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in search of studio mate (philly) avail aug 1st 2026

hello! I’m Ingrid, I work with textiles: dyeing/weaving/sculpting, painting/printmaking and filmmaking 🐚

I have been spoiled with the best studiomate @abbeymuza who is leaving soon: so I’m looking for a values-aligned, mature, sociable & covid-conscious/intentional person to share the studio. I mesh well with intentional, open-comms, proactive, and silly/funny personalities! with preference for 30yo + (tho flexible for right match.) use of space has been to make works, exhibit mini-shows, have curators visits, and occasional friends over (reasonably) We have a great relationship with our landlord and neighbors & would like to sustain this with future studiomate— does this resonate with your style of being/co-living? 🌞

about the stu:
(located in the northeast btwn Juniata & Frankford) at a (*unfortunately* non wheelchair accessible /no elevator, 3 v short flight of stairs) second floor luminous gorgeous studio. Pictured is the available half of the studio. rent is 297.50/mo + utilities ~

DM me to set up a visit/chat ~ decision will be made by july 1st with visits in june 2026 ~ share intentionally 🐚🧿

in search of studio mate (philly) avail aug 1st 2026

hello! I’m Ingrid, I work with textiles: dyeing/weaving/sculpting, painting/printmaking and filmmaking 🐚

I have been spoiled with the best studiomate @abbeymuza who is leaving soon: so I’m looking for a values-aligned, mature, sociable & covid-conscious/intentional person to share the studio. I mesh well with intentional, open-comms, proactive, and silly/funny personalities! with preference for 30yo + (tho flexible for right match.) use of space has been to make works, exhibit mini-shows, have curators visits, and occasional friends over (reasonably) We have a great relationship with our landlord and neighbors & would like to sustain this with future studiomate— does this resonate with your style of being/co-living? 🌞

about the stu:
(located in the northeast btwn Juniata & Frankford) at a (*unfortunately* non wheelchair accessible /no elevator, 3 v short flight of stairs) second floor luminous gorgeous studio. Pictured is the available half of the studio. rent is 297.50/mo + utilities ~

DM me to set up a visit/chat ~ decision will be made by july 1st with visits in june 2026 ~ share intentionally 🐚🧿

I want cornrows — Je veux des conrows (2026)
Handwoven with wool and raffia on loom
6ft by 18 inches

Teacher: Nancy Shiffrin, Philadelphia Guild of Handweavers

A meditation on hair braiding patterns, binary code, and materials with the loom. Inspired by African & Black diaspora hairstyles & my own connections of weaving and braiding as architectural engineering of indigenous technologies. Raffia sourced in Douala, Cameroon and wool found in Columbus, Ohio thrift stores. Together, the materials weave a story of place, histories, and methods of closing the gap between Western upbringings and African cultural identities.

I want cornrows — Je veux des conrows (2026)
Handwoven with wool and raffia on loom
6ft by 18 inches

Teacher: Nancy Shiffrin, Philadelphia Guild of Handweavers

A meditation on hair braiding patterns, binary code, and materials with the loom. Inspired by African & Black diaspora hairstyles & my own connections of weaving and braiding as architectural engineering of indigenous technologies. Raffia sourced in Douala, Cameroon and wool found in Columbus, Ohio thrift stores. Together, the materials weave a story of place, histories, and methods of closing the gap between Western upbringings and African cultural identities.

I want cornrows — Je veux des conrows (2026)
Handwoven with wool and raffia on loom
6ft by 18 inches

Teacher: Nancy Shiffrin, Philadelphia Guild of Handweavers

A meditation on hair braiding patterns, binary code, and materials with the loom. Inspired by African & Black diaspora hairstyles & my own connections of weaving and braiding as architectural engineering of indigenous technologies. Raffia sourced in Douala, Cameroon and wool found in Columbus, Ohio thrift stores. Together, the materials weave a story of place, histories, and methods of closing the gap between Western upbringings and African cultural identities.

