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The Night Manager S2.
La Estancia 🌺

This set came with its own challenges.
Heat, humidity, mosquitoes and a location that needed to be completely reimagined.

None of that would have been possible without an extraordinary team.

Huge thanks to Diana Trujillo @ladytrue, whose art direction and leadership carried the construction through extreme conditions. Carpenters, scenic painters, gardeners, props, rigging, location, an entire crew working at high temperatures to transform the space. The result speaks for itself.

Special thanks as well to Melissa Villegas @melaisavs (Set Dec Colombia), whose deep knowledge of local artisans was essential. Together, we searched for a tone deliberately opposed to Roper’s personality, and her team travelled endlessly between Girardot, Bogotá and Medellín to source every object and piece of furniture that helped define that world.

A particular mention to the incredible scenic painters led by Chan Canelo @chancanelo , the murals say everything better than words ever could.

Grateful to @stephenjgarrett for the opportunity, and to Hugh Laurie, who approached the space with curiosity and seriousness, contributing ideas that deepened the character’s sense of captivity. A pleasure to share the set.

The best images are from @deswilliephoto 🙏🏼

Thanks to @iamdavidalba for the work and support on this post and in the whole adventure ❤️

@the_ink_factory_
@character7production
@amazonmgmstudios
@primevideo
@nostromopictures
@bbc
@bbciplayer
@hughlaurieofficial
@twhiddleston
@georgiporgie
@sidsidell
@oh.cronk
#thenightmanager
#productiondesigner
#productiondesign
@british_film_designers_guild
#productiondesignercollective
#fyc

The Night Manager S2.
La Estancia 🌺

This set came with its own challenges.
Heat, humidity, mosquitoes and a location that needed to be completely reimagined.

None of that would have been possible without an extraordinary team.

Huge thanks to Diana Trujillo @ladytrue, whose art direction and leadership carried the construction through extreme conditions. Carpenters, scenic painters, gardeners, props, rigging, location, an entire crew working at high temperatures to transform the space. The result speaks for itself.

Special thanks as well to Melissa Villegas @melaisavs (Set Dec Colombia), whose deep knowledge of local artisans was essential. Together, we searched for a tone deliberately opposed to Roper’s personality, and her team travelled endlessly between Girardot, Bogotá and Medellín to source every object and piece of furniture that helped define that world.

A particular mention to the incredible scenic painters led by Chan Canelo @chancanelo , the murals say everything better than words ever could.

Grateful to @stephenjgarrett for the opportunity, and to Hugh Laurie, who approached the space with curiosity and seriousness, contributing ideas that deepened the character’s sense of captivity. A pleasure to share the set.

The best images are from @deswilliephoto 🙏🏼

Thanks to @iamdavidalba for the work and support on this post and in the whole adventure ❤️

@the_ink_factory_
@character7production
@amazonmgmstudios
@primevideo
@nostromopictures
@bbc
@bbciplayer
@hughlaurieofficial
@twhiddleston
@georgiporgie
@sidsidell
@oh.cronk
#thenightmanager
#productiondesigner
#productiondesign
@british_film_designers_guild
#productiondesignercollective
#fyc

The Night Manager S2.
La Estancia 🌺

This set came with its own challenges.
Heat, humidity, mosquitoes and a location that needed to be completely reimagined.

None of that would have been possible without an extraordinary team.

Huge thanks to Diana Trujillo @ladytrue, whose art direction and leadership carried the construction through extreme conditions. Carpenters, scenic painters, gardeners, props, rigging, location, an entire crew working at high temperatures to transform the space. The result speaks for itself.

Special thanks as well to Melissa Villegas @melaisavs (Set Dec Colombia), whose deep knowledge of local artisans was essential. Together, we searched for a tone deliberately opposed to Roper’s personality, and her team travelled endlessly between Girardot, Bogotá and Medellín to source every object and piece of furniture that helped define that world.

A particular mention to the incredible scenic painters led by Chan Canelo @chancanelo , the murals say everything better than words ever could.

Grateful to @stephenjgarrett for the opportunity, and to Hugh Laurie, who approached the space with curiosity and seriousness, contributing ideas that deepened the character’s sense of captivity. A pleasure to share the set.

The best images are from @deswilliephoto 🙏🏼

Thanks to @iamdavidalba for the work and support on this post and in the whole adventure ❤️

@the_ink_factory_
@character7production
@amazonmgmstudios
@primevideo
@nostromopictures
@bbc
@bbciplayer
@hughlaurieofficial
@twhiddleston
@georgiporgie
@sidsidell
@oh.cronk
#thenightmanager
#productiondesigner
#productiondesign
@british_film_designers_guild
#productiondesignercollective
#fyc

The Night Manager S2.
La Estancia 🌺

This set came with its own challenges.
Heat, humidity, mosquitoes and a location that needed to be completely reimagined.

None of that would have been possible without an extraordinary team.

Huge thanks to Diana Trujillo @ladytrue, whose art direction and leadership carried the construction through extreme conditions. Carpenters, scenic painters, gardeners, props, rigging, location, an entire crew working at high temperatures to transform the space. The result speaks for itself.

Special thanks as well to Melissa Villegas @melaisavs (Set Dec Colombia), whose deep knowledge of local artisans was essential. Together, we searched for a tone deliberately opposed to Roper’s personality, and her team travelled endlessly between Girardot, Bogotá and Medellín to source every object and piece of furniture that helped define that world.

A particular mention to the incredible scenic painters led by Chan Canelo @chancanelo , the murals say everything better than words ever could.

Grateful to @stephenjgarrett for the opportunity, and to Hugh Laurie, who approached the space with curiosity and seriousness, contributing ideas that deepened the character’s sense of captivity. A pleasure to share the set.

The best images are from @deswilliephoto 🙏🏼

Thanks to @iamdavidalba for the work and support on this post and in the whole adventure ❤️

@the_ink_factory_
@character7production
@amazonmgmstudios
@primevideo
@nostromopictures
@bbc
@bbciplayer
@hughlaurieofficial
@twhiddleston
@georgiporgie
@sidsidell
@oh.cronk
#thenightmanager
#productiondesigner
#productiondesign
@british_film_designers_guild
#productiondesignercollective
#fyc

The Night Manager S2.
La Estancia 🌺

This set came with its own challenges.
Heat, humidity, mosquitoes and a location that needed to be completely reimagined.

None of that would have been possible without an extraordinary team.

Huge thanks to Diana Trujillo @ladytrue, whose art direction and leadership carried the construction through extreme conditions. Carpenters, scenic painters, gardeners, props, rigging, location, an entire crew working at high temperatures to transform the space. The result speaks for itself.

Special thanks as well to Melissa Villegas @melaisavs (Set Dec Colombia), whose deep knowledge of local artisans was essential. Together, we searched for a tone deliberately opposed to Roper’s personality, and her team travelled endlessly between Girardot, Bogotá and Medellín to source every object and piece of furniture that helped define that world.

