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didn’t think that voiceover-ing would be THAT difficult but it is… but that’s fine i’ll improve 🙂 anyways enjoy the process on how i faceted this step cut aquamarine !

#gemcutting #gemcutter #lapidary #faceting #fyp

not quite used to filming diml videos yet so some parts of the process were skipped… but fret not there’ll definitely be more to come soon… hehe… 😝

super grateful to have had the opportunity to attend a gem faceting class, partly funded by @nafa_spu, and experience something i could previously only dream of 🥹✨ thank you for making this possible!!

#gemcutting #gemcutter #lapidary #faceting #fyp

Gavin’s art practice drifts between motion graphics, new media, and illustration. He is currently completing his BA (Hons) in Fine Art at Nanyang Academy of Fine Arts, following a diploma in Motion Graphics from Nanyang Polytechnic. His projects for MTV Asia and Light to Night Singapore—the latter earning a Crowbar Award Finalist nod—hint at his ability to move fluidly between commissioned work and a more reflective personal practice.

What draws us to Gavin’s work is the way he threads small narratives through the machinery of the late-capitalist urbanity governed by techno feudalism, revealing its anxieties with a distinctly local sensitivity. His images often feel like brief apertures into an elsewhere, even when that elsewhere lies just behind the familiar.

From September 2025 to September 2026, Gavin will be with us in the studio, in the field, and in the conversations that form the spine of Vertsub’s practice.

Gavin’s art practice drifts between motion graphics, new media, and illustration. He is currently completing his BA (Hons) in Fine Art at Nanyang Academy of Fine Arts, following a diploma in Motion Graphics from Nanyang Polytechnic. His projects for MTV Asia and Light to Night Singapore—the latter earning a Crowbar Award Finalist nod—hint at his ability to move fluidly between commissioned work and a more reflective personal practice.

What draws us to Gavin’s work is the way he threads small narratives through the machinery of the late-capitalist urbanity governed by techno feudalism, revealing its anxieties with a distinctly local sensitivity. His images often feel like brief apertures into an elsewhere, even when that elsewhere lies just behind the familiar.

From September 2025 to September 2026, Gavin will be with us in the studio, in the field, and in the conversations that form the spine of Vertsub’s practice.

Gavin’s art practice drifts between motion graphics, new media, and illustration. He is currently completing his BA (Hons) in Fine Art at Nanyang Academy of Fine Arts, following a diploma in Motion Graphics from Nanyang Polytechnic. His projects for MTV Asia and Light to Night Singapore—the latter earning a Crowbar Award Finalist nod—hint at his ability to move fluidly between commissioned work and a more reflective personal practice.

What draws us to Gavin’s work is the way he threads small narratives through the machinery of the late-capitalist urbanity governed by techno feudalism, revealing its anxieties with a distinctly local sensitivity. His images often feel like brief apertures into an elsewhere, even when that elsewhere lies just behind the familiar.

From September 2025 to September 2026, Gavin will be with us in the studio, in the field, and in the conversations that form the spine of Vertsub’s practice.

Gavin’s art practice drifts between motion graphics, new media, and illustration. He is currently completing his BA (Hons) in Fine Art at Nanyang Academy of Fine Arts, following a diploma in Motion Graphics from Nanyang Polytechnic. His projects for MTV Asia and Light to Night Singapore—the latter earning a Crowbar Award Finalist nod—hint at his ability to move fluidly between commissioned work and a more reflective personal practice.

What draws us to Gavin’s work is the way he threads small narratives through the machinery of the late-capitalist urbanity governed by techno feudalism, revealing its anxieties with a distinctly local sensitivity. His images often feel like brief apertures into an elsewhere, even when that elsewhere lies just behind the familiar.

From September 2025 to September 2026, Gavin will be with us in the studio, in the field, and in the conversations that form the spine of Vertsub’s practice.

Gavin’s art practice drifts between motion graphics, new media, and illustration. He is currently completing his BA (Hons) in Fine Art at Nanyang Academy of Fine Arts, following a diploma in Motion Graphics from Nanyang Polytechnic. His projects for MTV Asia and Light to Night Singapore—the latter earning a Crowbar Award Finalist nod—hint at his ability to move fluidly between commissioned work and a more reflective personal practice.

