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hauserwirth
Hauser & Wirth - Art Gallery
Founded in 1992
📍Zurich • London • Somerset • NYC • Los Angeles • Hong Kong • St. Moritz • Monaco • Menorca • Paris • Basel
Watch Oddur Roth & Davíð Þór Jónsson’s site-specific performance recorded at @thefifearms during the second Ursula Weekender in Braemar, Scotland in April 2026.
Held in the village’s Victorian parish church, the performance combined experimental sound, movement and visual art in honor of Oddur’s father, Björn Roth (1961–2026).
@theglenrothes | @burberry | @ruinart | @tomyships | @hauserwirth
Marking the centenary of Alina Szapocznikow’s birth with a biographical exhibition at our Zurich gallery— here, a guide to learn more about one of the most enigmatic and visionary sculptors of the 20th century.
•‘Alina Szapocznikow. Autobiography in Fragments’
📍Hauser & Wirth Zurich, Banhofstrasse
📆 Opens 11 June, during @zurichartweekend
•‘Alina Szapocznikow. Autobiography in Fragments. A Centenary Retrospective’
📍Galerie Loevenbruck, Paris (@galerieloevenbruck)
📆Opens 22 May
•‘Szapocznikow. Personal’
📍The National Museum in Kraków (@thenationalmuseuminkrakow)
📆 Until 23 August
•‘Clair Obscur’
📍Bourse de Commerce- Pinault Collection, Paris (@boursedecommerce)
📆 Until 24 August
Further reading:
•‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ from Hauser & Wirth Publishers
•‘Alina Szapocznikow. Körpersprachen/Body Languages’ from Verlag für moderne Kunst
•‘Alina Szapocznikow. Body Language’ from Galerie Loevenbruck
Learn more about the artist via the link in bio.
1 Portrait of Alina Szapocznikow ©️ The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris and Hauser & Wirth. Photo: Marek Holzman. Courtesy Museum of Modern Art in Warsaw
2 Alina Szapocznikow, Lampe-bouche (Illuminated Lips), 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth .Photo: Fabrice Gousset
3 Alina Szapocznikow, Autoportrait, vers 1967 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Fabrice Gousset
4 Installation view, ‘Clair-obscur,’ Pinault Collection - Bourse de Commerce, Paris, France, 2026 © Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier. Photo: Nicolas Brasseur
5 Alina Szapocznikow, Odlew ust, ok. 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Anna Olchawska, Pracownia Fotograficzna MNK
6 Book photography ‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ (2019), Courtesy Hauser & Wirth Publishers
Marking the centenary of Alina Szapocznikow’s birth with a biographical exhibition at our Zurich gallery— here, a guide to learn more about one of the most enigmatic and visionary sculptors of the 20th century.
•‘Alina Szapocznikow. Autobiography in Fragments’
📍Hauser & Wirth Zurich, Banhofstrasse
📆 Opens 11 June, during @zurichartweekend
•‘Alina Szapocznikow. Autobiography in Fragments. A Centenary Retrospective’
📍Galerie Loevenbruck, Paris (@galerieloevenbruck)
📆Opens 22 May
•‘Szapocznikow. Personal’
📍The National Museum in Kraków (@thenationalmuseuminkrakow)
📆 Until 23 August
•‘Clair Obscur’
📍Bourse de Commerce- Pinault Collection, Paris (@boursedecommerce)
📆 Until 24 August
Further reading:
•‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ from Hauser & Wirth Publishers
•‘Alina Szapocznikow. Körpersprachen/Body Languages’ from Verlag für moderne Kunst
•‘Alina Szapocznikow. Body Language’ from Galerie Loevenbruck
Learn more about the artist via the link in bio.
1 Portrait of Alina Szapocznikow ©️ The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris and Hauser & Wirth. Photo: Marek Holzman. Courtesy Museum of Modern Art in Warsaw
2 Alina Szapocznikow, Lampe-bouche (Illuminated Lips), 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth .Photo: Fabrice Gousset
3 Alina Szapocznikow, Autoportrait, vers 1967 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Fabrice Gousset
4 Installation view, ‘Clair-obscur,’ Pinault Collection - Bourse de Commerce, Paris, France, 2026 © Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier. Photo: Nicolas Brasseur
5 Alina Szapocznikow, Odlew ust, ok. 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Anna Olchawska, Pracownia Fotograficzna MNK
6 Book photography ‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ (2019), Courtesy Hauser & Wirth Publishers
Marking the centenary of Alina Szapocznikow’s birth with a biographical exhibition at our Zurich gallery— here, a guide to learn more about one of the most enigmatic and visionary sculptors of the 20th century.
•‘Alina Szapocznikow. Autobiography in Fragments’
📍Hauser & Wirth Zurich, Banhofstrasse
📆 Opens 11 June, during @zurichartweekend
•‘Alina Szapocznikow. Autobiography in Fragments. A Centenary Retrospective’
📍Galerie Loevenbruck, Paris (@galerieloevenbruck)
📆Opens 22 May
•‘Szapocznikow. Personal’
📍The National Museum in Kraków (@thenationalmuseuminkrakow)
📆 Until 23 August
•‘Clair Obscur’
📍Bourse de Commerce- Pinault Collection, Paris (@boursedecommerce)
📆 Until 24 August
Further reading:
•‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ from Hauser & Wirth Publishers
•‘Alina Szapocznikow. Körpersprachen/Body Languages’ from Verlag für moderne Kunst
•‘Alina Szapocznikow. Body Language’ from Galerie Loevenbruck
Learn more about the artist via the link in bio.
1 Portrait of Alina Szapocznikow ©️ The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris and Hauser & Wirth. Photo: Marek Holzman. Courtesy Museum of Modern Art in Warsaw
2 Alina Szapocznikow, Lampe-bouche (Illuminated Lips), 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth .Photo: Fabrice Gousset
3 Alina Szapocznikow, Autoportrait, vers 1967 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Fabrice Gousset
4 Installation view, ‘Clair-obscur,’ Pinault Collection - Bourse de Commerce, Paris, France, 2026 © Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier. Photo: Nicolas Brasseur
5 Alina Szapocznikow, Odlew ust, ok. 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Anna Olchawska, Pracownia Fotograficzna MNK
6 Book photography ‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ (2019), Courtesy Hauser & Wirth Publishers
Marking the centenary of Alina Szapocznikow’s birth with a biographical exhibition at our Zurich gallery— here, a guide to learn more about one of the most enigmatic and visionary sculptors of the 20th century.
•‘Alina Szapocznikow. Autobiography in Fragments’
📍Hauser & Wirth Zurich, Banhofstrasse
📆 Opens 11 June, during @zurichartweekend
•‘Alina Szapocznikow. Autobiography in Fragments. A Centenary Retrospective’
📍Galerie Loevenbruck, Paris (@galerieloevenbruck)
📆Opens 22 May
•‘Szapocznikow. Personal’
📍The National Museum in Kraków (@thenationalmuseuminkrakow)
📆 Until 23 August
•‘Clair Obscur’
📍Bourse de Commerce- Pinault Collection, Paris (@boursedecommerce)
📆 Until 24 August
Further reading:
•‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ from Hauser & Wirth Publishers
•‘Alina Szapocznikow. Körpersprachen/Body Languages’ from Verlag für moderne Kunst
•‘Alina Szapocznikow. Body Language’ from Galerie Loevenbruck
Learn more about the artist via the link in bio.
1 Portrait of Alina Szapocznikow ©️ The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris and Hauser & Wirth. Photo: Marek Holzman. Courtesy Museum of Modern Art in Warsaw
2 Alina Szapocznikow, Lampe-bouche (Illuminated Lips), 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth .Photo: Fabrice Gousset
3 Alina Szapocznikow, Autoportrait, vers 1967 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Fabrice Gousset
4 Installation view, ‘Clair-obscur,’ Pinault Collection - Bourse de Commerce, Paris, France, 2026 © Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier. Photo: Nicolas Brasseur
5 Alina Szapocznikow, Odlew ust, ok. 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Anna Olchawska, Pracownia Fotograficzna MNK
6 Book photography ‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ (2019), Courtesy Hauser & Wirth Publishers
Marking the centenary of Alina Szapocznikow’s birth with a biographical exhibition at our Zurich gallery— here, a guide to learn more about one of the most enigmatic and visionary sculptors of the 20th century.
•‘Alina Szapocznikow. Autobiography in Fragments’
📍Hauser & Wirth Zurich, Banhofstrasse
📆 Opens 11 June, during @zurichartweekend
•‘Alina Szapocznikow. Autobiography in Fragments. A Centenary Retrospective’
📍Galerie Loevenbruck, Paris (@galerieloevenbruck)
📆Opens 22 May
•‘Szapocznikow. Personal’
📍The National Museum in Kraków (@thenationalmuseuminkrakow)
📆 Until 23 August
•‘Clair Obscur’
📍Bourse de Commerce- Pinault Collection, Paris (@boursedecommerce)
📆 Until 24 August
Further reading:
•‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ from Hauser & Wirth Publishers
•‘Alina Szapocznikow. Körpersprachen/Body Languages’ from Verlag für moderne Kunst
•‘Alina Szapocznikow. Body Language’ from Galerie Loevenbruck
Learn more about the artist via the link in bio.
