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A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
A belated but still heartfelt gratitude for the months I spent at @wiels_brussels and @argos_arts helping preparing the ambitious 'Magical Realism' exhibition which ends today. I'm so grateful to have worked with all these passionate, dedicated, and inspiring people.
Special thanks to @helenakritis for her excellent mentorship, as well as to @sofia_datii and the artists I had the chance to accompany @bianca_baldi @ade_darmawan @saodatismailova @broadcove @julierpauline @adult_nour @annemarie_maes
💚
It’s already the final week to visit 𝘍𝘰𝘳 𝘴𝘰𝘮𝘦 𝘵𝘪𝘮𝘦 𝘐'𝘷𝘦 𝘣𝘦𝘦𝘯 𝘴𝘵𝘢𝘯𝘥𝘪𝘯𝘨 at Kunsthal Gent, an exhibition curated by KASK's Curatorial Studies 2024–2025 participants, which I had the pleasure of being part of. The past few months now feel like a distant blur of voices, faces, and encounters, a whirlwind from which I’m slowly emerging, filled with gratitude and quiet joy.
"This exhibition didn’t grow out of the illusion that we can leave our baggage behind, but out of a sheer curiosity about how to carry it. And how we might hold space for the luggage of others. Because maybe the purpose of having other people in a room is to make your thoughts travel, to relinquish the complacency that comes with having an answer. The world is full of people quietly carrying the weight of conflict, displacement, systemic injustice, grief, loss and love. Together we tried to imagine Acker’s wall, not as a dead end, but as a surface to press against, to write on, or break through.
And sometimes, we find ourselves fighting our way out of the suitcase, escaping our needs for its comfort and we learn how to look at whatever shows up, as closely as possible, paying attention to what’s going on inside of us. To me, as curators, we enact small ceremonies of realism, we try to make space for what resists structure, for what leaks, as endings are only boring when they satisfy the conditions that asked for it.
Thank you for being here."
An excerpt from the opening speech, beautifully written by @maartje.claes 🤍
With works by Chupan Atashi, Manon de Boer, Michael Kleine, Brigitte Louter, a workshop by Emma Ydiers and a performance by Astrid Specht Seeberg
Many thanks to my colleagues, to our tutors, to the artists and to Kunsthal Gent's team!
Photo by the talented @naayyna (Nov. 2024, Oud Huis, Kunsthal Gent)
Join us this Friday at 20:00 for the opening of the exhibition 𝙁𝙤𝙧 𝙨𝙤𝙢𝙚 𝙩𝙞𝙢𝙚 𝙄'𝙫𝙚 𝙗𝙚𝙚𝙣 𝙨𝙩𝙖𝙣𝙙𝙞𝙣𝙜, curated by Curatorial Studies 2024 – 2025 participants, in the Old House of @kunsthalgent !
Bringing together works by Chupan Atashi, Manon de Boer, Michael Kleine, Brigitte Louter, a workshop by Emma Ydiers and a performance by Astrid Specht Seeberg.
The exhibition will be on view until 31st August.
Curators: Bethan Burnside, Daphné Charitos, Tuta Chkheidze, Maartje Claes, Gustav-Adam Dendooven, Hanna Julia Erdosi, Natalija Gucheva, Abel Hartooni, Emilia Naomi Keller, Yasemin Köker, Temitayo Olalekan, Miranda Pastor, Arthur Saint Remy, Marie Cathérine Stalpaert, Nina Turina, Flora Vanclooster, Jean Watt.
Special thanks to Sonia D’Alto, Laura Herman, Isabel Van Bos and Curatorial Studies KASK Team; Valentijn Goethals, Bieke Criel, Jana Vasiljević, Danielle van Zuijlen, Jens Wijnendaele, Klaartje Van Thuyne, Bert Bossaert, and Kunsthal Gent Team; Jan Mot;Giulia Blasig; NW Aalst for technical support.
I recently had the pleasure of co-curating 𝒕𝒉𝒂𝒕 𝒔𝒍𝒂𝒃 𝒐𝒇 𝒐𝒖𝒕𝒍𝒂𝒘 𝒕𝒊𝒎𝒆 as part of 'Eye becomes water', an exhibition and public programme drawing from the history of Het Paviljoen's which served as a waiting room for pregnant patients. Together with Natalija Gucheva, Abel Hartooni, Yasemin Köker, Temitayo Olalekan and Jean Watt ♡
With works by Zeynep Kayan, Amel Omar and Reinier Vrancken.
