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Perhaps my favourite episode yet! MAKE-BELIEVE 16 airing tonight 23:00 on @nts_radio channel 1 🪻

after 10 years of making music, my debut album is out today. god, so much has happened — of course it has, a decade — four EPs, a dozen singles and remixes, at times violent undulations of life knocking me off my feet, and the euphoria, the hum of daily life, fear, my unconscious making itself known, myself and others begging me to write this, falling into holes that resemble the grave again and again but each time crawling out.

thank you to Rob, for always believing in me and making a home for me at TT, thank you Guglielmo and Jamie for listening and giving invaluable feedback, and thank you to my most beloved Natalia and Noriko for the countless times you pulled me up.

and thank you, to every single person who listened to my music.

please come to Spanners tonight, 8-12PM, let's celebrate.

"what resembles the grave but isn't" out now on TT

photo by @karolinabajda

音楽をつくり続けて十年。やっとデビューアルバムが今日リリースです。聴いてくださってる皆様に心から感謝を申し上げます。

after 10 years of making music, my debut album is out today. god, so much has happened — of course it has, a decade — four EPs, a dozen singles and remixes, at times violent undulations of life knocking me off my feet, and the euphoria, the hum of daily life, fear, my unconscious making itself known, myself and others begging me to write this, falling into holes that resemble the grave again and again but each time crawling out.

thank you to Rob, for always believing in me and making a home for me at TT, thank you Guglielmo and Jamie for listening and giving invaluable feedback, and thank you to my most beloved Natalia and Noriko for the countless times you pulled me up.

and thank you, to every single person who listened to my music.

please come to Spanners tonight, 8-12PM, let's celebrate.

"what resembles the grave but isn't" out now on TT

photo by @karolinabajda

音楽をつくり続けて十年。やっとデビューアルバムが今日リリースです。聴いてくださってる皆様に心から感謝を申し上げます。

after 10 years of making music, my debut album is out today. god, so much has happened — of course it has, a decade — four EPs, a dozen singles and remixes, at times violent undulations of life knocking me off my feet, and the euphoria, the hum of daily life, fear, my unconscious making itself known, myself and others begging me to write this, falling into holes that resemble the grave again and again but each time crawling out.

thank you to Rob, for always believing in me and making a home for me at TT, thank you Guglielmo and Jamie for listening and giving invaluable feedback, and thank you to my most beloved Natalia and Noriko for the countless times you pulled me up.

and thank you, to every single person who listened to my music.

please come to Spanners tonight, 8-12PM, let's celebrate.

"what resembles the grave but isn't" out now on TT

photo by @karolinabajda

音楽をつくり続けて十年。やっとデビューアルバムが今日リリースです。聴いてくださってる皆様に心から感謝を申し上げます。

after 10 years of making music, my debut album is out today. god, so much has happened — of course it has, a decade — four EPs, a dozen singles and remixes, at times violent undulations of life knocking me off my feet, and the euphoria, the hum of daily life, fear, my unconscious making itself known, myself and others begging me to write this, falling into holes that resemble the grave again and again but each time crawling out.

thank you to Rob, for always believing in me and making a home for me at TT, thank you Guglielmo and Jamie for listening and giving invaluable feedback, and thank you to my most beloved Natalia and Noriko for the countless times you pulled me up.

and thank you, to every single person who listened to my music.

please come to Spanners tonight, 8-12PM, let's celebrate.

"what resembles the grave but isn't" out now on TT

photo by @karolinabajda

音楽をつくり続けて十年。やっとデビューアルバムが今日リリースです。聴いてくださってる皆様に心から感謝を申し上げます。

On June 30th at the @devonojas Listening Room, @180.studios, Cantik Manis joins @linda_from_accounting and @object.blue for a session exploring sweetness in sound and feeling. Inspired by Rahel’s recently published book Cantik Manis — named after the Indonesian dessert translating to “pretty and sweet” — the evening traces a journey through softness, femininity, flirtation, desire and memory through contemporary electronic music and sonic exploration.

#180Studios #180TheStrand #ListeningRoom #DevonOjas #DevonTurnbull

On June 30th at the @devonojas Listening Room, @180.studios, Cantik Manis joins @linda_from_accounting and @object.blue for a session exploring sweetness in sound and feeling. Inspired by Rahel’s recently published book Cantik Manis — named after the Indonesian dessert translating to “pretty and sweet” — the evening traces a journey through softness, femininity, flirtation, desire and memory through contemporary electronic music and sonic exploration.

