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Huge shout out to @sgbeachwarriors for all the care, energy, and hard work that goes into keeping our beaches clean and alive 💙 🌊☀️

This morning, we managed to save and collect some of the debris for our artwork from their cleaning.

A big thanks to @samshuqin for leading us to SG Beach Warriors, and @lonew0lf and @_zhenghaoo for sweating it out under the blazing sun and hauling the salty, smelly debris back to the studio 🫶✨

Video and first 2 photos by @_zhenghaoo

Huge shout out to @sgbeachwarriors for all the care, energy, and hard work that goes into keeping our beaches clean and alive 💙 🌊☀️

This morning, we managed to save and collect some of the debris for our artwork from their cleaning.

A big thanks to @samshuqin for leading us to SG Beach Warriors, and @lonew0lf and @_zhenghaoo for sweating it out under the blazing sun and hauling the salty, smelly debris back to the studio 🫶✨

Video and first 2 photos by @_zhenghaoo

Huge shout out to @sgbeachwarriors for all the care, energy, and hard work that goes into keeping our beaches clean and alive 💙 🌊☀️

This morning, we managed to save and collect some of the debris for our artwork from their cleaning.

A big thanks to @samshuqin for leading us to SG Beach Warriors, and @lonew0lf and @_zhenghaoo for sweating it out under the blazing sun and hauling the salty, smelly debris back to the studio 🫶✨

Video and first 2 photos by @_zhenghaoo

Huge shout out to @sgbeachwarriors for all the care, energy, and hard work that goes into keeping our beaches clean and alive 💙 🌊☀️

This morning, we managed to save and collect some of the debris for our artwork from their cleaning.

A big thanks to @samshuqin for leading us to SG Beach Warriors, and @lonew0lf and @_zhenghaoo for sweating it out under the blazing sun and hauling the salty, smelly debris back to the studio 🫶✨

Video and first 2 photos by @_zhenghaoo

"Quiet Unease" is the 2nd edition of the MA Arts and Ecology programme’s work-in-progress exhibition - a special collaboration with Ground-Up Initiative @groundupinitiative!

Till this Sunday, 26 April. We will be conducting two workshops this Sat, welcome all to join us!

𝗕𝗼𝘁𝗮𝗻𝗶𝗰𝗮𝗹 𝗖𝘆𝗮𝗻𝗼𝘁𝘆𝗽𝗲 and 𝗡𝗮𝘁𝘂𝗿𝗮𝗹 𝗗𝘆𝗲 × 𝗦𝗵𝗶𝗯𝗼𝗿𝗶 workshops
🗓️ 25 April 2026
🕰️ 2:30pm–3:45pm, 3:30pm–5:00pm
📍 Ground-Up Initiative’s Kampung Kampus, 11 Chencharu Close, S769287

"Quiet Unease" brings together eco-explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Curated by Wang Ruobing @wang_ruobing

Photos by @ken_filmingosg

"Quiet Unease" is the 2nd edition of the MA Arts and Ecology programme’s work-in-progress exhibition - a special collaboration with Ground-Up Initiative @groundupinitiative!

Till this Sunday, 26 April. We will be conducting two workshops this Sat, welcome all to join us!

𝗕𝗼𝘁𝗮𝗻𝗶𝗰𝗮𝗹 𝗖𝘆𝗮𝗻𝗼𝘁𝘆𝗽𝗲 and 𝗡𝗮𝘁𝘂𝗿𝗮𝗹 𝗗𝘆𝗲 × 𝗦𝗵𝗶𝗯𝗼𝗿𝗶 workshops
🗓️ 25 April 2026
🕰️ 2:30pm–3:45pm, 3:30pm–5:00pm
📍 Ground-Up Initiative’s Kampung Kampus, 11 Chencharu Close, S769287

"Quiet Unease" brings together eco-explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Curated by Wang Ruobing @wang_ruobing

Photos by @ken_filmingosg

"Quiet Unease" is the 2nd edition of the MA Arts and Ecology programme’s work-in-progress exhibition - a special collaboration with Ground-Up Initiative @groundupinitiative!

Till this Sunday, 26 April. We will be conducting two workshops this Sat, welcome all to join us!

𝗕𝗼𝘁𝗮𝗻𝗶𝗰𝗮𝗹 𝗖𝘆𝗮𝗻𝗼𝘁𝘆𝗽𝗲 and 𝗡𝗮𝘁𝘂𝗿𝗮𝗹 𝗗𝘆𝗲 × 𝗦𝗵𝗶𝗯𝗼𝗿𝗶 workshops
🗓️ 25 April 2026
🕰️ 2:30pm–3:45pm, 3:30pm–5:00pm
📍 Ground-Up Initiative’s Kampung Kampus, 11 Chencharu Close, S769287

"Quiet Unease" brings together eco-explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Curated by Wang Ruobing @wang_ruobing

Photos by @ken_filmingosg

"Quiet Unease" is the 2nd edition of the MA Arts and Ecology programme’s work-in-progress exhibition - a special collaboration with Ground-Up Initiative @groundupinitiative!

