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artist talks today & last day of REDACTION TOOLKIT

Jacob Canet-Gibson / @jacobcanetgibson
Stirling Kain / @stirlingkain
Harrison Waed See / @harrison.see
Jordee Stewart / @j_0rd33

LIGHT WORKS / @light___works (112 Murray St, Boorloo) 

ARTIST TALK: 2pm – 3pm, Sat (7 Mar)

MOVING IMAGE LAP PERTH / @moving.image.lab.perth (films): 3pm -4pm, Sat (7 Mar)

documentation by yours truly with @ella_goff_ and work by @jacobcanetgibson

Stirling Kain, ‘You are the lost sheep whom the Good Shepherd is seeking’, 2026, solarised tintype prints.

artist talks today & last day of REDACTION TOOLKIT

Jacob Canet-Gibson / @jacobcanetgibson
Stirling Kain / @stirlingkain
Harrison Waed See / @harrison.see
Jordee Stewart / @j_0rd33

LIGHT WORKS / @light___works (112 Murray St, Boorloo) 

ARTIST TALK: 2pm – 3pm, Sat (7 Mar)

MOVING IMAGE LAP PERTH / @moving.image.lab.perth (films): 3pm -4pm, Sat (7 Mar)

documentation by yours truly with @ella_goff_ and work by @jacobcanetgibson

Stirling Kain, ‘You are the lost sheep whom the Good Shepherd is seeking’, 2026, solarised tintype prints.

@5o_blue @razosukardi and @d.y.dubu by @lea.simicx

The collaborating artists of REDACTION TOOLKIT respond to both personally-sensed, speculative contexts, and real-world, disaster conflicts. Using the concept of the rosary (a prayer device used in some christian practices to seek penance for sins), Stirling Kain’s body of work, You are the lost sheep whom the Good Shepherd is seeking, considers how communities might make sense of suffering: an infliction of wrath that requires atonement.

You are the lost sheep whom the Good Shepherd is seeking was created at Atwell House and Gallery (@atwellhousearts) darkroom studio, with the support of City of Melville.

Jacob Canet-Gibson / @jacobcanetgibson
Stirling Kain / @stirlingkain
Harrison Waed See / @harrison.see
Jordee Stewart / @j_0rd33

LIGHT WORKS / @light___works (112 Murray St, Boorloo)
OPENING EVENT: 6pm – 8pm, Sat (28 Feb), opened by Martina Mrongovius, performance by Jacob Canet-Gibson
DURATION: 12pm – 5pm, Sat (28 Feb) – Sun (1 Mar) & Thu (5 Mar) – Sat (7 Mar)
OUTCOME UNKNOWN / @outcome_unknown (music): 7pm – 9pm, Thu (5 Mar)
ARTIST TALK: 2pm – 3pm, Sat (7 Mar)
MOVING IMAGE LAP PERTH / @moving.image.lab.perth (films): 3pm - 4pm, Sat (7 Mar)

Image: Stirling Kain, ‘You are the lost sheep whom the Good Shepherd is seeking (IV)’, 2026, solarised tintype print.

REDACTION TOOLKIT is a collaborative, interdisciplinary artistic response to real-world conflict and disaster contexts, specifically, the social and cultural phenomena that arise in their aftermath. Artists collaborated through their own speculative contexts developed from a unique mix of the personally-sensed and experienced; as well as historical and currently-emerging events. As a form of self-redaction, the artists have not explicitly revealed the nature of these speculative contexts to their collaborators.

Jacob Canet-Gibson / @jacobcanetgibson
Stirling Kain / @stirlingkain
Harrison Waed See / @harrison.see
Jordee Stewart / @j_0rd33

LIGHT WORKS / @light___works (112 Murray St, Boorloo)

OPENING EVENT: 6pm – 8pm, Sat (28 Feb), opened by Martina Mrongovius, performance by Jacob Canet-Gibson

DURATION: 12pm – 5pm, Sat (28 Feb) – Sun (1 Mar) & Thu (5 Mar) – Sat (7 Mar)

OUTCOME UNKNOWN / @outcome_unknown (music): 7pm – 9pm, Thu (5 Mar)

ARTIST TALK: 2pm – 3pm, Sat (7 Mar)

MOVING IMAGE LAP PERTH / @moving.image.lab.perth (films): 3pm – 4pm, Sat (7 Mar)

#artist #boorloo #perth #artexhibition #gallery

@moses_kw for @wwimfest

@moses_kw for @wwimfest

REDACTION TOOLKIT is a collaborative, interdisciplinary artistic response to real-world conflict and disaster contexts, specifically, the social and cultural phenomena that arise in their aftermath.