1 Portrait of Alina Szapocznikow ©️ The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris and Hauser & Wirth. Photo: Marek Holzman. Courtesy Museum of Modern Art in Warsaw
2 Alina Szapocznikow, Lampe-bouche (Illuminated Lips), 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth .Photo: Fabrice Gousset
3 Alina Szapocznikow, Autoportrait, vers 1967 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Fabrice Gousset
4 Installation view, ‘Clair-obscur,’ Pinault Collection - Bourse de Commerce, Paris, France, 2026 © Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier. Photo: Nicolas Brasseur
5 Alina Szapocznikow, Odlew ust, ok. 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Anna Olchawska, Pracownia Fotograficzna MNK
6 Book photography ‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ (2019), Courtesy Hauser & Wirth Publishers
Marking the centenary of Alina Szapocznikow’s birth with a biographical exhibition at our Zurich gallery— here, a guide to learn more about one of the most enigmatic and visionary sculptors of the 20th century.
•‘Alina Szapocznikow. Autobiography in Fragments’
📍Hauser & Wirth Zurich, Banhofstrasse
📆 Opens 11 June, during @zurichartweekend
•‘Alina Szapocznikow. Autobiography in Fragments. A Centenary Retrospective’
📍Galerie Loevenbruck, Paris (@galerieloevenbruck)
📆Opens 22 May
•‘Szapocznikow. Personal’
📍The National Museum in Kraków (@thenationalmuseuminkrakow)
📆 Until 23 August
•‘Clair Obscur’
📍Bourse de Commerce- Pinault Collection, Paris (@boursedecommerce)
📆 Until 24 August
Further reading:
•‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ from Hauser & Wirth Publishers
•‘Alina Szapocznikow. Körpersprachen/Body Languages’ from Verlag für moderne Kunst
•‘Alina Szapocznikow. Body Language’ from Galerie Loevenbruck
Learn more about the artist via the link in bio.
1 Portrait of Alina Szapocznikow ©️ The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris and Hauser & Wirth. Photo: Marek Holzman. Courtesy Museum of Modern Art in Warsaw
2 Alina Szapocznikow, Lampe-bouche (Illuminated Lips), 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth .Photo: Fabrice Gousset
3 Alina Szapocznikow, Autoportrait, vers 1967 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Fabrice Gousset
4 Installation view, ‘Clair-obscur,’ Pinault Collection - Bourse de Commerce, Paris, France, 2026 © Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier. Photo: Nicolas Brasseur
5 Alina Szapocznikow, Odlew ust, ok. 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Anna Olchawska, Pracownia Fotograficzna MNK
6 Book photography ‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ (2019), Courtesy Hauser & Wirth Publishers
Marking the centenary of Alina Szapocznikow’s birth with a biographical exhibition at our Zurich gallery— here, a guide to learn more about one of the most enigmatic and visionary sculptors of the 20th century.
•‘Alina Szapocznikow. Autobiography in Fragments’
📍Hauser & Wirth Zurich, Banhofstrasse
📆 Opens 11 June, during @zurichartweekend
•‘Alina Szapocznikow. Autobiography in Fragments. A Centenary Retrospective’
📍Galerie Loevenbruck, Paris (@galerieloevenbruck)
📆Opens 22 May
•‘Szapocznikow. Personal’
📍The National Museum in Kraków (@thenationalmuseuminkrakow)
📆 Until 23 August
•‘Clair Obscur’
📍Bourse de Commerce- Pinault Collection, Paris (@boursedecommerce)
📆 Until 24 August
Further reading:
•‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ from Hauser & Wirth Publishers
•‘Alina Szapocznikow. Körpersprachen/Body Languages’ from Verlag für moderne Kunst
•‘Alina Szapocznikow. Body Language’ from Galerie Loevenbruck
Learn more about the artist via the link in bio.
1 Portrait of Alina Szapocznikow ©️ The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris and Hauser & Wirth. Photo: Marek Holzman. Courtesy Museum of Modern Art in Warsaw
2 Alina Szapocznikow, Lampe-bouche (Illuminated Lips), 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth .Photo: Fabrice Gousset
3 Alina Szapocznikow, Autoportrait, vers 1967 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Fabrice Gousset
4 Installation view, ‘Clair-obscur,’ Pinault Collection - Bourse de Commerce, Paris, France, 2026 © Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier. Photo: Nicolas Brasseur
5 Alina Szapocznikow, Odlew ust, ok. 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Anna Olchawska, Pracownia Fotograficzna MNK
6 Book photography ‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ (2019), Courtesy Hauser & Wirth Publishers
Marking the centenary of Alina Szapocznikow’s birth with a biographical exhibition at our Zurich gallery— here, a guide to learn more about one of the most enigmatic and visionary sculptors of the 20th century.
•‘Alina Szapocznikow. Autobiography in Fragments’
📍Hauser & Wirth Zurich, Banhofstrasse
📆 Opens 11 June, during @zurichartweekend
•‘Alina Szapocznikow. Autobiography in Fragments. A Centenary Retrospective’
📍Galerie Loevenbruck, Paris (@galerieloevenbruck)
📆Opens 22 May
•‘Szapocznikow. Personal’
📍The National Museum in Kraków (@thenationalmuseuminkrakow)
📆 Until 23 August
•‘Clair Obscur’
📍Bourse de Commerce- Pinault Collection, Paris (@boursedecommerce)
📆 Until 24 August
Further reading:
•‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ from Hauser & Wirth Publishers
•‘Alina Szapocznikow. Körpersprachen/Body Languages’ from Verlag für moderne Kunst
•‘Alina Szapocznikow. Body Language’ from Galerie Loevenbruck
Learn more about the artist via the link in bio.
1 Portrait of Alina Szapocznikow ©️ The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris and Hauser & Wirth. Photo: Marek Holzman. Courtesy Museum of Modern Art in Warsaw
2 Alina Szapocznikow, Lampe-bouche (Illuminated Lips), 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth .Photo: Fabrice Gousset
3 Alina Szapocznikow, Autoportrait, vers 1967 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Fabrice Gousset
4 Installation view, ‘Clair-obscur,’ Pinault Collection - Bourse de Commerce, Paris, France, 2026 © Tadao Ando Architect & Associates, Niney et Marca Architectes, agence Pierre-Antoine Gatier. Photo: Nicolas Brasseur
5 Alina Szapocznikow, Odlew ust, ok. 1966 © The Estate of Alina Szapocznikow / 2026, ProLitteris, Zurich. Courtesy Galerie Loevenbruck, Paris | Hauser & Wirth. Photo: Anna Olchawska, Pracownia Fotograficzna MNK
6 Book photography ‘To Exalt the Ephemeral: Alina Szapocznikow, 1962-1972’ (2019), Courtesy Hauser & Wirth Publishers
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Celebrating a Decade Downtown 🎉
When we opened our doors in Downtown Los Angeles’s Arts District in 2016, the gallery arrived not as a distant institution dropped into a burgeoning neighborhood, but as a space intended to grow alongside one.
From landmark exhibitions, performances and talks to education initiatives and time spent in the courtyard, garden and at Manuela (@manueladtla), this ongoing engagement continues to shape the space. Ten years later, that growth is legible in every dimension—and in the nearly two million visitors who have embraced it.
Learn more via the link in bio, and join us in celebrating @hauserwirthlosangeles by sharing your favorite memory.
Coming up soon at @hauserwirthlosangeles Downtown LA: ‘Keith Tyson. The Generative Universe’.
Spanning more than three decades of paintings, sculptures and mixed-media works, the exhibition emerges from @keithtyson23’s foundational conviction that the universe operates as a single generative system—a constantly shifting network in which all forms arise, transform and dissolve.
Join us for the opening reception on 28 May, 6 – 8 pm. Link in bio to plan your visit.
1 Keith Tyson, North Atlantic Still Life with Taito Overlords (detail), 2026 Photo: Dawkins Colour
2 Keith Tyson, Artmachine Iteration no. 1.1: Hello World (detail), 1991. Photo: Peter Mallet
3 Keith Tyson, Everything, 2024. Photo: Dawkins Colour
© Keith Tyson
Coming up soon at @hauserwirthlosangeles Downtown LA: ‘Keith Tyson. The Generative Universe’.
Spanning more than three decades of paintings, sculptures and mixed-media works, the exhibition emerges from @keithtyson23’s foundational conviction that the universe operates as a single generative system—a constantly shifting network in which all forms arise, transform and dissolve.
Join us for the opening reception on 28 May, 6 – 8 pm. Link in bio to plan your visit.
1 Keith Tyson, North Atlantic Still Life with Taito Overlords (detail), 2026 Photo: Dawkins Colour
2 Keith Tyson, Artmachine Iteration no. 1.1: Hello World (detail), 1991. Photo: Peter Mallet
3 Keith Tyson, Everything, 2024. Photo: Dawkins Colour
© Keith Tyson
Coming up soon at @hauserwirthlosangeles Downtown LA: ‘Keith Tyson. The Generative Universe’.
Spanning more than three decades of paintings, sculptures and mixed-media works, the exhibition emerges from @keithtyson23’s foundational conviction that the universe operates as a single generative system—a constantly shifting network in which all forms arise, transform and dissolve.
Join us for the opening reception on 28 May, 6 – 8 pm. Link in bio to plan your visit.
1 Keith Tyson, North Atlantic Still Life with Taito Overlords (detail), 2026 Photo: Dawkins Colour
2 Keith Tyson, Artmachine Iteration no. 1.1: Hello World (detail), 1991. Photo: Peter Mallet
3 Keith Tyson, Everything, 2024. Photo: Dawkins Colour
© Keith Tyson
Now open: @tefaf New York
Find us at 📍Stand 341 to discover a focused exhibition of four important paintings by Danish master Vilhelm Hammershøi—a rare opportunity to encounter the artist’s work in the United States.
📆 14 – 19 May. 🔗 Link in bio to explore our presentation.
