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A year of shows in our space.
Another one for the books.

1 >>>(X)<<<
@thomasscheibitz.atelier 

2 POMEGRANATE FLOWER CAKE — HFBK Hamburg’s Klasse Reyle @klassereyle.hfbk
Curated by @anselm_reyle 

3 Fourth Wall Death Rattle
@eddie_peake

4 Sojourn
@allengolder

5 LAN
@wojtyl.a

6 My People Will Return: In Air, In Water, In Light
Curated by @zayna_al_s
@dimasrouji @hamadaelkept @areejkaoud @khaledjarrar @milliebrownworld @emilyjacir @by_areen @banksy @salehbakriart @kase.luca

Lots of love to all the fantastic artists, curators, partners, volunteers, and visitors who made this all possible. Sincere gratitude to our team, board, and supporters — your care and dedication are at the heart of this work.

In a rapidly changing moment, we believe in making a meaningful impact through real connection, without compromise.

To the year ahead with all of you.

With appreciation, always.
❤️‍🔥🙏

#TickTack #Brutalism #TickTackTime #LeonStynen

A year of shows in our space.
Another one for the books.

1 >>>(X)<<<
@thomasscheibitz.atelier 

2 POMEGRANATE FLOWER CAKE — HFBK Hamburg’s Klasse Reyle @klassereyle.hfbk
Curated by @anselm_reyle 

3 Fourth Wall Death Rattle
@eddie_peake

4 Sojourn
@allengolder

5 LAN
@wojtyl.a

6 My People Will Return: In Air, In Water, In Light
Curated by @zayna_al_s
@dimasrouji @hamadaelkept @areejkaoud @khaledjarrar @milliebrownworld @emilyjacir @by_areen @banksy @salehbakriart @kase.luca

Lots of love to all the fantastic artists, curators, partners, volunteers, and visitors who made this all possible. Sincere gratitude to our team, board, and supporters — your care and dedication are at the heart of this work.

In a rapidly changing moment, we believe in making a meaningful impact through real connection, without compromise.

To the year ahead with all of you.

With appreciation, always.
❤️‍🔥🙏

#TickTack #Brutalism #TickTackTime #LeonStynen

A year of shows in our space.
Another one for the books.

1 >>>(X)<<<
@thomasscheibitz.atelier 

2 POMEGRANATE FLOWER CAKE — HFBK Hamburg’s Klasse Reyle @klassereyle.hfbk
Curated by @anselm_reyle 

3 Fourth Wall Death Rattle
@eddie_peake

4 Sojourn
@allengolder

5 LAN
@wojtyl.a

6 My People Will Return: In Air, In Water, In Light
Curated by @zayna_al_s
@dimasrouji @hamadaelkept @areejkaoud @khaledjarrar @milliebrownworld @emilyjacir @by_areen @banksy @salehbakriart @kase.luca

Lots of love to all the fantastic artists, curators, partners, volunteers, and visitors who made this all possible. Sincere gratitude to our team, board, and supporters — your care and dedication are at the heart of this work.

In a rapidly changing moment, we believe in making a meaningful impact through real connection, without compromise.

To the year ahead with all of you.

With appreciation, always.
❤️‍🔥🙏

#TickTack #Brutalism #TickTackTime #LeonStynen

A year of shows in our space.
Another one for the books.

1 >>>(X)<<<
@thomasscheibitz.atelier 

2 POMEGRANATE FLOWER CAKE — HFBK Hamburg’s Klasse Reyle @klassereyle.hfbk
Curated by @anselm_reyle 

3 Fourth Wall Death Rattle
@eddie_peake

4 Sojourn
@allengolder

5 LAN
@wojtyl.a

6 My People Will Return: In Air, In Water, In Light
Curated by @zayna_al_s
@dimasrouji @hamadaelkept @areejkaoud @khaledjarrar @milliebrownworld @emilyjacir @by_areen @banksy @salehbakriart @kase.luca

Lots of love to all the fantastic artists, curators, partners, volunteers, and visitors who made this all possible. Sincere gratitude to our team, board, and supporters — your care and dedication are at the heart of this work.

In a rapidly changing moment, we believe in making a meaningful impact through real connection, without compromise.

To the year ahead with all of you.

With appreciation, always.
❤️‍🔥🙏

#TickTack #Brutalism #TickTackTime #LeonStynen

A year of shows in our space.
Another one for the books.

1 >>>(X)<<<
@thomasscheibitz.atelier 

2 POMEGRANATE FLOWER CAKE — HFBK Hamburg’s Klasse Reyle @klassereyle.hfbk
Curated by @anselm_reyle 

3 Fourth Wall Death Rattle
@eddie_peake

4 Sojourn
@allengolder

5 LAN
@wojtyl.a

6 My People Will Return: In Air, In Water, In Light
Curated by @zayna_al_s
@dimasrouji @hamadaelkept @areejkaoud @khaledjarrar @milliebrownworld @emilyjacir @by_areen @banksy @salehbakriart @kase.luca

Lots of love to all the fantastic artists, curators, partners, volunteers, and visitors who made this all possible. Sincere gratitude to our team, board, and supporters — your care and dedication are at the heart of this work.