#180Studios #180TheStrand #ListeningRoom #DevonOjas #DevonTurnbull

On June 30th at the @devonojas Listening Room, @180.studios, Cantik Manis joins @linda_from_accounting and @object.blue for a session exploring sweetness in sound and feeling. Inspired by Rahel’s recently published book Cantik Manis — named after the Indonesian dessert translating to “pretty and sweet” — the evening traces a journey through softness, femininity, flirtation, desire and memory through contemporary electronic music and sonic exploration.

#180Studios #180TheStrand #ListeningRoom #DevonOjas #DevonTurnbull

SPACE JAMS #2: object blue

‘Noriko Sputniko’ is a desolate pop song composed from the real bleeps of Sputnik, the world’s first satellite. Thank you to @object.blue

Spinner by @d_a_n_i_e_l_s_w_a_n

I wrote "I love you" in the note ordering from my favourite takeaway and they told me they loved me back 😭💖

24 APRIL 2026
CENTRAL LONDON
LILIAN BAYLIS STUDIO EC1R 4TJ

@aishadevi5d
@bassnotesonhope
@object.blue
Stage by @aphoticsignals

H.O.P.E
Heaven Original Prime Experience @fetchish_net x @aphoticsignals

@object.blue is a london-based producer and dj shaping precise, high-tension sound worlds that sit between experimental composition and club music. her work moves with control and restraint, building atmosphere through detail rather than excess, with releases on labels like TT and @pan__hq.

LINK IN BIO VIA @fetchish_net @aphoticsignals

Did you know Sadlers Wells have four venues? I certainly didn't. Good thing I found out because on Friday I will be playing a live set at Lilian Baylis studio in Angel alongside Aïsha Devi & bassnotesonhope 🧑🏼‍🩰 come listen n dance! My first live set since... I don't even remember when!

Did you know Sadlers Wells have four venues? I certainly didn't. Good thing I found out because on Friday I will be playing a live set at Lilian Baylis studio in Angel alongside Aïsha Devi & bassnotesonhope 🧑🏼‍🩰 come listen n dance! My first live set since... I don't even remember when!

MAKE-BELIEVE 16 now archived for you to listen back on @nts.live ▶️
🎶 @hassanaboualam "La3ba" X @mag.tee "About You"

Recognise 101: object blue 🐚

When DJ Mag last spoke to object blue, the London-based producer was emerging as a vital new voice in experimental club music. Her 2018 debut EP ‘Do you plan to end a siege?’, released via the TT label, captured a moment when fractured rhythms, unexpected bass tendencies and abstract textures were seeping into dance music’s wider underground consciousness.

Eight years on, almost to the day, she reappears, with a debut album finally behind her. ‘what resembles the grave but isn’t’, came out at the end of 2025, once again on TT, and it’s nothing short of a triumphant musical statement.

On the record, object blue’s inimitable sound design appears more multifaceted than ever. Across eight tracks, metallic beats and overlapping rhythms are balanced against dreamy, intricate IDM ambience, submerged vocal samples and classical music motifs. It’s also the end result of a period of uncertainty and creative paralysis, a product of the hard-won recalibration of what it means to survive as an experimental artist in 2026. 

Alongside a thundering club mix for the Recognise series, which simultaneously reasserts her dancefloor credentials and maintains an experimental edge, object blue spoke to Claire Francis about overcoming creative block to create her triumphant debut album, the collision of artistic ambition with financial anxiety, and the inspiration that came from reconnecting with music as a fan.

Listen to the mix and read the interview now on damage.com 🔗

✍️@the.serious.moonlight
📸 @karolinabajda
🎨 @rossdavies.uk

Recognise 101: object blue 🐚

When DJ Mag last spoke to object blue, the London-based producer was emerging as a vital new voice in experimental club music. Her 2018 debut EP ‘Do you plan to end a siege?’, released via the TT label, captured a moment when fractured rhythms, unexpected bass tendencies and abstract textures were seeping into dance music’s wider underground consciousness.

Eight years on, almost to the day, she reappears, with a debut album finally behind her. ‘what resembles the grave but isn’t’, came out at the end of 2025, once again on TT, and it’s nothing short of a triumphant musical statement.

On the record, object blue’s inimitable sound design appears more multifaceted than ever. Across eight tracks, metallic beats and overlapping rhythms are balanced against dreamy, intricate IDM ambience, submerged vocal samples and classical music motifs. It’s also the end result of a period of uncertainty and creative paralysis, a product of the hard-won recalibration of what it means to survive as an experimental artist in 2026. 

