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otucha_collective
Otucha
singing collective based in Berlin ● sound witchery ● empowerment through voice practice ● togetherness ● old old songs
;
Today would have been Holger Czukay’s eighty-eighth birthday! To mark this occasion, we are releasing what will be the final collaboration for now—part of a series of collaborations created worldwide with a wide variety of artists, using or working with Holger Czukay’s original material for “Irgendwann.” At this point, I’d like to extend a very special thank you to @dirkurlich , who took care of this project and so much more!!! All of this, everything that came with it or resulted from it—I never would have thought it possible myself!
I would like to take this opportunity to thank those who directly helped out in one way or another with everything . Another, @jochenarbeit, Die ANGEL, @chventhuniebi, Zappi W. Diermaier, @m_giltjes_bobok, @daniel_james_burke, @chventhuniebi, @illusionofsafety1983, @blonderfischer, @__halfie__, @tasteedotmedia, @emmago_os, Feedback Orchester, Kerl Fieser, @scott_gibbons_, @jasmineguffond, Chiara Guidi, @hildur_gudnadottir, @kimletgordon, @daveharrow, @hainbach101, Herman Herrmann, @the_noise_in_silence, Matthias Hornschuh, @sonjakosche, @candybomberstudio, @yeh.de, Hendrik Kröz, @zipo_aufabwegen, @ectoplastic_lab, @cheetah.dragon,
@sannygknabe, @gmothelabel, Frau Lilli, Anderer Mensch, @mirrorworldmusic_ , @jmascis, Matthias Melster, @the.necks, Sarah Nakic, @mark_pistel, @ralfplaschke, @kingkoomz, @mario_roellig, @yoyoroehm, @groenlandrecords, @matthewsetzer, @simon4s, Giles Schumm, @markspybey, @rapoon1, Frank Schulte, @chandrashukla__, @paul_schutze, Asmus Tietchens , Ilpo Väisänen, @havanaberlinconnection, @elifyalvac_music, Ansgar Wilken, @thomaswydler.official, Oren Ambarchi, @absent1, @fanorourke, @artus_hex, @pyrolator1, @laomeow, @cmvonhausswolff. @tarwaterband , @immersion_hq, @otucha_collective, @agnieszka__kucharska, @dorotmich, @ola_zielinska_o, @colinnewman____, @mayanewman .. .
Yes , this release can also be found at Edition MirrorWorldMusic (MWM) at: https://mirrorworldmusic.bandcamp.com/track/gvoon-version-11-modlitwa or at: https://mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
There’s nothing more to be done here ,, ,
Today Holger Czukay, former bassist and sound wizard of the krautrock-pioneers CAN, would have been eighty-eight years old, happy heavenly birthday!
On this occasion, we are honored to release the final version of our long-term re-works series 'Gvoon - Version 2-11':
HOLGER CZUKAY / Pyrolator, Otucha Collective & Schneider TM
Gvoon - Version 11 (Modlitwa)
Link in bio / here:
https://mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
Gvoon - Version 2-11 is the 2nd album of a continuous collaboration series based on the original recording of Gvoon - Brennung 1 by Holger Czukay, created for Arthur Schmidt‘s Gvoon project @gvoonart in 1997. Previous versions include works by Natalie Beridze & Anushka Chkheidze, The Necks, RAW2K (Jochen Arbeit / Thomas Wydler / Sonja Kosche / Yoyo Röhm / Ingo Krauss), Jono Podmore & David Harrow, Mark Spybey, Jasmine Guffond & Robin Storey, Kim Gordon & J Mascis, Chandra Shukla, Elisa Faires & CM von Hausswolff, Tarwater & Immersion, Oren Ambarchi, crys cole & Jim O’Rourke.…to be continued at some point in the future.
Link in bio / here:
https://mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
Video by Gvoon Arthur Schmidt:
https://www.youtube.com/watch?v=fwQayF8vMWQ
Special thanks to all involved artists, @gvoonart , @walterschonauer, Mareike Hettler and @groenlandrecords.
Photos by Pfisterer (Holger Czukay), Arthur Schmidt (Cover), The Invisible Hand (Pyrolator, Otucha Collective, SchneiderTM)
@agnieszka__kucharska
@dorotmich
@ola_zielinska_o
@otucha_collective
@pyrolator1
@fanorourke
@absent1
@mayanewman
@colinnewman____
@immersion_hq
@tarwaterband
@cmvonhausswolff
@chandrashukla__
@laomeow
@jmascis
@kimletgordon
@jasmineguffond
@markspybey
@rapoon1
@kingkoomz
@daveharrow
@gvoonart
@chventhuniebi
@__halfie__
@jochenarbeit
@thomaswydler.official
@sonjakosche
@yoyoroehm
@thenecks.oficial
@the.necks
@dirkurlich
@mirrorworldmusic_
@lachungamusicpublishing
@polarbear_music_publishing
@groenlandrecords
#holgerczukay #gvoon #mirrorworldmusic
Today Holger Czukay, former bassist and sound wizard of the krautrock-pioneers CAN, would have been eighty-eight years old, happy heavenly birthday!
On this occasion, we are honored to release the final version of our long-term re-works series 'Gvoon - Version 2-11':
HOLGER CZUKAY / Pyrolator, Otucha Collective & Schneider TM
Gvoon - Version 11 (Modlitwa)
Link in bio / here:
https://mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
Gvoon - Version 2-11 is the 2nd album of a continuous collaboration series based on the original recording of Gvoon - Brennung 1 by Holger Czukay, created for Arthur Schmidt‘s Gvoon project @gvoonart in 1997. Previous versions include works by Natalie Beridze & Anushka Chkheidze, The Necks, RAW2K (Jochen Arbeit / Thomas Wydler / Sonja Kosche / Yoyo Röhm / Ingo Krauss), Jono Podmore & David Harrow, Mark Spybey, Jasmine Guffond & Robin Storey, Kim Gordon & J Mascis, Chandra Shukla, Elisa Faires & CM von Hausswolff, Tarwater & Immersion, Oren Ambarchi, crys cole & Jim O’Rourke.…to be continued at some point in the future.
Link in bio / here:
https://mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
Video by Gvoon Arthur Schmidt:
https://www.youtube.com/watch?v=fwQayF8vMWQ
Special thanks to all involved artists, @gvoonart , @walterschonauer, Mareike Hettler and @groenlandrecords.
Photos by Pfisterer (Holger Czukay), Arthur Schmidt (Cover), The Invisible Hand (Pyrolator, Otucha Collective, SchneiderTM)
@agnieszka__kucharska
@dorotmich
@ola_zielinska_o
@otucha_collective
@pyrolator1
@fanorourke
@absent1
@mayanewman
@colinnewman____
@immersion_hq
@tarwaterband
@cmvonhausswolff
@chandrashukla__
@laomeow
@jmascis
@kimletgordon
@jasmineguffond
@markspybey
@rapoon1
@kingkoomz
@daveharrow
@gvoonart
@chventhuniebi
@__halfie__
@jochenarbeit
@thomaswydler.official
@sonjakosche
@yoyoroehm
@thenecks.oficial
@the.necks
@dirkurlich
@mirrorworldmusic_
@lachungamusicpublishing
@polarbear_music_publishing
@groenlandrecords
#holgerczukay #gvoon #mirrorworldmusic
Today Holger Czukay, former bassist and sound wizard of the krautrock-pioneers CAN, would have been eighty-eight years old, happy heavenly birthday!
On this occasion, we are honored to release the final version of our long-term re-works series 'Gvoon - Version 2-11':
HOLGER CZUKAY / Pyrolator, Otucha Collective & Schneider TM
Gvoon - Version 11 (Modlitwa)
Link in bio / here:
https://mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
Gvoon - Version 2-11 is the 2nd album of a continuous collaboration series based on the original recording of Gvoon - Brennung 1 by Holger Czukay, created for Arthur Schmidt‘s Gvoon project @gvoonart in 1997. Previous versions include works by Natalie Beridze & Anushka Chkheidze, The Necks, RAW2K (Jochen Arbeit / Thomas Wydler / Sonja Kosche / Yoyo Röhm / Ingo Krauss), Jono Podmore & David Harrow, Mark Spybey, Jasmine Guffond & Robin Storey, Kim Gordon & J Mascis, Chandra Shukla, Elisa Faires & CM von Hausswolff, Tarwater & Immersion, Oren Ambarchi, crys cole & Jim O’Rourke.…to be continued at some point in the future.
Link in bio / here:
https://mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
Video by Gvoon Arthur Schmidt:
https://www.youtube.com/watch?v=fwQayF8vMWQ
Special thanks to all involved artists, @gvoonart , @walterschonauer, Mareike Hettler and @groenlandrecords.
Photos by Pfisterer (Holger Czukay), Arthur Schmidt (Cover), The Invisible Hand (Pyrolator, Otucha Collective, SchneiderTM)
@agnieszka__kucharska
@dorotmich
@ola_zielinska_o
@otucha_collective
@pyrolator1
@fanorourke
@absent1
@mayanewman
@colinnewman____
@immersion_hq
@tarwaterband
@cmvonhausswolff
@chandrashukla__
@laomeow
@jmascis
@kimletgordon
@jasmineguffond
@markspybey
@rapoon1
@kingkoomz
@daveharrow
@gvoonart
@chventhuniebi
@__halfie__
@jochenarbeit
@thomaswydler.official
@sonjakosche
@yoyoroehm
@thenecks.oficial
@the.necks
@dirkurlich
@mirrorworldmusic_
@lachungamusicpublishing
@polarbear_music_publishing
@groenlandrecords
#holgerczukay #gvoon #mirrorworldmusic
;
Eigentlich weiß ich jetzt gar nicht so recht, ob ich das überhaupt machen darf ?
Denn am Freitagabend war ja eine Art Konzert in Berlin an einem wunderbaren Ort .
Ein Konzert mit Schmeider TM (@dirkurlich), dem Otucha Collective (@otucha_collective, @agnieszka__kucharska, @ola_zielinska_o, @dorotmich) und Pyrolator (@pyrolator1, Kurt Dahlke) mit Interpretationen auf Basis der von Holger Czukay für "Irgendwann" gmachten Klänge .
Bereits vorab , das erste Mal lange vor dem eigentlichen Auftritt (da sit auch dieser kleine Film entstanden ) , da ist mir sehr klar geworden , dass das, was ich so sah und hörte , nur von Menschen gemacht werden kann, die sich ohne weiter zu reden verstehen, sich irgendwie blind verstehen , , ,
Auch alles voll dem entsprach, um was es eigentlich so geht , um
Empathie
. ..
Das war bereits vor dem Eigentlichem Erleben.
