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We’re honored to have contributed exhibition design for the @NationalPavilionUAE, presenting “Washwasha” in the 61st International Art Exhibition of @LaBiennale di Venezia 2026. Curated by @BanaKattan and @talanassar2, “Washwasha” brings together six artists whose practices contemplate contemporary soundscapes in the UAE, shaped by migration, transience and long-term ties to the land. A phonetic transliteration of the Arabic word for ‘whispering,’ “Washwasha” suggests sound at the threshold of audibility—a starting point for exploring themes of memory, movement, and rapid transformation. From oral storytelling to poetry circles and locally initiated broadcasting efforts, sound has long functioned as a platform for collective self-representation. “Washwasha” situates contemporary artistic practices within this continuum of transmission and exchange.

B-KD’s design provides a journey through the pavilion that traces the progression of sound through multiple modes—from oral histories to movement, migration, and technology. Organizing the exhibition as a sequence of chambers that respond directly to the acoustic signature of the space’s materiality and architecture, visitors are led from zones of close listening to areas consumed by noise and sonic overlap.

On view at the Arsenale through November 22, 2026.
Lighting design by @theseed.lighting
Acoustics by @lstnconsultants
Photos by @Ismailnoor of @weareseeingthings

We’re honored to have contributed exhibition design for the @NationalPavilionUAE, presenting “Washwasha” in the 61st International Art Exhibition of @LaBiennale di Venezia 2026. Curated by @BanaKattan and @talanassar2, “Washwasha” brings together six artists whose practices contemplate contemporary soundscapes in the UAE, shaped by migration, transience and long-term ties to the land. A phonetic transliteration of the Arabic word for ‘whispering,’ “Washwasha” suggests sound at the threshold of audibility—a starting point for exploring themes of memory, movement, and rapid transformation. From oral storytelling to poetry circles and locally initiated broadcasting efforts, sound has long functioned as a platform for collective self-representation. “Washwasha” situates contemporary artistic practices within this continuum of transmission and exchange.

B-KD’s design provides a journey through the pavilion that traces the progression of sound through multiple modes—from oral histories to movement, migration, and technology. Organizing the exhibition as a sequence of chambers that respond directly to the acoustic signature of the space’s materiality and architecture, visitors are led from zones of close listening to areas consumed by noise and sonic overlap.

On view at the Arsenale through November 22, 2026.
Lighting design by @theseed.lighting
Acoustics by @lstnconsultants
Photos by @Ismailnoor of @weareseeingthings

We’re honored to have contributed exhibition design for the @NationalPavilionUAE, presenting “Washwasha” in the 61st International Art Exhibition of @LaBiennale di Venezia 2026. Curated by @BanaKattan and @talanassar2, “Washwasha” brings together six artists whose practices contemplate contemporary soundscapes in the UAE, shaped by migration, transience and long-term ties to the land. A phonetic transliteration of the Arabic word for ‘whispering,’ “Washwasha” suggests sound at the threshold of audibility—a starting point for exploring themes of memory, movement, and rapid transformation. From oral storytelling to poetry circles and locally initiated broadcasting efforts, sound has long functioned as a platform for collective self-representation. “Washwasha” situates contemporary artistic practices within this continuum of transmission and exchange.

B-KD’s design provides a journey through the pavilion that traces the progression of sound through multiple modes—from oral histories to movement, migration, and technology. Organizing the exhibition as a sequence of chambers that respond directly to the acoustic signature of the space’s materiality and architecture, visitors are led from zones of close listening to areas consumed by noise and sonic overlap.

On view at the Arsenale through November 22, 2026.
Lighting design by @theseed.lighting
Acoustics by @lstnconsultants
Photos by @Ismailnoor of @weareseeingthings

We’re honored to have contributed exhibition design for the @NationalPavilionUAE, presenting “Washwasha” in the 61st International Art Exhibition of @LaBiennale di Venezia 2026. Curated by @BanaKattan and @talanassar2, “Washwasha” brings together six artists whose practices contemplate contemporary soundscapes in the UAE, shaped by migration, transience and long-term ties to the land. A phonetic transliteration of the Arabic word for ‘whispering,’ “Washwasha” suggests sound at the threshold of audibility—a starting point for exploring themes of memory, movement, and rapid transformation. From oral storytelling to poetry circles and locally initiated broadcasting efforts, sound has long functioned as a platform for collective self-representation. “Washwasha” situates contemporary artistic practices within this continuum of transmission and exchange.

