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haltypefaces
HAL Typefaces
Elias Hanzer ๐ต Lucas Liccini ๐ข independent vendor for digital fonts and typographic solutions ๐
Itโs Time
Major HAL Timezone Full-Family Expansion is finally here
Say hello the long-awaited Timezone update, with more weights, more languages, more glyphs and more altitude.
The new full family spans 6 weights and 18 styles and is ready for departure.
Remember, Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
Itโs Time
Major HAL Timezone Full-Family Expansion is finally here
Say hello the long-awaited Timezone update, with more weights, more languages, more glyphs and more altitude.
The new full family spans 6 weights and 18 styles and is ready for departure.
Remember, Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
Itโs Time
Major HAL Timezone Full-Family Expansion is finally here
Say hello the long-awaited Timezone update, with more weights, more languages, more glyphs and more altitude.
The new full family spans 6 weights and 18 styles and is ready for departure.
Remember, Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
Introducing HAL Typefaces' newest font release GAP โญ๏ธโ
โ
HAL Gap is a powerful display sans perfect for those mighty headlines. โ
โ
Originally inspired by โLeporelloโ, Friedrich Popplโs 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weightโ ranging from an extremely thin and compressed XXS to a wide and heavy XXL. โ
โ
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.โ
โ
Trial for free โ
www.haltypefaces.comโ
โ
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP โญ๏ธโ
โ
HAL Gap is a powerful display sans perfect for those mighty headlines. โ
โ
Originally inspired by โLeporelloโ, Friedrich Popplโs 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weightโ ranging from an extremely thin and compressed XXS to a wide and heavy XXL. โ
โ
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.โ
โ
Trial for free โ
www.haltypefaces.comโ
โ
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP โญ๏ธโ
โ
HAL Gap is a powerful display sans perfect for those mighty headlines. โ
โ
Originally inspired by โLeporelloโ, Friedrich Popplโs 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weightโ ranging from an extremely thin and compressed XXS to a wide and heavy XXL. โ
โ
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.โ
โ
Trial for free โ
www.haltypefaces.comโ
โ
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP โญ๏ธโ
โ
HAL Gap is a powerful display sans perfect for those mighty headlines. โ
โ
Originally inspired by โLeporelloโ, Friedrich Popplโs 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weightโ ranging from an extremely thin and compressed XXS to a wide and heavy XXL. โ
โ
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.โ
โ
Trial for free โ
www.haltypefaces.comโ
โ
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP โญ๏ธโ
โ
HAL Gap is a powerful display sans perfect for those mighty headlines. โ
โ
Originally inspired by โLeporelloโ, Friedrich Popplโs 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weightโ ranging from an extremely thin and compressed XXS to a wide and heavy XXL. โ
โ
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.โ
โ
Trial for free โ
www.haltypefaces.comโ
โ
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP โญ๏ธโ
โ
HAL Gap is a powerful display sans perfect for those mighty headlines. โ
โ
Originally inspired by โLeporelloโ, Friedrich Popplโs 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weightโ ranging from an extremely thin and compressed XXS to a wide and heavy XXL. โ
โ
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.โ
โ
Trial for free โ
www.haltypefaces.comโ
โ
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP โญ๏ธโ
โ
HAL Gap is a powerful display sans perfect for those mighty headlines. โ
โ
Originally inspired by โLeporelloโ, Friedrich Popplโs 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weightโ ranging from an extremely thin and compressed XXS to a wide and heavy XXL. โ
โ
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.โ
โ
Trial for free โ
www.haltypefaces.comโ
โ
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP โญ๏ธโ
โ
HAL Gap is a powerful display sans perfect for those mighty headlines. โ
โ
Originally inspired by โLeporelloโ, Friedrich Popplโs 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weightโ ranging from an extremely thin and compressed XXS to a wide and heavy XXL. โ
โ
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.โ
โ
Trial for free โ
www.haltypefaces.comโ
โ
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP โญ๏ธโ
โ
HAL Gap is a powerful display sans perfect for those mighty headlines. โ
โ
Originally inspired by โLeporelloโ, Friedrich Popplโs 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weightโ ranging from an extremely thin and compressed XXS to a wide and heavy XXL. โ
โ
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.โ
โ
Trial for free โ
www.haltypefaces.comโ
โ
#type01 #typedesign #typeface #graphicdesigner #typography
Introducing HAL Typefaces' newest font release GAP โญ๏ธโ
โ
HAL Gap is a powerful display sans perfect for those mighty headlines. โ
โ
Originally inspired by โLeporelloโ, Friedrich Popplโs 1977 design for Berthold, Gap comes in seven individual styles, diverging in width and weightโ ranging from an extremely thin and compressed XXS to a wide and heavy XXL. โ
โ
All static styles are encased in a gutsy variable font, seamlessly shaping countless instances in between.โ
โ
Trial for free โ
www.haltypefaces.comโ
โ
#type01 #typedesign #typeface #graphicdesigner #typography
๐นNEW RELEASE๐งโโ๏ธ
๐งโโ๏ธHAL Typefaces proudly presents
๐ฎHAL Magicโจ
๐งโโ๏ธMagic is a confident and dynamic geometric sans-serif face๐ชThe superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font๐Enjoy the show!
๐งDesign: HAL Typefaces (Elias Hanzer, Lucas Liccini)
โจ Production: HAL Typefaces with Alex Lescieux @alescieux
๐งโโ๏ธLINK: https://type.hanli.eu/magic/
๐ฒTrials available here: https://type.hanli.eu/trials/
๐นNEW RELEASE๐งโโ๏ธ
๐งโโ๏ธHAL Typefaces proudly presents
๐ฎHAL Magicโจ
๐งโโ๏ธMagic is a confident and dynamic geometric sans-serif face๐ชThe superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font๐Enjoy the show!
๐งDesign: HAL Typefaces (Elias Hanzer, Lucas Liccini)
โจ Production: HAL Typefaces with Alex Lescieux @alescieux
๐งโโ๏ธLINK: https://type.hanli.eu/magic/
๐ฒTrials available here: https://type.hanli.eu/trials/
๐นNEW RELEASE๐งโโ๏ธ
๐งโโ๏ธHAL Typefaces proudly presents
๐ฎHAL Magicโจ
๐งโโ๏ธMagic is a confident and dynamic geometric sans-serif face๐ชThe superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font๐Enjoy the show!