Artists collaborated through their own speculative contexts developed from a unique mix of the personally-sensed and experienced; as well as historical and currently-emerging events.

As a form of self-redaction, the artists have not explicitly revealed the nature of these speculative contexts to their collaborators.

Jacob Canet-Gibson / @jacobcanetgibson
Stirling Kain / @stirlingkain
Harrison Waed See / @harrison.see
Jordee Stewart / @j_0rd33

LIGHT WORKS / @light___works (112 Murray St, Boorloo)
OPENING EVENT: 6pm – 8pm, Sat (28 Feb), opened by Martina Mrongovius, performance by Jacob Canet-Gibson
DURATION: 12pm – 5pm, Sat (28 Feb) – Sun (1 Mar) & Thu (5 Mar) – Sat (7 Mar)
OUTCOME UNKNOWN / @outcome_unknown (music): 7pm – 9pm, Thu (5 Mar)
ARTIST TALK: 2pm – 3pm, Sat (7 Mar)
MOVING IMAGE LAP PERTH / @moving.image.lab.perth (films): 3pm - 4pm, Sat (7 Mar)

Image: Stirling Kain, ‘You are the lost sheep whom the Good Shepherd is seeking (I)’, 2026, solarised tintype print.

delighted to have my work ‘Decorated with the dawn’ in this year’s Wollongong Art Prize

Using 19th-century wet plate collodion and modern film and darkroom workflows, ‘Decorated with the dawn’ builds on Kain’s contemplative research of texts by medieval monastic mystic, Hildegard von Bingen. Kain sees the camera as an optical summoning device of Hildegard, and the darkroom as a site for alchemy and ritual

Wollongong Art Prize (Acquisitive) is a national prize, open to all Australian artists. Now reimagined for a new generation, the competition invites submissions from artists working across all mediums. With a strong emphasis on accessibility, inclusivity, and community engagement, the prize seeks to showcase the breadth and vitality of contemporary art practice

‘Decorated with the dawn’
Tintype print
16 x 13 x 5cm
2025
Pictured here unframed

Wollongong Art Prize
Wollongong Art Gallery (46 Burelli St)
Opens: 6pm, Fri 5 Dec
Duration: 6 Sat Dec to Sun 1 Mar

@wollongongartgallery #WollongongArtGallery #WollongongArtPrize

Jacob, Harrison, Jordee and I have been collaborating in cafes, libraries and garages since May. We’re excited to have own space at PICA for a few weeks at the end of this month

Our project is called ‘Redaction Toolkit’, and will culminate in a second residency and exhibition presentation at another Boorloo gallery in early 2026

We’ve all selected a key event/idea we will respond to through art objects we make. We’ve chosen not to share this event/idea with each other prior to the exhibition presentation. This inevitably means the way we speak about the themes of this exhibition (publicly and with each other) is quite ambiguous

We’re all making work concerned with world-building, redaction, censorship, and myth-making. All of the works either come from a place of lived experience; or respond to emerging and alarming trends (especially in digital spaces) and subsequent speculative (future) conflict

Jenn Garland has generously agreed to host an artist talk in our studio, in a few weeks’ time. Thanks to Miranda Johnson and PICA for supporting this project, and our practices

‘Redaction Toolkit’ (Artist Talk)
Perth Institute of Contemporary Art (51 James Street, Boorloo)
1.30pm-2.30pm, Sat 29 Nov
Studio 4

Image one: Photo by Eduardo Cossio
Image two: Jacob Canet-Gibson (2021), ‘782’, Paper Sculpture

@pica_perth
@jacobcanetgibson
@harrison.see
@j_0rd33
@jenn_garland
@mirandajej
@eduardo_cossio

Jacob, Harrison, Jordee and I have been collaborating in cafes, libraries and garages since May. We’re excited to have own space at PICA for a few weeks at the end of this month

Our project is called ‘Redaction Toolkit’, and will culminate in a second residency and exhibition presentation at another Boorloo gallery in early 2026

We’ve all selected a key event/idea we will respond to through art objects we make. We’ve chosen not to share this event/idea with each other prior to the exhibition presentation. This inevitably means the way we speak about the themes of this exhibition (publicly and with each other) is quite ambiguous

We’re all making work concerned with world-building, redaction, censorship, and myth-making. All of the works either come from a place of lived experience; or respond to emerging and alarming trends (especially in digital spaces) and subsequent speculative (future) conflict

Jenn Garland has generously agreed to host an artist talk in our studio, in a few weeks’ time. Thanks to Miranda Johnson and PICA for supporting this project, and our practices

