Instagram Hikaye Kaydet

It is with a full heart that we end the cycle of Marie Zolamian's Confabulations — an exhibition that made space for old and new friendships, an experiment in sharing grounds, in hosting as a way of holding each other and holding onto beauty while standing in the midst of flames.

✨✨

Forever grateful to @marie_zolamian for the generosity of her work and its unyielding sensibility.

And for making the collective process of installing a joyful and caring one 🙏🏾 @jean.baptiste.tricot, @_gadea.burgaz_ , @giorgi_one_ , @m.krisztina.n,
@isabelle_pauwelyn, @jarno.stn & @vanhoest.

Thanks to @paulineboudaoud & @eugenieatinault for thinking along every step of the way, and to our amazing team for keeping the exhibition alive with workshops, tours and body practices!

And for sharing their brilliant insights into the many folds of the work 🙏🏾 @angela.harutyunyan, @vanessadesclaux, @antony_hudek, @roosens.ilse, @zoegeldermansgray, Varduhi Kirakosyan, and @posture_editions who published the beautiful book Le jardin sans soleil alongside the exhibition.

And finally, huge thanks to @fcgulbenkian for their trust and support.

Exhibition views by @elinewillaert
Portrait of Marie Zolamian holding "Le jardin sans soleil" by Posture Editions

@wiels_brussels

It is with a full heart that we end the cycle of Marie Zolamian's Confabulations — an exhibition that made space for old and new friendships, an experiment in sharing grounds, in hosting as a way of holding each other and holding onto beauty while standing in the midst of flames.

✨✨

Forever grateful to @marie_zolamian for the generosity of her work and its unyielding sensibility.

And for making the collective process of installing a joyful and caring one 🙏🏾 @jean.baptiste.tricot, @_gadea.burgaz_ , @giorgi_one_ , @m.krisztina.n,
@isabelle_pauwelyn, @jarno.stn & @vanhoest.

Thanks to @paulineboudaoud & @eugenieatinault for thinking along every step of the way, and to our amazing team for keeping the exhibition alive with workshops, tours and body practices!

And for sharing their brilliant insights into the many folds of the work 🙏🏾 @angela.harutyunyan, @vanessadesclaux, @antony_hudek, @roosens.ilse, @zoegeldermansgray, Varduhi Kirakosyan, and @posture_editions who published the beautiful book Le jardin sans soleil alongside the exhibition.

And finally, huge thanks to @fcgulbenkian for their trust and support.

Exhibition views by @elinewillaert
Portrait of Marie Zolamian holding "Le jardin sans soleil" by Posture Editions

@wiels_brussels

It is with a full heart that we end the cycle of Marie Zolamian's Confabulations — an exhibition that made space for old and new friendships, an experiment in sharing grounds, in hosting as a way of holding each other and holding onto beauty while standing in the midst of flames.

✨✨

Forever grateful to @marie_zolamian for the generosity of her work and its unyielding sensibility.

And for making the collective process of installing a joyful and caring one 🙏🏾 @jean.baptiste.tricot, @_gadea.burgaz_ , @giorgi_one_ , @m.krisztina.n,
@isabelle_pauwelyn, @jarno.stn & @vanhoest.

Thanks to @paulineboudaoud & @eugenieatinault for thinking along every step of the way, and to our amazing team for keeping the exhibition alive with workshops, tours and body practices!

And for sharing their brilliant insights into the many folds of the work 🙏🏾 @angela.harutyunyan, @vanessadesclaux, @antony_hudek, @roosens.ilse, @zoegeldermansgray, Varduhi Kirakosyan, and @posture_editions who published the beautiful book Le jardin sans soleil alongside the exhibition.

And finally, huge thanks to @fcgulbenkian for their trust and support.

Exhibition views by @elinewillaert
Portrait of Marie Zolamian holding "Le jardin sans soleil" by Posture Editions

@wiels_brussels

It is with a full heart that we end the cycle of Marie Zolamian's Confabulations — an exhibition that made space for old and new friendships, an experiment in sharing grounds, in hosting as a way of holding each other and holding onto beauty while standing in the midst of flames.

✨✨

Forever grateful to @marie_zolamian for the generosity of her work and its unyielding sensibility.

And for making the collective process of installing a joyful and caring one 🙏🏾 @jean.baptiste.tricot, @_gadea.burgaz_ , @giorgi_one_ , @m.krisztina.n,
@isabelle_pauwelyn, @jarno.stn & @vanhoest.

Thanks to @paulineboudaoud & @eugenieatinault for thinking along every step of the way, and to our amazing team for keeping the exhibition alive with workshops, tours and body practices!

And for sharing their brilliant insights into the many folds of the work 🙏🏾 @angela.harutyunyan, @vanessadesclaux, @antony_hudek, @roosens.ilse, @zoegeldermansgray, Varduhi Kirakosyan, and @posture_editions who published the beautiful book Le jardin sans soleil alongside the exhibition.

And finally, huge thanks to @fcgulbenkian for their trust and support.

Exhibition views by @elinewillaert
Portrait of Marie Zolamian holding "Le jardin sans soleil" by Posture Editions

@wiels_brussels

It is with a full heart that we end the cycle of Marie Zolamian's Confabulations — an exhibition that made space for old and new friendships, an experiment in sharing grounds, in hosting as a way of holding each other and holding onto beauty while standing in the midst of flames.

✨✨

Forever grateful to @marie_zolamian for the generosity of her work and its unyielding sensibility.

And for making the collective process of installing a joyful and caring one 🙏🏾 @jean.baptiste.tricot, @_gadea.burgaz_ , @giorgi_one_ , @m.krisztina.n,
@isabelle_pauwelyn, @jarno.stn & @vanhoest.

Thanks to @paulineboudaoud & @eugenieatinault for thinking along every step of the way, and to our amazing team for keeping the exhibition alive with workshops, tours and body practices!

And for sharing their brilliant insights into the many folds of the work 🙏🏾 @angela.harutyunyan, @vanessadesclaux, @antony_hudek, @roosens.ilse, @zoegeldermansgray, Varduhi Kirakosyan, and @posture_editions who published the beautiful book Le jardin sans soleil alongside the exhibition.

And finally, huge thanks to @fcgulbenkian for their trust and support.

Exhibition views by @elinewillaert
Portrait of Marie Zolamian holding "Le jardin sans soleil" by Posture Editions

@wiels_brussels

It is with a full heart that we end the cycle of Marie Zolamian's Confabulations — an exhibition that made space for old and new friendships, an experiment in sharing grounds, in hosting as a way of holding each other and holding onto beauty while standing in the midst of flames.

✨✨

Forever grateful to @marie_zolamian for the generosity of her work and its unyielding sensibility.

And for making the collective process of installing a joyful and caring one 🙏🏾 @jean.baptiste.tricot, @_gadea.burgaz_ , @giorgi_one_ , @m.krisztina.n,
@isabelle_pauwelyn, @jarno.stn & @vanhoest.

Thanks to @paulineboudaoud & @eugenieatinault for thinking along every step of the way, and to our amazing team for keeping the exhibition alive with workshops, tours and body practices!

And for sharing their brilliant insights into the many folds of the work 🙏🏾 @angela.harutyunyan, @vanessadesclaux, @antony_hudek, @roosens.ilse, @zoegeldermansgray, Varduhi Kirakosyan, and @posture_editions who published the beautiful book Le jardin sans soleil alongside the exhibition.

And finally, huge thanks to @fcgulbenkian for their trust and support.

Exhibition views by @elinewillaert
Portrait of Marie Zolamian holding "Le jardin sans soleil" by Posture Editions

@wiels_brussels

It is with a full heart that we end the cycle of Marie Zolamian's Confabulations — an exhibition that made space for old and new friendships, an experiment in sharing grounds, in hosting as a way of holding each other and holding onto beauty while standing in the midst of flames.

✨✨

Forever grateful to @marie_zolamian for the generosity of her work and its unyielding sensibility.

And for making the collective process of installing a joyful and caring one 🙏🏾 @jean.baptiste.tricot, @_gadea.burgaz_ , @giorgi_one_ , @m.krisztina.n,
@isabelle_pauwelyn, @jarno.stn & @vanhoest.

Thanks to @paulineboudaoud & @eugenieatinault for thinking along every step of the way, and to our amazing team for keeping the exhibition alive with workshops, tours and body practices!

And for sharing their brilliant insights into the many folds of the work 🙏🏾 @angela.harutyunyan, @vanessadesclaux, @antony_hudek, @roosens.ilse, @zoegeldermansgray, Varduhi Kirakosyan, and @posture_editions who published the beautiful book Le jardin sans soleil alongside the exhibition.