Till this Sunday, 26 April. We will be conducting two workshops this Sat, welcome all to join us!

𝗕𝗼𝘁𝗮𝗻𝗶𝗰𝗮𝗹 𝗖𝘆𝗮𝗻𝗼𝘁𝘆𝗽𝗲 and 𝗡𝗮𝘁𝘂𝗿𝗮𝗹 𝗗𝘆𝗲 × 𝗦𝗵𝗶𝗯𝗼𝗿𝗶 workshops
🗓️ 25 April 2026
🕰️ 2:30pm–3:45pm, 3:30pm–5:00pm
📍 Ground-Up Initiative’s Kampung Kampus, 11 Chencharu Close, S769287

"Quiet Unease" brings together eco-explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Curated by Wang Ruobing @wang_ruobing

Photos by @ken_filmingosg

"Quiet Unease" is the 2nd edition of the MA Arts and Ecology programme’s work-in-progress exhibition - a special collaboration with Ground-Up Initiative @groundupinitiative!

Till this Sunday, 26 April. We will be conducting two workshops this Sat, welcome all to join us!

𝗕𝗼𝘁𝗮𝗻𝗶𝗰𝗮𝗹 𝗖𝘆𝗮𝗻𝗼𝘁𝘆𝗽𝗲 and 𝗡𝗮𝘁𝘂𝗿𝗮𝗹 𝗗𝘆𝗲 × 𝗦𝗵𝗶𝗯𝗼𝗿𝗶 workshops
🗓️ 25 April 2026
🕰️ 2:30pm–3:45pm, 3:30pm–5:00pm
📍 Ground-Up Initiative’s Kampung Kampus, 11 Chencharu Close, S769287

"Quiet Unease" brings together eco-explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Curated by Wang Ruobing @wang_ruobing

Photos by @ken_filmingosg

"Quiet Unease" is the 2nd edition of the MA Arts and Ecology programme’s work-in-progress exhibition - a special collaboration with Ground-Up Initiative @groundupinitiative!

Till this Sunday, 26 April. We will be conducting two workshops this Sat, welcome all to join us!

𝗕𝗼𝘁𝗮𝗻𝗶𝗰𝗮𝗹 𝗖𝘆𝗮𝗻𝗼𝘁𝘆𝗽𝗲 and 𝗡𝗮𝘁𝘂𝗿𝗮𝗹 𝗗𝘆𝗲 × 𝗦𝗵𝗶𝗯𝗼𝗿𝗶 workshops
🗓️ 25 April 2026
🕰️ 2:30pm–3:45pm, 3:30pm–5:00pm
📍 Ground-Up Initiative’s Kampung Kampus, 11 Chencharu Close, S769287

"Quiet Unease" brings together eco-explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Curated by Wang Ruobing @wang_ruobing

Photos by @ken_filmingosg

"Quiet Unease" is the 2nd edition of the MA Arts and Ecology programme’s work-in-progress exhibition - a special collaboration with Ground-Up Initiative @groundupinitiative!

Till this Sunday, 26 April. We will be conducting two workshops this Sat, welcome all to join us!

𝗕𝗼𝘁𝗮𝗻𝗶𝗰𝗮𝗹 𝗖𝘆𝗮𝗻𝗼𝘁𝘆𝗽𝗲 and 𝗡𝗮𝘁𝘂𝗿𝗮𝗹 𝗗𝘆𝗲 × 𝗦𝗵𝗶𝗯𝗼𝗿𝗶 workshops
🗓️ 25 April 2026
🕰️ 2:30pm–3:45pm, 3:30pm–5:00pm
📍 Ground-Up Initiative’s Kampung Kampus, 11 Chencharu Close, S769287

"Quiet Unease" brings together eco-explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Curated by Wang Ruobing @wang_ruobing

Photos by @ken_filmingosg

"Quiet Unease" is the 2nd edition of the MA Arts and Ecology programme’s work-in-progress exhibition - a special collaboration with Ground-Up Initiative @groundupinitiative!

Till this Sunday, 26 April. We will be conducting two workshops this Sat, welcome all to join us!

𝗕𝗼𝘁𝗮𝗻𝗶𝗰𝗮𝗹 𝗖𝘆𝗮𝗻𝗼𝘁𝘆𝗽𝗲 and 𝗡𝗮𝘁𝘂𝗿𝗮𝗹 𝗗𝘆𝗲 × 𝗦𝗵𝗶𝗯𝗼𝗿𝗶 workshops
🗓️ 25 April 2026
🕰️ 2:30pm–3:45pm, 3:30pm–5:00pm
📍 Ground-Up Initiative’s Kampung Kampus, 11 Chencharu Close, S769287

"Quiet Unease" brings together eco-explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Curated by Wang Ruobing @wang_ruobing

Photos by @ken_filmingosg

"Quiet Unease" is the 2nd edition of the MA Arts and Ecology programme’s work-in-progress exhibition - a special collaboration with Ground-Up Initiative @groundupinitiative!

Till this Sunday, 26 April. We will be conducting two workshops this Sat, welcome all to join us!

