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SOME NEW SET MARGINS’ PUBLICATIONS

Set Margins’ 64
Nothing About Interior Architecture
A variety of tools and insights - polysemic & ambiguous, bespoke & improvised, ornamental & criminal, spanning media, tech, the arts and undefined fields - that analyze the impact of the discipline of design.
By Javier Fernández Contreras, Youri Kravtchenko, Julie Enckell Julliard (eds.)

Set Margins’ 71
Trojan Horse Exit Strategies
Institutional critique working inside-out: many practices!
by ATI collective (Natalia Agati, Matteo Locci, Merve Yücel, Başak Tuna)

Set Margins’ 63
Maisa in Webland – Detouring UX Destinies
Haunted by screenshots of early cyberfeminist websites and in dialogue with digital sages, web scripts, and business interests, media artist, web developer, and author Maisa Imamović embarks on a philosophical and practice-based crusade through the internet’s surface and its shadows.

Set Margins’ 78
Homing In, Sharing Knowledge
A ‘behind the scenes’ at art-thinking at post-MA level, discussing poetics in art-practice through art-history, philosophy, politics and popular culture, with Distinguished Professor John C. Welchman at the HISK.

Set Margins’ 73
Moving Beyond the Left
Pulling insights from various Left tendencies—even in critiquing common frameworks between them—and provides both perspectival and methodological suggestions for reimagining pathways to freedom.
Written by Z

Set Margins’ 86
Beyond the Image
From brainrot to deepfakes, from NFTs to sloppy content,the function of the image is not representation but only thereproduction of capital.
Written by Alessandro Sbordoni

#artbook #designbook #designtheory #design #art
@atisuffix @javier.fdezco @youri_kravtchenko @iammans @alessandrosbordoni777

MORE NEW BOOKS BY SET MARGINS’ PUBLICATIONS!

𝐖𝐚𝐥𝐤𝐢𝐧𝐠 𝐀𝐬 𝐄𝐦𝐛𝐨𝐝𝐢𝐞𝐝 𝐖𝐨𝐫𝐥𝐝𝐦𝐚𝐤𝐢𝐧𝐠
A reader on the relational practice of walking through landscapes.
By Lea Maria Spahn (ed.)
Graphic design by Kristýna Krejčová, Kristýna Žáčková

𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
On civic actors in urban dynamics: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, as based on rigorous fieldwork!
By Karin Christof
Graphic design by Eric de Haas

𝐎𝐧 𝐭𝐡𝐞 𝐄𝐝𝐠𝐞𝐬 𝐨𝐟 𝐆𝐫𝐚𝐩𝐡𝐢𝐜 𝐃𝐞𝐬𝐢𝐠𝐧 𝐟𝐫𝐨𝐦 𝐀—𝐙—∞
an ‘Index for alternative Graphic Design’
By Anja Lutz and Soraya Guimarães Hoepfner

𝐈 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐎𝐭𝐡𝐞𝐫𝐬: 𝐥𝐨𝐨𝐤𝐢𝐧𝐠 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧𝐬
A gathering in book form. With refreshments, Hannah Arendt, Alice in Wonderland, a contribution by philosopher Marli Huijer and the occasional conga line.
By Cindy Moorman
Graphic design by Esther de Vries

𝐓𝐡𝐞𝐲 𝐀𝐬𝐤𝐞𝐝 𝐌𝐞 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐮𝐬𝐞, 𝐈 𝐀𝐬𝐤𝐞𝐝 𝐓𝐡𝐞𝐦 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐦𝐞
A book on architecture through the lens of lived use.
By Ilaria Palmieri and Georgina Pantazopoulou (Common Ground Practice) (eds.)
Graphic design by Elisa Piazzi, Georgina Pantazopoulou

𝐃𝐎𝐌𝐄𝐒𝐓𝐈𝐂 𝐄𝐍𝐂𝐘𝐂𝐋𝐎𝐏𝐀𝐄𝐃𝐈𝐀
Oblique Encounters of Domestic Space
a collection of stories that explore the material body of architecture, of houses.
By Annee Grøtte Viken
Graphic Design by Benedetta Ferrari

𝐒𝐞𝐞 𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬.𝐩𝐫𝐞𝐬𝐬 (@𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬 𝐥𝐢𝐧𝐤 𝐢𝐧 𝐛𝐢𝐨) 𝐟𝐨𝐫 𝐦𝐨𝐫𝐞, 𝐨𝐫 𝐬𝐡𝐨𝐩, 𝐨𝐫 𝐬𝐡𝐨𝐩 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐥𝐨𝐜𝐚𝐥 𝐛𝐨𝐨𝐤𝐬𝐭𝐨𝐫𝐞!

@lea.maria.spahn @a.to.z.presents @cindy_moorman @karin_christof @practice.commonground @sur_realite @aaudreyhorne @estherdevriesgrafischontwerper

#design #graphicdesign #architecture #artbook #setmarginspublications

MORE NEW BOOKS BY SET MARGINS’ PUBLICATIONS!

𝐖𝐚𝐥𝐤𝐢𝐧𝐠 𝐀𝐬 𝐄𝐦𝐛𝐨𝐝𝐢𝐞𝐝 𝐖𝐨𝐫𝐥𝐝𝐦𝐚𝐤𝐢𝐧𝐠
A reader on the relational practice of walking through landscapes.
By Lea Maria Spahn (ed.)
Graphic design by Kristýna Krejčová, Kristýna Žáčková

𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
On civic actors in urban dynamics: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, as based on rigorous fieldwork!
By Karin Christof
Graphic design by Eric de Haas

𝐎𝐧 𝐭𝐡𝐞 𝐄𝐝𝐠𝐞𝐬 𝐨𝐟 𝐆𝐫𝐚𝐩𝐡𝐢𝐜 𝐃𝐞𝐬𝐢𝐠𝐧 𝐟𝐫𝐨𝐦 𝐀—𝐙—∞
an ‘Index for alternative Graphic Design’
By Anja Lutz and Soraya Guimarães Hoepfner

𝐈 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐎𝐭𝐡𝐞𝐫𝐬: 𝐥𝐨𝐨𝐤𝐢𝐧𝐠 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧𝐬
A gathering in book form. With refreshments, Hannah Arendt, Alice in Wonderland, a contribution by philosopher Marli Huijer and the occasional conga line.
By Cindy Moorman
Graphic design by Esther de Vries

𝐓𝐡𝐞𝐲 𝐀𝐬𝐤𝐞𝐝 𝐌𝐞 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐮𝐬𝐞, 𝐈 𝐀𝐬𝐤𝐞𝐝 𝐓𝐡𝐞𝐦 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐦𝐞
A book on architecture through the lens of lived use.
By Ilaria Palmieri and Georgina Pantazopoulou (Common Ground Practice) (eds.)
Graphic design by Elisa Piazzi, Georgina Pantazopoulou

𝐃𝐎𝐌𝐄𝐒𝐓𝐈𝐂 𝐄𝐍𝐂𝐘𝐂𝐋𝐎𝐏𝐀𝐄𝐃𝐈𝐀
Oblique Encounters of Domestic Space
a collection of stories that explore the material body of architecture, of houses.
By Annee Grøtte Viken
Graphic Design by Benedetta Ferrari

𝐒𝐞𝐞 𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬.𝐩𝐫𝐞𝐬𝐬 (@𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬 𝐥𝐢𝐧𝐤 𝐢𝐧 𝐛𝐢𝐨) 𝐟𝐨𝐫 𝐦𝐨𝐫𝐞, 𝐨𝐫 𝐬𝐡𝐨𝐩, 𝐨𝐫 𝐬𝐡𝐨𝐩 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐥𝐨𝐜𝐚𝐥 𝐛𝐨𝐨𝐤𝐬𝐭𝐨𝐫𝐞!

@lea.maria.spahn @a.to.z.presents @cindy_moorman @karin_christof @practice.commonground @sur_realite @aaudreyhorne @estherdevriesgrafischontwerper

#design #graphicdesign #architecture #artbook #setmarginspublications

MORE NEW BOOKS BY SET MARGINS’ PUBLICATIONS!

𝐖𝐚𝐥𝐤𝐢𝐧𝐠 𝐀𝐬 𝐄𝐦𝐛𝐨𝐝𝐢𝐞𝐝 𝐖𝐨𝐫𝐥𝐝𝐦𝐚𝐤𝐢𝐧𝐠
A reader on the relational practice of walking through landscapes.
By Lea Maria Spahn (ed.)
Graphic design by Kristýna Krejčová, Kristýna Žáčková

𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
On civic actors in urban dynamics: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, as based on rigorous fieldwork!
By Karin Christof
Graphic design by Eric de Haas

𝐎𝐧 𝐭𝐡𝐞 𝐄𝐝𝐠𝐞𝐬 𝐨𝐟 𝐆𝐫𝐚𝐩𝐡𝐢𝐜 𝐃𝐞𝐬𝐢𝐠𝐧 𝐟𝐫𝐨𝐦 𝐀—𝐙—∞
an ‘Index for alternative Graphic Design’
By Anja Lutz and Soraya Guimarães Hoepfner

𝐈 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐎𝐭𝐡𝐞𝐫𝐬: 𝐥𝐨𝐨𝐤𝐢𝐧𝐠 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧𝐬
A gathering in book form. With refreshments, Hannah Arendt, Alice in Wonderland, a contribution by philosopher Marli Huijer and the occasional conga line.
By Cindy Moorman
Graphic design by Esther de Vries

𝐓𝐡𝐞𝐲 𝐀𝐬𝐤𝐞𝐝 𝐌𝐞 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐮𝐬𝐞, 𝐈 𝐀𝐬𝐤𝐞𝐝 𝐓𝐡𝐞𝐦 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐦𝐞
A book on architecture through the lens of lived use.
By Ilaria Palmieri and Georgina Pantazopoulou (Common Ground Practice) (eds.)
Graphic design by Elisa Piazzi, Georgina Pantazopoulou

𝐃𝐎𝐌𝐄𝐒𝐓𝐈𝐂 𝐄𝐍𝐂𝐘𝐂𝐋𝐎𝐏𝐀𝐄𝐃𝐈𝐀
Oblique Encounters of Domestic Space
a collection of stories that explore the material body of architecture, of houses.
By Annee Grøtte Viken
Graphic Design by Benedetta Ferrari

𝐒𝐞𝐞 𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬.𝐩𝐫𝐞𝐬𝐬 (@𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬 𝐥𝐢𝐧𝐤 𝐢𝐧 𝐛𝐢𝐨) 𝐟𝐨𝐫 𝐦𝐨𝐫𝐞, 𝐨𝐫 𝐬𝐡𝐨𝐩, 𝐨𝐫 𝐬𝐡𝐨𝐩 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐥𝐨𝐜𝐚𝐥 𝐛𝐨𝐨𝐤𝐬𝐭𝐨𝐫𝐞!

@lea.maria.spahn @a.to.z.presents @cindy_moorman @karin_christof @practice.commonground @sur_realite @aaudreyhorne @estherdevriesgrafischontwerper

#design #graphicdesign #architecture #artbook #setmarginspublications

MORE NEW BOOKS BY SET MARGINS’ PUBLICATIONS!