What draws us to Gavin’s work is the way he threads small narratives through the machinery of the late-capitalist urbanity governed by techno feudalism, revealing its anxieties with a distinctly local sensitivity. His images often feel like brief apertures into an elsewhere, even when that elsewhere lies just behind the familiar.

From September 2025 to September 2026, Gavin will be with us in the studio, in the field, and in the conversations that form the spine of Vertsub’s practice.

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

A Mural at Bedok and Bishan National Library

This has been a truly meaningful journey. @xiin.studio and I are incredibly grateful to have been a part of this project, commissioned by @nlbsingapore and organised by @nafa_spu

This was a shared process, from the first sketch to the final brush stroke. One of the best parts was painting alongside the residents from Bedok and Bishan during our weekend workshops seeing everyone come together to contribute.

Thank you to Yu Xiang from NLB for the coordination, and to the teams at Bedok and Bishan Library for the incredible hospitality. To the Bishan team, thank you for the warmth and for always making us feel welcomed. It really felt like a second home during those long painting sessions. 

Thank you to NAFA SPU team for the trust and continued support throughout this project. Jessin and I learned so much through this process.

And of course, a huge shoutout to every volunteer who picked up a brush to help us bring this to life:

@abx_drawing, @_.thereal.dil_ , @soupdestroyer1111 , @justb3anz , @zhojj , @pplanet.ray

As well as the NAFA Student Volunteers (@nafa_sg), even though we didn’t catch their handles your contribution is all over these walls!

While we spent hours painting, most of the hours was spend on the conversations and the stories shared with everyone, from the young ones to older generation who dropped by, truthfully that is what brought this mural to life. To us, that’s what public art is all about.

Onto the next one! 🚀

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲 reflects the NAFA Talent Development Programme’s commitment to learning through real-world practice, mentorship and collaboration.

Through NTDP, enrollees are given opportunities to work on live projects that bridge learning and professional experience. This exhibition brings together students, alumni and mentors in a shared process of development, where ideas are shaped through guidance, dialogue and hands-on making. The curatorial journey was guided by 𝗭𝘂𝗹𝗸𝗵𝗮𝗶𝗿𝗶 𝗭𝘂𝗹𝗸𝗶𝗳𝗹𝗲𝗲 @22ulki, NAFA alumnus and curatorial mentor, with installation support by Raihan Syahmi @raihansyahmi, NTDP alumnus, reinforcing the programme’s emphasis on cross-generational learning and talent development.

“𝘊𝘶𝘳𝘢𝘵𝘪𝘯𝘨 𝘵𝘩𝘪𝘴 𝘴𝘩𝘰𝘸 𝘩𝘢𝘴 𝘣𝘦𝘦𝘯 𝘢 𝘷𝘢𝘭𝘶𝘢𝘣𝘭𝘦 𝘭𝘦𝘢𝘳𝘯𝘪𝘯𝘨 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦, 𝘢𝘯𝘥 𝘐’𝘮 𝘨𝘳𝘢𝘵𝘦𝘧𝘶𝘭 𝘵𝘰 𝘩𝘢𝘷𝘦 𝘣𝘦𝘦𝘯 𝘱𝘢𝘳𝘵 𝘰𝘧 𝘢 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘸𝘩𝘦𝘳𝘦 𝘪𝘥𝘦𝘢𝘴 𝘴𝘭𝘰𝘸𝘭𝘺 𝘵𝘰𝘰𝘬 𝘴𝘩𝘢𝘱𝘦 𝘪𝘯𝘵𝘰 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘳𝘦𝘢𝘭. 𝘛𝘩𝘢𝘯𝘬 𝘺𝘰𝘶 𝘵𝘰 𝘕𝘛𝘋𝘗, 𝘚𝘱𝘦𝘤𝘪𝘢𝘭 𝘗𝘳𝘰𝘫𝘦𝘤𝘵𝘴 𝘜𝘯𝘪𝘵 𝘢𝘯𝘥 𝘰𝘶𝘳 𝘮𝘦𝘯𝘵𝘰𝘳𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦𝘪𝘳 𝘨𝘶𝘪𝘥𝘢𝘯𝘤𝘦 𝘢𝘯𝘥 𝘴𝘶𝘱𝘱𝘰𝘳𝘵 𝘪𝘯 𝘮𝘢𝘬𝘪𝘯𝘨 𝘵𝘩𝘪𝘴 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦.” – 𝙅𝙤𝙧𝙙𝙖𝙣 𝙎𝙞𝙢 @jordanysim