A particular mention to the incredible scenic painters led by Chan Canelo @chancanelo , the murals say everything better than words ever could.

Grateful to @stephenjgarrett for the opportunity, and to Hugh Laurie, who approached the space with curiosity and seriousness, contributing ideas that deepened the character’s sense of captivity. A pleasure to share the set.

The best images are from @deswilliephoto 🙏🏼

Thanks to @iamdavidalba for the work and support on this post and in the whole adventure ❤️

@the_ink_factory_
@character7production
@amazonmgmstudios
@primevideo
@nostromopictures
@bbc
@bbciplayer
@hughlaurieofficial
@twhiddleston
@georgiporgie
@sidsidell
@oh.cronk
#thenightmanager
#productiondesigner
#productiondesign
@british_film_designers_guild
#productiondesignercollective
#fyc

The Night Manager S2.
La Estancia 🌺

This set came with its own challenges.
Heat, humidity, mosquitoes and a location that needed to be completely reimagined.

None of that would have been possible without an extraordinary team.

Huge thanks to Diana Trujillo @ladytrue, whose art direction and leadership carried the construction through extreme conditions. Carpenters, scenic painters, gardeners, props, rigging, location, an entire crew working at high temperatures to transform the space. The result speaks for itself.

Special thanks as well to Melissa Villegas @melaisavs (Set Dec Colombia), whose deep knowledge of local artisans was essential. Together, we searched for a tone deliberately opposed to Roper’s personality, and her team travelled endlessly between Girardot, Bogotá and Medellín to source every object and piece of furniture that helped define that world.

A particular mention to the incredible scenic painters led by Chan Canelo @chancanelo , the murals say everything better than words ever could.

Grateful to @stephenjgarrett for the opportunity, and to Hugh Laurie, who approached the space with curiosity and seriousness, contributing ideas that deepened the character’s sense of captivity. A pleasure to share the set.

The best images are from @deswilliephoto 🙏🏼

Thanks to @iamdavidalba for the work and support on this post and in the whole adventure ❤️

@the_ink_factory_
@character7production
@amazonmgmstudios
@primevideo
@nostromopictures
@bbc
@bbciplayer
@hughlaurieofficial
@twhiddleston
@georgiporgie
@sidsidell
@oh.cronk
#thenightmanager
#productiondesigner
#productiondesign
@british_film_designers_guild
#productiondesignercollective
#fyc

The Night Manager S2.
La Estancia 🌺

This set came with its own challenges.
Heat, humidity, mosquitoes and a location that needed to be completely reimagined.

None of that would have been possible without an extraordinary team.

Huge thanks to Diana Trujillo @ladytrue, whose art direction and leadership carried the construction through extreme conditions. Carpenters, scenic painters, gardeners, props, rigging, location, an entire crew working at high temperatures to transform the space. The result speaks for itself.

Special thanks as well to Melissa Villegas @melaisavs (Set Dec Colombia), whose deep knowledge of local artisans was essential. Together, we searched for a tone deliberately opposed to Roper’s personality, and her team travelled endlessly between Girardot, Bogotá and Medellín to source every object and piece of furniture that helped define that world.

A particular mention to the incredible scenic painters led by Chan Canelo @chancanelo , the murals say everything better than words ever could.

Grateful to @stephenjgarrett for the opportunity, and to Hugh Laurie, who approached the space with curiosity and seriousness, contributing ideas that deepened the character’s sense of captivity. A pleasure to share the set.

The best images are from @deswilliephoto 🙏🏼

Thanks to @iamdavidalba for the work and support on this post and in the whole adventure ❤️

@the_ink_factory_
@character7production
@amazonmgmstudios
@primevideo
@nostromopictures
@bbc
@bbciplayer
@hughlaurieofficial
@twhiddleston
@georgiporgie
@sidsidell
@oh.cronk
#thenightmanager
#productiondesigner
#productiondesign
@british_film_designers_guild
#productiondesignercollective
#fyc

The Night Manager S2.
La Estancia 🌺

This set came with its own challenges.
Heat, humidity, mosquitoes and a location that needed to be completely reimagined.

None of that would have been possible without an extraordinary team.

Huge thanks to Diana Trujillo @ladytrue, whose art direction and leadership carried the construction through extreme conditions. Carpenters, scenic painters, gardeners, props, rigging, location, an entire crew working at high temperatures to transform the space. The result speaks for itself.

Special thanks as well to Melissa Villegas @melaisavs (Set Dec Colombia), whose deep knowledge of local artisans was essential. Together, we searched for a tone deliberately opposed to Roper’s personality, and her team travelled endlessly between Girardot, Bogotá and Medellín to source every object and piece of furniture that helped define that world.

A particular mention to the incredible scenic painters led by Chan Canelo @chancanelo , the murals say everything better than words ever could.

Grateful to @stephenjgarrett for the opportunity, and to Hugh Laurie, who approached the space with curiosity and seriousness, contributing ideas that deepened the character’s sense of captivity. A pleasure to share the set.

The best images are from @deswilliephoto 🙏🏼

Thanks to @iamdavidalba for the work and support on this post and in the whole adventure ❤️

@the_ink_factory_
@character7production
@amazonmgmstudios
@primevideo
@nostromopictures
@bbc
@bbciplayer
@hughlaurieofficial
@twhiddleston
@georgiporgie
@sidsidell
@oh.cronk
#thenightmanager
#productiondesigner
#productiondesign
@british_film_designers_guild
#productiondesignercollective
#fyc

The Night Manager S2.
La Estancia 🌺

This set came with its own challenges.
Heat, humidity, mosquitoes and a location that needed to be completely reimagined.

None of that would have been possible without an extraordinary team.

Huge thanks to Diana Trujillo @ladytrue, whose art direction and leadership carried the construction through extreme conditions. Carpenters, scenic painters, gardeners, props, rigging, location, an entire crew working at high temperatures to transform the space. The result speaks for itself.

Special thanks as well to Melissa Villegas @melaisavs (Set Dec Colombia), whose deep knowledge of local artisans was essential. Together, we searched for a tone deliberately opposed to Roper’s personality, and her team travelled endlessly between Girardot, Bogotá and Medellín to source every object and piece of furniture that helped define that world.

A particular mention to the incredible scenic painters led by Chan Canelo @chancanelo , the murals say everything better than words ever could.

Grateful to @stephenjgarrett for the opportunity, and to Hugh Laurie, who approached the space with curiosity and seriousness, contributing ideas that deepened the character’s sense of captivity. A pleasure to share the set.

The best images are from @deswilliephoto 🙏🏼

Thanks to @iamdavidalba for the work and support on this post and in the whole adventure ❤️

@the_ink_factory_
@character7production
@amazonmgmstudios
@primevideo
@nostromopictures
@bbc
@bbciplayer
@hughlaurieofficial
@twhiddleston
@georgiporgie
@sidsidell
@oh.cronk
#thenightmanager
#productiondesigner
#productiondesign
@british_film_designers_guild
#productiondesignercollective
#fyc

The Night Manager S2.
La Estancia 🌺

This set came with its own challenges.
Heat, humidity, mosquitoes and a location that needed to be completely reimagined.

