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tacktick.be
TACK TICK Mechelen
A New Destination for Contemporary Art
Opening September 2026
By @ticktack.be
TACK TICK Mechelen opens its doors for the first time.
25 & 26 April, 1–6 PM · Free entry
Salle de Ventes pas Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
A look behind the scenes before the official opening in September.
Two days only.
Works on view by @banksy @daangielis @marie_jo_lafontaine @metahaven @anselm_reyle @thomasscheibitz.atelier @narcisse_tordoir #LilianeVertessen @studiokoenvandenbroek #TomVanPuyvelde #RikWouters
Behind The Scenes: Banksy.
Banksy is a British street artist whose stencils, deceptively simple, darkly humorous, and deeply political, have made him one of the most recognisable and disruptive figures in contemporary art. With an unnerving ability to get to the heart of the matter, he expresses strong political statements with poetry, energy, and humour. Working entirely outside the traditional art world, his philosophy is to challenge the exclusivity of gallery art by painting in public spaces and making art accessible to the masses.
Past interventions and exhibitions include Turf War, a warehouse in Hackney, London; unauthorized hangings at Tate Britain, London; Louvre, Paris; and the Metropolitan Museum of Art, New York; paintings on the West Bank barrier, Bethlehem; Better Out Than In, New York; the Walled Off Hotel, Bethlehem; and Cut and Run, Gallery of Modern Art, Glasgow.
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevetterstraat 3, Mechelen.
The Migrant Child (Naufrago Bambino), Palazzo San Pantalon, Venice, Italy. ‘The Bethlehem Wall’ at the exhibition ‘The world of Banksy, the immersive experience’, Milan, Italy 2021 [Miguel Medina/AFP]. Mural on the Royal Courts of Justice in London, Britain, 2025. Mural on a destroyed building in Borodyanka, Kyiv, Ukraine, 2022. Gaza-Kitty.
Sculptures from ‘The Walled Off Hotel’series
#banksy #TackTick
Behind The Scenes: Banksy.
Banksy is a British street artist whose stencils, deceptively simple, darkly humorous, and deeply political, have made him one of the most recognisable and disruptive figures in contemporary art. With an unnerving ability to get to the heart of the matter, he expresses strong political statements with poetry, energy, and humour. Working entirely outside the traditional art world, his philosophy is to challenge the exclusivity of gallery art by painting in public spaces and making art accessible to the masses.
Past interventions and exhibitions include Turf War, a warehouse in Hackney, London; unauthorized hangings at Tate Britain, London; Louvre, Paris; and the Metropolitan Museum of Art, New York; paintings on the West Bank barrier, Bethlehem; Better Out Than In, New York; the Walled Off Hotel, Bethlehem; and Cut and Run, Gallery of Modern Art, Glasgow.
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevetterstraat 3, Mechelen.
The Migrant Child (Naufrago Bambino), Palazzo San Pantalon, Venice, Italy. ‘The Bethlehem Wall’ at the exhibition ‘The world of Banksy, the immersive experience’, Milan, Italy 2021 [Miguel Medina/AFP]. Mural on the Royal Courts of Justice in London, Britain, 2025. Mural on a destroyed building in Borodyanka, Kyiv, Ukraine, 2022. Gaza-Kitty.
Sculptures from ‘The Walled Off Hotel’series
#banksy #TackTick
Behind The Scenes: Banksy.
Banksy is a British street artist whose stencils, deceptively simple, darkly humorous, and deeply political, have made him one of the most recognisable and disruptive figures in contemporary art. With an unnerving ability to get to the heart of the matter, he expresses strong political statements with poetry, energy, and humour. Working entirely outside the traditional art world, his philosophy is to challenge the exclusivity of gallery art by painting in public spaces and making art accessible to the masses.
Past interventions and exhibitions include Turf War, a warehouse in Hackney, London; unauthorized hangings at Tate Britain, London; Louvre, Paris; and the Metropolitan Museum of Art, New York; paintings on the West Bank barrier, Bethlehem; Better Out Than In, New York; the Walled Off Hotel, Bethlehem; and Cut and Run, Gallery of Modern Art, Glasgow.
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevetterstraat 3, Mechelen.
The Migrant Child (Naufrago Bambino), Palazzo San Pantalon, Venice, Italy. ‘The Bethlehem Wall’ at the exhibition ‘The world of Banksy, the immersive experience’, Milan, Italy 2021 [Miguel Medina/AFP]. Mural on the Royal Courts of Justice in London, Britain, 2025. Mural on a destroyed building in Borodyanka, Kyiv, Ukraine, 2022. Gaza-Kitty.
Sculptures from ‘The Walled Off Hotel’series
#banksy #TackTick
Behind The Scenes: Banksy.
Banksy is a British street artist whose stencils, deceptively simple, darkly humorous, and deeply political, have made him one of the most recognisable and disruptive figures in contemporary art. With an unnerving ability to get to the heart of the matter, he expresses strong political statements with poetry, energy, and humour. Working entirely outside the traditional art world, his philosophy is to challenge the exclusivity of gallery art by painting in public spaces and making art accessible to the masses.
Past interventions and exhibitions include Turf War, a warehouse in Hackney, London; unauthorized hangings at Tate Britain, London; Louvre, Paris; and the Metropolitan Museum of Art, New York; paintings on the West Bank barrier, Bethlehem; Better Out Than In, New York; the Walled Off Hotel, Bethlehem; and Cut and Run, Gallery of Modern Art, Glasgow.
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevetterstraat 3, Mechelen.
The Migrant Child (Naufrago Bambino), Palazzo San Pantalon, Venice, Italy. ‘The Bethlehem Wall’ at the exhibition ‘The world of Banksy, the immersive experience’, Milan, Italy 2021 [Miguel Medina/AFP]. Mural on the Royal Courts of Justice in London, Britain, 2025. Mural on a destroyed building in Borodyanka, Kyiv, Ukraine, 2022. Gaza-Kitty.
Sculptures from ‘The Walled Off Hotel’series
#banksy #TackTick
Behind The Scenes: Banksy.
Banksy is a British street artist whose stencils, deceptively simple, darkly humorous, and deeply political, have made him one of the most recognisable and disruptive figures in contemporary art. With an unnerving ability to get to the heart of the matter, he expresses strong political statements with poetry, energy, and humour. Working entirely outside the traditional art world, his philosophy is to challenge the exclusivity of gallery art by painting in public spaces and making art accessible to the masses.
Past interventions and exhibitions include Turf War, a warehouse in Hackney, London; unauthorized hangings at Tate Britain, London; Louvre, Paris; and the Metropolitan Museum of Art, New York; paintings on the West Bank barrier, Bethlehem; Better Out Than In, New York; the Walled Off Hotel, Bethlehem; and Cut and Run, Gallery of Modern Art, Glasgow.
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevetterstraat 3, Mechelen.
The Migrant Child (Naufrago Bambino), Palazzo San Pantalon, Venice, Italy. ‘The Bethlehem Wall’ at the exhibition ‘The world of Banksy, the immersive experience’, Milan, Italy 2021 [Miguel Medina/AFP]. Mural on the Royal Courts of Justice in London, Britain, 2025. Mural on a destroyed building in Borodyanka, Kyiv, Ukraine, 2022. Gaza-Kitty.
Sculptures from ‘The Walled Off Hotel’series
#banksy #TackTick
Behind The Scenes: Banksy.
Banksy is a British street artist whose stencils, deceptively simple, darkly humorous, and deeply political, have made him one of the most recognisable and disruptive figures in contemporary art. With an unnerving ability to get to the heart of the matter, he expresses strong political statements with poetry, energy, and humour. Working entirely outside the traditional art world, his philosophy is to challenge the exclusivity of gallery art by painting in public spaces and making art accessible to the masses.
Past interventions and exhibitions include Turf War, a warehouse in Hackney, London; unauthorized hangings at Tate Britain, London; Louvre, Paris; and the Metropolitan Museum of Art, New York; paintings on the West Bank barrier, Bethlehem; Better Out Than In, New York; the Walled Off Hotel, Bethlehem; and Cut and Run, Gallery of Modern Art, Glasgow.
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevetterstraat 3, Mechelen.
