses deliver very flattering skin tones, and lens flares are beautiful without overwhelming the image. They are truly stunning lenses.
Stop by and test them out at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass. We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #zeissbspeed #zeisssuperspeed #zeisshighspeed
Every day until our Cine Gear Wrap Party and Open House we are going to give you another reason to stop by and check out our newest gear. Since we missed yesterday, we will give you 2 reasons today! This is the brand new Zeiss B-Speed 14mm T1.4. This one was a collaboration between @ancientoptics and @gl_optics and is the follow-up to the 135mm T2.2 B-Speed we announced recently. Both lenses expand on the original 5-lens set, and both feature the B-Speeds’ unique triangular iris. So now you have a uniform, perfectly matched, unique set of vintage optics from 14mm to 135mm.
The lenses have internal focus, improved close focus, expanded focus scales, matching gear positions, and rock-solid, reliable mechanics. Wide open, the lenses create a more traditional, vintage textured aesthetic. The triangular iris does not reveal its character until you stop down. Around T2, T2/2.8 split is the sweet spot if you like the look of rounded triangular bokeh. It’s really special.
The lenses have Zeiss’ legendary vintage leaded glass, and T* coatings. The lenses deliver very flattering skin tones, and lens flares are beautiful without overwhelming the image. They are truly stunning lenses.
Stop by and test them out at our Cine Gear Wrap Party & Open House, June 7, from 2:00-8:00pm at Old Fast Glass. We will have food, drinks, coffee, ice cream, and 2 lens bars!
#oldfastglass #cinegear #zeissbspeed #zeisssuperspeed #zeisshighspeed
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
OASIS
Dir. @tiagotofanifilm
Prod. Edward Joseph
DP.🧍🏽
Cam Op. @valdrippy
1st AC. @coby.marcus
DIT. @josefernandezdit
Color. @wesnosheckk
Set/Wardrobe. @shidifenn
Gaffer. @august_jes
Key Grip. @slayerskye
Grip. @alton_henry_iii
Board Op/LCP. @alejandro.lopez.cavalieris
BTS. @guillermo.photo
Lens Rental. @old_fast_glass
Emotional support. @robi.cine 😂
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
NEW WORK!!!
So excited to finally share this Director’s Cut we shot way back in September for Real California Dairy! With 110 degree weather, tons of flies, and all the smells, we had the best vibes with my guys @petesestina and @jrashada roaming around various California dairy farms for 2 weeks.
Also, not to be cheesy but they say the best camera is the one in your hands and that couldn’t be truer. I was rocking a barebones Sony FX3 and a few kit lenses and filters. Nothing else. Pete and I wanted to focus on raw moments, interesting frames and not worry so much about shallow depth of field and carefully placed scenes. In fact, embracing a deep focus was fun…not to mention the pinwheel sun flares!
Big big thanks to our editor @chrispetow who found these incredible moments and brought this piece to life! Couldn’t have done it without you. Big shoutout to @lorenjameswhite, for bringing some color back but keeping us grounded in a real world. And Huge thanks to @jrashada for capturing so much audio that really helped carry the piece in its authenticity. And of course, biggest thanks to @petesestina for trusting me to find interesting moments, literally running with it to get a shot, and managing talent like a pro.
Curious what everyone thinks!
Client: CMAB
Agency: Deutsch
Production Company: Steelhead
Director: @petesestina
Executive Producer: @christophkauffman
Executive Producer: Megan Meloth
Creative Director: Emily Blaine
Producer: Thomas Anderson
Accounts: Natalie Uribe
Director of Photography: @brentbarbano
Audio Mixer: @jrashada
Editor: @chrispetow
Colorist: @lorenjameswhite
Camera Gear: @old_fast_glass
Production Support: @adam_bhb
We are 1 month away from our 4th Annual @old_fast_glass | @ancientoptics Cine Gear Wrap Party & Open House!Sunday, June 7, from 2:00pm to 8:00pm. This year will be bigger than ever! Enjoy music, drinks, Villas Tacos, Recess Ice Cream Truck, CATDOG COFFEE, and more! We will have a lot of NEW LENSES and new gear to show you!
Save the date. No RSVP required. Just stop by and have a good time! And follow us for lens announcements…
Shot on Super 8 & @kodak_shootfilm
Edit - @rosiesirk
@catdogcoffee.co @recesstruck @villastacoslosangeles
#oldfastglass #cinegear #cinegear2026 #vintagelenses #rehousedlenses
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
a handful of my favorite frames from pilgrimage (link in bio) proudly shot on 3 & 4 perf 35mm @kodak_shootfilm
for those asking: the space vfx were hand created by @andriklangfield in blender (we did not use AI in any capacity on this film). he did an incredible job & the film really wouldn’t have been the same without his visuals! he also shot a handful of practical effects that made the cut and blended really well with the cgi!