๐งDesign: HAL Typefaces (Elias Hanzer, Lucas Liccini)
โจ Production: HAL Typefaces with Alex Lescieux @alescieux
๐งโโ๏ธLINK: https://type.hanli.eu/magic/
๐ฒTrials available here: https://type.hanli.eu/trials/
๐นNEW RELEASE๐งโโ๏ธ
๐งโโ๏ธHAL Typefaces proudly presents
๐ฎHAL Magicโจ
๐งโโ๏ธMagic is a confident and dynamic geometric sans-serif face๐ชThe superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font๐Enjoy the show!
๐งDesign: HAL Typefaces (Elias Hanzer, Lucas Liccini)
โจ Production: HAL Typefaces with Alex Lescieux @alescieux
๐งโโ๏ธLINK: https://type.hanli.eu/magic/
๐ฒTrials available here: https://type.hanli.eu/trials/
๐นNEW RELEASE๐งโโ๏ธ
๐งโโ๏ธHAL Typefaces proudly presents
๐ฎHAL Magicโจ
๐งโโ๏ธMagic is a confident and dynamic geometric sans-serif face๐ชThe superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font๐Enjoy the show!
๐งDesign: HAL Typefaces (Elias Hanzer, Lucas Liccini)
โจ Production: HAL Typefaces with Alex Lescieux @alescieux
๐งโโ๏ธLINK: https://type.hanli.eu/magic/
๐ฒTrials available here: https://type.hanli.eu/trials/
๐นNEW RELEASE๐งโโ๏ธ
๐งโโ๏ธHAL Typefaces proudly presents
๐ฎHAL Magicโจ
๐งโโ๏ธMagic is a confident and dynamic geometric sans-serif face๐ชThe superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font๐Enjoy the show!
๐งDesign: HAL Typefaces (Elias Hanzer, Lucas Liccini)
โจ Production: HAL Typefaces with Alex Lescieux @alescieux
๐งโโ๏ธLINK: https://type.hanli.eu/magic/
๐ฒTrials available here: https://type.hanli.eu/trials/
๐นNEW RELEASE๐งโโ๏ธ
๐งโโ๏ธHAL Typefaces proudly presents
๐ฎHAL Magicโจ
๐งโโ๏ธMagic is a confident and dynamic geometric sans-serif face๐ชThe superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font๐Enjoy the show!
๐งDesign: HAL Typefaces (Elias Hanzer, Lucas Liccini)
โจ Production: HAL Typefaces with Alex Lescieux @alescieux
๐งโโ๏ธLINK: https://type.hanli.eu/magic/
๐ฒTrials available here: https://type.hanli.eu/trials/
๐นNEW RELEASE๐งโโ๏ธ
๐งโโ๏ธHAL Typefaces proudly presents
๐ฎHAL Magicโจ
๐งโโ๏ธMagic is a confident and dynamic geometric sans-serif face๐ชThe superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font๐Enjoy the show!
๐งDesign: HAL Typefaces (Elias Hanzer, Lucas Liccini)
โจ Production: HAL Typefaces with Alex Lescieux @alescieux
๐งโโ๏ธLINK: https://type.hanli.eu/magic/
๐ฒTrials available here: https://type.hanli.eu/trials/
๐นNEW RELEASE๐งโโ๏ธ
๐งโโ๏ธHAL Typefaces proudly presents
๐ฎHAL Magicโจ
๐งโโ๏ธMagic is a confident and dynamic geometric sans-serif face๐ชThe superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font๐Enjoy the show!
๐งDesign: HAL Typefaces (Elias Hanzer, Lucas Liccini)
โจ Production: HAL Typefaces with Alex Lescieux @alescieux
๐งโโ๏ธLINK: https://type.hanli.eu/magic/
๐ฒTrials available here: https://type.hanli.eu/trials/
๐นNEW RELEASE๐งโโ๏ธ
๐งโโ๏ธHAL Typefaces proudly presents
๐ฎHAL Magicโจ
๐งโโ๏ธMagic is a confident and dynamic geometric sans-serif face๐ชThe superfamily spans 3 subfamilies (High, Mid, Low) and 36 individual styles, all included in one spellbinding variable font๐Enjoy the show!
๐งDesign: HAL Typefaces (Elias Hanzer, Lucas Liccini)
โจ Production: HAL Typefaces with Alex Lescieux @alescieux
๐งโโ๏ธLINK: https://type.hanli.eu/magic/
๐ฒTrials available here: https://type.hanli.eu/trials/
Aprilโs C.V Monthly Edit is curated by Elias Hanzer @haltypefaces, an Austrian graphic and type designer based in Berlin. Landing in your inbox on Thursday ๐
แดดแดฌแดธ แตโฑแตแตแถปแตโฟแต โฑโฟ แตหขแต
Arts of the Working Class, Issue โ40
@arts_of_the_working_class
This issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeball
With a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).
@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran
๐๐ ๐๐ซ๐ ๐ฏ๐๐ซ๐ฒ ๐ก๐๐ฉ๐ฉ๐ฒ ๐ญ๐จ ๐ก๐๐ฏ๐ ๐ก๐๐ ๐ญ๐ก๐ ๐จ๐ฉ๐ฉ๐จ๐ซ๐ญ๐ฎ๐ง๐ข๐ญ๐ฒ ๐ญ๐จ ๐๐จ๐ง๐๐ญ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐ ๐ญ๐จ ๐๐๐๐ ๐๐ง๐ ๐ก๐๐ฅ๐ฉ ๐ญ๐ก๐๐ข๐ซ ๐๐๐ฎ๐ฌ๐.
โA multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and Marรญa Inรฉs Plaza Lazo for the streets of the world [โฆ] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wieselโs famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.โ
สแดส แดษดแด
๊ฑแดแดแดแดสแด: สแดแดแด๊ฑ://แดสแด๊ฑแด๊ฐแดสแดแดกแดสแดษชษดษขแดสแด๊ฑ๊ฑ.แดสษข/๊ฑสแดแด๊ฑ/
IMPRINT
Founder / Publisher / Editor at Large
Marรญa Inรฉs Plaza Lazo @mi_plaza
Editor in Chief
Dalia Maini @shitshines
Associate Editor
Maria Portilla Acevedo / Mi Valedor
@mariaportilla1
Copyediting
William Kherbek
Staeff Guenther
Management Lead
Lubi Barre
Distribution Lead / Management Assistance
Hannah Lu Verse
Layout / Design
Studio Manuel Raeder
(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)
FONTS used in AOWC ISSUE 40
Selios by Mariana Castillo Deball
Kaleidoscopic Eye by Mariana Castillo Deball
Paolozzi by Mariana Castillo Deball
Plaetze by Raoul Gottschling @raoulgottschling
Pirelli by Jung-Lee Type Foundry @jung_lee_type_foundry
HAL Timezone by HAL Typefaces
Volunteers
Cora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie
แดดแดฌแดธ แตโฑแตแตแถปแตโฟแต โฑโฟ แตหขแต
Arts of the Working Class, Issue โ40
@arts_of_the_working_class
This issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeball
With a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).