The Migrant Child (Naufrago Bambino), Palazzo San Pantalon, Venice, Italy. ‘The Bethlehem Wall’ at the exhibition ‘The world of Banksy, the immersive experience’, Milan, Italy 2021 [Miguel Medina/AFP]. Mural on the Royal Courts of Justice in London, Britain, 2025. Mural on a destroyed building in Borodyanka, Kyiv, Ukraine, 2022. Gaza-Kitty.
Sculptures from ‘The Walled Off Hotel’series
#banksy #TackTick
Behind The Scenes: Banksy.
Banksy is a British street artist whose stencils, deceptively simple, darkly humorous, and deeply political, have made him one of the most recognisable and disruptive figures in contemporary art. With an unnerving ability to get to the heart of the matter, he expresses strong political statements with poetry, energy, and humour. Working entirely outside the traditional art world, his philosophy is to challenge the exclusivity of gallery art by painting in public spaces and making art accessible to the masses.
Past interventions and exhibitions include Turf War, a warehouse in Hackney, London; unauthorized hangings at Tate Britain, London; Louvre, Paris; and the Metropolitan Museum of Art, New York; paintings on the West Bank barrier, Bethlehem; Better Out Than In, New York; the Walled Off Hotel, Bethlehem; and Cut and Run, Gallery of Modern Art, Glasgow.
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevetterstraat 3, Mechelen.
The Migrant Child (Naufrago Bambino), Palazzo San Pantalon, Venice, Italy. ‘The Bethlehem Wall’ at the exhibition ‘The world of Banksy, the immersive experience’, Milan, Italy 2021 [Miguel Medina/AFP]. Mural on the Royal Courts of Justice in London, Britain, 2025. Mural on a destroyed building in Borodyanka, Kyiv, Ukraine, 2022. Gaza-Kitty.
Sculptures from ‘The Walled Off Hotel’series
#banksy #TackTick
Behind The Scenes: Banksy.
Banksy is a British street artist whose stencils, deceptively simple, darkly humorous, and deeply political, have made him one of the most recognisable and disruptive figures in contemporary art. With an unnerving ability to get to the heart of the matter, he expresses strong political statements with poetry, energy, and humour. Working entirely outside the traditional art world, his philosophy is to challenge the exclusivity of gallery art by painting in public spaces and making art accessible to the masses.
Past interventions and exhibitions include Turf War, a warehouse in Hackney, London; unauthorized hangings at Tate Britain, London; Louvre, Paris; and the Metropolitan Museum of Art, New York; paintings on the West Bank barrier, Bethlehem; Better Out Than In, New York; the Walled Off Hotel, Bethlehem; and Cut and Run, Gallery of Modern Art, Glasgow.
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevetterstraat 3, Mechelen.
The Migrant Child (Naufrago Bambino), Palazzo San Pantalon, Venice, Italy. ‘The Bethlehem Wall’ at the exhibition ‘The world of Banksy, the immersive experience’, Milan, Italy 2021 [Miguel Medina/AFP]. Mural on the Royal Courts of Justice in London, Britain, 2025. Mural on a destroyed building in Borodyanka, Kyiv, Ukraine, 2022. Gaza-Kitty.
Sculptures from ‘The Walled Off Hotel’series
#banksy #TackTick
Behind The Scenes: Banksy.
Banksy is a British street artist whose stencils, deceptively simple, darkly humorous, and deeply political, have made him one of the most recognisable and disruptive figures in contemporary art. With an unnerving ability to get to the heart of the matter, he expresses strong political statements with poetry, energy, and humour. Working entirely outside the traditional art world, his philosophy is to challenge the exclusivity of gallery art by painting in public spaces and making art accessible to the masses.
Past interventions and exhibitions include Turf War, a warehouse in Hackney, London; unauthorized hangings at Tate Britain, London; Louvre, Paris; and the Metropolitan Museum of Art, New York; paintings on the West Bank barrier, Bethlehem; Better Out Than In, New York; the Walled Off Hotel, Bethlehem; and Cut and Run, Gallery of Modern Art, Glasgow.
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevetterstraat 3, Mechelen.
The Migrant Child (Naufrago Bambino), Palazzo San Pantalon, Venice, Italy. ‘The Bethlehem Wall’ at the exhibition ‘The world of Banksy, the immersive experience’, Milan, Italy 2021 [Miguel Medina/AFP]. Mural on the Royal Courts of Justice in London, Britain, 2025. Mural on a destroyed building in Borodyanka, Kyiv, Ukraine, 2022. Gaza-Kitty.
Sculptures from ‘The Walled Off Hotel’series
#banksy #TackTick
Behind The Scenes: Banksy.
Banksy is a British street artist whose stencils, deceptively simple, darkly humorous, and deeply political, have made him one of the most recognisable and disruptive figures in contemporary art. With an unnerving ability to get to the heart of the matter, he expresses strong political statements with poetry, energy, and humour. Working entirely outside the traditional art world, his philosophy is to challenge the exclusivity of gallery art by painting in public spaces and making art accessible to the masses.
Past interventions and exhibitions include Turf War, a warehouse in Hackney, London; unauthorized hangings at Tate Britain, London; Louvre, Paris; and the Metropolitan Museum of Art, New York; paintings on the West Bank barrier, Bethlehem; Better Out Than In, New York; the Walled Off Hotel, Bethlehem; and Cut and Run, Gallery of Modern Art, Glasgow.
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevetterstraat 3, Mechelen.
The Migrant Child (Naufrago Bambino), Palazzo San Pantalon, Venice, Italy. ‘The Bethlehem Wall’ at the exhibition ‘The world of Banksy, the immersive experience’, Milan, Italy 2021 [Miguel Medina/AFP]. Mural on the Royal Courts of Justice in London, Britain, 2025. Mural on a destroyed building in Borodyanka, Kyiv, Ukraine, 2022. Gaza-Kitty.
Sculptures from ‘The Walled Off Hotel’series
#banksy #TackTick
Behind The Scenes: Banksy.
Banksy is a British street artist whose stencils, deceptively simple, darkly humorous, and deeply political, have made him one of the most recognisable and disruptive figures in contemporary art. With an unnerving ability to get to the heart of the matter, he expresses strong political statements with poetry, energy, and humour. Working entirely outside the traditional art world, his philosophy is to challenge the exclusivity of gallery art by painting in public spaces and making art accessible to the masses.
Past interventions and exhibitions include Turf War, a warehouse in Hackney, London; unauthorized hangings at Tate Britain, London; Louvre, Paris; and the Metropolitan Museum of Art, New York; paintings on the West Bank barrier, Bethlehem; Better Out Than In, New York; the Walled Off Hotel, Bethlehem; and Cut and Run, Gallery of Modern Art, Glasgow.
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevetterstraat 3, Mechelen.
The Migrant Child (Naufrago Bambino), Palazzo San Pantalon, Venice, Italy. ‘The Bethlehem Wall’ at the exhibition ‘The world of Banksy, the immersive experience’, Milan, Italy 2021 [Miguel Medina/AFP]. Mural on the Royal Courts of Justice in London, Britain, 2025. Mural on a destroyed building in Borodyanka, Kyiv, Ukraine, 2022. Gaza-Kitty.
Sculptures from ‘The Walled Off Hotel’series
#banksy #TackTick
Final day to check TACK TICK’s Behind The Scenes
Banksy · Daan Gielis · Marie-Jo Lafontaine · Metahaven · Anselm Reyle · Thomas Scheibitz · Narcisse Tordoir · Koen van den Broek · Tom Van Puyvelde · Liliane Vertessen · Rik Wouters
@banksy @daangielis @marie_jo_lafontaine @metahaven @anselm_reyle @thomasscheibitz.atelier @narcisse_tordoir #LilianeVertessen @studiokoenvandenbroek #TomVanPuyvelde #RikWouters
Behind The Scenes (13:00-18:00 CET).
TACK TICK
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
#TackTickMechelen
Final day to check TACK TICK’s Behind The Scenes
Banksy · Daan Gielis · Marie-Jo Lafontaine · Metahaven · Anselm Reyle · Thomas Scheibitz · Narcisse Tordoir · Koen van den Broek · Tom Van Puyvelde · Liliane Vertessen · Rik Wouters
@banksy @daangielis @marie_jo_lafontaine @metahaven @anselm_reyle @thomasscheibitz.atelier @narcisse_tordoir #LilianeVertessen @studiokoenvandenbroek #TomVanPuyvelde #RikWouters
Behind The Scenes (13:00-18:00 CET).
