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Very excited to share my new exhibition “More Is More”
in collaboration with @hausnowhere.

The installation transforms the space into a breathing landscape. A vast sea of black rubbish bags swells in slow, rhythmic waves, as the bags inflate and deflate.

At the centre stands a larger-than-life, hyperreal elderly man, his animatronic eyes wandering curiously across the scene.

The installation is shown simultaneously in 4 cities:

HAUS NOWHERE Seoul
433, Ttukseom-ro, Seongdong-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Dosan
50, Apgujeong-ro 46-gil, Gangnam-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Shanghai
798-812, Mid-HuaiHai Rd., 
Huangpu District, Shanghai

HAUS NOWHERE Shenzhen
L1-3, NL199-101, Water Plaza, Shenzhen Mixc World, NO.9668, Shennan Road, Nanshan District, Shenzhen

Biggest thanks so everyone involved ❤️

Very excited to share my new exhibition “More Is More”
in collaboration with @hausnowhere.

The installation transforms the space into a breathing landscape. A vast sea of black rubbish bags swells in slow, rhythmic waves, as the bags inflate and deflate.

At the centre stands a larger-than-life, hyperreal elderly man, his animatronic eyes wandering curiously across the scene.

The installation is shown simultaneously in 4 cities:

HAUS NOWHERE Seoul
433, Ttukseom-ro, Seongdong-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Dosan
50, Apgujeong-ro 46-gil, Gangnam-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Shanghai
798-812, Mid-HuaiHai Rd., 
Huangpu District, Shanghai

HAUS NOWHERE Shenzhen
L1-3, NL199-101, Water Plaza, Shenzhen Mixc World, NO.9668, Shennan Road, Nanshan District, Shenzhen

Biggest thanks so everyone involved ❤️

Very excited to share my new exhibition “More Is More”
in collaboration with @hausnowhere.

The installation transforms the space into a breathing landscape. A vast sea of black rubbish bags swells in slow, rhythmic waves, as the bags inflate and deflate.

At the centre stands a larger-than-life, hyperreal elderly man, his animatronic eyes wandering curiously across the scene.

The installation is shown simultaneously in 4 cities:

HAUS NOWHERE Seoul
433, Ttukseom-ro, Seongdong-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Dosan
50, Apgujeong-ro 46-gil, Gangnam-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Shanghai
798-812, Mid-HuaiHai Rd., 
Huangpu District, Shanghai

HAUS NOWHERE Shenzhen
L1-3, NL199-101, Water Plaza, Shenzhen Mixc World, NO.9668, Shennan Road, Nanshan District, Shenzhen

Biggest thanks so everyone involved ❤️

Very excited to share my new exhibition “More Is More”
in collaboration with @hausnowhere.

The installation transforms the space into a breathing landscape. A vast sea of black rubbish bags swells in slow, rhythmic waves, as the bags inflate and deflate.

At the centre stands a larger-than-life, hyperreal elderly man, his animatronic eyes wandering curiously across the scene.

The installation is shown simultaneously in 4 cities:

HAUS NOWHERE Seoul
433, Ttukseom-ro, Seongdong-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Dosan
50, Apgujeong-ro 46-gil, Gangnam-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Shanghai
798-812, Mid-HuaiHai Rd., 
Huangpu District, Shanghai

HAUS NOWHERE Shenzhen
L1-3, NL199-101, Water Plaza, Shenzhen Mixc World, NO.9668, Shennan Road, Nanshan District, Shenzhen

Biggest thanks so everyone involved ❤️

Very excited to share my new exhibition “More Is More”
in collaboration with @hausnowhere.

The installation transforms the space into a breathing landscape. A vast sea of black rubbish bags swells in slow, rhythmic waves, as the bags inflate and deflate.

At the centre stands a larger-than-life, hyperreal elderly man, his animatronic eyes wandering curiously across the scene.

The installation is shown simultaneously in 4 cities:

HAUS NOWHERE Seoul
433, Ttukseom-ro, Seongdong-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Dosan
50, Apgujeong-ro 46-gil, Gangnam-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Shanghai
798-812, Mid-HuaiHai Rd., 
Huangpu District, Shanghai

HAUS NOWHERE Shenzhen
L1-3, NL199-101, Water Plaza, Shenzhen Mixc World, NO.9668, Shennan Road, Nanshan District, Shenzhen

Biggest thanks so everyone involved ❤️

Very excited to share my new exhibition “More Is More”
in collaboration with @hausnowhere.

