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The Art of Living - presented at The Barbican London, 04.12.25
Performing on the mini-Oramics machine - a drawn sound interface.
Designed by Daphne Oram in the 70s, reimagined and recreated by @mini_oramics Tom Richards in 2016.
This was part of Vari/ations - an Ode or Oram - commissioned by @theoramawards
Produced by @barbicancentre and @nonclsscl
This is a snippet of the piece I created, itself an extended version of the track released on @nonclsscl on limited edition vinyl.
This piece was inspired by reading Oram’s essay: An Individual Note - and particularly chapter 2 where she describes ‘The Art of Living’ She is talking about electronics but also, what it is to be human. For her the subjects are one and the same.
I drew upon Oram’s sound archive but was also very kindly lent this amazing machine by Tom, who also taught me how to use it. It is such a beautiful concept and I felt honoured to play it.

This night was a celebration of Daphne Oram's centenary and featured gorgeous performances from artists including @martasalogni @xnaam and @deena___abdelwahed

From 'An Individual Note'

'In every human being there will be….tremendous chords of wavepatterns 'sounding out their notes'. Do we control them by the formants we build up... by tuned circuits which amplify or filter? Are we forever developing our regions of resonance so that our individual consciousness will rise into being - so that we can assert our individuality? In this way does the tumult of existence resolve itself into a final personal waveshape, the embodiment of all one's own interpretations of the art of living?'

📽️ @mini_oramics

One of my favourite sessions this year was of the incredible Nwando Ebizie @nwando_ebizie photographed in Somerset House @somersethouse Central London before her show there September 2025. I’ll post a direct link to the interview up in my stories. Thanks so much Nwando for your time, patience, and kindness! One of my favourite sets of photographs I’ve done for BMT so far… #nwandoebizie #somersethouse #bassmidstops #briandavidstevens #joemuggs #bassmidstopsandtherest if you like what @joemuggs and I do with BassMidsTops please consider subscribing or sharing, we could really do with your help! Many Thanks 🙏

I'm performing at @barbicancentre with @nonclsscl - last tickets available now!

I'll be performing on stage with the rarely seen @mini_oramics machine.

On stage at 7.30pm

This project marks Daphne Oram’s centenary with a stunning compilation of new works inspired by her extensive sound archive, distilled into a brand-new sample library curated by sound artists and archivists @sarah_angliss and @soonheisatune.

Celebrations begin with drinks at the Artillery Arms, EC1, followed by a pre-concert talk with #coseyfannitutti, @loladelamata, and @jenniferlucyallan at 6pm (free with booking, held in the Fountain Room, Barbican Centre).

The main concert starts at 7:30pm and will features live performances by @martasalogni, @akataahliah, @deena___abdelwahed, @felicia_atkinson and Oram Awards winners @nwando_ebizie, and @xnaam

To finish with foyer performances from Lola de la Mata and @afromerm + @abi.asisa — (free, no booking required — at the ClubStage level -1)

Hinter dem heutigen Kalendertürchen steckt eine spannende Überraschung. Wir freuen uns über eine weitere Künstlerin bei fast forward classical: Nwando Ebizie! Als unklassifizierbares Universaltalent erschafft die britisch-nigerianische multidisziplinäre Künstlerin spekulative Fiktionen und alternative Realitäten an der Schnittstelle von Live-Kunst, experimenteller Musik und multisensorischen Installationen.
@nwando_ebizie fordert mit ihren vielfältigen multidisziplinären Werken radikale Veränderungen. Willkommen in unserer Agentur, liebe Nwando! #ffwdclassical 📷 Emilie Holba

Learn about the power of collective action

This week’s Run Riot Guest Editor is the extraordinary Nwando Ebizie @nwando_ebizie - the British-Nigerian multidisciplinary artist, poet, composer and radical visionary

🔗 Link to Dispatches in bio

Nwando's orchestral, story-rich album The Myth of Thamesis is out now. Ahead of her 4 Dec Barbican performance honouring electronic music pioneer Daphne Oram, she calls us to “learn about the power of collective action” - a principle rooted in her work with the Rights of Nature movement.

This Dispatches also spotlights @gracebnicol — ahead of Dirty Weekend at @barbicancentre plus new work with @jeremydeller and @nationalgallery with LCDS c/o @theplacelondon

We also talk to @alansouzaman about directing Daniel’s Husband with a stellar cast and huge heart.