In a rapidly changing moment, we believe in making a meaningful impact through real connection, without compromise.

To the year ahead with all of you.

With appreciation, always.
❤️‍🔥🙏

#TickTack #Brutalism #TickTackTime #LeonStynen

A year of shows in our space.
Another one for the books.

1 >>>(X)<<<
@thomasscheibitz.atelier 

2 POMEGRANATE FLOWER CAKE — HFBK Hamburg’s Klasse Reyle @klassereyle.hfbk
Curated by @anselm_reyle 

3 Fourth Wall Death Rattle
@eddie_peake

4 Sojourn
@allengolder

5 LAN
@wojtyl.a

6 My People Will Return: In Air, In Water, In Light
Curated by @zayna_al_s
@dimasrouji @hamadaelkept @areejkaoud @khaledjarrar @milliebrownworld @emilyjacir @by_areen @banksy @salehbakriart @kase.luca

Lots of love to all the fantastic artists, curators, partners, volunteers, and visitors who made this all possible. Sincere gratitude to our team, board, and supporters — your care and dedication are at the heart of this work.

In a rapidly changing moment, we believe in making a meaningful impact through real connection, without compromise.

To the year ahead with all of you.

With appreciation, always.
❤️‍🔥🙏

#TickTack #Brutalism #TickTackTime #LeonStynen

We are excited to announce TACK TICK, a new destination for contemporary art in Belgium.

Anchored in the historic heart of the city, TT occupies the 1882 neoclassical Salle de ventes par notaires — a former civic auction house built for public trust and formal exchange.

Opening September 2026.
Follow @tacktick.be
❤️‍🔥
____
Artworks in the image are by Metahaven, Narcisse Tordoir, Liliane Vertessen and Thomas Scheibitz.

We are excited to announce TACK TICK, a new destination for contemporary art in Belgium.

Anchored in the historic heart of the city, TT occupies the 1882 neoclassical Salle de ventes par notaires — a former civic auction house built for public trust and formal exchange.

Opening September 2026.
Follow @tacktick.be
❤️‍🔥
____
Artworks in the image are by Metahaven, Narcisse Tordoir, Liliane Vertessen and Thomas Scheibitz.

Here is the annual review of shows in our space.
What a journey!

1 DISORDER
@anselm_reyle

2 ELEKTROSEX
@michaelsailstorfer

3 EUROSTARZ (RCA: Painting MA’ 23)
@pandorac0v311 @reubenberenjames @guto_morgan @yeonjuson_@christopher_stead_ @heteronymouspainters @santiago.llanos.gutierrez

4 Le Nouveau Biedermeier
Group show featuring 30 artists curated by @lisajunghanss_studio

5 Summerbar + Cinema by Marie Jo Lafontaine
@marie_jo_lafontaine

6 Storage Space
8 constallations of the Kunsthalle Recklinghausen collection, curated by @nicoanklam and @gannspauline
@kunsthalle_recklinghausen

7 PRIVATE ACCESS

Heartfelt gratitude to the incredible artists and their studios, as well as the visitors and volunteers who have brought so much heart to this year. A special thanks to our partners, supporters, friends, team, and board—your contributions have been essential in making these productions possible.

As we navigate a world filled with challenges, we hold onto hope, creativity, and a shared commitment to making a positive impact.

Here’s to another memorable year ahead with all of you.

Thanks alot.
🙏❤️

TT

#TickTack #LeonStynen #Brutalism #TickTackTime

Here is the annual review of shows in our space.
What a journey!

1 DISORDER
@anselm_reyle

2 ELEKTROSEX
@michaelsailstorfer

3 EUROSTARZ (RCA: Painting MA’ 23)
@pandorac0v311 @reubenberenjames @guto_morgan @yeonjuson_@christopher_stead_ @heteronymouspainters @santiago.llanos.gutierrez

4 Le Nouveau Biedermeier
Group show featuring 30 artists curated by @lisajunghanss_studio

5 Summerbar + Cinema by Marie Jo Lafontaine
@marie_jo_lafontaine

6 Storage Space
8 constallations of the Kunsthalle Recklinghausen collection, curated by @nicoanklam and @gannspauline
@kunsthalle_recklinghausen

7 PRIVATE ACCESS

Heartfelt gratitude to the incredible artists and their studios, as well as the visitors and volunteers who have brought so much heart to this year. A special thanks to our partners, supporters, friends, team, and board—your contributions have been essential in making these productions possible.

As we navigate a world filled with challenges, we hold onto hope, creativity, and a shared commitment to making a positive impact.