𝐖𝐚𝐥𝐤𝐢𝐧𝐠 𝐀𝐬 𝐄𝐦𝐛𝐨𝐝𝐢𝐞𝐝 𝐖𝐨𝐫𝐥𝐝𝐦𝐚𝐤𝐢𝐧𝐠
A reader on the relational practice of walking through landscapes.
By Lea Maria Spahn (ed.)
Graphic design by Kristýna Krejčová, Kristýna Žáčková

𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
On civic actors in urban dynamics: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, as based on rigorous fieldwork!
By Karin Christof
Graphic design by Eric de Haas

𝐎𝐧 𝐭𝐡𝐞 𝐄𝐝𝐠𝐞𝐬 𝐨𝐟 𝐆𝐫𝐚𝐩𝐡𝐢𝐜 𝐃𝐞𝐬𝐢𝐠𝐧 𝐟𝐫𝐨𝐦 𝐀—𝐙—∞
an ‘Index for alternative Graphic Design’
By Anja Lutz and Soraya Guimarães Hoepfner

𝐈 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐎𝐭𝐡𝐞𝐫𝐬: 𝐥𝐨𝐨𝐤𝐢𝐧𝐠 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧𝐬
A gathering in book form. With refreshments, Hannah Arendt, Alice in Wonderland, a contribution by philosopher Marli Huijer and the occasional conga line.
By Cindy Moorman
Graphic design by Esther de Vries

𝐓𝐡𝐞𝐲 𝐀𝐬𝐤𝐞𝐝 𝐌𝐞 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐮𝐬𝐞, 𝐈 𝐀𝐬𝐤𝐞𝐝 𝐓𝐡𝐞𝐦 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐦𝐞
A book on architecture through the lens of lived use.
By Ilaria Palmieri and Georgina Pantazopoulou (Common Ground Practice) (eds.)
Graphic design by Elisa Piazzi, Georgina Pantazopoulou

𝐃𝐎𝐌𝐄𝐒𝐓𝐈𝐂 𝐄𝐍𝐂𝐘𝐂𝐋𝐎𝐏𝐀𝐄𝐃𝐈𝐀
Oblique Encounters of Domestic Space
a collection of stories that explore the material body of architecture, of houses.
By Annee Grøtte Viken
Graphic Design by Benedetta Ferrari

𝐒𝐞𝐞 𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬.𝐩𝐫𝐞𝐬𝐬 (@𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬 𝐥𝐢𝐧𝐤 𝐢𝐧 𝐛𝐢𝐨) 𝐟𝐨𝐫 𝐦𝐨𝐫𝐞, 𝐨𝐫 𝐬𝐡𝐨𝐩, 𝐨𝐫 𝐬𝐡𝐨𝐩 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐥𝐨𝐜𝐚𝐥 𝐛𝐨𝐨𝐤𝐬𝐭𝐨𝐫𝐞!

@lea.maria.spahn @a.to.z.presents @cindy_moorman @karin_christof @practice.commonground @sur_realite @aaudreyhorne @estherdevriesgrafischontwerper

#design #graphicdesign #architecture #artbook #setmarginspublications

MORE NEW BOOKS BY SET MARGINS’ PUBLICATIONS!

𝐖𝐚𝐥𝐤𝐢𝐧𝐠 𝐀𝐬 𝐄𝐦𝐛𝐨𝐝𝐢𝐞𝐝 𝐖𝐨𝐫𝐥𝐝𝐦𝐚𝐤𝐢𝐧𝐠
A reader on the relational practice of walking through landscapes.
By Lea Maria Spahn (ed.)
Graphic design by Kristýna Krejčová, Kristýna Žáčková

𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
On civic actors in urban dynamics: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, as based on rigorous fieldwork!
By Karin Christof
Graphic design by Eric de Haas

𝐎𝐧 𝐭𝐡𝐞 𝐄𝐝𝐠𝐞𝐬 𝐨𝐟 𝐆𝐫𝐚𝐩𝐡𝐢𝐜 𝐃𝐞𝐬𝐢𝐠𝐧 𝐟𝐫𝐨𝐦 𝐀—𝐙—∞
an ‘Index for alternative Graphic Design’
By Anja Lutz and Soraya Guimarães Hoepfner

𝐈 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐎𝐭𝐡𝐞𝐫𝐬: 𝐥𝐨𝐨𝐤𝐢𝐧𝐠 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧𝐬
A gathering in book form. With refreshments, Hannah Arendt, Alice in Wonderland, a contribution by philosopher Marli Huijer and the occasional conga line.
By Cindy Moorman
Graphic design by Esther de Vries

𝐓𝐡𝐞𝐲 𝐀𝐬𝐤𝐞𝐝 𝐌𝐞 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐮𝐬𝐞, 𝐈 𝐀𝐬𝐤𝐞𝐝 𝐓𝐡𝐞𝐦 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐦𝐞
A book on architecture through the lens of lived use.
By Ilaria Palmieri and Georgina Pantazopoulou (Common Ground Practice) (eds.)
Graphic design by Elisa Piazzi, Georgina Pantazopoulou

𝐃𝐎𝐌𝐄𝐒𝐓𝐈𝐂 𝐄𝐍𝐂𝐘𝐂𝐋𝐎𝐏𝐀𝐄𝐃𝐈𝐀
Oblique Encounters of Domestic Space
a collection of stories that explore the material body of architecture, of houses.
By Annee Grøtte Viken
Graphic Design by Benedetta Ferrari

𝐒𝐞𝐞 𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬.𝐩𝐫𝐞𝐬𝐬 (@𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬 𝐥𝐢𝐧𝐤 𝐢𝐧 𝐛𝐢𝐨) 𝐟𝐨𝐫 𝐦𝐨𝐫𝐞, 𝐨𝐫 𝐬𝐡𝐨𝐩, 𝐨𝐫 𝐬𝐡𝐨𝐩 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐥𝐨𝐜𝐚𝐥 𝐛𝐨𝐨𝐤𝐬𝐭𝐨𝐫𝐞!

@lea.maria.spahn @a.to.z.presents @cindy_moorman @karin_christof @practice.commonground @sur_realite @aaudreyhorne @estherdevriesgrafischontwerper

#design #graphicdesign #architecture #artbook #setmarginspublications

MORE NEW BOOKS BY SET MARGINS’ PUBLICATIONS!

𝐖𝐚𝐥𝐤𝐢𝐧𝐠 𝐀𝐬 𝐄𝐦𝐛𝐨𝐝𝐢𝐞𝐝 𝐖𝐨𝐫𝐥𝐝𝐦𝐚𝐤𝐢𝐧𝐠
A reader on the relational practice of walking through landscapes.
By Lea Maria Spahn (ed.)
Graphic design by Kristýna Krejčová, Kristýna Žáčková

𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
On civic actors in urban dynamics: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, as based on rigorous fieldwork!
By Karin Christof
Graphic design by Eric de Haas

𝐎𝐧 𝐭𝐡𝐞 𝐄𝐝𝐠𝐞𝐬 𝐨𝐟 𝐆𝐫𝐚𝐩𝐡𝐢𝐜 𝐃𝐞𝐬𝐢𝐠𝐧 𝐟𝐫𝐨𝐦 𝐀—𝐙—∞
an ‘Index for alternative Graphic Design’
By Anja Lutz and Soraya Guimarães Hoepfner

𝐈 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐎𝐭𝐡𝐞𝐫𝐬: 𝐥𝐨𝐨𝐤𝐢𝐧𝐠 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧𝐬
A gathering in book form. With refreshments, Hannah Arendt, Alice in Wonderland, a contribution by philosopher Marli Huijer and the occasional conga line.
By Cindy Moorman
Graphic design by Esther de Vries

𝐓𝐡𝐞𝐲 𝐀𝐬𝐤𝐞𝐝 𝐌𝐞 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐮𝐬𝐞, 𝐈 𝐀𝐬𝐤𝐞𝐝 𝐓𝐡𝐞𝐦 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐦𝐞
A book on architecture through the lens of lived use.
By Ilaria Palmieri and Georgina Pantazopoulou (Common Ground Practice) (eds.)
Graphic design by Elisa Piazzi, Georgina Pantazopoulou

𝐃𝐎𝐌𝐄𝐒𝐓𝐈𝐂 𝐄𝐍𝐂𝐘𝐂𝐋𝐎𝐏𝐀𝐄𝐃𝐈𝐀
Oblique Encounters of Domestic Space
a collection of stories that explore the material body of architecture, of houses.
By Annee Grøtte Viken
Graphic Design by Benedetta Ferrari

𝐒𝐞𝐞 𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬.𝐩𝐫𝐞𝐬𝐬 (@𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬 𝐥𝐢𝐧𝐤 𝐢𝐧 𝐛𝐢𝐨) 𝐟𝐨𝐫 𝐦𝐨𝐫𝐞, 𝐨𝐫 𝐬𝐡𝐨𝐩, 𝐨𝐫 𝐬𝐡𝐨𝐩 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐥𝐨𝐜𝐚𝐥 𝐛𝐨𝐨𝐤𝐬𝐭𝐨𝐫𝐞!

@lea.maria.spahn @a.to.z.presents @cindy_moorman @karin_christof @practice.commonground @sur_realite @aaudreyhorne @estherdevriesgrafischontwerper

#design #graphicdesign #architecture #artbook #setmarginspublications

MORE NEW BOOKS BY SET MARGINS’ PUBLICATIONS!

𝐖𝐚𝐥𝐤𝐢𝐧𝐠 𝐀𝐬 𝐄𝐦𝐛𝐨𝐝𝐢𝐞𝐝 𝐖𝐨𝐫𝐥𝐝𝐦𝐚𝐤𝐢𝐧𝐠
A reader on the relational practice of walking through landscapes.
By Lea Maria Spahn (ed.)
Graphic design by Kristýna Krejčová, Kristýna Žáčková

𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
On civic actors in urban dynamics: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, as based on rigorous fieldwork!
By Karin Christof
Graphic design by Eric de Haas

𝐎𝐧 𝐭𝐡𝐞 𝐄𝐝𝐠𝐞𝐬 𝐨𝐟 𝐆𝐫𝐚𝐩𝐡𝐢𝐜 𝐃𝐞𝐬𝐢𝐠𝐧 𝐟𝐫𝐨𝐦 𝐀—𝐙—∞
an ‘Index for alternative Graphic Design’
By Anja Lutz and Soraya Guimarães Hoepfner

𝐈 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐎𝐭𝐡𝐞𝐫𝐬: 𝐥𝐨𝐨𝐤𝐢𝐧𝐠 𝐟𝐨𝐫 𝐭𝐡𝐞 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧𝐬
A gathering in book form. With refreshments, Hannah Arendt, Alice in Wonderland, a contribution by philosopher Marli Huijer and the occasional conga line.
By Cindy Moorman
Graphic design by Esther de Vries

𝐓𝐡𝐞𝐲 𝐀𝐬𝐤𝐞𝐝 𝐌𝐞 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐮𝐬𝐞, 𝐈 𝐀𝐬𝐤𝐞𝐝 𝐓𝐡𝐞𝐦 𝐭𝐨 𝐃𝐞𝐬𝐢𝐠𝐧 𝐚 𝐇𝐨𝐦𝐞
A book on architecture through the lens of lived use.
By Ilaria Palmieri and Georgina Pantazopoulou (Common Ground Practice) (eds.)
Graphic design by Elisa Piazzi, Georgina Pantazopoulou

𝐃𝐎𝐌𝐄𝐒𝐓𝐈𝐂 𝐄𝐍𝐂𝐘𝐂𝐋𝐎𝐏𝐀𝐄𝐃𝐈𝐀
Oblique Encounters of Domestic Space
a collection of stories that explore the material body of architecture, of houses.
By Annee Grøtte Viken
Graphic Design by Benedetta Ferrari

𝐒𝐞𝐞 𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬.𝐩𝐫𝐞𝐬𝐬 (@𝐬𝐞𝐭𝐦𝐚𝐫𝐠𝐢𝐧𝐬 𝐥𝐢𝐧𝐤 𝐢𝐧 𝐛𝐢𝐨) 𝐟𝐨𝐫 𝐦𝐨𝐫𝐞, 𝐨𝐫 𝐬𝐡𝐨𝐩, 𝐨𝐫 𝐬𝐡𝐨𝐩 𝐢𝐧 𝐲𝐨𝐮𝐫 𝐥𝐨𝐜𝐚𝐥 𝐛𝐨𝐨𝐤𝐬𝐭𝐨𝐫𝐞!