None of that would have been possible without an extraordinary team.

Huge thanks to Diana Trujillo @ladytrue, whose art direction and leadership carried the construction through extreme conditions. Carpenters, scenic painters, gardeners, props, rigging, location, an entire crew working at high temperatures to transform the space. The result speaks for itself.

Special thanks as well to Melissa Villegas @melaisavs (Set Dec Colombia), whose deep knowledge of local artisans was essential. Together, we searched for a tone deliberately opposed to Roper’s personality, and her team travelled endlessly between Girardot, Bogotá and Medellín to source every object and piece of furniture that helped define that world.

A particular mention to the incredible scenic painters led by Chan Canelo @chancanelo , the murals say everything better than words ever could.

Grateful to @stephenjgarrett for the opportunity, and to Hugh Laurie, who approached the space with curiosity and seriousness, contributing ideas that deepened the character’s sense of captivity. A pleasure to share the set.

The best images are from @deswilliephoto 🙏🏼

Thanks to @iamdavidalba for the work and support on this post and in the whole adventure ❤️

@the_ink_factory_
@character7production
@amazonmgmstudios
@primevideo
@nostromopictures
@bbc
@bbciplayer
@hughlaurieofficial
@twhiddleston
@georgiporgie
@sidsidell
@oh.cronk
#thenightmanager
#productiondesigner
#productiondesign
@british_film_designers_guild
#productiondesignercollective
#fyc

The Night Manager S2

Not everything on screen is telling the truth.

Creating Syria in the south of Tenerife.

An arid landscape, volcanic ground, harsh light, a location that was technically a lie, but emotionally perfect for the story we needed to tell.

These scenes were shot at the very end of a long shoot.
And somehow, it felt right that the beginning of Season 2 came at the end of our journey.

It was also a special moment to see Olivia Colman, Hugh Laurie and Tom Hiddleston together one last time a quiet tribute to the saga and to everything built along the way.

Syria was clear how to face it. Thanks to my concept artist @beaconceptart , my art director @hectorayu and his assistant @weltschmerz__c , for the mural work and to the talented scenic painter @chancanelo , whose brushwork added depth and authenticity to the space.

Syria wasn’t Syria.
But the story and the work was real.

Prod. Exec: @stephenjgarrett
Director: @georgiporgie
Dop: @sidsidell
Costume designer: @oh.cronk
📸: @deswilliephoto

@twhiddleston
@olivia_colman_official
@hughlaurieofficial
@character7production
@the_ink_factory_
@amazonmgmstudios
@primevideo
@bbc
#thenightmanager #productiondesign #productiondesigner @british_film_designers_guild #productiondesignercollective
#fyc

The Night Manager S2

Not everything on screen is telling the truth.

Creating Syria in the south of Tenerife.

An arid landscape, volcanic ground, harsh light, a location that was technically a lie, but emotionally perfect for the story we needed to tell.

These scenes were shot at the very end of a long shoot.
And somehow, it felt right that the beginning of Season 2 came at the end of our journey.

It was also a special moment to see Olivia Colman, Hugh Laurie and Tom Hiddleston together one last time a quiet tribute to the saga and to everything built along the way.

Syria was clear how to face it. Thanks to my concept artist @beaconceptart , my art director @hectorayu and his assistant @weltschmerz__c , for the mural work and to the talented scenic painter @chancanelo , whose brushwork added depth and authenticity to the space.

Syria wasn’t Syria.
But the story and the work was real.

Prod. Exec: @stephenjgarrett
Director: @georgiporgie
Dop: @sidsidell
Costume designer: @oh.cronk
📸: @deswilliephoto

@twhiddleston
@olivia_colman_official
@hughlaurieofficial
@character7production
@the_ink_factory_
@amazonmgmstudios
@primevideo
@bbc
#thenightmanager #productiondesign #productiondesigner @british_film_designers_guild #productiondesignercollective
#fyc

The Night Manager S2

Not everything on screen is telling the truth.

Creating Syria in the south of Tenerife.

An arid landscape, volcanic ground, harsh light, a location that was technically a lie, but emotionally perfect for the story we needed to tell.

These scenes were shot at the very end of a long shoot.
And somehow, it felt right that the beginning of Season 2 came at the end of our journey.

It was also a special moment to see Olivia Colman, Hugh Laurie and Tom Hiddleston together one last time a quiet tribute to the saga and to everything built along the way.

Syria was clear how to face it. Thanks to my concept artist @beaconceptart , my art director @hectorayu and his assistant @weltschmerz__c , for the mural work and to the talented scenic painter @chancanelo , whose brushwork added depth and authenticity to the space.

Syria wasn’t Syria.
But the story and the work was real.

Prod. Exec: @stephenjgarrett
Director: @georgiporgie
Dop: @sidsidell
Costume designer: @oh.cronk
📸: @deswilliephoto

@twhiddleston
@olivia_colman_official
@hughlaurieofficial
@character7production
@the_ink_factory_
@amazonmgmstudios
@primevideo
@bbc
#thenightmanager #productiondesign #productiondesigner @british_film_designers_guild #productiondesignercollective
#fyc

The Night Manager S2

Not everything on screen is telling the truth.

Creating Syria in the south of Tenerife.

An arid landscape, volcanic ground, harsh light, a location that was technically a lie, but emotionally perfect for the story we needed to tell.

These scenes were shot at the very end of a long shoot.
And somehow, it felt right that the beginning of Season 2 came at the end of our journey.

It was also a special moment to see Olivia Colman, Hugh Laurie and Tom Hiddleston together one last time a quiet tribute to the saga and to everything built along the way.

Syria was clear how to face it. Thanks to my concept artist @beaconceptart , my art director @hectorayu and his assistant @weltschmerz__c , for the mural work and to the talented scenic painter @chancanelo , whose brushwork added depth and authenticity to the space.

Syria wasn’t Syria.
But the story and the work was real.

Prod. Exec: @stephenjgarrett
Director: @georgiporgie
Dop: @sidsidell
Costume designer: @oh.cronk
📸: @deswilliephoto

@twhiddleston
@olivia_colman_official
@hughlaurieofficial
@character7production
@the_ink_factory_
@amazonmgmstudios
@primevideo
@bbc
#thenightmanager #productiondesign #productiondesigner @british_film_designers_guild #productiondesignercollective
#fyc

The Night Manager S2

Not everything on screen is telling the truth.

Creating Syria in the south of Tenerife.

An arid landscape, volcanic ground, harsh light, a location that was technically a lie, but emotionally perfect for the story we needed to tell.

These scenes were shot at the very end of a long shoot.
And somehow, it felt right that the beginning of Season 2 came at the end of our journey.

It was also a special moment to see Olivia Colman, Hugh Laurie and Tom Hiddleston together one last time a quiet tribute to the saga and to everything built along the way.