@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran
๐๐ ๐๐ซ๐ ๐ฏ๐๐ซ๐ฒ ๐ก๐๐ฉ๐ฉ๐ฒ ๐ญ๐จ ๐ก๐๐ฏ๐ ๐ก๐๐ ๐ญ๐ก๐ ๐จ๐ฉ๐ฉ๐จ๐ซ๐ญ๐ฎ๐ง๐ข๐ญ๐ฒ ๐ญ๐จ ๐๐จ๐ง๐๐ญ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐ ๐ญ๐จ ๐๐๐๐ ๐๐ง๐ ๐ก๐๐ฅ๐ฉ ๐ญ๐ก๐๐ข๐ซ ๐๐๐ฎ๐ฌ๐.
โA multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and Marรญa Inรฉs Plaza Lazo for the streets of the world [โฆ] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wieselโs famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.โ
สแดส แดษดแด
๊ฑแดแดแดแดสแด: สแดแดแด๊ฑ://แดสแด๊ฑแด๊ฐแดสแดแดกแดสแดษชษดษขแดสแด๊ฑ๊ฑ.แดสษข/๊ฑสแดแด๊ฑ/
IMPRINT
Founder / Publisher / Editor at Large
Marรญa Inรฉs Plaza Lazo @mi_plaza
Editor in Chief
Dalia Maini @shitshines
Associate Editor
Maria Portilla Acevedo / Mi Valedor
@mariaportilla1
Copyediting
William Kherbek
Staeff Guenther
Management Lead
Lubi Barre
Distribution Lead / Management Assistance
Hannah Lu Verse
Layout / Design
Studio Manuel Raeder
(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)
FONTS used in AOWC ISSUE 40
Selios by Mariana Castillo Deball
Kaleidoscopic Eye by Mariana Castillo Deball
Paolozzi by Mariana Castillo Deball
Plaetze by Raoul Gottschling @raoulgottschling
Pirelli by Jung-Lee Type Foundry @jung_lee_type_foundry
HAL Timezone by HAL Typefaces
Volunteers
Cora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie
แดดแดฌแดธ แตโฑแตแตแถปแตโฟแต โฑโฟ แตหขแต
Arts of the Working Class, Issue โ40
@arts_of_the_working_class
This issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeball
With a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).
@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran
๐๐ ๐๐ซ๐ ๐ฏ๐๐ซ๐ฒ ๐ก๐๐ฉ๐ฉ๐ฒ ๐ญ๐จ ๐ก๐๐ฏ๐ ๐ก๐๐ ๐ญ๐ก๐ ๐จ๐ฉ๐ฉ๐จ๐ซ๐ญ๐ฎ๐ง๐ข๐ญ๐ฒ ๐ญ๐จ ๐๐จ๐ง๐๐ญ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐ ๐ญ๐จ ๐๐๐๐ ๐๐ง๐ ๐ก๐๐ฅ๐ฉ ๐ญ๐ก๐๐ข๐ซ ๐๐๐ฎ๐ฌ๐.
โA multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and Marรญa Inรฉs Plaza Lazo for the streets of the world [โฆ] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wieselโs famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.โ
สแดส แดษดแด
๊ฑแดแดแดแดสแด: สแดแดแด๊ฑ://แดสแด๊ฑแด๊ฐแดสแดแดกแดสแดษชษดษขแดสแด๊ฑ๊ฑ.แดสษข/๊ฑสแดแด๊ฑ/
IMPRINT
Founder / Publisher / Editor at Large
Marรญa Inรฉs Plaza Lazo @mi_plaza
Editor in Chief
Dalia Maini @shitshines
Associate Editor
Maria Portilla Acevedo / Mi Valedor
@mariaportilla1
Copyediting
William Kherbek
Staeff Guenther
Management Lead
Lubi Barre
Distribution Lead / Management Assistance
Hannah Lu Verse
Layout / Design
Studio Manuel Raeder
(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)
FONTS used in AOWC ISSUE 40
Selios by Mariana Castillo Deball
Kaleidoscopic Eye by Mariana Castillo Deball
Paolozzi by Mariana Castillo Deball
Plaetze by Raoul Gottschling @raoulgottschling
Pirelli by Jung-Lee Type Foundry @jung_lee_type_foundry
HAL Timezone by HAL Typefaces
Volunteers
Cora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie
แดดแดฌแดธ แตโฑแตแตแถปแตโฟแต โฑโฟ แตหขแต
Arts of the Working Class, Issue โ40
@arts_of_the_working_class
This issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeball
With a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).
@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran
๐๐ ๐๐ซ๐ ๐ฏ๐๐ซ๐ฒ ๐ก๐๐ฉ๐ฉ๐ฒ ๐ญ๐จ ๐ก๐๐ฏ๐ ๐ก๐๐ ๐ญ๐ก๐ ๐จ๐ฉ๐ฉ๐จ๐ซ๐ญ๐ฎ๐ง๐ข๐ญ๐ฒ ๐ญ๐จ ๐๐จ๐ง๐๐ญ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐ ๐ญ๐จ ๐๐๐๐ ๐๐ง๐ ๐ก๐๐ฅ๐ฉ ๐ญ๐ก๐๐ข๐ซ ๐๐๐ฎ๐ฌ๐.