@lea.maria.spahn @a.to.z.presents @cindy_moorman @karin_christof @practice.commonground @sur_realite @aaudreyhorne @estherdevriesgrafischontwerper

#design #graphicdesign #architecture #artbook #setmarginspublications

𝘯𝘦𝘸: 𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
𝘙𝘦𝘤𝘭𝘢𝘪𝘮𝘪𝘯𝘨 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘚𝘱𝘢𝘤𝘦𝘴 𝘧𝘰𝘳 𝘞𝘰𝘳𝘬, 𝘓𝘪𝘷𝘪𝘯𝘨 𝘢𝘯𝘥 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘜𝘴𝘦
By Karin Christof

On civic actors in urban architecture: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, and methodological championing!

𝐎𝐔𝐓 𝐍𝐎𝐖 𝐚𝐭 𝟐𝟓 𝐄𝐔𝐑𝐎
𝘷𝘪𝘢 𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘴.𝘱𝘳𝘦𝘴𝘴 (@𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘨𝘴 𝘭𝘪𝘯𝘬 𝘪𝘯 𝘣𝘪𝘰) 𝘰𝘳 𝘰𝘳𝘥𝘦𝘳 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘺𝘰𝘶𝘳 𝘭𝘰𝘤𝘢𝘭 𝘣𝘰𝘰𝘬𝘴𝘵𝘰𝘳𝘦!

In recent decades, citizens active in urban governance have taken up their roles as autonomous subjects, negotiating with governmental actors on the reuse of vacant buildings while representing the wishes of fellow residents to create self-managed communal spaces that are open to neighbourhood residents. They have appropriated vacant properties — and, where possible, constructed new buildings — in line with their own interests, those of civic groups, and the common good. They work to create affordable working, living, cultural and community places in an increasingly commercialised urban environment. In this publication, these civic actors are referred to as citizen professionals (CPs).

Written by Karin Christof, with a foreword by Elke Krasny.
Graphic design by Eric de Haas
Book photography by Annette Behrens
Made possible thanks to Freek Lomme

@karin_christof @elkekrasny #setmarginspublications #citizenprofessionals #urbanplanning #architecture #spatialplanning citizenship civilparticipation art culturaltheory

𝘯𝘦𝘸: 𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
𝘙𝘦𝘤𝘭𝘢𝘪𝘮𝘪𝘯𝘨 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘚𝘱𝘢𝘤𝘦𝘴 𝘧𝘰𝘳 𝘞𝘰𝘳𝘬, 𝘓𝘪𝘷𝘪𝘯𝘨 𝘢𝘯𝘥 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘜𝘴𝘦
By Karin Christof

On civic actors in urban architecture: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, and methodological championing!

𝐎𝐔𝐓 𝐍𝐎𝐖 𝐚𝐭 𝟐𝟓 𝐄𝐔𝐑𝐎
𝘷𝘪𝘢 𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘴.𝘱𝘳𝘦𝘴𝘴 (@𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘨𝘴 𝘭𝘪𝘯𝘬 𝘪𝘯 𝘣𝘪𝘰) 𝘰𝘳 𝘰𝘳𝘥𝘦𝘳 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘺𝘰𝘶𝘳 𝘭𝘰𝘤𝘢𝘭 𝘣𝘰𝘰𝘬𝘴𝘵𝘰𝘳𝘦!

In recent decades, citizens active in urban governance have taken up their roles as autonomous subjects, negotiating with governmental actors on the reuse of vacant buildings while representing the wishes of fellow residents to create self-managed communal spaces that are open to neighbourhood residents. They have appropriated vacant properties — and, where possible, constructed new buildings — in line with their own interests, those of civic groups, and the common good. They work to create affordable working, living, cultural and community places in an increasingly commercialised urban environment. In this publication, these civic actors are referred to as citizen professionals (CPs).

Written by Karin Christof, with a foreword by Elke Krasny.
Graphic design by Eric de Haas
Book photography by Annette Behrens
Made possible thanks to Freek Lomme

@karin_christof @elkekrasny #setmarginspublications #citizenprofessionals #urbanplanning #architecture #spatialplanning citizenship civilparticipation art culturaltheory

𝘯𝘦𝘸: 𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
𝘙𝘦𝘤𝘭𝘢𝘪𝘮𝘪𝘯𝘨 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘚𝘱𝘢𝘤𝘦𝘴 𝘧𝘰𝘳 𝘞𝘰𝘳𝘬, 𝘓𝘪𝘷𝘪𝘯𝘨 𝘢𝘯𝘥 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘜𝘴𝘦
By Karin Christof

On civic actors in urban architecture: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, and methodological championing!

𝐎𝐔𝐓 𝐍𝐎𝐖 𝐚𝐭 𝟐𝟓 𝐄𝐔𝐑𝐎
𝘷𝘪𝘢 𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘴.𝘱𝘳𝘦𝘴𝘴 (@𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘨𝘴 𝘭𝘪𝘯𝘬 𝘪𝘯 𝘣𝘪𝘰) 𝘰𝘳 𝘰𝘳𝘥𝘦𝘳 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘺𝘰𝘶𝘳 𝘭𝘰𝘤𝘢𝘭 𝘣𝘰𝘰𝘬𝘴𝘵𝘰𝘳𝘦!

In recent decades, citizens active in urban governance have taken up their roles as autonomous subjects, negotiating with governmental actors on the reuse of vacant buildings while representing the wishes of fellow residents to create self-managed communal spaces that are open to neighbourhood residents. They have appropriated vacant properties — and, where possible, constructed new buildings — in line with their own interests, those of civic groups, and the common good. They work to create affordable working, living, cultural and community places in an increasingly commercialised urban environment. In this publication, these civic actors are referred to as citizen professionals (CPs).

Written by Karin Christof, with a foreword by Elke Krasny.
Graphic design by Eric de Haas
Book photography by Annette Behrens
Made possible thanks to Freek Lomme

@karin_christof @elkekrasny #setmarginspublications #citizenprofessionals #urbanplanning #architecture #spatialplanning citizenship civilparticipation art culturaltheory

𝘯𝘦𝘸: 𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
𝘙𝘦𝘤𝘭𝘢𝘪𝘮𝘪𝘯𝘨 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘚𝘱𝘢𝘤𝘦𝘴 𝘧𝘰𝘳 𝘞𝘰𝘳𝘬, 𝘓𝘪𝘷𝘪𝘯𝘨 𝘢𝘯𝘥 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘜𝘴𝘦
By Karin Christof

On civic actors in urban architecture: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, and methodological championing!

𝐎𝐔𝐓 𝐍𝐎𝐖 𝐚𝐭 𝟐𝟓 𝐄𝐔𝐑𝐎
𝘷𝘪𝘢 𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘴.𝘱𝘳𝘦𝘴𝘴 (@𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘨𝘴 𝘭𝘪𝘯𝘬 𝘪𝘯 𝘣𝘪𝘰) 𝘰𝘳 𝘰𝘳𝘥𝘦𝘳 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘺𝘰𝘶𝘳 𝘭𝘰𝘤𝘢𝘭 𝘣𝘰𝘰𝘬𝘴𝘵𝘰𝘳𝘦!

In recent decades, citizens active in urban governance have taken up their roles as autonomous subjects, negotiating with governmental actors on the reuse of vacant buildings while representing the wishes of fellow residents to create self-managed communal spaces that are open to neighbourhood residents. They have appropriated vacant properties — and, where possible, constructed new buildings — in line with their own interests, those of civic groups, and the common good. They work to create affordable working, living, cultural and community places in an increasingly commercialised urban environment. In this publication, these civic actors are referred to as citizen professionals (CPs).

Written by Karin Christof, with a foreword by Elke Krasny.
Graphic design by Eric de Haas
Book photography by Annette Behrens
Made possible thanks to Freek Lomme

@karin_christof @elkekrasny #setmarginspublications #citizenprofessionals #urbanplanning #architecture #spatialplanning citizenship civilparticipation art culturaltheory

𝘯𝘦𝘸: 𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
𝘙𝘦𝘤𝘭𝘢𝘪𝘮𝘪𝘯𝘨 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘚𝘱𝘢𝘤𝘦𝘴 𝘧𝘰𝘳 𝘞𝘰𝘳𝘬, 𝘓𝘪𝘷𝘪𝘯𝘨 𝘢𝘯𝘥 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘜𝘴𝘦
By Karin Christof

On civic actors in urban architecture: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, and methodological championing!

𝐎𝐔𝐓 𝐍𝐎𝐖 𝐚𝐭 𝟐𝟓 𝐄𝐔𝐑𝐎
𝘷𝘪𝘢 𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘴.𝘱𝘳𝘦𝘴𝘴 (@𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘨𝘴 𝘭𝘪𝘯𝘬 𝘪𝘯 𝘣𝘪𝘰) 𝘰𝘳 𝘰𝘳𝘥𝘦𝘳 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘺𝘰𝘶𝘳 𝘭𝘰𝘤𝘢𝘭 𝘣𝘰𝘰𝘬𝘴𝘵𝘰𝘳𝘦!

In recent decades, citizens active in urban governance have taken up their roles as autonomous subjects, negotiating with governmental actors on the reuse of vacant buildings while representing the wishes of fellow residents to create self-managed communal spaces that are open to neighbourhood residents. They have appropriated vacant properties — and, where possible, constructed new buildings — in line with their own interests, those of civic groups, and the common good. They work to create affordable working, living, cultural and community places in an increasingly commercialised urban environment. In this publication, these civic actors are referred to as citizen professionals (CPs).

Written by Karin Christof, with a foreword by Elke Krasny.
Graphic design by Eric de Haas
Book photography by Annette Behrens
Made possible thanks to Freek Lomme

@karin_christof @elkekrasny #setmarginspublications #citizenprofessionals #urbanplanning #architecture #spatialplanning citizenship civilparticipation art culturaltheory

𝘯𝘦𝘸: 𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
𝘙𝘦𝘤𝘭𝘢𝘪𝘮𝘪𝘯𝘨 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘚𝘱𝘢𝘤𝘦𝘴 𝘧𝘰𝘳 𝘞𝘰𝘳𝘬, 𝘓𝘪𝘷𝘪𝘯𝘨 𝘢𝘯𝘥 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘜𝘴𝘦
By Karin Christof

On civic actors in urban architecture: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, and methodological championing!