2 Vilhelm Hammershøi, Interior of the Great Hall in Lindegaarden, 1909
4,7 Installation views, Hauser & Wirth at TEFAF New York, 2026. Photos: Thomas Barrat
5 Vilhelm Hammershøi, Christiansborg, 1914
© Vilhelm Hammershøi. Courtesy Private Collection. Photos: Annik Wetter
#HauserWirth #TEFAF #TEFAFNewYork
Now open: @tefaf New York
Find us at 📍Stand 341 to discover a focused exhibition of four important paintings by Danish master Vilhelm Hammershøi—a rare opportunity to encounter the artist’s work in the United States.
📆 14 – 19 May. 🔗 Link in bio to explore our presentation.
2 Vilhelm Hammershøi, Interior of the Great Hall in Lindegaarden, 1909
4,7 Installation views, Hauser & Wirth at TEFAF New York, 2026. Photos: Thomas Barrat
5 Vilhelm Hammershøi, Christiansborg, 1914
© Vilhelm Hammershøi. Courtesy Private Collection. Photos: Annik Wetter
#HauserWirth #TEFAF #TEFAFNewYork
Now open: @tefaf New York
Find us at 📍Stand 341 to discover a focused exhibition of four important paintings by Danish master Vilhelm Hammershøi—a rare opportunity to encounter the artist’s work in the United States.
📆 14 – 19 May. 🔗 Link in bio to explore our presentation.
2 Vilhelm Hammershøi, Interior of the Great Hall in Lindegaarden, 1909
4,7 Installation views, Hauser & Wirth at TEFAF New York, 2026. Photos: Thomas Barrat
5 Vilhelm Hammershøi, Christiansborg, 1914
© Vilhelm Hammershøi. Courtesy Private Collection. Photos: Annik Wetter
#HauserWirth #TEFAF #TEFAFNewYork
Now open: @tefaf New York
Find us at 📍Stand 341 to discover a focused exhibition of four important paintings by Danish master Vilhelm Hammershøi—a rare opportunity to encounter the artist’s work in the United States.
📆 14 – 19 May. 🔗 Link in bio to explore our presentation.
2 Vilhelm Hammershøi, Interior of the Great Hall in Lindegaarden, 1909
4,7 Installation views, Hauser & Wirth at TEFAF New York, 2026. Photos: Thomas Barrat
5 Vilhelm Hammershøi, Christiansborg, 1914
© Vilhelm Hammershøi. Courtesy Private Collection. Photos: Annik Wetter
#HauserWirth #TEFAF #TEFAFNewYork
Now open: @tefaf New York
Find us at 📍Stand 341 to discover a focused exhibition of four important paintings by Danish master Vilhelm Hammershøi—a rare opportunity to encounter the artist’s work in the United States.
📆 14 – 19 May. 🔗 Link in bio to explore our presentation.
2 Vilhelm Hammershøi, Interior of the Great Hall in Lindegaarden, 1909
4,7 Installation views, Hauser & Wirth at TEFAF New York, 2026. Photos: Thomas Barrat
5 Vilhelm Hammershøi, Christiansborg, 1914
© Vilhelm Hammershøi. Courtesy Private Collection. Photos: Annik Wetter
#HauserWirth #TEFAF #TEFAFNewYork
Now open: @tefaf New York
Find us at 📍Stand 341 to discover a focused exhibition of four important paintings by Danish master Vilhelm Hammershøi—a rare opportunity to encounter the artist’s work in the United States.
📆 14 – 19 May. 🔗 Link in bio to explore our presentation.
2 Vilhelm Hammershøi, Interior of the Great Hall in Lindegaarden, 1909
4,7 Installation views, Hauser & Wirth at TEFAF New York, 2026. Photos: Thomas Barrat
5 Vilhelm Hammershøi, Christiansborg, 1914
© Vilhelm Hammershøi. Courtesy Private Collection. Photos: Annik Wetter
#HauserWirth #TEFAF #TEFAFNewYork
Now open: @tefaf New York
Find us at 📍Stand 341 to discover a focused exhibition of four important paintings by Danish master Vilhelm Hammershøi—a rare opportunity to encounter the artist’s work in the United States.
📆 14 – 19 May. 🔗 Link in bio to explore our presentation.
2 Vilhelm Hammershøi, Interior of the Great Hall in Lindegaarden, 1909
4,7 Installation views, Hauser & Wirth at TEFAF New York, 2026. Photos: Thomas Barrat
5 Vilhelm Hammershøi, Christiansborg, 1914
© Vilhelm Hammershøi. Courtesy Private Collection. Photos: Annik Wetter
#HauserWirth #TEFAF #TEFAFNewYork
In New York for Frieze? Keep an eye out for posters by Allison Katz wheat-pasted throughout SoHo on the occasion of her exhibition, ‘Allison Katz. Outta the Bag,’ now on view at our Wooster Street gallery.
📆 Join us on 15 May at the gallery for a walkthrough of the exhibition with Katz and Cecilia Alemani at 12 pm EST.
Photos: Chris Bernabeo @chrisbernabeo
In New York for Frieze? Keep an eye out for posters by Allison Katz wheat-pasted throughout SoHo on the occasion of her exhibition, ‘Allison Katz. Outta the Bag,’ now on view at our Wooster Street gallery.
📆 Join us on 15 May at the gallery for a walkthrough of the exhibition with Katz and Cecilia Alemani at 12 pm EST.
Photos: Chris Bernabeo @chrisbernabeo
In New York for Frieze? Keep an eye out for posters by Allison Katz wheat-pasted throughout SoHo on the occasion of her exhibition, ‘Allison Katz. Outta the Bag,’ now on view at our Wooster Street gallery.
📆 Join us on 15 May at the gallery for a walkthrough of the exhibition with Katz and Cecilia Alemani at 12 pm EST.
Photos: Chris Bernabeo @chrisbernabeo
In New York for Frieze? Keep an eye out for posters by Allison Katz wheat-pasted throughout SoHo on the occasion of her exhibition, ‘Allison Katz. Outta the Bag,’ now on view at our Wooster Street gallery.
📆 Join us on 15 May at the gallery for a walkthrough of the exhibition with Katz and Cecilia Alemani at 12 pm EST.
Photos: Chris Bernabeo @chrisbernabeo
In New York for Frieze? Keep an eye out for posters by Allison Katz wheat-pasted throughout SoHo on the occasion of her exhibition, ‘Allison Katz. Outta the Bag,’ now on view at our Wooster Street gallery.
📆 Join us on 15 May at the gallery for a walkthrough of the exhibition with Katz and Cecilia Alemani at 12 pm EST.
Photos: Chris Bernabeo @chrisbernabeo
In New York for Frieze? Keep an eye out for posters by Allison Katz wheat-pasted throughout SoHo on the occasion of her exhibition, ‘Allison Katz. Outta the Bag,’ now on view at our Wooster Street gallery.
📆 Join us on 15 May at the gallery for a walkthrough of the exhibition with Katz and Cecilia Alemani at 12 pm EST.
Photos: Chris Bernabeo @chrisbernabeo
Coming up this summer at @hauserwirthmenorca, ‘Directionless’ is a sweeping group exhibition organised by artist Rashid Johnson (@rashidjohnson), who has invited Charles Gaines (@st_francis), Firelei Báez (@fireleibaez), and Cristina Iglesias (@cristinaiglesiasestudio) to nominate more than 20 artists from outside the gallery’s roster.
📆 Opening 21 June. Link in bio to learn more and plan your visit.
Aquest estiu a @hauserwirthmenorca: ‘Directionless,’ una gran exposició col·lectiva organitzada per l’artista Rashid Johnson (@rashidjohnson), que ha convidat Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) i Cristina Iglesias (@cristinaiglesiasestudio) a nominar més de 20 artistes externs a la galeria.
📆 A partir del 21 de juny. Més informació a l’enllaç de la bio.
Este verano en @hauserwirthmenorca: ‘Directionless,’ una amplia exposición colectiva organizada por el artista Rashid Johnson (@rashidjohnson), quien ha invitado a Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) y Cristina Iglesias (@cristinaiglesiasestudio) a nominar a más de 20 artistas externos a la galería.
📆 A partir del 21 de junio. Más información en el enlace de la bio.
3 Firelei Báez, Spiralism (or an understanding, sun minded)(detail), 2025 © Firelei Báez. Photo: Mats Nordman
4 Julie Mehretu, When Angels Speak of Love (Barcelona), 2018 © Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York. Photo: Tom Powel Imaging
7 © Todd Gray. Courtesy the artist and Lehmann Maupin. Photo: Paul Salveson
8 Lyle Ashton Harris, Obsessão II (detail), 2017 © Lyle Ashton Harris
9 Mona Hatoum Inside Out (concrete), 2019, Hauser & Wirth Menorca, 2026 © Mona Hatoum. Courtesy the artist and White Cube. Photo: Daniel Schäfer
Coming up this summer at @hauserwirthmenorca, ‘Directionless’ is a sweeping group exhibition organised by artist Rashid Johnson (@rashidjohnson), who has invited Charles Gaines (@st_francis), Firelei Báez (@fireleibaez), and Cristina Iglesias (@cristinaiglesiasestudio) to nominate more than 20 artists from outside the gallery’s roster.
📆 Opening 21 June. Link in bio to learn more and plan your visit.
Aquest estiu a @hauserwirthmenorca: ‘Directionless,’ una gran exposició col·lectiva organitzada per l’artista Rashid Johnson (@rashidjohnson), que ha convidat Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) i Cristina Iglesias (@cristinaiglesiasestudio) a nominar més de 20 artistes externs a la galeria.
📆 A partir del 21 de juny. Més informació a l’enllaç de la bio.
Este verano en @hauserwirthmenorca: ‘Directionless,’ una amplia exposición colectiva organizada por el artista Rashid Johnson (@rashidjohnson), quien ha invitado a Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) y Cristina Iglesias (@cristinaiglesiasestudio) a nominar a más de 20 artistas externos a la galería.