dir + dp + editor: @masoncharles ✌️
dead man: @kamvanombembe
1st AC/loader: @mosesbuckwalter
gaffer/bts: @maxcharles1
original score + sound: @baileyjeffs
woman: @hillsofhope
son: @elyjhabradley
rentals: @old_fast_glass
steadi: @ericksteadi
swing: @jamufasa
crafty: @lore.char
runner: @bella_buckwalter
space vfx: @andriklangfield
additional vfx: @garnzor
edit/color: @masoncharles
dev/scan: @fotokem_la
film: @motionpicturefilmstock @kodak_shootfilm
camera: arri 435xtreme 3 perf, arri 535b 4 perf, paired with tls
"O2" short film shot on iPhone 🎥😤
With @atlaslensco and @beastgrip Photon adapter 🚀
#beastgripnation #beastgrip #filmmaking #iphonefilmmaking #shotoniphone
Rare legendary set of glass spanning 1928-1933 coming this June. Rehoused by @zerooptik and available for rental through our partner @old_fast_glass. There’s nothing else like them!
That’s a wrap on another OFG Film Workshop! 30 attendees, 3 instructors, 6 cameras, 12 mags, 5 pots of coffee, and a lot of film! Thank you so much to @camerasamurai for generously sharing your knowledge. Thank you to all the filmmakers who attended! Your enthusiasm and passion for film is truly inspiring. Let’s keep film alive and thriving!
If you are interested in attending future workshops, make sure to follow us here for updates and announcements. We plan to have a 35mm Film Workshop very soon! Hope to see you on the next one!
#kodakshootfilm #16mmfilm #filmisnotdead #super16mm #arri416
That’s a wrap on another OFG Film Workshop! 30 attendees, 3 instructors, 6 cameras, 12 mags, 5 pots of coffee, and a lot of film! Thank you so much to @camerasamurai for generously sharing your knowledge. Thank you to all the filmmakers who attended! Your enthusiasm and passion for film is truly inspiring. Let’s keep film alive and thriving!
If you are interested in attending future workshops, make sure to follow us here for updates and announcements. We plan to have a 35mm Film Workshop very soon! Hope to see you on the next one!
#kodakshootfilm #16mmfilm #filmisnotdead #super16mm #arri416
That’s a wrap on another OFG Film Workshop! 30 attendees, 3 instructors, 6 cameras, 12 mags, 5 pots of coffee, and a lot of film! Thank you so much to @camerasamurai for generously sharing your knowledge. Thank you to all the filmmakers who attended! Your enthusiasm and passion for film is truly inspiring. Let’s keep film alive and thriving!
If you are interested in attending future workshops, make sure to follow us here for updates and announcements. We plan to have a 35mm Film Workshop very soon! Hope to see you on the next one!
#kodakshootfilm #16mmfilm #filmisnotdead #super16mm #arri416
That’s a wrap on another OFG Film Workshop! 30 attendees, 3 instructors, 6 cameras, 12 mags, 5 pots of coffee, and a lot of film! Thank you so much to @camerasamurai for generously sharing your knowledge. Thank you to all the filmmakers who attended! Your enthusiasm and passion for film is truly inspiring. Let’s keep film alive and thriving!
If you are interested in attending future workshops, make sure to follow us here for updates and announcements. We plan to have a 35mm Film Workshop very soon! Hope to see you on the next one!
#kodakshootfilm #16mmfilm #filmisnotdead #super16mm #arri416
That’s a wrap on another OFG Film Workshop! 30 attendees, 3 instructors, 6 cameras, 12 mags, 5 pots of coffee, and a lot of film! Thank you so much to @camerasamurai for generously sharing your knowledge. Thank you to all the filmmakers who attended! Your enthusiasm and passion for film is truly inspiring. Let’s keep film alive and thriving!
If you are interested in attending future workshops, make sure to follow us here for updates and announcements. We plan to have a 35mm Film Workshop very soon! Hope to see you on the next one!
#kodakshootfilm #16mmfilm #filmisnotdead #super16mm #arri416
That’s a wrap on another OFG Film Workshop! 30 attendees, 3 instructors, 6 cameras, 12 mags, 5 pots of coffee, and a lot of film! Thank you so much to @camerasamurai for generously sharing your knowledge. Thank you to all the filmmakers who attended! Your enthusiasm and passion for film is truly inspiring. Let’s keep film alive and thriving!
If you are interested in attending future workshops, make sure to follow us here for updates and announcements. We plan to have a 35mm Film Workshop very soon! Hope to see you on the next one!
#kodakshootfilm #16mmfilm #filmisnotdead #super16mm #arri416
That’s a wrap on another OFG Film Workshop! 30 attendees, 3 instructors, 6 cameras, 12 mags, 5 pots of coffee, and a lot of film! Thank you so much to @camerasamurai for generously sharing your knowledge. Thank you to all the filmmakers who attended! Your enthusiasm and passion for film is truly inspiring. Let’s keep film alive and thriving!
If you are interested in attending future workshops, make sure to follow us here for updates and announcements. We plan to have a 35mm Film Workshop very soon! Hope to see you on the next one!
#kodakshootfilm #16mmfilm #filmisnotdead #super16mm #arri416
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
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