Syria was clear how to face it. Thanks to my concept artist @beaconceptart , my art director @hectorayu and his assistant @weltschmerz__c , for the mural work and to the talented scenic painter @chancanelo , whose brushwork added depth and authenticity to the space.

Syria wasn’t Syria.
But the story and the work was real.

Prod. Exec: @stephenjgarrett
Director: @georgiporgie
Dop: @sidsidell
Costume designer: @oh.cronk
📸: @deswilliephoto

@twhiddleston
@olivia_colman_official
@hughlaurieofficial
@character7production
@the_ink_factory_
@amazonmgmstudios
@primevideo
@bbc
#thenightmanager #productiondesign #productiondesigner @british_film_designers_guild #productiondesignercollective
#fyc

The Night Manager S2

Not everything on screen is telling the truth.

Creating Syria in the south of Tenerife.

An arid landscape, volcanic ground, harsh light, a location that was technically a lie, but emotionally perfect for the story we needed to tell.

These scenes were shot at the very end of a long shoot.
And somehow, it felt right that the beginning of Season 2 came at the end of our journey.

It was also a special moment to see Olivia Colman, Hugh Laurie and Tom Hiddleston together one last time a quiet tribute to the saga and to everything built along the way.

Syria was clear how to face it. Thanks to my concept artist @beaconceptart , my art director @hectorayu and his assistant @weltschmerz__c , for the mural work and to the talented scenic painter @chancanelo , whose brushwork added depth and authenticity to the space.

Syria wasn’t Syria.
But the story and the work was real.

Prod. Exec: @stephenjgarrett
Director: @georgiporgie
Dop: @sidsidell
Costume designer: @oh.cronk
📸: @deswilliephoto

@twhiddleston
@olivia_colman_official
@hughlaurieofficial
@character7production
@the_ink_factory_
@amazonmgmstudios
@primevideo
@bbc
#thenightmanager #productiondesign #productiondesigner @british_film_designers_guild #productiondesignercollective
#fyc

The Night Manager S2

Not everything on screen is telling the truth.

Creating Syria in the south of Tenerife.

An arid landscape, volcanic ground, harsh light, a location that was technically a lie, but emotionally perfect for the story we needed to tell.

These scenes were shot at the very end of a long shoot.
And somehow, it felt right that the beginning of Season 2 came at the end of our journey.

It was also a special moment to see Olivia Colman, Hugh Laurie and Tom Hiddleston together one last time a quiet tribute to the saga and to everything built along the way.

Syria was clear how to face it. Thanks to my concept artist @beaconceptart , my art director @hectorayu and his assistant @weltschmerz__c , for the mural work and to the talented scenic painter @chancanelo , whose brushwork added depth and authenticity to the space.

Syria wasn’t Syria.
But the story and the work was real.

Prod. Exec: @stephenjgarrett
Director: @georgiporgie
Dop: @sidsidell
Costume designer: @oh.cronk
📸: @deswilliephoto

@twhiddleston
@olivia_colman_official
@hughlaurieofficial
@character7production
@the_ink_factory_
@amazonmgmstudios
@primevideo
@bbc
#thenightmanager #productiondesign #productiondesigner @british_film_designers_guild #productiondesignercollective
#fyc

The Night Manager S2

Not everything on screen is telling the truth.

Creating Syria in the south of Tenerife.

An arid landscape, volcanic ground, harsh light, a location that was technically a lie, but emotionally perfect for the story we needed to tell.

These scenes were shot at the very end of a long shoot.
And somehow, it felt right that the beginning of Season 2 came at the end of our journey.

It was also a special moment to see Olivia Colman, Hugh Laurie and Tom Hiddleston together one last time a quiet tribute to the saga and to everything built along the way.

Syria was clear how to face it. Thanks to my concept artist @beaconceptart , my art director @hectorayu and his assistant @weltschmerz__c , for the mural work and to the talented scenic painter @chancanelo , whose brushwork added depth and authenticity to the space.

Syria wasn’t Syria.
But the story and the work was real.

Prod. Exec: @stephenjgarrett
Director: @georgiporgie
Dop: @sidsidell
Costume designer: @oh.cronk
📸: @deswilliephoto

@twhiddleston
@olivia_colman_official
@hughlaurieofficial
@character7production
@the_ink_factory_
@amazonmgmstudios
@primevideo
@bbc
#thenightmanager #productiondesign #productiondesigner @british_film_designers_guild #productiondesignercollective
#fyc

The Night Manager S2

Not everything on screen is telling the truth.

Creating Syria in the south of Tenerife.

An arid landscape, volcanic ground, harsh light, a location that was technically a lie, but emotionally perfect for the story we needed to tell.

These scenes were shot at the very end of a long shoot.
And somehow, it felt right that the beginning of Season 2 came at the end of our journey.

It was also a special moment to see Olivia Colman, Hugh Laurie and Tom Hiddleston together one last time a quiet tribute to the saga and to everything built along the way.

Syria was clear how to face it. Thanks to my concept artist @beaconceptart , my art director @hectorayu and his assistant @weltschmerz__c , for the mural work and to the talented scenic painter @chancanelo , whose brushwork added depth and authenticity to the space.

Syria wasn’t Syria.
But the story and the work was real.

Prod. Exec: @stephenjgarrett
Director: @georgiporgie
Dop: @sidsidell
Costume designer: @oh.cronk
📸: @deswilliephoto

@twhiddleston
@olivia_colman_official
@hughlaurieofficial
@character7production
@the_ink_factory_
@amazonmgmstudios
@primevideo
@bbc
#thenightmanager #productiondesign #productiondesigner @british_film_designers_guild #productiondesignercollective
#fyc

The Night Manager S2

Not everything on screen is telling the truth.

Creating Syria in the south of Tenerife.

An arid landscape, volcanic ground, harsh light, a location that was technically a lie, but emotionally perfect for the story we needed to tell.

These scenes were shot at the very end of a long shoot.
And somehow, it felt right that the beginning of Season 2 came at the end of our journey.

It was also a special moment to see Olivia Colman, Hugh Laurie and Tom Hiddleston together one last time a quiet tribute to the saga and to everything built along the way.

Syria was clear how to face it. Thanks to my concept artist @beaconceptart , my art director @hectorayu and his assistant @weltschmerz__c , for the mural work and to the talented scenic painter @chancanelo , whose brushwork added depth and authenticity to the space.

Syria wasn’t Syria.
But the story and the work was real.

Prod. Exec: @stephenjgarrett
Director: @georgiporgie
Dop: @sidsidell
Costume designer: @oh.cronk
📸: @deswilliephoto

@twhiddleston
@olivia_colman_official
@hughlaurieofficial
@character7production
@the_ink_factory_
@amazonmgmstudios
@primevideo
@bbc
#thenightmanager #productiondesign #productiondesigner @british_film_designers_guild #productiondesignercollective
#fyc

The Night Manager S2

Not everything on screen is telling the truth.