I want cornrows — Je veux des conrows (2026)
Handwoven with wool and raffia on loom
6ft by 18 inches

Teacher: Nancy Shiffrin, Philadelphia Guild of Handweavers

A meditation on hair braiding patterns, binary code, and materials with the loom. Inspired by African & Black diaspora hairstyles & my own connections of weaving and braiding as architectural engineering of indigenous technologies. Raffia sourced in Douala, Cameroon and wool found in Columbus, Ohio thrift stores. Together, the materials weave a story of place, histories, and methods of closing the gap between Western upbringings and African cultural identities.

I want cornrows — Je veux des conrows (2026)
Handwoven with wool and raffia on loom
6ft by 18 inches

Teacher: Nancy Shiffrin, Philadelphia Guild of Handweavers

A meditation on hair braiding patterns, binary code, and materials with the loom. Inspired by African & Black diaspora hairstyles & my own connections of weaving and braiding as architectural engineering of indigenous technologies. Raffia sourced in Douala, Cameroon and wool found in Columbus, Ohio thrift stores. Together, the materials weave a story of place, histories, and methods of closing the gap between Western upbringings and African cultural identities.

I want cornrows — Je veux des conrows (2026)
Handwoven with wool and raffia on loom
6ft by 18 inches

Teacher: Nancy Shiffrin, Philadelphia Guild of Handweavers

A meditation on hair braiding patterns, binary code, and materials with the loom. Inspired by African & Black diaspora hairstyles & my own connections of weaving and braiding as architectural engineering of indigenous technologies. Raffia sourced in Douala, Cameroon and wool found in Columbus, Ohio thrift stores. Together, the materials weave a story of place, histories, and methods of closing the gap between Western upbringings and African cultural identities.

I want cornrows — Je veux des conrows (2026)
Handwoven with wool and raffia on loom
6ft by 18 inches

Teacher: Nancy Shiffrin, Philadelphia Guild of Handweavers

A meditation on hair braiding patterns, binary code, and materials with the loom. Inspired by African & Black diaspora hairstyles & my own connections of weaving and braiding as architectural engineering of indigenous technologies. Raffia sourced in Douala, Cameroon and wool found in Columbus, Ohio thrift stores. Together, the materials weave a story of place, histories, and methods of closing the gap between Western upbringings and African cultural identities.

I want cornrows — Je veux des conrows (2026)
Handwoven with wool and raffia on loom
6ft by 18 inches

Teacher: Nancy Shiffrin, Philadelphia Guild of Handweavers

A meditation on hair braiding patterns, binary code, and materials with the loom. Inspired by African & Black diaspora hairstyles & my own connections of weaving and braiding as architectural engineering of indigenous technologies. Raffia sourced in Douala, Cameroon and wool found in Columbus, Ohio thrift stores. Together, the materials weave a story of place, histories, and methods of closing the gap between Western upbringings and African cultural identities.

joyeux anniversaire à moi hihi haha
flix by @annalisamarieh

joyeux anniversaire à moi hihi haha
flix by @annalisamarieh

joyeux anniversaire à moi hihi haha
flix by @annalisamarieh

trust your waters Installation
shells, net, indigo, silk, linen, video, leather

thank you to all who got to engage with the work on opening night and to my collaborators at termite tv collective who encouraged me to include this piece

photo by Gabby Rodriguez
@termitetvcollective @cherrystreetpier

trust your waters Installation
shells, net, indigo, silk, linen, video, leather

thank you to all who got to engage with the work on opening night and to my collaborators at termite tv collective who encouraged me to include this piece

photo by Gabby Rodriguez
@termitetvcollective @cherrystreetpier

trust your waters Installation
shells, net, indigo, silk, linen, video, leather

thank you to all who got to engage with the work on opening night and to my collaborators at termite tv collective who encouraged me to include this piece

photo by Gabby Rodriguez
@termitetvcollective @cherrystreetpier

trust your waters Installation
shells, net, indigo, silk, linen, video, leather

thank you to all who got to engage with the work on opening night and to my collaborators at termite tv collective who encouraged me to include this piece

photo by Gabby Rodriguez
@termitetvcollective @cherrystreetpier

trust your waters Installation
shells, net, indigo, silk, linen, video, leather

thank you to all who got to engage with the work on opening night and to my collaborators at termite tv collective who encouraged me to include this piece