𝐎𝐔𝐓 𝐍𝐎𝐖 𝐚𝐭 𝟐𝟓 𝐄𝐔𝐑𝐎
𝘷𝘪𝘢 𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘴.𝘱𝘳𝘦𝘴𝘴 (@𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘨𝘴 𝘭𝘪𝘯𝘬 𝘪𝘯 𝘣𝘪𝘰) 𝘰𝘳 𝘰𝘳𝘥𝘦𝘳 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘺𝘰𝘶𝘳 𝘭𝘰𝘤𝘢𝘭 𝘣𝘰𝘰𝘬𝘴𝘵𝘰𝘳𝘦!

In recent decades, citizens active in urban governance have taken up their roles as autonomous subjects, negotiating with governmental actors on the reuse of vacant buildings while representing the wishes of fellow residents to create self-managed communal spaces that are open to neighbourhood residents. They have appropriated vacant properties — and, where possible, constructed new buildings — in line with their own interests, those of civic groups, and the common good. They work to create affordable working, living, cultural and community places in an increasingly commercialised urban environment. In this publication, these civic actors are referred to as citizen professionals (CPs).

Written by Karin Christof, with a foreword by Elke Krasny.
Graphic design by Eric de Haas
Book photography by Annette Behrens
Made possible thanks to Freek Lomme

@karin_christof @elkekrasny #setmarginspublications #citizenprofessionals #urbanplanning #architecture #spatialplanning citizenship civilparticipation art culturaltheory

𝘯𝘦𝘸: 𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
𝘙𝘦𝘤𝘭𝘢𝘪𝘮𝘪𝘯𝘨 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘚𝘱𝘢𝘤𝘦𝘴 𝘧𝘰𝘳 𝘞𝘰𝘳𝘬, 𝘓𝘪𝘷𝘪𝘯𝘨 𝘢𝘯𝘥 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘜𝘴𝘦
By Karin Christof

On civic actors in urban architecture: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, and methodological championing!

𝐎𝐔𝐓 𝐍𝐎𝐖 𝐚𝐭 𝟐𝟓 𝐄𝐔𝐑𝐎
𝘷𝘪𝘢 𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘴.𝘱𝘳𝘦𝘴𝘴 (@𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘨𝘴 𝘭𝘪𝘯𝘬 𝘪𝘯 𝘣𝘪𝘰) 𝘰𝘳 𝘰𝘳𝘥𝘦𝘳 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘺𝘰𝘶𝘳 𝘭𝘰𝘤𝘢𝘭 𝘣𝘰𝘰𝘬𝘴𝘵𝘰𝘳𝘦!

In recent decades, citizens active in urban governance have taken up their roles as autonomous subjects, negotiating with governmental actors on the reuse of vacant buildings while representing the wishes of fellow residents to create self-managed communal spaces that are open to neighbourhood residents. They have appropriated vacant properties — and, where possible, constructed new buildings — in line with their own interests, those of civic groups, and the common good. They work to create affordable working, living, cultural and community places in an increasingly commercialised urban environment. In this publication, these civic actors are referred to as citizen professionals (CPs).

Written by Karin Christof, with a foreword by Elke Krasny.
Graphic design by Eric de Haas
Book photography by Annette Behrens
Made possible thanks to Freek Lomme

@karin_christof @elkekrasny #setmarginspublications #citizenprofessionals #urbanplanning #architecture #spatialplanning citizenship civilparticipation art culturaltheory

𝘯𝘦𝘸: 𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
𝘙𝘦𝘤𝘭𝘢𝘪𝘮𝘪𝘯𝘨 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘚𝘱𝘢𝘤𝘦𝘴 𝘧𝘰𝘳 𝘞𝘰𝘳𝘬, 𝘓𝘪𝘷𝘪𝘯𝘨 𝘢𝘯𝘥 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘜𝘴𝘦
By Karin Christof

On civic actors in urban architecture: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, and methodological championing!

𝐎𝐔𝐓 𝐍𝐎𝐖 𝐚𝐭 𝟐𝟓 𝐄𝐔𝐑𝐎
𝘷𝘪𝘢 𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘴.𝘱𝘳𝘦𝘴𝘴 (@𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘨𝘴 𝘭𝘪𝘯𝘬 𝘪𝘯 𝘣𝘪𝘰) 𝘰𝘳 𝘰𝘳𝘥𝘦𝘳 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘺𝘰𝘶𝘳 𝘭𝘰𝘤𝘢𝘭 𝘣𝘰𝘰𝘬𝘴𝘵𝘰𝘳𝘦!

In recent decades, citizens active in urban governance have taken up their roles as autonomous subjects, negotiating with governmental actors on the reuse of vacant buildings while representing the wishes of fellow residents to create self-managed communal spaces that are open to neighbourhood residents. They have appropriated vacant properties — and, where possible, constructed new buildings — in line with their own interests, those of civic groups, and the common good. They work to create affordable working, living, cultural and community places in an increasingly commercialised urban environment. In this publication, these civic actors are referred to as citizen professionals (CPs).

Written by Karin Christof, with a foreword by Elke Krasny.
Graphic design by Eric de Haas
Book photography by Annette Behrens
Made possible thanks to Freek Lomme

@karin_christof @elkekrasny #setmarginspublications #citizenprofessionals #urbanplanning #architecture #spatialplanning citizenship civilparticipation art culturaltheory

𝘯𝘦𝘸: 𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
𝘙𝘦𝘤𝘭𝘢𝘪𝘮𝘪𝘯𝘨 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘚𝘱𝘢𝘤𝘦𝘴 𝘧𝘰𝘳 𝘞𝘰𝘳𝘬, 𝘓𝘪𝘷𝘪𝘯𝘨 𝘢𝘯𝘥 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘜𝘴𝘦
By Karin Christof

On civic actors in urban architecture: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, and methodological championing!

𝐎𝐔𝐓 𝐍𝐎𝐖 𝐚𝐭 𝟐𝟓 𝐄𝐔𝐑𝐎
𝘷𝘪𝘢 𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘴.𝘱𝘳𝘦𝘴𝘴 (@𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘨𝘴 𝘭𝘪𝘯𝘬 𝘪𝘯 𝘣𝘪𝘰) 𝘰𝘳 𝘰𝘳𝘥𝘦𝘳 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘺𝘰𝘶𝘳 𝘭𝘰𝘤𝘢𝘭 𝘣𝘰𝘰𝘬𝘴𝘵𝘰𝘳𝘦!

In recent decades, citizens active in urban governance have taken up their roles as autonomous subjects, negotiating with governmental actors on the reuse of vacant buildings while representing the wishes of fellow residents to create self-managed communal spaces that are open to neighbourhood residents. They have appropriated vacant properties — and, where possible, constructed new buildings — in line with their own interests, those of civic groups, and the common good. They work to create affordable working, living, cultural and community places in an increasingly commercialised urban environment. In this publication, these civic actors are referred to as citizen professionals (CPs).

Written by Karin Christof, with a foreword by Elke Krasny.
Graphic design by Eric de Haas
Book photography by Annette Behrens
Made possible thanks to Freek Lomme

@karin_christof @elkekrasny #setmarginspublications #citizenprofessionals #urbanplanning #architecture #spatialplanning citizenship civilparticipation art culturaltheory

𝘯𝘦𝘸: 𝐂𝐢𝐭𝐢𝐳𝐞𝐧 𝐏𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥𝐬
𝘙𝘦𝘤𝘭𝘢𝘪𝘮𝘪𝘯𝘨 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘚𝘱𝘢𝘤𝘦𝘴 𝘧𝘰𝘳 𝘞𝘰𝘳𝘬, 𝘓𝘪𝘷𝘪𝘯𝘨 𝘢𝘯𝘥 𝘊𝘶𝘭𝘵𝘶𝘳𝘢𝘭 𝘜𝘴𝘦
By Karin Christof

On civic actors in urban architecture: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, and methodological championing!

𝐎𝐔𝐓 𝐍𝐎𝐖 𝐚𝐭 𝟐𝟓 𝐄𝐔𝐑𝐎
𝘷𝘪𝘢 𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘴.𝘱𝘳𝘦𝘴𝘴 (@𝘴𝘦𝘵𝘮𝘢𝘳𝘨𝘪𝘯𝘨𝘴 𝘭𝘪𝘯𝘬 𝘪𝘯 𝘣𝘪𝘰) 𝘰𝘳 𝘰𝘳𝘥𝘦𝘳 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘺𝘰𝘶𝘳 𝘭𝘰𝘤𝘢𝘭 𝘣𝘰𝘰𝘬𝘴𝘵𝘰𝘳𝘦!

In recent decades, citizens active in urban governance have taken up their roles as autonomous subjects, negotiating with governmental actors on the reuse of vacant buildings while representing the wishes of fellow residents to create self-managed communal spaces that are open to neighbourhood residents. They have appropriated vacant properties — and, where possible, constructed new buildings — in line with their own interests, those of civic groups, and the common good. They work to create affordable working, living, cultural and community places in an increasingly commercialised urban environment. In this publication, these civic actors are referred to as citizen professionals (CPs).

Written by Karin Christof, with a foreword by Elke Krasny.
Graphic design by Eric de Haas
Book photography by Annette Behrens
Made possible thanks to Freek Lomme

@karin_christof @elkekrasny #setmarginspublications #citizenprofessionals #urbanplanning #architecture #spatialplanning citizenship civilparticipation art culturaltheory

OUT NOW!
𝐕𝐢𝐬𝐮𝐚𝐥𝐢𝐳𝐢𝐧𝐠 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐚𝐠𝐞𝐬: 𝐌𝐨𝐝𝐞𝐬𝐭𝐲, 𝐄𝐭𝐡𝐢𝐜𝐬, 𝐚𝐧𝐝 𝐀𝐭𝐭𝐚𝐜𝐡𝐦𝐞𝐧𝐭 𝐈𝐧𝐟𝐨𝐫𝐦 𝐚 𝐂𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐃𝐞𝐬𝐢𝐠𝐧 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞.
by Patricio Dávila
Graphic design by Chris Lee

Visualization is a form of design practice that deploys representational processes of enormous rhetorical and analytical power. What is often left out of the picture is the network of processes which it assembles and the non-visual effects it produces. This book asks how visualization can operate as a critical design practice that attends to the representational and performative processes it arranges.

MORE INFORMATION OR PURCHASE FAST (or order at your local store) through setmargins.press (@setmargins link in bio)

@davila_patricio @chris_l_e_e_

Photography by Annette Behrens @annette_behrens

#visualizations #designpractice #representation #graphicdesign #brunolatour

OUT NOW!
𝐕𝐢𝐬𝐮𝐚𝐥𝐢𝐳𝐢𝐧𝐠 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐚𝐠𝐞𝐬: 𝐌𝐨𝐝𝐞𝐬𝐭𝐲, 𝐄𝐭𝐡𝐢𝐜𝐬, 𝐚𝐧𝐝 𝐀𝐭𝐭𝐚𝐜𝐡𝐦𝐞𝐧𝐭 𝐈𝐧𝐟𝐨𝐫𝐦 𝐚 𝐂𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐃𝐞𝐬𝐢𝐠𝐧 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞.
by Patricio Dávila
Graphic design by Chris Lee

Visualization is a form of design practice that deploys representational processes of enormous rhetorical and analytical power. What is often left out of the picture is the network of processes which it assembles and the non-visual effects it produces. This book asks how visualization can operate as a critical design practice that attends to the representational and performative processes it arranges.