The installation transforms the space into a breathing landscape. A vast sea of black rubbish bags swells in slow, rhythmic waves, as the bags inflate and deflate.

At the centre stands a larger-than-life, hyperreal elderly man, his animatronic eyes wandering curiously across the scene.

The installation is shown simultaneously in 4 cities:

HAUS NOWHERE Seoul
433, Ttukseom-ro, Seongdong-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Dosan
50, Apgujeong-ro 46-gil, Gangnam-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Shanghai
798-812, Mid-HuaiHai Rd., 
Huangpu District, Shanghai

HAUS NOWHERE Shenzhen
L1-3, NL199-101, Water Plaza, Shenzhen Mixc World, NO.9668, Shennan Road, Nanshan District, Shenzhen

Biggest thanks so everyone involved ❤️

Very excited to share my new exhibition “More Is More”
in collaboration with @hausnowhere.

The installation transforms the space into a breathing landscape. A vast sea of black rubbish bags swells in slow, rhythmic waves, as the bags inflate and deflate.

At the centre stands a larger-than-life, hyperreal elderly man, his animatronic eyes wandering curiously across the scene.

The installation is shown simultaneously in 4 cities:

HAUS NOWHERE Seoul
433, Ttukseom-ro, Seongdong-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Dosan
50, Apgujeong-ro 46-gil, Gangnam-gu, 
Seoul, Republic of Korea

HAUS NOWHERE Shanghai
798-812, Mid-HuaiHai Rd., 
Huangpu District, Shanghai

HAUS NOWHERE Shenzhen
L1-3, NL199-101, Water Plaza, Shenzhen Mixc World, NO.9668, Shennan Road, Nanshan District, Shenzhen

Biggest thanks so everyone involved ❤️

How the world feels right now.

‘ONLY HUMAN’ a new body of personal work with the support of

Producer - @nickypage
Producer - @nickroy
Prod. assist - @carolinaterraa
Prod. Sec. - @helenapereira1963
Runner - @mafada.paiva

Emotional support and life coach - @henrygorse
Photo Assist - @olgs_olgs

Dop: @andreszankowski
1st AC - @miguelangelovarandas
2nd AC - @inesgoncal0
DIT - @nunoslopes

1s AD - @joaocysneirosesteves
2nd AD - @carlos_araujo3

Location Mgr - @martimlorena
Location Assist - André Nicolau
Unit manager -  Beatriz Libanio

Art Director- @chico.azeitona
Art Assist - @nuno9166
Art Assist - João Albuquerque
Key Grip - @igripcrew
Gaffer - @paulo_alves_joca
Spark - @hugo_alves1988

Hairstylist - @osenhorvenancio 
Hairstylist Assist - @anaisilva.beauty using redken products
Makeup Artist - @antoniarosaatelier
Makeup Assist - @patriciaandcosmetics
Makeup Assist - @marceloduartmua
Makeup Assist - @zoeperes.mua
Makeup Assist - @ahskid
Stylist: @isabelita_carmona / @arranca_coracoes　
Stylist Assistant: @indiaa.jones　
Stylist Assistant: @susyjones9 

Casting Agencies:@karacteragency
@elite_lisbon
@centralmodels
@bestmodels_agency
@antiagencyldn
@metropolitanmodelsgroup

Cast: @andleal | emilydamon3 | @thaisborgesbr | @isilda_peixe | @wilmamaria20 | @angel_ina.mdz | @_.mariaochoa | @gommmad | @alicevonsandizell | @goncalovcosta | @catgushina | @marianakapag| @felicesiemons | @ukissara

PA / Driver - Pepito
PA / Driver - @Jimi_Lorena
PA / Driver - @meerryybeerryy
PA / Driver - @luismlimao

Catering - @cantinadoalbert
Motorhome - @gcsportaction
Camera Equipment - @hhadigitalfilm
Studios & Lighting Equipment - Contra Campo
Action Vehicles - @gonrobledo / @driving_solutions.pt

Special thanks to @bacalhoa ❤️

People of Earth, you are the chosen ones - PALACE GUCCI IS HERE ✨👽

@gucci @palaceskateboards

The biggest thanks to the out of this world dream team that put so much love into this ❤️