Alongside a thundering club mix for the Recognise series, which simultaneously reasserts her dancefloor credentials and maintains an experimental edge, object blue spoke to Claire Francis about overcoming creative block to create her triumphant debut album, the collision of artistic ambition with financial anxiety, and the inspiration that came from reconnecting with music as a fan.

Listen to the mix and read the interview now on damage.com 🔗

✍️@the.serious.moonlight
📸 @karolinabajda
🎨 @rossdavies.uk

Recognise 101: object blue 🐚

When DJ Mag last spoke to object blue, the London-based producer was emerging as a vital new voice in experimental club music. Her 2018 debut EP ‘Do you plan to end a siege?’, released via the TT label, captured a moment when fractured rhythms, unexpected bass tendencies and abstract textures were seeping into dance music’s wider underground consciousness.

Eight years on, almost to the day, she reappears, with a debut album finally behind her. ‘what resembles the grave but isn’t’, came out at the end of 2025, once again on TT, and it’s nothing short of a triumphant musical statement.

On the record, object blue’s inimitable sound design appears more multifaceted than ever. Across eight tracks, metallic beats and overlapping rhythms are balanced against dreamy, intricate IDM ambience, submerged vocal samples and classical music motifs. It’s also the end result of a period of uncertainty and creative paralysis, a product of the hard-won recalibration of what it means to survive as an experimental artist in 2026. 

Alongside a thundering club mix for the Recognise series, which simultaneously reasserts her dancefloor credentials and maintains an experimental edge, object blue spoke to Claire Francis about overcoming creative block to create her triumphant debut album, the collision of artistic ambition with financial anxiety, and the inspiration that came from reconnecting with music as a fan.

Listen to the mix and read the interview now on damage.com 🔗

✍️@the.serious.moonlight
📸 @karolinabajda
🎨 @rossdavies.uk

Recognise 101: object blue 🐚

When DJ Mag last spoke to object blue, the London-based producer was emerging as a vital new voice in experimental club music. Her 2018 debut EP ‘Do you plan to end a siege?’, released via the TT label, captured a moment when fractured rhythms, unexpected bass tendencies and abstract textures were seeping into dance music’s wider underground consciousness.

Eight years on, almost to the day, she reappears, with a debut album finally behind her. ‘what resembles the grave but isn’t’, came out at the end of 2025, once again on TT, and it’s nothing short of a triumphant musical statement.

On the record, object blue’s inimitable sound design appears more multifaceted than ever. Across eight tracks, metallic beats and overlapping rhythms are balanced against dreamy, intricate IDM ambience, submerged vocal samples and classical music motifs. It’s also the end result of a period of uncertainty and creative paralysis, a product of the hard-won recalibration of what it means to survive as an experimental artist in 2026. 

Alongside a thundering club mix for the Recognise series, which simultaneously reasserts her dancefloor credentials and maintains an experimental edge, object blue spoke to Claire Francis about overcoming creative block to create her triumphant debut album, the collision of artistic ambition with financial anxiety, and the inspiration that came from reconnecting with music as a fan.

Listen to the mix and read the interview now on damage.com 🔗

✍️@the.serious.moonlight
📸 @karolinabajda
🎨 @rossdavies.uk

Recognise 101: object blue 🐚

When DJ Mag last spoke to object blue, the London-based producer was emerging as a vital new voice in experimental club music. Her 2018 debut EP ‘Do you plan to end a siege?’, released via the TT label, captured a moment when fractured rhythms, unexpected bass tendencies and abstract textures were seeping into dance music’s wider underground consciousness.

Eight years on, almost to the day, she reappears, with a debut album finally behind her. ‘what resembles the grave but isn’t’, came out at the end of 2025, once again on TT, and it’s nothing short of a triumphant musical statement.

On the record, object blue’s inimitable sound design appears more multifaceted than ever. Across eight tracks, metallic beats and overlapping rhythms are balanced against dreamy, intricate IDM ambience, submerged vocal samples and classical music motifs. It’s also the end result of a period of uncertainty and creative paralysis, a product of the hard-won recalibration of what it means to survive as an experimental artist in 2026. 

Alongside a thundering club mix for the Recognise series, which simultaneously reasserts her dancefloor credentials and maintains an experimental edge, object blue spoke to Claire Francis about overcoming creative block to create her triumphant debut album, the collision of artistic ambition with financial anxiety, and the inspiration that came from reconnecting with music as a fan.