MORE INFORMATION OR PURCHASE FAST (or order at your local store) through setmargins.press (@setmargins link in bio)

@davila_patricio @chris_l_e_e_

Photography by Annette Behrens @annette_behrens

#visualizations #designpractice #representation #graphicdesign #brunolatour

OUT NOW!
𝐕𝐢𝐬𝐮𝐚𝐥𝐢𝐳𝐢𝐧𝐠 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐚𝐠𝐞𝐬: 𝐌𝐨𝐝𝐞𝐬𝐭𝐲, 𝐄𝐭𝐡𝐢𝐜𝐬, 𝐚𝐧𝐝 𝐀𝐭𝐭𝐚𝐜𝐡𝐦𝐞𝐧𝐭 𝐈𝐧𝐟𝐨𝐫𝐦 𝐚 𝐂𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐃𝐞𝐬𝐢𝐠𝐧 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞.
by Patricio Dávila
Graphic design by Chris Lee

Visualization is a form of design practice that deploys representational processes of enormous rhetorical and analytical power. What is often left out of the picture is the network of processes which it assembles and the non-visual effects it produces. This book asks how visualization can operate as a critical design practice that attends to the representational and performative processes it arranges.

MORE INFORMATION OR PURCHASE FAST (or order at your local store) through setmargins.press (@setmargins link in bio)

@davila_patricio @chris_l_e_e_

Photography by Annette Behrens @annette_behrens

#visualizations #designpractice #representation #graphicdesign #brunolatour

OUT NOW!
𝐕𝐢𝐬𝐮𝐚𝐥𝐢𝐳𝐢𝐧𝐠 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐚𝐠𝐞𝐬: 𝐌𝐨𝐝𝐞𝐬𝐭𝐲, 𝐄𝐭𝐡𝐢𝐜𝐬, 𝐚𝐧𝐝 𝐀𝐭𝐭𝐚𝐜𝐡𝐦𝐞𝐧𝐭 𝐈𝐧𝐟𝐨𝐫𝐦 𝐚 𝐂𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐃𝐞𝐬𝐢𝐠𝐧 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞.
by Patricio Dávila
Graphic design by Chris Lee

Visualization is a form of design practice that deploys representational processes of enormous rhetorical and analytical power. What is often left out of the picture is the network of processes which it assembles and the non-visual effects it produces. This book asks how visualization can operate as a critical design practice that attends to the representational and performative processes it arranges.

MORE INFORMATION OR PURCHASE FAST (or order at your local store) through setmargins.press (@setmargins link in bio)

@davila_patricio @chris_l_e_e_

Photography by Annette Behrens @annette_behrens

#visualizations #designpractice #representation #graphicdesign #brunolatour

OUT NOW!
𝐕𝐢𝐬𝐮𝐚𝐥𝐢𝐳𝐢𝐧𝐠 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐚𝐠𝐞𝐬: 𝐌𝐨𝐝𝐞𝐬𝐭𝐲, 𝐄𝐭𝐡𝐢𝐜𝐬, 𝐚𝐧𝐝 𝐀𝐭𝐭𝐚𝐜𝐡𝐦𝐞𝐧𝐭 𝐈𝐧𝐟𝐨𝐫𝐦 𝐚 𝐂𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐃𝐞𝐬𝐢𝐠𝐧 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞.
by Patricio Dávila
Graphic design by Chris Lee

Visualization is a form of design practice that deploys representational processes of enormous rhetorical and analytical power. What is often left out of the picture is the network of processes which it assembles and the non-visual effects it produces. This book asks how visualization can operate as a critical design practice that attends to the representational and performative processes it arranges.

MORE INFORMATION OR PURCHASE FAST (or order at your local store) through setmargins.press (@setmargins link in bio)

@davila_patricio @chris_l_e_e_

Photography by Annette Behrens @annette_behrens

#visualizations #designpractice #representation #graphicdesign #brunolatour

OUT NOW!
𝐕𝐢𝐬𝐮𝐚𝐥𝐢𝐳𝐢𝐧𝐠 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐚𝐠𝐞𝐬: 𝐌𝐨𝐝𝐞𝐬𝐭𝐲, 𝐄𝐭𝐡𝐢𝐜𝐬, 𝐚𝐧𝐝 𝐀𝐭𝐭𝐚𝐜𝐡𝐦𝐞𝐧𝐭 𝐈𝐧𝐟𝐨𝐫𝐦 𝐚 𝐂𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐃𝐞𝐬𝐢𝐠𝐧 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞.
by Patricio Dávila
Graphic design by Chris Lee

Visualization is a form of design practice that deploys representational processes of enormous rhetorical and analytical power. What is often left out of the picture is the network of processes which it assembles and the non-visual effects it produces. This book asks how visualization can operate as a critical design practice that attends to the representational and performative processes it arranges.

MORE INFORMATION OR PURCHASE FAST (or order at your local store) through setmargins.press (@setmargins link in bio)

@davila_patricio @chris_l_e_e_

Photography by Annette Behrens @annette_behrens

#visualizations #designpractice #representation #graphicdesign #brunolatour

OUT NOW!
𝐕𝐢𝐬𝐮𝐚𝐥𝐢𝐳𝐢𝐧𝐠 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐚𝐠𝐞𝐬: 𝐌𝐨𝐝𝐞𝐬𝐭𝐲, 𝐄𝐭𝐡𝐢𝐜𝐬, 𝐚𝐧𝐝 𝐀𝐭𝐭𝐚𝐜𝐡𝐦𝐞𝐧𝐭 𝐈𝐧𝐟𝐨𝐫𝐦 𝐚 𝐂𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐃𝐞𝐬𝐢𝐠𝐧 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞.
by Patricio Dávila
Graphic design by Chris Lee

Visualization is a form of design practice that deploys representational processes of enormous rhetorical and analytical power. What is often left out of the picture is the network of processes which it assembles and the non-visual effects it produces. This book asks how visualization can operate as a critical design practice that attends to the representational and performative processes it arranges.

MORE INFORMATION OR PURCHASE FAST (or order at your local store) through setmargins.press (@setmargins link in bio)

@davila_patricio @chris_l_e_e_

Photography by Annette Behrens @annette_behrens

#visualizations #designpractice #representation #graphicdesign #brunolatour

OUT NOW!
𝐕𝐢𝐬𝐮𝐚𝐥𝐢𝐳𝐢𝐧𝐠 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐚𝐠𝐞𝐬: 𝐌𝐨𝐝𝐞𝐬𝐭𝐲, 𝐄𝐭𝐡𝐢𝐜𝐬, 𝐚𝐧𝐝 𝐀𝐭𝐭𝐚𝐜𝐡𝐦𝐞𝐧𝐭 𝐈𝐧𝐟𝐨𝐫𝐦 𝐚 𝐂𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐃𝐞𝐬𝐢𝐠𝐧 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞.
by Patricio Dávila
Graphic design by Chris Lee

Visualization is a form of design practice that deploys representational processes of enormous rhetorical and analytical power. What is often left out of the picture is the network of processes which it assembles and the non-visual effects it produces. This book asks how visualization can operate as a critical design practice that attends to the representational and performative processes it arranges.

MORE INFORMATION OR PURCHASE FAST (or order at your local store) through setmargins.press (@setmargins link in bio)

@davila_patricio @chris_l_e_e_

Photography by Annette Behrens @annette_behrens

#visualizations #designpractice #representation #graphicdesign #brunolatour

OUT NOW!
𝐕𝐢𝐬𝐮𝐚𝐥𝐢𝐳𝐢𝐧𝐠 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐚𝐠𝐞𝐬: 𝐌𝐨𝐝𝐞𝐬𝐭𝐲, 𝐄𝐭𝐡𝐢𝐜𝐬, 𝐚𝐧𝐝 𝐀𝐭𝐭𝐚𝐜𝐡𝐦𝐞𝐧𝐭 𝐈𝐧𝐟𝐨𝐫𝐦 𝐚 𝐂𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐃𝐞𝐬𝐢𝐠𝐧 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞.
by Patricio Dávila
Graphic design by Chris Lee

Visualization is a form of design practice that deploys representational processes of enormous rhetorical and analytical power. What is often left out of the picture is the network of processes which it assembles and the non-visual effects it produces. This book asks how visualization can operate as a critical design practice that attends to the representational and performative processes it arranges.

MORE INFORMATION OR PURCHASE FAST (or order at your local store) through setmargins.press (@setmargins link in bio)

@davila_patricio @chris_l_e_e_

Photography by Annette Behrens @annette_behrens

#visualizations #designpractice #representation #graphicdesign #brunolatour

OUT NOW!
𝐕𝐢𝐬𝐮𝐚𝐥𝐢𝐳𝐢𝐧𝐠 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐚𝐠𝐞𝐬: 𝐌𝐨𝐝𝐞𝐬𝐭𝐲, 𝐄𝐭𝐡𝐢𝐜𝐬, 𝐚𝐧𝐝 𝐀𝐭𝐭𝐚𝐜𝐡𝐦𝐞𝐧𝐭 𝐈𝐧𝐟𝐨𝐫𝐦 𝐚 𝐂𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐃𝐞𝐬𝐢𝐠𝐧 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞.
by Patricio Dávila
Graphic design by Chris Lee

Visualization is a form of design practice that deploys representational processes of enormous rhetorical and analytical power. What is often left out of the picture is the network of processes which it assembles and the non-visual effects it produces. This book asks how visualization can operate as a critical design practice that attends to the representational and performative processes it arranges.

MORE INFORMATION OR PURCHASE FAST (or order at your local store) through setmargins.press (@setmargins link in bio)

@davila_patricio @chris_l_e_e_

Photography by Annette Behrens @annette_behrens

#visualizations #designpractice #representation #graphicdesign #brunolatour

OUT NOW!
𝐕𝐢𝐬𝐮𝐚𝐥𝐢𝐳𝐢𝐧𝐠 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐚𝐠𝐞𝐬: 𝐌𝐨𝐝𝐞𝐬𝐭𝐲, 𝐄𝐭𝐡𝐢𝐜𝐬, 𝐚𝐧𝐝 𝐀𝐭𝐭𝐚𝐜𝐡𝐦𝐞𝐧𝐭 𝐈𝐧𝐟𝐨𝐫𝐦 𝐚 𝐂𝐫𝐢𝐭𝐢𝐜𝐚𝐥 𝐃𝐞𝐬𝐢𝐠𝐧 𝐏𝐫𝐚𝐜𝐭𝐢𝐜𝐞.
by Patricio Dávila
Graphic design by Chris Lee

Visualization is a form of design practice that deploys representational processes of enormous rhetorical and analytical power. What is often left out of the picture is the network of processes which it assembles and the non-visual effects it produces. This book asks how visualization can operate as a critical design practice that attends to the representational and performative processes it arranges.

MORE INFORMATION OR PURCHASE FAST (or order at your local store) through setmargins.press (@setmargins link in bio)

@davila_patricio @chris_l_e_e_

Photography by Annette Behrens @annette_behrens

#visualizations #designpractice #representation #graphicdesign #brunolatour

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

What happens to logos when they collide with the real world? When they encounter memes, counterfeiting, fashion, pop culture, or counterculture?
What happens to the history of graphic design when brand lifecycles are

I am super thrilled to announce that LOGO IN REAL LIFE is finally available worldwide in English, published by @setmargins and prefaced by @briarlevit

Spoiler: This is a “emotional” post in which I really want to thank a few people without whom this book would never have seen the light of day.