📆 A partir del 21 de junio. Más información en el enlace de la bio.
3 Firelei Báez, Spiralism (or an understanding, sun minded)(detail), 2025 © Firelei Báez. Photo: Mats Nordman
4 Julie Mehretu, When Angels Speak of Love (Barcelona), 2018 © Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York. Photo: Tom Powel Imaging
7 © Todd Gray. Courtesy the artist and Lehmann Maupin. Photo: Paul Salveson
8 Lyle Ashton Harris, Obsessão II (detail), 2017 © Lyle Ashton Harris
9 Mona Hatoum Inside Out (concrete), 2019, Hauser & Wirth Menorca, 2026 © Mona Hatoum. Courtesy the artist and White Cube. Photo: Daniel Schäfer
Coming up this summer at @hauserwirthmenorca, ‘Directionless’ is a sweeping group exhibition organised by artist Rashid Johnson (@rashidjohnson), who has invited Charles Gaines (@st_francis), Firelei Báez (@fireleibaez), and Cristina Iglesias (@cristinaiglesiasestudio) to nominate more than 20 artists from outside the gallery’s roster.
📆 Opening 21 June. Link in bio to learn more and plan your visit.
Aquest estiu a @hauserwirthmenorca: ‘Directionless,’ una gran exposició col·lectiva organitzada per l’artista Rashid Johnson (@rashidjohnson), que ha convidat Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) i Cristina Iglesias (@cristinaiglesiasestudio) a nominar més de 20 artistes externs a la galeria.
📆 A partir del 21 de juny. Més informació a l’enllaç de la bio.
Este verano en @hauserwirthmenorca: ‘Directionless,’ una amplia exposición colectiva organizada por el artista Rashid Johnson (@rashidjohnson), quien ha invitado a Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) y Cristina Iglesias (@cristinaiglesiasestudio) a nominar a más de 20 artistas externos a la galería.
📆 A partir del 21 de junio. Más información en el enlace de la bio.
3 Firelei Báez, Spiralism (or an understanding, sun minded)(detail), 2025 © Firelei Báez. Photo: Mats Nordman
4 Julie Mehretu, When Angels Speak of Love (Barcelona), 2018 © Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York. Photo: Tom Powel Imaging
7 © Todd Gray. Courtesy the artist and Lehmann Maupin. Photo: Paul Salveson
8 Lyle Ashton Harris, Obsessão II (detail), 2017 © Lyle Ashton Harris
9 Mona Hatoum Inside Out (concrete), 2019, Hauser & Wirth Menorca, 2026 © Mona Hatoum. Courtesy the artist and White Cube. Photo: Daniel Schäfer
Coming up this summer at @hauserwirthmenorca, ‘Directionless’ is a sweeping group exhibition organised by artist Rashid Johnson (@rashidjohnson), who has invited Charles Gaines (@st_francis), Firelei Báez (@fireleibaez), and Cristina Iglesias (@cristinaiglesiasestudio) to nominate more than 20 artists from outside the gallery’s roster.
📆 Opening 21 June. Link in bio to learn more and plan your visit.
Aquest estiu a @hauserwirthmenorca: ‘Directionless,’ una gran exposició col·lectiva organitzada per l’artista Rashid Johnson (@rashidjohnson), que ha convidat Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) i Cristina Iglesias (@cristinaiglesiasestudio) a nominar més de 20 artistes externs a la galeria.
📆 A partir del 21 de juny. Més informació a l’enllaç de la bio.
Este verano en @hauserwirthmenorca: ‘Directionless,’ una amplia exposición colectiva organizada por el artista Rashid Johnson (@rashidjohnson), quien ha invitado a Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) y Cristina Iglesias (@cristinaiglesiasestudio) a nominar a más de 20 artistas externos a la galería.
📆 A partir del 21 de junio. Más información en el enlace de la bio.
3 Firelei Báez, Spiralism (or an understanding, sun minded)(detail), 2025 © Firelei Báez. Photo: Mats Nordman
4 Julie Mehretu, When Angels Speak of Love (Barcelona), 2018 © Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York. Photo: Tom Powel Imaging
7 © Todd Gray. Courtesy the artist and Lehmann Maupin. Photo: Paul Salveson
8 Lyle Ashton Harris, Obsessão II (detail), 2017 © Lyle Ashton Harris
9 Mona Hatoum Inside Out (concrete), 2019, Hauser & Wirth Menorca, 2026 © Mona Hatoum. Courtesy the artist and White Cube. Photo: Daniel Schäfer
Coming up this summer at @hauserwirthmenorca, ‘Directionless’ is a sweeping group exhibition organised by artist Rashid Johnson (@rashidjohnson), who has invited Charles Gaines (@st_francis), Firelei Báez (@fireleibaez), and Cristina Iglesias (@cristinaiglesiasestudio) to nominate more than 20 artists from outside the gallery’s roster.
📆 Opening 21 June. Link in bio to learn more and plan your visit.
Aquest estiu a @hauserwirthmenorca: ‘Directionless,’ una gran exposició col·lectiva organitzada per l’artista Rashid Johnson (@rashidjohnson), que ha convidat Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) i Cristina Iglesias (@cristinaiglesiasestudio) a nominar més de 20 artistes externs a la galeria.
📆 A partir del 21 de juny. Més informació a l’enllaç de la bio.
Este verano en @hauserwirthmenorca: ‘Directionless,’ una amplia exposición colectiva organizada por el artista Rashid Johnson (@rashidjohnson), quien ha invitado a Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) y Cristina Iglesias (@cristinaiglesiasestudio) a nominar a más de 20 artistas externos a la galería.
📆 A partir del 21 de junio. Más información en el enlace de la bio.
3 Firelei Báez, Spiralism (or an understanding, sun minded)(detail), 2025 © Firelei Báez. Photo: Mats Nordman
4 Julie Mehretu, When Angels Speak of Love (Barcelona), 2018 © Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York. Photo: Tom Powel Imaging
7 © Todd Gray. Courtesy the artist and Lehmann Maupin. Photo: Paul Salveson
8 Lyle Ashton Harris, Obsessão II (detail), 2017 © Lyle Ashton Harris
9 Mona Hatoum Inside Out (concrete), 2019, Hauser & Wirth Menorca, 2026 © Mona Hatoum. Courtesy the artist and White Cube. Photo: Daniel Schäfer
Coming up this summer at @hauserwirthmenorca, ‘Directionless’ is a sweeping group exhibition organised by artist Rashid Johnson (@rashidjohnson), who has invited Charles Gaines (@st_francis), Firelei Báez (@fireleibaez), and Cristina Iglesias (@cristinaiglesiasestudio) to nominate more than 20 artists from outside the gallery’s roster.
📆 Opening 21 June. Link in bio to learn more and plan your visit.
Aquest estiu a @hauserwirthmenorca: ‘Directionless,’ una gran exposició col·lectiva organitzada per l’artista Rashid Johnson (@rashidjohnson), que ha convidat Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) i Cristina Iglesias (@cristinaiglesiasestudio) a nominar més de 20 artistes externs a la galeria.
📆 A partir del 21 de juny. Més informació a l’enllaç de la bio.
Este verano en @hauserwirthmenorca: ‘Directionless,’ una amplia exposición colectiva organizada por el artista Rashid Johnson (@rashidjohnson), quien ha invitado a Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) y Cristina Iglesias (@cristinaiglesiasestudio) a nominar a más de 20 artistas externos a la galería.
📆 A partir del 21 de junio. Más información en el enlace de la bio.
3 Firelei Báez, Spiralism (or an understanding, sun minded)(detail), 2025 © Firelei Báez. Photo: Mats Nordman
4 Julie Mehretu, When Angels Speak of Love (Barcelona), 2018 © Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York. Photo: Tom Powel Imaging
7 © Todd Gray. Courtesy the artist and Lehmann Maupin. Photo: Paul Salveson
8 Lyle Ashton Harris, Obsessão II (detail), 2017 © Lyle Ashton Harris
9 Mona Hatoum Inside Out (concrete), 2019, Hauser & Wirth Menorca, 2026 © Mona Hatoum. Courtesy the artist and White Cube. Photo: Daniel Schäfer
Coming up this summer at @hauserwirthmenorca, ‘Directionless’ is a sweeping group exhibition organised by artist Rashid Johnson (@rashidjohnson), who has invited Charles Gaines (@st_francis), Firelei Báez (@fireleibaez), and Cristina Iglesias (@cristinaiglesiasestudio) to nominate more than 20 artists from outside the gallery’s roster.
📆 Opening 21 June. Link in bio to learn more and plan your visit.
Aquest estiu a @hauserwirthmenorca: ‘Directionless,’ una gran exposició col·lectiva organitzada per l’artista Rashid Johnson (@rashidjohnson), que ha convidat Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) i Cristina Iglesias (@cristinaiglesiasestudio) a nominar més de 20 artistes externs a la galeria.
📆 A partir del 21 de juny. Més informació a l’enllaç de la bio.
Este verano en @hauserwirthmenorca: ‘Directionless,’ una amplia exposición colectiva organizada por el artista Rashid Johnson (@rashidjohnson), quien ha invitado a Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) y Cristina Iglesias (@cristinaiglesiasestudio) a nominar a más de 20 artistas externos a la galería.
📆 A partir del 21 de junio. Más información en el enlace de la bio.