B-KD’s design provides a journey through the pavilion that traces the progression of sound through multiple modes—from oral histories to movement, migration, and technology. Organizing the exhibition as a sequence of chambers that respond directly to the acoustic signature of the space’s materiality and architecture, visitors are led from zones of close listening to areas consumed by noise and sonic overlap.

On view at the Arsenale through November 22, 2026.
Lighting design by @theseed.lighting
Acoustics by @lstnconsultants
Photos by @Ismailnoor of @weareseeingthings

We’re honored to have contributed exhibition design for the @NationalPavilionUAE, presenting “Washwasha” in the 61st International Art Exhibition of @LaBiennale di Venezia 2026. Curated by @BanaKattan and @talanassar2, “Washwasha” brings together six artists whose practices contemplate contemporary soundscapes in the UAE, shaped by migration, transience and long-term ties to the land. A phonetic transliteration of the Arabic word for ‘whispering,’ “Washwasha” suggests sound at the threshold of audibility—a starting point for exploring themes of memory, movement, and rapid transformation. From oral storytelling to poetry circles and locally initiated broadcasting efforts, sound has long functioned as a platform for collective self-representation. “Washwasha” situates contemporary artistic practices within this continuum of transmission and exchange.

B-KD’s design provides a journey through the pavilion that traces the progression of sound through multiple modes—from oral histories to movement, migration, and technology. Organizing the exhibition as a sequence of chambers that respond directly to the acoustic signature of the space’s materiality and architecture, visitors are led from zones of close listening to areas consumed by noise and sonic overlap.

On view at the Arsenale through November 22, 2026.
Lighting design by @theseed.lighting
Acoustics by @lstnconsultants
Photos by @Ismailnoor of @weareseeingthings

We’re honored to have contributed exhibition design for the @NationalPavilionUAE, presenting “Washwasha” in the 61st International Art Exhibition of @LaBiennale di Venezia 2026. Curated by @BanaKattan and @talanassar2, “Washwasha” brings together six artists whose practices contemplate contemporary soundscapes in the UAE, shaped by migration, transience and long-term ties to the land. A phonetic transliteration of the Arabic word for ‘whispering,’ “Washwasha” suggests sound at the threshold of audibility—a starting point for exploring themes of memory, movement, and rapid transformation. From oral storytelling to poetry circles and locally initiated broadcasting efforts, sound has long functioned as a platform for collective self-representation. “Washwasha” situates contemporary artistic practices within this continuum of transmission and exchange.

B-KD’s design provides a journey through the pavilion that traces the progression of sound through multiple modes—from oral histories to movement, migration, and technology. Organizing the exhibition as a sequence of chambers that respond directly to the acoustic signature of the space’s materiality and architecture, visitors are led from zones of close listening to areas consumed by noise and sonic overlap.

On view at the Arsenale through November 22, 2026.
Lighting design by @theseed.lighting
Acoustics by @lstnconsultants
Photos by @Ismailnoor of @weareseeingthings

We’re honored to have contributed exhibition design for the @NationalPavilionUAE, presenting “Washwasha” in the 61st International Art Exhibition of @LaBiennale di Venezia 2026. Curated by @BanaKattan and @talanassar2, “Washwasha” brings together six artists whose practices contemplate contemporary soundscapes in the UAE, shaped by migration, transience and long-term ties to the land. A phonetic transliteration of the Arabic word for ‘whispering,’ “Washwasha” suggests sound at the threshold of audibility—a starting point for exploring themes of memory, movement, and rapid transformation. From oral storytelling to poetry circles and locally initiated broadcasting efforts, sound has long functioned as a platform for collective self-representation. “Washwasha” situates contemporary artistic practices within this continuum of transmission and exchange.

