Salvar História do Instagram

From grain to shell — recycled marble dust, 3D printed.

This piece is 3D printed from recycled marble dust: the same industrial byproduct that usually ends up as landfill. Binder jetting lets us turn that dust back into solid, structural form, layer by layer, without molds or casting.

1,311 Diamonds by @caitlinberrigan, sound through @pallaspalace. Part of State of Wander at @paleishetloo.

Produced by @pietro.odaglia at @innovationparkzurich within @eurotube.
Marble sourced by @lasamarmo.

#binderjetting #3dprintedsculpture #circulardesign #marblewaste #digitalfabrication

From grain to shell — recycled marble dust, 3D printed.

This piece is 3D printed from recycled marble dust: the same industrial byproduct that usually ends up as landfill. Binder jetting lets us turn that dust back into solid, structural form, layer by layer, without molds or casting.

1,311 Diamonds by @caitlinberrigan , sound through @pallaspalace . Part of State of Wander at @paleishetloo .

Produced by @pietro.odaglia at @innovationparkzurich within @eurotube .
Marble sourced by @lasamarmo .

#binderjetting #3dprintedsculpture #circulardesign #marblewaste #digitalfabrication

Vote for the NEST building on the next Swiss banknote series! 
- 
The Swiss National Bank published twelve designs for the new Swiss banknote series and launched a survey in which these can be evaluated by the public. The survey runs from 13 August 2025 until 7 September 2025.
⸻
Design option J features Empa and Eawag’s NEST building, where DBT was involved in the DFAB house, HiLo, and STEP2 units.

Chasa Glatsch 

A gelateria pavilion that explores the architectural and aesthetic potential of Hollow-Core 3D Printing (HC3DP) at building scale. Combining a modular cross-laminated timber (CLT) structure with an immersive, robotically printed recycled plastic interior, the project demonstrates an ultra-lightweight, fully disassemblable, and colorful cupola reinterpretation. This oniric interior space, designed and fabricated by MAS ETH DFAB, features 54 suspended polymer panels with color gradients. For the interior, almost 1 ton of recycled PETG was used throughout the 250 square meters. As one of the largest HC3DP installations to date, it proposes a new paradigm for digitally fabricated polymer architecture.

The project was developed in collaboration with Dr. Giovanni Netzer, director of Nova Fundaziun Origen @origenfestivalcultural

Research Team:
Nik Eftekhar Olivo @nik_oloko, Paul Jaeggi @polussy, Benjamin Dillenburger

Teaching Team:
Petrus Aejmelaeus-Lindström, Ananya Kango@ananyakango, Joana Tomaz

MAS ETH DFAB 24-25 students:
Marc Ribert Arqués @marcribert97, Lais Hotz @laisislife, Spyros Pyrgiotis @spyros_prg, Alim Battal @alim.battal, Dalila Romero Zenker @dalilazenker, Daniela Larbaleister @dani_larba, David Villegas @dabid.villegas, Guillem H Camarasa @guillemhcam, Ioanna Tatouli @ioanna.tatouli, Jim Chen @jim.c114, Konstantina Laki @kappa.lamda, Nicolas Benjamin Boscoboinik @nbbosco, Pluem Pongpisal @pluem.pongpisal, Yen Ting Liu @bob_the_bu1lder

Supporting Technicians:
Tobias Hartmann, Philippe Fleischmann @philippe_fleischmann, Michael Lyrenmann, Luca Petrus

@masethdfab
@arch.ethz
Institute for Technology in Architecture (ITA)

Site management: Invias AG (Zindel United)

Master builder: Battaglia Bau AG, Uffer Holz AG (both Uffer Group)

Carpentry work: Poltera Holzbau AG

Lightning planning/design: Tokyoblue GmbH

Light installation: Brasser AG Veranstaltungstechnik

Facade construction, membrane: Bieri Tenta AG

Photography: @pluem.pongpisal, @nik_oloko

Chasa Glatsch
A gelateria pavilion that explores the architectural and aesthetic potential of Hollow-Core 3D Printing (HC3DP) at building scale. Combining a modular cross-laminated timber (CLT) structure with an immersive, robotically printed recycled plastic interior, the project demonstrates an ultra-lightweight, fully disassemblable, and colorful cupola reinterpretation. This oniric interior space, designed and fabricated by MAS ETH DFAB, features 54 suspended polymer panels with color gradients. For the interior, almost 1 ton of recycled PETG was used throughout the 250 square meters. As one of the largest HC3DP installations to date, it proposes a new paradigm for digitally fabricated polymer architecture.