And finally, huge thanks to @fcgulbenkian for their trust and support.

Exhibition views by @elinewillaert
Portrait of Marie Zolamian holding "Le jardin sans soleil" by Posture Editions

@wiels_brussels

It is with a full heart that we end the cycle of Marie Zolamian's Confabulations — an exhibition that made space for old and new friendships, an experiment in sharing grounds, in hosting as a way of holding each other and holding onto beauty while standing in the midst of flames.

✨✨

Forever grateful to @marie_zolamian for the generosity of her work and its unyielding sensibility.

And for making the collective process of installing a joyful and caring one 🙏🏾 @jean.baptiste.tricot, @_gadea.burgaz_ , @giorgi_one_ , @m.krisztina.n,
@isabelle_pauwelyn, @jarno.stn & @vanhoest.

Thanks to @paulineboudaoud & @eugenieatinault for thinking along every step of the way, and to our amazing team for keeping the exhibition alive with workshops, tours and body practices!

And for sharing their brilliant insights into the many folds of the work 🙏🏾 @angela.harutyunyan, @vanessadesclaux, @antony_hudek, @roosens.ilse, @zoegeldermansgray, Varduhi Kirakosyan, and @posture_editions who published the beautiful book Le jardin sans soleil alongside the exhibition.

And finally, huge thanks to @fcgulbenkian for their trust and support.

Exhibition views by @elinewillaert
Portrait of Marie Zolamian holding "Le jardin sans soleil" by Posture Editions

@wiels_brussels

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

Black Bird (Opening talk and Exhibition) by Everlyn Nicodemus at @wiels_brussels | 25/10/2025.
This exhibition should be on your 2025 bucket list, highly recommended.

OTOBONG NKANGA - WIELS

Réalisme magique :
Imaginer la nature en dés/ordre

GROUP EXHIBITION

WIELS

BRUXELLES

VERNISSAGE / OPENING : 28.05.25

29.05.2025 - 28.09.2025

Le titre de l’exposition est emprunté au genre artistique et littéraire du « réalisme magique » qui se caractérise par l’irruption de la magie, du rêve et du mythe dans des récits du quotidien, redessinant ainsi les frontières du réel. Les artistes de cette exposition explorent la façon dont la porosité entre « magie » et « réalité » peut ouvrir des espaces pour faire advenir d’autres horizons, en réponse à la prolifération des monocultures, aux vies précarisées et aux changements climatiques.

Lorsque le monde de la science et des faits tangibles est séparé de celui de la magie et de l’intuition, comment combler ce fossé, quelles en sont les séquelles, et comment y remédier ? L’exposition aborde ces questions à travers des œuvres qui créent des univers singuliers par les moyens de la peinture, de l’image en mouvement, du son et de l’installation. Ces œuvres s’aventurent dans divers lieux, du cosmos et de ses galaxies au laboratoire scientifique. Elles s’intéressent aux corps d’eau, aux peaux bactériennes ou à l’impression 3D, et elles étudient les processus géologiques se manifestant par des grondements souterrains ou le bruit d’une ville qui sombre. 

L'exposition présente différentes façons, complémentaires ou contradictoires, d’explorer les écosystèmes et les mythes du milieu « naturel », par le rêve, la matière ou la vie à l’état brut. Au confluent de l’analyse et de la spéculation, les artistes y emprunte des chemins variés pour tisser de nouveaux liens au sein d’une biosphère épuisée par l’exploitation, la dépossession et la dette.

Works :
- Forgotten amongst the Living, 2021
Courtesy of the artist and Kunsthaus Bregenz
- Encircled Tides, 2025
Courtesy of the artist
- Until Then, 2023
Courtesy of the artist

🤲 #OtobongNkanga 🌹
@otobongnkanga
#wiels @wiels_brussels
#dirksnauwaert @dirk.snauwaert
#sofiadati @sofia_datey
#brussels
#belgium
#galerieinsitu #insitufabienneleclerc @galerieinsitufabienneleclerc
#komunuma @komunuma

OTOBONG NKANGA - WIELS

Réalisme magique :
Imaginer la nature en dés/ordre

GROUP EXHIBITION

WIELS

BRUXELLES

VERNISSAGE / OPENING : 28.05.25

29.05.2025 - 28.09.2025

Le titre de l’exposition est emprunté au genre artistique et littéraire du « réalisme magique » qui se caractérise par l’irruption de la magie, du rêve et du mythe dans des récits du quotidien, redessinant ainsi les frontières du réel. Les artistes de cette exposition explorent la façon dont la porosité entre « magie » et « réalité » peut ouvrir des espaces pour faire advenir d’autres horizons, en réponse à la prolifération des monocultures, aux vies précarisées et aux changements climatiques.

Lorsque le monde de la science et des faits tangibles est séparé de celui de la magie et de l’intuition, comment combler ce fossé, quelles en sont les séquelles, et comment y remédier ? L’exposition aborde ces questions à travers des œuvres qui créent des univers singuliers par les moyens de la peinture, de l’image en mouvement, du son et de l’installation. Ces œuvres s’aventurent dans divers lieux, du cosmos et de ses galaxies au laboratoire scientifique. Elles s’intéressent aux corps d’eau, aux peaux bactériennes ou à l’impression 3D, et elles étudient les processus géologiques se manifestant par des grondements souterrains ou le bruit d’une ville qui sombre. 

L'exposition présente différentes façons, complémentaires ou contradictoires, d’explorer les écosystèmes et les mythes du milieu « naturel », par le rêve, la matière ou la vie à l’état brut. Au confluent de l’analyse et de la spéculation, les artistes y emprunte des chemins variés pour tisser de nouveaux liens au sein d’une biosphère épuisée par l’exploitation, la dépossession et la dette.

Works :
- Forgotten amongst the Living, 2021
Courtesy of the artist and Kunsthaus Bregenz
- Encircled Tides, 2025
Courtesy of the artist
- Until Then, 2023
Courtesy of the artist

🤲 #OtobongNkanga 🌹
@otobongnkanga
#wiels @wiels_brussels
#dirksnauwaert @dirk.snauwaert
#sofiadati @sofia_datey
#brussels
#belgium
#galerieinsitu #insitufabienneleclerc @galerieinsitufabienneleclerc
#komunuma @komunuma

OTOBONG NKANGA - WIELS

Réalisme magique :
Imaginer la nature en dés/ordre

GROUP EXHIBITION

WIELS

BRUXELLES

VERNISSAGE / OPENING : 28.05.25

29.05.2025 - 28.09.2025

Le titre de l’exposition est emprunté au genre artistique et littéraire du « réalisme magique » qui se caractérise par l’irruption de la magie, du rêve et du mythe dans des récits du quotidien, redessinant ainsi les frontières du réel. Les artistes de cette exposition explorent la façon dont la porosité entre « magie » et « réalité » peut ouvrir des espaces pour faire advenir d’autres horizons, en réponse à la prolifération des monocultures, aux vies précarisées et aux changements climatiques.

Lorsque le monde de la science et des faits tangibles est séparé de celui de la magie et de l’intuition, comment combler ce fossé, quelles en sont les séquelles, et comment y remédier ? L’exposition aborde ces questions à travers des œuvres qui créent des univers singuliers par les moyens de la peinture, de l’image en mouvement, du son et de l’installation. Ces œuvres s’aventurent dans divers lieux, du cosmos et de ses galaxies au laboratoire scientifique. Elles s’intéressent aux corps d’eau, aux peaux bactériennes ou à l’impression 3D, et elles étudient les processus géologiques se manifestant par des grondements souterrains ou le bruit d’une ville qui sombre. 

L'exposition présente différentes façons, complémentaires ou contradictoires, d’explorer les écosystèmes et les mythes du milieu « naturel », par le rêve, la matière ou la vie à l’état brut. Au confluent de l’analyse et de la spéculation, les artistes y emprunte des chemins variés pour tisser de nouveaux liens au sein d’une biosphère épuisée par l’exploitation, la dépossession et la dette.

Works :
- Forgotten amongst the Living, 2021
Courtesy of the artist and Kunsthaus Bregenz
- Encircled Tides, 2025
Courtesy of the artist
- Until Then, 2023
Courtesy of the artist

🤲 #OtobongNkanga 🌹
@otobongnkanga
#wiels @wiels_brussels
#dirksnauwaert @dirk.snauwaert
#sofiadati @sofia_datey
#brussels
#belgium
#galerieinsitu #insitufabienneleclerc @galerieinsitufabienneleclerc
#komunuma @komunuma

OTOBONG NKANGA - WIELS

Réalisme magique :
Imaginer la nature en dés/ordre

GROUP EXHIBITION

WIELS

BRUXELLES

VERNISSAGE / OPENING : 28.05.25

29.05.2025 - 28.09.2025

Le titre de l’exposition est emprunté au genre artistique et littéraire du « réalisme magique » qui se caractérise par l’irruption de la magie, du rêve et du mythe dans des récits du quotidien, redessinant ainsi les frontières du réel. Les artistes de cette exposition explorent la façon dont la porosité entre « magie » et « réalité » peut ouvrir des espaces pour faire advenir d’autres horizons, en réponse à la prolifération des monocultures, aux vies précarisées et aux changements climatiques.