‘Redaction Toolkit’ (Artist Talk)
Perth Institute of Contemporary Art (51 James Street, Boorloo)
1.30pm-2.30pm, Sat 29 Nov
Studio 4

Image one: Photo by Eduardo Cossio
Image two: Jacob Canet-Gibson (2021), ‘782’, Paper Sculpture

@pica_perth
@jacobcanetgibson
@harrison.see
@j_0rd33
@jenn_garland
@mirandajej
@eduardo_cossio

Artist talks at ‘The Foreign Within’ this weekend - a conversation with Kelsey Ashe, Martina Mrongovius, Nalda Searles, myself, and curator Helen Curtis

All photos by Eduardo Cossio
🍊 Image one: installation view of my works ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (I)’ and ‘(II)’
🍊 Image two: exhibition catalogue
🍊 Image three: Ross chatting to Nathan and I about his favourite public transport options

‘The Foreign Within’
Wallace at With (346 William Street, Boorloo/Perth)
Artist talks: 11am-1pm, Sat 1 Nov
Duration: Fri 10 Oct-Fri 5 Dec

@worldofashe
@litmuslight
@naldasearles
@helen_curtis__
@eduardo__cossio

Artist talks at ‘The Foreign Within’ this weekend - a conversation with Kelsey Ashe, Martina Mrongovius, Nalda Searles, myself, and curator Helen Curtis

All photos by Eduardo Cossio
🍊 Image one: installation view of my works ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (I)’ and ‘(II)’
🍊 Image two: exhibition catalogue
🍊 Image three: Ross chatting to Nathan and I about his favourite public transport options

‘The Foreign Within’
Wallace at With (346 William Street, Boorloo/Perth)
Artist talks: 11am-1pm, Sat 1 Nov
Duration: Fri 10 Oct-Fri 5 Dec

@worldofashe
@litmuslight
@naldasearles
@helen_curtis__
@eduardo__cossio

Artist talks at ‘The Foreign Within’ this weekend - a conversation with Kelsey Ashe, Martina Mrongovius, Nalda Searles, myself, and curator Helen Curtis

All photos by Eduardo Cossio
🍊 Image one: installation view of my works ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (I)’ and ‘(II)’
🍊 Image two: exhibition catalogue
🍊 Image three: Ross chatting to Nathan and I about his favourite public transport options

‘The Foreign Within’
Wallace at With (346 William Street, Boorloo/Perth)
Artist talks: 11am-1pm, Sat 1 Nov
Duration: Fri 10 Oct-Fri 5 Dec

@worldofashe
@litmuslight
@naldasearles
@helen_curtis__
@eduardo__cossio

A selection of new tintype print works: ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (I), and ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (II)’.

These new works build on my contemplative research of various texts by medieval monastic mystic Hildegard von Bingen; the camera as an optical summoning device of Hildegard, as both a figure of history and quasi-heteronym; and the darkroom as a site for alchemy and ritual.

🍊

‘The Foreign Within’ brings together women artists whose work examines, critiques and explores ideas of estrangement. Through bodies, lands, and languages, their works reveal what is unfamiliar, repressed, or othered within colonial histories, patriarchy, and the self.

Artists include Kelsey Ashe, Jackie Cheng, Erin Coates, Eva Fernandez, Susan Flavell, Dianne Jones, Stirling Kain, Martina Mrongovius, Anna Nazzari, Nalda Searles, Lea Taylor, and Tineke Van der Eecken. Curated by Helen Curtis.

‘The Foreign Within’
Wallace at With (346 William Street, Boorloo/Perth)
Exhibition opening: 6pm-8pm, Fri 10 Oct
Duration: Fri 10 Oct-Fri 5 Dec

🍊

Image one: ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (I)’, tintype print, 2025, 16cm x 13cm x 5cm.

Image two: ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (II)’, tintype print, 2025, 16cm x 13cm x 5cm.

Pictured here unframed but finals works framed by @caseframes

Created at Atwell House and Gallery (@atwellhousearts) darkroom studio, with the support of City of Melville

@wallace_at_with @helen_curtis__

A selection of new tintype print works: ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (I), and ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (II)’.

These new works build on my contemplative research of various texts by medieval monastic mystic Hildegard von Bingen; the camera as an optical summoning device of Hildegard, as both a figure of history and quasi-heteronym; and the darkroom as a site for alchemy and ritual.

🍊

‘The Foreign Within’ brings together women artists whose work examines, critiques and explores ideas of estrangement. Through bodies, lands, and languages, their works reveal what is unfamiliar, repressed, or othered within colonial histories, patriarchy, and the self.