“𝘊𝘶𝘳𝘢𝘵𝘪𝘯𝘨 𝘒𝘯𝘰𝘵 𝘈𝘭𝘰𝘯𝘦 𝘩𝘢𝘴 𝘣𝘦𝘦𝘯 𝘢 𝘮𝘦𝘢𝘯𝘪𝘯𝘨𝘧𝘶𝘭 𝘮𝘪𝘭𝘦𝘴𝘵𝘰𝘯𝘦, 𝘮𝘢𝘥𝘦 𝘦𝘴𝘱𝘦𝘤𝘪𝘢𝘭𝘭𝘺 𝘳𝘦𝘸𝘢𝘳𝘥𝘪𝘯𝘨 𝘣𝘺 𝘴𝘩𝘢𝘳𝘪𝘯𝘨 𝘮𝘺 𝘰𝘸𝘯 𝘸𝘰𝘳𝘬 𝘸𝘪𝘵𝘩𝘪𝘯 𝘵𝘩𝘦 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯. 𝘐 𝘢𝘮 𝘵𝘩𝘢𝘯𝘬𝘧𝘶𝘭 𝘵𝘰 𝘵𝘩𝘦 𝘮𝘦𝘯𝘵𝘰𝘳𝘴 𝘸𝘩𝘰 𝘨𝘶𝘪𝘥𝘦𝘥 𝘮𝘦, 𝘢𝘴 𝘸𝘦𝘭𝘭 𝘢𝘴 𝘵𝘩𝘦 𝘚𝘱𝘦𝘤𝘪𝘢𝘭 𝘗𝘳𝘰𝘫𝘦𝘤𝘵𝘴 𝘜𝘯𝘪𝘵, 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘰𝘱𝘱𝘰𝘳𝘵𝘶𝘯𝘪𝘵𝘺 𝘵𝘰 𝘥𝘦𝘷𝘦𝘭𝘰𝘱 𝘮𝘺 𝘤𝘶𝘳𝘢𝘵𝘰𝘳𝘪𝘢𝘭 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦.” – 𝘿𝙞𝙮𝙖 𝙄𝙧𝙙𝙞𝙣𝙖 𝘽𝙞𝙣𝙩𝙚 𝘼𝙧𝙢𝙖𝙣 @tirdinamisu

Together, 𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲 stands as a testament to how talent development is strengthened through mentorship, collaboration, and trust, offering enrollees a platform to learn, contribute, and grow through practice.

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲
📅 Now till 5 April 2026
📍 NAFA Campus 1, Glass Display Showcase along Bencoolen Street

@nafa_sg

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

Almost a month into my Paris residency at @citedesartsparis , my practice engages observation, movement, and documentation as forms of spatial inquiry. A golden doorknob at my studio first drew my attention, its Haussmannian bouton form reflecting historical influences distinct from those in Malaysia, triggered my attention toward overlooked urban details in the street especially the biomorphic elements embedded in doorknobs, knockers, metal grilles and façades.

Through dérive-like walking across different arrondissements, I collect textures, patterns, and surfaces via scanning and on-site non-invasive texture imprint / casting.

I am drawn to bronze patina as a material index of time; subtle, often unnoticed, yet rich with variation and repetition. These fragments accumulate into an informal urban archive, mapping the city’s layered histories.

This material is translated into stacked, casted modular sculptures, where processes of repetition, translation, and reconfiguration negotiate memory, materiality, and the visual language of Paris.

Still in the middle of it and I'm still exploring.
Thank you UOB @uobgroup ,Nanyang Academy of Fine Art Singapore @nafa_sg @nafa_spu and Cité Internationale des Arts @citedesartsparis for the opportunity. More coming soon.

#lemarais #lemaraisparis🇫🇷 #france #cité #citéinternationaledesarts

𝒞𝑜𝓃𝓃𝑒𝒸𝓉𝒾𝑜𝓃 𝒾𝓈 𝒸𝑜𝓂𝒻𝑜𝓇𝓉𝒾𝓃𝑔, 𝒸𝑜𝓂𝓅𝓁𝑒𝓍 𝒶𝓃𝒹 𝓈𝑜𝓂𝑒𝓉𝒾𝓂𝑒𝓈 𝓉𝑒𝓃𝓈𝑒.