Aber das , was ich später dann noch sah und hörte, verschlug mir den Atem und trieb mir dann bei all dem die Tränen in die Augen ...
Nochmals ganz ganz herzlichen Dank an alle, die da waren !
We’re excited to join this special concert as Otucha Collective (Agnieszka Kucharska, Doro Michalak, Ola Zielińska) together with Schneider TM and Pyrolator.
— 13 March — 8 pm —
📍 Kiezraum, Mehringdamm 28, 10961 Berlin (entrance – from Mehringdamm, walk behind the Finanzamt to the last house)
Admission free – bring your own drinks
It is a case of pop-cultural archaeology — a search for traces within electronic music. More than 30 years later, lost tapes by Holger Czukay have resurfaced, recordings he once made and declared “freely available”.
Gvoon is an ongoing series of reinterpretations and collaborations by international artists, brought together by Dirk Dresselhaus (Schneider TM) beginning with Holger Czukay’s 1997 recording “Gvoon – Brennung 1”. On this evening, Schneider TM, Otucha Collective and Pyrolator interpret the work live, with original video by Gvoon founder Arthur Schmidt @gvoonart
Pre-release concert for the final version of the Holger Czukay collaboration series “Gvoon – Version 2–11” (album out 24.03.2026 on MirrorWorldMusic).
Link in bio
mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
@dirkurlich
@mirrorworldmusic_
@pyrolator1
@agnieszka__kucharska
@dorotmich
@ola_zielinska_o
@gvoonart
We’re excited to join this special concert as Otucha Collective (Agnieszka Kucharska, Doro Michalak, Ola Zielińska) together with Schneider TM and Pyrolator.
— 13 March — 8 pm —
📍 Kiezraum, Mehringdamm 28, 10961 Berlin (entrance – from Mehringdamm, walk behind the Finanzamt to the last house)
Admission free – bring your own drinks
It is a case of pop-cultural archaeology — a search for traces within electronic music. More than 30 years later, lost tapes by Holger Czukay have resurfaced, recordings he once made and declared “freely available”.
Gvoon is an ongoing series of reinterpretations and collaborations by international artists, brought together by Dirk Dresselhaus (Schneider TM) beginning with Holger Czukay’s 1997 recording “Gvoon – Brennung 1”. On this evening, Schneider TM, Otucha Collective and Pyrolator interpret the work live, with original video by Gvoon founder Arthur Schmidt @gvoonart
Pre-release concert for the final version of the Holger Czukay collaboration series “Gvoon – Version 2–11” (album out 24.03.2026 on MirrorWorldMusic).
Link in bio
mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
@dirkurlich
@mirrorworldmusic_
@pyrolator1
@agnieszka__kucharska
@dorotmich
@ola_zielinska_o
@gvoonart
We’re excited to join this special concert as Otucha Collective (Agnieszka Kucharska, Doro Michalak, Ola Zielińska) together with Schneider TM and Pyrolator.
— 13 March — 8 pm —
📍 Kiezraum, Mehringdamm 28, 10961 Berlin (entrance – from Mehringdamm, walk behind the Finanzamt to the last house)
Admission free – bring your own drinks
It is a case of pop-cultural archaeology — a search for traces within electronic music. More than 30 years later, lost tapes by Holger Czukay have resurfaced, recordings he once made and declared “freely available”.
Gvoon is an ongoing series of reinterpretations and collaborations by international artists, brought together by Dirk Dresselhaus (Schneider TM) beginning with Holger Czukay’s 1997 recording “Gvoon – Brennung 1”. On this evening, Schneider TM, Otucha Collective and Pyrolator interpret the work live, with original video by Gvoon founder Arthur Schmidt @gvoonart
Pre-release concert for the final version of the Holger Czukay collaboration series “Gvoon – Version 2–11” (album out 24.03.2026 on MirrorWorldMusic).
Link in bio
mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
@dirkurlich
@mirrorworldmusic_
@pyrolator1
@agnieszka__kucharska
@dorotmich
@ola_zielinska_o
@gvoonart
We’re excited to join this special concert as Otucha Collective (Agnieszka Kucharska, Doro Michalak, Ola Zielińska) together with Schneider TM and Pyrolator.
— 13 March — 8 pm —
📍 Kiezraum, Mehringdamm 28, 10961 Berlin (entrance – from Mehringdamm, walk behind the Finanzamt to the last house)
Admission free – bring your own drinks
It is a case of pop-cultural archaeology — a search for traces within electronic music. More than 30 years later, lost tapes by Holger Czukay have resurfaced, recordings he once made and declared “freely available”.
Gvoon is an ongoing series of reinterpretations and collaborations by international artists, brought together by Dirk Dresselhaus (Schneider TM) beginning with Holger Czukay’s 1997 recording “Gvoon – Brennung 1”. On this evening, Schneider TM, Otucha Collective and Pyrolator interpret the work live, with original video by Gvoon founder Arthur Schmidt @gvoonart
Pre-release concert for the final version of the Holger Czukay collaboration series “Gvoon – Version 2–11” (album out 24.03.2026 on MirrorWorldMusic).
Link in bio
mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
@dirkurlich
@mirrorworldmusic_
@pyrolator1
@agnieszka__kucharska
@dorotmich
@ola_zielinska_o
@gvoonart
We’re excited to join this special concert as Otucha Collective (Agnieszka Kucharska, Doro Michalak, Ola Zielińska) together with Schneider TM and Pyrolator.
— 13 March — 8 pm —
📍 Kiezraum, Mehringdamm 28, 10961 Berlin (entrance – from Mehringdamm, walk behind the Finanzamt to the last house)
Admission free – bring your own drinks
It is a case of pop-cultural archaeology — a search for traces within electronic music. More than 30 years later, lost tapes by Holger Czukay have resurfaced, recordings he once made and declared “freely available”.
Gvoon is an ongoing series of reinterpretations and collaborations by international artists, brought together by Dirk Dresselhaus (Schneider TM) beginning with Holger Czukay’s 1997 recording “Gvoon – Brennung 1”. On this evening, Schneider TM, Otucha Collective and Pyrolator interpret the work live, with original video by Gvoon founder Arthur Schmidt @gvoonart
Pre-release concert for the final version of the Holger Czukay collaboration series “Gvoon – Version 2–11” (album out 24.03.2026 on MirrorWorldMusic).
Link in bio
mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
@dirkurlich
@mirrorworldmusic_
@pyrolator1
@agnieszka__kucharska
@dorotmich
@ola_zielinska_o
@gvoonart
We’re excited to join this special concert as Otucha Collective (Agnieszka Kucharska, Doro Michalak, Ola Zielińska) together with Schneider TM and Pyrolator.
— 13 March — 8 pm —
📍 Kiezraum, Mehringdamm 28, 10961 Berlin (entrance – from Mehringdamm, walk behind the Finanzamt to the last house)
Admission free – bring your own drinks
It is a case of pop-cultural archaeology — a search for traces within electronic music. More than 30 years later, lost tapes by Holger Czukay have resurfaced, recordings he once made and declared “freely available”.
Gvoon is an ongoing series of reinterpretations and collaborations by international artists, brought together by Dirk Dresselhaus (Schneider TM) beginning with Holger Czukay’s 1997 recording “Gvoon – Brennung 1”. On this evening, Schneider TM, Otucha Collective and Pyrolator interpret the work live, with original video by Gvoon founder Arthur Schmidt @gvoonart
Pre-release concert for the final version of the Holger Czukay collaboration series “Gvoon – Version 2–11” (album out 24.03.2026 on MirrorWorldMusic).
Link in bio
mirrorworldmusic.bandcamp.com/album/gvoon-version-2-11
@dirkurlich
@mirrorworldmusic_
@pyrolator1
@agnieszka__kucharska
@dorotmich
@ola_zielinska_o
@gvoonart
Our interview with Otucha Collective is now live on Substack. Very excited to share it with you.
Finding Otucha felt like a warm, comforting hand on my shoulder. Watching them perform was familiar yet new and almost primal. Young, contemporary artists singing songs I would normally dismiss as an ‘olden days’ thing.
The sense of togetherness. Powerful stances in the middle of a meadow. Envy-inducing group portraits. Balkan grandmas wearing sunglasses. It all struck a chord and made me wish I was part of this cool witch circle in Berlin.
The collective embodies the ideas behind Eastern Folk, so Otucha seemed like the natural pick for our first feature. When I reached out to Ola, she warmly embraced the idea of a conversation. Chatting with her, Agnieszka and Doro cracked open the door into the world of voice. They showed me that it holds the power to rewrite our collective future.
There’s a quiet understanding between immigrants. The desire to feel free to evolve beyond tradition whilst respecting the foundations set by those before us and feeling content with the present.
Find the full interview at the link in bio.
📸🎵: @otucha_collective
Otucha are: @ola_zielinska_o @dorotmich @agnieszka__kucharska @maga.jaro @kata_kwiatkowska @liene_un_es @minadordevic Julia Legezynska
Our interview with Otucha Collective is now live on Substack. Very excited to share it with you.
Finding Otucha felt like a warm, comforting hand on my shoulder. Watching them perform was familiar yet new and almost primal. Young, contemporary artists singing songs I would normally dismiss as an ‘olden days’ thing.
The sense of togetherness. Powerful stances in the middle of a meadow. Envy-inducing group portraits. Balkan grandmas wearing sunglasses. It all struck a chord and made me wish I was part of this cool witch circle in Berlin.
The collective embodies the ideas behind Eastern Folk, so Otucha seemed like the natural pick for our first feature. When I reached out to Ola, she warmly embraced the idea of a conversation. Chatting with her, Agnieszka and Doro cracked open the door into the world of voice. They showed me that it holds the power to rewrite our collective future.
There’s a quiet understanding between immigrants. The desire to feel free to evolve beyond tradition whilst respecting the foundations set by those before us and feeling content with the present.
Find the full interview at the link in bio.
📸🎵: @otucha_collective
Otucha are: @ola_zielinska_o @dorotmich @agnieszka__kucharska @maga.jaro @kata_kwiatkowska @liene_un_es @minadordevic Julia Legezynska
Our interview with Otucha Collective is now live on Substack. Very excited to share it with you.
Finding Otucha felt like a warm, comforting hand on my shoulder. Watching them perform was familiar yet new and almost primal. Young, contemporary artists singing songs I would normally dismiss as an ‘olden days’ thing.
The sense of togetherness. Powerful stances in the middle of a meadow. Envy-inducing group portraits. Balkan grandmas wearing sunglasses. It all struck a chord and made me wish I was part of this cool witch circle in Berlin.