𝗕𝗼𝘁𝗮𝗻𝗶𝗰𝗮𝗹 𝗖𝘆𝗮𝗻𝗼𝘁𝘆𝗽𝗲 and 𝗡𝗮𝘁𝘂𝗿𝗮𝗹 𝗗𝘆𝗲 × 𝗦𝗵𝗶𝗯𝗼𝗿𝗶 workshops
🗓️ 25 April 2026
🕰️ 2:30pm–3:45pm, 3:30pm–5:00pm
📍 Ground-Up Initiative’s Kampung Kampus, 11 Chencharu Close, S769287

"Quiet Unease" brings together eco-explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Curated by Wang Ruobing @wang_ruobing

Photos by @ken_filmingosg

"Quiet Unease" is the 2nd edition of the MA Arts and Ecology programme’s work-in-progress exhibition - a special collaboration with Ground-Up Initiative @groundupinitiative!

Till this Sunday, 26 April. We will be conducting two workshops this Sat, welcome all to join us!

𝗕𝗼𝘁𝗮𝗻𝗶𝗰𝗮𝗹 𝗖𝘆𝗮𝗻𝗼𝘁𝘆𝗽𝗲 and 𝗡𝗮𝘁𝘂𝗿𝗮𝗹 𝗗𝘆𝗲 × 𝗦𝗵𝗶𝗯𝗼𝗿𝗶 workshops
🗓️ 25 April 2026
🕰️ 2:30pm–3:45pm, 3:30pm–5:00pm
📍 Ground-Up Initiative’s Kampung Kampus, 11 Chencharu Close, S769287

"Quiet Unease" brings together eco-explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Curated by Wang Ruobing @wang_ruobing

Photos by @ken_filmingosg

Super excited to present the second batch of the MA Arts and Ecology work-in-progress exhibition, in collaboration with @groundupinitiative.

Quiet Unease pushes against the idea of a “pure” nature, inviting viewers into a space of ongoing negotiation. It considers how open-ended making might offer alternative ways of relating.

Eco explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Join us for the opening on 18 April 2026, 12:45pm–4:00pm
📍 Ground-Up Initiative, Kampung Kampus
11 Chencharu Close, Singapore 769287

The programme will also feature a series of workshops across two weekends—details coming soon.

Exhibition period: 18–26 April 2026
Opening hours: 9:00am–5:00pm (Closed on Mondays)

@mcnallyfinearts @lasallesingapore @uas.sg
#artsandecology #maartsandecology #quietunease

Super excited to present the second batch of the MA Arts and Ecology work-in-progress exhibition, in collaboration with @groundupinitiative.

Quiet Unease pushes against the idea of a “pure” nature, inviting viewers into a space of ongoing negotiation. It considers how open-ended making might offer alternative ways of relating.

Eco explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Join us for the opening on 18 April 2026, 12:45pm–4:00pm
📍 Ground-Up Initiative, Kampung Kampus
11 Chencharu Close, Singapore 769287

The programme will also feature a series of workshops across two weekends—details coming soon.

Exhibition period: 18–26 April 2026
Opening hours: 9:00am–5:00pm (Closed on Mondays)

@mcnallyfinearts @lasallesingapore @uas.sg
#artsandecology #maartsandecology #quietunease

Super excited to present the second batch of the MA Arts and Ecology work-in-progress exhibition, in collaboration with @groundupinitiative.

Quiet Unease pushes against the idea of a “pure” nature, inviting viewers into a space of ongoing negotiation. It considers how open-ended making might offer alternative ways of relating.

Eco explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Join us for the opening on 18 April 2026, 12:45pm–4:00pm
📍 Ground-Up Initiative, Kampung Kampus
11 Chencharu Close, Singapore 769287

The programme will also feature a series of workshops across two weekends—details coming soon.

Exhibition period: 18–26 April 2026
Opening hours: 9:00am–5:00pm (Closed on Mondays)

@mcnallyfinearts @lasallesingapore @uas.sg
#artsandecology #maartsandecology #quietunease

Super excited to present the second batch of the MA Arts and Ecology work-in-progress exhibition, in collaboration with @groundupinitiative.

Quiet Unease pushes against the idea of a “pure” nature, inviting viewers into a space of ongoing negotiation. It considers how open-ended making might offer alternative ways of relating.

Eco explorers:
Alison Schooling @pondokofnaturalcuriosities
Grace Chen @248yrs
Kamilya Beisembayeva @kamiilyaaa
Uniz Sim Kim Cheng @precious_green79

Join us for the opening on 18 April 2026, 12:45pm–4:00pm
📍 Ground-Up Initiative, Kampung Kampus
11 Chencharu Close, Singapore 769287

The programme will also feature a series of workshops across two weekends—details coming soon.

Exhibition period: 18–26 April 2026
Opening hours: 9:00am–5:00pm (Closed on Mondays)

@mcnallyfinearts @lasallesingapore @uas.sg
#artsandecology #maartsandecology #quietunease

Trans/Mission Seminar 2026
16 March 9:20am-4:40pm

This year’s edition brings together 32 BA presenters from all eight Schools, with 8 MA students moderating panels across different programmes.