Artists include Kelsey Ashe, Jackie Cheng, Erin Coates, Eva Fernandez, Susan Flavell, Dianne Jones, Stirling Kain, Martina Mrongovius, Anna Nazzari, Nalda Searles, Lea Taylor, and Tineke Van der Eecken. Curated by Helen Curtis.

‘The Foreign Within’
Wallace at With (346 William Street, Boorloo/Perth)
Exhibition opening: 6pm-8pm, Fri 10 Oct
Duration: Fri 10 Oct-Fri 5 Dec

🍊

Image one: ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (I)’, tintype print, 2025, 16cm x 13cm x 5cm.

Image two: ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (II)’, tintype print, 2025, 16cm x 13cm x 5cm.

Pictured here unframed but finals works framed by @caseframes

Created at Atwell House and Gallery (@atwellhousearts) darkroom studio, with the support of City of Melville

@wallace_at_with @helen_curtis__

A selection of new tintype print works: ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (I), and ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (II)’.

These new works build on my contemplative research of various texts by medieval monastic mystic Hildegard von Bingen; the camera as an optical summoning device of Hildegard, as both a figure of history and quasi-heteronym; and the darkroom as a site for alchemy and ritual.

🍊

‘The Foreign Within’ brings together women artists whose work examines, critiques and explores ideas of estrangement. Through bodies, lands, and languages, their works reveal what is unfamiliar, repressed, or othered within colonial histories, patriarchy, and the self.

Artists include Kelsey Ashe, Jackie Cheng, Erin Coates, Eva Fernandez, Susan Flavell, Dianne Jones, Stirling Kain, Martina Mrongovius, Anna Nazzari, Nalda Searles, Lea Taylor, and Tineke Van der Eecken. Curated by Helen Curtis.

‘The Foreign Within’
Wallace at With (346 William Street, Boorloo/Perth)
Exhibition opening: 6pm-8pm, Fri 10 Oct
Duration: Fri 10 Oct-Fri 5 Dec

🍊

Image one: ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (I)’, tintype print, 2025, 16cm x 13cm x 5cm.

Image two: ‘Just as the arm is joined to the hand and the hand to the fingers, so also there is no doubt that understanding proceeds from the soul (II)’, tintype print, 2025, 16cm x 13cm x 5cm.

Pictured here unframed but finals works framed by @caseframes

Created at Atwell House and Gallery (@atwellhousearts) darkroom studio, with the support of City of Melville

@wallace_at_with @helen_curtis__

@ezraalcantraphotography @fremantleartscentre 🩵

‘I poured out honey’
CURRENT, 141 Queen Victoria St, Fremantle (Walyalup)
Ran: 10am-4pm, Fri 11-Sun 13 Apr
Opened: 6pm-9pm, Thu 10 Apr (8pm performance by Raras Sukardi)
Reading group: 2.30pm-3.30pm, Sat 12 Apr
Artist talk: 2.30pm-3.30pm, Sun 13 Apr (w/ Ron Bradfield Jr)

This exhibition was funded by Propel Youth Arts’ Launchpad program.

Curatorial mentor: Bahar Sayed
Artist mentor: Katie Breckon

This body of work was developed with the generous support of City of Melville, at Atwell House & Gallery darkroom space.

A special thanks to Eduardo Cossio, Kristian Roosmalen and Bennett Miller for their support.

Exhibition documentation: Cole Baxter
Framing: Case Frames
Install: Cara Teusner-Gartland
Light equipment: Alex Spartalis, GSD Productions
Exhibition opening: Kabira Hassim & Yvonne Doherty
Sitters: Nick Kain, Jane Stark, Kassie Zaza, Nazerul Ben-Dzulkefli, & Kate Makowiecka

@PropelYouthArtsWA @AtwellHouseArts @Current.Gallery @MelvilleCityArtsAndEvents @Halal_Deepfake @Katie.Breckon @RazoSukardi @RonBJnr_Artist @Eduardo__Cossio @SeeYouPlater @_Cole.Baxter @CaseFrames @Doormat_Volcano @AlexSpartalis @GSDProductions.Perth @KabiraHassim @Yvonne_Doherty_ @RealJaneStark @KassieMZ @Nazerul.Art @KateMakowiecka

‘I poured out honey’
CURRENT, 141 Queen Victoria St, Fremantle (Walyalup)
Ran: 10am-4pm, Fri 11-Sun 13 Apr
Opened: 6pm-9pm, Thu 10 Apr (8pm performance by Raras Sukardi)
Reading group: 2.30pm-3.30pm, Sat 12 Apr
Artist talk: 2.30pm-3.30pm, Sun 13 Apr (w/ Ron Bradfield Jr)

This exhibition was funded by Propel Youth Arts’ Launchpad program.