Nwando’s culture Picks:
🎶 Vari/ations: An Ode to Oram — @barbicancentre
🖼 Nigerian Modernism — @tate
🌱 MOTH Festival of Ideas — @moth_rights
🎧 The Myth of Thamesis — link in bio

Run Riot Recommends include The Ice Tower at @arthousen8 / Dracapella at @parktheatrelondon / the grand reopening of @hornseytownhall_ / and Fatboy Slim at @yourallypally

Plus: Exclusive offers for Sh!t Theatre: EVITA TOO @shittheatre at @southbankcentre, Gilbert & George at @hayward.gallery and the huge War of the Worlds Immersive competition @thewaroftheworldsimmersive

Step inside, tune your senses, and join the movement towards radical change - together.
RR xx

#NwandoEbizie #RunRiot #Arts #RunRiotDispatches #LondonCulture #TheMythOfThamesis #Barbican #DaphneOram #GraceNicol #AlanSouza #DirtyWeekend #NigerianModernism #MOTHFestival #HornseyTownHall #LondonArts #IndependentCulture

Learn about the power of collective action

This week’s Run Riot Guest Editor is the extraordinary Nwando Ebizie @nwando_ebizie - the British-Nigerian multidisciplinary artist, poet, composer and radical visionary

🔗 Link to Dispatches in bio

Nwando's orchestral, story-rich album The Myth of Thamesis is out now. Ahead of her 4 Dec Barbican performance honouring electronic music pioneer Daphne Oram, she calls us to “learn about the power of collective action” - a principle rooted in her work with the Rights of Nature movement.

This Dispatches also spotlights @gracebnicol — ahead of Dirty Weekend at @barbicancentre plus new work with @jeremydeller and @nationalgallery with LCDS c/o @theplacelondon

We also talk to @alansouzaman about directing Daniel’s Husband with a stellar cast and huge heart.

Nwando’s culture Picks:
🎶 Vari/ations: An Ode to Oram — @barbicancentre
🖼 Nigerian Modernism — @tate
🌱 MOTH Festival of Ideas — @moth_rights
🎧 The Myth of Thamesis — link in bio

Run Riot Recommends include The Ice Tower at @arthousen8 / Dracapella at @parktheatrelondon / the grand reopening of @hornseytownhall_ / and Fatboy Slim at @yourallypally

Plus: Exclusive offers for Sh!t Theatre: EVITA TOO @shittheatre at @southbankcentre, Gilbert & George at @hayward.gallery and the huge War of the Worlds Immersive competition @thewaroftheworldsimmersive

Step inside, tune your senses, and join the movement towards radical change - together.
RR xx

#NwandoEbizie #RunRiot #Arts #RunRiotDispatches #LondonCulture #TheMythOfThamesis #Barbican #DaphneOram #GraceNicol #AlanSouza #DirtyWeekend #NigerianModernism #MOTHFestival #HornseyTownHall #LondonArts #IndependentCulture

Learn about the power of collective action

This week’s Run Riot Guest Editor is the extraordinary Nwando Ebizie @nwando_ebizie - the British-Nigerian multidisciplinary artist, poet, composer and radical visionary

🔗 Link to Dispatches in bio

Nwando's orchestral, story-rich album The Myth of Thamesis is out now. Ahead of her 4 Dec Barbican performance honouring electronic music pioneer Daphne Oram, she calls us to “learn about the power of collective action” - a principle rooted in her work with the Rights of Nature movement.

This Dispatches also spotlights @gracebnicol — ahead of Dirty Weekend at @barbicancentre plus new work with @jeremydeller and @nationalgallery with LCDS c/o @theplacelondon

We also talk to @alansouzaman about directing Daniel’s Husband with a stellar cast and huge heart.