🌱 Full text on paviljoen.org
(1) Het Paviljoen as found in 2006 (photographer unknown)
(2 & 3) Amel Omar, Judas, 2024
(4) Zeynep Kayan, This is How You Return, 2024
(5) Reinier Vrancken, A hornet tests my sculptured skin, 2021
I recently had the pleasure of co-curating 𝒕𝒉𝒂𝒕 𝒔𝒍𝒂𝒃 𝒐𝒇 𝒐𝒖𝒕𝒍𝒂𝒘 𝒕𝒊𝒎𝒆 as part of 'Eye becomes water', an exhibition and public programme drawing from the history of Het Paviljoen's which served as a waiting room for pregnant patients. Together with Natalija Gucheva, Abel Hartooni, Yasemin Köker, Temitayo Olalekan and Jean Watt ♡
With works by Zeynep Kayan, Amel Omar and Reinier Vrancken.
🌱 Full text on paviljoen.org
(1) Het Paviljoen as found in 2006 (photographer unknown)
(2 & 3) Amel Omar, Judas, 2024
(4) Zeynep Kayan, This is How You Return, 2024
(5) Reinier Vrancken, A hornet tests my sculptured skin, 2021
I recently had the pleasure of co-curating 𝒕𝒉𝒂𝒕 𝒔𝒍𝒂𝒃 𝒐𝒇 𝒐𝒖𝒕𝒍𝒂𝒘 𝒕𝒊𝒎𝒆 as part of 'Eye becomes water', an exhibition and public programme drawing from the history of Het Paviljoen's which served as a waiting room for pregnant patients. Together with Natalija Gucheva, Abel Hartooni, Yasemin Köker, Temitayo Olalekan and Jean Watt ♡
With works by Zeynep Kayan, Amel Omar and Reinier Vrancken.
🌱 Full text on paviljoen.org
(1) Het Paviljoen as found in 2006 (photographer unknown)
(2 & 3) Amel Omar, Judas, 2024
(4) Zeynep Kayan, This is How You Return, 2024
(5) Reinier Vrancken, A hornet tests my sculptured skin, 2021
I recently had the pleasure of co-curating 𝒕𝒉𝒂𝒕 𝒔𝒍𝒂𝒃 𝒐𝒇 𝒐𝒖𝒕𝒍𝒂𝒘 𝒕𝒊𝒎𝒆 as part of 'Eye becomes water', an exhibition and public programme drawing from the history of Het Paviljoen's which served as a waiting room for pregnant patients. Together with Natalija Gucheva, Abel Hartooni, Yasemin Köker, Temitayo Olalekan and Jean Watt ♡
With works by Zeynep Kayan, Amel Omar and Reinier Vrancken.
🌱 Full text on paviljoen.org
(1) Het Paviljoen as found in 2006 (photographer unknown)
(2 & 3) Amel Omar, Judas, 2024
(4) Zeynep Kayan, This is How You Return, 2024
(5) Reinier Vrancken, A hornet tests my sculptured skin, 2021
I recently had the pleasure of co-curating 𝒕𝒉𝒂𝒕 𝒔𝒍𝒂𝒃 𝒐𝒇 𝒐𝒖𝒕𝒍𝒂𝒘 𝒕𝒊𝒎𝒆 as part of 'Eye becomes water', an exhibition and public programme drawing from the history of Het Paviljoen's which served as a waiting room for pregnant patients. Together with Natalija Gucheva, Abel Hartooni, Yasemin Köker, Temitayo Olalekan and Jean Watt ♡
With works by Zeynep Kayan, Amel Omar and Reinier Vrancken.