TACK TICK
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
#TackTickMechelen
TOMORROW: TACK TICK Mechelen opens its doors for the first time.
25 & 26 April, 1–6 PM · Free entry
Salle de Ventes pas Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
A look behind the scenes before the official opening in September.
Two days only.
Including works by: @banksy @daangielis @marie_jo_lafontaine @metahaven @anselm_reyle @thomasscheibitz.atelier @narcisse_tordoir #LilianeVertessen @studiokoenvandenbroek #TomVanPuyvelde #RikWouters
#TackTickMechelen #ofluxoplatform
@ofluxoplatform
TOMORROW: TACK TICK Mechelen opens its doors for the first time.
25 & 26 April, 1–6 PM · Free entry
Salle de Ventes pas Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
A look behind the scenes before the official opening in September.
Two days only.
Including works by: @banksy @daangielis @marie_jo_lafontaine @metahaven @anselm_reyle @thomasscheibitz.atelier @narcisse_tordoir #LilianeVertessen @studiokoenvandenbroek #TomVanPuyvelde #RikWouters
#TackTickMechelen #ofluxoplatform
@ofluxoplatform
TOMORROW: TACK TICK Mechelen opens its doors for the first time.
25 & 26 April, 1–6 PM · Free entry
Salle de Ventes pas Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
A look behind the scenes before the official opening in September.
Two days only.
Including works by: @banksy @daangielis @marie_jo_lafontaine @metahaven @anselm_reyle @thomasscheibitz.atelier @narcisse_tordoir #LilianeVertessen @studiokoenvandenbroek #TomVanPuyvelde #RikWouters
#TackTickMechelen #ofluxoplatform
@ofluxoplatform
TOMORROW: TACK TICK Mechelen opens its doors for the first time.
25 & 26 April, 1–6 PM · Free entry
Salle de Ventes pas Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
A look behind the scenes before the official opening in September.
Two days only.
Including works by: @banksy @daangielis @marie_jo_lafontaine @metahaven @anselm_reyle @thomasscheibitz.atelier @narcisse_tordoir #LilianeVertessen @studiokoenvandenbroek #TomVanPuyvelde #RikWouters
#TackTickMechelen #ofluxoplatform
@ofluxoplatform
Opening for 2 days only. Saturday 25 & Sunday 26 April.
Behind The Scenes
With works by @banksy @daangielis @marie_jo_lafontaine @metahaven @anselm_reyle @thomasscheibitz.atelier #LilianeVertessen @studiokoenvandenbroek @narcisse_tordoir #TomVanPuyvelde #RikWouters
13:00-18:00, Free entry
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
#TackTickMechelen
Meet the artists of Behind The Scenes. Next: Marie-Jo Lafontaine.
Lafontaine (1950, Antwerp) is celebrated for her pioneering video installations in the 1970s and ‘80s, has established herself as one of the leading international video artists of the last century.
Lafontaine has exhibited in prestigious institutions such as the Musée d’Art Moderne and Centre Georges Pompidou in Paris (1981), Tate Modern in London (1985), LACMA Museum of Contemporary Art in Los Angeles (1988), Musée du Jeu de Paume in Paris (1999), Guggenheim in New York (1999), and Stedelijk Museum in Amsterdam (1999).
@marie_jo_lafontaine
Behind The Scenes
25 & 26 April, 13:00–18:00. Free entry.
Huidevetterstraat 3, Mechelen.
Les Larmes d’Acier 1988. Himmel und Hölle, 1993. SUMMER BAR + CINEMA, 2024, TICK TACK. Jeder Engel Ist Schrecklich, 1992.. The world starts every minute!, 2007. A las cinco de la tarde, 1984.
#MarieJoLafontaine #TickTack
Meet the artists of Behind The Scenes. Next: Marie-Jo Lafontaine.
Lafontaine (1950, Antwerp) is celebrated for her pioneering video installations in the 1970s and ‘80s, has established herself as one of the leading international video artists of the last century.
Lafontaine has exhibited in prestigious institutions such as the Musée d’Art Moderne and Centre Georges Pompidou in Paris (1981), Tate Modern in London (1985), LACMA Museum of Contemporary Art in Los Angeles (1988), Musée du Jeu de Paume in Paris (1999), Guggenheim in New York (1999), and Stedelijk Museum in Amsterdam (1999).
@marie_jo_lafontaine
Behind The Scenes
25 & 26 April, 13:00–18:00. Free entry.
Huidevetterstraat 3, Mechelen.
Les Larmes d’Acier 1988. Himmel und Hölle, 1993. SUMMER BAR + CINEMA, 2024, TICK TACK. Jeder Engel Ist Schrecklich, 1992.. The world starts every minute!, 2007. A las cinco de la tarde, 1984.
#MarieJoLafontaine #TickTack
Meet the artists of Behind The Scenes. Next: Marie-Jo Lafontaine.
Lafontaine (1950, Antwerp) is celebrated for her pioneering video installations in the 1970s and ‘80s, has established herself as one of the leading international video artists of the last century.
Lafontaine has exhibited in prestigious institutions such as the Musée d’Art Moderne and Centre Georges Pompidou in Paris (1981), Tate Modern in London (1985), LACMA Museum of Contemporary Art in Los Angeles (1988), Musée du Jeu de Paume in Paris (1999), Guggenheim in New York (1999), and Stedelijk Museum in Amsterdam (1999).
@marie_jo_lafontaine
Behind The Scenes
25 & 26 April, 13:00–18:00. Free entry.
Huidevetterstraat 3, Mechelen.
Les Larmes d’Acier 1988. Himmel und Hölle, 1993. SUMMER BAR + CINEMA, 2024, TICK TACK. Jeder Engel Ist Schrecklich, 1992.. The world starts every minute!, 2007. A las cinco de la tarde, 1984.
#MarieJoLafontaine #TickTack
Meet the artists of Behind The Scenes. Next: Marie-Jo Lafontaine.
Lafontaine (1950, Antwerp) is celebrated for her pioneering video installations in the 1970s and ‘80s, has established herself as one of the leading international video artists of the last century.
Lafontaine has exhibited in prestigious institutions such as the Musée d’Art Moderne and Centre Georges Pompidou in Paris (1981), Tate Modern in London (1985), LACMA Museum of Contemporary Art in Los Angeles (1988), Musée du Jeu de Paume in Paris (1999), Guggenheim in New York (1999), and Stedelijk Museum in Amsterdam (1999).
@marie_jo_lafontaine
Behind The Scenes
25 & 26 April, 13:00–18:00. Free entry.
Huidevetterstraat 3, Mechelen.
Les Larmes d’Acier 1988. Himmel und Hölle, 1993. SUMMER BAR + CINEMA, 2024, TICK TACK. Jeder Engel Ist Schrecklich, 1992.. The world starts every minute!, 2007. A las cinco de la tarde, 1984.
#MarieJoLafontaine #TickTack
Meet the artists of Behind The Scenes. Next: Marie-Jo Lafontaine.
Lafontaine (1950, Antwerp) is celebrated for her pioneering video installations in the 1970s and ‘80s, has established herself as one of the leading international video artists of the last century.
Lafontaine has exhibited in prestigious institutions such as the Musée d’Art Moderne and Centre Georges Pompidou in Paris (1981), Tate Modern in London (1985), LACMA Museum of Contemporary Art in Los Angeles (1988), Musée du Jeu de Paume in Paris (1999), Guggenheim in New York (1999), and Stedelijk Museum in Amsterdam (1999).
@marie_jo_lafontaine
Behind The Scenes
25 & 26 April, 13:00–18:00. Free entry.
Huidevetterstraat 3, Mechelen.
Les Larmes d’Acier 1988. Himmel und Hölle, 1993. SUMMER BAR + CINEMA, 2024, TICK TACK. Jeder Engel Ist Schrecklich, 1992.. The world starts every minute!, 2007. A las cinco de la tarde, 1984.
#MarieJoLafontaine #TickTack
Meet the artists of Behind The Scenes. Next: Marie-Jo Lafontaine.
Lafontaine (1950, Antwerp) is celebrated for her pioneering video installations in the 1970s and ‘80s, has established herself as one of the leading international video artists of the last century.