photo by Gabby Rodriguez
@termitetvcollective @cherrystreetpier

trust your waters Installation
shells, net, indigo, silk, linen, video, leather

thank you to all who got to engage with the work on opening night and to my collaborators at termite tv collective who encouraged me to include this piece

photo by Gabby Rodriguez
@termitetvcollective @cherrystreetpier

trust your waters Installation
shells, net, indigo, silk, linen, video, leather

thank you to all who got to engage with the work on opening night and to my collaborators at termite tv collective who encouraged me to include this piece

photo by Gabby Rodriguez
@termitetvcollective @cherrystreetpier

new shell, who this? 🐚

new shell, who this? 🐚

new shell, who this? 🐚

new shell, who this? 🐚

new shell, who this? 🐚

new shell, who this? 🐚

new shell, who this? 🐚

new shell, who this? 🐚

new shell, who this? 🐚

landscapes & people :
1 & 2solo camping sights at Assateague
4, 5 & 6 moments from 🇨🇲
3, 7, 8 & 9 philly
7. suldano & micah
8. skyline from the bus
9. photo walk at woodlands by sydney

landscapes & people :
1 & 2solo camping sights at Assateague
4, 5 & 6 moments from 🇨🇲
3, 7, 8 & 9 philly
7. suldano & micah
8. skyline from the bus
9. photo walk at woodlands by sydney

landscapes & people :
1 & 2solo camping sights at Assateague
4, 5 & 6 moments from 🇨🇲
3, 7, 8 & 9 philly
7. suldano & micah
8. skyline from the bus
9. photo walk at woodlands by sydney

landscapes & people :
1 & 2solo camping sights at Assateague
4, 5 & 6 moments from 🇨🇲
3, 7, 8 & 9 philly
7. suldano & micah
8. skyline from the bus
9. photo walk at woodlands by sydney

landscapes & people :
1 & 2solo camping sights at Assateague
4, 5 & 6 moments from 🇨🇲
3, 7, 8 & 9 philly
7. suldano & micah
8. skyline from the bus
9. photo walk at woodlands by sydney

landscapes & people :
1 & 2solo camping sights at Assateague
4, 5 & 6 moments from 🇨🇲
3, 7, 8 & 9 philly
7. suldano & micah
8. skyline from the bus
9. photo walk at woodlands by sydney

landscapes & people :
1 & 2solo camping sights at Assateague
4, 5 & 6 moments from 🇨🇲
3, 7, 8 & 9 philly
7. suldano & micah
8. skyline from the bus
9. photo walk at woodlands by sydney

landscapes & people :
1 & 2solo camping sights at Assateague
4, 5 & 6 moments from 🇨🇲
3, 7, 8 & 9 philly
7. suldano & micah
8. skyline from the bus
9. photo walk at woodlands by sydney

landscapes & people :
1 & 2solo camping sights at Assateague
4, 5 & 6 moments from 🇨🇲
3, 7, 8 & 9 philly
7. suldano & micah
8. skyline from the bus
9. photo walk at woodlands by sydney

first offering of @nsisim.studio — a course on weaving & its poetic liberatory metaphors, lessons and embodiments through fractals, hair weaving, memory work, cultural artifacts and resistance history

registration open. enjoy 🔗 in bio!

always merci to cameroonian roots as nsisim means ‘spirit’ in bulu, cameroon

video 3: market congo, douala 🇨🇲

first offering of @nsisim.studio — a course on weaving & its poetic liberatory metaphors, lessons and embodiments through fractals, hair weaving, memory work, cultural artifacts and resistance history

registration open. enjoy 🔗 in bio!

always merci to cameroonian roots as nsisim means ‘spirit’ in bulu, cameroon

video 3: market congo, douala 🇨🇲

first offering of @nsisim.studio — a course on weaving & its poetic liberatory metaphors, lessons and embodiments through fractals, hair weaving, memory work, cultural artifacts and resistance history

registration open. enjoy 🔗 in bio!

always merci to cameroonian roots as nsisim means ‘spirit’ in bulu, cameroon

video 3: market congo, douala 🇨🇲

@nsisim.studio is a slow burn practice of ecological embodiment offering creative services around the poetic & liberatory observations of nature, technology & the self — 🪞

we have a series of courses around Weaving, Time, Nature and the Web launching available on our website REGISTER :) & want to thank all those who have supported our previous publications and workshops!