The collective embodies the ideas behind Eastern Folk, so Otucha seemed like the natural pick for our first feature. When I reached out to Ola, she warmly embraced the idea of a conversation. Chatting with her, Agnieszka and Doro cracked open the door into the world of voice. They showed me that it holds the power to rewrite our collective future.
There’s a quiet understanding between immigrants. The desire to feel free to evolve beyond tradition whilst respecting the foundations set by those before us and feeling content with the present.
Find the full interview at the link in bio.
📸🎵: @otucha_collective
Otucha are: @ola_zielinska_o @dorotmich @agnieszka__kucharska @maga.jaro @kata_kwiatkowska @liene_un_es @minadordevic Julia Legezynska
Our interview with Otucha Collective is now live on Substack. Very excited to share it with you.
Finding Otucha felt like a warm, comforting hand on my shoulder. Watching them perform was familiar yet new and almost primal. Young, contemporary artists singing songs I would normally dismiss as an ‘olden days’ thing.
The sense of togetherness. Powerful stances in the middle of a meadow. Envy-inducing group portraits. Balkan grandmas wearing sunglasses. It all struck a chord and made me wish I was part of this cool witch circle in Berlin.
The collective embodies the ideas behind Eastern Folk, so Otucha seemed like the natural pick for our first feature. When I reached out to Ola, she warmly embraced the idea of a conversation. Chatting with her, Agnieszka and Doro cracked open the door into the world of voice. They showed me that it holds the power to rewrite our collective future.
There’s a quiet understanding between immigrants. The desire to feel free to evolve beyond tradition whilst respecting the foundations set by those before us and feeling content with the present.
Find the full interview at the link in bio.
📸🎵: @otucha_collective
Otucha are: @ola_zielinska_o @dorotmich @agnieszka__kucharska @maga.jaro @kata_kwiatkowska @liene_un_es @minadordevic Julia Legezynska
Our interview with Otucha Collective is now live on Substack. Very excited to share it with you.
Finding Otucha felt like a warm, comforting hand on my shoulder. Watching them perform was familiar yet new and almost primal. Young, contemporary artists singing songs I would normally dismiss as an ‘olden days’ thing.
The sense of togetherness. Powerful stances in the middle of a meadow. Envy-inducing group portraits. Balkan grandmas wearing sunglasses. It all struck a chord and made me wish I was part of this cool witch circle in Berlin.
The collective embodies the ideas behind Eastern Folk, so Otucha seemed like the natural pick for our first feature. When I reached out to Ola, she warmly embraced the idea of a conversation. Chatting with her, Agnieszka and Doro cracked open the door into the world of voice. They showed me that it holds the power to rewrite our collective future.
There’s a quiet understanding between immigrants. The desire to feel free to evolve beyond tradition whilst respecting the foundations set by those before us and feeling content with the present.
Find the full interview at the link in bio.
📸🎵: @otucha_collective
Otucha are: @ola_zielinska_o @dorotmich @agnieszka__kucharska @maga.jaro @kata_kwiatkowska @liene_un_es @minadordevic Julia Legezynska
Our interview with Otucha Collective is now live on Substack. Very excited to share it with you.
Finding Otucha felt like a warm, comforting hand on my shoulder. Watching them perform was familiar yet new and almost primal. Young, contemporary artists singing songs I would normally dismiss as an ‘olden days’ thing.
The sense of togetherness. Powerful stances in the middle of a meadow. Envy-inducing group portraits. Balkan grandmas wearing sunglasses. It all struck a chord and made me wish I was part of this cool witch circle in Berlin.
The collective embodies the ideas behind Eastern Folk, so Otucha seemed like the natural pick for our first feature. When I reached out to Ola, she warmly embraced the idea of a conversation. Chatting with her, Agnieszka and Doro cracked open the door into the world of voice. They showed me that it holds the power to rewrite our collective future.
There’s a quiet understanding between immigrants. The desire to feel free to evolve beyond tradition whilst respecting the foundations set by those before us and feeling content with the present.
Find the full interview at the link in bio.
📸🎵: @otucha_collective
Otucha are: @ola_zielinska_o @dorotmich @agnieszka__kucharska @maga.jaro @kata_kwiatkowska @liene_un_es @minadordevic Julia Legezynska
Our interview with Otucha Collective is now live on Substack. Very excited to share it with you.
Finding Otucha felt like a warm, comforting hand on my shoulder. Watching them perform was familiar yet new and almost primal. Young, contemporary artists singing songs I would normally dismiss as an ‘olden days’ thing.
The sense of togetherness. Powerful stances in the middle of a meadow. Envy-inducing group portraits. Balkan grandmas wearing sunglasses. It all struck a chord and made me wish I was part of this cool witch circle in Berlin.
The collective embodies the ideas behind Eastern Folk, so Otucha seemed like the natural pick for our first feature. When I reached out to Ola, she warmly embraced the idea of a conversation. Chatting with her, Agnieszka and Doro cracked open the door into the world of voice. They showed me that it holds the power to rewrite our collective future.
There’s a quiet understanding between immigrants. The desire to feel free to evolve beyond tradition whilst respecting the foundations set by those before us and feeling content with the present.
Find the full interview at the link in bio.
📸🎵: @otucha_collective
Otucha are: @ola_zielinska_o @dorotmich @agnieszka__kucharska @maga.jaro @kata_kwiatkowska @liene_un_es @minadordevic Julia Legezynska
Our interview with Otucha Collective is now live on Substack. Very excited to share it with you.
Finding Otucha felt like a warm, comforting hand on my shoulder. Watching them perform was familiar yet new and almost primal. Young, contemporary artists singing songs I would normally dismiss as an ‘olden days’ thing.
The sense of togetherness. Powerful stances in the middle of a meadow. Envy-inducing group portraits. Balkan grandmas wearing sunglasses. It all struck a chord and made me wish I was part of this cool witch circle in Berlin.
The collective embodies the ideas behind Eastern Folk, so Otucha seemed like the natural pick for our first feature. When I reached out to Ola, she warmly embraced the idea of a conversation. Chatting with her, Agnieszka and Doro cracked open the door into the world of voice. They showed me that it holds the power to rewrite our collective future.
There’s a quiet understanding between immigrants. The desire to feel free to evolve beyond tradition whilst respecting the foundations set by those before us and feeling content with the present.
Find the full interview at the link in bio.
📸🎵: @otucha_collective
Otucha are: @ola_zielinska_o @dorotmich @agnieszka__kucharska @maga.jaro @kata_kwiatkowska @liene_un_es @minadordevic Julia Legezynska
Our interview with Otucha Collective is now live on Substack. Very excited to share it with you.
Finding Otucha felt like a warm, comforting hand on my shoulder. Watching them perform was familiar yet new and almost primal. Young, contemporary artists singing songs I would normally dismiss as an ‘olden days’ thing.
The sense of togetherness. Powerful stances in the middle of a meadow. Envy-inducing group portraits. Balkan grandmas wearing sunglasses. It all struck a chord and made me wish I was part of this cool witch circle in Berlin.
The collective embodies the ideas behind Eastern Folk, so Otucha seemed like the natural pick for our first feature. When I reached out to Ola, she warmly embraced the idea of a conversation. Chatting with her, Agnieszka and Doro cracked open the door into the world of voice. They showed me that it holds the power to rewrite our collective future.
There’s a quiet understanding between immigrants. The desire to feel free to evolve beyond tradition whilst respecting the foundations set by those before us and feeling content with the present.
Find the full interview at the link in bio.
📸🎵: @otucha_collective
Otucha are: @ola_zielinska_o @dorotmich @agnieszka__kucharska @maga.jaro @kata_kwiatkowska @liene_un_es @minadordevic Julia Legezynska
Our interview with Otucha Collective is now live on Substack. Very excited to share it with you.
Finding Otucha felt like a warm, comforting hand on my shoulder. Watching them perform was familiar yet new and almost primal. Young, contemporary artists singing songs I would normally dismiss as an ‘olden days’ thing.
The sense of togetherness. Powerful stances in the middle of a meadow. Envy-inducing group portraits. Balkan grandmas wearing sunglasses. It all struck a chord and made me wish I was part of this cool witch circle in Berlin.
The collective embodies the ideas behind Eastern Folk, so Otucha seemed like the natural pick for our first feature. When I reached out to Ola, she warmly embraced the idea of a conversation. Chatting with her, Agnieszka and Doro cracked open the door into the world of voice. They showed me that it holds the power to rewrite our collective future.
There’s a quiet understanding between immigrants. The desire to feel free to evolve beyond tradition whilst respecting the foundations set by those before us and feeling content with the present.
Find the full interview at the link in bio.
📸🎵: @otucha_collective
Otucha are: @ola_zielinska_o @dorotmich @agnieszka__kucharska @maga.jaro @kata_kwiatkowska @liene_un_es @minadordevic Julia Legezynska
During the opening of DESACTA this Thursday, come join us for a Conspiracy of Silence with Mû Mbana and Otucha Collective, conconcting West African tunes with Eastern European singing!
𓋉 DESACTA 𓋉
COUNTER-SPELLS TO UNRAVEL 140 YEARS OF THE BERLIN CONFERENCE
OPENING13.11.2025 19:00
With a musical performance by Mû Mbana and Otucha Collective
Co-Curator Mû Mbana describes this sonic counterspell:
To overshadow. To eclipse. The clarity of the light that Cheikh Anta Diop scattered, cast upon the courtyard. The crown on the table. Sisters and brothers, we must be vigilant; we must put a face to what is happening around us, and we must recognise (re-pair) that there is a planetary movement unfolding throughout history. The chaff is separated from the grain. There is a planetary movement sifting through history, and everything unwanted – the stones, the chaff, the irumbudura – falls to the ground. In the sieve, only the clean rice remains. This pan-African movement began to sift through history, and what they discovered – everything inverted, the children deceived. With the irumbudura away, the paradigm that we thought would bring us glory has turned upside down; children deceived. Fará fina (Bauhinia cheilantha) is germinating and sprouting. Kamita (Africa in our languages) has awakened from two thousand years of nightmarish dreams. The message arrived that Cheikh Anta, grandson of N’mbaque (Cheikh Ahmadou Bamba, a mystical figure of Sufi culture from the Touba region of Senegal), played the bombolom (a traditional communication drum made from a hollow wooden trunk) to alert us that there is history. N’mbaque’s grandson dug into memory and showed us that there is a path. N’mbaque’s grandson spoke clear words: kambletc na iago ca ta foga, a piece of broken gourd in water always floats, like the truth. Truth is eternal (in our languages, the truth is that which endures over time). Wake up, look and notice – build a new morning... Accept and embrace a new morning.