Nwando’s culture Picks:
🎶 Vari/ations: An Ode to Oram — @barbicancentre
🖼 Nigerian Modernism — @tate
🌱 MOTH Festival of Ideas — @moth_rights
🎧 The Myth of Thamesis — link in bio

Run Riot Recommends include The Ice Tower at @arthousen8 / Dracapella at @parktheatrelondon / the grand reopening of @hornseytownhall_ / and Fatboy Slim at @yourallypally

Plus: Exclusive offers for Sh!t Theatre: EVITA TOO @shittheatre at @southbankcentre, Gilbert & George at @hayward.gallery and the huge War of the Worlds Immersive competition @thewaroftheworldsimmersive

Step inside, tune your senses, and join the movement towards radical change - together.
RR xx

#NwandoEbizie #RunRiot #Arts #RunRiotDispatches #LondonCulture #TheMythOfThamesis #Barbican #DaphneOram #GraceNicol #AlanSouza #DirtyWeekend #NigerianModernism #MOTHFestival #HornseyTownHall #LondonArts #IndependentCulture

Learn about the power of collective action

This week’s Run Riot Guest Editor is the extraordinary Nwando Ebizie @nwando_ebizie - the British-Nigerian multidisciplinary artist, poet, composer and radical visionary

🔗 Link to Dispatches in bio

Nwando's orchestral, story-rich album The Myth of Thamesis is out now. Ahead of her 4 Dec Barbican performance honouring electronic music pioneer Daphne Oram, she calls us to “learn about the power of collective action” - a principle rooted in her work with the Rights of Nature movement.

This Dispatches also spotlights @gracebnicol — ahead of Dirty Weekend at @barbicancentre plus new work with @jeremydeller and @nationalgallery with LCDS c/o @theplacelondon

We also talk to @alansouzaman about directing Daniel’s Husband with a stellar cast and huge heart.

Nwando’s culture Picks:
🎶 Vari/ations: An Ode to Oram — @barbicancentre
🖼 Nigerian Modernism — @tate
🌱 MOTH Festival of Ideas — @moth_rights
🎧 The Myth of Thamesis — link in bio

Run Riot Recommends include The Ice Tower at @arthousen8 / Dracapella at @parktheatrelondon / the grand reopening of @hornseytownhall_ / and Fatboy Slim at @yourallypally

Plus: Exclusive offers for Sh!t Theatre: EVITA TOO @shittheatre at @southbankcentre, Gilbert & George at @hayward.gallery and the huge War of the Worlds Immersive competition @thewaroftheworldsimmersive

Step inside, tune your senses, and join the movement towards radical change - together.
RR xx

#NwandoEbizie #RunRiot #Arts #RunRiotDispatches #LondonCulture #TheMythOfThamesis #Barbican #DaphneOram #GraceNicol #AlanSouza #DirtyWeekend #NigerianModernism #MOTHFestival #HornseyTownHall #LondonArts #IndependentCulture

Learn about the power of collective action

This week’s Run Riot Guest Editor is the extraordinary Nwando Ebizie @nwando_ebizie - the British-Nigerian multidisciplinary artist, poet, composer and radical visionary

🔗 Link to Dispatches in bio

Nwando's orchestral, story-rich album The Myth of Thamesis is out now. Ahead of her 4 Dec Barbican performance honouring electronic music pioneer Daphne Oram, she calls us to “learn about the power of collective action” - a principle rooted in her work with the Rights of Nature movement.

This Dispatches also spotlights @gracebnicol — ahead of Dirty Weekend at @barbicancentre plus new work with @jeremydeller and @nationalgallery with LCDS c/o @theplacelondon

We also talk to @alansouzaman about directing Daniel’s Husband with a stellar cast and huge heart.

Nwando’s culture Picks:
🎶 Vari/ations: An Ode to Oram — @barbicancentre
🖼 Nigerian Modernism — @tate
🌱 MOTH Festival of Ideas — @moth_rights
🎧 The Myth of Thamesis — link in bio

Run Riot Recommends include The Ice Tower at @arthousen8 / Dracapella at @parktheatrelondon / the grand reopening of @hornseytownhall_ / and Fatboy Slim at @yourallypally

Plus: Exclusive offers for Sh!t Theatre: EVITA TOO @shittheatre at @southbankcentre, Gilbert & George at @hayward.gallery and the huge War of the Worlds Immersive competition @thewaroftheworldsimmersive

Step inside, tune your senses, and join the movement towards radical change - together.
RR xx

#NwandoEbizie #RunRiot #Arts #RunRiotDispatches #LondonCulture #TheMythOfThamesis #Barbican #DaphneOram #GraceNicol #AlanSouza #DirtyWeekend #NigerianModernism #MOTHFestival #HornseyTownHall #LondonArts #IndependentCulture

Learn about the power of collective action

This week’s Run Riot Guest Editor is the extraordinary Nwando Ebizie @nwando_ebizie - the British-Nigerian multidisciplinary artist, poet, composer and radical visionary

🔗 Link to Dispatches in bio

Nwando's orchestral, story-rich album The Myth of Thamesis is out now. Ahead of her 4 Dec Barbican performance honouring electronic music pioneer Daphne Oram, she calls us to “learn about the power of collective action” - a principle rooted in her work with the Rights of Nature movement.

