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𝙀𝙫𝙚𝙧𝙮𝙩𝙝𝙞𝙣𝙜 𝙬𝙞𝙡𝙡 𝙝𝙖𝙥𝙥𝙚𝙣

Close up
I’ll miss you when I scroll away
On view at @istitutosvizzero Milano until 4th of July 2026

𝙀𝙫𝙚𝙧𝙮𝙩𝙝𝙞𝙣𝙜 𝙬𝙞𝙡𝙡 𝙝𝙖𝙥𝙥𝙚𝙣

Close up
I’ll miss you when I scroll away
On view at @istitutosvizzero Milano until 4th of July 2026

𝑰’𝒍𝒍 𝒎𝒊𝒔𝒔 𝒚𝒐𝒖 𝒘𝒉𝒆𝒏 𝑰 𝒔𝒄𝒓𝒐𝒍𝒍 𝒂𝒘𝒂𝒚
On view at Istituto Svizzero Milano (@istitutosvizzero ) until the 4 July 2026. 🦇

Thank you for the help of everyone who made it happen! 🫜🍸

Curated by Lucrezia Calabrò Visconti (Head Curator Istituto Svizzero) (@lucreziacalabrovisconti )
Thanks to @ciaccialeviparismilan for the support

Images: Ph. Giulio Boem (@giulioboem )

𝑰’𝒍𝒍 𝒎𝒊𝒔𝒔 𝒚𝒐𝒖 𝒘𝒉𝒆𝒏 𝑰 𝒔𝒄𝒓𝒐𝒍𝒍 𝒂𝒘𝒂𝒚
On view at Istituto Svizzero Milano (@istitutosvizzero ) until the 4 July 2026. 🦇

Thank you for the help of everyone who made it happen! 🫜🍸

Curated by Lucrezia Calabrò Visconti (Head Curator Istituto Svizzero) (@lucreziacalabrovisconti )
Thanks to @ciaccialeviparismilan for the support

Images: Ph. Giulio Boem (@giulioboem )

𝑰’𝒍𝒍 𝒎𝒊𝒔𝒔 𝒚𝒐𝒖 𝒘𝒉𝒆𝒏 𝑰 𝒔𝒄𝒓𝒐𝒍𝒍 𝒂𝒘𝒂𝒚
On view at Istituto Svizzero Milano (@istitutosvizzero ) until the 4 July 2026. 🦇

Thank you for the help of everyone who made it happen! 🫜🍸

Curated by Lucrezia Calabrò Visconti (Head Curator Istituto Svizzero) (@lucreziacalabrovisconti )
Thanks to @ciaccialeviparismilan for the support

Images: Ph. Giulio Boem (@giulioboem )

𝑰’𝒍𝒍 𝒎𝒊𝒔𝒔 𝒚𝒐𝒖 𝒘𝒉𝒆𝒏 𝑰 𝒔𝒄𝒓𝒐𝒍𝒍 𝒂𝒘𝒂𝒚
On view at Istituto Svizzero Milano (@istitutosvizzero ) until the 4 July 2026. 🦇

Thank you for the help of everyone who made it happen! 🫜🍸

Curated by Lucrezia Calabrò Visconti (Head Curator Istituto Svizzero) (@lucreziacalabrovisconti )
Thanks to @ciaccialeviparismilan for the support

Images: Ph. Giulio Boem (@giulioboem )

𝑰’𝒍𝒍 𝒎𝒊𝒔𝒔 𝒚𝒐𝒖 𝒘𝒉𝒆𝒏 𝑰 𝒔𝒄𝒓𝒐𝒍𝒍 𝒂𝒘𝒂𝒚
On view at Istituto Svizzero Milano (@istitutosvizzero ) until the 4 July 2026. 🦇

Thank you for the help of everyone who made it happen! 🫜🍸

Curated by Lucrezia Calabrò Visconti (Head Curator Istituto Svizzero) (@lucreziacalabrovisconti )
Thanks to @ciaccialeviparismilan for the support

Images: Ph. Giulio Boem (@giulioboem )

𝑰’𝒍𝒍 𝒎𝒊𝒔𝒔 𝒚𝒐𝒖 𝒘𝒉𝒆𝒏 𝑰 𝒔𝒄𝒓𝒐𝒍𝒍 𝒂𝒘𝒂𝒚
On view at Istituto Svizzero Milano (@istitutosvizzero ) until the 4 July 2026. 🦇

Thank you for the help of everyone who made it happen! 🫜🍸

Curated by Lucrezia Calabrò Visconti (Head Curator Istituto Svizzero) (@lucreziacalabrovisconti )
Thanks to @ciaccialeviparismilan for the support

Images: Ph. Giulio Boem (@giulioboem )

Join us as we begin unveiling works generously donated by Swiss and Swiss-based artists, with all proceeds going towards the Ghassan Abu Sittah Children’s Fund.