FREE ENTRY Donations welcome
ACCESS SAVVY is accessible by wheelchair
FUNDING This project is funded by Hauptstadtkulturfonds.
VIDEO of Mû by Filipa César
PHOTOS of Otucha by Matthew Hansen
During the opening of DESACTA this Thursday, come join us for a Conspiracy of Silence with Mû Mbana and Otucha Collective, conconcting West African tunes with Eastern European singing!
𓋉 DESACTA 𓋉
COUNTER-SPELLS TO UNRAVEL 140 YEARS OF THE BERLIN CONFERENCE
OPENING13.11.2025 19:00
With a musical performance by Mû Mbana and Otucha Collective
Co-Curator Mû Mbana describes this sonic counterspell:
To overshadow. To eclipse. The clarity of the light that Cheikh Anta Diop scattered, cast upon the courtyard. The crown on the table. Sisters and brothers, we must be vigilant; we must put a face to what is happening around us, and we must recognise (re-pair) that there is a planetary movement unfolding throughout history. The chaff is separated from the grain. There is a planetary movement sifting through history, and everything unwanted – the stones, the chaff, the irumbudura – falls to the ground. In the sieve, only the clean rice remains. This pan-African movement began to sift through history, and what they discovered – everything inverted, the children deceived. With the irumbudura away, the paradigm that we thought would bring us glory has turned upside down; children deceived. Fará fina (Bauhinia cheilantha) is germinating and sprouting. Kamita (Africa in our languages) has awakened from two thousand years of nightmarish dreams. The message arrived that Cheikh Anta, grandson of N’mbaque (Cheikh Ahmadou Bamba, a mystical figure of Sufi culture from the Touba region of Senegal), played the bombolom (a traditional communication drum made from a hollow wooden trunk) to alert us that there is history. N’mbaque’s grandson dug into memory and showed us that there is a path. N’mbaque’s grandson spoke clear words: kambletc na iago ca ta foga, a piece of broken gourd in water always floats, like the truth. Truth is eternal (in our languages, the truth is that which endures over time). Wake up, look and notice – build a new morning... Accept and embrace a new morning.
FREE ENTRY Donations welcome
ACCESS SAVVY is accessible by wheelchair
FUNDING This project is funded by Hauptstadtkulturfonds.
VIDEO of Mû by Filipa César
PHOTOS of Otucha by Matthew Hansen
During the opening of DESACTA this Thursday, come join us for a Conspiracy of Silence with Mû Mbana and Otucha Collective, conconcting West African tunes with Eastern European singing!
𓋉 DESACTA 𓋉
COUNTER-SPELLS TO UNRAVEL 140 YEARS OF THE BERLIN CONFERENCE
OPENING13.11.2025 19:00
With a musical performance by Mû Mbana and Otucha Collective
Co-Curator Mû Mbana describes this sonic counterspell:
To overshadow. To eclipse. The clarity of the light that Cheikh Anta Diop scattered, cast upon the courtyard. The crown on the table. Sisters and brothers, we must be vigilant; we must put a face to what is happening around us, and we must recognise (re-pair) that there is a planetary movement unfolding throughout history. The chaff is separated from the grain. There is a planetary movement sifting through history, and everything unwanted – the stones, the chaff, the irumbudura – falls to the ground. In the sieve, only the clean rice remains. This pan-African movement began to sift through history, and what they discovered – everything inverted, the children deceived. With the irumbudura away, the paradigm that we thought would bring us glory has turned upside down; children deceived. Fará fina (Bauhinia cheilantha) is germinating and sprouting. Kamita (Africa in our languages) has awakened from two thousand years of nightmarish dreams. The message arrived that Cheikh Anta, grandson of N’mbaque (Cheikh Ahmadou Bamba, a mystical figure of Sufi culture from the Touba region of Senegal), played the bombolom (a traditional communication drum made from a hollow wooden trunk) to alert us that there is history. N’mbaque’s grandson dug into memory and showed us that there is a path. N’mbaque’s grandson spoke clear words: kambletc na iago ca ta foga, a piece of broken gourd in water always floats, like the truth. Truth is eternal (in our languages, the truth is that which endures over time). Wake up, look and notice – build a new morning... Accept and embrace a new morning.
FREE ENTRY Donations welcome
ACCESS SAVVY is accessible by wheelchair
FUNDING This project is funded by Hauptstadtkulturfonds.
VIDEO of Mû by Filipa César
PHOTOS of Otucha by Matthew Hansen
During the opening of DESACTA this Thursday, come join us for a Conspiracy of Silence with Mû Mbana and Otucha Collective, conconcting West African tunes with Eastern European singing!
𓋉 DESACTA 𓋉
COUNTER-SPELLS TO UNRAVEL 140 YEARS OF THE BERLIN CONFERENCE
OPENING13.11.2025 19:00
With a musical performance by Mû Mbana and Otucha Collective
Co-Curator Mû Mbana describes this sonic counterspell:
To overshadow. To eclipse. The clarity of the light that Cheikh Anta Diop scattered, cast upon the courtyard. The crown on the table. Sisters and brothers, we must be vigilant; we must put a face to what is happening around us, and we must recognise (re-pair) that there is a planetary movement unfolding throughout history. The chaff is separated from the grain. There is a planetary movement sifting through history, and everything unwanted – the stones, the chaff, the irumbudura – falls to the ground. In the sieve, only the clean rice remains. This pan-African movement began to sift through history, and what they discovered – everything inverted, the children deceived. With the irumbudura away, the paradigm that we thought would bring us glory has turned upside down; children deceived. Fará fina (Bauhinia cheilantha) is germinating and sprouting. Kamita (Africa in our languages) has awakened from two thousand years of nightmarish dreams. The message arrived that Cheikh Anta, grandson of N’mbaque (Cheikh Ahmadou Bamba, a mystical figure of Sufi culture from the Touba region of Senegal), played the bombolom (a traditional communication drum made from a hollow wooden trunk) to alert us that there is history. N’mbaque’s grandson dug into memory and showed us that there is a path. N’mbaque’s grandson spoke clear words: kambletc na iago ca ta foga, a piece of broken gourd in water always floats, like the truth. Truth is eternal (in our languages, the truth is that which endures over time). Wake up, look and notice – build a new morning... Accept and embrace a new morning.
FREE ENTRY Donations welcome
ACCESS SAVVY is accessible by wheelchair
FUNDING This project is funded by Hauptstadtkulturfonds.
VIDEO of Mû by Filipa César
PHOTOS of Otucha by Matthew Hansen
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
𓍼ֶָ֢𓂃weaving the last threads of this year’s ulga 𓍼ֶָ֢𓍯𓂃
Our final gathering at @savvycontemporary gently closed the 2025 cycle — a constellation of meetings, meals, stories, and sounds shared between Floating University and SAVVY Contemporary.
We came together for “Echoes of Care” — a day of collective mapping, deep listening, chanting and re-rooting.
We began with Polyphonic Folklores, tracing memory through myth, gesture, and threads of belonging with @iiiignacy; continued into Sounding with @otucha_collective , where voices intertwined into acts of care and frequencies to come together; and finally drifted into the ambient and mythopoetic sound landscape of Daniela Huerta @baby_vulture closing performance.
Across the months, ulga grew into a living archive of togetherness — shaped by dozens of collaborators and hundreds of guests, by shared meals, somatic rituals, and collective breaths. A space of remembering that resilience is not only endurance, but care that we can share and tune into.
With deep gratitude to everyone who shaped, held, and witnessed these gatherings — to all artists, hosts, and participants, to SAVVY Contemporary for opening their space and hearts, Ola Zielińska that co-curated those gatherings and hosted us, to Anna Fasolafo @fasolatoanna95 for being our production fairy, to Turi for making the sound beautiful and to Matthew Hansen for beautifully capturing the moments of presence.
Part of: Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
„Zadanie dofinansowane z dotacji Kancelarii Senatu RP w ramach konkursu SENAT–POLONIA 2025.”
✿⋱⋰✿ After last week’s warm feast, Ulga & SAVVY cannot wait to meet in song and welcome you for a second day of gatherings where we gently dive into collective restoration and where songs, stories, flavours and lineages meet.
⋱⋰ We’ll begin with Polyphonic Folklores led by Ignacy Rybka, weaving stories and myths into a shared tapestry of ancestry, meaning and paths towards belonging. (RSVP)
@iiiignacy
⋱⋰ Then Sounding with Otucha Collective, a Berlin-based FLINTA+ ensemble reworking Eastern European vocal traditions, will open a circle of deep listening and embodied care. (RSVP)
@otucha_collective
⋱⋰To close, Daniela Huerta creates an ambient / lullaby set, a dreamscape of sound for slow landing.
@baby_vulture
Moments to pause, exhale, regenerate, and imagine futures heard through echoes of care.
✧ PARTICIPATION: Please sign up at ulga4all@gmail.com if you like to participate in any of the workshops.
✧ ENTANGLED ROOTS · SHARED FEASTS · COLLECTIVE RESILIENCE ✧
WORKSHOP SERIES 15.10.202516:0–21:00
WITH Pola Sutryk & Leo Baumgärtner, Meghna Singh, Hermeneia & daisy cutter, Ignacy Rybka, Otucha collective, Daniela Huerta
LANGUAGE The events take place in English
FREE ENTRY Donations welcome
ACCESS Our space is accessible by wheelchair
ULGA FOUNDER & CURATION @iiiignacy
CURATION SAVVY @ola_zielinska_o
Part of Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
VISUAL Karol Jaworski @wld_axs
PHOTOS Otucha (Dieter Hartwig), Ignacy Rybka (Kamil Gabrysiak), Daniela Huerta (Henri Lakis)
✿⋱⋰✿ After last week’s warm feast, Ulga & SAVVY cannot wait to meet in song and welcome you for a second day of gatherings where we gently dive into collective restoration and where songs, stories, flavours and lineages meet.
⋱⋰ We’ll begin with Polyphonic Folklores led by Ignacy Rybka, weaving stories and myths into a shared tapestry of ancestry, meaning and paths towards belonging. (RSVP)
@iiiignacy
⋱⋰ Then Sounding with Otucha Collective, a Berlin-based FLINTA+ ensemble reworking Eastern European vocal traditions, will open a circle of deep listening and embodied care. (RSVP)
@otucha_collective
⋱⋰To close, Daniela Huerta creates an ambient / lullaby set, a dreamscape of sound for slow landing.
@baby_vulture
Moments to pause, exhale, regenerate, and imagine futures heard through echoes of care.
✧ PARTICIPATION: Please sign up at ulga4all@gmail.com if you like to participate in any of the workshops.