Thank you to Freek Lomme for believing in it, for supporting it and for putting it into a spreadsheet with great courage and pragmatism, with sincerity and clarity… it is an immense honour to have crossed paths with a publishing house so central to the contemporary debate and so present in my bookshelf: Set Margins’ <3.

Thanks to Briar Levit for her ‘NOSY’ foreword, which skilfully connects the dots between her memories of the Generation X and her sharp, contemporary perspective on People’s Graphic Design History.Although I was never a raver in the 90s, I know I have found a ‘kindred spirit’ in her too.

Thanks to the behind-the-scenes work of Isobel Butters, @orlz_well_ and @ilariapittassi for editing my words and putting them down on paper with great generosity, care and dedication.

Of course, none of this would have been possible without the work done on the first Italian edition. So thanks to @krisispublishing , @noemi.biasetton , @chiaraelecose and my bro @silvio.lorusso – to whom I am particularly grateful for acting as a bridge between the two editions.

Thank you to everyone who contributed their ideas and images to build the ever-expanding @logo_irl archive ; without your contributions, this story would not exist, and it wouldn’t be so bottom-up,social and, yes, “messy”.

That’s all.
Enjoy the collision!

PS
Sorry for the inconvenience FHK Henrion and Yasaburo Kuwayama... we love you!

PS2
Headline typeface sponsored by @fantasia.type

BOOK TOUR announcement! The details are all finally coming together, starting with an event tonight (May 13 at 7pm) at Typewronger Books in Edinburgh to launch this new novel.

There might be additional events throughout the year, details forthcoming, so keep your eyes peeled—my website is a good place to check; find the link in my bio.

📚 Book launch!
May 13th at 7pm, Typewronger Books, Edinburgh

📚Presentation and conversation with Jade Wilson, editor of Dyke Affair
“Alternative forms in queer literature”
International Literary Festival of Dublin
12:30, Thursday 21 May
Merrion Square Park, Le Fanu stage, Dublin

📚Book party, reading, and conversation with the author
Thursday May 21, 6pm
The Library Project
Ireland's Art Bookshop
4 Temple Bar Street, D02 YK53, Dublin, Ireland.

📚 Presentation, Reading and Activity with the author, in collaboration with Nina Scott
May 29th at 7pm Burning House Books in Glasgow

📚 Reading, and a conversation between the author and Rosa Campbell
June 11th at 7pm, Argonaut Books, Edinburgh

📚 Reading and conversation with the author
June 26th 4-7pm, Tunnel Books in St Johnsbury, Vermont

📚 Reading, and a conversation between the author and Chelsea Edgar
July 9th at 7pm Phoenix Books in Burlington, Vermont

If you want to follow along the process behind these projects, subscribe to my substack (link in bio) where I will also be describing current and future book projects, including and beyond this novel.

Thanks to @setmargins for publishing this book!

BOOK TOUR announcement! The details are all finally coming together, starting with an event tonight (May 13 at 7pm) at Typewronger Books in Edinburgh to launch this new novel.

There might be additional events throughout the year, details forthcoming, so keep your eyes peeled—my website is a good place to check; find the link in my bio.

📚 Book launch!
May 13th at 7pm, Typewronger Books, Edinburgh

📚Presentation and conversation with Jade Wilson, editor of Dyke Affair
“Alternative forms in queer literature”
International Literary Festival of Dublin
12:30, Thursday 21 May
Merrion Square Park, Le Fanu stage, Dublin

📚Book party, reading, and conversation with the author
Thursday May 21, 6pm
The Library Project
Ireland's Art Bookshop
4 Temple Bar Street, D02 YK53, Dublin, Ireland.

📚 Presentation, Reading and Activity with the author, in collaboration with Nina Scott
May 29th at 7pm Burning House Books in Glasgow

📚 Reading, and a conversation between the author and Rosa Campbell
June 11th at 7pm, Argonaut Books, Edinburgh

📚 Reading and conversation with the author
June 26th 4-7pm, Tunnel Books in St Johnsbury, Vermont

📚 Reading, and a conversation between the author and Chelsea Edgar
July 9th at 7pm Phoenix Books in Burlington, Vermont

If you want to follow along the process behind these projects, subscribe to my substack (link in bio) where I will also be describing current and future book projects, including and beyond this novel.

Thanks to @setmargins for publishing this book!

BOOK TOUR announcement! The details are all finally coming together, starting with an event tonight (May 13 at 7pm) at Typewronger Books in Edinburgh to launch this new novel.

There might be additional events throughout the year, details forthcoming, so keep your eyes peeled—my website is a good place to check; find the link in my bio.

📚 Book launch!
May 13th at 7pm, Typewronger Books, Edinburgh

📚Presentation and conversation with Jade Wilson, editor of Dyke Affair
“Alternative forms in queer literature”
International Literary Festival of Dublin
12:30, Thursday 21 May
Merrion Square Park, Le Fanu stage, Dublin

📚Book party, reading, and conversation with the author
Thursday May 21, 6pm
The Library Project
Ireland's Art Bookshop
4 Temple Bar Street, D02 YK53, Dublin, Ireland.

📚 Presentation, Reading and Activity with the author, in collaboration with Nina Scott
May 29th at 7pm Burning House Books in Glasgow

📚 Reading, and a conversation between the author and Rosa Campbell
June 11th at 7pm, Argonaut Books, Edinburgh

📚 Reading and conversation with the author
June 26th 4-7pm, Tunnel Books in St Johnsbury, Vermont

📚 Reading, and a conversation between the author and Chelsea Edgar
July 9th at 7pm Phoenix Books in Burlington, Vermont

If you want to follow along the process behind these projects, subscribe to my substack (link in bio) where I will also be describing current and future book projects, including and beyond this novel.

Thanks to @setmargins for publishing this book!

BOOK TOUR announcement! The details are all finally coming together, starting with an event tonight (May 13 at 7pm) at Typewronger Books in Edinburgh to launch this new novel.

There might be additional events throughout the year, details forthcoming, so keep your eyes peeled—my website is a good place to check; find the link in my bio.

📚 Book launch!
May 13th at 7pm, Typewronger Books, Edinburgh

📚Presentation and conversation with Jade Wilson, editor of Dyke Affair
“Alternative forms in queer literature”
International Literary Festival of Dublin
12:30, Thursday 21 May
Merrion Square Park, Le Fanu stage, Dublin

📚Book party, reading, and conversation with the author
Thursday May 21, 6pm
The Library Project
Ireland's Art Bookshop
4 Temple Bar Street, D02 YK53, Dublin, Ireland.

📚 Presentation, Reading and Activity with the author, in collaboration with Nina Scott
May 29th at 7pm Burning House Books in Glasgow

📚 Reading, and a conversation between the author and Rosa Campbell
June 11th at 7pm, Argonaut Books, Edinburgh

📚 Reading and conversation with the author
June 26th 4-7pm, Tunnel Books in St Johnsbury, Vermont

📚 Reading, and a conversation between the author and Chelsea Edgar
July 9th at 7pm Phoenix Books in Burlington, Vermont

If you want to follow along the process behind these projects, subscribe to my substack (link in bio) where I will also be describing current and future book projects, including and beyond this novel.

Thanks to @setmargins for publishing this book!

BOOK TOUR announcement! The details are all finally coming together, starting with an event tonight (May 13 at 7pm) at Typewronger Books in Edinburgh to launch this new novel.

There might be additional events throughout the year, details forthcoming, so keep your eyes peeled—my website is a good place to check; find the link in my bio.

📚 Book launch!
May 13th at 7pm, Typewronger Books, Edinburgh

📚Presentation and conversation with Jade Wilson, editor of Dyke Affair
“Alternative forms in queer literature”
International Literary Festival of Dublin
12:30, Thursday 21 May
Merrion Square Park, Le Fanu stage, Dublin

📚Book party, reading, and conversation with the author
Thursday May 21, 6pm
The Library Project
Ireland's Art Bookshop
4 Temple Bar Street, D02 YK53, Dublin, Ireland.

📚 Presentation, Reading and Activity with the author, in collaboration with Nina Scott
May 29th at 7pm Burning House Books in Glasgow

📚 Reading, and a conversation between the author and Rosa Campbell
June 11th at 7pm, Argonaut Books, Edinburgh

📚 Reading and conversation with the author
June 26th 4-7pm, Tunnel Books in St Johnsbury, Vermont

📚 Reading, and a conversation between the author and Chelsea Edgar
July 9th at 7pm Phoenix Books in Burlington, Vermont

If you want to follow along the process behind these projects, subscribe to my substack (link in bio) where I will also be describing current and future book projects, including and beyond this novel.

Thanks to @setmargins for publishing this book!

BOOK TOUR announcement! The details are all finally coming together, starting with an event tonight (May 13 at 7pm) at Typewronger Books in Edinburgh to launch this new novel.

There might be additional events throughout the year, details forthcoming, so keep your eyes peeled—my website is a good place to check; find the link in my bio.

📚 Book launch!
May 13th at 7pm, Typewronger Books, Edinburgh

📚Presentation and conversation with Jade Wilson, editor of Dyke Affair
“Alternative forms in queer literature”
International Literary Festival of Dublin
12:30, Thursday 21 May
Merrion Square Park, Le Fanu stage, Dublin

📚Book party, reading, and conversation with the author
Thursday May 21, 6pm
The Library Project
Ireland's Art Bookshop
4 Temple Bar Street, D02 YK53, Dublin, Ireland.

📚 Presentation, Reading and Activity with the author, in collaboration with Nina Scott
May 29th at 7pm Burning House Books in Glasgow

📚 Reading, and a conversation between the author and Rosa Campbell
June 11th at 7pm, Argonaut Books, Edinburgh

📚 Reading and conversation with the author
June 26th 4-7pm, Tunnel Books in St Johnsbury, Vermont

📚 Reading, and a conversation between the author and Chelsea Edgar
July 9th at 7pm Phoenix Books in Burlington, Vermont

If you want to follow along the process behind these projects, subscribe to my substack (link in bio) where I will also be describing current and future book projects, including and beyond this novel.

Thanks to @setmargins for publishing this book!

BOOK TOUR announcement! The details are all finally coming together, starting with an event tonight (May 13 at 7pm) at Typewronger Books in Edinburgh to launch this new novel.

There might be additional events throughout the year, details forthcoming, so keep your eyes peeled—my website is a good place to check; find the link in my bio.

📚 Book launch!
May 13th at 7pm, Typewronger Books, Edinburgh

📚Presentation and conversation with Jade Wilson, editor of Dyke Affair
“Alternative forms in queer literature”
International Literary Festival of Dublin
12:30, Thursday 21 May
Merrion Square Park, Le Fanu stage, Dublin

📚Book party, reading, and conversation with the author
Thursday May 21, 6pm
The Library Project
Ireland's Art Bookshop
4 Temple Bar Street, D02 YK53, Dublin, Ireland.