Creating Syria in the south of Tenerife.

An arid landscape, volcanic ground, harsh light, a location that was technically a lie, but emotionally perfect for the story we needed to tell.

These scenes were shot at the very end of a long shoot.
And somehow, it felt right that the beginning of Season 2 came at the end of our journey.

It was also a special moment to see Olivia Colman, Hugh Laurie and Tom Hiddleston together one last time a quiet tribute to the saga and to everything built along the way.

Syria was clear how to face it. Thanks to my concept artist @beaconceptart , my art director @hectorayu and his assistant @weltschmerz__c , for the mural work and to the talented scenic painter @chancanelo , whose brushwork added depth and authenticity to the space.

Syria wasn’t Syria.
But the story and the work was real.

Prod. Exec: @stephenjgarrett
Director: @georgiporgie
Dop: @sidsidell
Costume designer: @oh.cronk
📸: @deswilliephoto

@twhiddleston
@olivia_colman_official
@hughlaurieofficial
@character7production
@the_ink_factory_
@amazonmgmstudios
@primevideo
@bbc
#thenightmanager #productiondesign #productiondesigner @british_film_designers_guild #productiondesignercollective
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

FARC Guerrilla Camp. Building the jungle. The Night Manager 2

Early location work in Colombia made one thing clear: shooting in a real mountain jungle simply wasn’t possible.
By the time we reached the final stretch of filming in Tenerife, we had to face reality, both the guerrilla camp and the final weapon delivery sequence would have to take place in a jungle we built ourselves.

So we did.

The process was rooted in documentation of real FARC camps in the Colombian mountains, layout, hierarchy, materials, atmosphere. Even the smallest details mattered, including the graphic language of the camp. Huge thanks to our lead graphic designer David Alba @iamdavidalba , whose work across the entire series added authenticity in ways that should pass unnoticed - which is exactly the point.

The construction of the camp itself was made possible thanks to art director Joan Martí, his assistant @bllargues and set designer @c.h.chapmankan , who developed and built the space and weapon with precision and care.

And then came the jungle.

Vegetation is expensive, complex and unforgiving, but our Greens team, led by David Carr @greensmanspain , took on the challenge at the very last moment and delivered a dense, believable environment with total professionalism.

Not a real jungle.

Just a very determined art department.

Exec. Producer: @stephenjgarrett
Exec. Producer/Director: @georgiporgie
Still photographer: @deswilliephoto
Concept artist: @beaconceptart

@the_ink_factory_
@character7production
@amazonmgmstudios
@bbc
@nostromopictures
@twhiddleston
@hughlaurieofficial
@diegocalva
@british_film_designers_guild
@productiondesignerscollective
#thenightmanager
#productiondesing
#productiondesigner
#tvseries
#fyc

Join us for a webinar with production designers Jamie Lapsley, Diana Trujillo, Mara LePere-Schloop, Tracey Collins and Victor Molero as they discuss how to implement self-promotion practices.

Saturday | May 16 | 3 PM ET
Online
RSVP via link in bio

This panel serves as the "boots-on-the-ground” in practice follow-up to the agents' strategic seminar last month. While the agents discuss what they need, the designers will discuss how they actually get it done amidst long shoot days.

Today we’re spotlighting PDC Member and Supporter Víctor Molero!

@vimolero is a Spanish production designer with an international career across film and television. Born in Granada and trained in Fine Arts and at Madrid’s Royal School of Dramatic Arts, he combines a painter’s sense of composition with a theatrical approach to narrative space.

He began in theatre and Spanish auteur cinema, collaborating with filmmakers including Pedro Almodóvar, Icíar Bollaín, and Julio Medem, and has since designed for major productions such as The Night Manager 2, A Gentleman in Moscow, Culprits, Now and Then, and The Irregulars.

His work on A Gentleman in Moscow earned him a 2025 British Film Designers Guild Award nomination, reflecting his ability to create spaces that express emotional and psychological depth.

Check out Víctor’s member page on the PDC website to learn more about his work. Link in our Linktree!
_________________________

Are you a member of the Collective interested in being featured on our website and in future supporter spotlights? Become a PDC Supporter!

When you support the PDC with a donation, you’ll be featured on the PDC website and receive full access to PD360, our online community offering colleagues a space for real-time conversations, collaboration, and peer-to-peer support. Link in our Linktree!

Today we’re spotlighting PDC Member and Supporter Víctor Molero!

@vimolero is a Spanish production designer with an international career across film and television. Born in Granada and trained in Fine Arts and at Madrid’s Royal School of Dramatic Arts, he combines a painter’s sense of composition with a theatrical approach to narrative space.

He began in theatre and Spanish auteur cinema, collaborating with filmmakers including Pedro Almodóvar, Icíar Bollaín, and Julio Medem, and has since designed for major productions such as The Night Manager 2, A Gentleman in Moscow, Culprits, Now and Then, and The Irregulars.

His work on A Gentleman in Moscow earned him a 2025 British Film Designers Guild Award nomination, reflecting his ability to create spaces that express emotional and psychological depth.

Check out Víctor’s member page on the PDC website to learn more about his work. Link in our Linktree!
_________________________

Are you a member of the Collective interested in being featured on our website and in future supporter spotlights? Become a PDC Supporter!

When you support the PDC with a donation, you’ll be featured on the PDC website and receive full access to PD360, our online community offering colleagues a space for real-time conversations, collaboration, and peer-to-peer support. Link in our Linktree!

Today we’re spotlighting PDC Member and Supporter Víctor Molero!

@vimolero is a Spanish production designer with an international career across film and television. Born in Granada and trained in Fine Arts and at Madrid’s Royal School of Dramatic Arts, he combines a painter’s sense of composition with a theatrical approach to narrative space.

He began in theatre and Spanish auteur cinema, collaborating with filmmakers including Pedro Almodóvar, Icíar Bollaín, and Julio Medem, and has since designed for major productions such as The Night Manager 2, A Gentleman in Moscow, Culprits, Now and Then, and The Irregulars.

His work on A Gentleman in Moscow earned him a 2025 British Film Designers Guild Award nomination, reflecting his ability to create spaces that express emotional and psychological depth.

Check out Víctor’s member page on the PDC website to learn more about his work. Link in our Linktree!
_________________________

Are you a member of the Collective interested in being featured on our website and in future supporter spotlights? Become a PDC Supporter!

When you support the PDC with a donation, you’ll be featured on the PDC website and receive full access to PD360, our online community offering colleagues a space for real-time conversations, collaboration, and peer-to-peer support. Link in our Linktree!

Today we’re spotlighting PDC Member and Supporter Víctor Molero!

@vimolero is a Spanish production designer with an international career across film and television. Born in Granada and trained in Fine Arts and at Madrid’s Royal School of Dramatic Arts, he combines a painter’s sense of composition with a theatrical approach to narrative space.