This Dispatches also spotlights @gracebnicol — ahead of Dirty Weekend at @barbicancentre plus new work with @jeremydeller and @nationalgallery with LCDS c/o @theplacelondon

We also talk to @alansouzaman about directing Daniel’s Husband with a stellar cast and huge heart.

Nwando’s culture Picks:
🎶 Vari/ations: An Ode to Oram — @barbicancentre
🖼 Nigerian Modernism — @tate
🌱 MOTH Festival of Ideas — @moth_rights
🎧 The Myth of Thamesis — link in bio

Run Riot Recommends include The Ice Tower at @arthousen8 / Dracapella at @parktheatrelondon / the grand reopening of @hornseytownhall_ / and Fatboy Slim at @yourallypally

Plus: Exclusive offers for Sh!t Theatre: EVITA TOO @shittheatre at @southbankcentre, Gilbert & George at @hayward.gallery and the huge War of the Worlds Immersive competition @thewaroftheworldsimmersive

Step inside, tune your senses, and join the movement towards radical change - together.
RR xx

#NwandoEbizie #RunRiot #Arts #RunRiotDispatches #LondonCulture #TheMythOfThamesis #Barbican #DaphneOram #GraceNicol #AlanSouza #DirtyWeekend #NigerianModernism #MOTHFestival #HornseyTownHall #LondonArts #IndependentCulture

Learn about the power of collective action

This week’s Run Riot Guest Editor is the extraordinary Nwando Ebizie @nwando_ebizie - the British-Nigerian multidisciplinary artist, poet, composer and radical visionary

🔗 Link to Dispatches in bio

Nwando's orchestral, story-rich album The Myth of Thamesis is out now. Ahead of her 4 Dec Barbican performance honouring electronic music pioneer Daphne Oram, she calls us to “learn about the power of collective action” - a principle rooted in her work with the Rights of Nature movement.

This Dispatches also spotlights @gracebnicol — ahead of Dirty Weekend at @barbicancentre plus new work with @jeremydeller and @nationalgallery with LCDS c/o @theplacelondon

We also talk to @alansouzaman about directing Daniel’s Husband with a stellar cast and huge heart.

Nwando’s culture Picks:
🎶 Vari/ations: An Ode to Oram — @barbicancentre
🖼 Nigerian Modernism — @tate
🌱 MOTH Festival of Ideas — @moth_rights
🎧 The Myth of Thamesis — link in bio

Run Riot Recommends include The Ice Tower at @arthousen8 / Dracapella at @parktheatrelondon / the grand reopening of @hornseytownhall_ / and Fatboy Slim at @yourallypally

Plus: Exclusive offers for Sh!t Theatre: EVITA TOO @shittheatre at @southbankcentre, Gilbert & George at @hayward.gallery and the huge War of the Worlds Immersive competition @thewaroftheworldsimmersive

Step inside, tune your senses, and join the movement towards radical change - together.
RR xx

#NwandoEbizie #RunRiot #Arts #RunRiotDispatches #LondonCulture #TheMythOfThamesis #Barbican #DaphneOram #GraceNicol #AlanSouza #DirtyWeekend #NigerianModernism #MOTHFestival #HornseyTownHall #LondonArts #IndependentCulture

Learn about the power of collective action

This week’s Run Riot Guest Editor is the extraordinary Nwando Ebizie @nwando_ebizie - the British-Nigerian multidisciplinary artist, poet, composer and radical visionary

🔗 Link to Dispatches in bio

Nwando's orchestral, story-rich album The Myth of Thamesis is out now. Ahead of her 4 Dec Barbican performance honouring electronic music pioneer Daphne Oram, she calls us to “learn about the power of collective action” - a principle rooted in her work with the Rights of Nature movement.