✧ ENTANGLED ROOTS · SHARED FEASTS · COLLECTIVE RESILIENCE ✧
WORKSHOP SERIES 15.10.202516:0–21:00
WITH Pola Sutryk & Leo Baumgärtner, Meghna Singh, Hermeneia & daisy cutter, Ignacy Rybka, Otucha collective, Daniela Huerta
LANGUAGE The events take place in English
FREE ENTRY Donations welcome
ACCESS Our space is accessible by wheelchair
ULGA FOUNDER & CURATION @iiiignacy
CURATION SAVVY @ola_zielinska_o
Part of Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
VISUAL Karol Jaworski @wld_axs
PHOTOS Otucha (Dieter Hartwig), Ignacy Rybka (Kamil Gabrysiak), Daniela Huerta (Henri Lakis)
✿⋱⋰✿ After last week’s warm feast, Ulga & SAVVY cannot wait to meet in song and welcome you for a second day of gatherings where we gently dive into collective restoration and where songs, stories, flavours and lineages meet.
⋱⋰ We’ll begin with Polyphonic Folklores led by Ignacy Rybka, weaving stories and myths into a shared tapestry of ancestry, meaning and paths towards belonging. (RSVP)
@iiiignacy
⋱⋰ Then Sounding with Otucha Collective, a Berlin-based FLINTA+ ensemble reworking Eastern European vocal traditions, will open a circle of deep listening and embodied care. (RSVP)
@otucha_collective
⋱⋰To close, Daniela Huerta creates an ambient / lullaby set, a dreamscape of sound for slow landing.
@baby_vulture
Moments to pause, exhale, regenerate, and imagine futures heard through echoes of care.
✧ PARTICIPATION: Please sign up at ulga4all@gmail.com if you like to participate in any of the workshops.
✧ ENTANGLED ROOTS · SHARED FEASTS · COLLECTIVE RESILIENCE ✧
WORKSHOP SERIES 15.10.202516:0–21:00
WITH Pola Sutryk & Leo Baumgärtner, Meghna Singh, Hermeneia & daisy cutter, Ignacy Rybka, Otucha collective, Daniela Huerta
LANGUAGE The events take place in English
FREE ENTRY Donations welcome
ACCESS Our space is accessible by wheelchair
ULGA FOUNDER & CURATION @iiiignacy
CURATION SAVVY @ola_zielinska_o
Part of Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
VISUAL Karol Jaworski @wld_axs
PHOTOS Otucha (Dieter Hartwig), Ignacy Rybka (Kamil Gabrysiak), Daniela Huerta (Henri Lakis)
✿⋱⋰✿ After last week’s warm feast, Ulga & SAVVY cannot wait to meet in song and welcome you for a second day of gatherings where we gently dive into collective restoration and where songs, stories, flavours and lineages meet.
⋱⋰ We’ll begin with Polyphonic Folklores led by Ignacy Rybka, weaving stories and myths into a shared tapestry of ancestry, meaning and paths towards belonging. (RSVP)
@iiiignacy
⋱⋰ Then Sounding with Otucha Collective, a Berlin-based FLINTA+ ensemble reworking Eastern European vocal traditions, will open a circle of deep listening and embodied care. (RSVP)
@otucha_collective
⋱⋰To close, Daniela Huerta creates an ambient / lullaby set, a dreamscape of sound for slow landing.
@baby_vulture
Moments to pause, exhale, regenerate, and imagine futures heard through echoes of care.
✧ PARTICIPATION: Please sign up at ulga4all@gmail.com if you like to participate in any of the workshops.
✧ ENTANGLED ROOTS · SHARED FEASTS · COLLECTIVE RESILIENCE ✧
WORKSHOP SERIES 15.10.202516:0–21:00
WITH Pola Sutryk & Leo Baumgärtner, Meghna Singh, Hermeneia & daisy cutter, Ignacy Rybka, Otucha collective, Daniela Huerta
LANGUAGE The events take place in English
FREE ENTRY Donations welcome
ACCESS Our space is accessible by wheelchair
ULGA FOUNDER & CURATION @iiiignacy
CURATION SAVVY @ola_zielinska_o
Part of Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
VISUAL Karol Jaworski @wld_axs
PHOTOS Otucha (Dieter Hartwig), Ignacy Rybka (Kamil Gabrysiak), Daniela Huerta (Henri Lakis)
⟡⟡⟡ Sounding with Otucha Collective ⟡⟡⟡
15.10 ~ 6PM
rsvp: ulga4all@gmail.com
In one hour of singing and sounding together, we will share a practice rooted in rural Eastern European vocal traditions, deep listening, and somatic practices.
“Otucha” is a Polish word for an act of care between beings.
To give otucha is to lift someone’s spirits, to surround them with encouragement.
Formed in 2022, Otucha Collective is a Berlin-based vocal ensemble of FLINTA+ practitioners with immigrant backgrounds.
What began as a self-empowerment group, born from a shared desire to re-work personal heritages and engage in communal practices, has since grown into a space of collective voice and care. Today, Otucha creates vocal performances and public interventions, facilitates workshops, and holds regular singing circles.
With: Mina Dordević, Agnieszka Kucharska, Dorota Michalak, Ola Zielińska
@agnieszka__kucharska @minadordevic @dorotmich @ola_zielinska_o @otucha_collective
✶ part of ulga x SAVVY Contemporary
✶ RSVP: ulga4all@gmail.com
—
📷 Photo credits:
1. Otucha Collective by K. Sekuła
2. excerpt from Radical runosong. Decolonizing self and tradition by Vaim Sarv
3. Otucha Collective, Impuls Festival, by H. Majewska
4. Songbook by Otucha Collective
5. Otucha Collective, Tanznacht, by D. Hartwig
6. Otucha Collective by K. Sekuła
7,8. Videos: Ch. Demarco
⟡⟡⟡ Sounding with Otucha Collective ⟡⟡⟡
15.10 ~ 6PM
rsvp: ulga4all@gmail.com
In one hour of singing and sounding together, we will share a practice rooted in rural Eastern European vocal traditions, deep listening, and somatic practices.
“Otucha” is a Polish word for an act of care between beings.
To give otucha is to lift someone’s spirits, to surround them with encouragement.
Formed in 2022, Otucha Collective is a Berlin-based vocal ensemble of FLINTA+ practitioners with immigrant backgrounds.
What began as a self-empowerment group, born from a shared desire to re-work personal heritages and engage in communal practices, has since grown into a space of collective voice and care. Today, Otucha creates vocal performances and public interventions, facilitates workshops, and holds regular singing circles.
With: Mina Dordević, Agnieszka Kucharska, Dorota Michalak, Ola Zielińska
@agnieszka__kucharska @minadordevic @dorotmich @ola_zielinska_o @otucha_collective
✶ part of ulga x SAVVY Contemporary
✶ RSVP: ulga4all@gmail.com
—
📷 Photo credits:
1. Otucha Collective by K. Sekuła
2. excerpt from Radical runosong. Decolonizing self and tradition by Vaim Sarv
3. Otucha Collective, Impuls Festival, by H. Majewska
4. Songbook by Otucha Collective
5. Otucha Collective, Tanznacht, by D. Hartwig
6. Otucha Collective by K. Sekuła
7,8. Videos: Ch. Demarco
⟡⟡⟡ Sounding with Otucha Collective ⟡⟡⟡
15.10 ~ 6PM
rsvp: ulga4all@gmail.com
In one hour of singing and sounding together, we will share a practice rooted in rural Eastern European vocal traditions, deep listening, and somatic practices.
“Otucha” is a Polish word for an act of care between beings.
To give otucha is to lift someone’s spirits, to surround them with encouragement.
Formed in 2022, Otucha Collective is a Berlin-based vocal ensemble of FLINTA+ practitioners with immigrant backgrounds.
What began as a self-empowerment group, born from a shared desire to re-work personal heritages and engage in communal practices, has since grown into a space of collective voice and care. Today, Otucha creates vocal performances and public interventions, facilitates workshops, and holds regular singing circles.
With: Mina Dordević, Agnieszka Kucharska, Dorota Michalak, Ola Zielińska
@agnieszka__kucharska @minadordevic @dorotmich @ola_zielinska_o @otucha_collective
✶ part of ulga x SAVVY Contemporary
✶ RSVP: ulga4all@gmail.com
—
📷 Photo credits:
1. Otucha Collective by K. Sekuła
2. excerpt from Radical runosong. Decolonizing self and tradition by Vaim Sarv
3. Otucha Collective, Impuls Festival, by H. Majewska
4. Songbook by Otucha Collective
5. Otucha Collective, Tanznacht, by D. Hartwig
6. Otucha Collective by K. Sekuła
7,8. Videos: Ch. Demarco
⟡⟡⟡ Sounding with Otucha Collective ⟡⟡⟡
15.10 ~ 6PM
rsvp: ulga4all@gmail.com
In one hour of singing and sounding together, we will share a practice rooted in rural Eastern European vocal traditions, deep listening, and somatic practices.
“Otucha” is a Polish word for an act of care between beings.
To give otucha is to lift someone’s spirits, to surround them with encouragement.
Formed in 2022, Otucha Collective is a Berlin-based vocal ensemble of FLINTA+ practitioners with immigrant backgrounds.
What began as a self-empowerment group, born from a shared desire to re-work personal heritages and engage in communal practices, has since grown into a space of collective voice and care. Today, Otucha creates vocal performances and public interventions, facilitates workshops, and holds regular singing circles.
With: Mina Dordević, Agnieszka Kucharska, Dorota Michalak, Ola Zielińska
@agnieszka__kucharska @minadordevic @dorotmich @ola_zielinska_o @otucha_collective
✶ part of ulga x SAVVY Contemporary
✶ RSVP: ulga4all@gmail.com
—
📷 Photo credits:
1. Otucha Collective by K. Sekuła
2. excerpt from Radical runosong. Decolonizing self and tradition by Vaim Sarv
3. Otucha Collective, Impuls Festival, by H. Majewska
4. Songbook by Otucha Collective
5. Otucha Collective, Tanznacht, by D. Hartwig
6. Otucha Collective by K. Sekuła
7,8. Videos: Ch. Demarco
⟡⟡⟡ Sounding with Otucha Collective ⟡⟡⟡
15.10 ~ 6PM
rsvp: ulga4all@gmail.com
In one hour of singing and sounding together, we will share a practice rooted in rural Eastern European vocal traditions, deep listening, and somatic practices.
“Otucha” is a Polish word for an act of care between beings.
To give otucha is to lift someone’s spirits, to surround them with encouragement.
Formed in 2022, Otucha Collective is a Berlin-based vocal ensemble of FLINTA+ practitioners with immigrant backgrounds.