Lorsque le monde de la science et des faits tangibles est séparé de celui de la magie et de l’intuition, comment combler ce fossé, quelles en sont les séquelles, et comment y remédier ? L’exposition aborde ces questions à travers des œuvres qui créent des univers singuliers par les moyens de la peinture, de l’image en mouvement, du son et de l’installation. Ces œuvres s’aventurent dans divers lieux, du cosmos et de ses galaxies au laboratoire scientifique. Elles s’intéressent aux corps d’eau, aux peaux bactériennes ou à l’impression 3D, et elles étudient les processus géologiques se manifestant par des grondements souterrains ou le bruit d’une ville qui sombre. 

L'exposition présente différentes façons, complémentaires ou contradictoires, d’explorer les écosystèmes et les mythes du milieu « naturel », par le rêve, la matière ou la vie à l’état brut. Au confluent de l’analyse et de la spéculation, les artistes y emprunte des chemins variés pour tisser de nouveaux liens au sein d’une biosphère épuisée par l’exploitation, la dépossession et la dette.

Works :
- Forgotten amongst the Living, 2021
Courtesy of the artist and Kunsthaus Bregenz
- Encircled Tides, 2025
Courtesy of the artist
- Until Then, 2023
Courtesy of the artist

🤲 #OtobongNkanga 🌹
@otobongnkanga
#wiels @wiels_brussels
#dirksnauwaert @dirk.snauwaert
#sofiadati @sofia_datey
#brussels
#belgium
#galerieinsitu #insitufabienneleclerc @galerieinsitufabienneleclerc
#komunuma @komunuma

OTOBONG NKANGA - WIELS

Réalisme magique :
Imaginer la nature en dés/ordre

GROUP EXHIBITION

WIELS

BRUXELLES

VERNISSAGE / OPENING : 28.05.25

29.05.2025 - 28.09.2025

Le titre de l’exposition est emprunté au genre artistique et littéraire du « réalisme magique » qui se caractérise par l’irruption de la magie, du rêve et du mythe dans des récits du quotidien, redessinant ainsi les frontières du réel. Les artistes de cette exposition explorent la façon dont la porosité entre « magie » et « réalité » peut ouvrir des espaces pour faire advenir d’autres horizons, en réponse à la prolifération des monocultures, aux vies précarisées et aux changements climatiques.

Lorsque le monde de la science et des faits tangibles est séparé de celui de la magie et de l’intuition, comment combler ce fossé, quelles en sont les séquelles, et comment y remédier ? L’exposition aborde ces questions à travers des œuvres qui créent des univers singuliers par les moyens de la peinture, de l’image en mouvement, du son et de l’installation. Ces œuvres s’aventurent dans divers lieux, du cosmos et de ses galaxies au laboratoire scientifique. Elles s’intéressent aux corps d’eau, aux peaux bactériennes ou à l’impression 3D, et elles étudient les processus géologiques se manifestant par des grondements souterrains ou le bruit d’une ville qui sombre. 

L'exposition présente différentes façons, complémentaires ou contradictoires, d’explorer les écosystèmes et les mythes du milieu « naturel », par le rêve, la matière ou la vie à l’état brut. Au confluent de l’analyse et de la spéculation, les artistes y emprunte des chemins variés pour tisser de nouveaux liens au sein d’une biosphère épuisée par l’exploitation, la dépossession et la dette.

Works :
- Forgotten amongst the Living, 2021
Courtesy of the artist and Kunsthaus Bregenz
- Encircled Tides, 2025
Courtesy of the artist
- Until Then, 2023
Courtesy of the artist

🤲 #OtobongNkanga 🌹
@otobongnkanga
#wiels @wiels_brussels
#dirksnauwaert @dirk.snauwaert
#sofiadati @sofia_datey
#brussels
#belgium
#galerieinsitu #insitufabienneleclerc @galerieinsitufabienneleclerc
#komunuma @komunuma

With gratitude to all the artists and teams whose creative energies are giving shape to *Magical Realism: Imagining Natural Dis/order*

Looking forward to sharing this process that has been so nurturing 🌿

Opening 28.05 from 6pm onwards
@wiels_brussels & @argos_arts

With @bianca_baldi, @minia_biabiany, @gaellechoisne, Ade Darmawan, @edith_dekyndt, @suzannehusky, @saodatismailova, @suzannejackson7268, Ann Veronica Janssens, Joan Jonas, @julierpauline, Barbara & Michael Leisgen, @annemarie_maes, @jumanamanna, Marisa Merz, @jotamombaca, @adult_nour, @mountaincutters, @otobongnkanga, @kicsyabreustable, @devilintraining_ , Elizabeth A. Povinelli, @annie_ratti, @animal_que_no_existeix, @maartenvandeneynde & Musasa, @ceciliavicuna and Adrián Villar Rojas.

Held by the WIELS curatorial team 💫 @helenakritis & Dirk Snauwaert

A book published by @mercatorfondsfondsmercator, designed by @adriaan.vanleuven and edited with @febelamiroy ~ with contributions by Karen Barad, @fedcampagna, @chris__cyrille, Vinciane Despret & Letícia Renault, @byzayaankhan, @labess._ and @susan_schuppli

With gatherings hosted by @back2soilbasics, @sofialemosmarques, @jujueosgatinhos, @naturalcontractlab & many more

Accompanied by the caring support of @dchrts, @helene_jacob_, @pieterjan.depaepe, Alice Materassi, Bree Mugande & Febe Lamiroy

With DJ sets by @antiribeiro, @monicashflow & @agneskena 🪩

And with the support of many friends & partners

May imaginations keep thriving

FEU2FORÊT ~ A Song of Dignity 🍃

In remembrance of 1991 •• In the underbelly of continued manifestations of state violence •• In futurity and in resilience.

FEU2FORÊT is a collective research, an exhibition, assemblies, talking and dancing, lighting a fire and now, a publication (re)activating the memory of uprisings against police violence over thirty years ago. An invitation to embrace, trouble and be with a legacy of resistance & solidarity.

Thank you # Joachim Ben Jakoub & Naima M. @nai_mx8 for the invitation to join in **friendly reflexions** alongside Latifa Elmcabeni, Nadia Fadil, Ibrahim Kayar, Maxime Jean-Baptiste, @marielle_pelissero, @mangrovia_mafia & ARTISTS @artistory.prod, Fatima-Zohra Ait El Maâti @fz_aem, Nidhal Chamekh, Jos De Gruyter, @krasnyicollective, @coderouge19, Baobab van de Teranga, Maja-Ajmia Yde Zellama @tartelet_harissa, and Babel.

🔥🔥

FEU2FORÊT ~ A Song of Dignity 🍃

In remembrance of 1991 •• In the underbelly of continued manifestations of state violence •• In futurity and in resilience.

FEU2FORÊT is a collective research, an exhibition, assemblies, talking and dancing, lighting a fire and now, a publication (re)activating the memory of uprisings against police violence over thirty years ago. An invitation to embrace, trouble and be with a legacy of resistance & solidarity.

Thank you # Joachim Ben Jakoub & Naima M. @nai_mx8 for the invitation to join in **friendly reflexions** alongside Latifa Elmcabeni, Nadia Fadil, Ibrahim Kayar, Maxime Jean-Baptiste, @marielle_pelissero, @mangrovia_mafia & ARTISTS @artistory.prod, Fatima-Zohra Ait El Maâti @fz_aem, Nidhal Chamekh, Jos De Gruyter, @krasnyicollective, @coderouge19, Baobab van de Teranga, Maja-Ajmia Yde Zellama @tartelet_harissa, and Babel.

🔥🔥

Saying goodbye to 2023, and to a season spent in company of Goda Palekaitė's Eye Dust: An Adaptation of a Novel to Come
~ an exhibition, or a dream made of bits of memory and fragments of history.

✨✨✨

The exhibition traversed disquieting times, present and past, offering warmth and togetherness through fiction. The space welcomed gatherings of sorts: reading, resting, toasting, reimagining intimacies... while writing its own time-bending story.