Lafontaine has exhibited in prestigious institutions such as the Musée d’Art Moderne and Centre Georges Pompidou in Paris (1981), Tate Modern in London (1985), LACMA Museum of Contemporary Art in Los Angeles (1988), Musée du Jeu de Paume in Paris (1999), Guggenheim in New York (1999), and Stedelijk Museum in Amsterdam (1999).
@marie_jo_lafontaine
Behind The Scenes
25 & 26 April, 13:00–18:00. Free entry.
Huidevetterstraat 3, Mechelen.
Les Larmes d’Acier 1988. Himmel und Hölle, 1993. SUMMER BAR + CINEMA, 2024, TICK TACK. Jeder Engel Ist Schrecklich, 1992.. The world starts every minute!, 2007. A las cinco de la tarde, 1984.
#MarieJoLafontaine #TickTack
Meet the artists of Behind The Scenes. Next: Marie-Jo Lafontaine.
Lafontaine (1950, Antwerp) is celebrated for her pioneering video installations in the 1970s and ‘80s, has established herself as one of the leading international video artists of the last century.
Lafontaine has exhibited in prestigious institutions such as the Musée d’Art Moderne and Centre Georges Pompidou in Paris (1981), Tate Modern in London (1985), LACMA Museum of Contemporary Art in Los Angeles (1988), Musée du Jeu de Paume in Paris (1999), Guggenheim in New York (1999), and Stedelijk Museum in Amsterdam (1999).
@marie_jo_lafontaine
Behind The Scenes
25 & 26 April, 13:00–18:00. Free entry.
Huidevetterstraat 3, Mechelen.
Les Larmes d’Acier 1988. Himmel und Hölle, 1993. SUMMER BAR + CINEMA, 2024, TICK TACK. Jeder Engel Ist Schrecklich, 1992.. The world starts every minute!, 2007. A las cinco de la tarde, 1984.
#MarieJoLafontaine #TickTack
Meet the artists of Behind The Scenes. Next: Marie-Jo Lafontaine.
Lafontaine (1950, Antwerp) is celebrated for her pioneering video installations in the 1970s and ‘80s, has established herself as one of the leading international video artists of the last century.
Lafontaine has exhibited in prestigious institutions such as the Musée d’Art Moderne and Centre Georges Pompidou in Paris (1981), Tate Modern in London (1985), LACMA Museum of Contemporary Art in Los Angeles (1988), Musée du Jeu de Paume in Paris (1999), Guggenheim in New York (1999), and Stedelijk Museum in Amsterdam (1999).
@marie_jo_lafontaine
Behind The Scenes
25 & 26 April, 13:00–18:00. Free entry.
Huidevetterstraat 3, Mechelen.
Les Larmes d’Acier 1988. Himmel und Hölle, 1993. SUMMER BAR + CINEMA, 2024, TICK TACK. Jeder Engel Ist Schrecklich, 1992.. The world starts every minute!, 2007. A las cinco de la tarde, 1984.
#MarieJoLafontaine #TickTack
Meet the artists of Behind The Scenes. Next: Marie-Jo Lafontaine.
Lafontaine (1950, Antwerp) is celebrated for her pioneering video installations in the 1970s and ‘80s, has established herself as one of the leading international video artists of the last century.
Lafontaine has exhibited in prestigious institutions such as the Musée d’Art Moderne and Centre Georges Pompidou in Paris (1981), Tate Modern in London (1985), LACMA Museum of Contemporary Art in Los Angeles (1988), Musée du Jeu de Paume in Paris (1999), Guggenheim in New York (1999), and Stedelijk Museum in Amsterdam (1999).
@marie_jo_lafontaine
Behind The Scenes
25 & 26 April, 13:00–18:00. Free entry.
Huidevetterstraat 3, Mechelen.
Les Larmes d’Acier 1988. Himmel und Hölle, 1993. SUMMER BAR + CINEMA, 2024, TICK TACK. Jeder Engel Ist Schrecklich, 1992.. The world starts every minute!, 2007. A las cinco de la tarde, 1984.
#MarieJoLafontaine #TickTack
Meet the artists of Behind The Scenes. Next: Marie-Jo Lafontaine.
Lafontaine (1950, Antwerp) is celebrated for her pioneering video installations in the 1970s and ‘80s, has established herself as one of the leading international video artists of the last century.
Lafontaine has exhibited in prestigious institutions such as the Musée d’Art Moderne and Centre Georges Pompidou in Paris (1981), Tate Modern in London (1985), LACMA Museum of Contemporary Art in Los Angeles (1988), Musée du Jeu de Paume in Paris (1999), Guggenheim in New York (1999), and Stedelijk Museum in Amsterdam (1999).
@marie_jo_lafontaine
Behind The Scenes
25 & 26 April, 13:00–18:00. Free entry.
Huidevetterstraat 3, Mechelen.
Les Larmes d’Acier 1988. Himmel und Hölle, 1993. SUMMER BAR + CINEMA, 2024, TICK TACK. Jeder Engel Ist Schrecklich, 1992.. The world starts every minute!, 2007. A las cinco de la tarde, 1984.
#MarieJoLafontaine #TickTack
Meet the artists of Behind The Scenes. Next: Marie-Jo Lafontaine.
Lafontaine (1950, Antwerp) is celebrated for her pioneering video installations in the 1970s and ‘80s, has established herself as one of the leading international video artists of the last century.
Lafontaine has exhibited in prestigious institutions such as the Musée d’Art Moderne and Centre Georges Pompidou in Paris (1981), Tate Modern in London (1985), LACMA Museum of Contemporary Art in Los Angeles (1988), Musée du Jeu de Paume in Paris (1999), Guggenheim in New York (1999), and Stedelijk Museum in Amsterdam (1999).
@marie_jo_lafontaine
Behind The Scenes
25 & 26 April, 13:00–18:00. Free entry.
Huidevetterstraat 3, Mechelen.
Les Larmes d’Acier 1988. Himmel und Hölle, 1993. SUMMER BAR + CINEMA, 2024, TICK TACK. Jeder Engel Ist Schrecklich, 1992.. The world starts every minute!, 2007. A las cinco de la tarde, 1984.
#MarieJoLafontaine #TickTack
Meet the artists of Behind The Scenes. Next: Marie-Jo Lafontaine.
Lafontaine (1950, Antwerp) is celebrated for her pioneering video installations in the 1970s and ‘80s, has established herself as one of the leading international video artists of the last century.
Lafontaine has exhibited in prestigious institutions such as the Musée d’Art Moderne and Centre Georges Pompidou in Paris (1981), Tate Modern in London (1985), LACMA Museum of Contemporary Art in Los Angeles (1988), Musée du Jeu de Paume in Paris (1999), Guggenheim in New York (1999), and Stedelijk Museum in Amsterdam (1999).
@marie_jo_lafontaine
Behind The Scenes
25 & 26 April, 13:00–18:00. Free entry.
Huidevetterstraat 3, Mechelen.
Les Larmes d’Acier 1988. Himmel und Hölle, 1993. SUMMER BAR + CINEMA, 2024, TICK TACK. Jeder Engel Ist Schrecklich, 1992.. The world starts every minute!, 2007. A las cinco de la tarde, 1984.
#MarieJoLafontaine #TickTack
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Meet the artists of Behind The Scenes. Next: Koen van den Broek.
Born in Bree (1973), van den Broek first studied architecture before turning to painting. He has always remained an architect at heart.
He travels constantly — Europe, the USA, South-Korea — always with his camera. He photographs the same subject: the traces man leaves on the landscape. Not the landmark. The gutter. The curb. The crack in the pavement. The shadow of a bridge. It is this very search for a subject of representation that led him on a journey closer to abstraction.
His work is held in prestigious collections of LACMA, SFMOMA, S.M.A.K., M HKA, and Astrup Fearnley Museet, among others. Presented at the Venice Biennale (2015 & 2017), White Cube London, and Royal Academy London. Public commissions include the MAS Antwerp and AZSM Hospital Mechelen.
@studiokoenvandenbroek
Behind The Scenes
A first look of TACK TICK Mechelen
25 & 26 April, 13:00–18:00. Free entry.
@tacktick.be
Huidevetterstraat 3, Mechelen.
