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Hyperreality Festival 2026
🔗 ticket link in bio

Join us on the 22nd and 23rd of May at Otto Wagner Areal for two days of absolute bliss 💋

@angel_d_lite
@anxi0us_t
@bapari_
@brotherofset
@bullyache_
@buttechn
@cortisastar
@fingersofgod
@miriamadefris @isaacrobskrrtson @dillonharrisonn
@inferno_london
@jess_whereyouat
@jorkes0
@kavarikavarikavari
@_mobbs
@5vsvl4r0ch3
@noo_orj
@____rent____
@subletvis
@_suutoo_
@tomboogizm
@tonynjokuartist
@waxwings____
@yves000_
@liminalz_ b2b @yeboyah

Hyperreality Festival 2026
🔗 ticket link in bio

Join us on the 22nd and 23rd of May at Otto Wagner Areal for two days of absolute bliss 💋

@angel_d_lite
@anxi0us_t
@bapari_
@brotherofset
@bullyache_
@buttechn
@cortisastar
@fingersofgod
@miriamadefris @isaacrobskrrtson @dillonharrisonn
@inferno_london
@jess_whereyouat
@jorkes0
@kavarikavarikavari
@_mobbs
@5vsvl4r0ch3
@noo_orj
@____rent____
@subletvis
@_suutoo_
@tomboogizm
@tonynjokuartist
@waxwings____
@yves000_
@liminalz_ b2b @yeboyah

Hyperreality Festival 2026
🔗 ticket link in bio

Join us on the 22nd and 23rd of May at Otto Wagner Areal for two days of absolute bliss 💋

@angel_d_lite
@anxi0us_t
@bapari_
@brotherofset
@bullyache_
@buttechn
@cortisastar
@fingersofgod
@miriamadefris @isaacrobskrrtson @dillonharrisonn
@inferno_london
@jess_whereyouat
@jorkes0
@kavarikavarikavari
@_mobbs
@5vsvl4r0ch3
@noo_orj
@____rent____
@subletvis
@_suutoo_
@tomboogizm
@tonynjokuartist
@waxwings____
@yves000_
@liminalz_ b2b @yeboyah

Hyperreality Festival 2026 | May 21–23, 2026
Otto Wagner Areal & Filmcasino, Vienna
🔗 ticket link in Bio

FULL 🥵 LINEUP 🥵 RELEASE

@amaaena pres. motionCHOSEN_in*practice (Movie)
@angel_d_lite
@anxi0us_t
@bapari_
@brotherofset
@bullyache_
@buttechn pres. X-berg dubs
@cortisastar
@fingersofgod
Flur @miriamadefris @isaacrobskrrtson @dillonharrisonn
Grove x Ossia @theyisgrove @ossiaossiaossia
Inferno London Showcase @inferno_london
@jorkes0
Joyboy: A Tribute to Julius Eastman (Movie) @collectif_fairepart
@kavarikavarikavari
@lewisgburton
MOBBS x Susu Laroche @susularoche @_mobbs
@noo_orj
PXKRW pres. UNBOUND (Movie) @pxkrw.hybrid
@____rent____
@subletvis
@_suutoo_ pres. STARFIRE
@tomboogizm
@tonynjokuartist
@waxwings____
@yves000_
zey b2b YEBO @yeboyah @liminalz_

🎨🚽: @marlenek___r @exex_world
Booking: @marlene_angel_bk @katiacurie @marlenek___r

JOIN US FOR HYPERREALITY MOVIE NIGHT 🍿
21.5.2026, 6.30pm @filmcasino
Ticket link in Bio (click Movie Night)

motionCHOSEN_in*practice @amaaena
Joy Boy @collectif_fairepart Mawena Yehouessi, Fallon Mayanja, Rob Jacobs, Victoire Karera Kampire, Paul Shemisi, Anne Reijniers
UNBOUND @pxkrw.hybrid

Hyperreality does not understand music exclusively as something present. Even if many of the invited works emerge in the here and now—formally, aesthetically, and socially—the context in which they exist is never limited to the present. Musical practices always emerge in relation: to historical lineages, to archives, to lost or suppressed histories. Time does not unfold linearly. Ideas reappear, shift, are reinterpreted, or remain invisible for long periods. The festival’s film program begins precisely here. It expands the focus on sound through a temporal perspective: as a way of understanding musical practice not only as a current state, but as part of a larger, often fragmented context.