Much gratitude to all those who joined the process, may our timelines keep crossing 🫧

Exhibition by @goda__palekaite
Install and scenography: @palomabouhana, Anne Himmelmann (📸 #8) and @jeanpierre.bertrand
Soundscape: Adomas Palekas
Performative chef: @jonas_palekas
Film made in collaboration with @adrijana_gvozdana.

📷 #9 The film Swallower of Shades co-directed by Goda Palekaitė and @graham__kelly premièred in the course of the exhibition, with a special intervention by Jonas Palekas.

Saying goodbye to 2023, and to a season spent in company of Goda Palekaitė's Eye Dust: An Adaptation of a Novel to Come
~ an exhibition, or a dream made of bits of memory and fragments of history.

✨✨✨

The exhibition traversed disquieting times, present and past, offering warmth and togetherness through fiction. The space welcomed gatherings of sorts: reading, resting, toasting, reimagining intimacies... while writing its own time-bending story.

Much gratitude to all those who joined the process, may our timelines keep crossing 🫧

Exhibition by @goda__palekaite
Install and scenography: @palomabouhana, Anne Himmelmann (📸 #8) and @jeanpierre.bertrand
Soundscape: Adomas Palekas
Performative chef: @jonas_palekas
Film made in collaboration with @adrijana_gvozdana.

📷 #9 The film Swallower of Shades co-directed by Goda Palekaitė and @graham__kelly premièred in the course of the exhibition, with a special intervention by Jonas Palekas.

Saying goodbye to 2023, and to a season spent in company of Goda Palekaitė's Eye Dust: An Adaptation of a Novel to Come
~ an exhibition, or a dream made of bits of memory and fragments of history.

✨✨✨

The exhibition traversed disquieting times, present and past, offering warmth and togetherness through fiction. The space welcomed gatherings of sorts: reading, resting, toasting, reimagining intimacies... while writing its own time-bending story.

Much gratitude to all those who joined the process, may our timelines keep crossing 🫧

Exhibition by @goda__palekaite
Install and scenography: @palomabouhana, Anne Himmelmann (📸 #8) and @jeanpierre.bertrand
Soundscape: Adomas Palekas
Performative chef: @jonas_palekas
Film made in collaboration with @adrijana_gvozdana.

📷 #9 The film Swallower of Shades co-directed by Goda Palekaitė and @graham__kelly premièred in the course of the exhibition, with a special intervention by Jonas Palekas.

Saying goodbye to 2023, and to a season spent in company of Goda Palekaitė's Eye Dust: An Adaptation of a Novel to Come
~ an exhibition, or a dream made of bits of memory and fragments of history.

✨✨✨

The exhibition traversed disquieting times, present and past, offering warmth and togetherness through fiction. The space welcomed gatherings of sorts: reading, resting, toasting, reimagining intimacies... while writing its own time-bending story.

Much gratitude to all those who joined the process, may our timelines keep crossing 🫧

Exhibition by @goda__palekaite
Install and scenography: @palomabouhana, Anne Himmelmann (📸 #8) and @jeanpierre.bertrand
Soundscape: Adomas Palekas
Performative chef: @jonas_palekas
Film made in collaboration with @adrijana_gvozdana.

📷 #9 The film Swallower of Shades co-directed by Goda Palekaitė and @graham__kelly premièred in the course of the exhibition, with a special intervention by Jonas Palekas.

Saying goodbye to 2023, and to a season spent in company of Goda Palekaitė's Eye Dust: An Adaptation of a Novel to Come
~ an exhibition, or a dream made of bits of memory and fragments of history.

✨✨✨

The exhibition traversed disquieting times, present and past, offering warmth and togetherness through fiction. The space welcomed gatherings of sorts: reading, resting, toasting, reimagining intimacies... while writing its own time-bending story.

Much gratitude to all those who joined the process, may our timelines keep crossing 🫧

Exhibition by @goda__palekaite
Install and scenography: @palomabouhana, Anne Himmelmann (📸 #8) and @jeanpierre.bertrand
Soundscape: Adomas Palekas
Performative chef: @jonas_palekas
Film made in collaboration with @adrijana_gvozdana.

📷 #9 The film Swallower of Shades co-directed by Goda Palekaitė and @graham__kelly premièred in the course of the exhibition, with a special intervention by Jonas Palekas.

Saying goodbye to 2023, and to a season spent in company of Goda Palekaitė's Eye Dust: An Adaptation of a Novel to Come
~ an exhibition, or a dream made of bits of memory and fragments of history.

✨✨✨

The exhibition traversed disquieting times, present and past, offering warmth and togetherness through fiction. The space welcomed gatherings of sorts: reading, resting, toasting, reimagining intimacies... while writing its own time-bending story.

Much gratitude to all those who joined the process, may our timelines keep crossing 🫧

Exhibition by @goda__palekaite
Install and scenography: @palomabouhana, Anne Himmelmann (📸 #8) and @jeanpierre.bertrand
Soundscape: Adomas Palekas
Performative chef: @jonas_palekas
Film made in collaboration with @adrijana_gvozdana.

📷 #9 The film Swallower of Shades co-directed by Goda Palekaitė and @graham__kelly premièred in the course of the exhibition, with a special intervention by Jonas Palekas.

Saying goodbye to 2023, and to a season spent in company of Goda Palekaitė's Eye Dust: An Adaptation of a Novel to Come
~ an exhibition, or a dream made of bits of memory and fragments of history.

✨✨✨

The exhibition traversed disquieting times, present and past, offering warmth and togetherness through fiction. The space welcomed gatherings of sorts: reading, resting, toasting, reimagining intimacies... while writing its own time-bending story.

Much gratitude to all those who joined the process, may our timelines keep crossing 🫧

Exhibition by @goda__palekaite
Install and scenography: @palomabouhana, Anne Himmelmann (📸 #8) and @jeanpierre.bertrand
Soundscape: Adomas Palekas
Performative chef: @jonas_palekas
Film made in collaboration with @adrijana_gvozdana.

📷 #9 The film Swallower of Shades co-directed by Goda Palekaitė and @graham__kelly premièred in the course of the exhibition, with a special intervention by Jonas Palekas.

Saying goodbye to 2023, and to a season spent in company of Goda Palekaitė's Eye Dust: An Adaptation of a Novel to Come
~ an exhibition, or a dream made of bits of memory and fragments of history.

✨✨✨

The exhibition traversed disquieting times, present and past, offering warmth and togetherness through fiction. The space welcomed gatherings of sorts: reading, resting, toasting, reimagining intimacies... while writing its own time-bending story.

Much gratitude to all those who joined the process, may our timelines keep crossing 🫧

Exhibition by @goda__palekaite
Install and scenography: @palomabouhana, Anne Himmelmann (📸 #8) and @jeanpierre.bertrand
Soundscape: Adomas Palekas
Performative chef: @jonas_palekas
Film made in collaboration with @adrijana_gvozdana.

📷 #9 The film Swallower of Shades co-directed by Goda Palekaitė and @graham__kelly premièred in the course of the exhibition, with a special intervention by Jonas Palekas.

Saying goodbye to 2023, and to a season spent in company of Goda Palekaitė's Eye Dust: An Adaptation of a Novel to Come
~ an exhibition, or a dream made of bits of memory and fragments of history.

✨✨✨

The exhibition traversed disquieting times, present and past, offering warmth and togetherness through fiction. The space welcomed gatherings of sorts: reading, resting, toasting, reimagining intimacies... while writing its own time-bending story.

Much gratitude to all those who joined the process, may our timelines keep crossing 🫧

Exhibition by @goda__palekaite
Install and scenography: @palomabouhana, Anne Himmelmann (📸 #8) and @jeanpierre.bertrand
Soundscape: Adomas Palekas
Performative chef: @jonas_palekas
Film made in collaboration with @adrijana_gvozdana.

📷 #9 The film Swallower of Shades co-directed by Goda Palekaitė and @graham__kelly premièred in the course of the exhibition, with a special intervention by Jonas Palekas.

Saying goodbye to 2023, and to a season spent in company of Goda Palekaitė's Eye Dust: An Adaptation of a Novel to Come
~ an exhibition, or a dream made of bits of memory and fragments of history.

✨✨✨

The exhibition traversed disquieting times, present and past, offering warmth and togetherness through fiction. The space welcomed gatherings of sorts: reading, resting, toasting, reimagining intimacies... while writing its own time-bending story.

Much gratitude to all those who joined the process, may our timelines keep crossing 🫧

Exhibition by @goda__palekaite
Install and scenography: @palomabouhana, Anne Himmelmann (📸 #8) and @jeanpierre.bertrand
Soundscape: Adomas Palekas
Performative chef: @jonas_palekas
Film made in collaboration with @adrijana_gvozdana.