B-KD’s design provides a journey through the pavilion that traces the progression of sound through multiple modes—from oral histories to movement, migration, and technology. Organizing the exhibition as a sequence of chambers that respond directly to the acoustic signature of the space’s materiality and architecture, visitors are led from zones of close listening to areas consumed by noise and sonic overlap.

On view at the Arsenale through November 22, 2026.
Lighting design by @theseed.lighting
Acoustics by @lstnconsultants
Photos by @Ismailnoor of @weareseeingthings

“Washwasha” is now open at the @nationalpavilionuae at the Biennale Arte 2026! The exhibition features newly commissioned and existing works by Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition is curated by the incredible @banakattan and I’ve had the privilege of serving as her assistant curator.

I wish I could have captured the entire village it took to bring this exhibition together. I am forever grateful to everyone who made it possible.

Photos 1-9: @ismailnoor of Seeing Things
Photo 10:Nino Consorte of Seeing Things

“Washwasha” is now open at the @nationalpavilionuae at the Biennale Arte 2026! The exhibition features newly commissioned and existing works by Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition is curated by the incredible @banakattan and I’ve had the privilege of serving as her assistant curator.

I wish I could have captured the entire village it took to bring this exhibition together. I am forever grateful to everyone who made it possible.

Photos 1-9: @ismailnoor of Seeing Things
Photo 10:Nino Consorte of Seeing Things

“Washwasha” is now open at the @nationalpavilionuae at the Biennale Arte 2026! The exhibition features newly commissioned and existing works by Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition is curated by the incredible @banakattan and I’ve had the privilege of serving as her assistant curator.

I wish I could have captured the entire village it took to bring this exhibition together. I am forever grateful to everyone who made it possible.

Photos 1-9: @ismailnoor of Seeing Things
Photo 10:Nino Consorte of Seeing Things

“Washwasha” is now open at the @nationalpavilionuae at the Biennale Arte 2026! The exhibition features newly commissioned and existing works by Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition is curated by the incredible @banakattan and I’ve had the privilege of serving as her assistant curator.

I wish I could have captured the entire village it took to bring this exhibition together. I am forever grateful to everyone who made it possible.

Photos 1-9: @ismailnoor of Seeing Things
Photo 10:Nino Consorte of Seeing Things

“Washwasha” is now open at the @nationalpavilionuae at the Biennale Arte 2026! The exhibition features newly commissioned and existing works by Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition is curated by the incredible @banakattan and I’ve had the privilege of serving as her assistant curator.

I wish I could have captured the entire village it took to bring this exhibition together. I am forever grateful to everyone who made it possible.

Photos 1-9: @ismailnoor of Seeing Things
Photo 10:Nino Consorte of Seeing Things

“Washwasha” is now open at the @nationalpavilionuae at the Biennale Arte 2026! The exhibition features newly commissioned and existing works by Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition is curated by the incredible @banakattan and I’ve had the privilege of serving as her assistant curator.

I wish I could have captured the entire village it took to bring this exhibition together. I am forever grateful to everyone who made it possible.

Photos 1-9: @ismailnoor of Seeing Things
Photo 10:Nino Consorte of Seeing Things

“Washwasha” is now open at the @nationalpavilionuae at the Biennale Arte 2026! The exhibition features newly commissioned and existing works by Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition is curated by the incredible @banakattan and I’ve had the privilege of serving as her assistant curator.

I wish I could have captured the entire village it took to bring this exhibition together. I am forever grateful to everyone who made it possible.

Photos 1-9: @ismailnoor of Seeing Things
Photo 10:Nino Consorte of Seeing Things

“Washwasha” is now open at the @nationalpavilionuae at the Biennale Arte 2026! The exhibition features newly commissioned and existing works by Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition is curated by the incredible @banakattan and I’ve had the privilege of serving as her assistant curator.