Here’s to another memorable year ahead with all of you.

Thanks alot.
🙏❤️

TT

#TickTack #LeonStynen #Brutalism #TickTackTime

Here is the annual review of shows in our space.
What a journey!

1 DISORDER
@anselm_reyle

2 ELEKTROSEX
@michaelsailstorfer

3 EUROSTARZ (RCA: Painting MA’ 23)
@pandorac0v311 @reubenberenjames @guto_morgan @yeonjuson_@christopher_stead_ @heteronymouspainters @santiago.llanos.gutierrez

4 Le Nouveau Biedermeier
Group show featuring 30 artists curated by @lisajunghanss_studio

5 Summerbar + Cinema by Marie Jo Lafontaine
@marie_jo_lafontaine

6 Storage Space
8 constallations of the Kunsthalle Recklinghausen collection, curated by @nicoanklam and @gannspauline
@kunsthalle_recklinghausen

7 PRIVATE ACCESS

Heartfelt gratitude to the incredible artists and their studios, as well as the visitors and volunteers who have brought so much heart to this year. A special thanks to our partners, supporters, friends, team, and board—your contributions have been essential in making these productions possible.

As we navigate a world filled with challenges, we hold onto hope, creativity, and a shared commitment to making a positive impact.

Here’s to another memorable year ahead with all of you.

Thanks alot.
🙏❤️

TT

#TickTack #LeonStynen #Brutalism #TickTackTime

Here is the annual review of shows in our space.
What a journey!

1 DISORDER
@anselm_reyle

2 ELEKTROSEX
@michaelsailstorfer

3 EUROSTARZ (RCA: Painting MA’ 23)
@pandorac0v311 @reubenberenjames @guto_morgan @yeonjuson_@christopher_stead_ @heteronymouspainters @santiago.llanos.gutierrez

4 Le Nouveau Biedermeier
Group show featuring 30 artists curated by @lisajunghanss_studio

5 Summerbar + Cinema by Marie Jo Lafontaine
@marie_jo_lafontaine

6 Storage Space
8 constallations of the Kunsthalle Recklinghausen collection, curated by @nicoanklam and @gannspauline
@kunsthalle_recklinghausen

7 PRIVATE ACCESS

Heartfelt gratitude to the incredible artists and their studios, as well as the visitors and volunteers who have brought so much heart to this year. A special thanks to our partners, supporters, friends, team, and board—your contributions have been essential in making these productions possible.

As we navigate a world filled with challenges, we hold onto hope, creativity, and a shared commitment to making a positive impact.

Here’s to another memorable year ahead with all of you.

Thanks alot.
🙏❤️

TT

#TickTack #LeonStynen #Brutalism #TickTackTime

Here is the annual review of shows in our space.
What a journey!

1 DISORDER
@anselm_reyle

2 ELEKTROSEX
@michaelsailstorfer

3 EUROSTARZ (RCA: Painting MA’ 23)
@pandorac0v311 @reubenberenjames @guto_morgan @yeonjuson_@christopher_stead_ @heteronymouspainters @santiago.llanos.gutierrez

4 Le Nouveau Biedermeier
Group show featuring 30 artists curated by @lisajunghanss_studio

5 Summerbar + Cinema by Marie Jo Lafontaine
@marie_jo_lafontaine

6 Storage Space
8 constallations of the Kunsthalle Recklinghausen collection, curated by @nicoanklam and @gannspauline
@kunsthalle_recklinghausen

7 PRIVATE ACCESS

Heartfelt gratitude to the incredible artists and their studios, as well as the visitors and volunteers who have brought so much heart to this year. A special thanks to our partners, supporters, friends, team, and board—your contributions have been essential in making these productions possible.

As we navigate a world filled with challenges, we hold onto hope, creativity, and a shared commitment to making a positive impact.

Here’s to another memorable year ahead with all of you.

Thanks alot.
🙏❤️

TT

#TickTack #LeonStynen #Brutalism #TickTackTime

Here is the annual review of shows in our space.
What a journey!

1 DISORDER
@anselm_reyle

2 ELEKTROSEX
@michaelsailstorfer

3 EUROSTARZ (RCA: Painting MA’ 23)
@pandorac0v311 @reubenberenjames @guto_morgan @yeonjuson_@christopher_stead_ @heteronymouspainters @santiago.llanos.gutierrez

4 Le Nouveau Biedermeier
Group show featuring 30 artists curated by @lisajunghanss_studio

5 Summerbar + Cinema by Marie Jo Lafontaine
@marie_jo_lafontaine

6 Storage Space
8 constallations of the Kunsthalle Recklinghausen collection, curated by @nicoanklam and @gannspauline
@kunsthalle_recklinghausen

7 PRIVATE ACCESS

Heartfelt gratitude to the incredible artists and their studios, as well as the visitors and volunteers who have brought so much heart to this year. A special thanks to our partners, supporters, friends, team, and board—your contributions have been essential in making these productions possible.