โA multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and Marรญa Inรฉs Plaza Lazo for the streets of the world [โฆ] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wieselโs famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.โ
สแดส แดษดแด
๊ฑแดแดแดแดสแด: สแดแดแด๊ฑ://แดสแด๊ฑแด๊ฐแดสแดแดกแดสแดษชษดษขแดสแด๊ฑ๊ฑ.แดสษข/๊ฑสแดแด๊ฑ/
IMPRINT
Founder / Publisher / Editor at Large
Marรญa Inรฉs Plaza Lazo @mi_plaza
Editor in Chief
Dalia Maini @shitshines
Associate Editor
Maria Portilla Acevedo / Mi Valedor
@mariaportilla1
Copyediting
William Kherbek
Staeff Guenther
Management Lead
Lubi Barre
Distribution Lead / Management Assistance
Hannah Lu Verse
Layout / Design
Studio Manuel Raeder
(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)
FONTS used in AOWC ISSUE 40
Selios by Mariana Castillo Deball
Kaleidoscopic Eye by Mariana Castillo Deball
Paolozzi by Mariana Castillo Deball
Plaetze by Raoul Gottschling @raoulgottschling
Pirelli by Jung-Lee Type Foundry @jung_lee_type_foundry
HAL Timezone by HAL Typefaces
Volunteers
Cora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie
แดดแดฌแดธ แตโฑแตแตแถปแตโฟแต โฑโฟ แตหขแต
Arts of the Working Class, Issue โ40
@arts_of_the_working_class
This issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeball
With a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).
@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran
๐๐ ๐๐ซ๐ ๐ฏ๐๐ซ๐ฒ ๐ก๐๐ฉ๐ฉ๐ฒ ๐ญ๐จ ๐ก๐๐ฏ๐ ๐ก๐๐ ๐ญ๐ก๐ ๐จ๐ฉ๐ฉ๐จ๐ซ๐ญ๐ฎ๐ง๐ข๐ญ๐ฒ ๐ญ๐จ ๐๐จ๐ง๐๐ญ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐ ๐ญ๐จ ๐๐๐๐ ๐๐ง๐ ๐ก๐๐ฅ๐ฉ ๐ญ๐ก๐๐ข๐ซ ๐๐๐ฎ๐ฌ๐.
โA multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and Marรญa Inรฉs Plaza Lazo for the streets of the world [โฆ] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wieselโs famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.โ
สแดส แดษดแด
๊ฑแดแดแดแดสแด: สแดแดแด๊ฑ://แดสแด๊ฑแด๊ฐแดสแดแดกแดสแดษชษดษขแดสแด๊ฑ๊ฑ.แดสษข/๊ฑสแดแด๊ฑ/
IMPRINT
Founder / Publisher / Editor at Large
Marรญa Inรฉs Plaza Lazo @mi_plaza
Editor in Chief
Dalia Maini @shitshines
Associate Editor
Maria Portilla Acevedo / Mi Valedor
@mariaportilla1
Copyediting
William Kherbek
Staeff Guenther
Management Lead
Lubi Barre
Distribution Lead / Management Assistance
Hannah Lu Verse
Layout / Design
Studio Manuel Raeder
(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)
FONTS used in AOWC ISSUE 40
Selios by Mariana Castillo Deball
Kaleidoscopic Eye by Mariana Castillo Deball
Paolozzi by Mariana Castillo Deball
Plaetze by Raoul Gottschling @raoulgottschling
Pirelli by Jung-Lee Type Foundry @jung_lee_type_foundry
HAL Timezone by HAL Typefaces
Volunteers
Cora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie
แดดแดฌแดธ แตโฑแตแตแถปแตโฟแต โฑโฟ แตหขแต
Arts of the Working Class, Issue โ40
@arts_of_the_working_class
This issue is dedicated to the work of Mariana Castillo Deball @marianacastillodeball
With a re-design by Studio Manuel Raeder (Cecilia Murgia, Andrew J. Beltran, Manuel Raeder).
@ceciliamuuurgia @studiomanuelraeder @andrewjbeltran
๐๐ ๐๐ซ๐ ๐ฏ๐๐ซ๐ฒ ๐ก๐๐ฉ๐ฉ๐ฒ ๐ญ๐จ ๐ก๐๐ฏ๐ ๐ก๐๐ ๐ญ๐ก๐ ๐จ๐ฉ๐ฉ๐จ๐ซ๐ญ๐ฎ๐ง๐ข๐ญ๐ฒ ๐ญ๐จ ๐๐จ๐ง๐๐ญ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐ ๐ญ๐จ ๐๐๐๐ ๐๐ง๐ ๐ก๐๐ฅ๐ฉ ๐ญ๐ก๐๐ข๐ซ ๐๐๐ฎ๐ฌ๐.
โA multi-lingual street journal on poverty and wealth, art and society: Arts of the Working Class is published every two months and contains contributions by artists and thinkers from different fields and in different languages. Its terms are based upon the working class, meaning everyone, and it reports everything that belongs to everyone. Everyone who sells this street journal earns money directly. Vendors keep 100% of the sales. Every artist whose work is advertised, designs with us its substance. AWC is published by Paul Sochacki and Marรญa Inรฉs Plaza Lazo for the streets of the world [โฆ] Across this issue, our contributors write with embodied experience and critical analysis, as they reflect on Elie Wieselโs famous quip KEIN MENSCH IST ILLEGAL (nobody is illegal) on our cover.โ
สแดส แดษดแด
๊ฑแดแดแดแดสแด: สแดแดแด๊ฑ://แดสแด๊ฑแด๊ฐแดสแดแดกแดสแดษชษดษขแดสแด๊ฑ๊ฑ.แดสษข/๊ฑสแดแด๊ฑ/
IMPRINT
Founder / Publisher / Editor at Large
Marรญa Inรฉs Plaza Lazo @mi_plaza
Editor in Chief
Dalia Maini @shitshines
Associate Editor
Maria Portilla Acevedo / Mi Valedor
@mariaportilla1
Copyediting
William Kherbek
Staeff Guenther
Management Lead
Lubi Barre
Distribution Lead / Management Assistance
Hannah Lu Verse
Layout / Design
Studio Manuel Raeder
(Cecilia Murgia, Andrew J. Beltran, Manuel Raeder)
FONTS used in AOWC ISSUE 40
Selios by Mariana Castillo Deball
Kaleidoscopic Eye by Mariana Castillo Deball
Paolozzi by Mariana Castillo Deball
Plaetze by Raoul Gottschling @raoulgottschling
Pirelli by Jung-Lee Type Foundry @jung_lee_type_foundry
HAL Timezone by HAL Typefaces
Volunteers
Cora Pagano, Nicole Yildirim, Lisa Schmidt-Herzog, Lily May Hardie
[ฬ
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ฬฒe]
Nothing About Interior Architecture
Edited by Javier Fernรกndez Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Marginsโ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline โ if we can call it that โ displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights โ polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields โ that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside โ insofar as it is still defined as such โ has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernรกndez Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[ฬ
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ฬฒe] [ฬ
ฬฒi][ฬ
ฬฒn] [ฬ
ฬฒu][ฬ
ฬฒs][ฬ
ฬฒe]
Nothing About Interior Architecture