The project was developed in collaboration with Dr. Giovanni Netzer, director of Nova Fundaziun Origen @origenfestivalcultural

Research Team:
Nik Eftekhar Olivo @nik_oloko, Paul Jaeggi @polussy, Benjamin Dillenburger

Teaching Team:
Petrus Aejmelaeus-Lindström, Ananya Kango@ananyakango, Joana Tomaz

MAS ETH DFAB 24-25 students:
Marc Ribert Arqués @marcribert97
Lais Hotz @laisislife
Spyros Pyrgiotis @spyros_prg
Alim Battal @alim.battal
Dalila Romero Zenker @dalilazenker
Daniela Larbaleister @dani_larba
David Villegas @dabid.villegas
Guillem H Camarasa @guillemhcam
Ioanna Tatouli @ioanna.tatouli
Jim Chen @jim.c114
Konstantina Laki @kappa.lamda
Nicolas Benjamin Boscoboinik @nbbosco
Pluem Pongpisal @pluem.pongpisal
Yen Ting Liu @bob_the_bu1lder

Supporting Technicians:
Tobias Hartmann, Philippe Fleischmann @philippe_fleischmann, Michael Lyrenmann, Luca Petrus

@masethdfab
@arch.ethz

Institute for Technology in Architecture (ITA)

Site management: Invias AG (Zindel United)

Master builder: Battaglia Bau AG, Uffer Holz AG (both Uffer Group)

Carpentry work: Poltera Holzbau AG

Lightning planning/design: Tokyoblue GmbH

Light installation: Brasser AG Veranstaltungstechnik

Facade construction, membrane: Bieri Tenta AG 

Photography: @pluem.pongpisal, @nik_oloko

Chasa Glatsch
The gelateria pavilion explores the architectural and aesthetic potential of Hollow-Core 3D Printing (HC3DP) at building scale. Combining a modular cross-laminated timber (CLT) structure with an immersive, robotically printed recycled plastic interior, the project demonstrates an ultra-lightweight, fully disassemblable, and colorful cupola reinterpretation. This oniric interior space, designed and fabricated by MAS ETH DFAB, features 54 suspended polymer panels with color gradients. For the interior, almost 1 ton of recycled PETG was used throughout the 250 square meters. As one of the largest HC3DP installations to date, it proposes a new paradigm for digitally fabricated polymer architecture.

The project was developed in collaboration with Dr. Giovanni Netzer, director of Nova Fundaziun Origen @origenfestivalcultural

Research Team:
Nik Eftekhar Olivo @nik_oloko, Paul Jaeggi @polussy, Benjamin Dillenburger

Teaching Team:
Petrus Aejmelaeus-Lindström, Ananya Kango @ananyakango, Joana Tomaz

MAS ETH DFAB 24-25 students:
Marc Ribert Arqués @marcribert97
Lais Hotz @laisislife
Spyros Pyrgiotis @spyros_prg
Alim Battal @alim.battal
Dalila Romero Zenker @dalilazenker
Daniela Larbaleister @dani_larba
David Villegas @dabid.villegas
Guillem H Camarasa @guillemhcam
Ioanna Tatouli @ioanna.tatouli
Jim Chen @jim.c114
Konstantina Laki @kappa.lamda
Nicolas Benjamin Boscoboinik @nbbosco
Pluem Pongpisal @pluem.pongpisal
Yen Ting Liu @bob_the_bu1lder

Supporting Technicians:
Tobias Hartmann, Philippe Fleischmann @philippe_fleischmann, Michael Lyrenmann, Luca Petrus

@masethdfab
@arch.ethz
Institute for Technology in Architecture (ITA)

Site management: Invias AG (Zindel United)
Master builder: Battaglia Bau AG, Uffer Holz AG (both Uffer Group)
Carpentry work: Poltera Holzbau AG
Lightning planning/design: Tokyoblue GmbH
Light installation: Brasser AG Veranstaltungstechnik
Facade construction, membrane: Bieri Tenta AG 

Photo credits: Stefan Kaiser

Picoplanktonics

Canada Pavilion, 19th International Architecture Exhibition – La Biennale di Venezia @labiennale

Can we co-operate with nature to construct spaces that remediate the planet rather than exploit it? Picoplanktonics proposes that we can, by leveraging both ancient biological processes - marine cyanobacteria - and emergent technologies - a first-of-its-kind biofabrication platform capable of printing living structures at architectural scale - into a vision of how we might design our environments under an ecology-first ethos.
https://picoplanktonics.com/

Living Room Collective: @picoplanktonics
Andrea Shin Ling @andrea.s.ling
Vincent Hui @final_archangel
Nicholas Hoban @___nsh
Clayton Lee @itsclaytonlee