As we navigate a world filled with challenges, we hold onto hope, creativity, and a shared commitment to making a positive impact.

Here’s to another memorable year ahead with all of you.

Thanks alot.
🙏❤️

TT

#TickTack #LeonStynen #Brutalism #TickTackTime

Here is the annual review of shows in our space.
What a journey!

1 DISORDER
@anselm_reyle

2 ELEKTROSEX
@michaelsailstorfer

3 EUROSTARZ (RCA: Painting MA’ 23)
@pandorac0v311 @reubenberenjames @guto_morgan @yeonjuson_@christopher_stead_ @heteronymouspainters @santiago.llanos.gutierrez

4 Le Nouveau Biedermeier
Group show featuring 30 artists curated by @lisajunghanss_studio

5 Summerbar + Cinema by Marie Jo Lafontaine
@marie_jo_lafontaine

6 Storage Space
8 constallations of the Kunsthalle Recklinghausen collection, curated by @nicoanklam and @gannspauline
@kunsthalle_recklinghausen

7 PRIVATE ACCESS

Heartfelt gratitude to the incredible artists and their studios, as well as the visitors and volunteers who have brought so much heart to this year. A special thanks to our partners, supporters, friends, team, and board—your contributions have been essential in making these productions possible.

As we navigate a world filled with challenges, we hold onto hope, creativity, and a shared commitment to making a positive impact.

Here’s to another memorable year ahead with all of you.

Thanks alot.
🙏❤️

TT

#TickTack #LeonStynen #Brutalism #TickTackTime

Marie-Jo Lafontaine. Antwerp, 1950 - 2026.
Her vision, generosity, friendship..
An artist, pioneer, since the 70s. A big inspiration, to us, and to so many.
This is hard, a big loss.
Our thoughts are with her family and loved ones.
Thank you MJL
RIP. ❤️

Marie-Jo Lafontaine. Antwerp, 1950 - 2026.
Her vision, generosity, friendship..
An artist, pioneer, since the 70s. A big inspiration, to us, and to so many.
This is hard, a big loss.
Our thoughts are with her family and loved ones.
Thank you MJL
RIP. ❤️

LAN-Kraftwerk in Berlin as part of The Infinite Now @kraftwerkberlinofficial with @berlinatonal

a reactivation of the LAN installation first shown @ticktack.be in september last year. 10-computer cluster tower, 4-meter aluminum table, 500+ meters of cable, 24sqm clean room. alongside the physical work, a custom Unreal Tournament 2004 map built as a replication of Kraftwerk itself was used as the arena for the 30-hour deathmatch.

mega huge thank you to @bryce__williams__ @100o111 @lukasesser @whitegauna @vinzenzaubry, the team @ticktack.be and the team @berlinatonal. completely impossible without all your support <33

LAN-Kraftwerk in Berlin as part of The Infinite Now @kraftwerkberlinofficial with @berlinatonal

a reactivation of the LAN installation first shown @ticktack.be in september last year. 10-computer cluster tower, 4-meter aluminum table, 500+ meters of cable, 24sqm clean room. alongside the physical work, a custom Unreal Tournament 2004 map built as a replication of Kraftwerk itself was used as the arena for the 30-hour deathmatch.

mega huge thank you to @bryce__williams__ @100o111 @lukasesser @whitegauna @vinzenzaubry, the team @ticktack.be and the team @berlinatonal. completely impossible without all your support <33

LAN-Kraftwerk in Berlin as part of The Infinite Now @kraftwerkberlinofficial with @berlinatonal

a reactivation of the LAN installation first shown @ticktack.be in september last year. 10-computer cluster tower, 4-meter aluminum table, 500+ meters of cable, 24sqm clean room. alongside the physical work, a custom Unreal Tournament 2004 map built as a replication of Kraftwerk itself was used as the arena for the 30-hour deathmatch.

mega huge thank you to @bryce__williams__ @100o111 @lukasesser @whitegauna @vinzenzaubry, the team @ticktack.be and the team @berlinatonal. completely impossible without all your support <33

LAN-Kraftwerk in Berlin as part of The Infinite Now @kraftwerkberlinofficial with @berlinatonal

a reactivation of the LAN installation first shown @ticktack.be in september last year. 10-computer cluster tower, 4-meter aluminum table, 500+ meters of cable, 24sqm clean room. alongside the physical work, a custom Unreal Tournament 2004 map built as a replication of Kraftwerk itself was used as the arena for the 30-hour deathmatch.

mega huge thank you to @bryce__williams__ @100o111 @lukasesser @whitegauna @vinzenzaubry, the team @ticktack.be and the team @berlinatonal. completely impossible without all your support <33