𝙐𝙣𝙞𝙩𝙮 / 𝙎𝙩𝙖𝙩𝙚 𝙤𝙛 𝙢𝙮 𝙢𝙞𝙣𝙙 𝙄 / 𝙎𝙩𝙖𝙩𝙚 𝙤𝙛 𝙢𝙮 𝙢𝙞𝙣𝙙 𝙄𝙄𝙄 𝘣𝘺 𝘉𝘰𝘯𝘨 𝘊𝘩𝘢𝘪 𝘓𝘦𝘦
Through ceramics, Chai Lee reflects on memory, healing, and emotional resilience. Inspired by mangroves that thrive through entangled root systems, her works suggest that growth and stability often emerge through connection rather than isolation.

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲
📅 Now till 5 April 2026
📍 NAFA Campus 1, Glass Display Showcase along Bencoolen Street

@nafa_sg @Bongchailee @jordanysim @tirdinamisu @nafafineart

𝒞𝑜𝓃𝓃𝑒𝒸𝓉𝒾𝑜𝓃 𝒾𝓈 𝒸𝑜𝓂𝒻𝑜𝓇𝓉𝒾𝓃𝑔, 𝒸𝑜𝓂𝓅𝓁𝑒𝓍 𝒶𝓃𝒹 𝓈𝑜𝓂𝑒𝓉𝒾𝓂𝑒𝓈 𝓉𝑒𝓃𝓈𝑒.

𝙐𝙣𝙞𝙩𝙮 / 𝙎𝙩𝙖𝙩𝙚 𝙤𝙛 𝙢𝙮 𝙢𝙞𝙣𝙙 𝙄 / 𝙎𝙩𝙖𝙩𝙚 𝙤𝙛 𝙢𝙮 𝙢𝙞𝙣𝙙 𝙄𝙄𝙄 𝘣𝘺 𝘉𝘰𝘯𝘨 𝘊𝘩𝘢𝘪 𝘓𝘦𝘦
Through ceramics, Chai Lee reflects on memory, healing, and emotional resilience. Inspired by mangroves that thrive through entangled root systems, her works suggest that growth and stability often emerge through connection rather than isolation.

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲
📅 Now till 5 April 2026
📍 NAFA Campus 1, Glass Display Showcase along Bencoolen Street

@nafa_sg @Bongchailee @jordanysim @tirdinamisu @nafafineart

𝒞𝑜𝓃𝓃𝑒𝒸𝓉𝒾𝑜𝓃 𝒾𝓈 𝒸𝑜𝓂𝒻𝑜𝓇𝓉𝒾𝓃𝑔, 𝒸𝑜𝓂𝓅𝓁𝑒𝓍 𝒶𝓃𝒹 𝓈𝑜𝓂𝑒𝓉𝒾𝓂𝑒𝓈 𝓉𝑒𝓃𝓈𝑒.

𝙐𝙣𝙞𝙩𝙮 / 𝙎𝙩𝙖𝙩𝙚 𝙤𝙛 𝙢𝙮 𝙢𝙞𝙣𝙙 𝙄 / 𝙎𝙩𝙖𝙩𝙚 𝙤𝙛 𝙢𝙮 𝙢𝙞𝙣𝙙 𝙄𝙄𝙄 𝘣𝘺 𝘉𝘰𝘯𝘨 𝘊𝘩𝘢𝘪 𝘓𝘦𝘦
Through ceramics, Chai Lee reflects on memory, healing, and emotional resilience. Inspired by mangroves that thrive through entangled root systems, her works suggest that growth and stability often emerge through connection rather than isolation.

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲
📅 Now till 5 April 2026
📍 NAFA Campus 1, Glass Display Showcase along Bencoolen Street

@nafa_sg @Bongchailee @jordanysim @tirdinamisu @nafafineart

𝒲𝒽𝒶𝓉 𝒽𝑜𝓁𝒹𝓈 𝒸𝑜𝓃𝓃𝑒𝒸𝓉𝒾𝑜𝓃𝓈 𝒾𝓃 𝓅𝓁𝒶𝒸𝑒 𝒶𝓃𝒹 𝓌𝒽𝒶𝓉 𝓉𝒽𝓇𝑒𝒶𝓉𝑒𝓃𝓈 𝓉𝑜 𝓊𝓃𝒹𝑜 𝓉𝒽𝑒𝓂?