He began in theatre and Spanish auteur cinema, collaborating with filmmakers including Pedro Almodóvar, Icíar Bollaín, and Julio Medem, and has since designed for major productions such as The Night Manager 2, A Gentleman in Moscow, Culprits, Now and Then, and The Irregulars.

His work on A Gentleman in Moscow earned him a 2025 British Film Designers Guild Award nomination, reflecting his ability to create spaces that express emotional and psychological depth.

Check out Víctor’s member page on the PDC website to learn more about his work. Link in our Linktree!
_________________________

Are you a member of the Collective interested in being featured on our website and in future supporter spotlights? Become a PDC Supporter!

When you support the PDC with a donation, you’ll be featured on the PDC website and receive full access to PD360, our online community offering colleagues a space for real-time conversations, collaboration, and peer-to-peer support. Link in our Linktree!

Today we’re spotlighting PDC Member and Supporter Víctor Molero!

@vimolero is a Spanish production designer with an international career across film and television. Born in Granada and trained in Fine Arts and at Madrid’s Royal School of Dramatic Arts, he combines a painter’s sense of composition with a theatrical approach to narrative space.

He began in theatre and Spanish auteur cinema, collaborating with filmmakers including Pedro Almodóvar, Icíar Bollaín, and Julio Medem, and has since designed for major productions such as The Night Manager 2, A Gentleman in Moscow, Culprits, Now and Then, and The Irregulars.

His work on A Gentleman in Moscow earned him a 2025 British Film Designers Guild Award nomination, reflecting his ability to create spaces that express emotional and psychological depth.

Check out Víctor’s member page on the PDC website to learn more about his work. Link in our Linktree!
_________________________

Are you a member of the Collective interested in being featured on our website and in future supporter spotlights? Become a PDC Supporter!

When you support the PDC with a donation, you’ll be featured on the PDC website and receive full access to PD360, our online community offering colleagues a space for real-time conversations, collaboration, and peer-to-peer support. Link in our Linktree!

Today we’re spotlighting PDC Member and Supporter Víctor Molero!

@vimolero is a Spanish production designer with an international career across film and television. Born in Granada and trained in Fine Arts and at Madrid’s Royal School of Dramatic Arts, he combines a painter’s sense of composition with a theatrical approach to narrative space.

He began in theatre and Spanish auteur cinema, collaborating with filmmakers including Pedro Almodóvar, Icíar Bollaín, and Julio Medem, and has since designed for major productions such as The Night Manager 2, A Gentleman in Moscow, Culprits, Now and Then, and The Irregulars.

His work on A Gentleman in Moscow earned him a 2025 British Film Designers Guild Award nomination, reflecting his ability to create spaces that express emotional and psychological depth.

Check out Víctor’s member page on the PDC website to learn more about his work. Link in our Linktree!
_________________________

Are you a member of the Collective interested in being featured on our website and in future supporter spotlights? Become a PDC Supporter!

When you support the PDC with a donation, you’ll be featured on the PDC website and receive full access to PD360, our online community offering colleagues a space for real-time conversations, collaboration, and peer-to-peer support. Link in our Linktree!

Today we’re spotlighting PDC Member and Supporter Víctor Molero!

@vimolero is a Spanish production designer with an international career across film and television. Born in Granada and trained in Fine Arts and at Madrid’s Royal School of Dramatic Arts, he combines a painter’s sense of composition with a theatrical approach to narrative space.

He began in theatre and Spanish auteur cinema, collaborating with filmmakers including Pedro Almodóvar, Icíar Bollaín, and Julio Medem, and has since designed for major productions such as The Night Manager 2, A Gentleman in Moscow, Culprits, Now and Then, and The Irregulars.

His work on A Gentleman in Moscow earned him a 2025 British Film Designers Guild Award nomination, reflecting his ability to create spaces that express emotional and psychological depth.

Check out Víctor’s member page on the PDC website to learn more about his work. Link in our Linktree!
_________________________

Are you a member of the Collective interested in being featured on our website and in future supporter spotlights? Become a PDC Supporter!

When you support the PDC with a donation, you’ll be featured on the PDC website and receive full access to PD360, our online community offering colleagues a space for real-time conversations, collaboration, and peer-to-peer support. Link in our Linktree!

Sometimes you look for a jungle.
Sometimes you have to build it.

Very happy to share this conversation with @forbes about designing The Night Manager
Thank you @rachel.elspeth.gross 🙏🏼

@amazonmgmstudios
@the_ink_factory_
@character7production
#thenightmanager #productiondesign #productiondesigners #series #foryourconsideration

Sometimes you look for a jungle.
Sometimes you have to build it.

Very happy to share this conversation with @forbes about designing The Night Manager
Thank you @rachel.elspeth.gross 🙏🏼

@amazonmgmstudios
@the_ink_factory_
@character7production
#thenightmanager #productiondesign #productiondesigners #series #foryourconsideration

Sometimes you look for a jungle.
Sometimes you have to build it.

Very happy to share this conversation with @forbes about designing The Night Manager
Thank you @rachel.elspeth.gross 🙏🏼

@amazonmgmstudios
@the_ink_factory_
@character7production
#thenightmanager #productiondesign #productiondesigners #series #foryourconsideration

Sometimes you look for a jungle.
Sometimes you have to build it.

Very happy to share this conversation with @forbes about designing The Night Manager
Thank you @rachel.elspeth.gross 🙏🏼

@amazonmgmstudios
@the_ink_factory_
@character7production
#thenightmanager #productiondesign #productiondesigners #series #foryourconsideration

They found and renovated an abandoned Narco Era home in a secluded Colombian forest for the second season of The Night Manager.
Guest: @vimolero Production Designer
.
.
#filmmaking #filmmaker #movie #movies #productiondesign

Thank you to @filmandfurniture for the generous feature on the production design of The Night Manager.

It was a pleasure to reflect on building these worlds, shaping interiors as psychological landscape and working across cultures and countries.

Grateful to @deswilliephoto for the stunning stills and the best graphic designer ever @iamdavidalba ❤️

@character7production
@the_ink_factory_
@amazonmgmstudios
@bbc
@twhiddleston
#productiondesigner
#productiodesign
#tvseries
#thenightmanager
#foryourconsideration

Thank you to @filmandfurniture for the generous feature on the production design of The Night Manager.

It was a pleasure to reflect on building these worlds, shaping interiors as psychological landscape and working across cultures and countries.

Grateful to @deswilliephoto for the stunning stills and the best graphic designer ever @iamdavidalba ❤️

@character7production
@the_ink_factory_
@amazonmgmstudios
@bbc
@twhiddleston
#productiondesigner
#productiodesign
#tvseries
#thenightmanager
#foryourconsideration

Thank you to @filmandfurniture for the generous feature on the production design of The Night Manager.

It was a pleasure to reflect on building these worlds, shaping interiors as psychological landscape and working across cultures and countries.