Students are grouped into panels around shared interests, creating a dynamic space for interdisciplinary exchange. Chaired by our MA moderators, the panels offer valuable opportunities for scholarly dialogue and critical engagement.

The day opens with a keynote by Tamares Goh, Head of Visual Arts at Esplanade – Theatres on the Bay (open to all).
Keynote: The Logic of Fracture: An Inquiry
🕘 9:20–10:15am
📍 Smart Room Moderated by Wolfgang Muench, Dean, Learning, Teaching & Research

Panel sessions will take place across two venues (open to current LASALLE members and invited guests only):
📍 Smart Room (Library)
📍 F101A

Initiated by:
McNally School of Fine Arts

Convened by:
Dr Wang Ruobing

Organised by:
McNally School of Fine Arts
Puttnam School of Film & Animation
School of Creative Industries
School of Design Communication
School of Fashion
School of Spatial & Product Design
School of Contemporary Music
School of Dance & Theatre

We look forward to welcoming you for a day of presentations, dialogue, and shared learning.

Design by @fahfahsaigai

Trans/Mission Seminar 2026
16 March 9:20am-4:40pm

This year’s edition brings together 32 BA presenters from all eight Schools, with 8 MA students moderating panels across different programmes.

Students are grouped into panels around shared interests, creating a dynamic space for interdisciplinary exchange. Chaired by our MA moderators, the panels offer valuable opportunities for scholarly dialogue and critical engagement.

The day opens with a keynote by Tamares Goh, Head of Visual Arts at Esplanade – Theatres on the Bay (open to all).
Keynote: The Logic of Fracture: An Inquiry
🕘 9:20–10:15am
📍 Smart Room Moderated by Wolfgang Muench, Dean, Learning, Teaching & Research

Panel sessions will take place across two venues (open to current LASALLE members and invited guests only):
📍 Smart Room (Library)
📍 F101A

Initiated by:
McNally School of Fine Arts

Convened by:
Dr Wang Ruobing

Organised by:
McNally School of Fine Arts
Puttnam School of Film & Animation
School of Creative Industries
School of Design Communication
School of Fashion
School of Spatial & Product Design
School of Contemporary Music
School of Dance & Theatre

We look forward to welcoming you for a day of presentations, dialogue, and shared learning.

Design by @fahfahsaigai

Trans/Mission Seminar 2026
16 March 9:20am-4:40pm

This year’s edition brings together 32 BA presenters from all eight Schools, with 8 MA students moderating panels across different programmes.

Students are grouped into panels around shared interests, creating a dynamic space for interdisciplinary exchange. Chaired by our MA moderators, the panels offer valuable opportunities for scholarly dialogue and critical engagement.

The day opens with a keynote by Tamares Goh, Head of Visual Arts at Esplanade – Theatres on the Bay (open to all).
Keynote: The Logic of Fracture: An Inquiry
🕘 9:20–10:15am
📍 Smart Room Moderated by Wolfgang Muench, Dean, Learning, Teaching & Research

Panel sessions will take place across two venues (open to current LASALLE members and invited guests only):
📍 Smart Room (Library)
📍 F101A

Initiated by:
McNally School of Fine Arts

Convened by:
Dr Wang Ruobing

Organised by:
McNally School of Fine Arts
Puttnam School of Film & Animation
School of Creative Industries
School of Design Communication
School of Fashion
School of Spatial & Product Design
School of Contemporary Music
School of Dance & Theatre

We look forward to welcoming you for a day of presentations, dialogue, and shared learning.

Design by @fahfahsaigai

Trans/Mission Seminar 2026
16 March 9:20am-4:40pm

This year’s edition brings together 32 BA presenters from all eight Schools, with 8 MA students moderating panels across different programmes.

Students are grouped into panels around shared interests, creating a dynamic space for interdisciplinary exchange. Chaired by our MA moderators, the panels offer valuable opportunities for scholarly dialogue and critical engagement.

The day opens with a keynote by Tamares Goh, Head of Visual Arts at Esplanade – Theatres on the Bay (open to all).
Keynote: The Logic of Fracture: An Inquiry
🕘 9:20–10:15am
📍 Smart Room Moderated by Wolfgang Muench, Dean, Learning, Teaching & Research

Panel sessions will take place across two venues (open to current LASALLE members and invited guests only):
📍 Smart Room (Library)
📍 F101A

Initiated by:
McNally School of Fine Arts

Convened by:
Dr Wang Ruobing

Organised by:
McNally School of Fine Arts
Puttnam School of Film & Animation
School of Creative Industries
School of Design Communication
School of Fashion
School of Spatial & Product Design
School of Contemporary Music
School of Dance & Theatre

We look forward to welcoming you for a day of presentations, dialogue, and shared learning.

Design by @fahfahsaigai

Trans/Mission Seminar 2026
16 March 9:20am-4:40pm

This year’s edition brings together 32 BA presenters from all eight Schools, with 8 MA students moderating panels across different programmes.

Students are grouped into panels around shared interests, creating a dynamic space for interdisciplinary exchange. Chaired by our MA moderators, the panels offer valuable opportunities for scholarly dialogue and critical engagement.