🌱 Full text on paviljoen.org
(1) Het Paviljoen as found in 2006 (photographer unknown)
(2 & 3) Amel Omar, Judas, 2024
(4) Zeynep Kayan, This is How You Return, 2024
(5) Reinier Vrancken, A hornet tests my sculptured skin, 2021
I recently had the pleasure of co-curating 𝒕𝒉𝒂𝒕 𝒔𝒍𝒂𝒃 𝒐𝒇 𝒐𝒖𝒕𝒍𝒂𝒘 𝒕𝒊𝒎𝒆 as part of 'Eye becomes water', an exhibition and public programme drawing from the history of Het Paviljoen's which served as a waiting room for pregnant patients. Together with Natalija Gucheva, Abel Hartooni, Yasemin Köker, Temitayo Olalekan and Jean Watt ♡
With works by Zeynep Kayan, Amel Omar and Reinier Vrancken.
🌱 Full text on paviljoen.org
(1) Het Paviljoen as found in 2006 (photographer unknown)
(2 & 3) Amel Omar, Judas, 2024
(4) Zeynep Kayan, This is How You Return, 2024
(5) Reinier Vrancken, A hornet tests my sculptured skin, 2021
No Longer Not Yet
Katja Mater & the FOMU collection 🪡
(1, 8) Katja Mater, Kijk met Beide Ogen, 2025
(3) Anonymous, Album of a man and a party at a villa or hotel with indoor pool, 1980
(4) Marie-Françoise Plissart, Droits de regards, 1983
(5) Lebohang Kganye, Ke Lefa Laka — Her story, 2013
(7) Antoine Hoorens, Stereo card for Eye misalignment analysis, ca. 1950
No Longer Not Yet
Katja Mater & the FOMU collection 🪡
(1, 8) Katja Mater, Kijk met Beide Ogen, 2025
(3) Anonymous, Album of a man and a party at a villa or hotel with indoor pool, 1980
(4) Marie-Françoise Plissart, Droits de regards, 1983
(5) Lebohang Kganye, Ke Lefa Laka — Her story, 2013
(7) Antoine Hoorens, Stereo card for Eye misalignment analysis, ca. 1950
No Longer Not Yet
Katja Mater & the FOMU collection 🪡
(1, 8) Katja Mater, Kijk met Beide Ogen, 2025
(3) Anonymous, Album of a man and a party at a villa or hotel with indoor pool, 1980
(4) Marie-Françoise Plissart, Droits de regards, 1983
(5) Lebohang Kganye, Ke Lefa Laka — Her story, 2013
(7) Antoine Hoorens, Stereo card for Eye misalignment analysis, ca. 1950
No Longer Not Yet
Katja Mater & the FOMU collection 🪡
(1, 8) Katja Mater, Kijk met Beide Ogen, 2025
(3) Anonymous, Album of a man and a party at a villa or hotel with indoor pool, 1980
(4) Marie-Françoise Plissart, Droits de regards, 1983
(5) Lebohang Kganye, Ke Lefa Laka — Her story, 2013
(7) Antoine Hoorens, Stereo card for Eye misalignment analysis, ca. 1950
No Longer Not Yet
Katja Mater & the FOMU collection 🪡
(1, 8) Katja Mater, Kijk met Beide Ogen, 2025
(3) Anonymous, Album of a man and a party at a villa or hotel with indoor pool, 1980
(4) Marie-Françoise Plissart, Droits de regards, 1983
(5) Lebohang Kganye, Ke Lefa Laka — Her story, 2013
(7) Antoine Hoorens, Stereo card for Eye misalignment analysis, ca. 1950
No Longer Not Yet
Katja Mater & the FOMU collection 🪡
(1, 8) Katja Mater, Kijk met Beide Ogen, 2025
(3) Anonymous, Album of a man and a party at a villa or hotel with indoor pool, 1980
(4) Marie-Françoise Plissart, Droits de regards, 1983
(5) Lebohang Kganye, Ke Lefa Laka — Her story, 2013
(7) Antoine Hoorens, Stereo card for Eye misalignment analysis, ca. 1950
No Longer Not Yet
Katja Mater & the FOMU collection 🪡
(1, 8) Katja Mater, Kijk met Beide Ogen, 2025
(3) Anonymous, Album of a man and a party at a villa or hotel with indoor pool, 1980
(4) Marie-Françoise Plissart, Droits de regards, 1983
(5) Lebohang Kganye, Ke Lefa Laka — Her story, 2013
(7) Antoine Hoorens, Stereo card for Eye misalignment analysis, ca. 1950
No Longer Not Yet
Katja Mater & the FOMU collection 🪡
(1, 8) Katja Mater, Kijk met Beide Ogen, 2025
(3) Anonymous, Album of a man and a party at a villa or hotel with indoor pool, 1980
(4) Marie-Françoise Plissart, Droits de regards, 1983
(5) Lebohang Kganye, Ke Lefa Laka — Her story, 2013
(7) Antoine Hoorens, Stereo card for Eye misalignment analysis, ca. 1950
Sweet Vilnius