What began as a self-empowerment group, born from a shared desire to re-work personal heritages and engage in communal practices, has since grown into a space of collective voice and care. Today, Otucha creates vocal performances and public interventions, facilitates workshops, and holds regular singing circles.
With: Mina Dordević, Agnieszka Kucharska, Dorota Michalak, Ola Zielińska
@agnieszka__kucharska @minadordevic @dorotmich @ola_zielinska_o @otucha_collective
✶ part of ulga x SAVVY Contemporary
✶ RSVP: ulga4all@gmail.com
—
📷 Photo credits:
1. Otucha Collective by K. Sekuła
2. excerpt from Radical runosong. Decolonizing self and tradition by Vaim Sarv
3. Otucha Collective, Impuls Festival, by H. Majewska
4. Songbook by Otucha Collective
5. Otucha Collective, Tanznacht, by D. Hartwig
6. Otucha Collective by K. Sekuła
7,8. Videos: Ch. Demarco
⟡⟡⟡ Sounding with Otucha Collective ⟡⟡⟡
15.10 ~ 6PM
rsvp: ulga4all@gmail.com
In one hour of singing and sounding together, we will share a practice rooted in rural Eastern European vocal traditions, deep listening, and somatic practices.
“Otucha” is a Polish word for an act of care between beings.
To give otucha is to lift someone’s spirits, to surround them with encouragement.
Formed in 2022, Otucha Collective is a Berlin-based vocal ensemble of FLINTA+ practitioners with immigrant backgrounds.
What began as a self-empowerment group, born from a shared desire to re-work personal heritages and engage in communal practices, has since grown into a space of collective voice and care. Today, Otucha creates vocal performances and public interventions, facilitates workshops, and holds regular singing circles.
With: Mina Dordević, Agnieszka Kucharska, Dorota Michalak, Ola Zielińska
@agnieszka__kucharska @minadordevic @dorotmich @ola_zielinska_o @otucha_collective
✶ part of ulga x SAVVY Contemporary
✶ RSVP: ulga4all@gmail.com
—
📷 Photo credits:
1. Otucha Collective by K. Sekuła
2. excerpt from Radical runosong. Decolonizing self and tradition by Vaim Sarv
3. Otucha Collective, Impuls Festival, by H. Majewska
4. Songbook by Otucha Collective
5. Otucha Collective, Tanznacht, by D. Hartwig
6. Otucha Collective by K. Sekuła
7,8. Videos: Ch. Demarco
⟡⟡⟡ Sounding with Otucha Collective ⟡⟡⟡
15.10 ~ 6PM
rsvp: ulga4all@gmail.com
In one hour of singing and sounding together, we will share a practice rooted in rural Eastern European vocal traditions, deep listening, and somatic practices.
“Otucha” is a Polish word for an act of care between beings.
To give otucha is to lift someone’s spirits, to surround them with encouragement.
Formed in 2022, Otucha Collective is a Berlin-based vocal ensemble of FLINTA+ practitioners with immigrant backgrounds.
What began as a self-empowerment group, born from a shared desire to re-work personal heritages and engage in communal practices, has since grown into a space of collective voice and care. Today, Otucha creates vocal performances and public interventions, facilitates workshops, and holds regular singing circles.
With: Mina Dordević, Agnieszka Kucharska, Dorota Michalak, Ola Zielińska
@agnieszka__kucharska @minadordevic @dorotmich @ola_zielinska_o @otucha_collective
✶ part of ulga x SAVVY Contemporary
✶ RSVP: ulga4all@gmail.com
—
📷 Photo credits:
1. Otucha Collective by K. Sekuła
2. excerpt from Radical runosong. Decolonizing self and tradition by Vaim Sarv
3. Otucha Collective, Impuls Festival, by H. Majewska
4. Songbook by Otucha Collective
5. Otucha Collective, Tanznacht, by D. Hartwig
6. Otucha Collective by K. Sekuła
7,8. Videos: Ch. Demarco
⟡⟡⟡ Sounding with Otucha Collective ⟡⟡⟡
15.10 ~ 6PM
rsvp: ulga4all@gmail.com
In one hour of singing and sounding together, we will share a practice rooted in rural Eastern European vocal traditions, deep listening, and somatic practices.
“Otucha” is a Polish word for an act of care between beings.
To give otucha is to lift someone’s spirits, to surround them with encouragement.
Formed in 2022, Otucha Collective is a Berlin-based vocal ensemble of FLINTA+ practitioners with immigrant backgrounds.
What began as a self-empowerment group, born from a shared desire to re-work personal heritages and engage in communal practices, has since grown into a space of collective voice and care. Today, Otucha creates vocal performances and public interventions, facilitates workshops, and holds regular singing circles.
With: Mina Dordević, Agnieszka Kucharska, Dorota Michalak, Ola Zielińska
@agnieszka__kucharska @minadordevic @dorotmich @ola_zielinska_o @otucha_collective
✶ part of ulga x SAVVY Contemporary
✶ RSVP: ulga4all@gmail.com
—
📷 Photo credits:
1. Otucha Collective by K. Sekuła
2. excerpt from Radical runosong. Decolonizing self and tradition by Vaim Sarv
3. Otucha Collective, Impuls Festival, by H. Majewska
4. Songbook by Otucha Collective
5. Otucha Collective, Tanznacht, by D. Hartwig
6. Otucha Collective by K. Sekuła
7,8. Videos: Ch. Demarco
✿⋱⋰✿ Echoes of Care — Day 2 (15.10.) of ulga at SAVVY ✿⋱⋰✿
The second day of the gathering curated by ulga creates a space for restoration and inquiry into how bodies carry myths, memories, and exhaustion — and how to regenerate together through voice, movement and sound.
⋱⋰ We’ll begin with Polyphonic Folklores led by Ignacy Rybka @iiiignacy, weaving stories and myths into a shared tapestry of ancestry, meaning and paths towards belonging.
⋱⋰ Followed by @otucha_collective, a Berlin-based FLINTA+ ensemble reworking Eastern European vocal traditions, who will open a circle of deep listening and embodied care.
⋱⋰ To close, Daniela Huerta @baby_vulture will create an ambient hybrid set, a dreamscape of sound for slow landing.
✧ PARTICIPATION: Please sign up at ulga4all@gmail.com if you like to participate in any of the workshops.
✧ ENTANGLED ROOTS · SHARED FEASTS · COLLECTIVE RESILIENCE ✧
WORKSHOP SERIES 08. &15.10.2025
WITH Pola Sutryk & Leo Baumgärtner, Meghna Singh, Hermeneia & daisy cutter, Ignacy Rybka, Otucha collective, Daniela Huerta
LANGUAGE The events take place in English
FREE ENTRY Donations welcome
ACCESS Our space is accessible by wheelchair
ULGA FOUNDER & CURATION @iiiignacy
CURATION SAVVY @ola_zielinska_o
Part of Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
VISUAL Karol Jaworski @wld_axs
PHOTOS Wedding Affairs by Matthew Hansen, Hermeneia by Filip Piotrowicz, daisy cutter by Marta Kaczmarek
✿⋱⋰✿ Echoes of Care — Day 2 (15.10.) of ulga at SAVVY ✿⋱⋰✿
The second day of the gathering curated by ulga creates a space for restoration and inquiry into how bodies carry myths, memories, and exhaustion — and how to regenerate together through voice, movement and sound.
⋱⋰ We’ll begin with Polyphonic Folklores led by Ignacy Rybka @iiiignacy, weaving stories and myths into a shared tapestry of ancestry, meaning and paths towards belonging.
⋱⋰ Followed by @otucha_collective, a Berlin-based FLINTA+ ensemble reworking Eastern European vocal traditions, who will open a circle of deep listening and embodied care.
⋱⋰ To close, Daniela Huerta @baby_vulture will create an ambient hybrid set, a dreamscape of sound for slow landing.
✧ PARTICIPATION: Please sign up at ulga4all@gmail.com if you like to participate in any of the workshops.
✧ ENTANGLED ROOTS · SHARED FEASTS · COLLECTIVE RESILIENCE ✧
WORKSHOP SERIES 08. &15.10.2025
WITH Pola Sutryk & Leo Baumgärtner, Meghna Singh, Hermeneia & daisy cutter, Ignacy Rybka, Otucha collective, Daniela Huerta
LANGUAGE The events take place in English
FREE ENTRY Donations welcome
ACCESS Our space is accessible by wheelchair
ULGA FOUNDER & CURATION @iiiignacy
CURATION SAVVY @ola_zielinska_o
Part of Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
VISUAL Karol Jaworski @wld_axs
PHOTOS Wedding Affairs by Matthew Hansen, Hermeneia by Filip Piotrowicz, daisy cutter by Marta Kaczmarek
✿⋱⋰✿ Echoes of Care — Day 2 (15.10.) of ulga at SAVVY ✿⋱⋰✿
The second day of the gathering curated by ulga creates a space for restoration and inquiry into how bodies carry myths, memories, and exhaustion — and how to regenerate together through voice, movement and sound.
⋱⋰ We’ll begin with Polyphonic Folklores led by Ignacy Rybka @iiiignacy, weaving stories and myths into a shared tapestry of ancestry, meaning and paths towards belonging.
⋱⋰ Followed by @otucha_collective, a Berlin-based FLINTA+ ensemble reworking Eastern European vocal traditions, who will open a circle of deep listening and embodied care.
⋱⋰ To close, Daniela Huerta @baby_vulture will create an ambient hybrid set, a dreamscape of sound for slow landing.
✧ PARTICIPATION: Please sign up at ulga4all@gmail.com if you like to participate in any of the workshops.
✧ ENTANGLED ROOTS · SHARED FEASTS · COLLECTIVE RESILIENCE ✧
WORKSHOP SERIES 08. &15.10.2025
WITH Pola Sutryk & Leo Baumgärtner, Meghna Singh, Hermeneia & daisy cutter, Ignacy Rybka, Otucha collective, Daniela Huerta
LANGUAGE The events take place in English
FREE ENTRY Donations welcome
ACCESS Our space is accessible by wheelchair
ULGA FOUNDER & CURATION @iiiignacy
CURATION SAVVY @ola_zielinska_o
Part of Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
VISUAL Karol Jaworski @wld_axs
PHOTOS Wedding Affairs by Matthew Hansen, Hermeneia by Filip Piotrowicz, daisy cutter by Marta Kaczmarek
✿⋱⋰✿ Echoes of Care — Day 2 (15.10.) of ulga at SAVVY ✿⋱⋰✿
The second day of the gathering curated by ulga creates a space for restoration and inquiry into how bodies carry myths, memories, and exhaustion — and how to regenerate together through voice, movement and sound.