📷 #9 The film Swallower of Shades co-directed by Goda Palekaitė and @graham__kelly premièred in the course of the exhibition, with a special intervention by Jonas Palekas.

C'est la rentrée ~ saison de renouveau en douce compagnie ✨✨

@lazara_ra in Making Time @decoratelier_brussels @touchetouchethat

Opening @contourbiennale with DJ @_brahimtall_ @kunstencentrumnona

Growing from Grief by @siahtiri.hoda with @rand_aboufakher and @victoire.karera @deromavzw

Salomania by Pauline Boudry & Renate Lorenz with Wu Tsang in Over the Rainbow @centrepompidou

@edentintocollins in Do You Believe in Ghosts curated by @fe_brenner @fondationpernodricard in company of @niels.van.tomme

C'est la rentrée ~ saison de renouveau en douce compagnie ✨✨

@lazara_ra in Making Time @decoratelier_brussels @touchetouchethat

Opening @contourbiennale with DJ @_brahimtall_ @kunstencentrumnona

Growing from Grief by @siahtiri.hoda with @rand_aboufakher and @victoire.karera @deromavzw

Salomania by Pauline Boudry & Renate Lorenz with Wu Tsang in Over the Rainbow @centrepompidou

@edentintocollins in Do You Believe in Ghosts curated by @fe_brenner @fondationpernodricard in company of @niels.van.tomme

C'est la rentrée ~ saison de renouveau en douce compagnie ✨✨

@lazara_ra in Making Time @decoratelier_brussels @touchetouchethat

Opening @contourbiennale with DJ @_brahimtall_ @kunstencentrumnona

Growing from Grief by @siahtiri.hoda with @rand_aboufakher and @victoire.karera @deromavzw

Salomania by Pauline Boudry & Renate Lorenz with Wu Tsang in Over the Rainbow @centrepompidou

@edentintocollins in Do You Believe in Ghosts curated by @fe_brenner @fondationpernodricard in company of @niels.van.tomme

C'est la rentrée ~ saison de renouveau en douce compagnie ✨✨

@lazara_ra in Making Time @decoratelier_brussels @touchetouchethat

Opening @contourbiennale with DJ @_brahimtall_ @kunstencentrumnona

Growing from Grief by @siahtiri.hoda with @rand_aboufakher and @victoire.karera @deromavzw

Salomania by Pauline Boudry & Renate Lorenz with Wu Tsang in Over the Rainbow @centrepompidou

@edentintocollins in Do You Believe in Ghosts curated by @fe_brenner @fondationpernodricard in company of @niels.van.tomme

C'est la rentrée ~ saison de renouveau en douce compagnie ✨✨

@lazara_ra in Making Time @decoratelier_brussels @touchetouchethat

Opening @contourbiennale with DJ @_brahimtall_ @kunstencentrumnona

Growing from Grief by @siahtiri.hoda with @rand_aboufakher and @victoire.karera @deromavzw

Salomania by Pauline Boudry & Renate Lorenz with Wu Tsang in Over the Rainbow @centrepompidou

@edentintocollins in Do You Believe in Ghosts curated by @fe_brenner @fondationpernodricard in company of @niels.van.tomme

C'est la rentrée ~ saison de renouveau en douce compagnie ✨✨

@lazara_ra in Making Time @decoratelier_brussels @touchetouchethat

Opening @contourbiennale with DJ @_brahimtall_ @kunstencentrumnona

Growing from Grief by @siahtiri.hoda with @rand_aboufakher and @victoire.karera @deromavzw

Salomania by Pauline Boudry & Renate Lorenz with Wu Tsang in Over the Rainbow @centrepompidou

@edentintocollins in Do You Believe in Ghosts curated by @fe_brenner @fondationpernodricard in company of @niels.van.tomme

Infinite gratitude to @blackstothefuture for the indelible cosmic energies they wove into the textures of our memories 🌙
To more unruly poems to come.

**Un “home-ground” de ressources – se ressourcer mutuellement, pour nous, par nous – à (s’apprendre à) com.prendre comme elles viennent, comme on les donne, ou pas. Une membrane de protection, de mise en garde et en regard, de ce qui nous soigne, perturbe, altère, fait bouillonner, puis nous rassure et nous entraîne. Une circulation d’énergies qui s'imprègnent, par collage, assemblage et carambolage, par capillarité, rescousses et à coup de secousses ; pour suivre, sans néanmoins démêler, mais au contraire enlianner, des fils d’errance, désunitaires, dérive et décousus.**
--- B(S)TTF for Quiet Refusal

1. @fallon_mayanja in The Frozen Lakes of Elle with @lazara_ra

2. @josefantjam Dislocations, in CINECLUB3

Exhibition views by @fabiensilvestresuzor :
3. Exhibition view 'Quiet Refusal'
4. @sybilcoovih Se faire sentir
5. @kyokim_ciao Cerveau blanc, bras colorés #1 - Tool of Love
6. @nicolas_pirus Système Soleil d'orient
7. Detail of @ma.wena 's series "Peppa" wall, as Anna says; a hall of fame

8-9. Souvenirs of a fabrication with @_suf.fix_ (curatorial assistant) and @jeanpierre.bertrand (technical wizzard) 🙏🏽

10. Article by @sorana_munsya in Metropolism ✨
+ Thanks to @flo___delval for their words in L'Art Même 🌱

Infinite gratitude to @blackstothefuture for the indelible cosmic energies they wove into the textures of our memories 🌙
To more unruly poems to come.

**Un “home-ground” de ressources – se ressourcer mutuellement, pour nous, par nous – à (s’apprendre à) com.prendre comme elles viennent, comme on les donne, ou pas. Une membrane de protection, de mise en garde et en regard, de ce qui nous soigne, perturbe, altère, fait bouillonner, puis nous rassure et nous entraîne. Une circulation d’énergies qui s'imprègnent, par collage, assemblage et carambolage, par capillarité, rescousses et à coup de secousses ; pour suivre, sans néanmoins démêler, mais au contraire enlianner, des fils d’errance, désunitaires, dérive et décousus.**
--- B(S)TTF for Quiet Refusal

1. @fallon_mayanja in The Frozen Lakes of Elle with @lazara_ra

2. @josefantjam Dislocations, in CINECLUB3

Exhibition views by @fabiensilvestresuzor :
3. Exhibition view 'Quiet Refusal'
4. @sybilcoovih Se faire sentir
5. @kyokim_ciao Cerveau blanc, bras colorés #1 - Tool of Love
6. @nicolas_pirus Système Soleil d'orient
7. Detail of @ma.wena 's series "Peppa" wall, as Anna says; a hall of fame

8-9. Souvenirs of a fabrication with @_suf.fix_ (curatorial assistant) and @jeanpierre.bertrand (technical wizzard) 🙏🏽

10. Article by @sorana_munsya in Metropolism ✨
+ Thanks to @flo___delval for their words in L'Art Même 🌱

Infinite gratitude to @blackstothefuture for the indelible cosmic energies they wove into the textures of our memories 🌙
To more unruly poems to come.

**Un “home-ground” de ressources – se ressourcer mutuellement, pour nous, par nous – à (s’apprendre à) com.prendre comme elles viennent, comme on les donne, ou pas. Une membrane de protection, de mise en garde et en regard, de ce qui nous soigne, perturbe, altère, fait bouillonner, puis nous rassure et nous entraîne. Une circulation d’énergies qui s'imprègnent, par collage, assemblage et carambolage, par capillarité, rescousses et à coup de secousses ; pour suivre, sans néanmoins démêler, mais au contraire enlianner, des fils d’errance, désunitaires, dérive et décousus.**
--- B(S)TTF for Quiet Refusal

1. @fallon_mayanja in The Frozen Lakes of Elle with @lazara_ra

2. @josefantjam Dislocations, in CINECLUB3

Exhibition views by @fabiensilvestresuzor :
3. Exhibition view 'Quiet Refusal'
4. @sybilcoovih Se faire sentir
5. @kyokim_ciao Cerveau blanc, bras colorés #1 - Tool of Love
6. @nicolas_pirus Système Soleil d'orient
7. Detail of @ma.wena 's series "Peppa" wall, as Anna says; a hall of fame

8-9. Souvenirs of a fabrication with @_suf.fix_ (curatorial assistant) and @jeanpierre.bertrand (technical wizzard) 🙏🏽

10. Article by @sorana_munsya in Metropolism ✨
+ Thanks to @flo___delval for their words in L'Art Même 🌱

Infinite gratitude to @blackstothefuture for the indelible cosmic energies they wove into the textures of our memories 🌙
To more unruly poems to come.