𝘼𝙣𝙙𝙧𝙤𝙢𝙚𝙙𝙖 𝘣𝘺 𝘔𝘦𝘨 𝘈𝘥𝘳𝘪𝘢𝘯𝘯𝘦 𝘈𝘭𝘤𝘢𝘯𝘰 𝘚𝘦𝘷𝘦𝘳𝘪𝘯𝘰 𝘢𝘯𝘥 𝘌𝘭𝘭𝘢 𝘖𝘯𝘨 𝘓𝘪𝘲𝘪𝘯𝘨
Presented as a one-player arcade game, the work reframes the arcade as a solitary, introspective space. Set in a retro futuristic cosmos inspired by the Andromeda galaxy, players navigate fragmented memories in search of comfort, recognition, and selfhood, where play becomes a quiet act of coping and rebuilding identity.

Explore connection through play, memory and identity at NAFA Campus 1’s glass display along Bencoolen Street till 5 April 2026.

@nafa_sg @megyst4r @earthenwireless @jordanysim @tirdinamisu

𝒲𝒽𝒶𝓉 𝒽𝑜𝓁𝒹𝓈 𝒸𝑜𝓃𝓃𝑒𝒸𝓉𝒾𝑜𝓃𝓈 𝒾𝓃 𝓅𝓁𝒶𝒸𝑒 𝒶𝓃𝒹 𝓌𝒽𝒶𝓉 𝓉𝒽𝓇𝑒𝒶𝓉𝑒𝓃𝓈 𝓉𝑜 𝓊𝓃𝒹𝑜 𝓉𝒽𝑒𝓂?

𝘼𝙣𝙙𝙧𝙤𝙢𝙚𝙙𝙖 𝘣𝘺 𝘔𝘦𝘨 𝘈𝘥𝘳𝘪𝘢𝘯𝘯𝘦 𝘈𝘭𝘤𝘢𝘯𝘰 𝘚𝘦𝘷𝘦𝘳𝘪𝘯𝘰 𝘢𝘯𝘥 𝘌𝘭𝘭𝘢 𝘖𝘯𝘨 𝘓𝘪𝘲𝘪𝘯𝘨
Presented as a one-player arcade game, the work reframes the arcade as a solitary, introspective space. Set in a retro futuristic cosmos inspired by the Andromeda galaxy, players navigate fragmented memories in search of comfort, recognition, and selfhood, where play becomes a quiet act of coping and rebuilding identity.

Explore connection through play, memory and identity at NAFA Campus 1’s glass display along Bencoolen Street till 5 April 2026.

@nafa_sg @megyst4r @earthenwireless @jordanysim @tirdinamisu

𝒞𝑜𝓃𝓃𝑒𝒸𝓉𝒾𝑜𝓃 𝒸𝒶𝓃 𝒷𝑒 𝒷𝓊𝒾𝓁𝓉 𝓉𝒽𝓇𝑜𝓊𝑔𝒽 𝓂𝒶𝓉𝑒𝓇𝒾𝒶𝓁, 𝓉𝑜𝓊𝒸𝒽, 𝒶𝓃𝒹 𝓆𝓊𝒾𝑒𝓉 𝓅𝑒𝓇𝓈𝒾𝓈𝓉𝑒𝓃𝒸𝑒.

𝙊𝙣 𝘽𝙚𝙡𝙖𝙮 𝘣𝘺 𝘊𝘩𝘰𝘯𝘨 𝘡𝘩𝘪 𝘠𝘶
Constructed from kapur wood and upcycled climbing ropes, 𝙊𝙣 𝘽𝙚𝙡𝙖𝙮 draws from the language of rock climbing, where trust and support are essential. Retired ropes, once relied upon for safety, are woven into a functional form, becoming a quiet metaphor for relationships shaped by strain, endurance, and renewal.

Connection remains complex, intentional, and vulnerable, felt more often than fully understood. Like knots shaped by tension and touch, these ties persist through effort and care, reminding us that strain is not forever and that we are never truly alone.

