Will Rea

Part One
Comrades in Art @townergallery Very pleased to have been involved with this exhibition curated by Andy Friend and the great team @townergallery The exhibition is a comprehensive review of the Artists International Association. It places the work of this group - largely marginalised by a British art history establishment (go figure!!) - at the centre of radical movements in the 30s and 40s. There is a true sense that it fills an important gap in our understanding of British art history, placing their committed social realist work alongside constructivism and surrealism and drawing out the threads. Women artists are central to the narrative - as they were in the AI.
Towner are running a full series of talks - a unique collection of speakers. My own small contribution is on the 30 September.
https://townereastbourne.org.uk/whats-on/comrades-in-art
1.AIA Timeline 36-45
2.Pearl Binder - Russian Railway Journey
3.Cliff Rowe - Hunger Marchers enter Trafalgar Square. 1933
4.Jubilee poster 1935 (plastered across the processional route).
5.Felicia Browne - Spanish Woman
6. Chamberlain Mask - FE McWilliam 1938
7.Pimlico Backs - Nan Youngman 1938.
8. Margaret Fritton Ironing and Airing 1930s
10. Girl with Dove - Betty Rea - ?1938
11. James Boswell The Bar C.1927
@willrea1965 @fahacs #AIA #ArtistsInternational #BritishArt #Eastbourne

Part One
Comrades in Art @townergallery Very pleased to have been involved with this exhibition curated by Andy Friend and the great team @townergallery The exhibition is a comprehensive review of the Artists International Association. It places the work of this group - largely marginalised by a British art history establishment (go figure!!) - at the centre of radical movements in the 30s and 40s. There is a true sense that it fills an important gap in our understanding of British art history, placing their committed social realist work alongside constructivism and surrealism and drawing out the threads. Women artists are central to the narrative - as they were in the AI.
Towner are running a full series of talks - a unique collection of speakers. My own small contribution is on the 30 September.
https://townereastbourne.org.uk/whats-on/comrades-in-art
1.AIA Timeline 36-45
2.Pearl Binder - Russian Railway Journey
3.Cliff Rowe - Hunger Marchers enter Trafalgar Square. 1933
4.Jubilee poster 1935 (plastered across the processional route).
5.Felicia Browne - Spanish Woman
6. Chamberlain Mask - FE McWilliam 1938
7.Pimlico Backs - Nan Youngman 1938.
8. Margaret Fritton Ironing and Airing 1930s
10. Girl with Dove - Betty Rea - ?1938
11. James Boswell The Bar C.1927
@willrea1965 @fahacs #AIA #ArtistsInternational #BritishArt #Eastbourne

Part One
Comrades in Art @townergallery Very pleased to have been involved with this exhibition curated by Andy Friend and the great team @townergallery The exhibition is a comprehensive review of the Artists International Association. It places the work of this group - largely marginalised by a British art history establishment (go figure!!) - at the centre of radical movements in the 30s and 40s. There is a true sense that it fills an important gap in our understanding of British art history, placing their committed social realist work alongside constructivism and surrealism and drawing out the threads. Women artists are central to the narrative - as they were in the AI.
Towner are running a full series of talks - a unique collection of speakers. My own small contribution is on the 30 September.
https://townereastbourne.org.uk/whats-on/comrades-in-art
1.AIA Timeline 36-45
2.Pearl Binder - Russian Railway Journey
3.Cliff Rowe - Hunger Marchers enter Trafalgar Square. 1933
4.Jubilee poster 1935 (plastered across the processional route).
5.Felicia Browne - Spanish Woman
6. Chamberlain Mask - FE McWilliam 1938
7.Pimlico Backs - Nan Youngman 1938.
8. Margaret Fritton Ironing and Airing 1930s
10. Girl with Dove - Betty Rea - ?1938
11. James Boswell The Bar C.1927
@willrea1965 @fahacs #AIA #ArtistsInternational #BritishArt #Eastbourne

