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twocoatsofpaint
Two Coats of Paint
Award-winning painting-centric blogazine in NYC / Upcoming: Resident Artist @mirabelwigon May 31-Jun 5 / Open Studio, Wed, Jun 3, 5-7pm 💥
Jonathan Stevenson on David Humphrey's drawing installation at Kate Werble Projects.
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#jonathanstevenson @aikenhump @katewerbleprojects @kate_werble_gallery
Jonathan Stevenson on David Humphrey's drawing installation at Kate Werble Projects.
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#jonathanstevenson @aikenhump @katewerbleprojects @kate_werble_gallery
Becky Brown on the legacy of Zombie Formalism and her father Paul Brown's abstract paintings.
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@beckybrwn @sdaabuffalo @twocoatsofpaint
Becky Brown on the legacy of Zombie Formalism and her father Paul Brown's abstract paintings.
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@beckybrwn @sdaabuffalo @twocoatsofpaint
Bill Arning on Los Angeles–based artist David Gilbert, whose show “Stationary” is now up at Klaus von Nichtssagend Gallery
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@barning @davygilby
@klausgallery @twocoatsofpaint
Bill Arning on Los Angeles–based artist David Gilbert, whose show “Stationary” is now up at Klaus von Nichtssagend Gallery
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@barning @davygilby
@klausgallery @twocoatsofpaint
Romy Marcus Cohen on Jennifer Frances Grégoire Lancaster at Trotter&Sholer
turning snapshots into back-painted oil paintings on glass
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@romymarcuscohen @_jfgl @trotterandsholer @twocoatsofpaint
Romy Marcus Cohen on Jennifer Frances Grégoire Lancaster at Trotter&Sholer
turning snapshots into back-painted oil paintings on glass
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@romymarcuscohen @_jfgl @trotterandsholer @twocoatsofpaint
@fredsnidus (Peter Plagens) on the off-brand, the second-place, the runner-up.
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Images: James Brooks, Number 44, 1951, oil on canvas, 33 1/2 x 59 inches
Sidney Nolan, The Defence of of Aaron Sherrit, 1970-1, screenprint on paper, 25 x 18.7 inches
@fredsnidus (Peter Plagens) on the off-brand, the second-place, the runner-up.
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Images: James Brooks, Number 44, 1951, oil on canvas, 33 1/2 x 59 inches
Sidney Nolan, The Defence of of Aaron Sherrit, 1970-1, screenprint on paper, 25 x 18.7 inches
New post: @will.maddoxx on @emma_webstah solo @petzelgallery @twocoatsofpaint
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New post: @will.maddoxx on @emma_webstah solo @petzelgallery @twocoatsofpaint
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New post: @will.maddoxx on @emma_webstah solo @petzelgallery @twocoatsofpaint
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@laurencehegarty555 on @danieljwiener solo exhibition @satchelprojects
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@laurencehegarty555 on @danieljwiener solo exhibition @satchelprojects
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@laurencehegarty555 on @danieljwiener solo exhibition @satchelprojects
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Announcement: Tuesday, June 2, a book launch celebrating abstract artist Cora Cohen’s beautiful new monograph and a panel discussion, hosted by Raphael Rubenstein, with contributions from Sharon Butler, Barbara MacAdam, and Rebecca Ness will take place at the Bowery Poetry Club.
From the 1970s until her death in 2023, Cora Cohen widened the net of gestural abstraction’s possibilities. A highly regarded painter’s painter known for muscular yet poetic works, Cohen also made drawings, photographs, and altered X-rays. This richly illustrated volume details the span of her practice through newly commissioned critical texts and remembrances by fellow artists, making it the definitive publication on Cohen’s work.
Tuesday, June 2, 6-8pm
Bowery Poetry Club
308 Bowery
New York, NY
Free and open to the public
@coracohenstudio @raphael_rubinstein @sharon_butler @barbaramacadam999 @rebeccanessart
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@jacobcartwrightpaintings on the founders of @american_abstract_artists on view at @dwigmorefineart
Images: Werner Drewes, Entering the Path of the Heavenly Bodies, 1945, oil on canvas, 36 × 40 inches
Esphyr Slobodkina, Nocturne Nº. 1, 1958, oil on Masonite, 48 × 40 inches
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@jacobcartwrightpaintings on the founders of @american_abstract_artists on view at @dwigmorefineart
Images: Werner Drewes, Entering the Path of the Heavenly Bodies, 1945, oil on canvas, 36 × 40 inches
Esphyr Slobodkina, Nocturne Nº. 1, 1958, oil on Masonite, 48 × 40 inches
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@jacobcartwrightpaintings on the founders of @american_abstract_artists on view at @dwigmorefineart
Images: Werner Drewes, Entering the Path of the Heavenly Bodies, 1945, oil on canvas, 36 × 40 inches
Esphyr Slobodkina, Nocturne Nº. 1, 1958, oil on Masonite, 48 × 40 inches
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Notes from a May 9 panel discussion @artcake_nyc during the @american_abstract_artists 90th anniversary exhibition.
@sharon_butler on how the 2014 term "zombie formalism" ended an interesting run for abstract painting.
@twocoatsofpaint
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Notes from a May 9 panel discussion @artcake_nyc during the @american_abstract_artists 90th anniversary exhibition.
@sharon_butler on how the 2014 term "zombie formalism" ended an interesting run for abstract painting.
@twocoatsofpaint
Latest post, link in Profile, Threads, Bluesky
Notes from a May 9 panel discussion @artcake_nyc during the @american_abstract_artists 90th anniversary exhibition.
@sharon_butler on how the 2014 term "zombie formalism" ended an interesting run for abstract painting.
@twocoatsofpaint
Latest post, link in Profile, Threads, Bluesky
Notes from a May 9 panel discussion @artcake_nyc during the @american_abstract_artists 90th anniversary exhibition.
@sharon_butler on how the 2014 term "zombie formalism" ended an interesting run for abstract painting.
@twocoatsofpaint
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#jonathanstevenson on #markwebber solo @anitarogersgallery @twocoatsofpaint
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#jonathanstevenson on #markwebber solo @anitarogersgallery @twocoatsofpaint
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Hilda Shen: Objects containing multitudes
@hopfroggowanus on @hilda.shen.studio @starr.suites @twocoatsofpaint
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Hilda Shen: Objects containing multitudes
@hopfroggowanus on @hilda.shen.studio @starr.suites @twocoatsofpaint
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Hilda Shen: Objects containing multitudes
@hopfroggowanus on @hilda.shen.studio @starr.suites @twocoatsofpaint
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