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲
📅 Now till 5 April 2026
📍 NAFA Campus 1, Glass Display Showcase along Bencoolen Street

📷1 from @_zzzzyyyuu

@nafa_sg @jordanysim @tirdinamisu

𝒞𝑜𝓃𝓃𝑒𝒸𝓉𝒾𝑜𝓃 𝒸𝒶𝓃 𝒷𝑒 𝒷𝓊𝒾𝓁𝓉 𝓉𝒽𝓇𝑜𝓊𝑔𝒽 𝓂𝒶𝓉𝑒𝓇𝒾𝒶𝓁, 𝓉𝑜𝓊𝒸𝒽, 𝒶𝓃𝒹 𝓆𝓊𝒾𝑒𝓉 𝓅𝑒𝓇𝓈𝒾𝓈𝓉𝑒𝓃𝒸𝑒.

𝙊𝙣 𝘽𝙚𝙡𝙖𝙮 𝘣𝘺 𝘊𝘩𝘰𝘯𝘨 𝘡𝘩𝘪 𝘠𝘶
Constructed from kapur wood and upcycled climbing ropes, 𝙊𝙣 𝘽𝙚𝙡𝙖𝙮 draws from the language of rock climbing, where trust and support are essential. Retired ropes, once relied upon for safety, are woven into a functional form, becoming a quiet metaphor for relationships shaped by strain, endurance, and renewal.

Connection remains complex, intentional, and vulnerable, felt more often than fully understood. Like knots shaped by tension and touch, these ties persist through effort and care, reminding us that strain is not forever and that we are never truly alone.

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲
📅 Now till 5 April 2026
📍 NAFA Campus 1, Glass Display Showcase along Bencoolen Street

📷1 from @_zzzzyyyuu

@nafa_sg @jordanysim @tirdinamisu

𝒞𝑜𝓃𝓃𝑒𝒸𝓉𝒾𝑜𝓃 𝒸𝒶𝓃 𝒷𝑒 𝒷𝓊𝒾𝓁𝓉 𝓉𝒽𝓇𝑜𝓊𝑔𝒽 𝓂𝒶𝓉𝑒𝓇𝒾𝒶𝓁, 𝓉𝑜𝓊𝒸𝒽, 𝒶𝓃𝒹 𝓆𝓊𝒾𝑒𝓉 𝓅𝑒𝓇𝓈𝒾𝓈𝓉𝑒𝓃𝒸𝑒.

𝙊𝙣 𝘽𝙚𝙡𝙖𝙮 𝘣𝘺 𝘊𝘩𝘰𝘯𝘨 𝘡𝘩𝘪 𝘠𝘶
Constructed from kapur wood and upcycled climbing ropes, 𝙊𝙣 𝘽𝙚𝙡𝙖𝙮 draws from the language of rock climbing, where trust and support are essential. Retired ropes, once relied upon for safety, are woven into a functional form, becoming a quiet metaphor for relationships shaped by strain, endurance, and renewal.

Connection remains complex, intentional, and vulnerable, felt more often than fully understood. Like knots shaped by tension and touch, these ties persist through effort and care, reminding us that strain is not forever and that we are never truly alone.

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲
📅 Now till 5 April 2026
📍 NAFA Campus 1, Glass Display Showcase along Bencoolen Street

📷1 from @_zzzzyyyuu

@nafa_sg @jordanysim @tirdinamisu

𝐵𝑒𝓉𝓌𝑒𝑒𝓃 𝒽𝑜𝓁𝒹𝒾𝓃𝑔 𝒶𝓃𝒹 𝓉𝑒𝓃𝓈𝒾𝑜𝓃, 𝒸𝑜𝓃𝓃𝑒𝒸𝓉𝒾𝑜𝓃 𝓉𝒶𝓀𝑒𝓈 𝓈𝒽𝒶𝓅𝑒.

𝘼 𝙃𝙤𝙢𝙚 𝙒𝙧𝙞𝙩𝙩𝙚𝙣 𝙞𝙣 𝙇𝙞𝙜𝙝𝙩 𝘣𝘺 𝘠𝘶 𝘚𝘩𝘢𝘯-𝘛𝘶𝘯𝘨
A knitted work shaped by memory and storytelling, holding space for fragility, resilience, and the quiet reassurance that we do not have to be tangle-free to belong.

Come through and explore the works at 𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲 that trace how we tie, hold, strain and continue to reach. Showcased at NAFA Campus 1’s glass display along Bencoolen Street till 5 April 2026.

@nafa_sg @11.05_yu @yu_20_official @jordanysim @tirdinamisu

𝐵𝑒𝓉𝓌𝑒𝑒𝓃 𝒽𝑜𝓁𝒹𝒾𝓃𝑔 𝒶𝓃𝒹 𝓉𝑒𝓃𝓈𝒾𝑜𝓃, 𝒸𝑜𝓃𝓃𝑒𝒸𝓉𝒾𝑜𝓃 𝓉𝒶𝓀𝑒𝓈 𝓈𝒽𝒶𝓅𝑒.