Research and Development:
Andrea Shin Ling
Yo-Cheng Jerry Lee @jerry19990312
Nijat Mahamaliyev @nijatmahamaliyev
Hamid Peiro @hamidpeiro
Dalia Dranseike #daliadranseike
Yifan Cui @cryxii
Pok Yin Victor Leung @pokyinvictorleung
Barrak Darweesh #barrakdarweesh

Production:
Wenqian Yang (skeleton design) @yang.wenqian
Huang Su @u09950048
Che-Wei Lin @t1g3r_l1n
Sukhdevsinh Parmar @su.gaaaar
Nicola Piccioli-Cappelli @nichola.piccioli
Roberto Innocenti @_ropson_
Sigurd Rinde @sigominy
Venessa Chan @venessaaaaaaaaa
Santino D’Angelo Rozas @santino_dangelo1
Daniel Lewycky @daniel.lewycky

M+B Studio @mplusb_studio
Additive Tectonics GmbH (skeleton production) @additive_tectonics

Structural Advisors:
Andrea Menardo @zeitgeist_structures
Kam-Ming Mark Tam @tkmmark

Technical Support:
Tobias Hartmann
Michael Lyrenmann
Luca Petrus
Jonathan Leu
Philippe Fleischmann
Oliver Zgraggen

Commissioned by Canada Council for the Arts @canada.council

Support:
@digitalbuildingtechnologies
@melab_ethz
@ethzurich
@torontomet
@uoft
@neufarchitectes
@vestacon
@abb.schweiz
@perkinswill
@moriyamateshima
@sweenyandco
@mjma.ca
@dialogdesign

Photography: @_valentinamori_ @nijatmahamaliyev

Picoplanktonics

Canada Pavilion, 19th International Architecture Exhibition – La Biennale di Venezia @labiennale

Can we co-operate with nature to construct spaces that remediate the planet rather than exploit it? Picoplanktonics proposes that we can, by leveraging both ancient biological processes - marine cyanobacteria - and emergent technologies - a first-of-its-kind biofabrication platform capable of printing living structures at architectural scale - into a vision of how we might design our environments under an ecology-first ethos.
https://picoplanktonics.com/

Living Room Collective: @picoplanktonics
Andrea Shin Ling @andrea.s.ling
Vincent Hui @final_archangel
Nicholas Hoban @___nsh
Clayton Lee @itsclaytonlee

Research and Development:
Andrea Shin Ling
Yo-Cheng Jerry Lee @jerry19990312
Nijat Mahamaliyev @nijatmahamaliyev
Hamid Peiro @hamidpeiro
Dalia Dranseike #daliadranseike
Yifan Cui @cryxii
Pok Yin Victor Leung @pokyinvictorleung
Barrak Darweesh #barrakdarweesh

Production:
Wenqian Yang (skeleton design) @yang.wenqian
Huang Su @u09950048
Che-Wei Lin @t1g3r_l1n
Sukhdevsinh Parmar @su.gaaaar
Nicola Piccioli-Cappelli @nichola.piccioli
Roberto Innocenti @_ropson_
Sigurd Rinde @sigominy
Venessa Chan @venessaaaaaaaaa
Santino D’Angelo Rozas @santino_dangelo1
Daniel Lewycky @daniel.lewycky

M+B Studio @mplusb_studio
Additive Tectonics GmbH (skeleton production) @additive_tectonics

Structural Advisors:
Andrea Menardo @zeitgeist_structures
Kam-Ming Mark Tam @tkmmark

Technical Support:
Tobias Hartmann
Michael Lyrenmann
Luca Petrus
Jonathan Leu
Philippe Fleischmann
Oliver Zgraggen

Commissioned by Canada Council for the Arts @canada.council

Support:
@digitalbuildingtechnologies
@melab_ethz
@ethzurich
@torontomet
@uoft
@neufarchitectes
@vestacon
@abb.schweiz
@perkinswill
@moriyamateshima
@sweenyandco
@mjma.ca
@dialogdesign

Photography: @_valentinamori_ @nijatmahamaliyev

Picoplanktonics

Canada Pavilion, 19th International Architecture Exhibition – La Biennale di Venezia @labiennale

Can we co-operate with nature to construct spaces that remediate the planet rather than exploit it? Picoplanktonics proposes that we can, by leveraging both ancient biological processes - marine cyanobacteria - and emergent technologies - a first-of-its-kind biofabrication platform capable of printing living structures at architectural scale - into a vision of how we might design our environments under an ecology-first ethos.
https://picoplanktonics.com/