3 Firelei Báez, Spiralism (or an understanding, sun minded)(detail), 2025 © Firelei Báez. Photo: Mats Nordman
4 Julie Mehretu, When Angels Speak of Love (Barcelona), 2018 © Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York. Photo: Tom Powel Imaging
7 © Todd Gray. Courtesy the artist and Lehmann Maupin. Photo: Paul Salveson
8 Lyle Ashton Harris, Obsessão II (detail), 2017 © Lyle Ashton Harris
9 Mona Hatoum Inside Out (concrete), 2019, Hauser & Wirth Menorca, 2026 © Mona Hatoum. Courtesy the artist and White Cube. Photo: Daniel Schäfer
Coming up this summer at @hauserwirthmenorca, ‘Directionless’ is a sweeping group exhibition organised by artist Rashid Johnson (@rashidjohnson), who has invited Charles Gaines (@st_francis), Firelei Báez (@fireleibaez), and Cristina Iglesias (@cristinaiglesiasestudio) to nominate more than 20 artists from outside the gallery’s roster.
📆 Opening 21 June. Link in bio to learn more and plan your visit.
Aquest estiu a @hauserwirthmenorca: ‘Directionless,’ una gran exposició col·lectiva organitzada per l’artista Rashid Johnson (@rashidjohnson), que ha convidat Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) i Cristina Iglesias (@cristinaiglesiasestudio) a nominar més de 20 artistes externs a la galeria.
📆 A partir del 21 de juny. Més informació a l’enllaç de la bio.
Este verano en @hauserwirthmenorca: ‘Directionless,’ una amplia exposición colectiva organizada por el artista Rashid Johnson (@rashidjohnson), quien ha invitado a Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) y Cristina Iglesias (@cristinaiglesiasestudio) a nominar a más de 20 artistas externos a la galería.
📆 A partir del 21 de junio. Más información en el enlace de la bio.
3 Firelei Báez, Spiralism (or an understanding, sun minded)(detail), 2025 © Firelei Báez. Photo: Mats Nordman
4 Julie Mehretu, When Angels Speak of Love (Barcelona), 2018 © Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York. Photo: Tom Powel Imaging
7 © Todd Gray. Courtesy the artist and Lehmann Maupin. Photo: Paul Salveson
8 Lyle Ashton Harris, Obsessão II (detail), 2017 © Lyle Ashton Harris
9 Mona Hatoum Inside Out (concrete), 2019, Hauser & Wirth Menorca, 2026 © Mona Hatoum. Courtesy the artist and White Cube. Photo: Daniel Schäfer
Coming up this summer at @hauserwirthmenorca, ‘Directionless’ is a sweeping group exhibition organised by artist Rashid Johnson (@rashidjohnson), who has invited Charles Gaines (@st_francis), Firelei Báez (@fireleibaez), and Cristina Iglesias (@cristinaiglesiasestudio) to nominate more than 20 artists from outside the gallery’s roster.
📆 Opening 21 June. Link in bio to learn more and plan your visit.
Aquest estiu a @hauserwirthmenorca: ‘Directionless,’ una gran exposició col·lectiva organitzada per l’artista Rashid Johnson (@rashidjohnson), que ha convidat Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) i Cristina Iglesias (@cristinaiglesiasestudio) a nominar més de 20 artistes externs a la galeria.
📆 A partir del 21 de juny. Més informació a l’enllaç de la bio.
Este verano en @hauserwirthmenorca: ‘Directionless,’ una amplia exposición colectiva organizada por el artista Rashid Johnson (@rashidjohnson), quien ha invitado a Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) y Cristina Iglesias (@cristinaiglesiasestudio) a nominar a más de 20 artistas externos a la galería.
📆 A partir del 21 de junio. Más información en el enlace de la bio.
3 Firelei Báez, Spiralism (or an understanding, sun minded)(detail), 2025 © Firelei Báez. Photo: Mats Nordman
4 Julie Mehretu, When Angels Speak of Love (Barcelona), 2018 © Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York. Photo: Tom Powel Imaging
7 © Todd Gray. Courtesy the artist and Lehmann Maupin. Photo: Paul Salveson
8 Lyle Ashton Harris, Obsessão II (detail), 2017 © Lyle Ashton Harris
9 Mona Hatoum Inside Out (concrete), 2019, Hauser & Wirth Menorca, 2026 © Mona Hatoum. Courtesy the artist and White Cube. Photo: Daniel Schäfer
Coming up this summer at @hauserwirthmenorca, ‘Directionless’ is a sweeping group exhibition organised by artist Rashid Johnson (@rashidjohnson), who has invited Charles Gaines (@st_francis), Firelei Báez (@fireleibaez), and Cristina Iglesias (@cristinaiglesiasestudio) to nominate more than 20 artists from outside the gallery’s roster.
📆 Opening 21 June. Link in bio to learn more and plan your visit.
Aquest estiu a @hauserwirthmenorca: ‘Directionless,’ una gran exposició col·lectiva organitzada per l’artista Rashid Johnson (@rashidjohnson), que ha convidat Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) i Cristina Iglesias (@cristinaiglesiasestudio) a nominar més de 20 artistes externs a la galeria.
📆 A partir del 21 de juny. Més informació a l’enllaç de la bio.
Este verano en @hauserwirthmenorca: ‘Directionless,’ una amplia exposición colectiva organizada por el artista Rashid Johnson (@rashidjohnson), quien ha invitado a Charles Gaines (@st_francis), Firelei Báez (@fireleibaez) y Cristina Iglesias (@cristinaiglesiasestudio) a nominar a más de 20 artistas externos a la galería.
📆 A partir del 21 de junio. Más información en el enlace de la bio.
3 Firelei Báez, Spiralism (or an understanding, sun minded)(detail), 2025 © Firelei Báez. Photo: Mats Nordman
4 Julie Mehretu, When Angels Speak of Love (Barcelona), 2018 © Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York. Photo: Tom Powel Imaging
7 © Todd Gray. Courtesy the artist and Lehmann Maupin. Photo: Paul Salveson
8 Lyle Ashton Harris, Obsessão II (detail), 2017 © Lyle Ashton Harris
9 Mona Hatoum Inside Out (concrete), 2019, Hauser & Wirth Menorca, 2026 © Mona Hatoum. Courtesy the artist and White Cube. Photo: Daniel Schäfer
Now open: Frieze New York
Cindy Sherman’s new large-scale works debut at Frieze New York as part of a presentation dedicated to women who have reshaped contemporary art—Nairy Baghramian, Louise Bourgeois, Lee Bul, Nicole Eisenman, Jenny Holzer, Lorna Simpson and Avery Singer.
📍Stand B08 📆 13-17 May
Explore our presentation via the link in bio.
1,4 Installation views, Hauser & Wirth at Frieze New York, 2026. Photos: Sarah Muehlbauer
3 Cindy Sherman, Untitled #692 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
6 Jenny Holzer, Thanks, 2024 © (2026) Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Sarah Muehlbauer
8 Lorna Simpson, End of Twilight, 2026 © Lorna Simpson. Photo: James Wang
10 Cindy Sherman, Untitled #686 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
Now open: Frieze New York
Cindy Sherman’s new large-scale works debut at Frieze New York as part of a presentation dedicated to women who have reshaped contemporary art—Nairy Baghramian, Louise Bourgeois, Lee Bul, Nicole Eisenman, Jenny Holzer, Lorna Simpson and Avery Singer.
📍Stand B08 📆 13-17 May
Explore our presentation via the link in bio.
1,4 Installation views, Hauser & Wirth at Frieze New York, 2026. Photos: Sarah Muehlbauer
3 Cindy Sherman, Untitled #692 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
6 Jenny Holzer, Thanks, 2024 © (2026) Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Sarah Muehlbauer
8 Lorna Simpson, End of Twilight, 2026 © Lorna Simpson. Photo: James Wang
10 Cindy Sherman, Untitled #686 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
Now open: Frieze New York
Cindy Sherman’s new large-scale works debut at Frieze New York as part of a presentation dedicated to women who have reshaped contemporary art—Nairy Baghramian, Louise Bourgeois, Lee Bul, Nicole Eisenman, Jenny Holzer, Lorna Simpson and Avery Singer.
📍Stand B08 📆 13-17 May
Explore our presentation via the link in bio.
1,4 Installation views, Hauser & Wirth at Frieze New York, 2026. Photos: Sarah Muehlbauer
3 Cindy Sherman, Untitled #692 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
6 Jenny Holzer, Thanks, 2024 © (2026) Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Sarah Muehlbauer
8 Lorna Simpson, End of Twilight, 2026 © Lorna Simpson. Photo: James Wang
10 Cindy Sherman, Untitled #686 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
Now open: Frieze New York
Cindy Sherman’s new large-scale works debut at Frieze New York as part of a presentation dedicated to women who have reshaped contemporary art—Nairy Baghramian, Louise Bourgeois, Lee Bul, Nicole Eisenman, Jenny Holzer, Lorna Simpson and Avery Singer.
📍Stand B08 📆 13-17 May
Explore our presentation via the link in bio.
1,4 Installation views, Hauser & Wirth at Frieze New York, 2026. Photos: Sarah Muehlbauer
3 Cindy Sherman, Untitled #692 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
6 Jenny Holzer, Thanks, 2024 © (2026) Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Sarah Muehlbauer
8 Lorna Simpson, End of Twilight, 2026 © Lorna Simpson. Photo: James Wang
10 Cindy Sherman, Untitled #686 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
Now open: Frieze New York
Cindy Sherman’s new large-scale works debut at Frieze New York as part of a presentation dedicated to women who have reshaped contemporary art—Nairy Baghramian, Louise Bourgeois, Lee Bul, Nicole Eisenman, Jenny Holzer, Lorna Simpson and Avery Singer.
📍Stand B08 📆 13-17 May
Explore our presentation via the link in bio.