Edited by Javier Fernรกndez Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Marginsโ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline โ if we can call it that โ displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights โ polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields โ that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside โ insofar as it is still defined as such โ has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernรกndez Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[ฬ
ฬฒH][ฬ
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ฬฒe] [ฬ
ฬฒi][ฬ
ฬฒn] [ฬ
ฬฒu][ฬ
ฬฒs][ฬ
ฬฒe]
Nothing About Interior Architecture
Edited by Javier Fernรกndez Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Marginsโ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline โ if we can call it that โ displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights โ polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields โ that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside โ insofar as it is still defined as such โ has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernรกndez Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[ฬ
ฬฒH][ฬ
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ฬฒe] [ฬ
ฬฒi][ฬ
ฬฒn] [ฬ
ฬฒu][ฬ
ฬฒs][ฬ
ฬฒe]
Nothing About Interior Architecture
Edited by Javier Fernรกndez Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Marginsโ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline โ if we can call it that โ displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights โ polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields โ that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside โ insofar as it is still defined as such โ has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernรกndez Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[ฬ
ฬฒH][ฬ
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ฬฒe] [ฬ
ฬฒi][ฬ
ฬฒn] [ฬ
ฬฒu][ฬ
ฬฒs][ฬ
ฬฒe]
Nothing About Interior Architecture
Edited by Javier Fernรกndez Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Marginsโ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline โ if we can call it that โ displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights โ polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields โ that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside โ insofar as it is still defined as such โ has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernรกndez Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[ฬ
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ฬฒe] [ฬ
ฬฒi][ฬ
ฬฒn] [ฬ
ฬฒu][ฬ
ฬฒs][ฬ
ฬฒe]
Nothing About Interior Architecture
Edited by Javier Fernรกndez Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Marginsโ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline โ if we can call it that โ displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights โ polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields โ that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside โ insofar as it is still defined as such โ has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernรกndez Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
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ฬฒe] [ฬ
ฬฒi][ฬ
ฬฒn] [ฬ
ฬฒu][ฬ
ฬฒs][ฬ
ฬฒe]
Nothing About Interior Architecture
Edited by Javier Fernรกndez Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Marginsโ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline โ if we can call it that โ displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights โ polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields โ that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside โ insofar as it is still defined as such โ has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernรกndez Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[ฬ
ฬฒH][ฬ
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ฬฒe] [ฬ
ฬฒi][ฬ
ฬฒn] [ฬ
ฬฒu][ฬ
ฬฒs][ฬ
ฬฒe]
Nothing About Interior Architecture
Edited by Javier Fernรกndez Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Marginsโ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline โ if we can call it that โ displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights โ polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields โ that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside โ insofar as it is still defined as such โ has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernรกndez Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
[ฬ
ฬฒH][ฬ
ฬฒA][ฬ
ฬฒL] [ฬ
ฬฒT][ฬ
ฬฒi][ฬ
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ฬฒe] [ฬ
ฬฒi][ฬ
ฬฒn] [ฬ
ฬฒu][ฬ
ฬฒs][ฬ
ฬฒe]
Nothing About Interior Architecture
Edited by Javier Fernรกndez Contreras, Youri Kravtchenko and Julie Enckell Julliard
@javier.fdezco @youri_kravtchenko
Published by Set Marginsโ @setmargins
Design by Bureau Vielcazat @bureau_vielcazat
Typeset in HAL Timezone by HAL Typefaces
Words about the project from the publisher:
Often dissident, sometimes adherent, Nothing About is, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline โ if we can call it that โ displays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere, and often regarded as futile, even though it could nonetheless destroy the most beautiful of insides. This book brings together a variety of intellectual tools and insights โ polysemic and ambiguous, bespoke and improvised, ornamental and criminal, spanning media, technology, the arts and other, often undefined fields โ that analyze the impact of the discipline on contemporary design. In the end, what makes Nothing About charming is that this inside โ insofar as it is still defined as such โ has only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.
Introduction by Javier Fernรกndez Contreras. Text contributions by Daniel Zamarbide, Line Fontana & David Fagart, Valentin Dubois & Bertrand Van Dorp, Camille Bagnoud & Ahmed Belkhodja, Javier F. Contreras & Roberto Zancan, Paule Perron, Philippe Rahm, Youri Kravtchenko, Leonid Slonimskiy, Simon Husslein, Vera Sacchetti, Jan Dominik Geipel, Valentina De Luigi, Jean-Pierre Greff.