LAN-Kraftwerk in Berlin as part of The Infinite Now @kraftwerkberlinofficial with @berlinatonal

a reactivation of the LAN installation first shown @ticktack.be in september last year. 10-computer cluster tower, 4-meter aluminum table, 500+ meters of cable, 24sqm clean room. alongside the physical work, a custom Unreal Tournament 2004 map built as a replication of Kraftwerk itself was used as the arena for the 30-hour deathmatch.

mega huge thank you to @bryce__williams__ @100o111 @lukasesser @whitegauna @vinzenzaubry, the team @ticktack.be and the team @berlinatonal. completely impossible without all your support <33

In the depths of the body, lies its spiritual heart (or is it a club, or is it an engine room, or is it….) the rhythmic beat of production soundtracks a space of both violent intimacy and collective experience. Hushed conversation, machinery drone, cello sonorous and toy piano improvisation from Perry’s daughter combine into a heady and at once familiar narration that invokes fragmentary memory. This is a nervous system in reset and release. 
BPM is industrial materials and carceral geography made sculptural installation, rattling and echoing through a space at once expansive and claustrophobic; personal in a way almost rapturous. Snaking and twisting pipes writhe into serpent-like heads with sub-woofer faces; greeted by the gestural (de)FENDER, clawing its way. 
Assembled from salvaged industrial piping and caging; and embellished and fastened with the industrial love note of the padlock; the bunker installation made up of FENDER//RECKLESS ICONS//BPM(THRASH) is Perry’s inner world embodied. Personifying and somatically charging the architectural and industrial framework with its own life.
(De)FENDER
2026
Motorbike fenders, chains padlocks, red strip-light
222 x 115 x 90 cm
(Nails)

BPM
2026
Air vent tubing, 12 subwoofers, rebar caging, smoke machine, strobe light, padlocks, sound piece
8min 10 sec
dimensions variable (245 x 180 x 180 cm)
(Installation)

Special thanks to @paulpurgas

In the depths of the body, lies its spiritual heart (or is it a club, or is it an engine room, or is it….) the rhythmic beat of production soundtracks a space of both violent intimacy and collective experience. Hushed conversation, machinery drone, cello sonorous and toy piano improvisation from Perry’s daughter combine into a heady and at once familiar narration that invokes fragmentary memory. This is a nervous system in reset and release. 
BPM is industrial materials and carceral geography made sculptural installation, rattling and echoing through a space at once expansive and claustrophobic; personal in a way almost rapturous. Snaking and twisting pipes writhe into serpent-like heads with sub-woofer faces; greeted by the gestural (de)FENDER, clawing its way. 
Assembled from salvaged industrial piping and caging; and embellished and fastened with the industrial love note of the padlock; the bunker installation made up of FENDER//RECKLESS ICONS//BPM(THRASH) is Perry’s inner world embodied. Personifying and somatically charging the architectural and industrial framework with its own life.
(De)FENDER
2026
Motorbike fenders, chains padlocks, red strip-light
222 x 115 x 90 cm
(Nails)

BPM
2026
Air vent tubing, 12 subwoofers, rebar caging, smoke machine, strobe light, padlocks, sound piece
8min 10 sec
dimensions variable (245 x 180 x 180 cm)
(Installation)

Special thanks to @paulpurgas

In the depths of the body, lies its spiritual heart (or is it a club, or is it an engine room, or is it….) the rhythmic beat of production soundtracks a space of both violent intimacy and collective experience. Hushed conversation, machinery drone, cello sonorous and toy piano improvisation from Perry’s daughter combine into a heady and at once familiar narration that invokes fragmentary memory. This is a nervous system in reset and release. 
BPM is industrial materials and carceral geography made sculptural installation, rattling and echoing through a space at once expansive and claustrophobic; personal in a way almost rapturous. Snaking and twisting pipes writhe into serpent-like heads with sub-woofer faces; greeted by the gestural (de)FENDER, clawing its way. 
Assembled from salvaged industrial piping and caging; and embellished and fastened with the industrial love note of the padlock; the bunker installation made up of FENDER//RECKLESS ICONS//BPM(THRASH) is Perry’s inner world embodied. Personifying and somatically charging the architectural and industrial framework with its own life.
(De)FENDER
2026
Motorbike fenders, chains padlocks, red strip-light
222 x 115 x 90 cm
(Nails)

BPM
2026
Air vent tubing, 12 subwoofers, rebar caging, smoke machine, strobe light, padlocks, sound piece
8min 10 sec
dimensions variable (245 x 180 x 180 cm)
(Installation)