⋱⋰ We’ll begin with Polyphonic Folklores led by Ignacy Rybka @iiiignacy, weaving stories and myths into a shared tapestry of ancestry, meaning and paths towards belonging.
⋱⋰ Followed by @otucha_collective, a Berlin-based FLINTA+ ensemble reworking Eastern European vocal traditions, who will open a circle of deep listening and embodied care.
⋱⋰ To close, Daniela Huerta @baby_vulture will create an ambient hybrid set, a dreamscape of sound for slow landing.
✧ PARTICIPATION: Please sign up at ulga4all@gmail.com if you like to participate in any of the workshops.
✧ ENTANGLED ROOTS · SHARED FEASTS · COLLECTIVE RESILIENCE ✧
WORKSHOP SERIES 08. &15.10.2025
WITH Pola Sutryk & Leo Baumgärtner, Meghna Singh, Hermeneia & daisy cutter, Ignacy Rybka, Otucha collective, Daniela Huerta
LANGUAGE The events take place in English
FREE ENTRY Donations welcome
ACCESS Our space is accessible by wheelchair
ULGA FOUNDER & CURATION @iiiignacy
CURATION SAVVY @ola_zielinska_o
Part of Kultura na językach (Culture in Tongues)
Co-funded by the Chancellery of the Senate of the Republic of Poland
VISUAL Karol Jaworski @wld_axs
PHOTOS Wedding Affairs by Matthew Hansen, Hermeneia by Filip Piotrowicz, daisy cutter by Marta Kaczmarek
Ciało do ciała usta do ust i nigdy więcej nie smuć się już. —
Body to body, lips to lips and you will never be upset again.
— the refrain of a famous disco polo song by Toples band. Whether we like it or not, these songs live in our bodies, tucked away in deep compartments, ready to surface at any time. They carry patriarchal patterns, soaked in shame and embarrassment—yet they are just here.
Some time ago we started to wonder how to work with the parts of us which we don’t want to carry any further, knowing that neglecting it, won’t help. We’ve started reworking these songs, reshaping lyrics, creating polyphonic harmonies, weaving them with traditional songs. So that they can take a different place in our body memory.
It’s neither easy to work with the very old songs which often carry a lot of weight.
Yet we are committed to transform that weight into power that can support us. To sing together with an open voice all that deep old sediments which demand to be sung out, feels liberating, empowering, relieving.
𝘔𝘺 𝘨𝘳𝘦𝘢𝘵 𝘨𝘳𝘢𝘯𝘥𝘮𝘰𝘵𝘩𝘦𝘳 𝘤𝘢𝘳𝘳𝘪𝘦𝘥 𝘸𝘰𝘰𝘥𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘧𝘪𝘳𝘦
𝘔𝘺 𝘮𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘵𝘦𝘳 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘸𝘦𝘭𝘭
𝘢𝘯𝘥 𝘴𝘦𝘥𝘪𝘮𝘦𝘯𝘵𝘴 𝘰𝘧 𝘴𝘦𝘳𝘧𝘥𝘰𝘮-𝘣𝘢𝘴𝘦𝘥 𝘦𝘹𝘱𝘭𝘰𝘪𝘵𝘢𝘵𝘪𝘰𝘯
𝘞𝘩𝘢𝘵 𝘥𝘰 𝘺𝘰𝘶 𝘤𝘢𝘳𝘳𝘺?
𝘞𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘦𝘳𝘦 𝘵𝘰 𝘣𝘦 𝘳𝘦𝘭𝘦𝘢𝘴𝘦𝘥 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘨𝘶𝘵𝘴, 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘣𝘰𝘯𝘦𝘴?
𝘞𝘦 𝘤𝘢𝘯 𝘥𝘰 𝘪𝘵 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘯𝘰𝘸 𝘪𝘧 𝘺𝘰𝘶 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘫𝘰𝘪𝘯*
We are grateful for the opportunity to open Tanznacht festival this year with our Polyphonic Ancestral Disco at @tanzfabrikberlinbuehne !
📸 Dieter Hartwig
*excerpt from text by @dorotmich
Ciało do ciała usta do ust i nigdy więcej nie smuć się już. —
Body to body, lips to lips and you will never be upset again.
— the refrain of a famous disco polo song by Toples band. Whether we like it or not, these songs live in our bodies, tucked away in deep compartments, ready to surface at any time. They carry patriarchal patterns, soaked in shame and embarrassment—yet they are just here.
Some time ago we started to wonder how to work with the parts of us which we don’t want to carry any further, knowing that neglecting it, won’t help. We’ve started reworking these songs, reshaping lyrics, creating polyphonic harmonies, weaving them with traditional songs. So that they can take a different place in our body memory.
It’s neither easy to work with the very old songs which often carry a lot of weight.
Yet we are committed to transform that weight into power that can support us. To sing together with an open voice all that deep old sediments which demand to be sung out, feels liberating, empowering, relieving.
𝘔𝘺 𝘨𝘳𝘦𝘢𝘵 𝘨𝘳𝘢𝘯𝘥𝘮𝘰𝘵𝘩𝘦𝘳 𝘤𝘢𝘳𝘳𝘪𝘦𝘥 𝘸𝘰𝘰𝘥𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘧𝘪𝘳𝘦
𝘔𝘺 𝘮𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘵𝘦𝘳 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘸𝘦𝘭𝘭
𝘢𝘯𝘥 𝘴𝘦𝘥𝘪𝘮𝘦𝘯𝘵𝘴 𝘰𝘧 𝘴𝘦𝘳𝘧𝘥𝘰𝘮-𝘣𝘢𝘴𝘦𝘥 𝘦𝘹𝘱𝘭𝘰𝘪𝘵𝘢𝘵𝘪𝘰𝘯
𝘞𝘩𝘢𝘵 𝘥𝘰 𝘺𝘰𝘶 𝘤𝘢𝘳𝘳𝘺?
𝘞𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘦𝘳𝘦 𝘵𝘰 𝘣𝘦 𝘳𝘦𝘭𝘦𝘢𝘴𝘦𝘥 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘨𝘶𝘵𝘴, 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘣𝘰𝘯𝘦𝘴?
𝘞𝘦 𝘤𝘢𝘯 𝘥𝘰 𝘪𝘵 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘯𝘰𝘸 𝘪𝘧 𝘺𝘰𝘶 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘫𝘰𝘪𝘯*
We are grateful for the opportunity to open Tanznacht festival this year with our Polyphonic Ancestral Disco at @tanzfabrikberlinbuehne !
📸 Dieter Hartwig
*excerpt from text by @dorotmich
Ciało do ciała usta do ust i nigdy więcej nie smuć się już. —
Body to body, lips to lips and you will never be upset again.
— the refrain of a famous disco polo song by Toples band. Whether we like it or not, these songs live in our bodies, tucked away in deep compartments, ready to surface at any time. They carry patriarchal patterns, soaked in shame and embarrassment—yet they are just here.
Some time ago we started to wonder how to work with the parts of us which we don’t want to carry any further, knowing that neglecting it, won’t help. We’ve started reworking these songs, reshaping lyrics, creating polyphonic harmonies, weaving them with traditional songs. So that they can take a different place in our body memory.
It’s neither easy to work with the very old songs which often carry a lot of weight.
Yet we are committed to transform that weight into power that can support us. To sing together with an open voice all that deep old sediments which demand to be sung out, feels liberating, empowering, relieving.
𝘔𝘺 𝘨𝘳𝘦𝘢𝘵 𝘨𝘳𝘢𝘯𝘥𝘮𝘰𝘵𝘩𝘦𝘳 𝘤𝘢𝘳𝘳𝘪𝘦𝘥 𝘸𝘰𝘰𝘥𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘧𝘪𝘳𝘦
𝘔𝘺 𝘮𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘵𝘦𝘳 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘸𝘦𝘭𝘭
𝘢𝘯𝘥 𝘴𝘦𝘥𝘪𝘮𝘦𝘯𝘵𝘴 𝘰𝘧 𝘴𝘦𝘳𝘧𝘥𝘰𝘮-𝘣𝘢𝘴𝘦𝘥 𝘦𝘹𝘱𝘭𝘰𝘪𝘵𝘢𝘵𝘪𝘰𝘯
𝘞𝘩𝘢𝘵 𝘥𝘰 𝘺𝘰𝘶 𝘤𝘢𝘳𝘳𝘺?
𝘞𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘦𝘳𝘦 𝘵𝘰 𝘣𝘦 𝘳𝘦𝘭𝘦𝘢𝘴𝘦𝘥 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘨𝘶𝘵𝘴, 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘣𝘰𝘯𝘦𝘴?
𝘞𝘦 𝘤𝘢𝘯 𝘥𝘰 𝘪𝘵 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘯𝘰𝘸 𝘪𝘧 𝘺𝘰𝘶 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘫𝘰𝘪𝘯*
We are grateful for the opportunity to open Tanznacht festival this year with our Polyphonic Ancestral Disco at @tanzfabrikberlinbuehne !
📸 Dieter Hartwig
*excerpt from text by @dorotmich
Ciało do ciała usta do ust i nigdy więcej nie smuć się już. —
Body to body, lips to lips and you will never be upset again.
— the refrain of a famous disco polo song by Toples band. Whether we like it or not, these songs live in our bodies, tucked away in deep compartments, ready to surface at any time. They carry patriarchal patterns, soaked in shame and embarrassment—yet they are just here.
Some time ago we started to wonder how to work with the parts of us which we don’t want to carry any further, knowing that neglecting it, won’t help. We’ve started reworking these songs, reshaping lyrics, creating polyphonic harmonies, weaving them with traditional songs. So that they can take a different place in our body memory.
It’s neither easy to work with the very old songs which often carry a lot of weight.
Yet we are committed to transform that weight into power that can support us. To sing together with an open voice all that deep old sediments which demand to be sung out, feels liberating, empowering, relieving.
𝘔𝘺 𝘨𝘳𝘦𝘢𝘵 𝘨𝘳𝘢𝘯𝘥𝘮𝘰𝘵𝘩𝘦𝘳 𝘤𝘢𝘳𝘳𝘪𝘦𝘥 𝘸𝘰𝘰𝘥𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘧𝘪𝘳𝘦
𝘔𝘺 𝘮𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘵𝘦𝘳 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘸𝘦𝘭𝘭
𝘢𝘯𝘥 𝘴𝘦𝘥𝘪𝘮𝘦𝘯𝘵𝘴 𝘰𝘧 𝘴𝘦𝘳𝘧𝘥𝘰𝘮-𝘣𝘢𝘴𝘦𝘥 𝘦𝘹𝘱𝘭𝘰𝘪𝘵𝘢𝘵𝘪𝘰𝘯
𝘞𝘩𝘢𝘵 𝘥𝘰 𝘺𝘰𝘶 𝘤𝘢𝘳𝘳𝘺?