1,4 Installation views, Hauser & Wirth at Frieze New York, 2026. Photos: Sarah Muehlbauer
3 Cindy Sherman, Untitled #692 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
6 Jenny Holzer, Thanks, 2024 © (2026) Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Sarah Muehlbauer
8 Lorna Simpson, End of Twilight, 2026 © Lorna Simpson. Photo: James Wang
10 Cindy Sherman, Untitled #686 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
Now open: Frieze New York
Cindy Sherman’s new large-scale works debut at Frieze New York as part of a presentation dedicated to women who have reshaped contemporary art—Nairy Baghramian, Louise Bourgeois, Lee Bul, Nicole Eisenman, Jenny Holzer, Lorna Simpson and Avery Singer.
📍Stand B08 📆 13-17 May
Explore our presentation via the link in bio.
1,4 Installation views, Hauser & Wirth at Frieze New York, 2026. Photos: Sarah Muehlbauer
3 Cindy Sherman, Untitled #692 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
6 Jenny Holzer, Thanks, 2024 © (2026) Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Sarah Muehlbauer
8 Lorna Simpson, End of Twilight, 2026 © Lorna Simpson. Photo: James Wang
10 Cindy Sherman, Untitled #686 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
Now open: Frieze New York
Cindy Sherman’s new large-scale works debut at Frieze New York as part of a presentation dedicated to women who have reshaped contemporary art—Nairy Baghramian, Louise Bourgeois, Lee Bul, Nicole Eisenman, Jenny Holzer, Lorna Simpson and Avery Singer.
📍Stand B08 📆 13-17 May
Explore our presentation via the link in bio.
1,4 Installation views, Hauser & Wirth at Frieze New York, 2026. Photos: Sarah Muehlbauer
3 Cindy Sherman, Untitled #692 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
6 Jenny Holzer, Thanks, 2024 © (2026) Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Sarah Muehlbauer
8 Lorna Simpson, End of Twilight, 2026 © Lorna Simpson. Photo: James Wang
10 Cindy Sherman, Untitled #686 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
Now open: Frieze New York
Cindy Sherman’s new large-scale works debut at Frieze New York as part of a presentation dedicated to women who have reshaped contemporary art—Nairy Baghramian, Louise Bourgeois, Lee Bul, Nicole Eisenman, Jenny Holzer, Lorna Simpson and Avery Singer.
📍Stand B08 📆 13-17 May
Explore our presentation via the link in bio.
1,4 Installation views, Hauser & Wirth at Frieze New York, 2026. Photos: Sarah Muehlbauer
3 Cindy Sherman, Untitled #692 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
6 Jenny Holzer, Thanks, 2024 © (2026) Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Sarah Muehlbauer
8 Lorna Simpson, End of Twilight, 2026 © Lorna Simpson. Photo: James Wang
10 Cindy Sherman, Untitled #686 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
Now open: Frieze New York
Cindy Sherman’s new large-scale works debut at Frieze New York as part of a presentation dedicated to women who have reshaped contemporary art—Nairy Baghramian, Louise Bourgeois, Lee Bul, Nicole Eisenman, Jenny Holzer, Lorna Simpson and Avery Singer.
📍Stand B08 📆 13-17 May
Explore our presentation via the link in bio.
1,4 Installation views, Hauser & Wirth at Frieze New York, 2026. Photos: Sarah Muehlbauer
3 Cindy Sherman, Untitled #692 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
6 Jenny Holzer, Thanks, 2024 © (2026) Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Sarah Muehlbauer
8 Lorna Simpson, End of Twilight, 2026 © Lorna Simpson. Photo: James Wang
10 Cindy Sherman, Untitled #686 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
Now open: Frieze New York
Cindy Sherman’s new large-scale works debut at Frieze New York as part of a presentation dedicated to women who have reshaped contemporary art—Nairy Baghramian, Louise Bourgeois, Lee Bul, Nicole Eisenman, Jenny Holzer, Lorna Simpson and Avery Singer.
📍Stand B08 📆 13-17 May
Explore our presentation via the link in bio.
1,4 Installation views, Hauser & Wirth at Frieze New York, 2026. Photos: Sarah Muehlbauer
3 Cindy Sherman, Untitled #692 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
6 Jenny Holzer, Thanks, 2024 © (2026) Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Sarah Muehlbauer
8 Lorna Simpson, End of Twilight, 2026 © Lorna Simpson. Photo: James Wang
10 Cindy Sherman, Untitled #686 (detail), 2025 © 2026 Cindy Sherman / Artists Rights Society (ARS), NY
Remembering the visionary dealer and gallerist Bruno Bischofberger (1940–2026), whose friendships and collaborations with artists including Jean-Michel Basquiat, Francesco Clemente and Andy Warhol shaped an important chapter in contemporary art history.
Our recent exhibition, ‘Jean-Michel Basquiat. Engadin’ at Hauser & Wirth St. Moritz, would not have been possible without Bruno’s generous support and insight. Basquiat’s connection to Switzerland began in 1982 with his first exhibition at Galerie Bruno Bischofberger in Zurich. He returned many times to St. Moritz and the Engadin in the years that followed.
Pictured here is Basquiat’s portrait of Bruno Bischofberger in his hometown of Appenzell. The work stands as a testament to their friendship and to Bischofberger’s enduring legacy as a champion of artists and contemporary art.
We extend our deepest condolences to Bruno Bischofberger’s family, friends and colleagues.
Learn more in the publication ‘Jean-Michel Basquiat. Engadin,’ featuring texts by Bruno Bischofberger, Iwan Wirth and Dieter Buchhart.
1. Jean-Michel Basquiat, Bruno in Appenzell, 1982. Courtesy Bischofberger Collection, Männedorf-Zurich © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York
2. Bruno Bischofberger and Jean-Michel Basquiat, Galerie Bruno Bischofberger, Zurich, 1982 © Galerie Bruno Bischofberger, Männedorf-Zurich, Switzerland © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Beth Phillips
3. Installation view, ‘Jean-Michel Basquiat. Engadin,’ Hauser & Wirth St. Moritz, 2024–2025 © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Stefan Altenburger Photography Zürich.
5. Jean-Michel Basquiat, Brook Bartlett and Bruno Bischofberger at the Cresta Klubhaus in St. Moritz on
January 30, 1983. Photo: Christina Bischofberger © Galerie Bruno Bischofberger, Männedorf-Zurich, Switzerland. Licensed by Artestar, New York. Photo: Beth Phillips
Remembering the visionary dealer and gallerist Bruno Bischofberger (1940–2026), whose friendships and collaborations with artists including Jean-Michel Basquiat, Francesco Clemente and Andy Warhol shaped an important chapter in contemporary art history.
Our recent exhibition, ‘Jean-Michel Basquiat. Engadin’ at Hauser & Wirth St. Moritz, would not have been possible without Bruno’s generous support and insight. Basquiat’s connection to Switzerland began in 1982 with his first exhibition at Galerie Bruno Bischofberger in Zurich. He returned many times to St. Moritz and the Engadin in the years that followed.
Pictured here is Basquiat’s portrait of Bruno Bischofberger in his hometown of Appenzell. The work stands as a testament to their friendship and to Bischofberger’s enduring legacy as a champion of artists and contemporary art.
We extend our deepest condolences to Bruno Bischofberger’s family, friends and colleagues.
Learn more in the publication ‘Jean-Michel Basquiat. Engadin,’ featuring texts by Bruno Bischofberger, Iwan Wirth and Dieter Buchhart.
1. Jean-Michel Basquiat, Bruno in Appenzell, 1982. Courtesy Bischofberger Collection, Männedorf-Zurich © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York
2. Bruno Bischofberger and Jean-Michel Basquiat, Galerie Bruno Bischofberger, Zurich, 1982 © Galerie Bruno Bischofberger, Männedorf-Zurich, Switzerland © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Beth Phillips
3. Installation view, ‘Jean-Michel Basquiat. Engadin,’ Hauser & Wirth St. Moritz, 2024–2025 © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Stefan Altenburger Photography Zürich.
5. Jean-Michel Basquiat, Brook Bartlett and Bruno Bischofberger at the Cresta Klubhaus in St. Moritz on
January 30, 1983. Photo: Christina Bischofberger © Galerie Bruno Bischofberger, Männedorf-Zurich, Switzerland. Licensed by Artestar, New York. Photo: Beth Phillips
Remembering the visionary dealer and gallerist Bruno Bischofberger (1940–2026), whose friendships and collaborations with artists including Jean-Michel Basquiat, Francesco Clemente and Andy Warhol shaped an important chapter in contemporary art history.
Our recent exhibition, ‘Jean-Michel Basquiat. Engadin’ at Hauser & Wirth St. Moritz, would not have been possible without Bruno’s generous support and insight. Basquiat’s connection to Switzerland began in 1982 with his first exhibition at Galerie Bruno Bischofberger in Zurich. He returned many times to St. Moritz and the Engadin in the years that followed.
Pictured here is Basquiat’s portrait of Bruno Bischofberger in his hometown of Appenzell. The work stands as a testament to their friendship and to Bischofberger’s enduring legacy as a champion of artists and contemporary art.
We extend our deepest condolences to Bruno Bischofberger’s family, friends and colleagues.
Learn more in the publication ‘Jean-Michel Basquiat. Engadin,’ featuring texts by Bruno Bischofberger, Iwan Wirth and Dieter Buchhart.
1. Jean-Michel Basquiat, Bruno in Appenzell, 1982. Courtesy Bischofberger Collection, Männedorf-Zurich © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York
2. Bruno Bischofberger and Jean-Michel Basquiat, Galerie Bruno Bischofberger, Zurich, 1982 © Galerie Bruno Bischofberger, Männedorf-Zurich, Switzerland © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Beth Phillips
3. Installation view, ‘Jean-Michel Basquiat. Engadin,’ Hauser & Wirth St. Moritz, 2024–2025 © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Stefan Altenburger Photography Zürich.