Grateful to @deswilliephoto for the stunning stills and the best graphic designer ever @iamdavidalba ❤️

@character7production
@the_ink_factory_
@amazonmgmstudios
@bbc
@twhiddleston
#productiondesigner
#productiodesign
#tvseries
#thenightmanager
#foryourconsideration

Thank you to @filmandfurniture for the generous feature on the production design of The Night Manager.

It was a pleasure to reflect on building these worlds, shaping interiors as psychological landscape and working across cultures and countries.

Grateful to @deswilliephoto for the stunning stills and the best graphic designer ever @iamdavidalba ❤️

@character7production
@the_ink_factory_
@amazonmgmstudios
@bbc
@twhiddleston
#productiondesigner
#productiodesign
#tvseries
#thenightmanager
#foryourconsideration

Thank you to @filmandfurniture for the generous feature on the production design of The Night Manager.

It was a pleasure to reflect on building these worlds, shaping interiors as psychological landscape and working across cultures and countries.

Grateful to @deswilliephoto for the stunning stills and the best graphic designer ever @iamdavidalba ❤️

@character7production
@the_ink_factory_
@amazonmgmstudios
@bbc
@twhiddleston
#productiondesigner
#productiodesign
#tvseries
#thenightmanager
#foryourconsideration

The Night Manager S2

The idea of referencing film noir came directly from Roxy @camilamorrone character.

Roxana was conceived as a transient presence, someone who never truly belongs.

So the space followed that instinct.
A modest, slightly run-down London hostel became the perfect neutral container.

It doesn’t define who she is, it preserves her as a visual mystery.

Instead of classic noir shadows, we leaned into colour: neon, pinks, patterns pushed just far enough to feel slightly off. A room performing something… much like she does. A work made in collaboration (always are the best) with the brilliant dop Tim Sidell.

Huge thanks to my UK unit team my longtime collaborator, set decorator Ussal Kalyoncu @ussalsmithers , and supervising art director Ashley James @ashley_james , together with art directors @amberr.king and @chrisguyevansmade it possible and who always made me feel at home whenever I returned to London after long recces across Colombia and Spain.

After fifteen years of going back and forth, London has quietly become a second home. 🏠❤️☺️

Exec. Producer/Director: @georgiporgie
Dop: @sidsidell
Costume Designer: @oh.cronk
Still photografer: @deswilliephoto

@twhiddleston
@character7production
@the_ink_factory_
@bbc
@bbciplayer
#thenightmanager
#productiondesigner
#productiondesign
#britishfilmdesignersguild
#fyc

The Night Manager S2

The idea of referencing film noir came directly from Roxy @camilamorrone character.

Roxana was conceived as a transient presence, someone who never truly belongs.

So the space followed that instinct.
A modest, slightly run-down London hostel became the perfect neutral container.

It doesn’t define who she is, it preserves her as a visual mystery.

Instead of classic noir shadows, we leaned into colour: neon, pinks, patterns pushed just far enough to feel slightly off. A room performing something… much like she does. A work made in collaboration (always are the best) with the brilliant dop Tim Sidell.

Huge thanks to my UK unit team my longtime collaborator, set decorator Ussal Kalyoncu @ussalsmithers , and supervising art director Ashley James @ashley_james , together with art directors @amberr.king and @chrisguyevansmade it possible and who always made me feel at home whenever I returned to London after long recces across Colombia and Spain.

After fifteen years of going back and forth, London has quietly become a second home. 🏠❤️☺️

Exec. Producer/Director: @georgiporgie
Dop: @sidsidell
Costume Designer: @oh.cronk
Still photografer: @deswilliephoto

@twhiddleston
@character7production
@the_ink_factory_
@bbc
@bbciplayer
#thenightmanager
#productiondesigner
#productiondesign
#britishfilmdesignersguild
#fyc

The Night Manager S2

The idea of referencing film noir came directly from Roxy @camilamorrone character.

Roxana was conceived as a transient presence, someone who never truly belongs.

So the space followed that instinct.
A modest, slightly run-down London hostel became the perfect neutral container.

It doesn’t define who she is, it preserves her as a visual mystery.

Instead of classic noir shadows, we leaned into colour: neon, pinks, patterns pushed just far enough to feel slightly off. A room performing something… much like she does. A work made in collaboration (always are the best) with the brilliant dop Tim Sidell.

Huge thanks to my UK unit team my longtime collaborator, set decorator Ussal Kalyoncu @ussalsmithers , and supervising art director Ashley James @ashley_james , together with art directors @amberr.king and @chrisguyevansmade it possible and who always made me feel at home whenever I returned to London after long recces across Colombia and Spain.

After fifteen years of going back and forth, London has quietly become a second home. 🏠❤️☺️

Exec. Producer/Director: @georgiporgie
Dop: @sidsidell
Costume Designer: @oh.cronk
Still photografer: @deswilliephoto

@twhiddleston
@character7production
@the_ink_factory_
@bbc
@bbciplayer
#thenightmanager
#productiondesigner
#productiondesign
#britishfilmdesignersguild
#fyc

The Night Manager S2

The idea of referencing film noir came directly from Roxy @camilamorrone character.

Roxana was conceived as a transient presence, someone who never truly belongs.

So the space followed that instinct.
A modest, slightly run-down London hostel became the perfect neutral container.

It doesn’t define who she is, it preserves her as a visual mystery.

Instead of classic noir shadows, we leaned into colour: neon, pinks, patterns pushed just far enough to feel slightly off. A room performing something… much like she does. A work made in collaboration (always are the best) with the brilliant dop Tim Sidell.

Huge thanks to my UK unit team my longtime collaborator, set decorator Ussal Kalyoncu @ussalsmithers , and supervising art director Ashley James @ashley_james , together with art directors @amberr.king and @chrisguyevansmade it possible and who always made me feel at home whenever I returned to London after long recces across Colombia and Spain.

After fifteen years of going back and forth, London has quietly become a second home. 🏠❤️☺️

Exec. Producer/Director: @georgiporgie
Dop: @sidsidell
Costume Designer: @oh.cronk
Still photografer: @deswilliephoto

@twhiddleston
@character7production
@the_ink_factory_
@bbc
@bbciplayer
#thenightmanager
#productiondesigner
#productiondesign
#britishfilmdesignersguild
#fyc

The Night Manager S2

The idea of referencing film noir came directly from Roxy @camilamorrone character.

Roxana was conceived as a transient presence, someone who never truly belongs.

So the space followed that instinct.
A modest, slightly run-down London hostel became the perfect neutral container.

It doesn’t define who she is, it preserves her as a visual mystery.

Instead of classic noir shadows, we leaned into colour: neon, pinks, patterns pushed just far enough to feel slightly off. A room performing something… much like she does. A work made in collaboration (always are the best) with the brilliant dop Tim Sidell.

Huge thanks to my UK unit team my longtime collaborator, set decorator Ussal Kalyoncu @ussalsmithers , and supervising art director Ashley James @ashley_james , together with art directors @amberr.king and @chrisguyevansmade it possible and who always made me feel at home whenever I returned to London after long recces across Colombia and Spain.