Photography by Annette Behrens
๐ ๐๐ป๐๐ฟ ๐ฏ๐พ๐๐๐๐๐๐ ๐พ๐ ๐๐๐ ๐ ๐
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festivalโs motto was โThe Art of Collective Practiceโ and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
โWhat happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. โ Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its formsโintentional, subconscious, and even accidentalโbringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.โ
We partnered up with the nice people of FIG and donated Timezone for last yearโs edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
๐ ๐๐ป๐๐ฟ ๐ฏ๐พ๐๐๐๐๐๐ ๐พ๐ ๐๐๐ ๐ ๐
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festivalโs motto was โThe Art of Collective Practiceโ and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
โWhat happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. โ Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its formsโintentional, subconscious, and even accidentalโbringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.โ
We partnered up with the nice people of FIG and donated Timezone for last yearโs edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
๐ ๐๐ป๐๐ฟ ๐ฏ๐พ๐๐๐๐๐๐ ๐พ๐ ๐๐๐ ๐ ๐
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festivalโs motto was โThe Art of Collective Practiceโ and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
โWhat happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. โ Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its formsโintentional, subconscious, and even accidentalโbringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.โ
We partnered up with the nice people of FIG and donated Timezone for last yearโs edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
๐ ๐๐ป๐๐ฟ ๐ฏ๐พ๐๐๐๐๐๐ ๐พ๐ ๐๐๐ ๐ ๐
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festivalโs motto was โThe Art of Collective Practiceโ and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
โWhat happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. โ Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its formsโintentional, subconscious, and even accidentalโbringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.โ
We partnered up with the nice people of FIG and donated Timezone for last yearโs edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
๐ ๐๐ป๐๐ฟ ๐ฏ๐พ๐๐๐๐๐๐ ๐พ๐ ๐๐๐ ๐ ๐
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festivalโs motto was โThe Art of Collective Practiceโ and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
โWhat happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. โ Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its formsโintentional, subconscious, and even accidentalโbringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.โ
We partnered up with the nice people of FIG and donated Timezone for last yearโs edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
๐ ๐๐ป๐๐ฟ ๐ฏ๐พ๐๐๐๐๐๐ ๐พ๐ ๐๐๐ ๐ ๐
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festivalโs motto was โThe Art of Collective Practiceโ and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
โWhat happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. โ Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its formsโintentional, subconscious, and even accidentalโbringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.โ
We partnered up with the nice people of FIG and donated Timezone for last yearโs edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
๐ ๐๐ป๐๐ฟ ๐ฏ๐พ๐๐๐๐๐๐ ๐พ๐ ๐๐๐ ๐ ๐
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festivalโs motto was โThe Art of Collective Practiceโ and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
โWhat happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. โ Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its formsโintentional, subconscious, and even accidentalโbringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.โ
We partnered up with the nice people of FIG and donated Timezone for last yearโs edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
๐ ๐๐ป๐๐ฟ ๐ฏ๐พ๐๐๐๐๐๐ ๐พ๐ ๐๐๐ ๐ ๐
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festivalโs motto was โThe Art of Collective Practiceโ and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
โWhat happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. โ Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its formsโintentional, subconscious, and even accidentalโbringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.โ
We partnered up with the nice people of FIG and donated Timezone for last yearโs edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
๐ ๐๐ป๐๐ฟ ๐ฏ๐พ๐๐๐๐๐๐ ๐พ๐ ๐๐๐ ๐ ๐
FIG 5. Festival for Illustration and Graphics in Sofia, Bulgaria. June 2025
Design by Velko Kalchev
@fig.sofia @velkokalchev
The fifth edition of FIG. (Festival for Illustration and Graphics) took place in Sofia, Bulgaria, from June 6th to 15th, 2025. The festivalโs motto was โThe Art of Collective Practiceโ and it hosted numerous exhibitions, group shows, talks, workshops, concerts and screenings.
โWhat happens when artists, designers, thinkers, and curators come together to reimagine the future of cultural practice? The fifth edition of FIG. โ Festival for Illustration and Graphics invites the public to find out. From June 6 to 15, 2025, Sofia transforms into a playground for collective creativity, exploring the theme How We Work Together. This year, the festival is dedicated to collaboration in all its formsโintentional, subconscious, and even accidentalโbringing together emerging and established voices from the contemporary visual scene to challenge traditional ideas of authorship and creativity.โ
We partnered up with the nice people of FIG and donated Timezone for last yearโs edition. FIG 6 is coming soon!
https://fig.bg/
Timezone Full Family has landed :)
https://type.hanli.eu/timezone/
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
First BTS slider! How it happened. With a team lead by veryes and Tereza Mundilovรก, we took an awful sounding idea โ a hot desert sun casting alphabetical shadows โ very seriously and came up with this formula:
Arizona = half sans, half serifโจArizona = variable fontโจVariable font = moving fontโจFirst moving image = moving horseโจHorsegiirL = half horse, half human
Conclusion: horsegiirL = Arizona.
Done.
That was enough work for the day.
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefaces and Alex @alescieux
Motion: Aljoscha Burtchen @hdgdl_xyz
Happy release day! When first released in 2021, Arizona was the first typeface to merge multiple genres into a single unified family. Serif, Text, Mix, Flare, and Sans โ all in one font file. Even the haters respected the move.
Today, weโre returning to the dust-blasted highway of imagination by adding two Compressed and Condensed subfamilies to this very-able toolbox.
For our first printed campaign, we brought in a special guest who embodies the same hybrid spirit as Arizona: Berlin-based DJ, artist and singerย horsegiirL.
We documented how this collab came about in our newsletter. If you live in Berlin, London or New York, please snap some pictures for us; thereโs posters, and even some big billboards!!
Itโs a terribly exciting day for us <3
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefacesโจMotion: Aljoscha Burtchen @hdgdl_xyz
Happy release day! When first released in 2021, Arizona was the first typeface to merge multiple genres into a single unified family. Serif, Text, Mix, Flare, and Sans โ all in one font file. Even the haters respected the move.
Today, weโre returning to the dust-blasted highway of imagination by adding two Compressed and Condensed subfamilies to this very-able toolbox.
For our first printed campaign, we brought in a special guest who embodies the same hybrid spirit as Arizona: Berlin-based DJ, artist and singerย horsegiirL.
We documented how this collab came about in our newsletter. If you live in Berlin, London or New York, please snap some pictures for us; thereโs posters, and even some big billboards!!
Itโs a terribly exciting day for us <3
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefacesโจMotion: Aljoscha Burtchen @hdgdl_xyz
Happy release day! When first released in 2021, Arizona was the first typeface to merge multiple genres into a single unified family. Serif, Text, Mix, Flare, and Sans โ all in one font file. Even the haters respected the move.
Today, weโre returning to the dust-blasted highway of imagination by adding two Compressed and Condensed subfamilies to this very-able toolbox.
For our first printed campaign, we brought in a special guest who embodies the same hybrid spirit as Arizona: Berlin-based DJ, artist and singerย horsegiirL.
We documented how this collab came about in our newsletter. If you live in Berlin, London or New York, please snap some pictures for us; thereโs posters, and even some big billboards!!
Itโs a terribly exciting day for us <3
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefacesโจMotion: Aljoscha Burtchen @hdgdl_xyz
Happy release day! When first released in 2021, Arizona was the first typeface to merge multiple genres into a single unified family. Serif, Text, Mix, Flare, and Sans โ all in one font file. Even the haters respected the move.
Today, weโre returning to the dust-blasted highway of imagination by adding two Compressed and Condensed subfamilies to this very-able toolbox.
For our first printed campaign, we brought in a special guest who embodies the same hybrid spirit as Arizona: Berlin-based DJ, artist and singerย horsegiirL.
We documented how this collab came about in our newsletter. If you live in Berlin, London or New York, please snap some pictures for us; thereโs posters, and even some big billboards!!
Itโs a terribly exciting day for us <3
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefacesโจMotion: Aljoscha Burtchen @hdgdl_xyz
Happy release day! When first released in 2021, Arizona was the first typeface to merge multiple genres into a single unified family. Serif, Text, Mix, Flare, and Sans โ all in one font file. Even the haters respected the move.