Dante’s Lot, 2017. The Skin of the Earth, at Jeonnam Museum of Art, South Korea, 2026 (current)
“This an Example of That”, John Baldessari / Koen van den Broek, 2008. Round 4, 2026, in collab with Zenith (Matthias Schoenaerts). Green crack, 2019. Atelier Koen van den Broek. Fork lift truck, 2004. Sampled, 2015, AZSM, Mechelen. Season D, 2025. Koen van den Broek & John Baldessari, photo by John Welchman.
#KoenvandenBroek #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Introducing Daan Gielis (1988–2023), the next artist in Behind The Scenes.
Trained as a printmaker in Hasselt, rooted in hardcore punk, shaped from childhood by the autoimmune condition that would eventually take him at 34, Daan worked with forms everyone already knows. Emoji. Flowers. Smileys. Tintin. Pop signs and subculture symbols. He slowed them down until they held what they were never designed to hold.
Happiness and sadness in the same sign. A flower wilting the moment it opens.
“Life and death are neighbours” he said, a line that came from helping his mother, a florist, load her van: fresh bouquets going out on Monday, the same flowers coming back rotting by Friday. The paradox stayed with the work.
Signs pulled apart until they refused the comfort of one meaning.
What Gielis left is unmistakable.
His work is held in collections including M HKA (Antwerp) and Mu.ZEE (Ostend). A permanent six-metre neon, Wilting Flower #5, was installed in 2025 at Abby Kortrijk. He is represented by @keteleer_gallery, whose first solo exhibition of his work, U’ll be fine, ran earlier this year.
We miss you ❤️
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April
@tacktick.be
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Robber, 2021. Happy Sad, 2019. Tintin’s Jungle I, 2021 (detail). Heart, 2021. Wilting flowers, 2022. Mama je hoeft niet te huilen, 2019. Cocktail, in collaboration with Koen van den Broek, 2017. Daan Gielis, Wilting Flower #4, 2022/25. Foto by Stella Devon Rain.
#DaanGielis #TackTickMechelen
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next introduction Behind The Scenes: German artist Anselm Reyle.
Reyle transforms industrial and consumer materials — foil, neon, mirrors, automotive lacquer — into large-scale paintings, sculptures, and installations that blur the line between low culture and high art. His celebrated foil paintings, crumpled metallic surfaces sealed in colored plexiglass boxes, seduce the eye while denying the touch. His stripe paintings systematically revisit and deflate the legacy of Modernist abstraction. Everything in his work navigates the tension between the decorative and the sublime.
Reyle’s solo exhibitions include König Galerie, Almine Rech, TICK TACK, Deichtorhallen Hamburg, Kunsthalle Zürich, and Arken Museum of Modern Art. His work is held in collections including Centre Pompidou and Fondation Louis Vuitton (Paris), Nationalgalerie and Boros Collection (Berlin), and the Pinault Collection (Venice).
@anselm_reyle
Behind The Scenes
A first look of TACK TICK Mechelen (@tacktick.be)
25 & 26 April, 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen (BE)
Untitled, 2023. PARADISE, 2023, König Galerie, Berlin. Disorder, 2024, TICK TACK. Teenage Wasteland, Kunsthalle Vogelmann / Kunstverein Heilbronn, 2022. Mystic Silver, Deichtorhallen, Hamburg, 2012. Untitled, 2025. König Galerie, 2025. Studio of Anselm Reyle; Portrait by Verena Brüning.
Next in Behind the Scenes: Narcisse Tordoir, born in Mechelen and based in Antwerp, Belgium.
He works with various media, ranging from drawings, prints and paintings to photography and installations. Through this seemingly effortless versatility, Tordoir digs into historical references to painting, while at the same time placing himself outside of the medium. With an explicit focus on the act of perception, his well thought-out and complex image montages challenge the intersections between romanticism and reality, between history and current affairs.
Tordoir’s practice spans over four decades with exhibitions at Paleis voor Schone Kunsten, Brussels; Venice Biennale, Belgian Pavilion; Kröller-Müller Museum, Otterlo; Centraal Museum, Utrecht; TICK TACK, MHKA, Antwerp; Koninklijke Musea voor Schone Kunsten, Brussels & SMAK, Ghent.
@narcisse_tordoir
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April — 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
Time Without Future, 2022, Roger Raveel Museum. Narcisse Tordoir, PEOPLE, 2021, TICK TACK. Z.T., detail (2019), Z.T., 2020. Fake Barok, S.M.A.K., 2026. Portrait by Sophie Nuytten
#NarcisseTordoir
Next in Behind the Scenes: Narcisse Tordoir, born in Mechelen and based in Antwerp, Belgium.
He works with various media, ranging from drawings, prints and paintings to photography and installations. Through this seemingly effortless versatility, Tordoir digs into historical references to painting, while at the same time placing himself outside of the medium. With an explicit focus on the act of perception, his well thought-out and complex image montages challenge the intersections between romanticism and reality, between history and current affairs.
Tordoir’s practice spans over four decades with exhibitions at Paleis voor Schone Kunsten, Brussels; Venice Biennale, Belgian Pavilion; Kröller-Müller Museum, Otterlo; Centraal Museum, Utrecht; TICK TACK, MHKA, Antwerp; Koninklijke Musea voor Schone Kunsten, Brussels & SMAK, Ghent.
@narcisse_tordoir
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April — 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
Time Without Future, 2022, Roger Raveel Museum. Narcisse Tordoir, PEOPLE, 2021, TICK TACK. Z.T., detail (2019), Z.T., 2020. Fake Barok, S.M.A.K., 2026. Portrait by Sophie Nuytten
#NarcisseTordoir
Next in Behind the Scenes: Narcisse Tordoir, born in Mechelen and based in Antwerp, Belgium.
He works with various media, ranging from drawings, prints and paintings to photography and installations. Through this seemingly effortless versatility, Tordoir digs into historical references to painting, while at the same time placing himself outside of the medium. With an explicit focus on the act of perception, his well thought-out and complex image montages challenge the intersections between romanticism and reality, between history and current affairs.
Tordoir’s practice spans over four decades with exhibitions at Paleis voor Schone Kunsten, Brussels; Venice Biennale, Belgian Pavilion; Kröller-Müller Museum, Otterlo; Centraal Museum, Utrecht; TICK TACK, MHKA, Antwerp; Koninklijke Musea voor Schone Kunsten, Brussels & SMAK, Ghent.
@narcisse_tordoir
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April — 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
Time Without Future, 2022, Roger Raveel Museum. Narcisse Tordoir, PEOPLE, 2021, TICK TACK. Z.T., detail (2019), Z.T., 2020. Fake Barok, S.M.A.K., 2026. Portrait by Sophie Nuytten
#NarcisseTordoir
Next in Behind the Scenes: Narcisse Tordoir, born in Mechelen and based in Antwerp, Belgium.
He works with various media, ranging from drawings, prints and paintings to photography and installations. Through this seemingly effortless versatility, Tordoir digs into historical references to painting, while at the same time placing himself outside of the medium. With an explicit focus on the act of perception, his well thought-out and complex image montages challenge the intersections between romanticism and reality, between history and current affairs.
Tordoir’s practice spans over four decades with exhibitions at Paleis voor Schone Kunsten, Brussels; Venice Biennale, Belgian Pavilion; Kröller-Müller Museum, Otterlo; Centraal Museum, Utrecht; TICK TACK, MHKA, Antwerp; Koninklijke Musea voor Schone Kunsten, Brussels & SMAK, Ghent.
@narcisse_tordoir
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April — 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
Time Without Future, 2022, Roger Raveel Museum. Narcisse Tordoir, PEOPLE, 2021, TICK TACK. Z.T., detail (2019), Z.T., 2020. Fake Barok, S.M.A.K., 2026. Portrait by Sophie Nuytten
#NarcisseTordoir
Next in Behind the Scenes: Narcisse Tordoir, born in Mechelen and based in Antwerp, Belgium.
He works with various media, ranging from drawings, prints and paintings to photography and installations. Through this seemingly effortless versatility, Tordoir digs into historical references to painting, while at the same time placing himself outside of the medium. With an explicit focus on the act of perception, his well thought-out and complex image montages challenge the intersections between romanticism and reality, between history and current affairs.