🤍Support the children through art today🤍
Discover the work of Romane de Watteville, Enea Toldo and Gilles Furtwängler ✨

🩶

𝗥𝗼𝗺𝗮𝗻𝗲 𝗱𝗲 𝗪𝗮𝘁𝘁𝗲𝘃𝗶𝗹𝗹𝗲 (*1993)
𝘉𝘭𝘶𝘦 𝘓𝘪𝘨𝘩𝘵, 2024
Oil and acrylic on canvas, 22 x 14 cm
Value: CHF 1’300

𝗘𝗻𝗲𝗮 𝗧𝗼𝗹𝗱𝗼 (*1988)
𝘍𝘶𝘰𝘤𝘰 (𝘚𝘶𝘱𝘦𝘳𝘧𝘳𝘢𝘨𝘪𝘭𝘦), 2024
Charred waxed paper, rice glue, clay, sand, wood fibre, plywood, liquid glass, 35 x 20 cm
Value: CHF 650

𝗚𝗶𝗹𝗹𝗲𝘀 𝗙𝘂𝗿𝘁𝘄𝗮̈𝗻𝗴𝗹𝗲𝗿 (*1982)
𝘞𝘩𝘪𝘴𝘱𝘦𝘳 𝘚𝘰𝘧𝘵, 2025
Oil and glue on canvas, 30 x 50 cm
Value: CHF 2’000

Heartfelt thanks to each and every artist🙏🏻🤍

~• Save the date! Swiss Art For Palestine at Halle Nord opens on Tuesday March 24th 2026 from 6PM. Works will then be on view until Sunday March 29th. •~

@romanedewatt
@eneatoldo
@gillesfurtwangler

@halle_nord_geneve
@gabusittahchildrensfund

Join us as we begin unveiling works generously donated by Swiss and Swiss-based artists, with all proceeds going towards the Ghassan Abu Sittah Children’s Fund.

🤍Support the children through art today🤍
Discover the work of Romane de Watteville, Enea Toldo and Gilles Furtwängler ✨

🩶

𝗥𝗼𝗺𝗮𝗻𝗲 𝗱𝗲 𝗪𝗮𝘁𝘁𝗲𝘃𝗶𝗹𝗹𝗲 (*1993)
𝘉𝘭𝘶𝘦 𝘓𝘪𝘨𝘩𝘵, 2024
Oil and acrylic on canvas, 22 x 14 cm
Value: CHF 1’300

𝗘𝗻𝗲𝗮 𝗧𝗼𝗹𝗱𝗼 (*1988)
𝘍𝘶𝘰𝘤𝘰 (𝘚𝘶𝘱𝘦𝘳𝘧𝘳𝘢𝘨𝘪𝘭𝘦), 2024
Charred waxed paper, rice glue, clay, sand, wood fibre, plywood, liquid glass, 35 x 20 cm
Value: CHF 650

𝗚𝗶𝗹𝗹𝗲𝘀 𝗙𝘂𝗿𝘁𝘄𝗮̈𝗻𝗴𝗹𝗲𝗿 (*1982)
𝘞𝘩𝘪𝘴𝘱𝘦𝘳 𝘚𝘰𝘧𝘵, 2025
Oil and glue on canvas, 30 x 50 cm
Value: CHF 2’000

Heartfelt thanks to each and every artist🙏🏻🤍

~• Save the date! Swiss Art For Palestine at Halle Nord opens on Tuesday March 24th 2026 from 6PM. Works will then be on view until Sunday March 29th. •~

@romanedewatt
@eneatoldo
@gillesfurtwangler

@halle_nord_geneve
@gabusittahchildrensfund

Join us as we begin unveiling works generously donated by Swiss and Swiss-based artists, with all proceeds going towards the Ghassan Abu Sittah Children’s Fund.