𝘞𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘦𝘳𝘦 𝘵𝘰 𝘣𝘦 𝘳𝘦𝘭𝘦𝘢𝘴𝘦𝘥 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘨𝘶𝘵𝘴, 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘣𝘰𝘯𝘦𝘴?
𝘞𝘦 𝘤𝘢𝘯 𝘥𝘰 𝘪𝘵 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘯𝘰𝘸 𝘪𝘧 𝘺𝘰𝘶 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘫𝘰𝘪𝘯*
We are grateful for the opportunity to open Tanznacht festival this year with our Polyphonic Ancestral Disco at @tanzfabrikberlinbuehne !
📸 Dieter Hartwig
*excerpt from text by @dorotmich
Ciało do ciała usta do ust i nigdy więcej nie smuć się już. —
Body to body, lips to lips and you will never be upset again.
— the refrain of a famous disco polo song by Toples band. Whether we like it or not, these songs live in our bodies, tucked away in deep compartments, ready to surface at any time. They carry patriarchal patterns, soaked in shame and embarrassment—yet they are just here.
Some time ago we started to wonder how to work with the parts of us which we don’t want to carry any further, knowing that neglecting it, won’t help. We’ve started reworking these songs, reshaping lyrics, creating polyphonic harmonies, weaving them with traditional songs. So that they can take a different place in our body memory.
It’s neither easy to work with the very old songs which often carry a lot of weight.
Yet we are committed to transform that weight into power that can support us. To sing together with an open voice all that deep old sediments which demand to be sung out, feels liberating, empowering, relieving.
𝘔𝘺 𝘨𝘳𝘦𝘢𝘵 𝘨𝘳𝘢𝘯𝘥𝘮𝘰𝘵𝘩𝘦𝘳 𝘤𝘢𝘳𝘳𝘪𝘦𝘥 𝘸𝘰𝘰𝘥𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘧𝘪𝘳𝘦
𝘔𝘺 𝘮𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘵𝘦𝘳 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘸𝘦𝘭𝘭
𝘢𝘯𝘥 𝘴𝘦𝘥𝘪𝘮𝘦𝘯𝘵𝘴 𝘰𝘧 𝘴𝘦𝘳𝘧𝘥𝘰𝘮-𝘣𝘢𝘴𝘦𝘥 𝘦𝘹𝘱𝘭𝘰𝘪𝘵𝘢𝘵𝘪𝘰𝘯
𝘞𝘩𝘢𝘵 𝘥𝘰 𝘺𝘰𝘶 𝘤𝘢𝘳𝘳𝘺?
𝘞𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘦𝘳𝘦 𝘵𝘰 𝘣𝘦 𝘳𝘦𝘭𝘦𝘢𝘴𝘦𝘥 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘨𝘶𝘵𝘴, 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘣𝘰𝘯𝘦𝘴?
𝘞𝘦 𝘤𝘢𝘯 𝘥𝘰 𝘪𝘵 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘯𝘰𝘸 𝘪𝘧 𝘺𝘰𝘶 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘫𝘰𝘪𝘯*
We are grateful for the opportunity to open Tanznacht festival this year with our Polyphonic Ancestral Disco at @tanzfabrikberlinbuehne !
📸 Dieter Hartwig
*excerpt from text by @dorotmich
Ciało do ciała usta do ust i nigdy więcej nie smuć się już. —
Body to body, lips to lips and you will never be upset again.
— the refrain of a famous disco polo song by Toples band. Whether we like it or not, these songs live in our bodies, tucked away in deep compartments, ready to surface at any time. They carry patriarchal patterns, soaked in shame and embarrassment—yet they are just here.
Some time ago we started to wonder how to work with the parts of us which we don’t want to carry any further, knowing that neglecting it, won’t help. We’ve started reworking these songs, reshaping lyrics, creating polyphonic harmonies, weaving them with traditional songs. So that they can take a different place in our body memory.
It’s neither easy to work with the very old songs which often carry a lot of weight.
Yet we are committed to transform that weight into power that can support us. To sing together with an open voice all that deep old sediments which demand to be sung out, feels liberating, empowering, relieving.
𝘔𝘺 𝘨𝘳𝘦𝘢𝘵 𝘨𝘳𝘢𝘯𝘥𝘮𝘰𝘵𝘩𝘦𝘳 𝘤𝘢𝘳𝘳𝘪𝘦𝘥 𝘸𝘰𝘰𝘥𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘧𝘪𝘳𝘦
𝘔𝘺 𝘮𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘵𝘦𝘳 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘸𝘦𝘭𝘭
𝘢𝘯𝘥 𝘴𝘦𝘥𝘪𝘮𝘦𝘯𝘵𝘴 𝘰𝘧 𝘴𝘦𝘳𝘧𝘥𝘰𝘮-𝘣𝘢𝘴𝘦𝘥 𝘦𝘹𝘱𝘭𝘰𝘪𝘵𝘢𝘵𝘪𝘰𝘯
𝘞𝘩𝘢𝘵 𝘥𝘰 𝘺𝘰𝘶 𝘤𝘢𝘳𝘳𝘺?
𝘞𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘦𝘳𝘦 𝘵𝘰 𝘣𝘦 𝘳𝘦𝘭𝘦𝘢𝘴𝘦𝘥 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘨𝘶𝘵𝘴, 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘣𝘰𝘯𝘦𝘴?
𝘞𝘦 𝘤𝘢𝘯 𝘥𝘰 𝘪𝘵 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘯𝘰𝘸 𝘪𝘧 𝘺𝘰𝘶 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘫𝘰𝘪𝘯*
We are grateful for the opportunity to open Tanznacht festival this year with our Polyphonic Ancestral Disco at @tanzfabrikberlinbuehne !
📸 Dieter Hartwig
*excerpt from text by @dorotmich
Ciało do ciała usta do ust i nigdy więcej nie smuć się już. —
Body to body, lips to lips and you will never be upset again.
— the refrain of a famous disco polo song by Toples band. Whether we like it or not, these songs live in our bodies, tucked away in deep compartments, ready to surface at any time. They carry patriarchal patterns, soaked in shame and embarrassment—yet they are just here.
Some time ago we started to wonder how to work with the parts of us which we don’t want to carry any further, knowing that neglecting it, won’t help. We’ve started reworking these songs, reshaping lyrics, creating polyphonic harmonies, weaving them with traditional songs. So that they can take a different place in our body memory.
It’s neither easy to work with the very old songs which often carry a lot of weight.
Yet we are committed to transform that weight into power that can support us. To sing together with an open voice all that deep old sediments which demand to be sung out, feels liberating, empowering, relieving.
𝘔𝘺 𝘨𝘳𝘦𝘢𝘵 𝘨𝘳𝘢𝘯𝘥𝘮𝘰𝘵𝘩𝘦𝘳 𝘤𝘢𝘳𝘳𝘪𝘦𝘥 𝘸𝘰𝘰𝘥𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘧𝘪𝘳𝘦
𝘔𝘺 𝘮𝘰𝘵𝘩𝘦𝘳 𝘸𝘢𝘵𝘦𝘳 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘸𝘦𝘭𝘭
𝘢𝘯𝘥 𝘴𝘦𝘥𝘪𝘮𝘦𝘯𝘵𝘴 𝘰𝘧 𝘴𝘦𝘳𝘧𝘥𝘰𝘮-𝘣𝘢𝘴𝘦𝘥 𝘦𝘹𝘱𝘭𝘰𝘪𝘵𝘢𝘵𝘪𝘰𝘯
𝘞𝘩𝘢𝘵 𝘥𝘰 𝘺𝘰𝘶 𝘤𝘢𝘳𝘳𝘺?
𝘞𝘩𝘢𝘵 𝘪𝘴 𝘵𝘩𝘦𝘳𝘦 𝘵𝘰 𝘣𝘦 𝘳𝘦𝘭𝘦𝘢𝘴𝘦𝘥 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘨𝘶𝘵𝘴, 𝘧𝘳𝘰𝘮 𝘺𝘰𝘶𝘳 𝘣𝘰𝘯𝘦𝘴?
𝘞𝘦 𝘤𝘢𝘯 𝘥𝘰 𝘪𝘵 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘯𝘰𝘸 𝘪𝘧 𝘺𝘰𝘶 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘫𝘰𝘪𝘯*
We are grateful for the opportunity to open Tanznacht festival this year with our Polyphonic Ancestral Disco at @tanzfabrikberlinbuehne !
📸 Dieter Hartwig
*excerpt from text by @dorotmich
✿╰┈➤ Echoes of Care — Day 2: ulga x SAVVY Contemporary ╰┈✿
Stories and lullabies weave meanings, voices braid songs, quiet gestures hold us together.
Day two of ulga x SAVVY is a gentle dive into collective restoration — where songs, stories, flavours and lineages meet. @savvycontemporary
We’ll begin with Polyphonic Folklores led by Ignacy Rybka, weaving stories and myths into a shared tapestry of ancestry, meaning and paths towards belonging. (RSVP)
@iiiignacy
Then Sounding with Otucha Collective, a Berlin-based FLINTA+ ensemble reworking Eastern European vocal traditions, will open a circle of deep listening and embodied care. (RSVP)
@otucha_collective
To close, Daniela Huerta creates an ambient / lullaby set, a dreamscape of sound for slow landing.
@baby_vulture
Moments to pause, exhale, regenerate, and imagine futures heard through echoes of care.
⟡ Wednesday 15.10, from 16:00 @ SAVVY Contemporary, Berlin
RSVP: ulga4all@gmail.com
Part of Kultura na językach (Culture in Tongues)
✿╰┈➤ Echoes of Care — Day 2: ulga x SAVVY Contemporary ╰┈✿
Stories and lullabies weave meanings, voices braid songs, quiet gestures hold us together.
Day two of ulga x SAVVY is a gentle dive into collective restoration — where songs, stories, flavours and lineages meet. @savvycontemporary
We’ll begin with Polyphonic Folklores led by Ignacy Rybka, weaving stories and myths into a shared tapestry of ancestry, meaning and paths towards belonging. (RSVP)
@iiiignacy
Then Sounding with Otucha Collective, a Berlin-based FLINTA+ ensemble reworking Eastern European vocal traditions, will open a circle of deep listening and embodied care. (RSVP)
@otucha_collective
To close, Daniela Huerta creates an ambient / lullaby set, a dreamscape of sound for slow landing.
@baby_vulture
Moments to pause, exhale, regenerate, and imagine futures heard through echoes of care.
⟡ Wednesday 15.10, from 16:00 @ SAVVY Contemporary, Berlin
RSVP: ulga4all@gmail.com
Part of Kultura na językach (Culture in Tongues)
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