Living Room Collective: @picoplanktonics
Andrea Shin Ling @andrea.s.ling
Vincent Hui @final_archangel
Nicholas Hoban @___nsh
Clayton Lee @itsclaytonlee

Research and Development:
Andrea Shin Ling
Yo-Cheng Jerry Lee @jerry19990312
Nijat Mahamaliyev @nijatmahamaliyev
Hamid Peiro @hamidpeiro
Dalia Dranseike #daliadranseike
Yifan Cui @cryxii
Pok Yin Victor Leung @pokyinvictorleung
Barrak Darweesh #barrakdarweesh

Production:
Wenqian Yang (skeleton design) @yang.wenqian
Huang Su @u09950048
Che-Wei Lin @t1g3r_l1n
Sukhdevsinh Parmar @su.gaaaar
Nicola Piccioli-Cappelli @nichola.piccioli
Roberto Innocenti @_ropson_
Sigurd Rinde @sigominy
Venessa Chan @venessaaaaaaaaa
Santino D’Angelo Rozas @santino_dangelo1
Daniel Lewycky @daniel.lewycky

M+B Studio @mplusb_studio
Additive Tectonics GmbH (skeleton production) @additive_tectonics

Structural Advisors:
Andrea Menardo @zeitgeist_structures
Kam-Ming Mark Tam @tkmmark

Technical Support:
Tobias Hartmann
Michael Lyrenmann
Luca Petrus
Jonathan Leu
Philippe Fleischmann
Oliver Zgraggen

Commissioned by Canada Council for the Arts @canada.council

Support:
@digitalbuildingtechnologies
@melab_ethz
@ethzurich
@torontomet
@uoft
@neufarchitectes
@vestacon
@abb.schweiz
@perkinswill
@moriyamateshima
@sweenyandco
@mjma.ca
@dialogdesign

Photography: @_valentinamori_ @nijatmahamaliyev

Picoplanktonics

Canada Pavilion, 19th International Architecture Exhibition – La Biennale di Venezia @labiennale

Can we co-operate with nature to construct spaces that remediate the planet rather than exploit it? Picoplanktonics proposes that we can, by leveraging both ancient biological processes - marine cyanobacteria - and emergent technologies - a first-of-its-kind biofabrication platform capable of printing living structures at architectural scale - into a vision of how we might design our environments under an ecology-first ethos.
https://picoplanktonics.com/

Living Room Collective: @picoplanktonics
Andrea Shin Ling @andrea.s.ling
Vincent Hui @final_archangel
Nicholas Hoban @___nsh
Clayton Lee @itsclaytonlee

Research and Development:
Andrea Shin Ling
Yo-Cheng Jerry Lee @jerry19990312
Nijat Mahamaliyev @nijatmahamaliyev
Hamid Peiro @hamidpeiro
Dalia Dranseike #daliadranseike
Yifan Cui @cryxii
Pok Yin Victor Leung @pokyinvictorleung
Barrak Darweesh #barrakdarweesh

Production:
Wenqian Yang (skeleton design) @yang.wenqian
Huang Su @u09950048
Che-Wei Lin @t1g3r_l1n
Sukhdevsinh Parmar @su.gaaaar
Nicola Piccioli-Cappelli @nichola.piccioli
Roberto Innocenti @_ropson_
Sigurd Rinde @sigominy
Venessa Chan @venessaaaaaaaaa
Santino D’Angelo Rozas @santino_dangelo1
Daniel Lewycky @daniel.lewycky

M+B Studio @mplusb_studio
Additive Tectonics GmbH (skeleton production) @additive_tectonics

Structural Advisors
Andrea Menardo @zeitgeist_structures
Kam-Ming Mark Tam @tkmmark

Technical Support
Tobias Hartmann
Michael Lyrenmann
Luca Petrus
Jonathan Leu
Philippe Fleischmann
Oliver Zgraggen

Commissioned by Canada Council for the Arts @canada.council

Support:
@digitalbuildingtechnologies
@melab_ethz
@ethzurich
@torontomet
@uoft
@neufarchitectes
@vestacon
@abb.schweiz
@perkinswill
@moriyamateshima
@sweenyandco
@mjma.ca
@dialogdesign

Photography: @_valentinamori_ @nijatmahamaliyev

Picoplanktonics

Canada Pavilion, 19th International Architecture Exhibition – La Biennale di Venezia @labiennale

Can we co-operate with nature to construct spaces that remediate the planet rather than exploit it? Picoplanktonics proposes that we can, by leveraging both ancient biological processes - marine cyanobacteria - and emergent technologies - a first-of-its-kind biofabrication platform capable of printing living structures at architectural scale - into a vision of how we might design our environments under an ecology-first ethos.
https://picoplanktonics.com/