**Un “home-ground” de ressources – se ressourcer mutuellement, pour nous, par nous – à (s’apprendre à) com.prendre comme elles viennent, comme on les donne, ou pas. Une membrane de protection, de mise en garde et en regard, de ce qui nous soigne, perturbe, altère, fait bouillonner, puis nous rassure et nous entraîne. Une circulation d’énergies qui s'imprègnent, par collage, assemblage et carambolage, par capillarité, rescousses et à coup de secousses ; pour suivre, sans néanmoins démêler, mais au contraire enlianner, des fils d’errance, désunitaires, dérive et décousus.**
--- B(S)TTF for Quiet Refusal

1. @fallon_mayanja in The Frozen Lakes of Elle with @lazara_ra

2. @josefantjam Dislocations, in CINECLUB3

Exhibition views by @fabiensilvestresuzor :
3. Exhibition view 'Quiet Refusal'
4. @sybilcoovih Se faire sentir
5. @kyokim_ciao Cerveau blanc, bras colorés #1 - Tool of Love
6. @nicolas_pirus Système Soleil d'orient
7. Detail of @ma.wena 's series "Peppa" wall, as Anna says; a hall of fame

8-9. Souvenirs of a fabrication with @_suf.fix_ (curatorial assistant) and @jeanpierre.bertrand (technical wizzard) 🙏🏽

10. Article by @sorana_munsya in Metropolism ✨
+ Thanks to @flo___delval for their words in L'Art Même 🌱

Infinite gratitude to @blackstothefuture for the indelible cosmic energies they wove into the textures of our memories 🌙
To more unruly poems to come.

**Un “home-ground” de ressources – se ressourcer mutuellement, pour nous, par nous – à (s’apprendre à) com.prendre comme elles viennent, comme on les donne, ou pas. Une membrane de protection, de mise en garde et en regard, de ce qui nous soigne, perturbe, altère, fait bouillonner, puis nous rassure et nous entraîne. Une circulation d’énergies qui s'imprègnent, par collage, assemblage et carambolage, par capillarité, rescousses et à coup de secousses ; pour suivre, sans néanmoins démêler, mais au contraire enlianner, des fils d’errance, désunitaires, dérive et décousus.**
--- B(S)TTF for Quiet Refusal

1. @fallon_mayanja in The Frozen Lakes of Elle with @lazara_ra

2. @josefantjam Dislocations, in CINECLUB3

Exhibition views by @fabiensilvestresuzor :
3. Exhibition view 'Quiet Refusal'
4. @sybilcoovih Se faire sentir
5. @kyokim_ciao Cerveau blanc, bras colorés #1 - Tool of Love
6. @nicolas_pirus Système Soleil d'orient
7. Detail of @ma.wena 's series "Peppa" wall, as Anna says; a hall of fame

8-9. Souvenirs of a fabrication with @_suf.fix_ (curatorial assistant) and @jeanpierre.bertrand (technical wizzard) 🙏🏽

10. Article by @sorana_munsya in Metropolism ✨
+ Thanks to @flo___delval for their words in L'Art Même 🌱

Infinite gratitude to @blackstothefuture for the indelible cosmic energies they wove into the textures of our memories 🌙
To more unruly poems to come.

**Un “home-ground” de ressources – se ressourcer mutuellement, pour nous, par nous – à (s’apprendre à) com.prendre comme elles viennent, comme on les donne, ou pas. Une membrane de protection, de mise en garde et en regard, de ce qui nous soigne, perturbe, altère, fait bouillonner, puis nous rassure et nous entraîne. Une circulation d’énergies qui s'imprègnent, par collage, assemblage et carambolage, par capillarité, rescousses et à coup de secousses ; pour suivre, sans néanmoins démêler, mais au contraire enlianner, des fils d’errance, désunitaires, dérive et décousus.**
--- B(S)TTF for Quiet Refusal

1. @fallon_mayanja in The Frozen Lakes of Elle with @lazara_ra

2. @josefantjam Dislocations, in CINECLUB3

Exhibition views by @fabiensilvestresuzor :
3. Exhibition view 'Quiet Refusal'
4. @sybilcoovih Se faire sentir
5. @kyokim_ciao Cerveau blanc, bras colorés #1 - Tool of Love
6. @nicolas_pirus Système Soleil d'orient
7. Detail of @ma.wena 's series "Peppa" wall, as Anna says; a hall of fame

8-9. Souvenirs of a fabrication with @_suf.fix_ (curatorial assistant) and @jeanpierre.bertrand (technical wizzard) 🙏🏽

10. Article by @sorana_munsya in Metropolism ✨
+ Thanks to @flo___delval for their words in L'Art Même 🌱

Infinite gratitude to @blackstothefuture for the indelible cosmic energies they wove into the textures of our memories 🌙
To more unruly poems to come.

**Un “home-ground” de ressources – se ressourcer mutuellement, pour nous, par nous – à (s’apprendre à) com.prendre comme elles viennent, comme on les donne, ou pas. Une membrane de protection, de mise en garde et en regard, de ce qui nous soigne, perturbe, altère, fait bouillonner, puis nous rassure et nous entraîne. Une circulation d’énergies qui s'imprègnent, par collage, assemblage et carambolage, par capillarité, rescousses et à coup de secousses ; pour suivre, sans néanmoins démêler, mais au contraire enlianner, des fils d’errance, désunitaires, dérive et décousus.**
--- B(S)TTF for Quiet Refusal

1. @fallon_mayanja in The Frozen Lakes of Elle with @lazara_ra

2. @josefantjam Dislocations, in CINECLUB3

Exhibition views by @fabiensilvestresuzor :
3. Exhibition view 'Quiet Refusal'
4. @sybilcoovih Se faire sentir
5. @kyokim_ciao Cerveau blanc, bras colorés #1 - Tool of Love
6. @nicolas_pirus Système Soleil d'orient
7. Detail of @ma.wena 's series "Peppa" wall, as Anna says; a hall of fame

8-9. Souvenirs of a fabrication with @_suf.fix_ (curatorial assistant) and @jeanpierre.bertrand (technical wizzard) 🙏🏽

10. Article by @sorana_munsya in Metropolism ✨
+ Thanks to @flo___delval for their words in L'Art Même 🌱

Infinite gratitude to @blackstothefuture for the indelible cosmic energies they wove into the textures of our memories 🌙
To more unruly poems to come.

**Un “home-ground” de ressources – se ressourcer mutuellement, pour nous, par nous – à (s’apprendre à) com.prendre comme elles viennent, comme on les donne, ou pas. Une membrane de protection, de mise en garde et en regard, de ce qui nous soigne, perturbe, altère, fait bouillonner, puis nous rassure et nous entraîne. Une circulation d’énergies qui s'imprègnent, par collage, assemblage et carambolage, par capillarité, rescousses et à coup de secousses ; pour suivre, sans néanmoins démêler, mais au contraire enlianner, des fils d’errance, désunitaires, dérive et décousus.**
--- B(S)TTF for Quiet Refusal

1. @fallon_mayanja in The Frozen Lakes of Elle with @lazara_ra

2. @josefantjam Dislocations, in CINECLUB3

Exhibition views by @fabiensilvestresuzor :
3. Exhibition view 'Quiet Refusal'
4. @sybilcoovih Se faire sentir
5. @kyokim_ciao Cerveau blanc, bras colorés #1 - Tool of Love
6. @nicolas_pirus Système Soleil d'orient
7. Detail of @ma.wena 's series "Peppa" wall, as Anna says; a hall of fame

8-9. Souvenirs of a fabrication with @_suf.fix_ (curatorial assistant) and @jeanpierre.bertrand (technical wizzard) 🙏🏽

10. Article by @sorana_munsya in Metropolism ✨
+ Thanks to @flo___delval for their words in L'Art Même 🌱

Infinite gratitude to @blackstothefuture for the indelible cosmic energies they wove into the textures of our memories 🌙
To more unruly poems to come.