5. Jean-Michel Basquiat, Brook Bartlett and Bruno Bischofberger at the Cresta Klubhaus in St. Moritz on
January 30, 1983. Photo: Christina Bischofberger © Galerie Bruno Bischofberger, Männedorf-Zurich, Switzerland. Licensed by Artestar, New York. Photo: Beth Phillips
Remembering the visionary dealer and gallerist Bruno Bischofberger (1940–2026), whose friendships and collaborations with artists including Jean-Michel Basquiat, Francesco Clemente and Andy Warhol shaped an important chapter in contemporary art history.
Our recent exhibition, ‘Jean-Michel Basquiat. Engadin’ at Hauser & Wirth St. Moritz, would not have been possible without Bruno’s generous support and insight. Basquiat’s connection to Switzerland began in 1982 with his first exhibition at Galerie Bruno Bischofberger in Zurich. He returned many times to St. Moritz and the Engadin in the years that followed.
Pictured here is Basquiat’s portrait of Bruno Bischofberger in his hometown of Appenzell. The work stands as a testament to their friendship and to Bischofberger’s enduring legacy as a champion of artists and contemporary art.
We extend our deepest condolences to Bruno Bischofberger’s family, friends and colleagues.
Learn more in the publication ‘Jean-Michel Basquiat. Engadin,’ featuring texts by Bruno Bischofberger, Iwan Wirth and Dieter Buchhart.
1. Jean-Michel Basquiat, Bruno in Appenzell, 1982. Courtesy Bischofberger Collection, Männedorf-Zurich © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York
2. Bruno Bischofberger and Jean-Michel Basquiat, Galerie Bruno Bischofberger, Zurich, 1982 © Galerie Bruno Bischofberger, Männedorf-Zurich, Switzerland © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Beth Phillips
3. Installation view, ‘Jean-Michel Basquiat. Engadin,’ Hauser & Wirth St. Moritz, 2024–2025 © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Stefan Altenburger Photography Zürich.
5. Jean-Michel Basquiat, Brook Bartlett and Bruno Bischofberger at the Cresta Klubhaus in St. Moritz on
January 30, 1983. Photo: Christina Bischofberger © Galerie Bruno Bischofberger, Männedorf-Zurich, Switzerland. Licensed by Artestar, New York. Photo: Beth Phillips
Remembering the visionary dealer and gallerist Bruno Bischofberger (1940–2026), whose friendships and collaborations with artists including Jean-Michel Basquiat, Francesco Clemente and Andy Warhol shaped an important chapter in contemporary art history.
Our recent exhibition, ‘Jean-Michel Basquiat. Engadin’ at Hauser & Wirth St. Moritz, would not have been possible without Bruno’s generous support and insight. Basquiat’s connection to Switzerland began in 1982 with his first exhibition at Galerie Bruno Bischofberger in Zurich. He returned many times to St. Moritz and the Engadin in the years that followed.
Pictured here is Basquiat’s portrait of Bruno Bischofberger in his hometown of Appenzell. The work stands as a testament to their friendship and to Bischofberger’s enduring legacy as a champion of artists and contemporary art.
We extend our deepest condolences to Bruno Bischofberger’s family, friends and colleagues.
Learn more in the publication ‘Jean-Michel Basquiat. Engadin,’ featuring texts by Bruno Bischofberger, Iwan Wirth and Dieter Buchhart.
1. Jean-Michel Basquiat, Bruno in Appenzell, 1982. Courtesy Bischofberger Collection, Männedorf-Zurich © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York
2. Bruno Bischofberger and Jean-Michel Basquiat, Galerie Bruno Bischofberger, Zurich, 1982 © Galerie Bruno Bischofberger, Männedorf-Zurich, Switzerland © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Beth Phillips
3. Installation view, ‘Jean-Michel Basquiat. Engadin,’ Hauser & Wirth St. Moritz, 2024–2025 © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo: Stefan Altenburger Photography Zürich.
5. Jean-Michel Basquiat, Brook Bartlett and Bruno Bischofberger at the Cresta Klubhaus in St. Moritz on
January 30, 1983. Photo: Christina Bischofberger © Galerie Bruno Bischofberger, Männedorf-Zurich, Switzerland. Licensed by Artestar, New York. Photo: Beth Phillips
Opening tonight in New York at our 22nd Street gallery: ‘Firelei Báez. feet squelching on wet grass, nourished by uncertainty’
@fireleibaez unveils an ambitious, enveloping constellation of radiant new paintings and works on paper, along with new large-scale bronze sculptures, in her first New York exhibition with the gallery.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,4,8 Firelei Báez in Upstate NY and in her Red Hook Brooklyn studio, 2026. Video: Oresti Tsonopoulos. Directed by David Wirth
2-3 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
5 Firelei Báez, Ciguapa Ooloi (Unburdened of the master script of our planet’s assumed demise), 2025-2026
6-7 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
9 Firelei Báez, Ayida, 2025–2026
© 2025 Firelei Báez / Artists Rights Society (ARS), New York
#HauserWirth #FireleiBaez
Opening tonight in New York at our 22nd Street gallery: ‘Firelei Báez. feet squelching on wet grass, nourished by uncertainty’
@fireleibaez unveils an ambitious, enveloping constellation of radiant new paintings and works on paper, along with new large-scale bronze sculptures, in her first New York exhibition with the gallery.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,4,8 Firelei Báez in Upstate NY and in her Red Hook Brooklyn studio, 2026. Video: Oresti Tsonopoulos. Directed by David Wirth
2-3 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
5 Firelei Báez, Ciguapa Ooloi (Unburdened of the master script of our planet’s assumed demise), 2025-2026
6-7 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
9 Firelei Báez, Ayida, 2025–2026
© 2025 Firelei Báez / Artists Rights Society (ARS), New York
#HauserWirth #FireleiBaez
Opening tonight in New York at our 22nd Street gallery: ‘Firelei Báez. feet squelching on wet grass, nourished by uncertainty’
@fireleibaez unveils an ambitious, enveloping constellation of radiant new paintings and works on paper, along with new large-scale bronze sculptures, in her first New York exhibition with the gallery.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,4,8 Firelei Báez in Upstate NY and in her Red Hook Brooklyn studio, 2026. Video: Oresti Tsonopoulos. Directed by David Wirth
2-3 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
5 Firelei Báez, Ciguapa Ooloi (Unburdened of the master script of our planet’s assumed demise), 2025-2026
6-7 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
9 Firelei Báez, Ayida, 2025–2026
© 2025 Firelei Báez / Artists Rights Society (ARS), New York
#HauserWirth #FireleiBaez
Opening tonight in New York at our 22nd Street gallery: ‘Firelei Báez. feet squelching on wet grass, nourished by uncertainty’
@fireleibaez unveils an ambitious, enveloping constellation of radiant new paintings and works on paper, along with new large-scale bronze sculptures, in her first New York exhibition with the gallery.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,4,8 Firelei Báez in Upstate NY and in her Red Hook Brooklyn studio, 2026. Video: Oresti Tsonopoulos. Directed by David Wirth
2-3 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
5 Firelei Báez, Ciguapa Ooloi (Unburdened of the master script of our planet’s assumed demise), 2025-2026
6-7 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
9 Firelei Báez, Ayida, 2025–2026
© 2025 Firelei Báez / Artists Rights Society (ARS), New York
#HauserWirth #FireleiBaez
Opening tonight in New York at our 22nd Street gallery: ‘Firelei Báez. feet squelching on wet grass, nourished by uncertainty’
@fireleibaez unveils an ambitious, enveloping constellation of radiant new paintings and works on paper, along with new large-scale bronze sculptures, in her first New York exhibition with the gallery.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,4,8 Firelei Báez in Upstate NY and in her Red Hook Brooklyn studio, 2026. Video: Oresti Tsonopoulos. Directed by David Wirth
2-3 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
5 Firelei Báez, Ciguapa Ooloi (Unburdened of the master script of our planet’s assumed demise), 2025-2026
6-7 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
9 Firelei Báez, Ayida, 2025–2026
© 2025 Firelei Báez / Artists Rights Society (ARS), New York
#HauserWirth #FireleiBaez
Opening tonight in New York at our 22nd Street gallery: ‘Firelei Báez. feet squelching on wet grass, nourished by uncertainty’
@fireleibaez unveils an ambitious, enveloping constellation of radiant new paintings and works on paper, along with new large-scale bronze sculptures, in her first New York exhibition with the gallery.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,4,8 Firelei Báez in Upstate NY and in her Red Hook Brooklyn studio, 2026. Video: Oresti Tsonopoulos. Directed by David Wirth
2-3 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
5 Firelei Báez, Ciguapa Ooloi (Unburdened of the master script of our planet’s assumed demise), 2025-2026
6-7 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
9 Firelei Báez, Ayida, 2025–2026
© 2025 Firelei Báez / Artists Rights Society (ARS), New York
#HauserWirth #FireleiBaez
Opening tonight in New York at our 22nd Street gallery: ‘Firelei Báez. feet squelching on wet grass, nourished by uncertainty’
@fireleibaez unveils an ambitious, enveloping constellation of radiant new paintings and works on paper, along with new large-scale bronze sculptures, in her first New York exhibition with the gallery.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,4,8 Firelei Báez in Upstate NY and in her Red Hook Brooklyn studio, 2026. Video: Oresti Tsonopoulos. Directed by David Wirth