Living Room Collective: @picoplanktonics
Andrea Shin Ling @andrea.s.ling
Vincent Hui @final_archangel
Nicholas Hoban @___nsh
Clayton Lee @itsclaytonlee

Research and Development:
Andrea Shin Ling
Yo-Cheng Jerry Lee @jerry19990312
Nijat Mahamaliyev @nijatmahamaliyev
Hamid Peiro @hamidpeiro
Dalia Dranseike #daliadranseike
Yifan Cui @cryxii
Pok Yin Victor Leung @pokyinvictorleung
Barrak Darweesh #barrakdarweesh

Production:
Wenqian Yang (skeleton design) @yang.wenqian
Huang Su @u09950048
Che-Wei Lin @t1g3r_l1n
Sukhdevsinh Parmar @su.gaaaar
Nicola Piccioli-Cappelli @nichola.piccioli
Roberto Innocenti @_ropson_
Sigurd Rinde @sigominy
Venessa Chan @venessaaaaaaaaa
Santino D’Angelo Rozas @santino_dangelo1
Daniel Lewycky @daniel.lewycky

M+B Studio @mplusb_studio
Additive Tectonics GmbH (skeleton production) @additive_tectonics

Structural Advisors
Andrea Menardo @zeitgeist_structures
Kam-Ming Mark Tam @tkmmark

Technical Support
Tobias Hartmann
Michael Lyrenmann
Luca Petrus
Jonathan Leu
Philippe Fleischmann
Oliver Zgraggen

Commissioned by Canada Council for the Arts @canada.council

Support:
@digitalbuildingtechnologies
@melab_ethz
@ethzurich
@torontomet
@uoft
@neufarchitectes
@vestacon
@abb.schweiz
@perkinswill
@moriyamateshima
@sweenyandco
@mjma.ca
@dialogdesign

Photography: @_valentinamori_ @nijatmahamaliyev

Picoplanktonics

Canada Pavilion, 19th International Architecture Exhibition – La Biennale di Venezia @labiennale

Can we co-operate with nature to construct spaces that remediate the planet rather than exploit it? Picoplanktonics proposes that we can, by leveraging both ancient biological processes - marine cyanobacteria - and emergent technologies - a first-of-its-kind biofabrication platform capable of printing living structures at architectural scale - into a vision of how we might design our environments under an ecology-first ethos.
https://picoplanktonics.com/

Living Room Collective: @picoplanktonics
Andrea Shin Ling @andrea.s.ling
Vincent Hui @final_archangel
Nicholas Hoban @___nsh
Clayton Lee @itsclaytonlee

Research and Development:
Andrea Shin Ling
Yo-Cheng Jerry Lee @jerry19990312
Nijat Mahamaliyev @nijatmahamaliyev
Hamid Peiro @hamidpeiro
Dalia Dranseike #daliadranseike
Yifan Cui @cryxii
Pok Yin Victor Leung @pokyinvictorleung
Barrak Darweesh #barrakdarweesh

Production:
Wenqian Yang (skeleton design) @yang.wenqian
Huang Su @u09950048
Che-Wei Lin @t1g3r_l1n
Sukhdevsinh Parmar @su.gaaaar
Nicola Piccioli-Cappelli @nichola.piccioli
Roberto Innocenti @_ropson_
Sigurd Rinde @sigominy
Venessa Chan @venessaaaaaaaaa
Santino D’Angelo Rozas @santino_dangelo1
Daniel Lewycky @daniel.lewycky

M+B Studio @mplusb_studio
Additive Tectonics GmbH (skeleton production) @additive_tectonics

Structural Advisors
Andrea Menardo @zeitgeist_structures
Kam-Ming Mark Tam @tkmmark

Technical Support
Tobias Hartmann
Michael Lyrenmann
Luca Petrus
Jonathan Leu
Philippe Fleischmann
Oliver Zgraggen

Commissioned by Canada Council for the Arts @canada.council

Support:
@digitalbuildingtechnologies
@melab_ethz
@ethzurich
@torontomet
@uoft
@neufarchitectes
@vestacon
@abb.schweiz
@perkinswill
@moriyamateshima
@sweenyandco
@mjma.ca
@dialogdesign

Photography: @_valentinamori_ @nijatmahamaliyev

Picoplanktonics

Canada Pavilion, 19th International Architecture Exhibition – La Biennale di Venezia @labiennale

Can we co-operate with nature to construct spaces that remediate the planet rather than exploit it? Picoplanktonics proposes that we can, by leveraging both ancient biological processes - marine cyanobacteria - and emergent technologies - a first-of-its-kind biofabrication platform capable of printing living structures at architectural scale - into a vision of how we might design our environments under an ecology-first ethos.
https://picoplanktonics.com/