After fifteen years of going back and forth, London has quietly become a second home. 🏠❤️☺️

Exec. Producer/Director: @georgiporgie
Dop: @sidsidell
Costume Designer: @oh.cronk
Still photografer: @deswilliephoto

@twhiddleston
@character7production
@the_ink_factory_
@bbc
@bbciplayer
#thenightmanager
#productiondesigner
#productiondesign
#britishfilmdesignersguild
#fyc

The Night Manager S2

The idea of referencing film noir came directly from Roxy @camilamorrone character.

Roxana was conceived as a transient presence, someone who never truly belongs.

So the space followed that instinct.
A modest, slightly run-down London hostel became the perfect neutral container.

It doesn’t define who she is, it preserves her as a visual mystery.

Instead of classic noir shadows, we leaned into colour: neon, pinks, patterns pushed just far enough to feel slightly off. A room performing something… much like she does. A work made in collaboration (always are the best) with the brilliant dop Tim Sidell.

Huge thanks to my UK unit team my longtime collaborator, set decorator Ussal Kalyoncu @ussalsmithers , and supervising art director Ashley James @ashley_james , together with art directors @amberr.king and @chrisguyevansmade it possible and who always made me feel at home whenever I returned to London after long recces across Colombia and Spain.

After fifteen years of going back and forth, London has quietly become a second home. 🏠❤️☺️

Exec. Producer/Director: @georgiporgie
Dop: @sidsidell
Costume Designer: @oh.cronk
Still photografer: @deswilliephoto

@twhiddleston
@character7production
@the_ink_factory_
@bbc
@bbciplayer
#thenightmanager
#productiondesigner
#productiondesign
#britishfilmdesignersguild
#fyc

The Night Manager S2

The idea of referencing film noir came directly from Roxy @camilamorrone character.

Roxana was conceived as a transient presence, someone who never truly belongs.

So the space followed that instinct.
A modest, slightly run-down London hostel became the perfect neutral container.

It doesn’t define who she is, it preserves her as a visual mystery.

Instead of classic noir shadows, we leaned into colour: neon, pinks, patterns pushed just far enough to feel slightly off. A room performing something… much like she does. A work made in collaboration (always are the best) with the brilliant dop Tim Sidell.

Huge thanks to my UK unit team my longtime collaborator, set decorator Ussal Kalyoncu @ussalsmithers , and supervising art director Ashley James @ashley_james , together with art directors @amberr.king and @chrisguyevansmade it possible and who always made me feel at home whenever I returned to London after long recces across Colombia and Spain.

After fifteen years of going back and forth, London has quietly become a second home. 🏠❤️☺️

Exec. Producer/Director: @georgiporgie
Dop: @sidsidell
Costume Designer: @oh.cronk
Still photografer: @deswilliephoto

@twhiddleston
@character7production
@the_ink_factory_
@bbc
@bbciplayer
#thenightmanager
#productiondesigner
#productiondesign
#britishfilmdesignersguild
#fyc

The Night Manager S2

The idea of referencing film noir came directly from Roxy @camilamorrone character.

Roxana was conceived as a transient presence, someone who never truly belongs.

So the space followed that instinct.
A modest, slightly run-down London hostel became the perfect neutral container.

It doesn’t define who she is, it preserves her as a visual mystery.

Instead of classic noir shadows, we leaned into colour: neon, pinks, patterns pushed just far enough to feel slightly off. A room performing something… much like she does. A work made in collaboration (always are the best) with the brilliant dop Tim Sidell.

Huge thanks to my UK unit team my longtime collaborator, set decorator Ussal Kalyoncu @ussalsmithers , and supervising art director Ashley James @ashley_james , together with art directors @amberr.king and @chrisguyevansmade it possible and who always made me feel at home whenever I returned to London after long recces across Colombia and Spain.

After fifteen years of going back and forth, London has quietly become a second home. 🏠❤️☺️

Exec. Producer/Director: @georgiporgie
Dop: @sidsidell
Costume Designer: @oh.cronk
Still photografer: @deswilliephoto

@twhiddleston
@character7production
@the_ink_factory_
@bbc
@bbciplayer
#thenightmanager
#productiondesigner
#productiondesign
#britishfilmdesignersguild
#fyc

​The Night Manager S2
​A "hidden tango" in the heart of a gold museum.

I had the pleasure of working with Production Designer Victor Molero to create a series of sculptures and art installations for the new season of The Night Manager.
​Inspired by the Gold Museum in Bogotá, these pieces serve as more than just a museum art pieces, they are symbols of the masked identities and high-stakes espionage between Jonathan Pine (Tom Hiddleston) and Roxane Bolaños (Camila Morrone).
​To build an entire exhibition, I explored multiple artistic directions, blending pre-Columbian inspiration with modern tech.

Materials: 3d printed PLA carbon fiber, gilding, paint gold, stainless steel laser cut sheets.

Series: the night manager 2
Production: @the_ink_factory_ @character7production
@bbciplayer @primevideo
Director: Georgi Banks-Davies
Production designer: @vimolero
Art Pieces: @assaadawad

A huge thank you to the people that are always helping me on both practical and emotional level @euginger & Jesus Marcos.

#TheNightManager #ProductionDesign #3DPrinting #SetDesign #TomHiddleston

Loyalty is the only currency.
Teddy Dos Santos.

@the_ink_factory_
@character7production
@amazonmgmstudios
@primevideo
@bbc
#productiondesign
#productiondesigner

Loyalty is the only currency.
Teddy Dos Santos.

@the_ink_factory_
@character7production
@amazonmgmstudios
@primevideo
@bbc
#productiondesign
#productiondesigner

The Night Manager 2 is finally premiering internationally on Amazon
Prime.
A year-long design journey across the
UK, Colombia and Spain, shaped by multiple talented art teams.
Deep thanks to our brilliant director @georgiporgie and to @stephenjgarrett executive director (@character7production )for the support, trust and unforgettable adventures. It’s been a privilege to build this world together.

📸 @deswilliephoto

@the_ink_factory_
@amazonmgmstudios
@primevideo
@nostromopictures
@bbc
@bbciplayer
@twhiddleston
@sidsidell
@oh.cronk
#productiondesign
#productiondesigner
@british_film_designers_guild
@aedaa_es
@productiondesignerscollective

The Night Manager 2 is finally premiering internationally on Amazon
Prime.
A year-long design journey across the
UK, Colombia and Spain, shaped by multiple talented art teams.
Deep thanks to our brilliant director @georgiporgie and to @stephenjgarrett executive director (@character7production )for the support, trust and unforgettable adventures. It’s been a privilege to build this world together.

📸 @deswilliephoto

@the_ink_factory_
@amazonmgmstudios
@primevideo
@nostromopictures
@bbc
@bbciplayer
@twhiddleston
@sidsidell
@oh.cronk
#productiondesign
#productiondesigner
@british_film_designers_guild
@aedaa_es
@productiondesignerscollective