Continue reading in the comments ⬇️⬇️⬇️

JOIN US FOR HYPERREALITY MOVIE NIGHT 🍿
21.5.2026, 6.30pm @filmcasino
Ticket link in Bio (click Movie Night)

motionCHOSEN_in*practice @amaaena
Joy Boy @collectif_fairepart Mawena Yehouessi, Fallon Mayanja, Rob Jacobs, Victoire Karera Kampire, Paul Shemisi, Anne Reijniers
UNBOUND @pxkrw.hybrid

Hyperreality does not understand music exclusively as something present. Even if many of the invited works emerge in the here and now—formally, aesthetically, and socially—the context in which they exist is never limited to the present. Musical practices always emerge in relation: to historical lineages, to archives, to lost or suppressed histories. Time does not unfold linearly. Ideas reappear, shift, are reinterpreted, or remain invisible for long periods. The festival’s film program begins precisely here. It expands the focus on sound through a temporal perspective: as a way of understanding musical practice not only as a current state, but as part of a larger, often fragmented context.

Continue reading in the comments ⬇️⬇️⬇️

JOIN US FOR HYPERREALITY MOVIE NIGHT 🍿
21.5.2026, 6.30pm @filmcasino
Ticket link in Bio (click Movie Night)

motionCHOSEN_in*practice @amaaena
Joy Boy @collectif_fairepart Mawena Yehouessi, Fallon Mayanja, Rob Jacobs, Victoire Karera Kampire, Paul Shemisi, Anne Reijniers
UNBOUND @pxkrw.hybrid

Hyperreality does not understand music exclusively as something present. Even if many of the invited works emerge in the here and now—formally, aesthetically, and socially—the context in which they exist is never limited to the present. Musical practices always emerge in relation: to historical lineages, to archives, to lost or suppressed histories. Time does not unfold linearly. Ideas reappear, shift, are reinterpreted, or remain invisible for long periods. The festival’s film program begins precisely here. It expands the focus on sound through a temporal perspective: as a way of understanding musical practice not only as a current state, but as part of a larger, often fragmented context.

Continue reading in the comments ⬇️⬇️⬇️

Vienna back again for @hyperreality.at

I’m a little woozy from the lack of sleep butthe sweetest people have taken care of me all day

Looking forward to sharing in the ceremony, something special is in the air

Also look at this church ⛪️ damn!

Vienna back again for @hyperreality.at

I’m a little woozy from the lack of sleep butthe sweetest people have taken care of me all day

Looking forward to sharing in the ceremony, something special is in the air

Also look at this church ⛪️ damn!

Vienna back again for @hyperreality.at

I’m a little woozy from the lack of sleep butthe sweetest people have taken care of me all day

Looking forward to sharing in the ceremony, something special is in the air

Also look at this church ⛪️ damn!

Vienna back again for @hyperreality.at

I’m a little woozy from the lack of sleep butthe sweetest people have taken care of me all day

Looking forward to sharing in the ceremony, something special is in the air

Also look at this church ⛪️ damn!

Vienna back again for @hyperreality.at

I’m a little woozy from the lack of sleep butthe sweetest people have taken care of me all day

Looking forward to sharing in the ceremony, something special is in the air

Also look at this church ⛪️ damn!

Vienna back again for @hyperreality.at

I’m a little woozy from the lack of sleep butthe sweetest people have taken care of me all day

Looking forward to sharing in the ceremony, something special is in the air

Also look at this church ⛪️ damn!

Vienna back again for @hyperreality.at

I’m a little woozy from the lack of sleep butthe sweetest people have taken care of me all day

Looking forward to sharing in the ceremony, something special is in the air

Also look at this church ⛪️ damn!

Vienna back again for @hyperreality.at

I’m a little woozy from the lack of sleep butthe sweetest people have taken care of me all day

Looking forward to sharing in the ceremony, something special is in the air

Also look at this church ⛪️ damn!

Vienna back again for @hyperreality.at

I’m a little woozy from the lack of sleep butthe sweetest people have taken care of me all day

Looking forward to sharing in the ceremony, something special is in the air

Also look at this church ⛪️ damn!

Vienna back again for @hyperreality.at

I’m a little woozy from the lack of sleep butthe sweetest people have taken care of me all day

Looking forward to sharing in the ceremony, something special is in the air

Also look at this church ⛪️ damn!