Special thanks to @paulpurgas

In the depths of the body, lies its spiritual heart (or is it a club, or is it an engine room, or is it….) the rhythmic beat of production soundtracks a space of both violent intimacy and collective experience. Hushed conversation, machinery drone, cello sonorous and toy piano improvisation from Perry’s daughter combine into a heady and at once familiar narration that invokes fragmentary memory. This is a nervous system in reset and release. 
BPM is industrial materials and carceral geography made sculptural installation, rattling and echoing through a space at once expansive and claustrophobic; personal in a way almost rapturous. Snaking and twisting pipes writhe into serpent-like heads with sub-woofer faces; greeted by the gestural (de)FENDER, clawing its way. 
Assembled from salvaged industrial piping and caging; and embellished and fastened with the industrial love note of the padlock; the bunker installation made up of FENDER//RECKLESS ICONS//BPM(THRASH) is Perry’s inner world embodied. Personifying and somatically charging the architectural and industrial framework with its own life.
(De)FENDER
2026
Motorbike fenders, chains padlocks, red strip-light
222 x 115 x 90 cm
(Nails)

BPM
2026
Air vent tubing, 12 subwoofers, rebar caging, smoke machine, strobe light, padlocks, sound piece
8min 10 sec
dimensions variable (245 x 180 x 180 cm)
(Installation)

Special thanks to @paulpurgas

In the depths of the body, lies its spiritual heart (or is it a club, or is it an engine room, or is it….) the rhythmic beat of production soundtracks a space of both violent intimacy and collective experience. Hushed conversation, machinery drone, cello sonorous and toy piano improvisation from Perry’s daughter combine into a heady and at once familiar narration that invokes fragmentary memory. This is a nervous system in reset and release. 
BPM is industrial materials and carceral geography made sculptural installation, rattling and echoing through a space at once expansive and claustrophobic; personal in a way almost rapturous. Snaking and twisting pipes writhe into serpent-like heads with sub-woofer faces; greeted by the gestural (de)FENDER, clawing its way. 
Assembled from salvaged industrial piping and caging; and embellished and fastened with the industrial love note of the padlock; the bunker installation made up of FENDER//RECKLESS ICONS//BPM(THRASH) is Perry’s inner world embodied. Personifying and somatically charging the architectural and industrial framework with its own life.
(De)FENDER
2026
Motorbike fenders, chains padlocks, red strip-light
222 x 115 x 90 cm
(Nails)

BPM
2026
Air vent tubing, 12 subwoofers, rebar caging, smoke machine, strobe light, padlocks, sound piece
8min 10 sec
dimensions variable (245 x 180 x 180 cm)
(Installation)

Special thanks to @paulpurgas

In the depths of the body, lies its spiritual heart (or is it a club, or is it an engine room, or is it….) the rhythmic beat of production soundtracks a space of both violent intimacy and collective experience. Hushed conversation, machinery drone, cello sonorous and toy piano improvisation from Perry’s daughter combine into a heady and at once familiar narration that invokes fragmentary memory. This is a nervous system in reset and release. 
BPM is industrial materials and carceral geography made sculptural installation, rattling and echoing through a space at once expansive and claustrophobic; personal in a way almost rapturous. Snaking and twisting pipes writhe into serpent-like heads with sub-woofer faces; greeted by the gestural (de)FENDER, clawing its way. 
Assembled from salvaged industrial piping and caging; and embellished and fastened with the industrial love note of the padlock; the bunker installation made up of FENDER//RECKLESS ICONS//BPM(THRASH) is Perry’s inner world embodied. Personifying and somatically charging the architectural and industrial framework with its own life.
(De)FENDER
2026
Motorbike fenders, chains padlocks, red strip-light
222 x 115 x 90 cm
(Nails)

BPM
2026
Air vent tubing, 12 subwoofers, rebar caging, smoke machine, strobe light, padlocks, sound piece
8min 10 sec
dimensions variable (245 x 180 x 180 cm)
(Installation)

Special thanks to @paulpurgas

In the depths of the body, lies its spiritual heart (or is it a club, or is it an engine room, or is it….) the rhythmic beat of production soundtracks a space of both violent intimacy and collective experience. Hushed conversation, machinery drone, cello sonorous and toy piano improvisation from Perry’s daughter combine into a heady and at once familiar narration that invokes fragmentary memory. This is a nervous system in reset and release. 
BPM is industrial materials and carceral geography made sculptural installation, rattling and echoing through a space at once expansive and claustrophobic; personal in a way almost rapturous. Snaking and twisting pipes writhe into serpent-like heads with sub-woofer faces; greeted by the gestural (de)FENDER, clawing its way. 
Assembled from salvaged industrial piping and caging; and embellished and fastened with the industrial love note of the padlock; the bunker installation made up of FENDER//RECKLESS ICONS//BPM(THRASH) is Perry’s inner world embodied. Personifying and somatically charging the architectural and industrial framework with its own life.
(De)FENDER
2026
Motorbike fenders, chains padlocks, red strip-light
222 x 115 x 90 cm
(Nails)

BPM
2026
Air vent tubing, 12 subwoofers, rebar caging, smoke machine, strobe light, padlocks, sound piece
8min 10 sec
dimensions variable (245 x 180 x 180 cm)
(Installation)