❤️❤️❤️
@alessandro_michele @michaeledwardmeyer @michelatafuri21 Lev & Stuart

Creative & Film Direction: @maxsiedentopf
DOP: @mauro.chiarello
1st AD: @nico_marzano
Styling: @lucagalasso
Makeup: @anthonypreel_
Hair: @ramoneyluv
Set: @andyhillmanstudio
Edit: @felixyoung258
Grade: @dantegiani
@gavin.emerson @blaisedouglas

Music Credits:
“Out of Space”
Performed by The Prodigy

Very happy to share “It Takes a Village”, possibly one of the biggest puzzles in the world, depicting the very first photograph of my daughter.

The monumental participatory artwork is composed of 80,000 puzzle pieces. Each piece represents the roughly 80,000 people an individual is estimated to meet in a lifetime - from fleeting encounters, deep relationships, and everything in between. It takes a village. 80,000 pieces. One beginning.

Over the duration of the exhibition, visitors are invited to collaboratively assemble the puzzle; piece by piece, stranger by stranger; gradually revealing the first photograph I took of my daughter.

Currently on view at @groundseesaw

Very happy to share “It Takes a Village”, possibly one of the biggest puzzles in the world, depicting the very first photograph of my daughter.

The monumental participatory artwork is composed of 80,000 puzzle pieces. Each piece represents the roughly 80,000 people an individual is estimated to meet in a lifetime - from fleeting encounters, deep relationships, and everything in between. It takes a village. 80,000 pieces. One beginning.

Over the duration of the exhibition, visitors are invited to collaboratively assemble the puzzle; piece by piece, stranger by stranger; gradually revealing the first photograph I took of my daughter.

Currently on view at @groundseesaw

Very happy to share “It Takes a Village”, possibly one of the biggest puzzles in the world, depicting the very first photograph of my daughter.

The monumental participatory artwork is composed of 80,000 puzzle pieces. Each piece represents the roughly 80,000 people an individual is estimated to meet in a lifetime - from fleeting encounters, deep relationships, and everything in between. It takes a village. 80,000 pieces. One beginning.

Over the duration of the exhibition, visitors are invited to collaboratively assemble the puzzle; piece by piece, stranger by stranger; gradually revealing the first photograph I took of my daughter.

Currently on view at @groundseesaw

Very happy to share “It Takes a Village”, possibly one of the biggest puzzles in the world, depicting the very first photograph of my daughter.

The monumental participatory artwork is composed of 80,000 puzzle pieces. Each piece represents the roughly 80,000 people an individual is estimated to meet in a lifetime - from fleeting encounters, deep relationships, and everything in between. It takes a village. 80,000 pieces. One beginning.

Over the duration of the exhibition, visitors are invited to collaboratively assemble the puzzle; piece by piece, stranger by stranger; gradually revealing the first photograph I took of my daughter.

Currently on view at @groundseesaw

Very happy to share “It Takes a Village”, possibly one of the biggest puzzles in the world, depicting the very first photograph of my daughter.

The monumental participatory artwork is composed of 80,000 puzzle pieces. Each piece represents the roughly 80,000 people an individual is estimated to meet in a lifetime - from fleeting encounters, deep relationships, and everything in between. It takes a village. 80,000 pieces. One beginning.

Over the duration of the exhibition, visitors are invited to collaboratively assemble the puzzle; piece by piece, stranger by stranger; gradually revealing the first photograph I took of my daughter.

Currently on view at @groundseesaw

Very happy to share “It Takes a Village”, possibly one of the biggest puzzles in the world, depicting the very first photograph of my daughter.

The monumental participatory artwork is composed of 80,000 puzzle pieces. Each piece represents the roughly 80,000 people an individual is estimated to meet in a lifetime - from fleeting encounters, deep relationships, and everything in between. It takes a village. 80,000 pieces. One beginning.

Over the duration of the exhibition, visitors are invited to collaboratively assemble the puzzle; piece by piece, stranger by stranger; gradually revealing the first photograph I took of my daughter.