Vienna back again for @hyperreality.at

I’m a little woozy from the lack of sleep butthe sweetest people have taken care of me all day

Looking forward to sharing in the ceremony, something special is in the air

Also look at this church ⛪️ damn!

TONIGHT @hyperreality.at
Live 23.30
Grief in progress performance

Vienna

photos: @remainsofd @club_are
look: @straytukay

TONIGHT @hyperreality.at
Live 23.30
Grief in progress performance

Vienna

photos: @remainsofd @club_are
look: @straytukay

TONIGHT @hyperreality.at
Live 23.30
Grief in progress performance

Vienna

photos: @remainsofd @club_are
look: @straytukay

TONIGHT @hyperreality.at
Live 23.30
Grief in progress performance

Vienna

photos: @remainsofd @club_are
look: @straytukay

INFERNO x Hyperreality showcase tonight in Vienna @inferno_london @hyperreality.at

We’re so honoured and grateful to be here with the beautiful Hyperreality Festival community for what is going to be a very fabulous evening.

Joining us tonight:
@lewisgburton
@waxwings____
@kavarikavarikavari
@anxi0us_t
@____rent____
And me @brotherofset

Right now we’re lying in the royal gardens soaking in the sun and enjoying the Wiener life before we descend onto the dance floor later tonight.

Vienna, we can’t wait to dance with you.

See you all very soon ❤️‍🔥

motionCHOSEN_in*practice by @amaaena is moving into the Otto Wagner Areal for this year’s Hyperreality festival. Take a good look and you might find this special room, dedicated to the rave body. The endless loop of rave is accompanied by a site specific sculpture 👀 we ask our wonderful crowd to respect the artwork and invite you to stay, listen, enjoy 💋

motionCHOSEN_in*practice by @amaaena is moving into the Otto Wagner Areal for this year’s Hyperreality festival. Take a good look and you might find this special room, dedicated to the rave body. The endless loop of rave is accompanied by a site specific sculpture 👀 we ask our wonderful crowd to respect the artwork and invite you to stay, listen, enjoy 💋

Win Hyperreality Festival daily tickets for you and your +1 🎟️

We’re giving away 5 pairs of daily tickets to @hyperreality.at Festival taking place on 22–23 May at Otto Wagner Areal, Vienna.

To enter:
• Follow @thesocialhub.vienna & @hyperreality.at
• Like this post
• Tag the person you want to bring in the comments

Extra entry:
• Repost this post to your story

Giveaway closes tomorrow at 10:30am.
Winners will be announced at 11am via our stories and DM.

Good luck ✨

#vienna #wien #viennafestival

Win Hyperreality Festival daily tickets for you and your +1 🎟️

We’re giving away 5 pairs of daily tickets to @hyperreality.at Festival taking place on 22–23 May at Otto Wagner Areal, Vienna.

To enter:
• Follow @thesocialhub.vienna & @hyperreality.at
• Like this post
• Tag the person you want to bring in the comments

Extra entry:
• Repost this post to your story

Giveaway closes tomorrow at 10:30am.
Winners will be announced at 11am via our stories and DM.

Good luck ✨

#vienna #wien #viennafestival

Win Hyperreality Festival daily tickets for you and your +1 🎟️

We’re giving away 5 pairs of daily tickets to @hyperreality.at Festival taking place on 22–23 May at Otto Wagner Areal, Vienna.

To enter:
• Follow @thesocialhub.vienna & @hyperreality.at
• Like this post
• Tag the person you want to bring in the comments

Extra entry:
• Repost this post to your story

Giveaway closes tomorrow at 10:30am.
Winners will be announced at 11am via our stories and DM.

Good luck ✨

#vienna #wien #viennafestival

Klo-Bar in collaboration with @siegfried_resch_wines 🍾

“If reality is a poem, this room is a love letter.”

The Klo-Bar began with a very specific club feeling: disappearing for a moment and not wanting to return just yet.
Not every important part of nightlife happens on the dancefloor.

Sometimes it happens in transitional spaces — between toilets, corridors, mirrors, bars, people waiting for each other. Places where conversations stretch out, where time slows down, where someone touches your arm while the music leaks through the walls.

The Klo-Bar is inspired by these architectures of intimacy inside club culture.
Spaces that were never designed as destinations, yet often become the emotional centre of the night.

Club toilets operate differently from the dancefloor.
Less spectacle, more residue.
Less performance, more negotiation.

Over time, they become accidental archives.
Messages on walls, numbers, stickers, sketches, fragments of thought.
A collective text written in passing.