Special thanks to @paulpurgas

In the depths of the body, lies its spiritual heart (or is it a club, or is it an engine room, or is it….) the rhythmic beat of production soundtracks a space of both violent intimacy and collective experience. Hushed conversation, machinery drone, cello sonorous and toy piano improvisation from Perry’s daughter combine into a heady and at once familiar narration that invokes fragmentary memory. This is a nervous system in reset and release. 
BPM is industrial materials and carceral geography made sculptural installation, rattling and echoing through a space at once expansive and claustrophobic; personal in a way almost rapturous. Snaking and twisting pipes writhe into serpent-like heads with sub-woofer faces; greeted by the gestural (de)FENDER, clawing its way. 
Assembled from salvaged industrial piping and caging; and embellished and fastened with the industrial love note of the padlock; the bunker installation made up of FENDER//RECKLESS ICONS//BPM(THRASH) is Perry’s inner world embodied. Personifying and somatically charging the architectural and industrial framework with its own life.
(De)FENDER
2026
Motorbike fenders, chains padlocks, red strip-light
222 x 115 x 90 cm
(Nails)

BPM
2026
Air vent tubing, 12 subwoofers, rebar caging, smoke machine, strobe light, padlocks, sound piece
8min 10 sec
dimensions variable (245 x 180 x 180 cm)
(Installation)

Special thanks to @paulpurgas

In the depths of the body, lies its spiritual heart (or is it a club, or is it an engine room, or is it….) the rhythmic beat of production soundtracks a space of both violent intimacy and collective experience. Hushed conversation, machinery drone, cello sonorous and toy piano improvisation from Perry’s daughter combine into a heady and at once familiar narration that invokes fragmentary memory. This is a nervous system in reset and release. 
BPM is industrial materials and carceral geography made sculptural installation, rattling and echoing through a space at once expansive and claustrophobic; personal in a way almost rapturous. Snaking and twisting pipes writhe into serpent-like heads with sub-woofer faces; greeted by the gestural (de)FENDER, clawing its way. 
Assembled from salvaged industrial piping and caging; and embellished and fastened with the industrial love note of the padlock; the bunker installation made up of FENDER//RECKLESS ICONS//BPM(THRASH) is Perry’s inner world embodied. Personifying and somatically charging the architectural and industrial framework with its own life.
(De)FENDER
2026
Motorbike fenders, chains padlocks, red strip-light
222 x 115 x 90 cm
(Nails)

BPM
2026
Air vent tubing, 12 subwoofers, rebar caging, smoke machine, strobe light, padlocks, sound piece
8min 10 sec
dimensions variable (245 x 180 x 180 cm)
(Installation)

Special thanks to @paulpurgas

💥 🌅 It’s a wrap for Post-Sunsets: a moving image program at CINEMA TICK TACK in Antwerp. thank you so so much to all the artists for their amazing films about intoxicated sunsets for our hyperreal present

The program featured video works by Linn Phyllis Seeger, Dana Dawud, Marcel Mrejen, Y7 & Shumon Basar, Daniele Costa, and Lorenzo Mason. The films were projected from Sunset to Sunrise into the public domain, highlighting TICK TACK’s position on the border of the public/private and day/night

All the films in the program deal with the sunset as a symbol of either intimacy, catastrophe, search for identity, or a sort of gathering ‘at the end of the world.’

💥 🌅 It’s a wrap for Post-Sunsets: a moving image program at CINEMA TICK TACK in Antwerp. thank you so so much to all the artists for their amazing films about intoxicated sunsets for our hyperreal present

The program featured video works by Linn Phyllis Seeger, Dana Dawud, Marcel Mrejen, Y7 & Shumon Basar, Daniele Costa, and Lorenzo Mason. The films were projected from Sunset to Sunrise into the public domain, highlighting TICK TACK’s position on the border of the public/private and day/night

All the films in the program deal with the sunset as a symbol of either intimacy, catastrophe, search for identity, or a sort of gathering ‘at the end of the world.’

💥 🌅 It’s a wrap for Post-Sunsets: a moving image program at CINEMA TICK TACK in Antwerp. thank you so so much to all the artists for their amazing films about intoxicated sunsets for our hyperreal present

The program featured video works by Linn Phyllis Seeger, Dana Dawud, Marcel Mrejen, Y7 & Shumon Basar, Daniele Costa, and Lorenzo Mason. The films were projected from Sunset to Sunrise into the public domain, highlighting TICK TACK’s position on the border of the public/private and day/night

All the films in the program deal with the sunset as a symbol of either intimacy, catastrophe, search for identity, or a sort of gathering ‘at the end of the world.’