This Dispatches also spotlights @gracebnicol — ahead of Dirty Weekend at @barbicancentre plus new work with @jeremydeller and @nationalgallery with LCDS c/o @theplacelondon

We also talk to @alansouzaman about directing Daniel’s Husband with a stellar cast and huge heart.

Nwando’s culture Picks:
🎶 Vari/ations: An Ode to Oram — @barbicancentre
🖼 Nigerian Modernism — @tate
🌱 MOTH Festival of Ideas — @moth_rights
🎧 The Myth of Thamesis — link in bio

Run Riot Recommends include The Ice Tower at @arthousen8 / Dracapella at @parktheatrelondon / the grand reopening of @hornseytownhall_ / and Fatboy Slim at @yourallypally

Plus: Exclusive offers for Sh!t Theatre: EVITA TOO @shittheatre at @southbankcentre, Gilbert & George at @hayward.gallery and the huge War of the Worlds Immersive competition @thewaroftheworldsimmersive

Step inside, tune your senses, and join the movement towards radical change - together.
RR xx

#NwandoEbizie #RunRiot #Arts #RunRiotDispatches #LondonCulture #TheMythOfThamesis #Barbican #DaphneOram #GraceNicol #AlanSouza #DirtyWeekend #NigerianModernism #MOTHFestival #HornseyTownHall #LondonArts #IndependentCulture

Learn about the power of collective action

This week’s Run Riot Guest Editor is the extraordinary Nwando Ebizie @nwando_ebizie - the British-Nigerian multidisciplinary artist, poet, composer and radical visionary

🔗 Link to Dispatches in bio

Nwando's orchestral, story-rich album The Myth of Thamesis is out now. Ahead of her 4 Dec Barbican performance honouring electronic music pioneer Daphne Oram, she calls us to “learn about the power of collective action” - a principle rooted in her work with the Rights of Nature movement.

This Dispatches also spotlights @gracebnicol — ahead of Dirty Weekend at @barbicancentre plus new work with @jeremydeller and @nationalgallery with LCDS c/o @theplacelondon

We also talk to @alansouzaman about directing Daniel’s Husband with a stellar cast and huge heart.

Nwando’s culture Picks:
🎶 Vari/ations: An Ode to Oram — @barbicancentre
🖼 Nigerian Modernism — @tate
🌱 MOTH Festival of Ideas — @moth_rights
🎧 The Myth of Thamesis — link in bio

Run Riot Recommends include The Ice Tower at @arthousen8 / Dracapella at @parktheatrelondon / the grand reopening of @hornseytownhall_ / and Fatboy Slim at @yourallypally

Plus: Exclusive offers for Sh!t Theatre: EVITA TOO @shittheatre at @southbankcentre, Gilbert & George at @hayward.gallery and the huge War of the Worlds Immersive competition @thewaroftheworldsimmersive

Step inside, tune your senses, and join the movement towards radical change - together.
RR xx

#NwandoEbizie #RunRiot #Arts #RunRiotDispatches #LondonCulture #TheMythOfThamesis #Barbican #DaphneOram #GraceNicol #AlanSouza #DirtyWeekend #NigerianModernism #MOTHFestival #HornseyTownHall #LondonArts #IndependentCulture

Learn about the power of collective action

This week’s Run Riot Guest Editor is the extraordinary Nwando Ebizie @nwando_ebizie - the British-Nigerian multidisciplinary artist, poet, composer and radical visionary

🔗 Link to Dispatches in bio

Nwando's orchestral, story-rich album The Myth of Thamesis is out now. Ahead of her 4 Dec Barbican performance honouring electronic music pioneer Daphne Oram, she calls us to “learn about the power of collective action” - a principle rooted in her work with the Rights of Nature movement.

This Dispatches also spotlights @gracebnicol — ahead of Dirty Weekend at @barbicancentre plus new work with @jeremydeller and @nationalgallery with LCDS c/o @theplacelondon

We also talk to @alansouzaman about directing Daniel’s Husband with a stellar cast and huge heart.