Today, weโre returning to the dust-blasted highway of imagination by adding two Compressed and Condensed subfamilies to this very-able toolbox.
For our first printed campaign, we brought in a special guest who embodies the same hybrid spirit as Arizona: Berlin-based DJ, artist and singerย horsegiirL.
We documented how this collab came about in our newsletter. If you live in Berlin, London or New York, please snap some pictures for us; thereโs posters, and even some big billboards!!
Itโs a terribly exciting day for us <3
Team:โจCampaign: Dinamo & veryes @abcdinamo @veryes.berlin
Creative Direction: Dinamo (Johannes Breyer @johannesbreyerr)
Art Direction: veryes (Moritz Lรถsel @mozes_soprano, Tim Lindacher @timlindacher, Simone Cihlar @simone_cihlar, โจ Johannes Schreiner @yosh.de, Jannis Maroscheck @jannimaroscheck)
Photography: Tereza Mundilovรก @terezamundilova
Artist @horsegiirl420
Lighting assistant: Simon Schreinerย @simonschreiner_
Production: veryes
Styling: Theresa Gross @theresagrs
Hair: Soh Kogasaka @soh_soh_soh_
Nailart: Camilla Inge Volbert @camillaingevolbert
Make up: Henriette Aue @fr.aue
Post production: RGBERLIN @rgberlin, kniv retouchingย @knivretouching
Typeface: Arizona (Elias Hanzer) @haltypefacesโจMotion: Aljoscha Burtchen @hdgdl_xyz
๐Our new favourite bookseries Suhrkamp Essenzen using HAL Magic High. Design by studio hanli. @studiohanli @suhrkampverlag
Kicking off with four texts by Michel Foucault, celebrating his 100th birthday, Essenzen will be continued in autumn with further volumes by Theodor W. Adorno, Norbert Elias, Georg Simmel, and Pierre Bourdieu.
๐Our new favourite bookseries Suhrkamp Essenzen using HAL Magic High. Design by studio hanli. @studiohanli @suhrkampverlag
Kicking off with four texts by Michel Foucault, celebrating his 100th birthday, Essenzen will be continued in autumn with further volumes by Theodor W. Adorno, Norbert Elias, Georg Simmel, and Pierre Bourdieu.
๐Our new favourite bookseries Suhrkamp Essenzen using HAL Magic High. Design by studio hanli. @studiohanli @suhrkampverlag
Kicking off with four texts by Michel Foucault, celebrating his 100th birthday, Essenzen will be continued in autumn with further volumes by Theodor W. Adorno, Norbert Elias, Georg Simmel, and Pierre Bourdieu.
๐Our new favourite bookseries Suhrkamp Essenzen using HAL Magic High. Design by studio hanli. @studiohanli @suhrkampverlag
Kicking off with four texts by Michel Foucault, celebrating his 100th birthday, Essenzen will be continued in autumn with further volumes by Theodor W. Adorno, Norbert Elias, Georg Simmel, and Pierre Bourdieu.
๐Our new favourite bookseries Suhrkamp Essenzen using HAL Magic High. Design by studio hanli. @studiohanli @suhrkampverlag
Kicking off with four texts by Michel Foucault, celebrating his 100th birthday, Essenzen will be continued in autumn with further volumes by Theodor W. Adorno, Norbert Elias, Georg Simmel, and Pierre Bourdieu.
๐Our new favourite bookseries Suhrkamp Essenzen using HAL Magic High. Design by studio hanli. @studiohanli @suhrkampverlag
Kicking off with four texts by Michel Foucault, celebrating his 100th birthday, Essenzen will be continued in autumn with further volumes by Theodor W. Adorno, Norbert Elias, Georg Simmel, and Pierre Bourdieu.
๐๐ท๐ฎ ๐๐ธ๐ป๐ฎ ๐ฃ๐ฒ๐ถ๐ฎ
๐๐ป๐ธ๐พ๐ท๐ญ ๐ฝ๐ฑ๐ฎ ๐ฆ๐ธ๐ป๐ต๐ญ
๐๐ก๐ ๐๐๐ค๐ข๐ง๐ ๐จ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐
Read the full Release Note on haltypefaces.com
Itโs time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainmentโฆ
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
๐๐ท๐ฎ ๐๐ธ๐ป๐ฎ ๐ฃ๐ฒ๐ถ๐ฎ
๐๐ป๐ธ๐พ๐ท๐ญ ๐ฝ๐ฑ๐ฎ ๐ฆ๐ธ๐ป๐ต๐ญ
๐๐ก๐ ๐๐๐ค๐ข๐ง๐ ๐จ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐
Read the full Release Note on haltypefaces.com
Itโs time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainmentโฆ
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
๐๐ท๐ฎ ๐๐ธ๐ป๐ฎ ๐ฃ๐ฒ๐ถ๐ฎ
๐๐ป๐ธ๐พ๐ท๐ญ ๐ฝ๐ฑ๐ฎ ๐ฆ๐ธ๐ป๐ต๐ญ
๐๐ก๐ ๐๐๐ค๐ข๐ง๐ ๐จ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐
Read the full Release Note on haltypefaces.com
Itโs time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainmentโฆ
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
๐๐ท๐ฎ ๐๐ธ๐ป๐ฎ ๐ฃ๐ฒ๐ถ๐ฎ
๐๐ป๐ธ๐พ๐ท๐ญ ๐ฝ๐ฑ๐ฎ ๐ฆ๐ธ๐ป๐ต๐ญ
๐๐ก๐ ๐๐๐ค๐ข๐ง๐ ๐จ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐
Read the full Release Note on haltypefaces.com
Itโs time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainmentโฆ
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
๐๐ท๐ฎ ๐๐ธ๐ป๐ฎ ๐ฃ๐ฒ๐ถ๐ฎ
๐๐ป๐ธ๐พ๐ท๐ญ ๐ฝ๐ฑ๐ฎ ๐ฆ๐ธ๐ป๐ต๐ญ
๐๐ก๐ ๐๐๐ค๐ข๐ง๐ ๐จ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐
Read the full Release Note on haltypefaces.com
Itโs time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainmentโฆ
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
๐๐ท๐ฎ ๐๐ธ๐ป๐ฎ ๐ฃ๐ฒ๐ถ๐ฎ
๐๐ป๐ธ๐พ๐ท๐ญ ๐ฝ๐ฑ๐ฎ ๐ฆ๐ธ๐ป๐ต๐ญ
๐๐ก๐ ๐๐๐ค๐ข๐ง๐ ๐จ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐
Read the full Release Note on haltypefaces.com
Itโs time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainmentโฆ
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
๐๐ท๐ฎ ๐๐ธ๐ป๐ฎ ๐ฃ๐ฒ๐ถ๐ฎ
๐๐ป๐ธ๐พ๐ท๐ญ ๐ฝ๐ฑ๐ฎ ๐ฆ๐ธ๐ป๐ต๐ญ
๐๐ก๐ ๐๐๐ค๐ข๐ง๐ ๐จ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐
Read the full Release Note on haltypefaces.com
Itโs time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainmentโฆ
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
๐๐ท๐ฎ ๐๐ธ๐ป๐ฎ ๐ฃ๐ฒ๐ถ๐ฎ