**Un “home-ground” de ressources – se ressourcer mutuellement, pour nous, par nous – à (s’apprendre à) com.prendre comme elles viennent, comme on les donne, ou pas. Une membrane de protection, de mise en garde et en regard, de ce qui nous soigne, perturbe, altère, fait bouillonner, puis nous rassure et nous entraîne. Une circulation d’énergies qui s'imprègnent, par collage, assemblage et carambolage, par capillarité, rescousses et à coup de secousses ; pour suivre, sans néanmoins démêler, mais au contraire enlianner, des fils d’errance, désunitaires, dérive et décousus.**
--- B(S)TTF for Quiet Refusal

1. @fallon_mayanja in The Frozen Lakes of Elle with @lazara_ra

2. @josefantjam Dislocations, in CINECLUB3

Exhibition views by @fabiensilvestresuzor :
3. Exhibition view 'Quiet Refusal'
4. @sybilcoovih Se faire sentir
5. @kyokim_ciao Cerveau blanc, bras colorés #1 - Tool of Love
6. @nicolas_pirus Système Soleil d'orient
7. Detail of @ma.wena 's series "Peppa" wall, as Anna says; a hall of fame

8-9. Souvenirs of a fabrication with @_suf.fix_ (curatorial assistant) and @jeanpierre.bertrand (technical wizzard) 🙏🏽

10. Article by @sorana_munsya in Metropolism ✨
+ Thanks to @flo___delval for their words in L'Art Même 🌱

Infinite gratitude to @blackstothefuture for the indelible cosmic energies they wove into the textures of our memories 🌙
To more unruly poems to come.

**Un “home-ground” de ressources – se ressourcer mutuellement, pour nous, par nous – à (s’apprendre à) com.prendre comme elles viennent, comme on les donne, ou pas. Une membrane de protection, de mise en garde et en regard, de ce qui nous soigne, perturbe, altère, fait bouillonner, puis nous rassure et nous entraîne. Une circulation d’énergies qui s'imprègnent, par collage, assemblage et carambolage, par capillarité, rescousses et à coup de secousses ; pour suivre, sans néanmoins démêler, mais au contraire enlianner, des fils d’errance, désunitaires, dérive et décousus.**
--- B(S)TTF for Quiet Refusal

1. @fallon_mayanja in The Frozen Lakes of Elle with @lazara_ra

2. @josefantjam Dislocations, in CINECLUB3

Exhibition views by @fabiensilvestresuzor :
3. Exhibition view 'Quiet Refusal'
4. @sybilcoovih Se faire sentir
5. @kyokim_ciao Cerveau blanc, bras colorés #1 - Tool of Love
6. @nicolas_pirus Système Soleil d'orient
7. Detail of @ma.wena 's series "Peppa" wall, as Anna says; a hall of fame

8-9. Souvenirs of a fabrication with @_suf.fix_ (curatorial assistant) and @jeanpierre.bertrand (technical wizzard) 🙏🏽

10. Article by @sorana_munsya in Metropolism ✨
+ Thanks to @flo___delval for their words in L'Art Même 🌱

*a Philistine* has nested in Galerie Imane Farès. It was so special to cross paths and practices with amazing @basmalsharif, still hearing the echoes of @leslie__basta 's mesmerizing voice.

Thank you both for the generous sharing, and the team of @imanefaresgalerie for the warm hosting.

*a Philistine* has nested in Galerie Imane Farès. It was so special to cross paths and practices with amazing @basmalsharif, still hearing the echoes of @leslie__basta 's mesmerizing voice.

Thank you both for the generous sharing, and the team of @imanefaresgalerie for the warm hosting.

Launching our new season @beursschouwburg on 'Facing violence' with the exhibition 'Quiet Refusal' that questions/repositions/works through the layered narratives emerging from fluid encounters and other(ed) stories.

@blackstothefuture creates a space of co-conspiracy where collage and assemblage are used as tools for meeting, colliding, and narrating practices and kinships.

B(s)ttF c'est "Des personnes et des regards différents, et ensemble inlassablement, sur ce qui s’est joué et sur ce qui se joue toujours, sur ce qui se remet en jeu et en question, toujours."

With @sybilcoovih @kyokim_ciao @fallon_mayanja @nicolas_pirus @ma.wena

Gratitude to @_suf.fix_ and @jeanpierre.bertrand for joining this venture with full energy & support 💥

Special thanks to the French Embassy & Institut Français for accompanying and supporting the project.

See you at the opening tonight 🥂

~ Listening through the cracks ~

What a chance to confabulate together with three amazing artists, imagining together how our relation to time, knowledge and history could be otherwise.

Thank you #golnesarezanezhad Basma al-Sharif @hal_sharif9000 and @ghita_skali for sharing your insights in this interview-booklet.

"The exhibition zooms in and out of an unruly gathering of voices, imagining what some of those confabulations might sound like. There is some gossip, rumors are circulating, traveling through time and space. We move through fiction-telling and coded patterns, voices that shape (other) narratives while questioning the frame of proverbial tales, imaginaries, myths and memories. The ground is shaking beneath the multitude, opening up cracks through which testimonies are distorted, memories are glitched, myths are re-written. Listening through the cracks is an invitation to imagine different relations to time, embodying multifaceted future tenses and delving into the rhythms of an unwritten story."

Launched in the frame of Tashweesh festival, the exhibition goes on until 16 December, and we've cooked up some gatherings to meet the artists.

🎼 Friday 4 November 🎼 A reading group with Basma al-Sharif centering around her fiction story A Philistine.

📍Saturday 10 December 📍A tour and discussion with Golnesa Rezanezhad, tuning into the multiple layers of the research on rug-weaving herstories and collaborative practices she unfolds in Weaving the Past into the Present.

🌬 There will be some talk and study with Ghita Skali, something exceptional and unheard-of.

Photos by @fabiensilvestresuzor

@beursschouwburg

~ Listening through the cracks ~

What a chance to confabulate together with three amazing artists, imagining together how our relation to time, knowledge and history could be otherwise.

Thank you #golnesarezanezhad Basma al-Sharif @hal_sharif9000 and @ghita_skali for sharing your insights in this interview-booklet.

"The exhibition zooms in and out of an unruly gathering of voices, imagining what some of those confabulations might sound like. There is some gossip, rumors are circulating, traveling through time and space. We move through fiction-telling and coded patterns, voices that shape (other) narratives while questioning the frame of proverbial tales, imaginaries, myths and memories. The ground is shaking beneath the multitude, opening up cracks through which testimonies are distorted, memories are glitched, myths are re-written. Listening through the cracks is an invitation to imagine different relations to time, embodying multifaceted future tenses and delving into the rhythms of an unwritten story."

Launched in the frame of Tashweesh festival, the exhibition goes on until 16 December, and we've cooked up some gatherings to meet the artists.

🎼 Friday 4 November 🎼 A reading group with Basma al-Sharif centering around her fiction story A Philistine.

📍Saturday 10 December 📍A tour and discussion with Golnesa Rezanezhad, tuning into the multiple layers of the research on rug-weaving herstories and collaborative practices she unfolds in Weaving the Past into the Present.

🌬 There will be some talk and study with Ghita Skali, something exceptional and unheard-of.

Photos by @fabiensilvestresuzor

@beursschouwburg

~ Listening through the cracks ~

What a chance to confabulate together with three amazing artists, imagining together how our relation to time, knowledge and history could be otherwise.

Thank you #golnesarezanezhad Basma al-Sharif @hal_sharif9000 and @ghita_skali for sharing your insights in this interview-booklet.

"The exhibition zooms in and out of an unruly gathering of voices, imagining what some of those confabulations might sound like. There is some gossip, rumors are circulating, traveling through time and space. We move through fiction-telling and coded patterns, voices that shape (other) narratives while questioning the frame of proverbial tales, imaginaries, myths and memories. The ground is shaking beneath the multitude, opening up cracks through which testimonies are distorted, memories are glitched, myths are re-written. Listening through the cracks is an invitation to imagine different relations to time, embodying multifaceted future tenses and delving into the rhythms of an unwritten story."

Launched in the frame of Tashweesh festival, the exhibition goes on until 16 December, and we've cooked up some gatherings to meet the artists.

🎼 Friday 4 November 🎼 A reading group with Basma al-Sharif centering around her fiction story A Philistine.

📍Saturday 10 December 📍A tour and discussion with Golnesa Rezanezhad, tuning into the multiple layers of the research on rug-weaving herstories and collaborative practices she unfolds in Weaving the Past into the Present.

🌬 There will be some talk and study with Ghita Skali, something exceptional and unheard-of.

Photos by @fabiensilvestresuzor

@beursschouwburg

~ Listening through the cracks ~

What a chance to confabulate together with three amazing artists, imagining together how our relation to time, knowledge and history could be otherwise.

Thank you #golnesarezanezhad Basma al-Sharif @hal_sharif9000 and @ghita_skali for sharing your insights in this interview-booklet.

"The exhibition zooms in and out of an unruly gathering of voices, imagining what some of those confabulations might sound like. There is some gossip, rumors are circulating, traveling through time and space. We move through fiction-telling and coded patterns, voices that shape (other) narratives while questioning the frame of proverbial tales, imaginaries, myths and memories. The ground is shaking beneath the multitude, opening up cracks through which testimonies are distorted, memories are glitched, myths are re-written. Listening through the cracks is an invitation to imagine different relations to time, embodying multifaceted future tenses and delving into the rhythms of an unwritten story."

