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[graphic design] poster design and production for the communication and promotion of @loanverbanck & our book, released earlier this month at @saintmartinbookshop . Last slide shows the adapted version of a second launch a week later, organised and held at @footnote.gallery

[graphic design] poster design and production for the communication and promotion of @loanverbanck & our book, released earlier this month at @saintmartinbookshop . Last slide shows the adapted version of a second launch a week later, organised and held at @footnote.gallery

[graphic design] poster design and production for the communication and promotion of @loanverbanck & our book, released earlier this month at @saintmartinbookshop . Last slide shows the adapted version of a second launch a week later, organised and held at @footnote.gallery

[graphic design] poster design and production for the communication and promotion of @loanverbanck & our book, released earlier this month at @saintmartinbookshop . Last slide shows the adapted version of a second launch a week later, organised and held at @footnote.gallery

[graphic design] poster design and production for the communication and promotion of @loanverbanck & our book, released earlier this month at @saintmartinbookshop . Last slide shows the adapted version of a second launch a week later, organised and held at @footnote.gallery

[graphic design] poster design and production for the communication and promotion of @loanverbanck & our book, released earlier this month at @saintmartinbookshop . Last slide shows the adapted version of a second launch a week later, organised and held at @footnote.gallery

[publication] “écritures & scrutinies (if the good die young, then i’ll be old & grey)”, my new booklet is out now.

you can order through direct message for the cost of €20 a copy. pick-up, drop-off and post delivery are possible

writings & images: @timmohesselink
artistic direction: @four.slash
graphic design: @four.slash
prepress: @onno.els
font: Helvetica Bold Neue & Gloucester Open Face
format: A5
printing: @zwartopwit
limited to 75 hand-numbered copies

[publication] “écritures & scrutinies (if the good die young, then i’ll be old & grey)”, my new booklet is out now.

you can order through direct message for the cost of €20 a copy. pick-up, drop-off and post delivery are possible

writings & images: @timmohesselink
artistic direction: @four.slash
graphic design: @four.slash
prepress: @onno.els
font: Helvetica Bold Neue & Gloucester Open Face
format: A5
printing: @zwartopwit
limited to 75 hand-numbered copies

[publication] “écritures & scrutinies (if the good die young, then i’ll be old & grey)”, my new booklet is out now. it represents a visual juxtaposition between two of my practices:
writings existing somewhere inbetween poetry,
diary-like confessions and intimate
phone notes, in relation to snapshots of what
the artist considers his painterly surroundings
in a mostly urban context,
framed and scrutinized in a systematic manner.
while the pictures are an aesthetic and formal
documentation containing little emotion,
the texts do quite the opposite, providing
a close look into the much-kept private part
of a human life: one’s ruminations.
this remarkable difference in subject is
graphically represented by an all-over approach
for the pictures on the one hand,
emphasising their bold compositions,
and a choice for low-contrast, soft greys
for the writings on the other, helping to partly
conceal them, thus protecting their shy nature.
the title of the booklet
“if the good die young, then i’ll be old and
grey” is a wink to both contents of the book:
while a blunt statement and impossible to
ignore, as are the pictures, present and without
excuse, it simultaneously is a phrase that
alludes to the character of the writings,
slightly dramatic but mercilessly honest.

you can order through direct message for the cost of €20 a copy. pick-up, drop-off and post delivery are possible

writings & images: @timmohesselink
artistic direction: @four.slash
graphic design: @four.slash
prepress: @onno.els
font: Helvetica Bold Neue & Gloucester Open Face
format: A5
printing: @zwartopwit
limited to 75 hand-numbered copies