💥 🌅 It’s a wrap for Post-Sunsets: a moving image program at CINEMA TICK TACK in Antwerp. thank you so so much to all the artists for their amazing films about intoxicated sunsets for our hyperreal present

The program featured video works by Linn Phyllis Seeger, Dana Dawud, Marcel Mrejen, Y7 & Shumon Basar, Daniele Costa, and Lorenzo Mason. The films were projected from Sunset to Sunrise into the public domain, highlighting TICK TACK’s position on the border of the public/private and day/night

All the films in the program deal with the sunset as a symbol of either intimacy, catastrophe, search for identity, or a sort of gathering ‘at the end of the world.’

💥 🌅 It’s a wrap for Post-Sunsets: a moving image program at CINEMA TICK TACK in Antwerp. thank you so so much to all the artists for their amazing films about intoxicated sunsets for our hyperreal present

The program featured video works by Linn Phyllis Seeger, Dana Dawud, Marcel Mrejen, Y7 & Shumon Basar, Daniele Costa, and Lorenzo Mason. The films were projected from Sunset to Sunrise into the public domain, highlighting TICK TACK’s position on the border of the public/private and day/night

All the films in the program deal with the sunset as a symbol of either intimacy, catastrophe, search for identity, or a sort of gathering ‘at the end of the world.’

💥 🌅 It’s a wrap for Post-Sunsets: a moving image program at CINEMA TICK TACK in Antwerp. thank you so so much to all the artists for their amazing films about intoxicated sunsets for our hyperreal present

The program featured video works by Linn Phyllis Seeger, Dana Dawud, Marcel Mrejen, Y7 & Shumon Basar, Daniele Costa, and Lorenzo Mason. The films were projected from Sunset to Sunrise into the public domain, highlighting TICK TACK’s position on the border of the public/private and day/night

All the films in the program deal with the sunset as a symbol of either intimacy, catastrophe, search for identity, or a sort of gathering ‘at the end of the world.’

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

And there we have it… HARD LOVE! 🔒❤️‍🔥🔒❤️‍🔥
“Hannah Perry’s HARD LOVE unfolds across 4 rooms and three floors, as a body held in tension. Here, steel, structures, cast concrete pillows, sound, and movement become vessels for emotion, labour, exhaustion and care.
Industrial materials bend, pulsate, and breathe; while rebar twists like nervous systems, through exhalation, resin hearts harden, the monumental structures echoing the architecture of the body itself. Throughout the exhibition, Perry explores the overlap between the visceral and the mechanical: various labours, tenderness and violence, vulnerability and endurance.
Moving through the building becomes a descent through a living structure that breathes and moves, from sculptural forms above to immersive installations below. Sound, pressure, and material carry emotional weight before language can. HARD LOVE is the anatomy of feeling assembled from steel, breath, memory and strain.”

HARD LOVE
Solo exhibition by @hannahperryhannahperry
Opening Friday May 15th
Until 1st August 2026
Antwerp @ticktack.be

With the support of Flanders State of the Art and the Henry Moore Foundation. @HenryMoorefdn_grants
#HardLove #HannahPerry #TickTack #HenryMooreGrants

a huge thank you to @christina__r.m.p @jason.woz.ere and @thwrkshp @ticktack.be team

Closing out…

🎥 @sebastianschaevers

LAN-Kraftwerk opens tonight in Berlin!
A 30 hour continuous programme from today until Sunday night.

Originally developed for Wojtyla’s solo exhibition LAN in TICK TACK (2025), a site-dependent participatory installation is built around a 10-person local area network. In this iteration during Atonal, the physical space of Kraftwerk doubles as a battle arena. Its recognizable architectural forms are translated into a playable map for Unreal Tournament 2004, where participants explore, run, jump, and frag through a digital replica of the architecture surrounding them. Rooted in the DIY gaming culture of the early 2000s, LAN operates through an ethos of techno-brutalism, insisting on the rawness of utility, where efficiency, necessity, and directness become the aesthetic of a social gathering. 

Dropping a limited edition gaming T.
Each of which has a unique number on the back.
50 Copies. DM.

Brennan Wojtyla — LAN Kraftwerk @wojtyl.a
In collaboration with Berlin Atonal and Unsound.
Saturday - Sunday, May 16-17th
TICK TACK OFF-Site. Kraftwerk, Berlin.
@ticktack.be @berlinatonal @kraftwerkberlinofficial
@outpostantwerp

#BrennanWojtyla #LanKraftwerk #Berlin #TickTackOffSite

HARD LOVE by Hannah Perry opens tonight at TICK TACK in Antwerp.

Join us and the artist for the opening reception today
Friday May 15 from 7 to 10 PM, TICK TACK, Antwerp.
Part of the Antwerp Art Weekend
@hannahperryhannahperry
@ticktack.be

#HardLove #HannahPerry #TICK TACK’

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst

De vogels hebben stevig gevlogen !

@horstartsandmusic @yoshisodeoka @ticktack.be @louisegoegebeur @jan_vanbriel @rapidmedia_official @michrandir @3madeav #horst