The day opens with a keynote by Tamares Goh, Head of Visual Arts at Esplanade – Theatres on the Bay (open to all).
Keynote: The Logic of Fracture: An Inquiry
🕘 9:20–10:15am
📍 Smart Room Moderated by Wolfgang Muench, Dean, Learning, Teaching & Research

Panel sessions will take place across two venues (open to current LASALLE members and invited guests only):
📍 Smart Room (Library)
📍 F101A

Initiated by:
McNally School of Fine Arts

Convened by:
Dr Wang Ruobing

Organised by:
McNally School of Fine Arts
Puttnam School of Film & Animation
School of Creative Industries
School of Design Communication
School of Fashion
School of Spatial & Product Design
School of Contemporary Music
School of Dance & Theatre

We look forward to welcoming you for a day of presentations, dialogue, and shared learning.

Design by @fahfahsaigai

Trans/Mission Seminar 2026
16 March 9:20am-4:40pm

This year’s edition brings together 32 BA presenters from all eight Schools, with 8 MA students moderating panels across different programmes.

Students are grouped into panels around shared interests, creating a dynamic space for interdisciplinary exchange. Chaired by our MA moderators, the panels offer valuable opportunities for scholarly dialogue and critical engagement.

The day opens with a keynote by Tamares Goh, Head of Visual Arts at Esplanade – Theatres on the Bay (open to all).
Keynote: The Logic of Fracture: An Inquiry
🕘 9:20–10:15am
📍 Smart Room Moderated by Wolfgang Muench, Dean, Learning, Teaching & Research

Panel sessions will take place across two venues (open to current LASALLE members and invited guests only):
📍 Smart Room (Library)
📍 F101A

Initiated by:
McNally School of Fine Arts

Convened by:
Dr Wang Ruobing

Organised by:
McNally School of Fine Arts
Puttnam School of Film & Animation
School of Creative Industries
School of Design Communication
School of Fashion
School of Spatial & Product Design
School of Contemporary Music
School of Dance & Theatre

We look forward to welcoming you for a day of presentations, dialogue, and shared learning.

Design by @fahfahsaigai

回 𝑬𝒙𝒑𝒆𝒓𝒊𝒎𝒆𝒏𝒕 𝑰𝑰 @sai_studios

✨ Sound Check ✨
Live performance with Equaver & Friends

🗓 1 February (Sun)
🕟 4:30–5:30pm
📍 Comma Space
🎟 Limited capacity — please register via the link in our bio

What happens when an experiment is truly listened to — tuned through breath, voice, and vibration?

During the first sound check of Sai’s Experiment I at @artoutreachsingapore, led by @franhomusic, the singers’ voices uncovered something unexpected: an enveloping vibration that gently held the experience, space and mind together. That moment sparked a new exploration, now reimagined within a different spatial arrangement at @commaartspace.

This is not a technical sound check, but a vocal activation — a way of sensing, attuning, and awakening the experiment through listening to yourself.

Come and let the voices move through you!

📸 by @ken_filmingosg

#ExperimentII #SoundCheck #LivePerformance #Equaver #CommaSpace #SoundAndSpace #VocalResonance #回

Thank you everyone for attending our opening at Objectifs! We truly appreciate your presence and generous support!

Special thanks to our Guest of Honour, Ms Kawabe Akiko / 川辺晶子, Director of the Japan Creative Centre @japancreativecentre and Counsellor at the Embassy of Japan in Singapore, as well as the research group from the National Museum of Art, National Center for Art Research (NCAR) @ncar_jp, for your presence and support in tasting salt tongues and bringing far shores near!

𝕊𝕒𝕝𝕥 𝕋𝕠𝕟𝕘𝕦𝕖𝕤 / 𝔽𝕒𝕣 𝕊𝕙𝕠𝕣𝕖𝕤 ℕ𝕖𝕒𝕣
runs until 22 Feb 2026.

📍 Objectifs Lower Galleries
Guided / Curator & Artists’ Tour
🕢 Tue, 31 Jan 2026 | 5pm

Participating Artists
Ayaka Yoshida @dayodayo_999
Liu Liling @frufrull
Ng Hui Hsien @nghuihsien
Susanna Tan @fahfahsaigai
Tamaki Ono @tamaki_ono_
Yang Jie @yj.sg
Yumi Nishimura @yumifonfon

Curated by
Wang Ruobing @wang_ruobing
Yutaka Inagawa @yutaka_inagawa_artwork

Presented by
Comma Space @commaartspace

🔗 Find out more via the link in our bio.
🎬 @_zhenghaoo

✨ Opening TODAY 20 Jan at 6pm ✨

𝕊𝕒𝕝𝕥 𝕋𝕠𝕟𝕘𝕦𝕖𝕤 / 𝔽𝕒𝕣 𝕊𝕙𝕠𝕣𝕖𝕤 ℕ𝕖𝕒𝕣

@objectifscentre
🗓 20 Jan 2026 (Tue)
🕕 6–8pm

🎤 Guest of Honour
Ms Kawabe Akiko
Director, Japan Creative Centre (JCC) @japancreativecentre
Counsellor, Embassy of Japan in Singapore