Living Room Collective: @picoplanktonics
Andrea Shin Ling @andrea.s.ling
Vincent Hui @final_archangel
Nicholas Hoban @___nsh
Clayton Lee @itsclaytonlee

Research and Development:
Andrea Shin Ling
Yo-Cheng Jerry Lee @jerry19990312
Nijat Mahamaliyev @nijatmahamaliyev
Hamid Peiro @hamidpeiro
Dalia Dranseike #daliadranseike
Yifan Cui @cryxii
Pok Yin Victor Leung @pokyinvictorleung
Barrak Darweesh #barrakdarweesh

Production:
Wenqian Yang (skeleton design) @yang.wenqian
Huang Su @u09950048
Che-Wei Lin @t1g3r_l1n
Sukhdevsinh Parmar @su.gaaaar
Nicola Piccioli-Cappelli @nichola.piccioli
Roberto Innocenti @_ropson_
Sigurd Rinde @sigominy
Venessa Chan @venessaaaaaaaaa
Santino D’Angelo Rozas @santino_dangelo1
Daniel Lewycky @daniel.lewycky

M+B Studio @mplusb_studio
Additive Tectonics GmbH (skeleton production) @additive_tectonics

Structural Advisors
Andrea Menardo @zeitgeist_structures
Kam-Ming Mark Tam @tkmmark

Technical Support
Tobias Hartmann
Michael Lyrenmann
Luca Petrus
Jonathan Leu
Philippe Fleischmann
Oliver Zgraggen

Commissioned by Canada Council for the Arts @canada.council

Support:
@digitalbuildingtechnologies
@melab_ethz
@ethzurich
@torontomet
@uoft
@neufarchitectes
@vestacon
@abb.schweiz
@perkinswill
@moriyamateshima
@sweenyandco
@mjma.ca
@dialogdesign

Photography: @_valentinamori_ @nijatmahamaliyev

Picoplanktonics

Canada Pavilion, 19th International Architecture Exhibition – La Biennale di Venezia @labiennale

Can we co-operate with nature to construct spaces that remediate the planet rather than exploit it? Picoplanktonics proposes that we can, by leveraging both ancient biological processes - marine cyanobacteria - and emergent technologies - a first-of-its-kind biofabrication platform capable of printing living structures at architectural scale - into a vision of how we might design our environments under an ecology-first ethos.
https://picoplanktonics.com/

Living Room Collective: @picoplanktonics
Andrea Shin Ling @andrea.s.ling
Vincent Hui @final_archangel
Nicholas Hoban @___nsh
Clayton Lee @itsclaytonlee

Research and Development:
Andrea Shin Ling
Yo-Cheng Jerry Lee @jerry19990312
Nijat Mahamaliyev @nijatmahamaliyev
Hamid Peiro @hamidpeiro
Dalia Dranseike #daliadranseike
Yifan Cui @cryxii
Pok Yin Victor Leung @pokyinvictorleung
Barrak Darweesh #barrakdarweesh

Production:
Wenqian Yang (skeleton design) @yang.wenqian
Huang Su @u09950048
Che-Wei Lin @t1g3r_l1n
Sukhdevsinh Parmar @su.gaaaar
Nicola Piccioli-Cappelli @nichola.piccioli
Roberto Innocenti @_ropson_
Sigurd Rinde @sigominy
Venessa Chan @venessaaaaaaaaa
Santino D’Angelo Rozas @santino_dangelo1
Daniel Lewycky @daniel.lewycky

M+B Studio @mplusb_studio
Additive Tectonics GmbH (skeleton production) @additive_tectonics

Structural Advisors
Andrea Menardo @zeitgeist_structures
Kam-Ming Mark Tam @tkmmark

Technical Support
Tobias Hartmann
Michael Lyrenmann
Luca Petrus
Jonathan Leu
Philippe Fleischmann
Oliver Zgraggen

Commissioned by Canada Council for the Arts @canada.council

Support:
@digitalbuildingtechnologies
@melab_ethz
@ethzurich
@torontomet
@uoft
@neufarchitectes
@vestacon
@abb.schweiz
@perkinswill
@moriyamateshima
@sweenyandco
@mjma.ca
@dialogdesign

Photography: @_valentinamori_ @nijatmahamaliyev

Picoplanktonics

Canada Pavilion, 19th International Architecture Exhibition – La Biennale di Venezia @labiennale