credit:
creative direction, design, concept: @nsisim.studio
song: Sophie Lee @snowphie7
marketing & distribution strategy: Sasha Kelley @on.mommas
creative & emotional coach: Iris E. Fernández Valdés @abetter.coach

in true new moon in scorpio, my short film Soft In the Shell is out- using found footage, ritual at Assateague National Park, and archival footage of the self, the film is a meditation on forgiveness, shedding, and letting go through the poetics of scorpions, water, song, flora, and nature 🦂🐚🌊

The short is premiering at @ten01media on Nov 1st 7-11pm with other stellar filmmakers ~

may this season cradle you whole 🦂

in true new moon in scorpio, my short film Soft In the Shell is out- using found footage, ritual at Assateague National Park, and archival footage of the self, the film is a meditation on forgiveness, shedding, and letting go through the poetics of scorpions, water, song, flora, and nature 🦂🐚🌊

The short is premiering at @ten01media on Nov 1st 7-11pm with other stellar filmmakers ~

may this season cradle you whole 🦂

in true new moon in scorpio, my short film Soft In the Shell is out- using found footage, ritual at Assateague National Park, and archival footage of the self, the film is a meditation on forgiveness, shedding, and letting go through the poetics of scorpions, water, song, flora, and nature 🦂🐚🌊

The short is premiering at @ten01media on Nov 1st 7-11pm with other stellar filmmakers ~

may this season cradle you whole 🦂

excited to announce @nsisim.studio 's first offering
WEAVING TEMPORAL REALITIES 🐚
a workshop, a gathering, a slowing down

· oct 22 6-8p ·
open to bipoc folks **
🔗 register @voxpopuligallery

🐚 NSISIM studio is a slow burn transdisciplinary practice rooted in cultural memory, ecology, art, storytelling and temporality nurtured by Ingrid Raphaël @movingbodyofwork

A poetic rendering, NSISIM emerges from an imagination that <connects the dots> <moves> <weaves> <dances> between the personal and our environment.

subscribe to our substack & follow up for early announcements on future workshops, exhibits & films 🐚🌐

excited to announce @nsisim.studio 's first offering
WEAVING TEMPORAL REALITIES 🐚
a workshop, a gathering, a slowing down

· oct 22 6-8p ·
open to bipoc folks **
🔗 register @voxpopuligallery

🐚 NSISIM studio is a slow burn transdisciplinary practice rooted in cultural memory, ecology, art, storytelling and temporality nurtured by Ingrid Raphaël @movingbodyofwork

A poetic rendering, NSISIM emerges from an imagination that <connects the dots> <moves> <weaves> <dances> between the personal and our environment.

subscribe to our substack & follow up for early announcements on future workshops, exhibits & films 🐚🌐

excited to announce @nsisim.studio 's first offering
WEAVING TEMPORAL REALITIES 🐚
a workshop, a gathering, a slowing down

· oct 22 6-8p ·
open to bipoc folks **
🔗 register @voxpopuligallery

🐚 NSISIM studio is a slow burn transdisciplinary practice rooted in cultural memory, ecology, art, storytelling and temporality nurtured by Ingrid Raphaël @movingbodyofwork

A poetic rendering, NSISIM emerges from an imagination that <connects the dots> <moves> <weaves> <dances> between the personal and our environment.

subscribe to our substack & follow up for early announcements on future workshops, exhibits & films 🐚🌐

see you tues, aug 5 — 5:30pm free screening of I Am Somebody by Madeline Anderson and Fannie’s Film by Fronza Woods — organized by @cinespeak x @freelibrary • curated by moi w/ post-screening conversation 🌱

see you tues, aug 5 — 5:30pm free screening of I Am Somebody by Madeline Anderson and Fannie’s Film by Fronza Woods — organized by @cinespeak x @freelibrary • curated by moi w/ post-screening conversation 🌱

reminiscing on 𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒 ~ a labor of love inspired by my migrations to the u.s. and in between cities as well as reckoning with elements of water, memory, textures, suspension, and engravings~

link in bio to watch the tour 💙

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒takes its lexicon as the union between sound frequency and color imagery. Pitch is the frequency of a sound whereas Blue is a color and a feeling: a longing, a sadness, a contemplation.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒invites us to feel what we see and what we hear.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒operates as a mirror unto participants who are invested in excavating themselves in participation with the artist.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒utilizes photographs, weavings, sculpture, cartography, foraged plants and seashells to capture the dimensionality of their transient-alien identification.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒is the unification for all nomadic, indigenous, and alien peoples to gaze upon the universal pitch blue sky.