𝘼 𝙃𝙤𝙢𝙚 𝙒𝙧𝙞𝙩𝙩𝙚𝙣 𝙞𝙣 𝙇𝙞𝙜𝙝𝙩 𝘣𝘺 𝘠𝘶 𝘚𝘩𝘢𝘯-𝘛𝘶𝘯𝘨
A knitted work shaped by memory and storytelling, holding space for fragility, resilience, and the quiet reassurance that we do not have to be tangle-free to belong.

Come through and explore the works at 𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲 that trace how we tie, hold, strain and continue to reach. Showcased at NAFA Campus 1’s glass display along Bencoolen Street till 5 April 2026.

@nafa_sg @11.05_yu @yu_20_official @jordanysim @tirdinamisu

𝐵𝑒𝓉𝓌𝑒𝑒𝓃 𝒽𝑜𝓁𝒹𝒾𝓃𝑔 𝒶𝓃𝒹 𝓉𝑒𝓃𝓈𝒾𝑜𝓃, 𝒸𝑜𝓃𝓃𝑒𝒸𝓉𝒾𝑜𝓃 𝓉𝒶𝓀𝑒𝓈 𝓈𝒽𝒶𝓅𝑒.

𝘼 𝙃𝙤𝙢𝙚 𝙒𝙧𝙞𝙩𝙩𝙚𝙣 𝙞𝙣 𝙇𝙞𝙜𝙝𝙩 𝘣𝘺 𝘠𝘶 𝘚𝘩𝘢𝘯-𝘛𝘶𝘯𝘨
A knitted work shaped by memory and storytelling, holding space for fragility, resilience, and the quiet reassurance that we do not have to be tangle-free to belong.

Come through and explore the works at 𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲 that trace how we tie, hold, strain and continue to reach. Showcased at NAFA Campus 1’s glass display along Bencoolen Street till 5 April 2026.

@nafa_sg @11.05_yu @yu_20_official @jordanysim @tirdinamisu

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲 is an exhibition by the NAFA Talent Development Programme (NTDP), exploring connection as something we experience more than fully understand: it is comforting, complex, and sometimes tense.

Debut curatorial effort by NTDP enrollees, 𝗝𝗼𝗿𝗱𝗮𝗻 𝗦𝗶𝗺 @jordanysim and 𝗗𝗶𝘆𝗮 𝗜𝗿𝗱𝗶𝗻𝗮 𝗕𝗶𝗻𝘁𝗲 𝗔𝗿𝗺𝗮𝗻 @tirdinamisu from Diploma in Arts Management, Year 2, guided by NAFA alumnus 𝗭𝘂𝗹𝗸𝗵𝗮𝗶𝗿𝗶 𝗭𝘂𝗹𝗸𝗶𝗳𝗹𝗲𝗲 @22ulki .

📷2 & 3 – 𝙆𝙞𝙡𝙡𝙞𝙣𝙜 𝙄𝙣𝙣𝙤𝙘𝙚𝙣𝙘𝙚 𝘣𝘺 𝘋𝘪𝘺𝘢 𝘐𝘳𝘥𝘪𝘯𝘢 𝘉𝘪𝘯𝘵𝘦 𝘈𝘳𝘮𝘢𝘯
An evocative reflection on quiet indifference, using deer and lilies as symbols of innocence, new beginnings and hope, reminding us that injustice connects us and compassion can safeguard lives beyond our own.

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲
📅 Now till 5 April 2026
📍 NAFA Campus 1, Glass Display Showcase along Bencoolen Street

@nafa_sg

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲 is an exhibition by the NAFA Talent Development Programme (NTDP), exploring connection as something we experience more than fully understand: it is comforting, complex, and sometimes tense.

Debut curatorial effort by NTDP enrollees, 𝗝𝗼𝗿𝗱𝗮𝗻 𝗦𝗶𝗺 @jordanysim and 𝗗𝗶𝘆𝗮 𝗜𝗿𝗱𝗶𝗻𝗮 𝗕𝗶𝗻𝘁𝗲 𝗔𝗿𝗺𝗮𝗻 @tirdinamisu from Diploma in Arts Management, Year 2, guided by NAFA alumnus 𝗭𝘂𝗹𝗸𝗵𝗮𝗶𝗿𝗶 𝗭𝘂𝗹𝗸𝗶𝗳𝗹𝗲𝗲 @22ulki .

