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ninomiergallery
NINO MIER GALLERY
Established 2015
New York • NY
Brussels • BE
Accord • NY
www.miergallery.com
Featured in issue 22: GAZA MORNING by NAOMI SHIHAB NYE ( @naomishihabnye ).
Art by Nicola Tyson ( @Nicola Tyson )
OPENING TONIGHT • Marin Majić • discodisco • Tribeca 6-8pm • @ninomiergallery @marin.majic
OPENING TONIGHT • Marin Majić • discodisco • Tribeca 6-8pm • @ninomiergallery @marin.majic
OPENING TONIGHT • Marin Majić • discodisco • Tribeca 6-8pm • @ninomiergallery @marin.majic
OPENING TONIGHT • Marin Majić • discodisco • Tribeca 6-8pm • @ninomiergallery @marin.majic
OPENING TONIGHT • Marin Majić • discodisco • Tribeca 6-8pm • @ninomiergallery @marin.majic
OPENING TONIGHT • Marin Majić • discodisco • Tribeca 6-8pm • @ninomiergallery @marin.majic
OPENING TONIGHT • Marin Majić • discodisco • Tribeca 6-8pm • @ninomiergallery @marin.majic
OPENING TONIGHT • Marin Majić • discodisco • Tribeca 6-8pm • @ninomiergallery @marin.majic
OPENING TONIGHT • Marin Majić • discodisco • Tribeca 6-8pm • @ninomiergallery @marin.majic
OPENING TONIGHT
Suspending Time
JESS ALLEN @jessallenartist
6-8pm in SoHo at 62 Crosby Street
OPENING TONIGHT
Suspending Time
JESS ALLEN @jessallenartist
6-8pm in SoHo at 62 Crosby Street
Opening
Marin Majić’s exhibition entitled discodisco
May 15, 2026
Tribeca @marin.majic @ninomiergallery
Friedrichs Foundation
#AndreasBreunig
@friedrichsfoundation
9.5.26 – 15.11.26
The Friedrichs Foundation is pleased to present a comprehensive retrospective of Andreas Breunig’s work (born 1983 in Eberbach, lives in Düsseldorf) in 2026. From 2002 to 2008, he studied at the Düsseldorf Art Academy under Albert Oehlen and, through his methodical and idea-driven approach, asserts a highly independent position within contemporary painting.
Andreas Breunig’s paintings are gestural and vibrant, but his approach is conceptual and structured. He himself speaks of his work as involving the exchange and processing of information from biology, chemistry, mycology, sociology, linguistics, and computer science. Each painting is an experimental apparatus that balances epistemology and sensuality, expression and methodology, appearance and reality, abstraction and empathy. What do Breunig’s painterly gestures represent? Are they functional elements within a diagram or grammatical model? Expressions of human emotion? And ultimately, is painting broken, or can we still hope?
Friedrichs Foundation
#AndreasBreunig
@friedrichsfoundation
9.5.26 – 15.11.26
The Friedrichs Foundation is pleased to present a comprehensive retrospective of Andreas Breunig’s work (born 1983 in Eberbach, lives in Düsseldorf) in 2026. From 2002 to 2008, he studied at the Düsseldorf Art Academy under Albert Oehlen and, through his methodical and idea-driven approach, asserts a highly independent position within contemporary painting.
Andreas Breunig’s paintings are gestural and vibrant, but his approach is conceptual and structured. He himself speaks of his work as involving the exchange and processing of information from biology, chemistry, mycology, sociology, linguistics, and computer science. Each painting is an experimental apparatus that balances epistemology and sensuality, expression and methodology, appearance and reality, abstraction and empathy. What do Breunig’s painterly gestures represent? Are they functional elements within a diagram or grammatical model? Expressions of human emotion? And ultimately, is painting broken, or can we still hope?
Friedrichs Foundation
#AndreasBreunig
@friedrichsfoundation
9.5.26 – 15.11.26
The Friedrichs Foundation is pleased to present a comprehensive retrospective of Andreas Breunig’s work (born 1983 in Eberbach, lives in Düsseldorf) in 2026. From 2002 to 2008, he studied at the Düsseldorf Art Academy under Albert Oehlen and, through his methodical and idea-driven approach, asserts a highly independent position within contemporary painting.