📚 Presentation, Reading and Activity with the author, in collaboration with Nina Scott
May 29th at 7pm Burning House Books in Glasgow

📚 Reading, and a conversation between the author and Rosa Campbell
June 11th at 7pm, Argonaut Books, Edinburgh

📚 Reading and conversation with the author
June 26th 4-7pm, Tunnel Books in St Johnsbury, Vermont

📚 Reading, and a conversation between the author and Chelsea Edgar
July 9th at 7pm Phoenix Books in Burlington, Vermont

If you want to follow along the process behind these projects, subscribe to my substack (link in bio) where I will also be describing current and future book projects, including and beyond this novel.

Thanks to @setmargins for publishing this book!

BOOK TOUR announcement! The details are all finally coming together, starting with an event tonight (May 13 at 7pm) at Typewronger Books in Edinburgh to launch this new novel.

There might be additional events throughout the year, details forthcoming, so keep your eyes peeled—my website is a good place to check; find the link in my bio.

📚 Book launch!
May 13th at 7pm, Typewronger Books, Edinburgh

📚Presentation and conversation with Jade Wilson, editor of Dyke Affair
“Alternative forms in queer literature”
International Literary Festival of Dublin
12:30, Thursday 21 May
Merrion Square Park, Le Fanu stage, Dublin

📚Book party, reading, and conversation with the author
Thursday May 21, 6pm
The Library Project
Ireland's Art Bookshop
4 Temple Bar Street, D02 YK53, Dublin, Ireland.

📚 Presentation, Reading and Activity with the author, in collaboration with Nina Scott
May 29th at 7pm Burning House Books in Glasgow

📚 Reading, and a conversation between the author and Rosa Campbell
June 11th at 7pm, Argonaut Books, Edinburgh

📚 Reading and conversation with the author
June 26th 4-7pm, Tunnel Books in St Johnsbury, Vermont

📚 Reading, and a conversation between the author and Chelsea Edgar
July 9th at 7pm Phoenix Books in Burlington, Vermont

If you want to follow along the process behind these projects, subscribe to my substack (link in bio) where I will also be describing current and future book projects, including and beyond this novel.

Thanks to @setmargins for publishing this book!

BOOK TOUR announcement! The details are all finally coming together, starting with an event tonight (May 13 at 7pm) at Typewronger Books in Edinburgh to launch this new novel.

There might be additional events throughout the year, details forthcoming, so keep your eyes peeled—my website is a good place to check; find the link in my bio.

📚 Book launch!
May 13th at 7pm, Typewronger Books, Edinburgh

📚Presentation and conversation with Jade Wilson, editor of Dyke Affair
“Alternative forms in queer literature”
International Literary Festival of Dublin
12:30, Thursday 21 May
Merrion Square Park, Le Fanu stage, Dublin

📚Book party, reading, and conversation with the author
Thursday May 21, 6pm
The Library Project
Ireland's Art Bookshop
4 Temple Bar Street, D02 YK53, Dublin, Ireland.

📚 Presentation, Reading and Activity with the author, in collaboration with Nina Scott
May 29th at 7pm Burning House Books in Glasgow

📚 Reading, and a conversation between the author and Rosa Campbell
June 11th at 7pm, Argonaut Books, Edinburgh

📚 Reading and conversation with the author
June 26th 4-7pm, Tunnel Books in St Johnsbury, Vermont

📚 Reading, and a conversation between the author and Chelsea Edgar
July 9th at 7pm Phoenix Books in Burlington, Vermont

If you want to follow along the process behind these projects, subscribe to my substack (link in bio) where I will also be describing current and future book projects, including and beyond this novel.

Thanks to @setmargins for publishing this book!

BOOK TOUR announcement! The details are all finally coming together, starting with an event tonight (May 13 at 7pm) at Typewronger Books in Edinburgh to launch this new novel.

There might be additional events throughout the year, details forthcoming, so keep your eyes peeled—my website is a good place to check; find the link in my bio.

📚 Book launch!
May 13th at 7pm, Typewronger Books, Edinburgh

📚Presentation and conversation with Jade Wilson, editor of Dyke Affair
“Alternative forms in queer literature”
International Literary Festival of Dublin
12:30, Thursday 21 May
Merrion Square Park, Le Fanu stage, Dublin

📚Book party, reading, and conversation with the author
Thursday May 21, 6pm
The Library Project
Ireland's Art Bookshop
4 Temple Bar Street, D02 YK53, Dublin, Ireland.

📚 Presentation, Reading and Activity with the author, in collaboration with Nina Scott
May 29th at 7pm Burning House Books in Glasgow

📚 Reading, and a conversation between the author and Rosa Campbell
June 11th at 7pm, Argonaut Books, Edinburgh

📚 Reading and conversation with the author
June 26th 4-7pm, Tunnel Books in St Johnsbury, Vermont

📚 Reading, and a conversation between the author and Chelsea Edgar
July 9th at 7pm Phoenix Books in Burlington, Vermont

If you want to follow along the process behind these projects, subscribe to my substack (link in bio) where I will also be describing current and future book projects, including and beyond this novel.

Thanks to @setmargins for publishing this book!

POST-SCRIPT: Author Z speaks about the making and purpose of Moving Beyond the Left
A Post-Left Post-Mortem in Pursuit of Freedom
@setmargins_postscript

Written by Z, afterword by Lorenzo Kom'boa Ervin.

In the collective aims and desires for a free world, does the construct of the “Left” hinder more than help?

One answer is: Yes, and by design.

In a time of ideological confusion, growing authoritarianism, and cascading ecological collapse, the cyclical failures of Left frameworks, traditions, and spaces to address these concerns have left many confused, heartbroken, and jaded—and yet the stakes remain high.

AVAILABLE VIA SETMARGINS.PRESS (@setmargins link in bio) AND LOCAL BOOKSTORES

@zetto.plus @movingbeyondtheleft

Video by @sky.jennings, video editing and design by Sofia Paz @paz.zip
graphic design of the book by @ro_oeurn

POST-SCRIPT: Author / designer Ian Lynam speaks about the making and purpose of FRACTURE-JAPANESE GRAPHIC DESIGN 1875-1975
@setmargins_postscript

Fracture: Japanese Graphic Design 1875–1975 is a profusely illustrated, dynamically designed, and easy-to-read survey of the history of Japanese graphic design. Designer, educator, critic, and historian Ian Lynam explores graphic design in Japan from its foundations in the graphic arts to the immediate pre-digital design era. Fracture is grounded by a number of essays that help readers understand the tremendous cultural shifts that have happened in Japan since it re-opened to the West, exploring modernity, imperialism, gender, commercialism, sexuality, and aesthetics.

AVAILABLE AT 38€ VIA SETMARGINS.PRESS (@setmargins link in bio) and local bookstores!

Ian Lynam @ianlynam (born 1972) holds an MFA in graphic design from California Institute of the Arts. He is a faculty member at Temple University Japan Campus as well as at Vermont College of Fine Arts. His previous books on design include War with Myself, The Failed Painter and The Impossibility of Silence.

POST-SCRIPT is a new series of videos going behind the scenes with Set Margins’ authors, made by Sofia Paz @setmargins_postscript @paz.zip

Such a pleasure to be back at the LA Art book fair and share the amazing work of all Set Margins’ authors, see how people respond!

and: people are beautiful!

ONE MORE DAY TO GO!

@printedmatter_artbookfairs

Such a pleasure to be back at the LA Art book fair and share the amazing work of all Set Margins’ authors, see how people respond!

and: people are beautiful!

ONE MORE DAY TO GO!

@printedmatter_artbookfairs

Such a pleasure to be back at the LA Art book fair and share the amazing work of all Set Margins’ authors, see how people respond!

and: people are beautiful!

ONE MORE DAY TO GO!

@printedmatter_artbookfairs

Such a pleasure to be back at the LA Art book fair and share the amazing work of all Set Margins’ authors, see how people respond!

and: people are beautiful!

ONE MORE DAY TO GO!

@printedmatter_artbookfairs

Such a pleasure to be back at the LA Art book fair and share the amazing work of all Set Margins’ authors, see how people respond!

and: people are beautiful!

ONE MORE DAY TO GO!

@printedmatter_artbookfairs

Such a pleasure to be back at the LA Art book fair and share the amazing work of all Set Margins’ authors, see how people respond!

and: people are beautiful!

ONE MORE DAY TO GO!

@printedmatter_artbookfairs

Such a pleasure to be back at the LA Art book fair and share the amazing work of all Set Margins’ authors, see how people respond!

and: people are beautiful!

ONE MORE DAY TO GO!

@printedmatter_artbookfairs

Such a pleasure to be back at the LA Art book fair and share the amazing work of all Set Margins’ authors, see how people respond!

and: people are beautiful!

ONE MORE DAY TO GO!

@printedmatter_artbookfairs

Such a pleasure to be back at the LA Art book fair and share the amazing work of all Set Margins’ authors, see how people respond!

and: people are beautiful!

ONE MORE DAY TO GO!

@printedmatter_artbookfairs

Such a pleasure to be back at the LA Art book fair and share the amazing work of all Set Margins’ authors, see how people respond!

and: people are beautiful!

ONE MORE DAY TO GO!

@printedmatter_artbookfairs

Such a pleasure to be back at the LA Art book fair and share the amazing work of all Set Margins’ authors, see how people respond!

and: people are beautiful!

ONE MORE DAY TO GO!

@printedmatter_artbookfairs

Such a pleasure to be back at the LA Art book fair and share the amazing work of all Set Margins’ authors, see how people respond!

and: people are beautiful!

ONE MORE DAY TO GO!

@printedmatter_artbookfairs

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

REPRINTED!
𝐃𝐞𝐬𝐢𝐠𝐧 𝐀𝐠𝐚𝐢𝐧𝐬𝐭 𝐃𝐞𝐬𝐢𝐠𝐧
𝘊𝘢𝘶𝘴𝘦 𝘢𝘯𝘥 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘤𝘦 𝘰𝘧 𝘢 𝘥𝘪𝘴𝘴𝘪𝘥𝘦𝘯𝘵 𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦
by Kevin Yuen Kit Lo

Design Against Design argues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of LOKI, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.

design and writing by Kevin Yuen Kit Lo @lokimon @sl0wriot
Featuring interviews with Philippe and Nancy Vermes, Sandy Kaltenborn @image_shift , Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches @type.btch , and Jenn Clamen and an introduction by Ian Lynam @ianlynam

AVAILABLE AT 25€via setmargins.press (@setmargins link in bio) and local bookstores

book photography by Annette Behrens

OUT NOW!
Moving Beyond the Left
A Post-Left Post-Mortem in Pursuit of Freedom

Moving Beyond the Left pulls rich insights from various Left tendencies—even in critiquing common frameworks between them—and provides both perspectival and methodological suggestions for reimagining pathways to freedom.

AVAILABLE AT 25 € via setmargins.press (@setmargins link in bio) or local bookstores!

Written by Z, afterword by Lorenzo Kom’boa Ervin.

In the collective aims and desires for a free world, does the construct of the “Left” hinder more than help?

One answer is: Yes, and by design.

In a time of ideological confusion, growing authoritarianism, and cascading ecological collapse, the cyclical failures of Left frameworks, traditions, and spaces to address these concerns have left many confused, heartbroken, and jaded—and yet the stakes remain high.

written by Z @zetto.plus
graphic design by @ro_oeurn
made possible by Z and Set Margins’ publications
book photography by Annette Behrens @annette_behrens

@movingbeyondtheleft

OUT NOW!
Moving Beyond the Left
A Post-Left Post-Mortem in Pursuit of Freedom

Moving Beyond the Left pulls rich insights from various Left tendencies—even in critiquing common frameworks between them—and provides both perspectival and methodological suggestions for reimagining pathways to freedom.