Nwando’s culture Picks:
🎶 Vari/ations: An Ode to Oram — @barbicancentre
🖼 Nigerian Modernism — @tate
🌱 MOTH Festival of Ideas — @moth_rights
🎧 The Myth of Thamesis — link in bio

Run Riot Recommends include The Ice Tower at @arthousen8 / Dracapella at @parktheatrelondon / the grand reopening of @hornseytownhall_ / and Fatboy Slim at @yourallypally

Plus: Exclusive offers for Sh!t Theatre: EVITA TOO @shittheatre at @southbankcentre, Gilbert & George at @hayward.gallery and the huge War of the Worlds Immersive competition @thewaroftheworldsimmersive

Step inside, tune your senses, and join the movement towards radical change - together.
RR xx

#NwandoEbizie #RunRiot #Arts #RunRiotDispatches #LondonCulture #TheMythOfThamesis #Barbican #DaphneOram #GraceNicol #AlanSouza #DirtyWeekend #NigerianModernism #MOTHFestival #HornseyTownHall #LondonArts #IndependentCulture

My track ‘The Art of Living’ is out now on @nonclsscl
I’ll be performing at Vari/ations - An ode to Oram @barbicancentre on 4th December
Alongside @martasalogni @akataahliah @deena___abdelwahed @felicia_atkinson @xnaam

Plus a free pre-concert talk: @jenniferlucyallan @loladelamata and Casey Fanni Tutti

And post show performances!

Check out @mini_oramics for more cool analogue synth wizardry

Listen now to her story - link in bio.

When I was invited to do a residency with the Estuary Festival, I didn’t realise it would open a whole new, and yet deeply resonant perspective for me - The Rights of Nature Movement.
The album I wrote that grew from exploring the Thames Estuary is sonically a departure for me - orchestral, cinematic, classical - but it is me in the truest sense. It is an experiment in how to explore the More Than Human World. What myths can connect to a large audience. What is the vernacular needed to inspire?
I wanted to work mythopoetically. To work from old myths to create new stories about the most pressing need of our times - the climate crisis. I believe we need to recognise personhood in nature. We need to become co-guardians of the natural world around us in order to keep this world for our descendents 7 generations in the future. 

Through myth-making, we transform our relationship with water from extraction to intimacy, from pollution to protection. This album is a sonic ritual, a legal framework disguised as folklore, practical magic that turns storytelling into environmental activism. The sound may be different, but the work remains the same: creating the cultural knowledge we need to save what sustains us.

If you are working in these ways, I’d love to hear from you. 
Love
X

Commissioned by @estuaryfestival
Supported by @prsfoundation and @timetopowerup_
Performed by @docklands_sinfonia
Conductor - @spencerdown_conductor
Mixed by @christanton
📸 @mini_oramics

Listen now to her story - link in bio.

When I was invited to do a residency with the Estuary Festival, I didn’t realise it would open a whole new, and yet deeply resonant perspective for me - The Rights of Nature Movement.
The album I wrote that grew from exploring the Thames Estuary is sonically a departure for me - orchestral, cinematic, classical - but it is me in the truest sense. It is an experiment in how to explore the More Than Human World. What myths can connect to a large audience. What is the vernacular needed to inspire?
I wanted to work mythopoetically. To work from old myths to create new stories about the most pressing need of our times - the climate crisis. I believe we need to recognise personhood in nature. We need to become co-guardians of the natural world around us in order to keep this world for our descendents 7 generations in the future. 

Through myth-making, we transform our relationship with water from extraction to intimacy, from pollution to protection. This album is a sonic ritual, a legal framework disguised as folklore, practical magic that turns storytelling into environmental activism. The sound may be different, but the work remains the same: creating the cultural knowledge we need to save what sustains us.

If you are working in these ways, I’d love to hear from you. 
Love
X

Commissioned by @estuaryfestival
Supported by @prsfoundation and @timetopowerup_
Performed by @docklands_sinfonia
Conductor - @spencerdown_conductor
Mixed by @christanton
📸 @mini_oramics

Listen now to her story - link in bio.

When I was invited to do a residency with the Estuary Festival, I didn’t realise it would open a whole new, and yet deeply resonant perspective for me - The Rights of Nature Movement.
The album I wrote that grew from exploring the Thames Estuary is sonically a departure for me - orchestral, cinematic, classical - but it is me in the truest sense. It is an experiment in how to explore the More Than Human World. What myths can connect to a large audience. What is the vernacular needed to inspire?
I wanted to work mythopoetically. To work from old myths to create new stories about the most pressing need of our times - the climate crisis. I believe we need to recognise personhood in nature. We need to become co-guardians of the natural world around us in order to keep this world for our descendents 7 generations in the future. 