Currently on view at @groundseesaw

⚡️⚡️⚡️@mauriziocattelan⚡️⚡️⚡️
@hube.magazine
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Retouch: @inkretouch
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

⚡️⚡️⚡️@mauriziocattelan⚡️⚡️⚡️
@hube.magazine
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Retouch: @inkretouch
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

⚡️⚡️⚡️@mauriziocattelan⚡️⚡️⚡️
@hube.magazine
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Retouch: @inkretouch
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

⚡️⚡️⚡️@mauriziocattelan⚡️⚡️⚡️
@hube.magazine
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Retouch: @inkretouch
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

⚡️⚡️⚡️@mauriziocattelan⚡️⚡️⚡️
@hube.magazine
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Retouch: @inkretouch
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

@ladoublej presents “SIZE MATTERS” at Salone Del Mobile 26

Inspired by the dreamlike proportions of René Magritte’s painting “Les Valeurs Personnelles” , this installation reimagines homeware through a surrealist lens, transforming a selection of LDJ pieces into extra-large sculptures that play with scale, from Mini to Maxi.

The pieces are hand painted, hand crafted, made with love in Italy.

Big love to @giulio_michelucci

@ladoublej presents “SIZE MATTERS” at Salone Del Mobile 26

Inspired by the dreamlike proportions of René Magritte’s painting “Les Valeurs Personnelles” , this installation reimagines homeware through a surrealist lens, transforming a selection of LDJ pieces into extra-large sculptures that play with scale, from Mini to Maxi.

The pieces are hand painted, hand crafted, made with love in Italy.

Big love to @giulio_michelucci

@ladoublej presents “SIZE MATTERS” at Salone Del Mobile 26

Inspired by the dreamlike proportions of René Magritte’s painting “Les Valeurs Personnelles” , this installation reimagines homeware through a surrealist lens, transforming a selection of LDJ pieces into extra-large sculptures that play with scale, from Mini to Maxi.

The pieces are hand painted, hand crafted, made with love in Italy.

Big love to @giulio_michelucci

@ladoublej presents “SIZE MATTERS” at Salone Del Mobile 26

Inspired by the dreamlike proportions of René Magritte’s painting “Les Valeurs Personnelles” , this installation reimagines homeware through a surrealist lens, transforming a selection of LDJ pieces into extra-large sculptures that play with scale, from Mini to Maxi.

The pieces are hand painted, hand crafted, made with love in Italy.

Big love to @giulio_michelucci

@ladoublej presents “SIZE MATTERS” at Salone Del Mobile 26

Inspired by the dreamlike proportions of René Magritte’s painting “Les Valeurs Personnelles” , this installation reimagines homeware through a surrealist lens, transforming a selection of LDJ pieces into extra-large sculptures that play with scale, from Mini to Maxi.

The pieces are hand painted, hand crafted, made with love in Italy.

Big love to @giulio_michelucci

@ladoublej presents “SIZE MATTERS” at Salone Del Mobile 26

Inspired by the dreamlike proportions of René Magritte’s painting “Les Valeurs Personnelles” , this installation reimagines homeware through a surrealist lens, transforming a selection of LDJ pieces into extra-large sculptures that play with scale, from Mini to Maxi.

The pieces are hand painted, hand crafted, made with love in Italy.

Big love to @giulio_michelucci

@ladoublej presents “SIZE MATTERS” at Salone Del Mobile 26

Inspired by the dreamlike proportions of René Magritte’s painting “Les Valeurs Personnelles” , this installation reimagines homeware through a surrealist lens, transforming a selection of LDJ pieces into extra-large sculptures that play with scale, from Mini to Maxi.

The pieces are hand painted, hand crafted, made with love in Italy.

Big love to @giulio_michelucci

@ladoublej presents “SIZE MATTERS” at Salone Del Mobile 26

Inspired by the dreamlike proportions of René Magritte’s painting “Les Valeurs Personnelles” , this installation reimagines homeware through a surrealist lens, transforming a selection of LDJ pieces into extra-large sculptures that play with scale, from Mini to Maxi.

The pieces are hand painted, hand crafted, made with love in Italy.

Big love to @giulio_michelucci

@ladoublej presents “SIZE MATTERS” at Salone Del Mobile 26

Inspired by the dreamlike proportions of René Magritte’s painting “Les Valeurs Personnelles” , this installation reimagines homeware through a surrealist lens, transforming a selection of LDJ pieces into extra-large sculptures that play with scale, from Mini to Maxi.

The pieces are hand painted, hand crafted, made with love in Italy.

