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ignasi
Ignasi Monreal
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
Pyrocene (2026) — oil on wood, 148 × 170 cm, diptych.
A collaboration between friends @ignasi and @antoinebillore. A room divider on view during Salone del Mobile in Milan.
Visit “L’Appartement”: Via Giovanni Lulli 2
11AM - 7PM until April 24th
Pictures by @stefangiftthaler
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
La torre — a collaboration with @sguillermos.
Now on the cover of @ad_spain.
Pictures by @yagonoestaaqui
Gracias @maitesebastia @carmona.d @katiuska @Iluistapi @eerieaeris @charlespinyol @juliagamizce@anarojas44 @mo.olivera @marinaasins @_edy_edy @pintura.gerardo @alberto_ortiz_pinturaconcptual
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
Last days of my solo exhibition ONLY FRIENDS at @fertilefertilefertile @palazzomonti
For artwork enquires DM @fertilefertilefertile
—
Photo by @piercarloquecchia
ONLY FRIENDS, my solo exhibition now on view at Fertile @fertilefertilefertile through the end of November.
“Only Friends by Ignasi Monreal is an intimate and disarming investigation into the representation of desire and the visual legacy of eroticism in the digital age. The exhibition unfolds as a fragmented diary of encounters and fantasies, a mosaic of images in which the male body is revealed through the screen, filtered by the logics of consumption and the aesthetics that govern pornography, dating apps, and the visual languages of sexuality shared online. [...]”
Contact @fertilefertilefertile for artwork enquiries
Photo by @piercarloquecchia
ONLY FRIENDS, my solo exhibition now on view at Fertile @fertilefertilefertile through the end of November.
“Only Friends by Ignasi Monreal is an intimate and disarming investigation into the representation of desire and the visual legacy of eroticism in the digital age. The exhibition unfolds as a fragmented diary of encounters and fantasies, a mosaic of images in which the male body is revealed through the screen, filtered by the logics of consumption and the aesthetics that govern pornography, dating apps, and the visual languages of sexuality shared online. [...]”
Contact @fertilefertilefertile for artwork enquiries
Photo by @piercarloquecchia
ONLY FRIENDS, my solo exhibition now on view at Fertile @fertilefertilefertile through the end of November.
“Only Friends by Ignasi Monreal is an intimate and disarming investigation into the representation of desire and the visual legacy of eroticism in the digital age. The exhibition unfolds as a fragmented diary of encounters and fantasies, a mosaic of images in which the male body is revealed through the screen, filtered by the logics of consumption and the aesthetics that govern pornography, dating apps, and the visual languages of sexuality shared online. [...]”
Contact @fertilefertilefertile for artwork enquiries
Photo by @piercarloquecchia
ONLY FRIENDS, my solo exhibition now on view at Fertile @fertilefertilefertile through the end of November.
“Only Friends by Ignasi Monreal is an intimate and disarming investigation into the representation of desire and the visual legacy of eroticism in the digital age. The exhibition unfolds as a fragmented diary of encounters and fantasies, a mosaic of images in which the male body is revealed through the screen, filtered by the logics of consumption and the aesthetics that govern pornography, dating apps, and the visual languages of sexuality shared online. [...]”
Contact @fertilefertilefertile for artwork enquiries
Photo by @piercarloquecchia
Silencio
Oil and acrylic on canvas, 500 x 250cm, 2025
Painted during my residency at @palazzomonti @fertilefertilefertile
Silencio
Oil and acrylic on canvas, 500 x 250cm, 2025
Painted during my residency at @palazzomonti @fertilefertilefertile
Silencio
Oil and acrylic on canvas, 500 x 250cm, 2025
Painted during my residency at @palazzomonti @fertilefertilefertile
Silencio
Oil and acrylic on canvas, 500 x 250cm, 2025
Painted during my residency at @palazzomonti @fertilefertilefertile
Silencio
Oil and acrylic on canvas, 500 x 250cm, 2025
Painted during my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
Painting silence — pictures by @giovannicioli from my residency at @palazzomonti @fertilefertilefertile
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
'Moon' marks my debut exhibition in Tokyo with a series of monochrome landscapes painted during my art residency at Epazabu.
Rooted in yohaku—intentional emptiness—the works draw from the study of calligraphy during my time in Japan.
Forever grateful to @chris04 for helping shape the show from the ground up and the support throughout the entire process.
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
𝘔𝘰𝘰𝘯𝘴𝘤𝘢𝘱𝘦𝘴, 𝘚𝘢𝘪𝘭𝘰𝘳 𝘔𝘰𝘰𝘯, and 𝘞𝘢𝘵𝘦𝘳𝘴𝘤𝘢𝘱𝘦𝘴 are a collection of monochrome landscapes, painted with either gouache or sumi (Japanese ink) on handmade washi paper.
My first solo exhibition in Tokyo, developed during an art residency at Epazabu.
Special thanks to @chris04
Photographed by Yuma Nishimura
LLAR is an installation painted inside a traditional Japanese home. The title, meaning both ‘home’ and ‘fireplace’ in Catalan, draws a parallel between fire and the spaces we inhabit, emphasising fire’s role as a defining element of our existence—simultaneously nurturing and threatening to consume it.
Site specific installation in Atami @atamiartgrant
LLAR is an installation painted inside a traditional Japanese home. The title, meaning both ‘home’ and ‘fireplace’ in Catalan, draws a parallel between fire and the spaces we inhabit, emphasising fire’s role as a defining element of our existence—simultaneously nurturing and threatening to consume it.
Site specific installation in Atami @atamiartgrant
LLAR is an installation painted inside a traditional Japanese home. The title, meaning both ‘home’ and ‘fireplace’ in Catalan, draws a parallel between fire and the spaces we inhabit, emphasising fire’s role as a defining element of our existence—simultaneously nurturing and threatening to consume it.
Site specific installation in Atami @atamiartgrant
LLAR is an installation painted inside a traditional Japanese home. The title, meaning both ‘home’ and ‘fireplace’ in Catalan, draws a parallel between fire and the spaces we inhabit, emphasising fire’s role as a defining element of our existence—simultaneously nurturing and threatening to consume it.
Site specific installation in Atami @atamiartgrant
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