Launched in the frame of Tashweesh festival, the exhibition goes on until 16 December, and we've cooked up some gatherings to meet the artists.

🎼 Friday 4 November 🎼 A reading group with Basma al-Sharif centering around her fiction story A Philistine.

📍Saturday 10 December 📍A tour and discussion with Golnesa Rezanezhad, tuning into the multiple layers of the research on rug-weaving herstories and collaborative practices she unfolds in Weaving the Past into the Present.

🌬 There will be some talk and study with Ghita Skali, something exceptional and unheard-of.

Photos by @fabiensilvestresuzor

@beursschouwburg

~ Listening through the cracks ~

What a chance to confabulate together with three amazing artists, imagining together how our relation to time, knowledge and history could be otherwise.

Thank you #golnesarezanezhad Basma al-Sharif @hal_sharif9000 and @ghita_skali for sharing your insights in this interview-booklet.

"The exhibition zooms in and out of an unruly gathering of voices, imagining what some of those confabulations might sound like. There is some gossip, rumors are circulating, traveling through time and space. We move through fiction-telling and coded patterns, voices that shape (other) narratives while questioning the frame of proverbial tales, imaginaries, myths and memories. The ground is shaking beneath the multitude, opening up cracks through which testimonies are distorted, memories are glitched, myths are re-written. Listening through the cracks is an invitation to imagine different relations to time, embodying multifaceted future tenses and delving into the rhythms of an unwritten story."

Launched in the frame of Tashweesh festival, the exhibition goes on until 16 December, and we've cooked up some gatherings to meet the artists.

🎼 Friday 4 November 🎼 A reading group with Basma al-Sharif centering around her fiction story A Philistine.

📍Saturday 10 December 📍A tour and discussion with Golnesa Rezanezhad, tuning into the multiple layers of the research on rug-weaving herstories and collaborative practices she unfolds in Weaving the Past into the Present.

🌬 There will be some talk and study with Ghita Skali, something exceptional and unheard-of.

Photos by @fabiensilvestresuzor

@beursschouwburg

~ Listening through the cracks ~

What a chance to confabulate together with three amazing artists, imagining together how our relation to time, knowledge and history could be otherwise.

Thank you #golnesarezanezhad Basma al-Sharif @hal_sharif9000 and @ghita_skali for sharing your insights in this interview-booklet.

"The exhibition zooms in and out of an unruly gathering of voices, imagining what some of those confabulations might sound like. There is some gossip, rumors are circulating, traveling through time and space. We move through fiction-telling and coded patterns, voices that shape (other) narratives while questioning the frame of proverbial tales, imaginaries, myths and memories. The ground is shaking beneath the multitude, opening up cracks through which testimonies are distorted, memories are glitched, myths are re-written. Listening through the cracks is an invitation to imagine different relations to time, embodying multifaceted future tenses and delving into the rhythms of an unwritten story."

Launched in the frame of Tashweesh festival, the exhibition goes on until 16 December, and we've cooked up some gatherings to meet the artists.

🎼 Friday 4 November 🎼 A reading group with Basma al-Sharif centering around her fiction story A Philistine.

📍Saturday 10 December 📍A tour and discussion with Golnesa Rezanezhad, tuning into the multiple layers of the research on rug-weaving herstories and collaborative practices she unfolds in Weaving the Past into the Present.

🌬 There will be some talk and study with Ghita Skali, something exceptional and unheard-of.

Photos by @fabiensilvestresuzor

@beursschouwburg

Edition 3 of #re.act.feminism is now OUT 🚀

After a beautiful and fruitful process of scheming, talking, imagining & dreaming together with @macaronic_cheese Ève Gabriel Chabanon and @edentintocollins, it is such a joy to share the works that they conceived for and in dialogue with re.act.feminism ~ A performing archive.

Departing from the invitation to think through, with and about no/thingness, we let the void guide us to / in polyphony, multitudes and never-ending beginnings.

👉🏽 you can navigate the website, watch/read/listen to the works and their resonances here: www.reactfeminism.de

Gratitude to the artists for playing along ~ to @manifestabiennial for hosting the works and a warm gathering in the tearoom of #GoodAsHell ~ to Bettina Knaup for inviting us to engage with the re.act.feminism platform ~ to @evbg_berlin, Giulia Essyad, @annipuolakka, Suza Husse, @oreetashery, Verena Melgarejo Weinandt for such inspiring works and words ~ to @iselp_brussels for the support & what is to come.

1. Eden Tinto Collins, The Casimir Effect, film (25'), 2022
2-3. Ève Gabriel Chabanon, Somatic Communism, photograph and text (part 1 of 6), 2022.
4. Re.act.feminism launch at Manifesta Biennal, Prishtina.

Edition 3 of #re.act.feminism is now OUT 🚀

After a beautiful and fruitful process of scheming, talking, imagining & dreaming together with @macaronic_cheese Ève Gabriel Chabanon and @edentintocollins, it is such a joy to share the works that they conceived for and in dialogue with re.act.feminism ~ A performing archive.

Departing from the invitation to think through, with and about no/thingness, we let the void guide us to / in polyphony, multitudes and never-ending beginnings.

👉🏽 you can navigate the website, watch/read/listen to the works and their resonances here: www.reactfeminism.de

Gratitude to the artists for playing along ~ to @manifestabiennial for hosting the works and a warm gathering in the tearoom of #GoodAsHell ~ to Bettina Knaup for inviting us to engage with the re.act.feminism platform ~ to @evbg_berlin, Giulia Essyad, @annipuolakka, Suza Husse, @oreetashery, Verena Melgarejo Weinandt for such inspiring works and words ~ to @iselp_brussels for the support & what is to come.

1. Eden Tinto Collins, The Casimir Effect, film (25'), 2022
2-3. Ève Gabriel Chabanon, Somatic Communism, photograph and text (part 1 of 6), 2022.
4. Re.act.feminism launch at Manifesta Biennal, Prishtina.

Edition 3 of #re.act.feminism is now OUT 🚀

After a beautiful and fruitful process of scheming, talking, imagining & dreaming together with @macaronic_cheese Ève Gabriel Chabanon and @edentintocollins, it is such a joy to share the works that they conceived for and in dialogue with re.act.feminism ~ A performing archive.

Departing from the invitation to think through, with and about no/thingness, we let the void guide us to / in polyphony, multitudes and never-ending beginnings.

👉🏽 you can navigate the website, watch/read/listen to the works and their resonances here: www.reactfeminism.de

Gratitude to the artists for playing along ~ to @manifestabiennial for hosting the works and a warm gathering in the tearoom of #GoodAsHell ~ to Bettina Knaup for inviting us to engage with the re.act.feminism platform ~ to @evbg_berlin, Giulia Essyad, @annipuolakka, Suza Husse, @oreetashery, Verena Melgarejo Weinandt for such inspiring works and words ~ to @iselp_brussels for the support & what is to come.

1. Eden Tinto Collins, The Casimir Effect, film (25'), 2022
2-3. Ève Gabriel Chabanon, Somatic Communism, photograph and text (part 1 of 6), 2022.
4. Re.act.feminism launch at Manifesta Biennal, Prishtina.

Edition 3 of #re.act.feminism is now OUT 🚀

After a beautiful and fruitful process of scheming, talking, imagining & dreaming together with @macaronic_cheese Ève Gabriel Chabanon and @edentintocollins, it is such a joy to share the works that they conceived for and in dialogue with re.act.feminism ~ A performing archive.

Departing from the invitation to think through, with and about no/thingness, we let the void guide us to / in polyphony, multitudes and never-ending beginnings.

👉🏽 you can navigate the website, watch/read/listen to the works and their resonances here: www.reactfeminism.de

Gratitude to the artists for playing along ~ to @manifestabiennial for hosting the works and a warm gathering in the tearoom of #GoodAsHell ~ to Bettina Knaup for inviting us to engage with the re.act.feminism platform ~ to @evbg_berlin, Giulia Essyad, @annipuolakka, Suza Husse, @oreetashery, Verena Melgarejo Weinandt for such inspiring works and words ~ to @iselp_brussels for the support & what is to come.

1. Eden Tinto Collins, The Casimir Effect, film (25'), 2022
2-3. Ève Gabriel Chabanon, Somatic Communism, photograph and text (part 1 of 6), 2022.
4. Re.act.feminism launch at Manifesta Biennal, Prishtina.