Big love to @giulio_michelucci

Infinite Columns is an installation by Max Siedentopf for Officina Ultra, the new Ginori 1735 collection: three rooms where porcelain rises and repeats, reflected into infinity by mirrors, accompanied by a soundtrack recorded inside the Manifattura, where the sounds of craft become part of the space.

On view at Milano Design Week until April 26.

#Ginori1735 #MilanDesignWeek2026 #DesignWeek

Infinite Columns, the installation is a collaboration by Max Siedentopf for @ginori1735 Officina Ultra at Milano Design Week 2026.

Three rooms where porcelain rises, repeats and transforms space: reflected into infinity by mirrors, accompanied by a soundtrack recorded inside the Manifattura, where the sounds of the craft become part of the experience.

On view until April 26.

Big thanks to @annalisatani and the team ❤️
#Ginori1735 #MilanDesignWeek2026 #DesignWeek

Infinite Columns, the installation is a collaboration by Max Siedentopf for @ginori1735 Officina Ultra at Milano Design Week 2026.

Three rooms where porcelain rises, repeats and transforms space: reflected into infinity by mirrors, accompanied by a soundtrack recorded inside the Manifattura, where the sounds of the craft become part of the experience.

On view until April 26.

Big thanks to @annalisatani and the team ❤️
#Ginori1735 #MilanDesignWeek2026 #DesignWeek

Infinite Columns, the installation is a collaboration by Max Siedentopf for @ginori1735 Officina Ultra at Milano Design Week 2026.

Three rooms where porcelain rises, repeats and transforms space: reflected into infinity by mirrors, accompanied by a soundtrack recorded inside the Manifattura, where the sounds of the craft become part of the experience.

On view until April 26.

Big thanks to @annalisatani and the team ❤️
#Ginori1735 #MilanDesignWeek2026 #DesignWeek

Infinite Columns, the installation is a collaboration by Max Siedentopf for @ginori1735 Officina Ultra at Milano Design Week 2026.

Three rooms where porcelain rises, repeats and transforms space: reflected into infinity by mirrors, accompanied by a soundtrack recorded inside the Manifattura, where the sounds of the craft become part of the experience.

On view until April 26.

Big thanks to @annalisatani and the team ❤️
#Ginori1735 #MilanDesignWeek2026 #DesignWeek

Infinite Columns, the installation is a collaboration by Max Siedentopf for @ginori1735 Officina Ultra at Milano Design Week 2026.

Three rooms where porcelain rises, repeats and transforms space: reflected into infinity by mirrors, accompanied by a soundtrack recorded inside the Manifattura, where the sounds of the craft become part of the experience.

On view until April 26.

Big thanks to @annalisatani and the team ❤️
#Ginori1735 #MilanDesignWeek2026 #DesignWeek

Infinite Columns, the installation is a collaboration by Max Siedentopf for @ginori1735 Officina Ultra at Milano Design Week 2026.

Three rooms where porcelain rises, repeats and transforms space: reflected into infinity by mirrors, accompanied by a soundtrack recorded inside the Manifattura, where the sounds of the craft become part of the experience.

On view until April 26.

Big thanks to @annalisatani and the team ❤️
#Ginori1735 #MilanDesignWeek2026 #DesignWeek

Infinite Columns, the installation is a collaboration by Max Siedentopf for @ginori1735 Officina Ultra at Milano Design Week 2026.

Three rooms where porcelain rises, repeats and transforms space: reflected into infinity by mirrors, accompanied by a soundtrack recorded inside the Manifattura, where the sounds of the craft become part of the experience.

On view until April 26.

Big thanks to @annalisatani and the team ❤️
#Ginori1735 #MilanDesignWeek2026 #DesignWeek

Infinite Columns, the installation is a collaboration by Max Siedentopf for @ginori1735 Officina Ultra at Milano Design Week 2026.

Three rooms where porcelain rises, repeats and transforms space: reflected into infinity by mirrors, accompanied by a soundtrack recorded inside the Manifattura, where the sounds of the craft become part of the experience.

On view until April 26.