Part One
Comrades in Art @townergallery Very pleased to have been involved with this exhibition curated by Andy Friend and the great team @townergallery The exhibition is a comprehensive review of the Artists International Association. It places the work of this group - largely marginalised by a British art history establishment (go figure!!) - at the centre of radical movements in the 30s and 40s. There is a true sense that it fills an important gap in our understanding of British art history, placing their committed social realist work alongside constructivism and surrealism and drawing out the threads. Women artists are central to the narrative - as they were in the AI.
Towner are running a full series of talks - a unique collection of speakers. My own small contribution is on the 30 September.
https://townereastbourne.org.uk/whats-on/comrades-in-art
1.AIA Timeline 36-45
2.Pearl Binder - Russian Railway Journey
3.Cliff Rowe - Hunger Marchers enter Trafalgar Square. 1933
4.Jubilee poster 1935 (plastered across the processional route).
5.Felicia Browne - Spanish Woman
6. Chamberlain Mask - FE McWilliam 1938
7.Pimlico Backs - Nan Youngman 1938.
8. Margaret Fritton Ironing and Airing 1930s
10. Girl with Dove - Betty Rea - ?1938
11. James Boswell The Bar C.1927
@willrea1965 @fahacs #AIA #ArtistsInternational #BritishArt #Eastbourne

Part One
Comrades in Art @townergallery Very pleased to have been involved with this exhibition curated by Andy Friend and the great team @townergallery The exhibition is a comprehensive review of the Artists International Association. It places the work of this group - largely marginalised by a British art history establishment (go figure!!) - at the centre of radical movements in the 30s and 40s. There is a true sense that it fills an important gap in our understanding of British art history, placing their committed social realist work alongside constructivism and surrealism and drawing out the threads. Women artists are central to the narrative - as they were in the AI.
Towner are running a full series of talks - a unique collection of speakers. My own small contribution is on the 30 September.
https://townereastbourne.org.uk/whats-on/comrades-in-art
1.AIA Timeline 36-45
2.Pearl Binder - Russian Railway Journey
3.Cliff Rowe - Hunger Marchers enter Trafalgar Square. 1933
4.Jubilee poster 1935 (plastered across the processional route).
5.Felicia Browne - Spanish Woman
6. Chamberlain Mask - FE McWilliam 1938
7.Pimlico Backs - Nan Youngman 1938.
8. Margaret Fritton Ironing and Airing 1930s
10. Girl with Dove - Betty Rea - ?1938
11. James Boswell The Bar C.1927
@willrea1965 @fahacs #AIA #ArtistsInternational #BritishArt #Eastbourne

Part One
Comrades in Art @townergallery Very pleased to have been involved with this exhibition curated by Andy Friend and the great team @townergallery The exhibition is a comprehensive review of the Artists International Association. It places the work of this group - largely marginalised by a British art history establishment (go figure!!) - at the centre of radical movements in the 30s and 40s. There is a true sense that it fills an important gap in our understanding of British art history, placing their committed social realist work alongside constructivism and surrealism and drawing out the threads. Women artists are central to the narrative - as they were in the AI.
Towner are running a full series of talks - a unique collection of speakers. My own small contribution is on the 30 September.
https://townereastbourne.org.uk/whats-on/comrades-in-art
1.AIA Timeline 36-45
2.Pearl Binder - Russian Railway Journey
3.Cliff Rowe - Hunger Marchers enter Trafalgar Square. 1933
4.Jubilee poster 1935 (plastered across the processional route).
5.Felicia Browne - Spanish Woman
6. Chamberlain Mask - FE McWilliam 1938
7.Pimlico Backs - Nan Youngman 1938.
8. Margaret Fritton Ironing and Airing 1930s
10. Girl with Dove - Betty Rea - ?1938
11. James Boswell The Bar C.1927
@willrea1965 @fahacs #AIA #ArtistsInternational #BritishArt #Eastbourne