Participating Artists
Ayaka Yoshida @dayodayo_999
Liu Liling @frufrull
Ng Hui Hsien @nghuihsien
Susanna Tan @fahfahsaigai
Tamaki Ono @tamaki_ono_
Yang Jie @yj.sg
Yumi Nishimura @yumifonfon

Curated by
Wang Ruobing @wang_ruobing
Yutaka Inagawa @yutaka_inagawa_artwork

Presented by
Comma Space @commaartspace

Supported by
National Arts Council @nacsingapore

Venue Supporter
Objectifs Centre for Film and Photography @objectifscentre

Opening Hours
Tue–Sat, 12–7pm
Sun, 12–4pm
Closed on Mondays & Public Holidays

Address
155 Middle Road, Singapore 188977

🎬 @_zhenghaoo

✨ Comma Space is very pleased to present three projects during Singapore Art Week @sgartweek ✨

Salt Tongues | Far Shores Near
🗓 20 Jan – 22 Feb
📍 @objectifscentre

Experiment II 回 by @sai_studios
🗓 21 Jan – 1 Feb
📍 @commaartspace

ZhaiShengJi 宅生记
🗓 26 Oct – 31 Jan
📍 82 Tiong Poh Road & 7 Grange Road

Do check them out!
🔗 Find out more via the link in our bio.

Designed by @cavlkw

Wang Ruobing (SG) @wang_ruobing

📍 Venue
82 Tiong Poh Rd, #01-07
Singapore 160082

1-2. Compressing Green No. 1

Dimensions: Variable
Medium: Mixed media
Year: 2025

Compressing Green No. 1 comprises green-spined books, tightly secured against a domestic pillar using F-clamps. Drawn from the artist’s personal collection accumulated over the past two decades, the selected volumes all engage with themes of nature and the environment.

The work materialises the notion of “green” through compression, translating abstract concerns of ecology and sustainability into a tangible visual and physical gesture. The commonplace F-clamp—an everyday tool for holding and fixing—functions as a metaphor for the fragile containment of ecological knowledge and the pressures embedded within contemporary environmental discourse.

3-4. Toasting Darwin (Collaboration with @sai_studios)

Dimensions: 29 × 29 × 14 cm
Medium: Mixed media
Year: 2009

Toasting Darwin brings into dialogue Charles Darwin’s The Variation of Animals and Plants Under Domestication (1868) with a green bread toaster acquired from a London flea market. Darwin’s seminal text systematically examines how selective breeding and environmental influences generate variation in domesticated species, forming a foundation for his broader theory of evolution.

The toaster—a mass-produced domestic appliance designed to transform raw bread into a consumable state—operates as a material metaphor for human intervention, transformation, and control. By juxtaposing a canonical scientific work with an object of everyday utility, the piece foregrounds the entanglement of knowledge, technology, and the domestication of life in the Anthropocene.
—

Presented as part of ZHAISHENGJI® Chapter 5
📅 26 October 2025 – 31 January 2026

Singapore artists guest-curated by: Wang Ruobing (SG) @wang_ruobing
Cultural Partner: Comma Space @commaartspace

Organised by: Pure ArtLab @pureartlab
Co-organised by: COSPACE @cospacegallery

Wang Ruobing (SG) @wang_ruobing

📍 Venue
82 Tiong Poh Rd, #01-07
Singapore 160082

1-2. Compressing Green No. 1

Dimensions: Variable
Medium: Mixed media
Year: 2025

Compressing Green No. 1 comprises green-spined books, tightly secured against a domestic pillar using F-clamps. Drawn from the artist’s personal collection accumulated over the past two decades, the selected volumes all engage with themes of nature and the environment.

The work materialises the notion of “green” through compression, translating abstract concerns of ecology and sustainability into a tangible visual and physical gesture. The commonplace F-clamp—an everyday tool for holding and fixing—functions as a metaphor for the fragile containment of ecological knowledge and the pressures embedded within contemporary environmental discourse.

3-4. Toasting Darwin (Collaboration with @sai_studios)

Dimensions: 29 × 29 × 14 cm
Medium: Mixed media
Year: 2009

Toasting Darwin brings into dialogue Charles Darwin’s The Variation of Animals and Plants Under Domestication (1868) with a green bread toaster acquired from a London flea market. Darwin’s seminal text systematically examines how selective breeding and environmental influences generate variation in domesticated species, forming a foundation for his broader theory of evolution.

The toaster—a mass-produced domestic appliance designed to transform raw bread into a consumable state—operates as a material metaphor for human intervention, transformation, and control. By juxtaposing a canonical scientific work with an object of everyday utility, the piece foregrounds the entanglement of knowledge, technology, and the domestication of life in the Anthropocene.
—

Presented as part of ZHAISHENGJI® Chapter 5
📅 26 October 2025 – 31 January 2026

Singapore artists guest-curated by: Wang Ruobing (SG) @wang_ruobing
Cultural Partner: Comma Space @commaartspace

Organised by: Pure ArtLab @pureartlab
Co-organised by: COSPACE @cospacegallery

Wang Ruobing (SG) @wang_ruobing

📍 Venue
82 Tiong Poh Rd, #01-07
Singapore 160082

1-2. Compressing Green No. 1

Dimensions: Variable
Medium: Mixed media
Year: 2025

Compressing Green No. 1 comprises green-spined books, tightly secured against a domestic pillar using F-clamps. Drawn from the artist’s personal collection accumulated over the past two decades, the selected volumes all engage with themes of nature and the environment.