Big thanks to @annalisatani and the team ❤️
#Ginori1735 #MilanDesignWeek2026 #DesignWeek

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

A few impression of “Seriously Not Serious”, my first solo exhibition in Korea at @groundseesaw. The exhibition features a wide range of sculpture, photography, film and fashion work. Biggest thanks to @enouyklee and the team ❤️

Oops I killed @mauriziocattelan 🫠
@hube.magazine

Talent: @mauriziocattelan
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Retouch: @inkretouch
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

Oops I killed @mauriziocattelan 🫠
@hube.magazine

Talent: @mauriziocattelan
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Retouch: @inkretouch
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

Oops I killed @mauriziocattelan 🫠
@hube.magazine

Talent: @mauriziocattelan
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Retouch: @inkretouch
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

Iconoclast, provocateur, master of irreverence—these are just a few of the ways people have described Maurizio Cattelan, the Italian artist whose slippery and satirical works have long entertained, challenged, and moved audiences worldwide.

Not one for explaining himself—so much so that from 1997 to 2006 he hired someone to perform him at public appearances that ranged from lectures at Yale to interviews on Vatican radio—in conversation, Cattelan’s aphoristic responses feel not unlike the pithy one-liners his work delivers.

“In theory,” he tells hube, “anything can become art. In practice, not everything should—at least not immediately.” @mauriziocattelan uses humour to reflect on the art world, systems of power, and the transient nature of life. With these fields of interest in mind, we invited @maxsiedentopf—an artist who plays with the absurd—to create a series of photographs to accompany this story. In them, Cattelan’s “death” arrives. It is mischief and mortality, side by side.

Don’t miss our feature on Maurizio Cattelan in hube SS26, arriving in stores in late April. Pre-order your copy now via the link in bio.

​​Talent: @mauriziocattelan
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

Iconoclast, provocateur, master of irreverence—these are just a few of the ways people have described Maurizio Cattelan, the Italian artist whose slippery and satirical works have long entertained, challenged, and moved audiences worldwide.

Not one for explaining himself—so much so that from 1997 to 2006 he hired someone to perform him at public appearances that ranged from lectures at Yale to interviews on Vatican radio—in conversation, Cattelan’s aphoristic responses feel not unlike the pithy one-liners his work delivers.

“In theory,” he tells hube, “anything can become art. In practice, not everything should—at least not immediately.” @mauriziocattelan uses humour to reflect on the art world, systems of power, and the transient nature of life. With these fields of interest in mind, we invited @maxsiedentopf—an artist who plays with the absurd—to create a series of photographs to accompany this story. In them, Cattelan’s “death” arrives. It is mischief and mortality, side by side.

Don’t miss our feature on Maurizio Cattelan in hube SS26, arriving in stores in late April. Pre-order your copy now via the link in bio.

​​Talent: @mauriziocattelan
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

Iconoclast, provocateur, master of irreverence—these are just a few of the ways people have described Maurizio Cattelan, the Italian artist whose slippery and satirical works have long entertained, challenged, and moved audiences worldwide.

Not one for explaining himself—so much so that from 1997 to 2006 he hired someone to perform him at public appearances that ranged from lectures at Yale to interviews on Vatican radio—in conversation, Cattelan’s aphoristic responses feel not unlike the pithy one-liners his work delivers.

“In theory,” he tells hube, “anything can become art. In practice, not everything should—at least not immediately.” @mauriziocattelan uses humour to reflect on the art world, systems of power, and the transient nature of life. With these fields of interest in mind, we invited @maxsiedentopf—an artist who plays with the absurd—to create a series of photographs to accompany this story. In them, Cattelan’s “death” arrives. It is mischief and mortality, side by side.

Don’t miss our feature on Maurizio Cattelan in hube SS26, arriving in stores in late April. Pre-order your copy now via the link in bio.

​​Talent: @mauriziocattelan
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

Iconoclast, provocateur, master of irreverence—these are just a few of the ways people have described Maurizio Cattelan, the Italian artist whose slippery and satirical works have long entertained, challenged, and moved audiences worldwide.

Not one for explaining himself—so much so that from 1997 to 2006 he hired someone to perform him at public appearances that ranged from lectures at Yale to interviews on Vatican radio—in conversation, Cattelan’s aphoristic responses feel not unlike the pithy one-liners his work delivers.

“In theory,” he tells hube, “anything can become art. In practice, not everything should—at least not immediately.” @mauriziocattelan uses humour to reflect on the art world, systems of power, and the transient nature of life. With these fields of interest in mind, we invited @maxsiedentopf—an artist who plays with the absurd—to create a series of photographs to accompany this story. In them, Cattelan’s “death” arrives. It is mischief and mortality, side by side.