AVAILABLE AT 25 € via setmargins.press (@setmargins link in bio) or local bookstores!

Written by Z, afterword by Lorenzo Kom’boa Ervin.

In the collective aims and desires for a free world, does the construct of the “Left” hinder more than help?

One answer is: Yes, and by design.

In a time of ideological confusion, growing authoritarianism, and cascading ecological collapse, the cyclical failures of Left frameworks, traditions, and spaces to address these concerns have left many confused, heartbroken, and jaded—and yet the stakes remain high.

written by Z @zetto.plus
graphic design by @ro_oeurn
made possible by Z and Set Margins’ publications
book photography by Annette Behrens @annette_behrens

@movingbeyondtheleft

OUT NOW!
Moving Beyond the Left
A Post-Left Post-Mortem in Pursuit of Freedom

Moving Beyond the Left pulls rich insights from various Left tendencies—even in critiquing common frameworks between them—and provides both perspectival and methodological suggestions for reimagining pathways to freedom.

AVAILABLE AT 25 € via setmargins.press (@setmargins link in bio) or local bookstores!

Written by Z, afterword by Lorenzo Kom’boa Ervin.

In the collective aims and desires for a free world, does the construct of the “Left” hinder more than help?

One answer is: Yes, and by design.

In a time of ideological confusion, growing authoritarianism, and cascading ecological collapse, the cyclical failures of Left frameworks, traditions, and spaces to address these concerns have left many confused, heartbroken, and jaded—and yet the stakes remain high.

written by Z @zetto.plus
graphic design by @ro_oeurn
made possible by Z and Set Margins’ publications
book photography by Annette Behrens @annette_behrens

@movingbeyondtheleft

OUT NOW!
Moving Beyond the Left
A Post-Left Post-Mortem in Pursuit of Freedom

Moving Beyond the Left pulls rich insights from various Left tendencies—even in critiquing common frameworks between them—and provides both perspectival and methodological suggestions for reimagining pathways to freedom.

AVAILABLE AT 25 € via setmargins.press (@setmargins link in bio) or local bookstores!

Written by Z, afterword by Lorenzo Kom’boa Ervin.

In the collective aims and desires for a free world, does the construct of the “Left” hinder more than help?

One answer is: Yes, and by design.

In a time of ideological confusion, growing authoritarianism, and cascading ecological collapse, the cyclical failures of Left frameworks, traditions, and spaces to address these concerns have left many confused, heartbroken, and jaded—and yet the stakes remain high.

written by Z @zetto.plus
graphic design by @ro_oeurn
made possible by Z and Set Margins’ publications
book photography by Annette Behrens @annette_behrens

@movingbeyondtheleft

OUT NOW!
Moving Beyond the Left
A Post-Left Post-Mortem in Pursuit of Freedom

Moving Beyond the Left pulls rich insights from various Left tendencies—even in critiquing common frameworks between them—and provides both perspectival and methodological suggestions for reimagining pathways to freedom.

AVAILABLE AT 25 € via setmargins.press (@setmargins link in bio) or local bookstores!

Written by Z, afterword by Lorenzo Kom’boa Ervin.

In the collective aims and desires for a free world, does the construct of the “Left” hinder more than help?

One answer is: Yes, and by design.

In a time of ideological confusion, growing authoritarianism, and cascading ecological collapse, the cyclical failures of Left frameworks, traditions, and spaces to address these concerns have left many confused, heartbroken, and jaded—and yet the stakes remain high.

written by Z @zetto.plus
graphic design by @ro_oeurn
made possible by Z and Set Margins’ publications
book photography by Annette Behrens @annette_behrens

@movingbeyondtheleft

OUT NOW!
Moving Beyond the Left
A Post-Left Post-Mortem in Pursuit of Freedom

Moving Beyond the Left pulls rich insights from various Left tendencies—even in critiquing common frameworks between them—and provides both perspectival and methodological suggestions for reimagining pathways to freedom.

AVAILABLE AT 25 € via setmargins.press (@setmargins link in bio) or local bookstores!

Written by Z, afterword by Lorenzo Kom’boa Ervin.

In the collective aims and desires for a free world, does the construct of the “Left” hinder more than help?

One answer is: Yes, and by design.

In a time of ideological confusion, growing authoritarianism, and cascading ecological collapse, the cyclical failures of Left frameworks, traditions, and spaces to address these concerns have left many confused, heartbroken, and jaded—and yet the stakes remain high.

written by Z @zetto.plus
graphic design by @ro_oeurn
made possible by Z and Set Margins’ publications
book photography by Annette Behrens @annette_behrens

@movingbeyondtheleft

OUT NOW!
Moving Beyond the Left
A Post-Left Post-Mortem in Pursuit of Freedom

Moving Beyond the Left pulls rich insights from various Left tendencies—even in critiquing common frameworks between them—and provides both perspectival and methodological suggestions for reimagining pathways to freedom.

AVAILABLE AT 25 € via setmargins.press (@setmargins link in bio) or local bookstores!

Written by Z, afterword by Lorenzo Kom’boa Ervin.

In the collective aims and desires for a free world, does the construct of the “Left” hinder more than help?

One answer is: Yes, and by design.

In a time of ideological confusion, growing authoritarianism, and cascading ecological collapse, the cyclical failures of Left frameworks, traditions, and spaces to address these concerns have left many confused, heartbroken, and jaded—and yet the stakes remain high.

written by Z @zetto.plus
graphic design by @ro_oeurn
made possible by Z and Set Margins’ publications
book photography by Annette Behrens @annette_behrens

@movingbeyondtheleft

OUT NOW!
Moving Beyond the Left
A Post-Left Post-Mortem in Pursuit of Freedom

Moving Beyond the Left pulls rich insights from various Left tendencies—even in critiquing common frameworks between them—and provides both perspectival and methodological suggestions for reimagining pathways to freedom.

AVAILABLE AT 25 € via setmargins.press (@setmargins link in bio) or local bookstores!

Written by Z, afterword by Lorenzo Kom’boa Ervin.

In the collective aims and desires for a free world, does the construct of the “Left” hinder more than help?

One answer is: Yes, and by design.

In a time of ideological confusion, growing authoritarianism, and cascading ecological collapse, the cyclical failures of Left frameworks, traditions, and spaces to address these concerns have left many confused, heartbroken, and jaded—and yet the stakes remain high.

written by Z @zetto.plus
graphic design by @ro_oeurn
made possible by Z and Set Margins’ publications
book photography by Annette Behrens @annette_behrens

@movingbeyondtheleft

OUT NOW!
Moving Beyond the Left
A Post-Left Post-Mortem in Pursuit of Freedom

Moving Beyond the Left pulls rich insights from various Left tendencies—even in critiquing common frameworks between them—and provides both perspectival and methodological suggestions for reimagining pathways to freedom.

AVAILABLE AT 25 € via setmargins.press (@setmargins link in bio) or local bookstores!

Written by Z, afterword by Lorenzo Kom’boa Ervin.

In the collective aims and desires for a free world, does the construct of the “Left” hinder more than help?

One answer is: Yes, and by design.

In a time of ideological confusion, growing authoritarianism, and cascading ecological collapse, the cyclical failures of Left frameworks, traditions, and spaces to address these concerns have left many confused, heartbroken, and jaded—and yet the stakes remain high.

written by Z @zetto.plus
graphic design by @ro_oeurn
made possible by Z and Set Margins’ publications
book photography by Annette Behrens @annette_behrens

@movingbeyondtheleft

OUT NOW!
Moving Beyond the Left
A Post-Left Post-Mortem in Pursuit of Freedom

Moving Beyond the Left pulls rich insights from various Left tendencies—even in critiquing common frameworks between them—and provides both perspectival and methodological suggestions for reimagining pathways to freedom.

AVAILABLE AT 25 € via setmargins.press (@setmargins link in bio) or local bookstores!

Written by Z, afterword by Lorenzo Kom’boa Ervin.

In the collective aims and desires for a free world, does the construct of the “Left” hinder more than help?

One answer is: Yes, and by design.

In a time of ideological confusion, growing authoritarianism, and cascading ecological collapse, the cyclical failures of Left frameworks, traditions, and spaces to address these concerns have left many confused, heartbroken, and jaded—and yet the stakes remain high.

written by Z @zetto.plus
graphic design by @ro_oeurn
made possible by Z and Set Margins’ publications
book photography by Annette Behrens @annette_behrens

@movingbeyondtheleft

OUT NOW!
Moving Beyond the Left
A Post-Left Post-Mortem in Pursuit of Freedom

Moving Beyond the Left pulls rich insights from various Left tendencies—even in critiquing common frameworks between them—and provides both perspectival and methodological suggestions for reimagining pathways to freedom.

AVAILABLE AT 25 € via setmargins.press (@setmargins link in bio) or local bookstores!

Written by Z, afterword by Lorenzo Kom’boa Ervin.

In the collective aims and desires for a free world, does the construct of the “Left” hinder more than help?

One answer is: Yes, and by design.

In a time of ideological confusion, growing authoritarianism, and cascading ecological collapse, the cyclical failures of Left frameworks, traditions, and spaces to address these concerns have left many confused, heartbroken, and jaded—and yet the stakes remain high.

written by Z @zetto.plus
graphic design by @ro_oeurn
made possible by Z and Set Margins’ publications
book photography by Annette Behrens @annette_behrens

@movingbeyondtheleft

OUT NOW!
𝐍𝐢𝐧𝐞𝐭𝐲-𝐍𝐢𝐧𝐞 𝐆𝐫𝐚𝐩𝐡𝐢𝐜 𝐃𝐞𝐬𝐢𝐠𝐧 𝐖𝐨𝐫𝐤𝐬𝐡𝐨𝐩𝐬
𝘛𝘩𝘦 𝘸𝘢𝘺 𝘸𝘦 𝘢𝘵𝘵𝘦𝘯𝘥 𝘵𝘰 𝘵𝘩𝘪𝘯𝘨𝘴
A book brought together by James Dyer and Nick Deakin (eds)

The 99 workshops in this book, by 99 people in the expanded design field, are practical challenges to the ways we think about the world we live in. Without relying on specialist equipment or subject-specific knowledge they give clear instructions about how to be mindful of the real world in unusual ways. From the informal and playful to the critical and insightful, each workshop finishes with a diverse list of recommended further reading that extends well beyond the designer’s traditional bookshelf. With contributors ranging from designers and painters to philosophers, dancers, poets, and documentary filmmakers, this eclectic mix of workshops changes how we think about the creative potential of our day-to-day lives.

How we experience the world depends on the ways we attend to it. We live in a moment when our everyday experiences are distracted by a cynical attention economy, as such, there is an urgent need for a new kind of vigilant attention.

OUT NOW VIA SETMARGINS.PRESS (@setmargins link in bio) and local bookstores!

Graphic design by Totally Okay @totally.okay
Edited / compiled by James Dyer @orlz_well_ and Nick Deakin @deaks
Made possible by Nick, James, 99 contributors and Set Margins’ publications

MORE SOON!