The Klo-Bar exists somewhere inside this atmosphere:
part hiding spot, part social sculpture, part love letter to all the temporary realities that only make sense at 4am.

Cash only!
Poem & text: @marlene_angel_bk
Pic slide 2 @anya.sku

Klo-Bar in collaboration with @siegfried_resch_wines 🍾

“If reality is a poem, this room is a love letter.”

The Klo-Bar began with a very specific club feeling: disappearing for a moment and not wanting to return just yet.
Not every important part of nightlife happens on the dancefloor.

Sometimes it happens in transitional spaces — between toilets, corridors, mirrors, bars, people waiting for each other. Places where conversations stretch out, where time slows down, where someone touches your arm while the music leaks through the walls.

The Klo-Bar is inspired by these architectures of intimacy inside club culture.
Spaces that were never designed as destinations, yet often become the emotional centre of the night.

Club toilets operate differently from the dancefloor.
Less spectacle, more residue.
Less performance, more negotiation.

Over time, they become accidental archives.
Messages on walls, numbers, stickers, sketches, fragments of thought.
A collective text written in passing.

The Klo-Bar exists somewhere inside this atmosphere:
part hiding spot, part social sculpture, part love letter to all the temporary realities that only make sense at 4am.

Cash only!
Poem & text: @marlene_angel_bk
Pic slide 2 @anya.sku

Always there when we call 🥰 lots of love to our mobility partner @taxi40100 🚕

Pics by @anya.sku taken at Hyperreality 2025

Always there when we call 🥰 lots of love to our mobility partner @taxi40100 🚕

Pics by @anya.sku taken at Hyperreality 2025

Always there when we call 🥰 lots of love to our mobility partner @taxi40100 🚕

Pics by @anya.sku taken at Hyperreality 2025

Always there when we call 🥰 lots of love to our mobility partner @taxi40100 🚕

Pics by @anya.sku taken at Hyperreality 2025

🚨 Code of Conduct 👀

As the festival is getting closer we want to draw your attention to our Code of Conduct. Hyperreality is dedicated to providing a harassment-free experience for everyone, regardless of gender, gender identity and expression, sexual orientation, disability, mental illness, neurotype, physical appearance, body, age, race, ethnicity, nationality, language, or religion. We do not tolerate harassment of any form within Hyperreality spaces. 

Find the full Code of Conduct on our website - direct link in bio 🔗

🚨 Code of Conduct 👀

As the festival is getting closer we want to draw your attention to our Code of Conduct. Hyperreality is dedicated to providing a harassment-free experience for everyone, regardless of gender, gender identity and expression, sexual orientation, disability, mental illness, neurotype, physical appearance, body, age, race, ethnicity, nationality, language, or religion. We do not tolerate harassment of any form within Hyperreality spaces. 

Find the full Code of Conduct on our website - direct link in bio 🔗

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy

INFERNO Showcase | 22/05/26
🔗 ticket link in bio
@inferno_london @____rent____ @waxwings____ @lewisgburton @kavarikavarikavari @brotherofset @anxi0us_t

A key element of this year’s program is the INFERNO showcase, developed in close collaboration with Lewis G. Burton. Founded in London, INFERNO is a queer- and trans-led platform operating at the intersection of nightlife, performance and artistic practice. Over more than a decade, it has established itself as one of the city’s most enduring spaces for collective expression, grounded in care, experimentation and community-led organisation.

Emerging from the need to create intentional environments for queer and trans people within nightlife, INFERNO approaches the club as a form of infrastructure rather than a temporary event. Its work centres those who are often excluded from dominant club narratives — particularly trans, non-binary, intersex and working-class LGBTQ+ communities — and builds conditions in which these perspectives are not only visible, but structurally supported.

This approach unfolds within a broader context of spatial and economic pressure. In cities like London, where a significant number of LGBTQ+ venues have closed over the past decade, nightlife is increasingly fragile. Against this backdrop, INFERNO’s work can be understood as a form of resistance: not only preserving space, but actively reimagining how it is produced, shared and sustained.

In Vienna, INFERNO does not appear as a fixed format, but as a living structure — unfolding through sound, bodies and encounters, while remaining connected to the conditions and communities from which it emerged.

Pics 1-6 @999999999boyscrysendpics
Pics 7-11 @sausageandcustard
Pic 12 (c) Roxy Lee9
Pics & Vids 13-18 @willixmkennedy