Part One
Comrades in Art @townergallery Very pleased to have been involved with this exhibition curated by Andy Friend and the great team @townergallery The exhibition is a comprehensive review of the Artists International Association. It places the work of this group - largely marginalised by a British art history establishment (go figure!!) - at the centre of radical movements in the 30s and 40s. There is a true sense that it fills an important gap in our understanding of British art history, placing their committed social realist work alongside constructivism and surrealism and drawing out the threads. Women artists are central to the narrative - as they were in the AI.
Towner are running a full series of talks - a unique collection of speakers. My own small contribution is on the 30 September.
https://townereastbourne.org.uk/whats-on/comrades-in-art
1.AIA Timeline 36-45
2.Pearl Binder - Russian Railway Journey
3.Cliff Rowe - Hunger Marchers enter Trafalgar Square. 1933
4.Jubilee poster 1935 (plastered across the processional route).
5.Felicia Browne - Spanish Woman
6. Chamberlain Mask - FE McWilliam 1938
7.Pimlico Backs - Nan Youngman 1938.
8. Margaret Fritton Ironing and Airing 1930s
10. Girl with Dove - Betty Rea - ?1938
11. James Boswell The Bar C.1927
@willrea1965 @fahacs #AIA #ArtistsInternational #BritishArt #Eastbourne

Part One
Comrades in Art @townergallery Very pleased to have been involved with this exhibition curated by Andy Friend and the great team @townergallery The exhibition is a comprehensive review of the Artists International Association. It places the work of this group - largely marginalised by a British art history establishment (go figure!!) - at the centre of radical movements in the 30s and 40s. There is a true sense that it fills an important gap in our understanding of British art history, placing their committed social realist work alongside constructivism and surrealism and drawing out the threads. Women artists are central to the narrative - as they were in the AI.
Towner are running a full series of talks - a unique collection of speakers. My own small contribution is on the 30 September.
https://townereastbourne.org.uk/whats-on/comrades-in-art
1.AIA Timeline 36-45
2.Pearl Binder - Russian Railway Journey
3.Cliff Rowe - Hunger Marchers enter Trafalgar Square. 1933
4.Jubilee poster 1935 (plastered across the processional route).
5.Felicia Browne - Spanish Woman
6. Chamberlain Mask - FE McWilliam 1938
7.Pimlico Backs - Nan Youngman 1938.
8. Margaret Fritton Ironing and Airing 1930s
10. Girl with Dove - Betty Rea - ?1938
11. James Boswell The Bar C.1927
@willrea1965 @fahacs #AIA #ArtistsInternational #BritishArt #Eastbourne

Part One
Comrades in Art @townergallery Very pleased to have been involved with this exhibition curated by Andy Friend and the great team @townergallery The exhibition is a comprehensive review of the Artists International Association. It places the work of this group - largely marginalised by a British art history establishment (go figure!!) - at the centre of radical movements in the 30s and 40s. There is a true sense that it fills an important gap in our understanding of British art history, placing their committed social realist work alongside constructivism and surrealism and drawing out the threads. Women artists are central to the narrative - as they were in the AI.
Towner are running a full series of talks - a unique collection of speakers. My own small contribution is on the 30 September.
https://townereastbourne.org.uk/whats-on/comrades-in-art
1.AIA Timeline 36-45
2.Pearl Binder - Russian Railway Journey
3.Cliff Rowe - Hunger Marchers enter Trafalgar Square. 1933
4.Jubilee poster 1935 (plastered across the processional route).
5.Felicia Browne - Spanish Woman
6. Chamberlain Mask - FE McWilliam 1938
7.Pimlico Backs - Nan Youngman 1938.
8. Margaret Fritton Ironing and Airing 1930s
10. Girl with Dove - Betty Rea - ?1938
11. James Boswell The Bar C.1927
@willrea1965 @fahacs #AIA #ArtistsInternational #BritishArt #Eastbourne

Part One
Comrades in Art @townergallery Very pleased to have been involved with this exhibition curated by Andy Friend and the great team @townergallery The exhibition is a comprehensive review of the Artists International Association. It places the work of this group - largely marginalised by a British art history establishment (go figure!!) - at the centre of radical movements in the 30s and 40s. There is a true sense that it fills an important gap in our understanding of British art history, placing their committed social realist work alongside constructivism and surrealism and drawing out the threads. Women artists are central to the narrative - as they were in the AI.
Towner are running a full series of talks - a unique collection of speakers. My own small contribution is on the 30 September.
https://townereastbourne.org.uk/whats-on/comrades-in-art
1.AIA Timeline 36-45
2.Pearl Binder - Russian Railway Journey
3.Cliff Rowe - Hunger Marchers enter Trafalgar Square. 1933
4.Jubilee poster 1935 (plastered across the processional route).
5.Felicia Browne - Spanish Woman
6. Chamberlain Mask - FE McWilliam 1938
7.Pimlico Backs - Nan Youngman 1938.
8. Margaret Fritton Ironing and Airing 1930s
10. Girl with Dove - Betty Rea - ?1938
11. James Boswell The Bar C.1927
@willrea1965 @fahacs #AIA #ArtistsInternational #BritishArt #Eastbourne