Can we co-operate with nature to construct spaces that remediate the planet rather than exploit it? Picoplanktonics proposes that we can, by leveraging both ancient biological processes - marine cyanobacteria - and emergent technologies - a first-of-its-kind biofabrication platform capable of printing living structures at architectural scale - into a vision of how we might design our environments under an ecology-first ethos.
https://picoplanktonics.com/

Living Room Collective: @picoplanktonics
Andrea Shin Ling @andrea.s.ling
Vincent Hui @final_archangel
Nicholas Hoban @___nsh
Clayton Lee @itsclaytonlee

Research and Development:
Andrea Shin Ling
Yo-Cheng Jerry Lee @jerry19990312
Nijat Mahamaliyev @nijatmahamaliyev
Hamid Peiro @hamidpeiro
Dalia Dranseike #daliadranseike
Yifan Cui @cryxii
Pok Yin Victor Leung @pokyinvictorleung
Barrak Darweesh #barrakdarweesh

Production:
Wenqian Yang (skeleton design) @yang.wenqian
Huang Su @u09950048
Che-Wei Lin @t1g3r_l1n
Sukhdevsinh Parmar @su.gaaaar
Nicola Piccioli-Cappelli @nichola.piccioli
Roberto Innocenti @_ropson_
Sigurd Rinde @sigominy
Venessa Chan @venessaaaaaaaaa
Santino D’Angelo Rozas @santino_dangelo1
Daniel Lewycky @daniel.lewycky

M+B Studio @mplusb_studio
Additive Tectonics GmbH (skeleton production) @additive_tectonics

Structural Advisors
Andrea Menardo @zeitgeist_structures
Kam-Ming Mark Tam @tkmmark

Technical Support
Tobias Hartmann
Michael Lyrenmann
Luca Petrus
Jonathan Leu
Philippe Fleischmann
Oliver Zgraggen

Commissioned by Canada Council for the Arts @canada.council

Support:
@digitalbuildingtechnologies
@melab_ethz
@ethzurich
@torontomet
@uoft
@neufarchitectes
@vestacon
@abb.schweiz
@perkinswill
@moriyamateshima
@sweenyandco
@mjma.ca
@dialogdesign

Photography: @_valentinamori_ @nijatmahamaliyev

ANTI-RUIN by @ozruh_official

3D-Printed Stone Structure at the Türkiye Pavilion – curated by @bilgekalfa_architecture @crnrdm @iksv @turkiyepavilion.venice

Documentary Film in the Artificial Section of the Main Exhibition at the @labiennale, curated by @crassociati

ANTI-RUIN takes the form of a gate—two columns and a slab—but only one column bears the load. The slab, asymmetrically positioned, is post-tensioned and internally hollowed to shift its center of gravity toward the supporting column. This reverse-engineered balance enables structural stability through internal redistribution rather than external symmetry, embodying a federated logic of support.

Open to the public: May 10 – November 23, 2025

Participants:
Levent Ozruh @ozruh_official
Pietro Odaglia @pietro.odaglia
Benjamin Dillenburger
Christian Peterhans @unedeceptiontotale

Structural Engineering:
Danae Polyviou @form_dp
Bora Kacar - BKSD

Video:
@troy_edige @beyza_mese

Sponsors:
@ethzurich @fibrobetonyapielemanlari

Photography:@lloydleephotography

ANTI-RUIN by @ozruh_official

3D-Printed Stone Structure at the Türkiye Pavilion – curated by @bilgekalfa_architecture @crnrdm @iksv @turkiyepavilion.venice

Documentary Film in the Artificial Section of the Main Exhibition at the @labiennale, curated by @crassociati

ANTI-RUIN takes the form of a gate—two columns and a slab—but only one column bears the load. The slab, asymmetrically positioned, is post-tensioned and internally hollowed to shift its center of gravity toward the supporting column. This reverse-engineered balance enables structural stability through internal redistribution rather than external symmetry, embodying a federated logic of support.

Open to the public: May 10 – November 23, 2025

Participants:
Levent Ozruh @ozruh_official
Pietro Odaglia @pietro.odaglia
Benjamin Dillenburger
Christian Peterhans @unedeceptiontotale

Structural Engineering:
Danae Polyviou @form_dp
Bora Kacar - BKSD

Video:
@troy_edige @beyza_mese

Sponsors:
@ethzurich @fibrobetonyapielemanlari

Photography:@lloydleephotography

ANTI-RUIN by @ozruh_official

3D-Printed Stone Structure at the Türkiye Pavilion – curated by @bilgekalfa_architecture @crnrdm @iksv @turkiyepavilion.venice

Documentary Film in the Artificial Section of the Main Exhibition at the @labiennale, curated by @crassociati

Fusing the expressive imperfections of manual craft—sanding, carving—with the algorithmic fluency of digital design, ANTI-RUIN achieves a dual aesthetic: ancient and futuristic, aggregated yet continuous, rhythmic yet melodic. It reimagines structure not as static monument but as a living body—meant to grow, decay, and reassemble itself across time.