[publication] “écritures & scrutinies (if the good die young, then i’ll be old & grey)”, my new booklet is out now. it represents a visual juxtaposition between two of my practices:
writings existing somewhere inbetween poetry,
diary-like confessions and intimate
phone notes, in relation to snapshots of what
the artist considers his painterly surroundings
in a mostly urban context,
framed and scrutinized in a systematic manner.
while the pictures are an aesthetic and formal
documentation containing little emotion,
the texts do quite the opposite, providing
a close look into the much-kept private part
of a human life: one’s ruminations.
this remarkable difference in subject is
graphically represented by an all-over approach
for the pictures on the one hand,
emphasising their bold compositions,
and a choice for low-contrast, soft greys
for the writings on the other, helping to partly
conceal them, thus protecting their shy nature.
the title of the booklet
“if the good die young, then i’ll be old and
grey” is a wink to both contents of the book:
while a blunt statement and impossible to
ignore, as are the pictures, present and without
excuse, it simultaneously is a phrase that
alludes to the character of the writings,
slightly dramatic but mercilessly honest.

you can order through direct message for the cost of €20 a copy. pick-up, drop-off and post delivery are possible

writings & images: @timmohesselink
artistic direction: @four.slash
graphic design: @four.slash
prepress: @onno.els
font: Helvetica Bold Neue & Gloucester Open Face
format: A5
printing: @zwartopwit
limited to 75 hand-numbered copies

[publication] “écritures & scrutinies (if the good die young, then i’ll be old & grey)”, my new booklet is out now. it represents a visual juxtaposition between two of my practices:
writings existing somewhere inbetween poetry,
diary-like confessions and intimate
phone notes, in relation to snapshots of what
the artist considers his painterly surroundings
in a mostly urban context,
framed and scrutinized in a systematic manner.
while the pictures are an aesthetic and formal
documentation containing little emotion,
the texts do quite the opposite, providing
a close look into the much-kept private part
of a human life: one’s ruminations.
this remarkable difference in subject is
graphically represented by an all-over approach
for the pictures on the one hand,
emphasising their bold compositions,
and a choice for low-contrast, soft greys
for the writings on the other, helping to partly
conceal them, thus protecting their shy nature.
the title of the booklet
“if the good die young, then i’ll be old and
grey” is a wink to both contents of the book:
while a blunt statement and impossible to
ignore, as are the pictures, present and without
excuse, it simultaneously is a phrase that
alludes to the character of the writings,
slightly dramatic but mercilessly honest.

you can order through direct message for the cost of €20 a copy. pick-up, drop-off and post delivery are possible

writings & images: @timmohesselink
artistic direction: @four.slash
graphic design: @four.slash
prepress: @onno.els
font: Helvetica Bold Neue & Gloucester Open Face
format: A5
printing: @zwartopwit
limited to 75 hand-numbered copies

[publication] “écritures & scrutinies (if the good die young, then i’ll be old & grey)”, my new booklet is out now. it represents a visual juxtaposition between two of my practices:
writings existing somewhere inbetween poetry,
diary-like confessions and intimate
phone notes, in relation to snapshots of what
the artist considers his painterly surroundings
in a mostly urban context,
framed and scrutinized in a systematic manner.
while the pictures are an aesthetic and formal
documentation containing little emotion,
the texts do quite the opposite, providing
a close look into the much-kept private part
of a human life: one’s ruminations.
this remarkable difference in subject is
graphically represented by an all-over approach
for the pictures on the one hand,
emphasising their bold compositions,
and a choice for low-contrast, soft greys
for the writings on the other, helping to partly
conceal them, thus protecting their shy nature.
the title of the booklet
“if the good die young, then i’ll be old and
grey” is a wink to both contents of the book:
while a blunt statement and impossible to
ignore, as are the pictures, present and without
excuse, it simultaneously is a phrase that
alludes to the character of the writings,
slightly dramatic but mercilessly honest.

you can order through direct message for the cost of €20 a copy. pick-up, drop-off and post delivery are possible

writings & images: @timmohesselink
artistic direction: @four.slash
graphic design: @four.slash
prepress: @onno.els
font: Helvetica Bold Neue & Gloucester Open Face
format: A5
printing: @zwartopwit
limited to 75 hand-numbered copies