I wish I could have captured the entire village it took to bring this exhibition together. I am forever grateful to everyone who made it possible.

Photos 1-9: @ismailnoor of Seeing Things
Photo 10:Nino Consorte of Seeing Things

“Washwasha” is now open at the @nationalpavilionuae at the Biennale Arte 2026! The exhibition features newly commissioned and existing works by Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition is curated by the incredible @banakattan and I’ve had the privilege of serving as her assistant curator.

I wish I could have captured the entire village it took to bring this exhibition together. I am forever grateful to everyone who made it possible.

Photos 1-9: @ismailnoor of Seeing Things
Photo 10:Nino Consorte of Seeing Things

“Washwasha” is now open at the @nationalpavilionuae at the Biennale Arte 2026! The exhibition features newly commissioned and existing works by Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition is curated by the incredible @banakattan and I’ve had the privilege of serving as her assistant curator.

I wish I could have captured the entire village it took to bring this exhibition together. I am forever grateful to everyone who made it possible.

Photos 1-9: @ismailnoor of Seeing Things
Photo 10:Nino Consorte of Seeing Things

“Washwasha” is now open at the @nationalpavilionuae at the Biennale Arte 2026! The exhibition features newly commissioned and existing works by Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition is curated by the incredible @banakattan and I’ve had the privilege of serving as her assistant curator.

I wish I could have captured the entire village it took to bring this exhibition together. I am forever grateful to everyone who made it possible.

Photos 1-9: @ismailnoor of Seeing Things
Photo 10:Nino Consorte of Seeing Things

“Washwasha” is now open at the @nationalpavilionuae at the Biennale Arte 2026! The exhibition features newly commissioned and existing works by Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition is curated by the incredible @banakattan and I’ve had the privilege of serving as her assistant curator.

I wish I could have captured the entire village it took to bring this exhibition together. I am forever grateful to everyone who made it possible.

Photos 1-9: @ismailnoor of Seeing Things
Photo 10:Nino Consorte of Seeing Things

Today, I earned my Master’s degree in Modern and Contemporary Art History, and successfully completed my thesis dissertation titled “When Was Exile: Modernity and Displacement in the Work of Mona Hatoum and Sama Alshaibi.”

We are living in extraordinary times, and Palestine should be at the heart of everything we do. Free Palestine 🇵🇸

Today, I earned my Master’s degree in Modern and Contemporary Art History, and successfully completed my thesis dissertation titled “When Was Exile: Modernity and Displacement in the Work of Mona Hatoum and Sama Alshaibi.”

We are living in extraordinary times, and Palestine should be at the heart of everything we do. Free Palestine 🇵🇸

Today, I earned my Master’s degree in Modern and Contemporary Art History, and successfully completed my thesis dissertation titled “When Was Exile: Modernity and Displacement in the Work of Mona Hatoum and Sama Alshaibi.”

We are living in extraordinary times, and Palestine should be at the heart of everything we do. Free Palestine 🇵🇸

Today, I earned my Master’s degree in Modern and Contemporary Art History, and successfully completed my thesis dissertation titled “When Was Exile: Modernity and Displacement in the Work of Mona Hatoum and Sama Alshaibi.”

We are living in extraordinary times, and Palestine should be at the heart of everything we do. Free Palestine 🇵🇸

Today, I earned my Master’s degree in Modern and Contemporary Art History, and successfully completed my thesis dissertation titled “When Was Exile: Modernity and Displacement in the Work of Mona Hatoum and Sama Alshaibi.”

We are living in extraordinary times, and Palestine should be at the heart of everything we do. Free Palestine 🇵🇸

Today, I earned my Master’s degree in Modern and Contemporary Art History, and successfully completed my thesis dissertation titled “When Was Exile: Modernity and Displacement in the Work of Mona Hatoum and Sama Alshaibi.”