🤍Support the children through art today🤍
Discover the work of Romane de Watteville, Enea Toldo and Gilles Furtwängler ✨

🩶

𝗥𝗼𝗺𝗮𝗻𝗲 𝗱𝗲 𝗪𝗮𝘁𝘁𝗲𝘃𝗶𝗹𝗹𝗲 (*1993)
𝘉𝘭𝘶𝘦 𝘓𝘪𝘨𝘩𝘵, 2024
Oil and acrylic on canvas, 22 x 14 cm
Value: CHF 1’300

𝗘𝗻𝗲𝗮 𝗧𝗼𝗹𝗱𝗼 (*1988)
𝘍𝘶𝘰𝘤𝘰 (𝘚𝘶𝘱𝘦𝘳𝘧𝘳𝘢𝘨𝘪𝘭𝘦), 2024
Charred waxed paper, rice glue, clay, sand, wood fibre, plywood, liquid glass, 35 x 20 cm
Value: CHF 650

𝗚𝗶𝗹𝗹𝗲𝘀 𝗙𝘂𝗿𝘁𝘄𝗮̈𝗻𝗴𝗹𝗲𝗿 (*1982)
𝘞𝘩𝘪𝘴𝘱𝘦𝘳 𝘚𝘰𝘧𝘵, 2025
Oil and glue on canvas, 30 x 50 cm
Value: CHF 2’000

Heartfelt thanks to each and every artist🙏🏻🤍

~• Save the date! Swiss Art For Palestine at Halle Nord opens on Tuesday March 24th 2026 from 6PM. Works will then be on view until Sunday March 29th. •~

@romanedewatt
@eneatoldo
@gillesfurtwangler

@halle_nord_geneve
@gabusittahchildrensfund

The work of Romane de Watteville (Switzerland, 1993) develops through the choice of a deliberately figurative painting, which from the canvas flows into drawing, as in sequential and strongly narrative compositions similar to scenographies. In her paintings we find art history, cinema, fashion, food — never disconnected from autobiographical contexts or strongly linked to her generational culture. In these scenarios that mix soft-kitsch aesthetics and chromaticities with situations (often) of a surrealist and ironic character, portrait and self-portrait always find a place in the foreground... but never in their canonical form: the perspective cuts chosen by the artist go beyond tradition, instead flowing into the cinematic dimension, both for the dynamism of the scenes — which often seem like real “freeze-frames” — and for the choice of point of view; as if a camera lens were moving freely through space, between zoom-ins and strategic, dizzying “framing”. Through this lens, the artist captures memories and emotional impressions, sometimes enriching them with invented characters (such as small dancing mice or mythological representations), giving that additional fantasy touch that makes her images both intimate and unsettling at the same time.

📸 Romane de Watteville, Les Souris Dansent, 2024
Oil on canvas 35x50x2 cm - ph Michela Pedranti

“Bestiarium” with Thomas Berra, Anita Dal Sasso, Lucia Leuci, Elisabetta Marino, Maude Maris, Eliott Paquet, Gaetano Tommasi, Romane de Watteville and Sebastiano Zafonte

HOURS:
From December 16 to February 28, 2026#
Wed, Thu, Fri, 16-19 and by appointment

Studiolo “bureau”
VIA GOLDONI 15, Milan

The work of Romane de Watteville (Switzerland, 1993) develops through the choice of a deliberately figurative painting, which from the canvas flows into drawing, as in sequential and strongly narrative compositions similar to scenographies. In her paintings we find art history, cinema, fashion, food — never disconnected from autobiographical contexts or strongly linked to her generational culture. In these scenarios that mix soft-kitsch aesthetics and chromaticities with situations (often) of a surrealist and ironic character, portrait and self-portrait always find a place in the foreground... but never in their canonical form: the perspective cuts chosen by the artist go beyond tradition, instead flowing into the cinematic dimension, both for the dynamism of the scenes — which often seem like real “freeze-frames” — and for the choice of point of view; as if a camera lens were moving freely through space, between zoom-ins and strategic, dizzying “framing”. Through this lens, the artist captures memories and emotional impressions, sometimes enriching them with invented characters (such as small dancing mice or mythological representations), giving that additional fantasy touch that makes her images both intimate and unsettling at the same time.

📸 Romane de Watteville, Les Souris Dansent, 2024
Oil on canvas 35x50x2 cm - ph Michela Pedranti

“Bestiarium” with Thomas Berra, Anita Dal Sasso, Lucia Leuci, Elisabetta Marino, Maude Maris, Eliott Paquet, Gaetano Tommasi, Romane de Watteville and Sebastiano Zafonte

HOURS:
From December 16 to February 28, 2026#
Wed, Thu, Fri, 16-19 and by appointment

Studiolo “bureau”
VIA GOLDONI 15, Milan

The work of Romane de Watteville (Switzerland, 1993) develops through the choice of a deliberately figurative painting, which from the canvas flows into drawing, as in sequential and strongly narrative compositions similar to scenographies. In her paintings we find art history, cinema, fashion, food — never disconnected from autobiographical contexts or strongly linked to her generational culture. In these scenarios that mix soft-kitsch aesthetics and chromaticities with situations (often) of a surrealist and ironic character, portrait and self-portrait always find a place in the foreground... but never in their canonical form: the perspective cuts chosen by the artist go beyond tradition, instead flowing into the cinematic dimension, both for the dynamism of the scenes — which often seem like real “freeze-frames” — and for the choice of point of view; as if a camera lens were moving freely through space, between zoom-ins and strategic, dizzying “framing”. Through this lens, the artist captures memories and emotional impressions, sometimes enriching them with invented characters (such as small dancing mice or mythological representations), giving that additional fantasy touch that makes her images both intimate and unsettling at the same time.

