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Late in January, we had the absolute privilege to film a remote interview with @jalithgow for Australian Story on @abcaustralia. An absolute gentleman who gave us so much time to talk about a project he was genuinely passionate about.

He also obliged us and let me try my hand at a few portraits for the project. Could not have had a better subject.

The episode, "Out in the open" is available now on ABC iView worldwide.

The interview was shot on a Sony FX9 with CN7 lens as the A-cam, and a Sony A7Sii as the B-cam and portrait camera.

📸 @nicksotherthings

Late in January, we had the absolute privilege to film a remote interview with @jalithgow for Australian Story on @abcaustralia. An absolute gentleman who gave us so much time to talk about a project he was genuinely passionate about.

He also obliged us and let me try my hand at a few portraits for the project. Could not have had a better subject.

The episode, "Out in the open" is available now on ABC iView worldwide.

The interview was shot on a Sony FX9 with CN7 lens as the A-cam, and a Sony A7Sii as the B-cam and portrait camera.

📸 @nicksotherthings

Late in January, we had the absolute privilege to film a remote interview with @jalithgow for Australian Story on @abcaustralia. An absolute gentleman who gave us so much time to talk about a project he was genuinely passionate about.

He also obliged us and let me try my hand at a few portraits for the project. Could not have had a better subject.

The episode, "Out in the open" is available now on ABC iView worldwide.

The interview was shot on a Sony FX9 with CN7 lens as the A-cam, and a Sony A7Sii as the B-cam and portrait camera.

📸 @nicksotherthings

Late in January, we had the absolute privilege to film a remote interview with @jalithgow for Australian Story on @abcaustralia. An absolute gentleman who gave us so much time to talk about a project he was genuinely passionate about.

He also obliged us and let me try my hand at a few portraits for the project. Could not have had a better subject.

The episode, "Out in the open" is available now on ABC iView worldwide.

The interview was shot on a Sony FX9 with CN7 lens as the A-cam, and a Sony A7Sii as the B-cam and portrait camera.

📸 @nicksotherthings

Late in January, we had the absolute privilege to film a remote interview with @jalithgow for Australian Story on @abcaustralia. An absolute gentleman who gave us so much time to talk about a project he was genuinely passionate about.

He also obliged us and let me try my hand at a few portraits for the project. Could not have had a better subject.

The episode, "Out in the open" is available now on ABC iView worldwide.

The interview was shot on a Sony FX9 with CN7 lens as the A-cam, and a Sony A7Sii as the B-cam and portrait camera.

📸 @nicksotherthings

Late in January, we had the absolute privilege to film a remote interview with @jalithgow for Australian Story on @abcaustralia. An absolute gentleman who gave us so much time to talk about a project he was genuinely passionate about.

He also obliged us and let me try my hand at a few portraits for the project. Could not have had a better subject.

The episode, "Out in the open" is available now on ABC iView worldwide.

The interview was shot on a Sony FX9 with CN7 lens as the A-cam, and a Sony A7Sii as the B-cam and portrait camera.

📸 @nicksotherthings

Took the @djiglobal #Mini4 Pro out to get some more logged hours before renewing some certificates.

Played with the LOG settings for the first time, and it comes up nicely. The stabilisation and the obstacle avoidance on this drone are phenomenal.

Shot in 4K 50 on the DJI Mini 4 Pro, largely with an ND32 filter.

Took the @djiglobal #Mini4 Pro out to get some more logged hours before renewing some certificates.

Played with the LOG settings for the first time, and it comes up nicely. The stabilisation and the obstacle avoidance on this drone are phenomenal.

Shot in 4K 50 on the DJI Mini 4 Pro, largely with an ND32 filter.

Took the @djiglobal #Mini4 Pro out to get some more logged hours before renewing some certificates.

Played with the LOG settings for the first time, and it comes up nicely. The stabilisation and the obstacle avoidance on this drone are phenomenal.

Shot in 4K 50 on the DJI Mini 4 Pro, largely with an ND32 filter.

Took the @djiglobal #Mini4 Pro out to get some more logged hours before renewing some certificates.

Played with the LOG settings for the first time, and it comes up nicely. The stabilisation and the obstacle avoidance on this drone are phenomenal.

Shot in 4K 50 on the DJI Mini 4 Pro, largely with an ND32 filter.