Curatorial mentor: Bahar Sayed
Artist mentor: Katie Breckon

This body of work was developed with the generous support of City of Melville, at Atwell House & Gallery darkroom space.

A special thanks to Eduardo Cossio, Kristian Roosmalen and Bennett Miller for their support.

Exhibition documentation: Cole Baxter
Framing: Case Frames
Install: Cara Teusner-Gartland
Light equipment: Alex Spartalis, GSD Productions
Exhibition opening: Kabira Hassim & Yvonne Doherty
Sitters: Nick Kain, Jane Stark, Kassie Zaza, Nazerul Ben-Dzulkefli, & Kate Makowiecka

@PropelYouthArtsWA @AtwellHouseArts @Current.Gallery @MelvilleCityArtsAndEvents @Halal_Deepfake @Katie.Breckon @RazoSukardi @RonBJnr_Artist @Eduardo__Cossio @SeeYouPlater @_Cole.Baxter @CaseFrames @Doormat_Volcano @AlexSpartalis @GSDProductions.Perth @KabiraHassim @Yvonne_Doherty_ @RealJaneStark @KassieMZ @Nazerul.Art @KateMakowiecka

‘I poured out honey’
CURRENT, 141 Queen Victoria St, Fremantle (Walyalup)
Ran: 10am-4pm, Fri 11-Sun 13 Apr
Opened: 6pm-9pm, Thu 10 Apr (8pm performance by Raras Sukardi)
Reading group: 2.30pm-3.30pm, Sat 12 Apr
Artist talk: 2.30pm-3.30pm, Sun 13 Apr (w/ Ron Bradfield Jr)

This exhibition was funded by Propel Youth Arts’ Launchpad program.

Curatorial mentor: Bahar Sayed
Artist mentor: Katie Breckon

This body of work was developed with the generous support of City of Melville, at Atwell House & Gallery darkroom space.

A special thanks to Eduardo Cossio, Kristian Roosmalen and Bennett Miller for their support.

Exhibition documentation: Cole Baxter
Framing: Case Frames
Install: Cara Teusner-Gartland
Light equipment: Alex Spartalis, GSD Productions
Exhibition opening: Kabira Hassim & Yvonne Doherty
Sitters: Nick Kain, Jane Stark, Kassie Zaza, Nazerul Ben-Dzulkefli, & Kate Makowiecka

@PropelYouthArtsWA @AtwellHouseArts @Current.Gallery @MelvilleCityArtsAndEvents @Halal_Deepfake @Katie.Breckon @RazoSukardi @RonBJnr_Artist @Eduardo__Cossio @SeeYouPlater @_Cole.Baxter @CaseFrames @Doormat_Volcano @AlexSpartalis @GSDProductions.Perth @KabiraHassim @Yvonne_Doherty_ @RealJaneStark @KassieMZ @Nazerul.Art @KateMakowiecka

‘I poured out honey’
CURRENT, 141 Queen Victoria St, Fremantle (Walyalup)
Ran: 10am-4pm, Fri 11-Sun 13 Apr
Opened: 6pm-9pm, Thu 10 Apr (8pm performance by Raras Sukardi)
Reading group: 2.30pm-3.30pm, Sat 12 Apr
Artist talk: 2.30pm-3.30pm, Sun 13 Apr (w/ Ron Bradfield Jr)

This exhibition was funded by Propel Youth Arts’ Launchpad program.

Curatorial mentor: Bahar Sayed
Artist mentor: Katie Breckon

This body of work was developed with the generous support of City of Melville, at Atwell House & Gallery darkroom space.

A special thanks to Eduardo Cossio, Kristian Roosmalen and Bennett Miller for their support.

Exhibition documentation: Cole Baxter
Framing: Case Frames
Install: Cara Teusner-Gartland
Light equipment: Alex Spartalis, GSD Productions
Exhibition opening: Kabira Hassim & Yvonne Doherty
Sitters: Nick Kain, Jane Stark, Kassie Zaza, Nazerul Ben-Dzulkefli, & Kate Makowiecka

@PropelYouthArtsWA @AtwellHouseArts @Current.Gallery @MelvilleCityArtsAndEvents @Halal_Deepfake @Katie.Breckon @RazoSukardi @RonBJnr_Artist @Eduardo__Cossio @SeeYouPlater @_Cole.Baxter @CaseFrames @Doormat_Volcano @AlexSpartalis @GSDProductions.Perth @KabiraHassim @Yvonne_Doherty_ @RealJaneStark @KassieMZ @Nazerul.Art @KateMakowiecka