Varieties of blue.Cobalt sketches (no doubt inspired by @richardstjohnheeley but work to do!) and blue vases without any blue (matt white (titanium, whiting etc) over heavy iron oxide slip) @sunkenstudioleeds #pottery #vases #ceramics #glazes #slip

Varieties of blue.Cobalt sketches (no doubt inspired by @richardstjohnheeley but work to do!) and blue vases without any blue (matt white (titanium, whiting etc) over heavy iron oxide slip) @sunkenstudioleeds #pottery #vases #ceramics #glazes #slip

Varieties of blue.Cobalt sketches (no doubt inspired by @richardstjohnheeley but work to do!) and blue vases without any blue (matt white (titanium, whiting etc) over heavy iron oxide slip) @sunkenstudioleeds #pottery #vases #ceramics #glazes #slip

Thrown and slipped.The large vases should glaze blue! @sunkenstudioleeds.@tkjpots clay from @potclays - groggy!#pottery#slip#clay

Thrown and slipped.The large vases should glaze blue! @sunkenstudioleeds.@tkjpots clay from @potclays - groggy!#pottery#slip#clay

Apparently there is a possible career in funerary urns…which does get you thinking about ash glazes!@sunkenstudioleeds #pottery #wax #tenmokuglaze #ceramics

Apparently there is a possible career in funerary urns…which does get you thinking about ash glazes!@sunkenstudioleeds #pottery #wax #tenmokuglaze #ceramics

Leeds ceramic fair @headingleyheart. Many thanks to all who stopped at my table - to chat and buy.Great to be with many Yorkshire based potters.Very nice to exhibit alongside @insta.gammagio and @lauracreerstudio Thanks @northernpottersassociationse

Leeds ceramic fair @headingleyheart. Many thanks to all who stopped at my table - to chat and buy.Great to be with many Yorkshire based potters.Very nice to exhibit alongside @insta.gammagio and @lauracreerstudio Thanks @northernpottersassociationse

Leeds ceramic fair @headingleyheart. Many thanks to all who stopped at my table - to chat and buy.Great to be with many Yorkshire based potters.Very nice to exhibit alongside @insta.gammagio and @lauracreerstudio Thanks @northernpottersassociationse

Filter cake clay from Mone Bros.Yesterday the Ignite Material response project spent time blending this with sandstone waste and ball clay.Here is a little side project to test glaze properties of FCC.Aim is to test with woodash (and ? Frit) but first drying and grinding a sieving.First through flour sieve and then 80 grade (0.2mm). Slightly surprised at how much came through - but a ball mill would really help! @sunkenstudioleeds @glaze_gram @fahacs @unileedsculture

Filter cake clay from Mone Bros.Yesterday the Ignite Material response project spent time blending this with sandstone waste and ball clay.Here is a little side project to test glaze properties of FCC.Aim is to test with woodash (and ? Frit) but first drying and grinding a sieving.First through flour sieve and then 80 grade (0.2mm). Slightly surprised at how much came through - but a ball mill would really help! @sunkenstudioleeds @glaze_gram @fahacs @unileedsculture

Filter cake clay from Mone Bros.Yesterday the Ignite Material response project spent time blending this with sandstone waste and ball clay.Here is a little side project to test glaze properties of FCC.Aim is to test with woodash (and ? Frit) but first drying and grinding a sieving.First through flour sieve and then 80 grade (0.2mm). Slightly surprised at how much came through - but a ball mill would really help! @sunkenstudioleeds @glaze_gram @fahacs @unileedsculture