Through myth-making, we transform our relationship with water from extraction to intimacy, from pollution to protection. This album is a sonic ritual, a legal framework disguised as folklore, practical magic that turns storytelling into environmental activism. The sound may be different, but the work remains the same: creating the cultural knowledge we need to save what sustains us.

If you are working in these ways, I’d love to hear from you. 
Love
X

Commissioned by @estuaryfestival
Supported by @prsfoundation and @timetopowerup_
Performed by @docklands_sinfonia
Conductor - @spencerdown_conductor
Mixed by @christanton
📸 @mini_oramics

Listen now to her story - link in bio.

When I was invited to do a residency with the Estuary Festival, I didn’t realise it would open a whole new, and yet deeply resonant perspective for me - The Rights of Nature Movement.
The album I wrote that grew from exploring the Thames Estuary is sonically a departure for me - orchestral, cinematic, classical - but it is me in the truest sense. It is an experiment in how to explore the More Than Human World. What myths can connect to a large audience. What is the vernacular needed to inspire?
I wanted to work mythopoetically. To work from old myths to create new stories about the most pressing need of our times - the climate crisis. I believe we need to recognise personhood in nature. We need to become co-guardians of the natural world around us in order to keep this world for our descendents 7 generations in the future. 

Through myth-making, we transform our relationship with water from extraction to intimacy, from pollution to protection. This album is a sonic ritual, a legal framework disguised as folklore, practical magic that turns storytelling into environmental activism. The sound may be different, but the work remains the same: creating the cultural knowledge we need to save what sustains us.

If you are working in these ways, I’d love to hear from you. 
Love
X

Commissioned by @estuaryfestival
Supported by @prsfoundation and @timetopowerup_
Performed by @docklands_sinfonia
Conductor - @spencerdown_conductor
Mixed by @christanton
📸 @mini_oramics

Listen now to her story - link in bio.

When I was invited to do a residency with the Estuary Festival, I didn’t realise it would open a whole new, and yet deeply resonant perspective for me - The Rights of Nature Movement.
The album I wrote that grew from exploring the Thames Estuary is sonically a departure for me - orchestral, cinematic, classical - but it is me in the truest sense. It is an experiment in how to explore the More Than Human World. What myths can connect to a large audience. What is the vernacular needed to inspire?
I wanted to work mythopoetically. To work from old myths to create new stories about the most pressing need of our times - the climate crisis. I believe we need to recognise personhood in nature. We need to become co-guardians of the natural world around us in order to keep this world for our descendents 7 generations in the future. 

Through myth-making, we transform our relationship with water from extraction to intimacy, from pollution to protection. This album is a sonic ritual, a legal framework disguised as folklore, practical magic that turns storytelling into environmental activism. The sound may be different, but the work remains the same: creating the cultural knowledge we need to save what sustains us.

If you are working in these ways, I’d love to hear from you. 
Love
X

Commissioned by @estuaryfestival
Supported by @prsfoundation and @timetopowerup_
Performed by @docklands_sinfonia
Conductor - @spencerdown_conductor
Mixed by @christanton
📸 @mini_oramics

Listen now to her story - link in bio.

When I was invited to do a residency with the Estuary Festival, I didn’t realise it would open a whole new, and yet deeply resonant perspective for me - The Rights of Nature Movement.
The album I wrote that grew from exploring the Thames Estuary is sonically a departure for me - orchestral, cinematic, classical - but it is me in the truest sense. It is an experiment in how to explore the More Than Human World. What myths can connect to a large audience. What is the vernacular needed to inspire?
I wanted to work mythopoetically. To work from old myths to create new stories about the most pressing need of our times - the climate crisis. I believe we need to recognise personhood in nature. We need to become co-guardians of the natural world around us in order to keep this world for our descendents 7 generations in the future. 

Through myth-making, we transform our relationship with water from extraction to intimacy, from pollution to protection. This album is a sonic ritual, a legal framework disguised as folklore, practical magic that turns storytelling into environmental activism. The sound may be different, but the work remains the same: creating the cultural knowledge we need to save what sustains us.