We are living in extraordinary times, and Palestine should be at the heart of everything we do. Free Palestine 🇵🇸

And just like that, 8 years flew by 🥹. Goodbye Abu Dhabi 👋🏽 until next time

And just like that, 8 years flew by 🥹. Goodbye Abu Dhabi 👋🏽 until next time

And just like that, 8 years flew by 🥹. Goodbye Abu Dhabi 👋🏽 until next time

And just like that, 8 years flew by 🥹. Goodbye Abu Dhabi 👋🏽 until next time

And just like that, 8 years flew by 🥹. Goodbye Abu Dhabi 👋🏽 until next time

And just like that, 8 years flew by 🥹. Goodbye Abu Dhabi 👋🏽 until next time

And just like that, 8 years flew by 🥹. Goodbye Abu Dhabi 👋🏽 until next time

And just like that, 8 years flew by 🥹. Goodbye Abu Dhabi 👋🏽 until next time

And just like that, 8 years flew by 🥹. Goodbye Abu Dhabi 👋🏽 until next time

“Symbiotic: Hyperreal” is officially open to the public at The NYUAD Project Space! Thank you to artists Talal Al Najjar and Ziad Al Najjar for trusting me to curate their works in their first ever duo show.

This exhibition is also a bittersweet moment for me as it marks my last project at The NYUAD Art Gallery before heading off to grad school. I’m so grateful to have been able to work with and learn from the most amazing team that anyone could ask for (past and present!!).

“Symbiotic: Hyperreal” is officially open to the public at The NYUAD Project Space! Thank you to artists Talal Al Najjar and Ziad Al Najjar for trusting me to curate their works in their first ever duo show.

This exhibition is also a bittersweet moment for me as it marks my last project at The NYUAD Art Gallery before heading off to grad school. I’m so grateful to have been able to work with and learn from the most amazing team that anyone could ask for (past and present!!).

“Symbiotic: Hyperreal” is officially open to the public at The NYUAD Project Space! Thank you to artists Talal Al Najjar and Ziad Al Najjar for trusting me to curate their works in their first ever duo show.

This exhibition is also a bittersweet moment for me as it marks my last project at The NYUAD Art Gallery before heading off to grad school. I’m so grateful to have been able to work with and learn from the most amazing team that anyone could ask for (past and present!!).

“Symbiotic: Hyperreal” is officially open to the public at The NYUAD Project Space! Thank you to artists Talal Al Najjar and Ziad Al Najjar for trusting me to curate their works in their first ever duo show.

This exhibition is also a bittersweet moment for me as it marks my last project at The NYUAD Art Gallery before heading off to grad school. I’m so grateful to have been able to work with and learn from the most amazing team that anyone could ask for (past and present!!).

“Symbiotic: Hyperreal” is officially open to the public at The NYUAD Project Space! Thank you to artists Talal Al Najjar and Ziad Al Najjar for trusting me to curate their works in their first ever duo show.

This exhibition is also a bittersweet moment for me as it marks my last project at The NYUAD Art Gallery before heading off to grad school. I’m so grateful to have been able to work with and learn from the most amazing team that anyone could ask for (past and present!!).

“Symbiotic: Hyperreal” is officially open to the public at The NYUAD Project Space! Thank you to artists Talal Al Najjar and Ziad Al Najjar for trusting me to curate their works in their first ever duo show.

This exhibition is also a bittersweet moment for me as it marks my last project at The NYUAD Art Gallery before heading off to grad school. I’m so grateful to have been able to work with and learn from the most amazing team that anyone could ask for (past and present!!).

“Symbiotic: Hyperreal” is officially open to the public at The NYUAD Project Space! Thank you to artists Talal Al Najjar and Ziad Al Najjar for trusting me to curate their works in their first ever duo show.

This exhibition is also a bittersweet moment for me as it marks my last project at The NYUAD Art Gallery before heading off to grad school. I’m so grateful to have been able to work with and learn from the most amazing team that anyone could ask for (past and present!!).

“Symbiotic: Hyperreal” is officially open to the public at The NYUAD Project Space! Thank you to artists Talal Al Najjar and Ziad Al Najjar for trusting me to curate their works in their first ever duo show.