Tordoir’s practice spans over four decades with exhibitions at Paleis voor Schone Kunsten, Brussels; Venice Biennale, Belgian Pavilion; Kröller-Müller Museum, Otterlo; Centraal Museum, Utrecht; TICK TACK, MHKA, Antwerp; Koninklijke Musea voor Schone Kunsten, Brussels & SMAK, Ghent.
@narcisse_tordoir
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April — 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
Time Without Future, 2022, Roger Raveel Museum. Narcisse Tordoir, PEOPLE, 2021, TICK TACK. Z.T., detail (2019), Z.T., 2020. Fake Barok, S.M.A.K., 2026. Portrait by Sophie Nuytten
#NarcisseTordoir
Next in Behind the Scenes: Narcisse Tordoir, born in Mechelen and based in Antwerp, Belgium.
He works with various media, ranging from drawings, prints and paintings to photography and installations. Through this seemingly effortless versatility, Tordoir digs into historical references to painting, while at the same time placing himself outside of the medium. With an explicit focus on the act of perception, his well thought-out and complex image montages challenge the intersections between romanticism and reality, between history and current affairs.
Tordoir’s practice spans over four decades with exhibitions at Paleis voor Schone Kunsten, Brussels; Venice Biennale, Belgian Pavilion; Kröller-Müller Museum, Otterlo; Centraal Museum, Utrecht; TICK TACK, MHKA, Antwerp; Koninklijke Musea voor Schone Kunsten, Brussels & SMAK, Ghent.
@narcisse_tordoir
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April — 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
Time Without Future, 2022, Roger Raveel Museum. Narcisse Tordoir, PEOPLE, 2021, TICK TACK. Z.T., detail (2019), Z.T., 2020. Fake Barok, S.M.A.K., 2026. Portrait by Sophie Nuytten
#NarcisseTordoir
Next in Behind the Scenes: Narcisse Tordoir, born in Mechelen and based in Antwerp, Belgium.
He works with various media, ranging from drawings, prints and paintings to photography and installations. Through this seemingly effortless versatility, Tordoir digs into historical references to painting, while at the same time placing himself outside of the medium. With an explicit focus on the act of perception, his well thought-out and complex image montages challenge the intersections between romanticism and reality, between history and current affairs.
Tordoir’s practice spans over four decades with exhibitions at Paleis voor Schone Kunsten, Brussels; Venice Biennale, Belgian Pavilion; Kröller-Müller Museum, Otterlo; Centraal Museum, Utrecht; TICK TACK, MHKA, Antwerp; Koninklijke Musea voor Schone Kunsten, Brussels & SMAK, Ghent.
@narcisse_tordoir
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April — 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
Time Without Future, 2022, Roger Raveel Museum. Narcisse Tordoir, PEOPLE, 2021, TICK TACK. Z.T., detail (2019), Z.T., 2020. Fake Barok, S.M.A.K., 2026. Portrait by Sophie Nuytten
#NarcisseTordoir
Next in Behind the Scenes: Narcisse Tordoir, born in Mechelen and based in Antwerp, Belgium.
He works with various media, ranging from drawings, prints and paintings to photography and installations. Through this seemingly effortless versatility, Tordoir digs into historical references to painting, while at the same time placing himself outside of the medium. With an explicit focus on the act of perception, his well thought-out and complex image montages challenge the intersections between romanticism and reality, between history and current affairs.
Tordoir’s practice spans over four decades with exhibitions at Paleis voor Schone Kunsten, Brussels; Venice Biennale, Belgian Pavilion; Kröller-Müller Museum, Otterlo; Centraal Museum, Utrecht; TICK TACK, MHKA, Antwerp; Koninklijke Musea voor Schone Kunsten, Brussels & SMAK, Ghent.
@narcisse_tordoir
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April — 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
Time Without Future, 2022, Roger Raveel Museum. Narcisse Tordoir, PEOPLE, 2021, TICK TACK. Z.T., detail (2019), Z.T., 2020. Fake Barok, S.M.A.K., 2026. Portrait by Sophie Nuytten
#NarcisseTordoir
Next in Behind the Scenes: Narcisse Tordoir, born in Mechelen and based in Antwerp, Belgium.
He works with various media, ranging from drawings, prints and paintings to photography and installations. Through this seemingly effortless versatility, Tordoir digs into historical references to painting, while at the same time placing himself outside of the medium. With an explicit focus on the act of perception, his well thought-out and complex image montages challenge the intersections between romanticism and reality, between history and current affairs.
Tordoir’s practice spans over four decades with exhibitions at Paleis voor Schone Kunsten, Brussels; Venice Biennale, Belgian Pavilion; Kröller-Müller Museum, Otterlo; Centraal Museum, Utrecht; TICK TACK, MHKA, Antwerp; Koninklijke Musea voor Schone Kunsten, Brussels & SMAK, Ghent.
@narcisse_tordoir
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April — 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
Time Without Future, 2022, Roger Raveel Museum. Narcisse Tordoir, PEOPLE, 2021, TICK TACK. Z.T., detail (2019), Z.T., 2020. Fake Barok, S.M.A.K., 2026. Portrait by Sophie Nuytten
#NarcisseTordoir
Next in Behind the Scenes: Narcisse Tordoir, born in Mechelen and based in Antwerp, Belgium.
He works with various media, ranging from drawings, prints and paintings to photography and installations. Through this seemingly effortless versatility, Tordoir digs into historical references to painting, while at the same time placing himself outside of the medium. With an explicit focus on the act of perception, his well thought-out and complex image montages challenge the intersections between romanticism and reality, between history and current affairs.
Tordoir’s practice spans over four decades with exhibitions at Paleis voor Schone Kunsten, Brussels; Venice Biennale, Belgian Pavilion; Kröller-Müller Museum, Otterlo; Centraal Museum, Utrecht; TICK TACK, MHKA, Antwerp; Koninklijke Musea voor Schone Kunsten, Brussels & SMAK, Ghent.
@narcisse_tordoir
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April — 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
Time Without Future, 2022, Roger Raveel Museum. Narcisse Tordoir, PEOPLE, 2021, TICK TACK. Z.T., detail (2019), Z.T., 2020. Fake Barok, S.M.A.K., 2026. Portrait by Sophie Nuytten
#NarcisseTordoir
Next in Behind the Scenes: Narcisse Tordoir, born in Mechelen and based in Antwerp, Belgium.
He works with various media, ranging from drawings, prints and paintings to photography and installations. Through this seemingly effortless versatility, Tordoir digs into historical references to painting, while at the same time placing himself outside of the medium. With an explicit focus on the act of perception, his well thought-out and complex image montages challenge the intersections between romanticism and reality, between history and current affairs.
Tordoir’s practice spans over four decades with exhibitions at Paleis voor Schone Kunsten, Brussels; Venice Biennale, Belgian Pavilion; Kröller-Müller Museum, Otterlo; Centraal Museum, Utrecht; TICK TACK, MHKA, Antwerp; Koninklijke Musea voor Schone Kunsten, Brussels & SMAK, Ghent.
@narcisse_tordoir
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April — 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
Time Without Future, 2022, Roger Raveel Museum. Narcisse Tordoir, PEOPLE, 2021, TICK TACK. Z.T., detail (2019), Z.T., 2020. Fake Barok, S.M.A.K., 2026. Portrait by Sophie Nuytten
#NarcisseTordoir
Next in Behind the Scenes: Narcisse Tordoir, born in Mechelen and based in Antwerp, Belgium.
He works with various media, ranging from drawings, prints and paintings to photography and installations. Through this seemingly effortless versatility, Tordoir digs into historical references to painting, while at the same time placing himself outside of the medium. With an explicit focus on the act of perception, his well thought-out and complex image montages challenge the intersections between romanticism and reality, between history and current affairs.
Tordoir’s practice spans over four decades with exhibitions at Paleis voor Schone Kunsten, Brussels; Venice Biennale, Belgian Pavilion; Kröller-Müller Museum, Otterlo; Centraal Museum, Utrecht; TICK TACK, MHKA, Antwerp; Koninklijke Musea voor Schone Kunsten, Brussels & SMAK, Ghent.