The work materialises the notion of “green” through compression, translating abstract concerns of ecology and sustainability into a tangible visual and physical gesture. The commonplace F-clamp—an everyday tool for holding and fixing—functions as a metaphor for the fragile containment of ecological knowledge and the pressures embedded within contemporary environmental discourse.

3-4. Toasting Darwin (Collaboration with @sai_studios)

Dimensions: 29 × 29 × 14 cm
Medium: Mixed media
Year: 2009

Toasting Darwin brings into dialogue Charles Darwin’s The Variation of Animals and Plants Under Domestication (1868) with a green bread toaster acquired from a London flea market. Darwin’s seminal text systematically examines how selective breeding and environmental influences generate variation in domesticated species, forming a foundation for his broader theory of evolution.

The toaster—a mass-produced domestic appliance designed to transform raw bread into a consumable state—operates as a material metaphor for human intervention, transformation, and control. By juxtaposing a canonical scientific work with an object of everyday utility, the piece foregrounds the entanglement of knowledge, technology, and the domestication of life in the Anthropocene.
—

Presented as part of ZHAISHENGJI® Chapter 5
📅 26 October 2025 – 31 January 2026

Singapore artists guest-curated by: Wang Ruobing (SG) @wang_ruobing
Cultural Partner: Comma Space @commaartspace

Organised by: Pure ArtLab @pureartlab
Co-organised by: COSPACE @cospacegallery

Wang Ruobing (SG) @wang_ruobing

📍 Venue
82 Tiong Poh Rd, #01-07
Singapore 160082

1-2. Compressing Green No. 1

Dimensions: Variable
Medium: Mixed media
Year: 2025

Compressing Green No. 1 comprises green-spined books, tightly secured against a domestic pillar using F-clamps. Drawn from the artist’s personal collection accumulated over the past two decades, the selected volumes all engage with themes of nature and the environment.

The work materialises the notion of “green” through compression, translating abstract concerns of ecology and sustainability into a tangible visual and physical gesture. The commonplace F-clamp—an everyday tool for holding and fixing—functions as a metaphor for the fragile containment of ecological knowledge and the pressures embedded within contemporary environmental discourse.

3-4. Toasting Darwin (Collaboration with @sai_studios)

Dimensions: 29 × 29 × 14 cm
Medium: Mixed media
Year: 2009

Toasting Darwin brings into dialogue Charles Darwin’s The Variation of Animals and Plants Under Domestication (1868) with a green bread toaster acquired from a London flea market. Darwin’s seminal text systematically examines how selective breeding and environmental influences generate variation in domesticated species, forming a foundation for his broader theory of evolution.

The toaster—a mass-produced domestic appliance designed to transform raw bread into a consumable state—operates as a material metaphor for human intervention, transformation, and control. By juxtaposing a canonical scientific work with an object of everyday utility, the piece foregrounds the entanglement of knowledge, technology, and the domestication of life in the Anthropocene.
—

Presented as part of ZHAISHENGJI® Chapter 5
📅 26 October 2025 – 31 January 2026

Singapore artists guest-curated by: Wang Ruobing (SG) @wang_ruobing
Cultural Partner: Comma Space @commaartspace

Organised by: Pure ArtLab @pureartlab
Co-organised by: COSPACE @cospacegallery

Wang Ruobing (SG) @wang_ruobing

📍 Venue
82 Tiong Poh Rd, #01-07
Singapore 160082

1-2. Compressing Green No. 1

Dimensions: Variable
Medium: Mixed media
Year: 2025

Compressing Green No. 1 comprises green-spined books, tightly secured against a domestic pillar using F-clamps. Drawn from the artist’s personal collection accumulated over the past two decades, the selected volumes all engage with themes of nature and the environment.

The work materialises the notion of “green” through compression, translating abstract concerns of ecology and sustainability into a tangible visual and physical gesture. The commonplace F-clamp—an everyday tool for holding and fixing—functions as a metaphor for the fragile containment of ecological knowledge and the pressures embedded within contemporary environmental discourse.

3-4. Toasting Darwin (Collaboration with @sai_studios)

Dimensions: 29 × 29 × 14 cm
Medium: Mixed media
Year: 2009

Toasting Darwin brings into dialogue Charles Darwin’s The Variation of Animals and Plants Under Domestication (1868) with a green bread toaster acquired from a London flea market. Darwin’s seminal text systematically examines how selective breeding and environmental influences generate variation in domesticated species, forming a foundation for his broader theory of evolution.