This exhibition is also a bittersweet moment for me as it marks my last project at The NYUAD Art Gallery before heading off to grad school. I’m so grateful to have been able to work with and learn from the most amazing team that anyone could ask for (past and present!!).

Mark your calendars for Thursday, June 1 at 5:30 PM for the opening of 'Symbiotic: Hyperreal' at The NYUAD Project Space. This show is curated by our Associate Manager of Curatorial Projects, Tala Nassar.

This exhibition marks the first duo show for artists and brothers Talal Al Najjar and Ziad Al Najjar, who maintain a distinct individual practice, but developed in close proximity to one another. The resulting exhibition explores their relationship to their surroundings, particularly Dubai, addressing several dualities: that of two brothers, that of the two cultures in their family of origin, and that of life in the UAE, with its attendant tension between tradition and modernity. The artists emulate this experience of dualities by applying ancient motifs from various cultures to a contemporary context.

Image courtesy of the artists.

كونوا على الموعد يوم الخميس، 1 يونيو، الساعة 5:30 عصرًا، لحضور افتتاح معرض "تعايش: محاكاة الواقع" في مساحة المشروع بجامعة نيويورك أبوظبي، بتقييم تالا نصار، المديرة المساعدة لمشاريع التقييم الفني.

يُمثل المعرض أول عرض فني ثنائي للفنانين والأخوين الإماراتيين طلال النجار وزياد النجار. لكل منهما ممارسة فنية خاصة به تميزه، عملا على تطويرها فرديًا، ولكن على مقربة من بعضهما البعض، حيث تتمخض ممارستهما عن علاقتهما بالبيئة المحيطة بهما ولا سيما دبي. كما يستكشف المعرض العديد من الازدواجيات: ازدواجية الأخوين، ازدواجية الثقافة الخاصة بعائلتهما وازدواجية الحياة في الإمارات العربية المتحدة، وما يصاحبها من توترات بين التقليد والحداثة. يحاكي كلاهما تجربة الازدواجيات تلك بتطبيق عناصر قديمة من ثقافات مختلفة على سياق معاصر في أعمالهما الفنية.

الصورة بإذن من الفنانين.

#NYUADArtGallery #SymbioticHyperreal #ProjectSpace #myNYUAD #DiscoverExhibitions #inabudhabi #ournyuad #saadiyat #saadiyatisland
#saadiyatisland

#رواق_الفن_في_جامعة_نيويورك_أبوظبي #مساحة_المشروع #السعديات #جزيرة_السعديات #رواق_الفن #المتغير_الثابت #في_أبوظبي #اكتشف_المعارض

Important conversations going on in the March Meetings this weekend, and a little break from everything 💛

Important conversations going on in the March Meetings this weekend, and a little break from everything 💛

Important conversations going on in the March Meetings this weekend, and a little break from everything 💛

Important conversations going on in the March Meetings this weekend, and a little break from everything 💛

Important conversations going on in the March Meetings this weekend, and a little break from everything 💛

Important conversations going on in the March Meetings this weekend, and a little break from everything 💛

✨out of office✨

✨out of office✨

✨out of office✨

✨out of office✨

✨out of office✨

✨out of office✨

✨out of office✨

✨out of office✨

✨out of office✨

✨out of office✨

Stills from the CNN Abu Dhabi Lifestyle Film ❤️

Stills from the CNN Abu Dhabi Lifestyle Film ❤️

Stills from the CNN Abu Dhabi Lifestyle Film ❤️

I'm on CNN!

I have lived in Abu Dhabi since 2015, so I was thrilled when asked to collaborate with CNN to create a film about work and life in Abu Dhabi. I am honored to call this place my home.

Thank you to the #CNN team for this opportunity!

‘Khaleej Modern: Pioneers and Collectives in the Arabian Peninsula’ has officially come to a close!

I feel so grateful to have been part of such a groundbreaking exhibition that traced the history of art in the Gulf from the mid-twentieth century until 2007.

Thank you to the curator @aisha_stoby, the @nyuadartgallery team, and the village that brought this show together!