(3) Remigijus Pačėsa, Rest, 1982 / A Pocket Knife is Attached to the Photo because a Chain is attached to the Glass, 1992 / I’m Back, 1982
(4) Eglė Rakauskaitė, Trap. Expulsion from Paradise, 1996
(6) 15th Baltic Triennial: Same Day (Photo by @maartje.claes 🎀)
(8) Maria Prymachenko, The Husband Doesn’t Know How to Please His Wife, 1978
Sweet Vilnius
(3) Remigijus Pačėsa, Rest, 1982 / A Pocket Knife is Attached to the Photo because a Chain is attached to the Glass, 1992 / I’m Back, 1982
(4) Eglė Rakauskaitė, Trap. Expulsion from Paradise, 1996
(6) 15th Baltic Triennial: Same Day (Photo by @maartje.claes 🎀)
(8) Maria Prymachenko, The Husband Doesn’t Know How to Please His Wife, 1978
Sweet Vilnius
(3) Remigijus Pačėsa, Rest, 1982 / A Pocket Knife is Attached to the Photo because a Chain is attached to the Glass, 1992 / I’m Back, 1982
(4) Eglė Rakauskaitė, Trap. Expulsion from Paradise, 1996
(6) 15th Baltic Triennial: Same Day (Photo by @maartje.claes 🎀)
(8) Maria Prymachenko, The Husband Doesn’t Know How to Please His Wife, 1978
Sweet Vilnius
(3) Remigijus Pačėsa, Rest, 1982 / A Pocket Knife is Attached to the Photo because a Chain is attached to the Glass, 1992 / I’m Back, 1982
(4) Eglė Rakauskaitė, Trap. Expulsion from Paradise, 1996
(6) 15th Baltic Triennial: Same Day (Photo by @maartje.claes 🎀)
(8) Maria Prymachenko, The Husband Doesn’t Know How to Please His Wife, 1978
Sweet Vilnius
(3) Remigijus Pačėsa, Rest, 1982 / A Pocket Knife is Attached to the Photo because a Chain is attached to the Glass, 1992 / I’m Back, 1982
(4) Eglė Rakauskaitė, Trap. Expulsion from Paradise, 1996
(6) 15th Baltic Triennial: Same Day (Photo by @maartje.claes 🎀)
(8) Maria Prymachenko, The Husband Doesn’t Know How to Please His Wife, 1978
Sweet Vilnius
(3) Remigijus Pačėsa, Rest, 1982 / A Pocket Knife is Attached to the Photo because a Chain is attached to the Glass, 1992 / I’m Back, 1982
(4) Eglė Rakauskaitė, Trap. Expulsion from Paradise, 1996
(6) 15th Baltic Triennial: Same Day (Photo by @maartje.claes 🎀)
(8) Maria Prymachenko, The Husband Doesn’t Know How to Please His Wife, 1978
Sweet Vilnius
(3) Remigijus Pačėsa, Rest, 1982 / A Pocket Knife is Attached to the Photo because a Chain is attached to the Glass, 1992 / I’m Back, 1982
(4) Eglė Rakauskaitė, Trap. Expulsion from Paradise, 1996
(6) 15th Baltic Triennial: Same Day (Photo by @maartje.claes 🎀)
(8) Maria Prymachenko, The Husband Doesn’t Know How to Please His Wife, 1978
Sweet Vilnius
(3) Remigijus Pačėsa, Rest, 1982 / A Pocket Knife is Attached to the Photo because a Chain is attached to the Glass, 1992 / I’m Back, 1982
(4) Eglė Rakauskaitė, Trap. Expulsion from Paradise, 1996
(6) 15th Baltic Triennial: Same Day (Photo by @maartje.claes 🎀)
(8) Maria Prymachenko, The Husband Doesn’t Know How to Please His Wife, 1978
Sweet Vilnius
(3) Remigijus Pačėsa, Rest, 1982 / A Pocket Knife is Attached to the Photo because a Chain is attached to the Glass, 1992 / I’m Back, 1982
(4) Eglė Rakauskaitė, Trap. Expulsion from Paradise, 1996
(6) 15th Baltic Triennial: Same Day (Photo by @maartje.claes 🎀)
(8) Maria Prymachenko, The Husband Doesn’t Know How to Please His Wife, 1978
Sweet Vilnius
(3) Remigijus Pačėsa, Rest, 1982 / A Pocket Knife is Attached to the Photo because a Chain is attached to the Glass, 1992 / I’m Back, 1982
(4) Eglė Rakauskaitė, Trap. Expulsion from Paradise, 1996
(6) 15th Baltic Triennial: Same Day (Photo by @maartje.claes 🎀)
(8) Maria Prymachenko, The Husband Doesn’t Know How to Please His Wife, 1978
I've been busy Jan Mot-ing for the past three years.. and I am now off to a new start @curatorial_studies_kask ! I'm so grateful to have had the opportunity to work with such inspiring people and to support the work of all the fantastic artists represented by the gallery @jan.mot.brussels !