Filter cake clay from Mone Bros.Yesterday the Ignite Material response project spent time blending this with sandstone waste and ball clay.Here is a little side project to test glaze properties of FCC.Aim is to test with woodash (and ? Frit) but first drying and grinding a sieving.First through flour sieve and then 80 grade (0.2mm). Slightly surprised at how much came through - but a ball mill would really help! @sunkenstudioleeds @glaze_gram @fahacs @unileedsculture

Filter cake clay from Mone Bros.Yesterday the Ignite Material response project spent time blending this with sandstone waste and ball clay.Here is a little side project to test glaze properties of FCC.Aim is to test with woodash (and ? Frit) but first drying and grinding a sieving.First through flour sieve and then 80 grade (0.2mm). Slightly surprised at how much came through - but a ball mill would really help! @sunkenstudioleeds @glaze_gram @fahacs @unileedsculture

A really good day.Visit to Mone Bros recycle plant.Looking at materials with @fahacs @universityofleeds students and @sunkenstudioleeds as a part of the material response project.Student creative ideas constant source of inspiration and source of hope in their future

A really good day.Visit to Mone Bros recycle plant.Looking at materials with @fahacs @universityofleeds students and @sunkenstudioleeds as a part of the material response project.Student creative ideas constant source of inspiration and source of hope in their future

A really good day.Visit to Mone Bros recycle plant.Looking at materials with @fahacs @universityofleeds students and @sunkenstudioleeds as a part of the material response project.Student creative ideas constant source of inspiration and source of hope in their future

A really good day.Visit to Mone Bros recycle plant.Looking at materials with @fahacs @universityofleeds students and @sunkenstudioleeds as a part of the material response project.Student creative ideas constant source of inspiration and source of hope in their future

A really good day.Visit to Mone Bros recycle plant.Looking at materials with @fahacs @universityofleeds students and @sunkenstudioleeds as a part of the material response project.Student creative ideas constant source of inspiration and source of hope in their future

A really good day.Visit to Mone Bros recycle plant.Looking at materials with @fahacs @universityofleeds students and @sunkenstudioleeds as a part of the material response project.Student creative ideas constant source of inspiration and source of hope in their future

That was a good market @sunkenstudioleeds. I do like the fact that work goes into homes and gets used.Thanks to everyone involved and who came.

Slightly different.Blue jar and bud vases.The white StThomas @potclays takes the manganese really well.On sale @sunkenstudioleeds 1st March or @northernpottersassociationse @headingleyheart 14th March.

Slightly different.Blue jar and bud vases.The white StThomas @potclays takes the manganese really well.On sale @sunkenstudioleeds 1st March or @northernpottersassociationse @headingleyheart 14th March.

Haven’t posted anything for ages. (Not overly fond of platforms given what has been going on). However, still working and stocking for sale on 1st March @sunkenstudioleeds and 14th March @northernpottersassociationse sale @headingleyheart

Haven’t posted anything for ages. (Not overly fond of platforms given what has been going on). However, still working and stocking for sale on 1st March @sunkenstudioleeds and 14th March @northernpottersassociationse sale @headingleyheart

Haven’t posted anything for ages. (Not overly fond of platforms given what has been going on). However, still working and stocking for sale on 1st March @sunkenstudioleeds and 14th March @northernpottersassociationse sale @headingleyheart

Haven’t posted anything for ages. (Not overly fond of platforms given what has been going on). However, still working and stocking for sale on 1st March @sunkenstudioleeds and 14th March @northernpottersassociationse sale @headingleyheart

Haven’t posted anything for ages. (Not overly fond of platforms given what has been going on). However, still working and stocking for sale on 1st March @sunkenstudioleeds and 14th March @northernpottersassociationse sale @headingleyheart

Haven’t posted anything for ages. (Not overly fond of platforms given what has been going on). However, still working and stocking for sale on 1st March @sunkenstudioleeds and 14th March @northernpottersassociationse sale @headingleyheart

Test tile - very simple wood ash glaze - mainly Beech. @sunkenstudioleeds #49264 #glaze #pottery
Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!
Avoid app downloads and sign-ups, store stories on the web.
Stories Say goodbye to poor-quality content, preserve only high-resolution Stories.
Devices Download Instagram Stories using any browser, iPhone, Android.
Absolutely no fees. Download any Story at no cost.