The toaster—a mass-produced domestic appliance designed to transform raw bread into a consumable state—operates as a material metaphor for human intervention, transformation, and control. By juxtaposing a canonical scientific work with an object of everyday utility, the piece foregrounds the entanglement of knowledge, technology, and the domestication of life in the Anthropocene.
—

Presented as part of ZHAISHENGJI® Chapter 5
📅 26 October 2025 – 31 January 2026

Singapore artists guest-curated by: Wang Ruobing (SG) @wang_ruobing
Cultural Partner: Comma Space @commaartspace

Organised by: Pure ArtLab @pureartlab
Co-organised by: COSPACE @cospacegallery

Wang Ruobing (SG) @wang_ruobing

📍 Venue
82 Tiong Poh Rd, #01-07
Singapore 160082

1-2. Compressing Green No. 1

Dimensions: Variable
Medium: Mixed media
Year: 2025

Compressing Green No. 1 comprises green-spined books, tightly secured against a domestic pillar using F-clamps. Drawn from the artist’s personal collection accumulated over the past two decades, the selected volumes all engage with themes of nature and the environment.

The work materialises the notion of “green” through compression, translating abstract concerns of ecology and sustainability into a tangible visual and physical gesture. The commonplace F-clamp—an everyday tool for holding and fixing—functions as a metaphor for the fragile containment of ecological knowledge and the pressures embedded within contemporary environmental discourse.

3-4. Toasting Darwin (Collaboration with @sai_studios)

Dimensions: 29 × 29 × 14 cm
Medium: Mixed media
Year: 2009

Toasting Darwin brings into dialogue Charles Darwin’s The Variation of Animals and Plants Under Domestication (1868) with a green bread toaster acquired from a London flea market. Darwin’s seminal text systematically examines how selective breeding and environmental influences generate variation in domesticated species, forming a foundation for his broader theory of evolution.

The toaster—a mass-produced domestic appliance designed to transform raw bread into a consumable state—operates as a material metaphor for human intervention, transformation, and control. By juxtaposing a canonical scientific work with an object of everyday utility, the piece foregrounds the entanglement of knowledge, technology, and the domestication of life in the Anthropocene.
—

Presented as part of ZHAISHENGJI® Chapter 5
📅 26 October 2025 – 31 January 2026

Singapore artists guest-curated by: Wang Ruobing (SG) @wang_ruobing
Cultural Partner: Comma Space @commaartspace

Organised by: Pure ArtLab @pureartlab
Co-organised by: COSPACE @cospacegallery

Wang Ruobing (SG) @wang_ruobing

📍 Venue
82 Tiong Poh Rd, #01-07
Singapore 160082

1-2. Compressing Green No. 1

Dimensions: Variable
Medium: Mixed media
Year: 2025

Compressing Green No. 1 comprises green-spined books, tightly secured against a domestic pillar using F-clamps. Drawn from the artist’s personal collection accumulated over the past two decades, the selected volumes all engage with themes of nature and the environment.

The work materialises the notion of “green” through compression, translating abstract concerns of ecology and sustainability into a tangible visual and physical gesture. The commonplace F-clamp—an everyday tool for holding and fixing—functions as a metaphor for the fragile containment of ecological knowledge and the pressures embedded within contemporary environmental discourse.

3-4. Toasting Darwin (Collaboration with @sai_studios)

Dimensions: 29 × 29 × 14 cm
Medium: Mixed media
Year: 2009

Toasting Darwin brings into dialogue Charles Darwin’s The Variation of Animals and Plants Under Domestication (1868) with a green bread toaster acquired from a London flea market. Darwin’s seminal text systematically examines how selective breeding and environmental influences generate variation in domesticated species, forming a foundation for his broader theory of evolution.

The toaster—a mass-produced domestic appliance designed to transform raw bread into a consumable state—operates as a material metaphor for human intervention, transformation, and control. By juxtaposing a canonical scientific work with an object of everyday utility, the piece foregrounds the entanglement of knowledge, technology, and the domestication of life in the Anthropocene.
—

Presented as part of ZHAISHENGJI® Chapter 5
📅 26 October 2025 – 31 January 2026

Singapore artists guest-curated by: Wang Ruobing (SG) @wang_ruobing
Cultural Partner: Comma Space @commaartspace

Organised by: Pure ArtLab @pureartlab
Co-organised by: COSPACE @cospacegallery

假期旅途中，接到《联合早报》@zaobaosg 记者孙靖斐的约稿，邀请我分享阅读感受(中文书)。借此机会，记录一下不在艺术工作中的日常与兴趣。

蔡澜《俗得可爱，吃得痛快》："在高压而焦虑的当代社会，蔡澜以近乎“无知”的姿态，构筑起一套属于自己的生活哲学：活成一个“不懂什么是压力的人”；“不偶尔偷懒一下，活着干什么”；“向苦闷报复，是人生一大乐事”；“穿自己的衣服”——这些看似随意的文字，实则饱含历经人生后的豁达与自持."

While traveling, I received an invitation from Sun Jingfei, a journalist with Lianhe Zaobao, to contribute a short piece recommendation on my reading of a Chinese book. Taking this opportunity, I note down a few moments that exist outside my work in art.