Don’t miss our feature on Maurizio Cattelan in hube SS26, arriving in stores in late April. Pre-order your copy now via the link in bio.

​​Talent: @mauriziocattelan
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

Iconoclast, provocateur, master of irreverence—these are just a few of the ways people have described Maurizio Cattelan, the Italian artist whose slippery and satirical works have long entertained, challenged, and moved audiences worldwide.

Not one for explaining himself—so much so that from 1997 to 2006 he hired someone to perform him at public appearances that ranged from lectures at Yale to interviews on Vatican radio—in conversation, Cattelan’s aphoristic responses feel not unlike the pithy one-liners his work delivers.

“In theory,” he tells hube, “anything can become art. In practice, not everything should—at least not immediately.” @mauriziocattelan uses humour to reflect on the art world, systems of power, and the transient nature of life. With these fields of interest in mind, we invited @maxsiedentopf—an artist who plays with the absurd—to create a series of photographs to accompany this story. In them, Cattelan’s “death” arrives. It is mischief and mortality, side by side.

Don’t miss our feature on Maurizio Cattelan in hube SS26, arriving in stores in late April. Pre-order your copy now via the link in bio.

​​Talent: @mauriziocattelan
Photographer and Creative Director: @maxsiedentopf
Stylist: @francescacefiscasoli
Set Designer: @milanoscena
Makeup and Hair Artist: @sara.bergaglio using @maccosmetics
Photo Assistant: @henrygorse
2nd Photo Assistant: Leonardo Vecci Innocenti
Digital Technician: Alessio Spanu
Styling Assistants: Tommaso Benedetti, Allison Papi
Set Design Assistants: Alfredo De Luca, Elisabetta Fefè
Production: @chillbillstudio @hube.creators
Production Team: Maddalena Beretta, Francesca Graziano, Paolo Novarese, Giulio Fiorito, Carlotta Cannata, Alfonso Esposito
Stunt Team: Simone Belli, Antonio Palladino, Manuel Resta
Location: Residenza Location @residenzalocation
Catering: The Food Guys @thefoodguysmilano
EIC hube: Sasha Kovaleva @alekskovaleva
Creative & Fashion Director hube: Gabriella Norberg @gabriella.norberg
Art Direction: @hube.creators

#MaurizioCattelan #hubemagazine

I’m very happy to share my first series of bronze sculptures “That Time Of Year Again”

Santa
37 x 14 x 10cm
Bronze & Paint

‘That Time of Year Again’ is a new bronze sculpture depicting a partially unwrapped chocolate Easter bunny revealing a Santa Claus underneath.

The interchangeability of the forms points to the cyclical nature of celebrations and easy mass production where repetition quietly replaces distinction.

I’m very happy to share my first series of bronze sculptures “That Time Of Year Again”

Santa
37 x 14 x 10cm
Bronze & Paint

‘That Time of Year Again’ is a new bronze sculpture depicting a partially unwrapped chocolate Easter bunny revealing a Santa Claus underneath.

The interchangeability of the forms points to the cyclical nature of celebrations and easy mass production where repetition quietly replaces distinction.

I’m very happy to share my first series of bronze sculptures “That Time Of Year Again”

Santa
37 x 14 x 10cm
Bronze & Paint

‘That Time of Year Again’ is a new bronze sculpture depicting a partially unwrapped chocolate Easter bunny revealing a Santa Claus underneath.

The interchangeability of the forms points to the cyclical nature of celebrations and easy mass production where repetition quietly replaces distinction.

I’m very happy to share my first series of bronze sculptures “That Time Of Year Again”

Santa
37 x 14 x 10cm
Bronze & Paint

‘That Time of Year Again’ is a new bronze sculpture depicting a partially unwrapped chocolate Easter bunny revealing a Santa Claus underneath.

The interchangeability of the forms points to the cyclical nature of celebrations and easy mass production where repetition quietly replaces distinction.

I’m very happy to share my first series of bronze sculptures “That Time Of Year Again”

Santa
37 x 14 x 10cm
Bronze & Paint

‘That Time of Year Again’ is a new bronze sculpture depicting a partially unwrapped chocolate Easter bunny revealing a Santa Claus underneath.

The interchangeability of the forms points to the cyclical nature of celebrations and easy mass production where repetition quietly replaces distinction.