If you are working in these ways, I’d love to hear from you. 
Love
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Commissioned by @estuaryfestival
Supported by @prsfoundation and @timetopowerup_
Performed by @docklands_sinfonia
Conductor - @spencerdown_conductor
Mixed by @christanton
📸 @mini_oramics

Track of the week vibes ✨

Today at PRS Foundation we’re listening to POWER UP music creator @nwando_ebizie ‘Prelude’, from The Myth of Thamesis – The River 🌊

Recorded live at Milton Court, Barbican with @docklands_sinfonia and Junior @guildhallschool musicians, this sweeping piece moves between classical, folk horror and eco-myth – reawakening our connection to water, land and collective action ✨

Commissioned by @estuaryfestival 2025, the project began as immersive sound walks along the Thames Estuary, transforming the landscape’s stories of industry, pollution and resilience into a powerful new river myth 🌊

Stream and buy the full album now on Bandcamp 🎶

So excited and honoured to announce that I won a Paul Hamlyn Composer Award🎉

This comes at such an important time for me - it offers relief and hope. I really want to take a moment, breathe and imagine what could now be possible.

The next 3 years I want to dive into projects exploring The Rights of Nature, dive into the rivers, the seas and the bogs and listen to the call in whatever form it comes.

Thankyou so much to my super talented nominator, the amazing team of judges, the team @paulhamlynfoundation and a massive congrats to my fellow artists winners and nominees - you are all so inspiring to me.

📸 Photo credit: @emileholbaphoto
@nwando_ebizie @prsfoundation @estuaryfestival @docklands_sinfonia @bucksmusicgroupltd @nonclsscl @mahoganyopera @berlinerfestspiele @bbcconcertorchestra @yarmonics @barbicancentre
#AwardsForArtists #PHFAwardsForArtists #AwardsForArtists25

*EVENT POSTPONED* 🎤 Join Nwando Ebizie and Stephanie Singer in the first Conversation of a new series beginning this autumn with ID⁠
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A live performative dialogue between two artists, who will be in conversation alongside each other. The artists are invited to bring their own interests, practice and questions into the space, and will be guided by a score. You are invited to be one of the witnesses of this process and watch how fragments of conversation emerge and disappear. ⁠
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📅 Friday 7 November, 6.30-7.30pm ⁠
📍 @siobhandaviesstudios⁠ SE1⁠
🎟️ £8⁠
🔗 Book via the link in our bio⁠ ⁠
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These Conversations are intended as a choreography of the movement of thought, with the potential for connection, as well as disconnection. They are intended to be non-linear and allow space for interruption and distraction.⁠
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✨Meet the artists: ⁠
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Nwando Ebizie is a constellation point for a spectrum of multidisciplinary works that call for radical change. A British-Nigerian polymath and unclassifiable force in contemporary culture, Ebizie crafts speculative fictions and alternate realities at the crossroads of experimental music, live art, and multi-sensory installation. Her work invites transformation—of perception, of self, of the world.⁠
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Stephanie Singer is an award-winning composer, songwriter, creative director, and founder of the pioneering performance company BitterSuite Experiences. Her work fuses classical, pop, and immersive live art to explore the question: what does it mean to be human? ⁠
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These Conversations have been curated by Nicky Napier (Independent Dance) and Efrosini Protopapa (The Place) and build on their shared interest in performative conversations, revealing processes, lightness of thought and undoing hierarchies of knowledge. ⁠
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Photo Credit: Nwando Ebizie, photo Dimitri Djuric. Stephanie Singer. ⁠
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@nwando_ebizie⁠
@stephanie_singer_

New album out now! ✨The Myth of Thamesis - The River ✨ Nwando Ebizie’s limited edition project with 50 minutes of orchestral music, an aural poem and a book of poetry is now available to buy at our Estuary Festival shop, with music composed by Nwando Ebizie’s and recorded by Docklands Sinfonia and Guidhall Young Artists. 🔗 link in bio.

The album developed from Nwando Ebizie’s commission for Estuary 2025 ‘She is a river’, a live performance held at Tilbury Cruise Terminal on 22 June, and the series of walks ‘A Circular Ritual and Never-ending Ritual of Love to the Thames Estuary’ in Tilbury, Gravesend and Canvey.

The project reimagines the story of the river Thames as Thamesis, a water goddess trapped by human greed and environmental destruction, and calls for ecological urgency and collective action.

⏳ Only 100 copies available to order. Head to out LinkTree to place your order.

Filming and video editing by @georgemorgan__