@narcisse_tordoir
Behind The Scenes
A first look of TACK TICK Mechelen
Saturday 25 & Sunday 26 April — 2 days only
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
Time Without Future, 2022, Roger Raveel Museum. Narcisse Tordoir, PEOPLE, 2021, TICK TACK. Z.T., detail (2019), Z.T., 2020. Fake Barok, S.M.A.K., 2026. Portrait by Sophie Nuytten
#NarcisseTordoir
In one week, TACK TICK Mechelen opens its doors for the first time.
25 & 26 April, 1–6 PM · Free entry
Salle de Ventes pas Notaires
Huidevettersstraat 3, 2800 Mechelen
@tacktick.be
A look behind the scenes before the official opening in September.
Two days only.
Works on view by @banksy @daangielis @marie_jo_lafontaine @metahaven @anselm_reyle @thomasscheibitz.atelier @narcisse_tordoir #LilianeVertessen @studiokoenvandenbroek #TomVanPuyvelde #RikWouters
#TackTickMechelen
The next artist in the ‘Behind the Scenes’ exhibition is Thomas Scheibitz, one of the most important German painters and sculptors of his generation.
Scheibitz’s works are composed of geometrical formations, containing recognizable, recurring symbols. He combines these abstract landscapes with architectural elements to convey the underlying principles of our seemingly well-ordered world. Thomas Scheibitz currently lives and works in Berlin. In 2005, he represented Germany at the 51st Venice Biennale. Scheibitz’s work is part of renowned private and public collections worldwide, including the Museum of Modern Art, New York; Tate Modern, London; Stedelijk Museum, Amsterdam; Hamburger Bahnhof Museum für Gegenwart, Berlin; Sammlung Goetz, Munich, and San Francisco Museum of Modern Art, among others.
@thomasscheibitz.atelier
Behind The Scenes.
📅 Saturday 25 & Sunday 26 April (13:00-18:00)
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Omega Cinema II, 2024. Plateau mit Halbfigur, 2018, installation view, Kesselhaus, KINDL, © Thomas Scheibitz / VG BILD-KUNST, Bonn, 2018; photo: Jens Ziehe.. Der Tisch, der Ozean und das Beispiel, 2003. Apollo, 2007, Schinkel Pavilion. >>>X<<<, 2025, TICK TACK. Studio, 2008. Argos Eyes 2025, 250 × 170 cm (detail). Portrait by Christian Werner.
#ThomasScheibitz #TackTickMechelen
The next artist in the ‘Behind the Scenes’ exhibition is Thomas Scheibitz, one of the most important German painters and sculptors of his generation.
Scheibitz’s works are composed of geometrical formations, containing recognizable, recurring symbols. He combines these abstract landscapes with architectural elements to convey the underlying principles of our seemingly well-ordered world. Thomas Scheibitz currently lives and works in Berlin. In 2005, he represented Germany at the 51st Venice Biennale. Scheibitz’s work is part of renowned private and public collections worldwide, including the Museum of Modern Art, New York; Tate Modern, London; Stedelijk Museum, Amsterdam; Hamburger Bahnhof Museum für Gegenwart, Berlin; Sammlung Goetz, Munich, and San Francisco Museum of Modern Art, among others.
@thomasscheibitz.atelier
Behind The Scenes.
📅 Saturday 25 & Sunday 26 April (13:00-18:00)
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Omega Cinema II, 2024. Plateau mit Halbfigur, 2018, installation view, Kesselhaus, KINDL, © Thomas Scheibitz / VG BILD-KUNST, Bonn, 2018; photo: Jens Ziehe.. Der Tisch, der Ozean und das Beispiel, 2003. Apollo, 2007, Schinkel Pavilion. >>>X<<<, 2025, TICK TACK. Studio, 2008. Argos Eyes 2025, 250 × 170 cm (detail). Portrait by Christian Werner.
#ThomasScheibitz #TackTickMechelen
The next artist in the ‘Behind the Scenes’ exhibition is Thomas Scheibitz, one of the most important German painters and sculptors of his generation.
Scheibitz’s works are composed of geometrical formations, containing recognizable, recurring symbols. He combines these abstract landscapes with architectural elements to convey the underlying principles of our seemingly well-ordered world. Thomas Scheibitz currently lives and works in Berlin. In 2005, he represented Germany at the 51st Venice Biennale. Scheibitz’s work is part of renowned private and public collections worldwide, including the Museum of Modern Art, New York; Tate Modern, London; Stedelijk Museum, Amsterdam; Hamburger Bahnhof Museum für Gegenwart, Berlin; Sammlung Goetz, Munich, and San Francisco Museum of Modern Art, among others.
@thomasscheibitz.atelier
Behind The Scenes.
📅 Saturday 25 & Sunday 26 April (13:00-18:00)
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Omega Cinema II, 2024. Plateau mit Halbfigur, 2018, installation view, Kesselhaus, KINDL, © Thomas Scheibitz / VG BILD-KUNST, Bonn, 2018; photo: Jens Ziehe.. Der Tisch, der Ozean und das Beispiel, 2003. Apollo, 2007, Schinkel Pavilion. >>>X<<<, 2025, TICK TACK. Studio, 2008. Argos Eyes 2025, 250 × 170 cm (detail). Portrait by Christian Werner.
#ThomasScheibitz #TackTickMechelen
The next artist in the ‘Behind the Scenes’ exhibition is Thomas Scheibitz, one of the most important German painters and sculptors of his generation.
Scheibitz’s works are composed of geometrical formations, containing recognizable, recurring symbols. He combines these abstract landscapes with architectural elements to convey the underlying principles of our seemingly well-ordered world. Thomas Scheibitz currently lives and works in Berlin. In 2005, he represented Germany at the 51st Venice Biennale. Scheibitz’s work is part of renowned private and public collections worldwide, including the Museum of Modern Art, New York; Tate Modern, London; Stedelijk Museum, Amsterdam; Hamburger Bahnhof Museum für Gegenwart, Berlin; Sammlung Goetz, Munich, and San Francisco Museum of Modern Art, among others.
@thomasscheibitz.atelier
Behind The Scenes.
📅 Saturday 25 & Sunday 26 April (13:00-18:00)
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Omega Cinema II, 2024. Plateau mit Halbfigur, 2018, installation view, Kesselhaus, KINDL, © Thomas Scheibitz / VG BILD-KUNST, Bonn, 2018; photo: Jens Ziehe.. Der Tisch, der Ozean und das Beispiel, 2003. Apollo, 2007, Schinkel Pavilion. >>>X<<<, 2025, TICK TACK. Studio, 2008. Argos Eyes 2025, 250 × 170 cm (detail). Portrait by Christian Werner.
#ThomasScheibitz #TackTickMechelen
The next artist in the ‘Behind the Scenes’ exhibition is Thomas Scheibitz, one of the most important German painters and sculptors of his generation.
Scheibitz’s works are composed of geometrical formations, containing recognizable, recurring symbols. He combines these abstract landscapes with architectural elements to convey the underlying principles of our seemingly well-ordered world. Thomas Scheibitz currently lives and works in Berlin. In 2005, he represented Germany at the 51st Venice Biennale. Scheibitz’s work is part of renowned private and public collections worldwide, including the Museum of Modern Art, New York; Tate Modern, London; Stedelijk Museum, Amsterdam; Hamburger Bahnhof Museum für Gegenwart, Berlin; Sammlung Goetz, Munich, and San Francisco Museum of Modern Art, among others.
@thomasscheibitz.atelier
Behind The Scenes.
📅 Saturday 25 & Sunday 26 April (13:00-18:00)
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Omega Cinema II, 2024. Plateau mit Halbfigur, 2018, installation view, Kesselhaus, KINDL, © Thomas Scheibitz / VG BILD-KUNST, Bonn, 2018; photo: Jens Ziehe.. Der Tisch, der Ozean und das Beispiel, 2003. Apollo, 2007, Schinkel Pavilion. >>>X<<<, 2025, TICK TACK. Studio, 2008. Argos Eyes 2025, 250 × 170 cm (detail). Portrait by Christian Werner.
#ThomasScheibitz #TackTickMechelen
The next artist in the ‘Behind the Scenes’ exhibition is Thomas Scheibitz, one of the most important German painters and sculptors of his generation.