๐๐ป๐ธ๐พ๐ท๐ญ ๐ฝ๐ฑ๐ฎ ๐ฆ๐ธ๐ป๐ต๐ญ
๐๐ก๐ ๐๐๐ค๐ข๐ง๐ ๐จ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐
Read the full Release Note on haltypefaces.com
Itโs time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainmentโฆ
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
๐๐ท๐ฎ ๐๐ธ๐ป๐ฎ ๐ฃ๐ฒ๐ถ๐ฎ
๐๐ป๐ธ๐พ๐ท๐ญ ๐ฝ๐ฑ๐ฎ ๐ฆ๐ธ๐ป๐ต๐ญ
๐๐ก๐ ๐๐๐ค๐ข๐ง๐ ๐จ๐ ๐๐๐ ๐๐ข๐ฆ๐๐ณ๐จ๐ง๐
Read the full Release Note on haltypefaces.com
Itโs time, HAL Timezone returns with a major extension. We are taking this opportunity to not only highlight all of the new and special features (spoiler alert: the update includes more than 400 languages), but also finally reveal the exclusive coming-of-age tale of this typeface (based on a true story). So please sit back and relax, make sure your seatbelt is securely fastened and enjoy the inflight entertainmentโฆ
@alescieux @sashakulikov_ @studiohanli @pavel.pvlv
โฑ๏ธโฑ๏ธโฑ๏ธ HAL Timezone Extension Out on haltypefaces.com โฑ๏ธโฑ๏ธโฑ๏ธ
Timezone is a low-contrast, serif typeface, aesthetically inspired by early digital fonts, freshly transitioned from the photo-type era. A robust text font with high visibility and slightly rounded edges: the Uprights are sturdy and durable, while the Italics are more playful and dynamic, reminiscent of classical, antique serif faces. The full family spans six weights across 18 styles, including a complementary monospaced subfamily. Covering both Latin and Cyrillic scripts, Timezone also features small caps for all styles and languages, including numerals. No matter the size, task, or altitude: Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
โฑ๏ธโฑ๏ธโฑ๏ธ HAL Timezone Extension Out on haltypefaces.com โฑ๏ธโฑ๏ธโฑ๏ธ
Timezone is a low-contrast, serif typeface, aesthetically inspired by early digital fonts, freshly transitioned from the photo-type era. A robust text font with high visibility and slightly rounded edges: the Uprights are sturdy and durable, while the Italics are more playful and dynamic, reminiscent of classical, antique serif faces. The full family spans six weights across 18 styles, including a complementary monospaced subfamily. Covering both Latin and Cyrillic scripts, Timezone also features small caps for all styles and languages, including numerals. No matter the size, task, or altitude: Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
โฑ๏ธโฑ๏ธโฑ๏ธ HAL Timezone Extension Out on haltypefaces.com โฑ๏ธโฑ๏ธโฑ๏ธ
Timezone is a low-contrast, serif typeface, aesthetically inspired by early digital fonts, freshly transitioned from the photo-type era. A robust text font with high visibility and slightly rounded edges: the Uprights are sturdy and durable, while the Italics are more playful and dynamic, reminiscent of classical, antique serif faces. The full family spans six weights across 18 styles, including a complementary monospaced subfamily. Covering both Latin and Cyrillic scripts, Timezone also features small caps for all styles and languages, including numerals. No matter the size, task, or altitude: Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
โฑ๏ธโฑ๏ธโฑ๏ธ HAL Timezone Extension Out on haltypefaces.com โฑ๏ธโฑ๏ธโฑ๏ธ
Timezone is a low-contrast, serif typeface, aesthetically inspired by early digital fonts, freshly transitioned from the photo-type era. A robust text font with high visibility and slightly rounded edges: the Uprights are sturdy and durable, while the Italics are more playful and dynamic, reminiscent of classical, antique serif faces. The full family spans six weights across 18 styles, including a complementary monospaced subfamily. Covering both Latin and Cyrillic scripts, Timezone also features small caps for all styles and languages, including numerals. No matter the size, task, or altitude: Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
โฑ๏ธโฑ๏ธโฑ๏ธ HAL Timezone Extension Out on haltypefaces.com โฑ๏ธโฑ๏ธโฑ๏ธ
Timezone is a low-contrast, serif typeface, aesthetically inspired by early digital fonts, freshly transitioned from the photo-type era. A robust text font with high visibility and slightly rounded edges: the Uprights are sturdy and durable, while the Italics are more playful and dynamic, reminiscent of classical, antique serif faces. The full family spans six weights across 18 styles, including a complementary monospaced subfamily. Covering both Latin and Cyrillic scripts, Timezone also features small caps for all styles and languages, including numerals. No matter the size, task, or altitude: Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
โฑ๏ธโฑ๏ธโฑ๏ธ HAL Timezone Extension Out on haltypefaces.com โฑ๏ธโฑ๏ธโฑ๏ธ
Timezone is a low-contrast, serif typeface, aesthetically inspired by early digital fonts, freshly transitioned from the photo-type era. A robust text font with high visibility and slightly rounded edges: the Uprights are sturdy and durable, while the Italics are more playful and dynamic, reminiscent of classical, antique serif faces. The full family spans six weights across 18 styles, including a complementary monospaced subfamily. Covering both Latin and Cyrillic scripts, Timezone also features small caps for all styles and languages, including numerals. No matter the size, task, or altitude: Timezone never sleeps.
https://type.hanli.eu/timezone/
Free trial fonts here: https://type.hanli.eu/trials/
@studiohanli @alescieux @sashakulikov_
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