reminiscing on 𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒 ~ a labor of love inspired by my migrations to the u.s. and in between cities as well as reckoning with elements of water, memory, textures, suspension, and engravings~

link in bio to watch the tour 💙

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒takes its lexicon as the union between sound frequency and color imagery. Pitch is the frequency of a sound whereas Blue is a color and a feeling: a longing, a sadness, a contemplation.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒invites us to feel what we see and what we hear.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒operates as a mirror unto participants who are invested in excavating themselves in participation with the artist.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒utilizes photographs, weavings, sculpture, cartography, foraged plants and seashells to capture the dimensionality of their transient-alien identification.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒is the unification for all nomadic, indigenous, and alien peoples to gaze upon the universal pitch blue sky.

reminiscing on 𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒 ~ a labor of love inspired by my migrations to the u.s. and in between cities as well as reckoning with elements of water, memory, textures, suspension, and engravings~

link in bio to watch the tour 💙

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒takes its lexicon as the union between sound frequency and color imagery. Pitch is the frequency of a sound whereas Blue is a color and a feeling: a longing, a sadness, a contemplation.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒invites us to feel what we see and what we hear.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒operates as a mirror unto participants who are invested in excavating themselves in participation with the artist.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒utilizes photographs, weavings, sculpture, cartography, foraged plants and seashells to capture the dimensionality of their transient-alien identification.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒is the unification for all nomadic, indigenous, and alien peoples to gaze upon the universal pitch blue sky.

reminiscing on 𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒 ~ a labor of love inspired by my migrations to the u.s. and in between cities as well as reckoning with elements of water, memory, textures, suspension, and engravings~

link in bio to watch the tour 💙

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒takes its lexicon as the union between sound frequency and color imagery. Pitch is the frequency of a sound whereas Blue is a color and a feeling: a longing, a sadness, a contemplation.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒invites us to feel what we see and what we hear.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒operates as a mirror unto participants who are invested in excavating themselves in participation with the artist.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒utilizes photographs, weavings, sculpture, cartography, foraged plants and seashells to capture the dimensionality of their transient-alien identification.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒is the unification for all nomadic, indigenous, and alien peoples to gaze upon the universal pitch blue sky.

reminiscing on 𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒 ~ a labor of love inspired by my migrations to the u.s. and in between cities as well as reckoning with elements of water, memory, textures, suspension, and engravings~

link in bio to watch the tour 💙

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒takes its lexicon as the union between sound frequency and color imagery. Pitch is the frequency of a sound whereas Blue is a color and a feeling: a longing, a sadness, a contemplation.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒invites us to feel what we see and what we hear.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒operates as a mirror unto participants who are invested in excavating themselves in participation with the artist.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒utilizes photographs, weavings, sculpture, cartography, foraged plants and seashells to capture the dimensionality of their transient-alien identification.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒is the unification for all nomadic, indigenous, and alien peoples to gaze upon the universal pitch blue sky.

reminiscing on 𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒 ~ a labor of love inspired by my migrations to the u.s. and in between cities as well as reckoning with elements of water, memory, textures, suspension, and engravings~

link in bio to watch the tour 💙

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒takes its lexicon as the union between sound frequency and color imagery. Pitch is the frequency of a sound whereas Blue is a color and a feeling: a longing, a sadness, a contemplation.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒invites us to feel what we see and what we hear.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒operates as a mirror unto participants who are invested in excavating themselves in participation with the artist.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒utilizes photographs, weavings, sculpture, cartography, foraged plants and seashells to capture the dimensionality of their transient-alien identification.

𝒫𝒾𝓉𝒸𝒽 𝐵𝓁𝓊𝑒is the unification for all nomadic, indigenous, and alien peoples to gaze upon the universal pitch blue sky.