2-3 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
5 Firelei Báez, Ciguapa Ooloi (Unburdened of the master script of our planet’s assumed demise), 2025-2026
6-7 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
9 Firelei Báez, Ayida, 2025–2026
© 2025 Firelei Báez / Artists Rights Society (ARS), New York
#HauserWirth #FireleiBaez
Opening tonight in New York at our 22nd Street gallery: ‘Firelei Báez. feet squelching on wet grass, nourished by uncertainty’
@fireleibaez unveils an ambitious, enveloping constellation of radiant new paintings and works on paper, along with new large-scale bronze sculptures, in her first New York exhibition with the gallery.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,4,8 Firelei Báez in Upstate NY and in her Red Hook Brooklyn studio, 2026. Video: Oresti Tsonopoulos. Directed by David Wirth
2-3 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
5 Firelei Báez, Ciguapa Ooloi (Unburdened of the master script of our planet’s assumed demise), 2025-2026
6-7 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
9 Firelei Báez, Ayida, 2025–2026
© 2025 Firelei Báez / Artists Rights Society (ARS), New York
#HauserWirth #FireleiBaez
Opening tonight in New York at our 22nd Street gallery: ‘Firelei Báez. feet squelching on wet grass, nourished by uncertainty’
@fireleibaez unveils an ambitious, enveloping constellation of radiant new paintings and works on paper, along with new large-scale bronze sculptures, in her first New York exhibition with the gallery.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,4,8 Firelei Báez in Upstate NY and in her Red Hook Brooklyn studio, 2026. Video: Oresti Tsonopoulos. Directed by David Wirth
2-3 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
5 Firelei Báez, Ciguapa Ooloi (Unburdened of the master script of our planet’s assumed demise), 2025-2026
6-7 Firelei Báez, View of Nature (Existing not in the cycles themselves but only in the interactions of the cycles), 2026
9 Firelei Báez, Ayida, 2025–2026
© 2025 Firelei Báez / Artists Rights Society (ARS), New York
#HauserWirth #FireleiBaez
Opening tonight in New York at our 22nd Street gallery: ‘Carol Rama. I See You You See Me’
This presentation gathers work from six decades of Rama’s career to provide fresh insight into some of the less explored aspects of her wildly original, radically unfiltered experiments in painting, sculpture, textile and bricolage.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,3,5,7 Installation views, ‘Carol Rama. I See You You See Me’, Hauser & Wirth New York, 22nd Street, 2026. Photos: Sarah Muehlbauer
2 Carol Rama, Pagliacci (Clowns) (detail), 1949
4 Carol Rama, Cluster bonbs [sic] units ce ne sono certe che sanno di polvere da sparo,
altre di aglio (Cluster Bonbs Units There Are Some that Tasteof Gunpowder, Some of Garlic) (detail), 1969
6 Carol Rama, Untitled (detail), 1949
8 Carol Rama, Bricolage (detail),1967
© Archivio Carol Rama, Torino
@archiviocarolrama
Opening tonight in New York at our 22nd Street gallery: ‘Carol Rama. I See You You See Me’
This presentation gathers work from six decades of Rama’s career to provide fresh insight into some of the less explored aspects of her wildly original, radically unfiltered experiments in painting, sculpture, textile and bricolage.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,3,5,7 Installation views, ‘Carol Rama. I See You You See Me’, Hauser & Wirth New York, 22nd Street, 2026. Photos: Sarah Muehlbauer
2 Carol Rama, Pagliacci (Clowns) (detail), 1949
4 Carol Rama, Cluster bonbs [sic] units ce ne sono certe che sanno di polvere da sparo,
altre di aglio (Cluster Bonbs Units There Are Some that Tasteof Gunpowder, Some of Garlic) (detail), 1969
6 Carol Rama, Untitled (detail), 1949
8 Carol Rama, Bricolage (detail),1967
© Archivio Carol Rama, Torino
@archiviocarolrama
Opening tonight in New York at our 22nd Street gallery: ‘Carol Rama. I See You You See Me’
This presentation gathers work from six decades of Rama’s career to provide fresh insight into some of the less explored aspects of her wildly original, radically unfiltered experiments in painting, sculpture, textile and bricolage.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,3,5,7 Installation views, ‘Carol Rama. I See You You See Me’, Hauser & Wirth New York, 22nd Street, 2026. Photos: Sarah Muehlbauer
2 Carol Rama, Pagliacci (Clowns) (detail), 1949
4 Carol Rama, Cluster bonbs [sic] units ce ne sono certe che sanno di polvere da sparo,
altre di aglio (Cluster Bonbs Units There Are Some that Tasteof Gunpowder, Some of Garlic) (detail), 1969
6 Carol Rama, Untitled (detail), 1949
8 Carol Rama, Bricolage (detail),1967
© Archivio Carol Rama, Torino
@archiviocarolrama
Opening tonight in New York at our 22nd Street gallery: ‘Carol Rama. I See You You See Me’
This presentation gathers work from six decades of Rama’s career to provide fresh insight into some of the less explored aspects of her wildly original, radically unfiltered experiments in painting, sculpture, textile and bricolage.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,3,5,7 Installation views, ‘Carol Rama. I See You You See Me’, Hauser & Wirth New York, 22nd Street, 2026. Photos: Sarah Muehlbauer
2 Carol Rama, Pagliacci (Clowns) (detail), 1949
4 Carol Rama, Cluster bonbs [sic] units ce ne sono certe che sanno di polvere da sparo,
altre di aglio (Cluster Bonbs Units There Are Some that Tasteof Gunpowder, Some of Garlic) (detail), 1969
6 Carol Rama, Untitled (detail), 1949
8 Carol Rama, Bricolage (detail),1967
© Archivio Carol Rama, Torino
@archiviocarolrama
Opening tonight in New York at our 22nd Street gallery: ‘Carol Rama. I See You You See Me’
This presentation gathers work from six decades of Rama’s career to provide fresh insight into some of the less explored aspects of her wildly original, radically unfiltered experiments in painting, sculpture, textile and bricolage.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,3,5,7 Installation views, ‘Carol Rama. I See You You See Me’, Hauser & Wirth New York, 22nd Street, 2026. Photos: Sarah Muehlbauer
2 Carol Rama, Pagliacci (Clowns) (detail), 1949
4 Carol Rama, Cluster bonbs [sic] units ce ne sono certe che sanno di polvere da sparo,
altre di aglio (Cluster Bonbs Units There Are Some that Tasteof Gunpowder, Some of Garlic) (detail), 1969
6 Carol Rama, Untitled (detail), 1949
8 Carol Rama, Bricolage (detail),1967
© Archivio Carol Rama, Torino
@archiviocarolrama
Opening tonight in New York at our 22nd Street gallery: ‘Carol Rama. I See You You See Me’
This presentation gathers work from six decades of Rama’s career to provide fresh insight into some of the less explored aspects of her wildly original, radically unfiltered experiments in painting, sculpture, textile and bricolage.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,3,5,7 Installation views, ‘Carol Rama. I See You You See Me’, Hauser & Wirth New York, 22nd Street, 2026. Photos: Sarah Muehlbauer
2 Carol Rama, Pagliacci (Clowns) (detail), 1949
4 Carol Rama, Cluster bonbs [sic] units ce ne sono certe che sanno di polvere da sparo,
altre di aglio (Cluster Bonbs Units There Are Some that Tasteof Gunpowder, Some of Garlic) (detail), 1969
6 Carol Rama, Untitled (detail), 1949
8 Carol Rama, Bricolage (detail),1967
© Archivio Carol Rama, Torino
@archiviocarolrama
Opening tonight in New York at our 22nd Street gallery: ‘Carol Rama. I See You You See Me’
This presentation gathers work from six decades of Rama’s career to provide fresh insight into some of the less explored aspects of her wildly original, radically unfiltered experiments in painting, sculpture, textile and bricolage.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,3,5,7 Installation views, ‘Carol Rama. I See You You See Me’, Hauser & Wirth New York, 22nd Street, 2026. Photos: Sarah Muehlbauer
2 Carol Rama, Pagliacci (Clowns) (detail), 1949
4 Carol Rama, Cluster bonbs [sic] units ce ne sono certe che sanno di polvere da sparo,
altre di aglio (Cluster Bonbs Units There Are Some that Tasteof Gunpowder, Some of Garlic) (detail), 1969
6 Carol Rama, Untitled (detail), 1949
8 Carol Rama, Bricolage (detail),1967
© Archivio Carol Rama, Torino
@archiviocarolrama
Opening tonight in New York at our 22nd Street gallery: ‘Carol Rama. I See You You See Me’
This presentation gathers work from six decades of Rama’s career to provide fresh insight into some of the less explored aspects of her wildly original, radically unfiltered experiments in painting, sculpture, textile and bricolage.
Join us for the opening reception tonight from 6 – 8 pm. Link in bio to plan your visit.
1,3,5,7 Installation views, ‘Carol Rama. I See You You See Me’, Hauser & Wirth New York, 22nd Street, 2026. Photos: Sarah Muehlbauer
2 Carol Rama, Pagliacci (Clowns) (detail), 1949
4 Carol Rama, Cluster bonbs [sic] units ce ne sono certe che sanno di polvere da sparo,
altre di aglio (Cluster Bonbs Units There Are Some that Tasteof Gunpowder, Some of Garlic) (detail), 1969
6 Carol Rama, Untitled (detail), 1949
8 Carol Rama, Bricolage (detail),1967
© Archivio Carol Rama, Torino
@archiviocarolrama
Three Questions for...Rashid Johnson
In the latest installment of Three Questions for—in which we cross-examine some of our favorite cultural figures—we met with @rashidjohnson at this year’s Ursula Weekender at @thefifearms in Braemar, Scotland.
Watch more via the link in bio.
#UrsulaMagazine
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