Andreas Breunig’s paintings are gestural and vibrant, but his approach is conceptual and structured. He himself speaks of his work as involving the exchange and processing of information from biology, chemistry, mycology, sociology, linguistics, and computer science. Each painting is an experimental apparatus that balances epistemology and sensuality, expression and methodology, appearance and reality, abstraction and empathy. What do Breunig’s painterly gestures represent? Are they functional elements within a diagram or grammatical model? Expressions of human emotion? And ultimately, is painting broken, or can we still hope?
Friedrichs Foundation
#AndreasBreunig
@friedrichsfoundation
9.5.26 – 15.11.26
The Friedrichs Foundation is pleased to present a comprehensive retrospective of Andreas Breunig’s work (born 1983 in Eberbach, lives in Düsseldorf) in 2026. From 2002 to 2008, he studied at the Düsseldorf Art Academy under Albert Oehlen and, through his methodical and idea-driven approach, asserts a highly independent position within contemporary painting.
Andreas Breunig’s paintings are gestural and vibrant, but his approach is conceptual and structured. He himself speaks of his work as involving the exchange and processing of information from biology, chemistry, mycology, sociology, linguistics, and computer science. Each painting is an experimental apparatus that balances epistemology and sensuality, expression and methodology, appearance and reality, abstraction and empathy. What do Breunig’s painterly gestures represent? Are they functional elements within a diagram or grammatical model? Expressions of human emotion? And ultimately, is painting broken, or can we still hope?
Friedrichs Foundation
#AndreasBreunig
@friedrichsfoundation
9.5.26 – 15.11.26
The Friedrichs Foundation is pleased to present a comprehensive retrospective of Andreas Breunig’s work (born 1983 in Eberbach, lives in Düsseldorf) in 2026. From 2002 to 2008, he studied at the Düsseldorf Art Academy under Albert Oehlen and, through his methodical and idea-driven approach, asserts a highly independent position within contemporary painting.
Andreas Breunig’s paintings are gestural and vibrant, but his approach is conceptual and structured. He himself speaks of his work as involving the exchange and processing of information from biology, chemistry, mycology, sociology, linguistics, and computer science. Each painting is an experimental apparatus that balances epistemology and sensuality, expression and methodology, appearance and reality, abstraction and empathy. What do Breunig’s painterly gestures represent? Are they functional elements within a diagram or grammatical model? Expressions of human emotion? And ultimately, is painting broken, or can we still hope?
Friedrichs Foundation
#AndreasBreunig
@friedrichsfoundation
9.5.26 – 15.11.26
The Friedrichs Foundation is pleased to present a comprehensive retrospective of Andreas Breunig’s work (born 1983 in Eberbach, lives in Düsseldorf) in 2026. From 2002 to 2008, he studied at the Düsseldorf Art Academy under Albert Oehlen and, through his methodical and idea-driven approach, asserts a highly independent position within contemporary painting.
Andreas Breunig’s paintings are gestural and vibrant, but his approach is conceptual and structured. He himself speaks of his work as involving the exchange and processing of information from biology, chemistry, mycology, sociology, linguistics, and computer science. Each painting is an experimental apparatus that balances epistemology and sensuality, expression and methodology, appearance and reality, abstraction and empathy. What do Breunig’s painterly gestures represent? Are they functional elements within a diagram or grammatical model? Expressions of human emotion? And ultimately, is painting broken, or can we still hope?
one of the works for the upcoming exhibition in New York @jessallenartist @ninomiergallery
Jess Allen
Daydreaming 3, 2026
Oil on linen
54 3/8 x 72 in (framed)
138 x 183 cm (framed)
(JAL26.032)
OPENING • NEW YORK
Jess Allen
Suspending Time
Tuesday, May 12, 2026
62 Crosby Street NY NY
•••••
Jess Allen
Suspending Time 4, 2026
Oil on linen
61 3/4 x 53 1/8 in (framed)
157 x 135 cm (framed)
(JAL26.026)
Tony Matelli
Arrangement, 2026
Painted bronze
18 x 14 x 14 in
45.7 x 35.6 x 35.6 cm
@tonymatelli @ninomiergallery
Tony Matelli
Arrangement, 2026
Painted bronze
18 x 14 x 14 in
45.7 x 35.6 x 35.6 cm
@tonymatelli @ninomiergallery
Tony Matelli
Arrangement, 2026
Painted bronze
18 x 14 x 14 in
45.7 x 35.6 x 35.6 cm
@tonymatelli @ninomiergallery
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