🤍
I've been busy Jan Mot-ing for the past three years.. and I am now off to a new start @curatorial_studies_kask ! I'm so grateful to have had the opportunity to work with such inspiring people and to support the work of all the fantastic artists represented by the gallery @jan.mot.brussels !
🤍
I've been busy Jan Mot-ing for the past three years.. and I am now off to a new start @curatorial_studies_kask ! I'm so grateful to have had the opportunity to work with such inspiring people and to support the work of all the fantastic artists represented by the gallery @jan.mot.brussels !
🤍
I've been busy Jan Mot-ing for the past three years.. and I am now off to a new start @curatorial_studies_kask ! I'm so grateful to have had the opportunity to work with such inspiring people and to support the work of all the fantastic artists represented by the gallery @jan.mot.brussels !
🤍
I've been busy Jan Mot-ing for the past three years.. and I am now off to a new start @curatorial_studies_kask ! I'm so grateful to have had the opportunity to work with such inspiring people and to support the work of all the fantastic artists represented by the gallery @jan.mot.brussels !
🤍
I've been busy Jan Mot-ing for the past three years.. and I am now off to a new start @curatorial_studies_kask ! I'm so grateful to have had the opportunity to work with such inspiring people and to support the work of all the fantastic artists represented by the gallery @jan.mot.brussels !
🤍
I've been busy Jan Mot-ing for the past three years.. and I am now off to a new start @curatorial_studies_kask ! I'm so grateful to have had the opportunity to work with such inspiring people and to support the work of all the fantastic artists represented by the gallery @jan.mot.brussels !
🤍
I've been busy Jan Mot-ing for the past three years.. and I am now off to a new start @curatorial_studies_kask ! I'm so grateful to have had the opportunity to work with such inspiring people and to support the work of all the fantastic artists represented by the gallery @jan.mot.brussels !
🤍
I've been busy Jan Mot-ing for the past three years.. and I am now off to a new start @curatorial_studies_kask ! I'm so grateful to have had the opportunity to work with such inspiring people and to support the work of all the fantastic artists represented by the gallery @jan.mot.brussels !
🤍
I've been busy Jan Mot-ing for the past three years.. and I am now off to a new start @curatorial_studies_kask ! I'm so grateful to have had the opportunity to work with such inspiring people and to support the work of all the fantastic artists represented by the gallery @jan.mot.brussels !
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Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!
Our advantages:
No Need to Register
Avoid app downloads and sign-ups, store stories on the web.
Exclusive High-Quality
Stories Say goodbye to poor-quality content, preserve only high-resolution Stories.
Accessible on All
Devices Download Instagram Stories using any browser, iPhone, Android.
Completely Free to Use
Absolutely no fees. Download any Story at no cost.
Frequently Asked Questions
- 1. Go to the Instagram Story Downloader tool.
- 2. Next, type the username of the Instagram profile into the provided field and click on the Download button.
- 3. You'll then see all the Stories that are available for the current 24-hour period. Select the ones you want and hit Download.