📷2 & 3 – 𝙆𝙞𝙡𝙡𝙞𝙣𝙜 𝙄𝙣𝙣𝙤𝙘𝙚𝙣𝙘𝙚 𝘣𝘺 𝘋𝘪𝘺𝘢 𝘐𝘳𝘥𝘪𝘯𝘢 𝘉𝘪𝘯𝘵𝘦 𝘈𝘳𝘮𝘢𝘯
An evocative reflection on quiet indifference, using deer and lilies as symbols of innocence, new beginnings and hope, reminding us that injustice connects us and compassion can safeguard lives beyond our own.

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲
📅 Now till 5 April 2026
📍 NAFA Campus 1, Glass Display Showcase along Bencoolen Street

@nafa_sg

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲 is an exhibition by the NAFA Talent Development Programme (NTDP), exploring connection as something we experience more than fully understand: it is comforting, complex, and sometimes tense.

Debut curatorial effort by NTDP enrollees, 𝗝𝗼𝗿𝗱𝗮𝗻 𝗦𝗶𝗺 @jordanysim and 𝗗𝗶𝘆𝗮 𝗜𝗿𝗱𝗶𝗻𝗮 𝗕𝗶𝗻𝘁𝗲 𝗔𝗿𝗺𝗮𝗻 @tirdinamisu from Diploma in Arts Management, Year 2, guided by NAFA alumnus 𝗭𝘂𝗹𝗸𝗵𝗮𝗶𝗿𝗶 𝗭𝘂𝗹𝗸𝗶𝗳𝗹𝗲𝗲 @22ulki .

📷2 & 3 – 𝙆𝙞𝙡𝙡𝙞𝙣𝙜 𝙄𝙣𝙣𝙤𝙘𝙚𝙣𝙘𝙚 𝘣𝘺 𝘋𝘪𝘺𝘢 𝘐𝘳𝘥𝘪𝘯𝘢 𝘉𝘪𝘯𝘵𝘦 𝘈𝘳𝘮𝘢𝘯
An evocative reflection on quiet indifference, using deer and lilies as symbols of innocence, new beginnings and hope, reminding us that injustice connects us and compassion can safeguard lives beyond our own.

𝗞𝗻𝗼𝘁 𝗔𝗹𝗼𝗻𝗲
📅 Now till 5 April 2026
📍 NAFA Campus 1, Glass Display Showcase along Bencoolen Street

@nafa_sg

Artist Talk
28 Jan 2026, Wed 7pm to 9pm
📍 Sculpture 2052

About the Talk
The First Wave of the Open City examines how classical art forms—such as sculpture, drawing, and archival photography—are recontextualised through digital innovation. The talk shares artistic perspectives developed through field-based research conducted in Singapore and Paris, framed by two guiding concepts: Roaming and Real Time.

These approaches reflect an open and responsive mode of research shaped by daily encounters, chance observations, and spontaneous interactions within urban environments. Through this process, unexpected narratives and new artistic forms emerge, offering alternative ways of understanding and engaging with the city.

📲 Scan the QR code to register by 23 January 2026, 2.00 pm.

@nafa_sg @sculpture2052 @sgartweek @nacsingapore

#singaporeartweek #singaporeartweek2026 #talentsatNAFA #fineart

Artist Talk
28 Jan 2026, Wed 7pm to 9pm
📍 Sculpture 2052

About the Talk
The First Wave of the Open City examines how classical art forms—such as sculpture, drawing, and archival photography—are recontextualised through digital innovation. The talk shares artistic perspectives developed through field-based research conducted in Singapore and Paris, framed by two guiding concepts: Roaming and Real Time.

These approaches reflect an open and responsive mode of research shaped by daily encounters, chance observations, and spontaneous interactions within urban environments. Through this process, unexpected narratives and new artistic forms emerge, offering alternative ways of understanding and engaging with the city.

📲 Scan the QR code to register by 23 January 2026, 2.00 pm.

@nafa_sg @sculpture2052 @sgartweek @nacsingapore

#singaporeartweek #singaporeartweek2026 #talentsatNAFA #fineart