Scheibitz’s works are composed of geometrical formations, containing recognizable, recurring symbols. He combines these abstract landscapes with architectural elements to convey the underlying principles of our seemingly well-ordered world. Thomas Scheibitz currently lives and works in Berlin. In 2005, he represented Germany at the 51st Venice Biennale. Scheibitz’s work is part of renowned private and public collections worldwide, including the Museum of Modern Art, New York; Tate Modern, London; Stedelijk Museum, Amsterdam; Hamburger Bahnhof Museum für Gegenwart, Berlin; Sammlung Goetz, Munich, and San Francisco Museum of Modern Art, among others.
@thomasscheibitz.atelier
Behind The Scenes.
📅 Saturday 25 & Sunday 26 April (13:00-18:00)
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Omega Cinema II, 2024. Plateau mit Halbfigur, 2018, installation view, Kesselhaus, KINDL, © Thomas Scheibitz / VG BILD-KUNST, Bonn, 2018; photo: Jens Ziehe.. Der Tisch, der Ozean und das Beispiel, 2003. Apollo, 2007, Schinkel Pavilion. >>>X<<<, 2025, TICK TACK. Studio, 2008. Argos Eyes 2025, 250 × 170 cm (detail). Portrait by Christian Werner.
#ThomasScheibitz #TackTickMechelen
The next artist in the ‘Behind the Scenes’ exhibition is Thomas Scheibitz, one of the most important German painters and sculptors of his generation.
Scheibitz’s works are composed of geometrical formations, containing recognizable, recurring symbols. He combines these abstract landscapes with architectural elements to convey the underlying principles of our seemingly well-ordered world. Thomas Scheibitz currently lives and works in Berlin. In 2005, he represented Germany at the 51st Venice Biennale. Scheibitz’s work is part of renowned private and public collections worldwide, including the Museum of Modern Art, New York; Tate Modern, London; Stedelijk Museum, Amsterdam; Hamburger Bahnhof Museum für Gegenwart, Berlin; Sammlung Goetz, Munich, and San Francisco Museum of Modern Art, among others.
@thomasscheibitz.atelier
Behind The Scenes.
📅 Saturday 25 & Sunday 26 April (13:00-18:00)
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Omega Cinema II, 2024. Plateau mit Halbfigur, 2018, installation view, Kesselhaus, KINDL, © Thomas Scheibitz / VG BILD-KUNST, Bonn, 2018; photo: Jens Ziehe.. Der Tisch, der Ozean und das Beispiel, 2003. Apollo, 2007, Schinkel Pavilion. >>>X<<<, 2025, TICK TACK. Studio, 2008. Argos Eyes 2025, 250 × 170 cm (detail). Portrait by Christian Werner.
#ThomasScheibitz #TackTickMechelen
The next artist in the ‘Behind the Scenes’ exhibition is Thomas Scheibitz, one of the most important German painters and sculptors of his generation.
Scheibitz’s works are composed of geometrical formations, containing recognizable, recurring symbols. He combines these abstract landscapes with architectural elements to convey the underlying principles of our seemingly well-ordered world. Thomas Scheibitz currently lives and works in Berlin. In 2005, he represented Germany at the 51st Venice Biennale. Scheibitz’s work is part of renowned private and public collections worldwide, including the Museum of Modern Art, New York; Tate Modern, London; Stedelijk Museum, Amsterdam; Hamburger Bahnhof Museum für Gegenwart, Berlin; Sammlung Goetz, Munich, and San Francisco Museum of Modern Art, among others.
@thomasscheibitz.atelier
Behind The Scenes.
📅 Saturday 25 & Sunday 26 April (13:00-18:00)
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Omega Cinema II, 2024. Plateau mit Halbfigur, 2018, installation view, Kesselhaus, KINDL, © Thomas Scheibitz / VG BILD-KUNST, Bonn, 2018; photo: Jens Ziehe.. Der Tisch, der Ozean und das Beispiel, 2003. Apollo, 2007, Schinkel Pavilion. >>>X<<<, 2025, TICK TACK. Studio, 2008. Argos Eyes 2025, 250 × 170 cm (detail). Portrait by Christian Werner.
#ThomasScheibitz #TackTickMechelen
The next artist in the ‘Behind the Scenes’ exhibition is Thomas Scheibitz, one of the most important German painters and sculptors of his generation.
Scheibitz’s works are composed of geometrical formations, containing recognizable, recurring symbols. He combines these abstract landscapes with architectural elements to convey the underlying principles of our seemingly well-ordered world. Thomas Scheibitz currently lives and works in Berlin. In 2005, he represented Germany at the 51st Venice Biennale. Scheibitz’s work is part of renowned private and public collections worldwide, including the Museum of Modern Art, New York; Tate Modern, London; Stedelijk Museum, Amsterdam; Hamburger Bahnhof Museum für Gegenwart, Berlin; Sammlung Goetz, Munich, and San Francisco Museum of Modern Art, among others.
@thomasscheibitz.atelier
Behind The Scenes.
📅 Saturday 25 & Sunday 26 April (13:00-18:00)
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Omega Cinema II, 2024. Plateau mit Halbfigur, 2018, installation view, Kesselhaus, KINDL, © Thomas Scheibitz / VG BILD-KUNST, Bonn, 2018; photo: Jens Ziehe.. Der Tisch, der Ozean und das Beispiel, 2003. Apollo, 2007, Schinkel Pavilion. >>>X<<<, 2025, TICK TACK. Studio, 2008. Argos Eyes 2025, 250 × 170 cm (detail). Portrait by Christian Werner.
#ThomasScheibitz #TackTickMechelen
The next artist in the ‘Behind the Scenes’ exhibition is Thomas Scheibitz, one of the most important German painters and sculptors of his generation.
Scheibitz’s works are composed of geometrical formations, containing recognizable, recurring symbols. He combines these abstract landscapes with architectural elements to convey the underlying principles of our seemingly well-ordered world. Thomas Scheibitz currently lives and works in Berlin. In 2005, he represented Germany at the 51st Venice Biennale. Scheibitz’s work is part of renowned private and public collections worldwide, including the Museum of Modern Art, New York; Tate Modern, London; Stedelijk Museum, Amsterdam; Hamburger Bahnhof Museum für Gegenwart, Berlin; Sammlung Goetz, Munich, and San Francisco Museum of Modern Art, among others.
@thomasscheibitz.atelier
Behind The Scenes.
📅 Saturday 25 & Sunday 26 April (13:00-18:00)
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Omega Cinema II, 2024. Plateau mit Halbfigur, 2018, installation view, Kesselhaus, KINDL, © Thomas Scheibitz / VG BILD-KUNST, Bonn, 2018; photo: Jens Ziehe.. Der Tisch, der Ozean und das Beispiel, 2003. Apollo, 2007, Schinkel Pavilion. >>>X<<<, 2025, TICK TACK. Studio, 2008. Argos Eyes 2025, 250 × 170 cm (detail). Portrait by Christian Werner.
#ThomasScheibitz #TackTickMechelen
The next artist in the ‘Behind the Scenes’ exhibition is Thomas Scheibitz, one of the most important German painters and sculptors of his generation.
Scheibitz’s works are composed of geometrical formations, containing recognizable, recurring symbols. He combines these abstract landscapes with architectural elements to convey the underlying principles of our seemingly well-ordered world. Thomas Scheibitz currently lives and works in Berlin. In 2005, he represented Germany at the 51st Venice Biennale. Scheibitz’s work is part of renowned private and public collections worldwide, including the Museum of Modern Art, New York; Tate Modern, London; Stedelijk Museum, Amsterdam; Hamburger Bahnhof Museum für Gegenwart, Berlin; Sammlung Goetz, Munich, and San Francisco Museum of Modern Art, among others.
@thomasscheibitz.atelier
Behind The Scenes.
📅 Saturday 25 & Sunday 26 April (13:00-18:00)
TACK TICK Mechelen
Salle de Ventes par Notaires
Huidevettersstraat 3, 2800 Mechelen
Omega Cinema II, 2024. Plateau mit Halbfigur, 2018, installation view, Kesselhaus, KINDL, © Thomas Scheibitz / VG BILD-KUNST, Bonn, 2018; photo: Jens Ziehe.. Der Tisch, der Ozean und das Beispiel, 2003. Apollo, 2007, Schinkel Pavilion. >>>X<<<, 2025, TICK TACK. Studio, 2008. Argos Eyes 2025, 250 × 170 cm (detail). Portrait by Christian Werner.
#ThomasScheibitz #TackTickMechelen
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