📸 Romane de Watteville, Les Souris Dansent, 2024
Oil on canvas 35x50x2 cm - ph Michela Pedranti

“Bestiarium” with Thomas Berra, Anita Dal Sasso, Lucia Leuci, Elisabetta Marino, Maude Maris, Eliott Paquet, Gaetano Tommasi, Romane de Watteville and Sebastiano Zafonte

HOURS:
From December 16 to February 28, 2026#
Wed, Thu, Fri, 16-19 and by appointment

Studiolo “bureau”
VIA GOLDONI 15, Milan

𝒀𝒐𝒖 𝒌𝒏𝒐𝒘 𝒕𝒉𝒆 𝒅𝒆𝒗𝒊𝒍 𝒊𝒔 𝒊𝒏 𝒕𝒉𝒆 𝒅𝒆𝒕𝒂𝒊𝒍𝒔
On view at Arte Fiera Bologna @artefiera_bologna until 8th February among other new paintings with @ciaccialeviparismilan 🍒

Work in progress
—
@romanedewatt #studiomukaiyama #association #2026 #culturalprojects

Photo : Romane de Watteville

Work in progress
—
@romanedewatt #studiomukaiyama #association #2026 #culturalprojects

Photo : Romane de Watteville

One month later 🍁

So happy to be ending 2025 and starting 2026 here!
Thank you @studio_mukaiyama24

One month later 🍁

So happy to be ending 2025 and starting 2026 here!
Thank you @studio_mukaiyama24

One month later 🍁

So happy to be ending 2025 and starting 2026 here!
Thank you @studio_mukaiyama24

One month later 🍁

So happy to be ending 2025 and starting 2026 here!
Thank you @studio_mukaiyama24

One month later 🍁

So happy to be ending 2025 and starting 2026 here!
Thank you @studio_mukaiyama24

One month later 🍁

So happy to be ending 2025 and starting 2026 here!
Thank you @studio_mukaiyama24

One month later 🍁

So happy to be ending 2025 and starting 2026 here!
Thank you @studio_mukaiyama24

One month later 🍁

So happy to be ending 2025 and starting 2026 here!
Thank you @studio_mukaiyama24

One month later 🍁

So happy to be ending 2025 and starting 2026 here!
Thank you @studio_mukaiyama24

One month later 🍁

So happy to be ending 2025 and starting 2026 here!
Thank you @studio_mukaiyama24

One month later 🍁

So happy to be ending 2025 and starting 2026 here!
Thank you @studio_mukaiyama24

Residency program 2026 :
The association welcomes ROMANE DE WATTEVILLE for a residency in Okazaki – Japan.
—
Programme de résidence 2026 :
L’association accueille ROMANE DE WATTEVILLE pour une résidence à Okazaki – Japon.

@romanedewatt #studiomukaiyama #association #2026 #culturalprojects #residencyprogram #switzerland #japan

L’exposition en détail

Romane de Watteville, «I Wonder How Many More Memories I’m In», 2022 (détail)
Acrylique sur toile, 180 × 450 cm 
Courtoisie de l’artiste et de Ciaccia Levi, Paris -Milan.

🖼️«Come-back! L’art figuratif en Suisse: une scène au féminin»
📆 Du 13 septembre au 14 décembre 2025
📍 Musée d’art de Pully, Chemin Davel 2, 1009 Pully

#ComeBack! #ArtFiguratif #Suisse #ArtistesFemmes #MuseedArtDePully #Pully #VilleDePully #MySwitzerland #MyVaud #MyLausanne #Musee #Exposition #Artistes #Contemporain @lausannemusees @museumspass

So grateful for this experience 💫
Thanks for everyone who came! It was a blast 🎶

Thank you again for everything
@nicolepezzullo
@hauserwirth
@joelvalabrega
@ciaccialeviparismilan

𝙈𝙞𝙨𝙨𝙝𝙖𝙥𝙚𝙙 - A clam is a clam

On view at @hauserwirth Zürich until November 1st

𝙈𝙖𝙮𝙗𝙚 𝙍𝙤𝙢𝙖𝙣𝙘𝙚 𝙞𝙨 𝙖 𝙋𝙡𝙖𝙘𝙚, 2025

On display at Hauser & Wirth Zürich until 1st of November