Listen to the mix and read the interview now on damage.com 🔗

✍️@the.serious.moonlight
📸 @karolinabajda
🎨 @rossdavies.uk

Recognise 101: object blue 🐚

When DJ Mag last spoke to object blue, the London-based producer was emerging as a vital new voice in experimental club music. Her 2018 debut EP ‘Do you plan to end a siege?’, released via the TT label, captured a moment when fractured rhythms, unexpected bass tendencies and abstract textures were seeping into dance music’s wider underground consciousness.

Eight years on, almost to the day, she reappears, with a debut album finally behind her. ‘what resembles the grave but isn’t’, came out at the end of 2025, once again on TT, and it’s nothing short of a triumphant musical statement.

On the record, object blue’s inimitable sound design appears more multifaceted than ever. Across eight tracks, metallic beats and overlapping rhythms are balanced against dreamy, intricate IDM ambience, submerged vocal samples and classical music motifs. It’s also the end result of a period of uncertainty and creative paralysis, a product of the hard-won recalibration of what it means to survive as an experimental artist in 2026. 

Alongside a thundering club mix for the Recognise series, which simultaneously reasserts her dancefloor credentials and maintains an experimental edge, object blue spoke to Claire Francis about overcoming creative block to create her triumphant debut album, the collision of artistic ambition with financial anxiety, and the inspiration that came from reconnecting with music as a fan.

Listen to the mix and read the interview now on damage.com 🔗

✍️@the.serious.moonlight
📸 @karolinabajda
🎨 @rossdavies.uk

Recognise 101: object blue 🐚

When DJ Mag last spoke to object blue, the London-based producer was emerging as a vital new voice in experimental club music. Her 2018 debut EP ‘Do you plan to end a siege?’, released via the TT label, captured a moment when fractured rhythms, unexpected bass tendencies and abstract textures were seeping into dance music’s wider underground consciousness.

Eight years on, almost to the day, she reappears, with a debut album finally behind her. ‘what resembles the grave but isn’t’, came out at the end of 2025, once again on TT, and it’s nothing short of a triumphant musical statement.

On the record, object blue’s inimitable sound design appears more multifaceted than ever. Across eight tracks, metallic beats and overlapping rhythms are balanced against dreamy, intricate IDM ambience, submerged vocal samples and classical music motifs. It’s also the end result of a period of uncertainty and creative paralysis, a product of the hard-won recalibration of what it means to survive as an experimental artist in 2026. 

Alongside a thundering club mix for the Recognise series, which simultaneously reasserts her dancefloor credentials and maintains an experimental edge, object blue spoke to Claire Francis about overcoming creative block to create her triumphant debut album, the collision of artistic ambition with financial anxiety, and the inspiration that came from reconnecting with music as a fan.

Listen to the mix and read the interview now on damage.com 🔗

✍️@the.serious.moonlight
📸 @karolinabajda
🎨 @rossdavies.uk

Recognise 101: object blue 🐚

When DJ Mag last spoke to object blue, the London-based producer was emerging as a vital new voice in experimental club music. Her 2018 debut EP ‘Do you plan to end a siege?’, released via the TT label, captured a moment when fractured rhythms, unexpected bass tendencies and abstract textures were seeping into dance music’s wider underground consciousness.

Eight years on, almost to the day, she reappears, with a debut album finally behind her. ‘what resembles the grave but isn’t’, came out at the end of 2025, once again on TT, and it’s nothing short of a triumphant musical statement.

On the record, object blue’s inimitable sound design appears more multifaceted than ever. Across eight tracks, metallic beats and overlapping rhythms are balanced against dreamy, intricate IDM ambience, submerged vocal samples and classical music motifs. It’s also the end result of a period of uncertainty and creative paralysis, a product of the hard-won recalibration of what it means to survive as an experimental artist in 2026. 

Alongside a thundering club mix for the Recognise series, which simultaneously reasserts her dancefloor credentials and maintains an experimental edge, object blue spoke to Claire Francis about overcoming creative block to create her triumphant debut album, the collision of artistic ambition with financial anxiety, and the inspiration that came from reconnecting with music as a fan.

Listen to the mix and read the interview now on damage.com 🔗

✍️@the.serious.moonlight
📸 @karolinabajda
🎨 @rossdavies.uk

My set on @kindred_ldn radio now archived for you to listen back (& watch on yt) 🌸 isn't it nice to see the decks instead of faces for a change?
🎶 @hedohydr8 "BBB ft. Killa P" x @sleepylychee01 "Breaker Dance"

It's mixing time again

A chilled out episode to rouse us all from winter dormancy. Thanks @nts_radio for including it in your weekly picks!