Took the @djiglobal #Mini4 Pro out to get some more logged hours before renewing some certificates.

Played with the LOG settings for the first time, and it comes up nicely. The stabilisation and the obstacle avoidance on this drone are phenomenal.

Shot in 4K 50 on the DJI Mini 4 Pro, largely with an ND32 filter.

Took the @djiglobal #Mini4 Pro out to get some more logged hours before renewing some certificates.

Played with the LOG settings for the first time, and it comes up nicely. The stabilisation and the obstacle avoidance on this drone are phenomenal.

Shot in 4K 50 on the DJI Mini 4 Pro, largely with an ND32 filter.

Took the @djiglobal #Mini4 Pro out to get some more logged hours before renewing some certificates.

Played with the LOG settings for the first time, and it comes up nicely. The stabilisation and the obstacle avoidance on this drone are phenomenal.

Shot in 4K 50 on the DJI Mini 4 Pro, largely with an ND32 filter.

Took the @djiglobal #Mini4 Pro out to get some more logged hours before renewing some certificates.

Played with the LOG settings for the first time, and it comes up nicely. The stabilisation and the obstacle avoidance on this drone are phenomenal.

Shot in 4K 50 on the DJI Mini 4 Pro, largely with an ND32 filter.

NEXT SHOW 14th NOVEMBER 7PM

📽️: @nicksotherthings @newsworthyvision

Thanks for having us @twelvepeopleimprov 💜

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#comedyshow #improv #ukcomedy #livetheatre

Had the amazing luck of being in Iceland last week, with a camera decent enough to handle low-light situations.

Shot in two locations across Iceland, we had a couple of nights of low-level Aurora taking place. Sadly, not bright enough for human eyes, but bright enough for the large sensor on the @sonycine A7Sii camera.

Very happy with the result, though had to really push the ISO due to the darkness.

Live on-air for @bbcbreakfast today, and very nearly came undone by my own light stand. Thankfully there was am amazing back watcher Adam or it could have been chaos.

Just over a week ago, we travelled to #Angola for President Joe Biden's visit to Luanda, shooting as part of the US network pool. As the President was finishing his speech at the Slavery Museum, the timing of the sunset looking out over the water could not have been more perfect.

After a massively waterlogged day, this was a wonderful conclusion.

Shot on a Sony PXW-X400 Camera with a Canon HJ11 Lens, and beamed around the world by @tvu_networks.

Livestreaming #dnd for @mammothfactorygames, as their #fateless campaign starts to get underway.

Four cameras, five microphones, six lights and a lot of cable. All held together by five amazing performers.

Livestreaming #dnd for @mammothfactorygames, as their #fateless campaign starts to get underway.

Four cameras, five microphones, six lights and a lot of cable. All held together by five amazing performers.

Livestreaming #dnd for @mammothfactorygames, as their #fateless campaign starts to get underway.

Four cameras, five microphones, six lights and a lot of cable. All held together by five amazing performers.

A quick #timelapse, produced entirely in camera on the @sony #FX9. Having variable ND in camera makes this super easy to do.

Shot on Waterloo Bridge today in London

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Building some new lighting kits, and we've gone with @aputure.lighting this time.

#upcycled some older 300d and 600d daylights, paired with some light dome 3's, and they're now good to go.

They are incredibly powerful, almost too powerful. Best used at Buckingham palace again sometime soon.

Building some new lighting kits, and we've gone with @aputure.lighting this time.

#upcycled some older 300d and 600d daylights, paired with some light dome 3's, and they're now good to go.

They are incredibly powerful, almost too powerful. Best used at Buckingham palace again sometime soon.

Building some new lighting kits, and we've gone with @aputure.lighting this time.

#upcycled some older 300d and 600d daylights, paired with some light dome 3's, and they're now good to go.

They are incredibly powerful, almost too powerful. Best used at Buckingham palace again sometime soon.

Building some new lighting kits, and we've gone with @aputure.lighting this time.

#upcycled some older 300d and 600d daylights, paired with some light dome 3's, and they're now good to go.

They are incredibly powerful, almost too powerful. Best used at Buckingham palace again sometime soon.

Last week I had the pleasure to film @gilliana for @theprojecttv Australia. Great first live shot for the @sony #FX9, and sending to the other side of the world using the @dejerolabs #gobox.