Open to the public: May 10 – November 23, 2025

Participants:
Levent Ozruh @ozruh_official
Pietro Odaglia @pietro.odaglia
Benjamin Dillenburger
Christian Peterhans @unedeceptiontotale

Structural Engineering:
Danae Polyviou @form_dp
Bora Kacar - BKSD

Video:
@troyedige @beyzamese

Sponsors:
@ethzurich @fibrobetonyapielemanlari

Photography:@lloydleephotography

ANTI-RUIN by @ozruh_official

3D-Printed Stone Structure at the Türkiye Pavilion – curated by @bilgekalfa_architecture @crnrdm @iksv @turkiyepavilion.venice

Documentary Film in the Artificial Section of the Main Exhibition at the @labiennale, curated by @crassociati

Fusing the expressive imperfections of manual craft—sanding, carving—with the algorithmic fluency of digital design, ANTI-RUIN achieves a dual aesthetic: ancient and futuristic, aggregated yet continuous, rhythmic yet melodic. It reimagines structure not as static monument but as a living body—meant to grow, decay, and reassemble itself across time.

Open to the public: May 10 – November 23, 2025

Participants:
Levent Ozruh @ozruh_official
Pietro Odaglia @pietro.odaglia
Benjamin Dillenburger
Christian Peterhans @unedeceptiontotale

Structural Engineering:
Danae Polyviou @form_dp
Bora Kacar - BKSD

Video:
@troyedige @beyzamese

Sponsors:
@ethzurich @fibrobetonyapielemanlari

Photography:@lloydleephotography

ANTI-RUIN by @ozruh_official and @digitalbuildingtechnologies

Exhibition Context:
3D-Printed Stone Structure Türkiye Pavilion –curated by @bilgekalfa_architecture @crnrdm
Documentary Film at Artificial Section at the Main Exhibition at the @labiennale curated by @carlorattiassociati

Project Description:
Now on display at the 2025 Venice Architecture Biennale, ANTI-RUIN by OZRUH—in collaboration with ETH Zurich—is a 3D-printed stone structure that transforms marble dust into adaptive architectural fragments. Using non-toxic binders and computational design, the project challenges structural norms through hollow, asymmetric clusters. In addition to the installation at the Türkiye Pavilion, the main exhibition curated by Carlo Ratti features a documentary film capturing ANTI-RUIN’s process and vision: embracing entropy as a creative force—an architecture designed to grow, decay, and regenerate over time.

Open to the public: May 10 - November 23 2025

Participants:
* Levent Ozruh @ozruh_official
* Pietro Odaglia @pietro.odaglia
* Benjamin Dillenburger
* Christian Peterhans

Structural Engineering:
* Danae Polyviou @form_dp



Video: @troyedige @beyzamese 

Co-curated by: @iksv @turkiyepavilion.venice 

Sponsors: @eth_zurich @fibrobetonyapielemanlari 

Photography: @lloydleephotography

ANTI-RUIN by @ozruh_official and @digitalbuildingtechnologies

Exhibition Context:
3D-Printed Stone Structure Türkiye Pavilion –curated by @bilgekalfa_architecture @crnrdm
Documentary Film at Artificial Section at the Main Exhibition at the @labiennale curated by @carlorattiassociati

Project Description:
Now on display at the 2025 Venice Architecture Biennale, ANTI-RUIN by OZRUH—in collaboration with ETH Zurich—is a 3D-printed stone structure that transforms marble dust into adaptive architectural fragments. Using non-toxic binders and computational design, the project challenges structural norms through hollow, asymmetric clusters. In addition to the installation at the Türkiye Pavilion, the main exhibition curated by Carlo Ratti features a documentary film capturing ANTI-RUIN’s process and vision: embracing entropy as a creative force—an architecture designed to grow, decay, and regenerate over time.

Open to the public: May 10 - November 23 2025

Participants:
* Levent Ozruh @ozruh_official
* Pietro Odaglia @pietro.odaglia
* Benjamin Dillenburger
* Christian Peterhans

Structural Engineering:
* Danae Polyviou @form_dp



Video: @troyedige @beyzamese 

Co-curated by: @iksv @turkiyepavilion.venice 

Sponsors: @eth_zurich @fibrobetonyapielemanlari 

Photography: @lloydleephotography