[publication] “écritures & scrutinies (if the good die young, then i’ll be old & grey)”, my new booklet is out now. it represents a visual juxtaposition between two of my practices:
writings existing somewhere inbetween poetry,
diary-like confessions and intimate
phone notes, in relation to snapshots of what
the artist considers his painterly surroundings
in a mostly urban context,
framed and scrutinized in a systematic manner.
while the pictures are an aesthetic and formal
documentation containing little emotion,
the texts do quite the opposite, providing
a close look into the much-kept private part
of a human life: one’s ruminations.
this remarkable difference in subject is
graphically represented by an all-over approach
for the pictures on the one hand,
emphasising their bold compositions,
and a choice for low-contrast, soft greys
for the writings on the other, helping to partly
conceal them, thus protecting their shy nature.
the title of the booklet
“if the good die young, then i’ll be old and
grey” is a wink to both contents of the book:
while a blunt statement and impossible to
ignore, as are the pictures, present and without
excuse, it simultaneously is a phrase that
alludes to the character of the writings,
slightly dramatic but mercilessly honest.

you can order through direct message for the cost of €20 a copy. pick-up, drop-off and post delivery are possible

writings & images: @timmohesselink
artistic direction: @four.slash
graphic design: @four.slash
prepress: @onno.els
font: Helvetica Bold Neue & Gloucester Open Face
format: A5
printing: @zwartopwit
limited to 75 hand-numbered copies

[publication] “écritures & scrutinies (if the good die young, then i’ll be old & grey)”, my new booklet is out now. it represents a visual juxtaposition between two of my practices:
writings existing somewhere inbetween poetry,
diary-like confessions and intimate
phone notes, in relation to snapshots of what
the artist considers his painterly surroundings
in a mostly urban context,
framed and scrutinized in a systematic manner.
while the pictures are an aesthetic and formal
documentation containing little emotion,
the texts do quite the opposite, providing
a close look into the much-kept private part
of a human life: one’s ruminations.
this remarkable difference in subject is
graphically represented by an all-over approach
for the pictures on the one hand,
emphasising their bold compositions,
and a choice for low-contrast, soft greys
for the writings on the other, helping to partly
conceal them, thus protecting their shy nature.
the title of the booklet
“if the good die young, then i’ll be old and
grey” is a wink to both contents of the book:
while a blunt statement and impossible to
ignore, as are the pictures, present and without
excuse, it simultaneously is a phrase that
alludes to the character of the writings,
slightly dramatic but mercilessly honest.

you can order through direct message for the cost of €20 a copy. pick-up, drop-off and post delivery are possible

writings & images: @timmohesselink
artistic direction: @four.slash
graphic design: @four.slash
prepress: @onno.els
font: Helvetica Bold Neue & Gloucester Open Face
format: A5
printing: @zwartopwit
limited to 75 hand-numbered copies

[campaign] Nike Shox Z spec campaign

Director: @four.slash
Creative direction: @four.slash
DOP: @four.slash
Editing: @four.slash & @mustaqeem.cine
Colour grading: @mustaqeem.cine
Styling: @four.slash & @thibaudajefe with @room22___
Cast: @2001.1437
Special thanks to: @onno.els & @oscarfjc

[documentation] selection of analog pictures ahead of a new @nike spec campaign in the making, taken by @timmohesselink on Leica Mini I charged with Fuji 200

[documentation] selection of analog pictures ahead of a new @nike spec campaign in the making, taken by @timmohesselink on Leica Mini I charged with Fuji 200

[documentation] selection of analog pictures ahead of a new @nike spec campaign in the making, taken by @timmohesselink on Leica Mini I charged with Fuji 200

[documentation] selection of analog pictures ahead of a new @nike spec campaign in the making, taken by @timmohesselink on Leica Mini I charged with Fuji 200

[documentation] selection of analog pictures ahead of a new @nike spec campaign in the making, taken by @timmohesselink on Leica Mini I charged with Fuji 200

[product] Fourslash Radio Volume 2

For the artwork of this volume, Fourslash collaborated with the Georgian artist @deasideaz , whose artistic practice encompasses photography, sculpture, painting, and digital media.

The reference image for the CD cover is a digital photograph of a wild flower field found on a drive through rural Georgia, where long purple flowers, poppies and yellow blossoms blend together with the greenery to create a vibrant celebration of colour and form. After a lengthy sketching process exploring ways to recreate this scene on each CD, the artist (and we) concluded that the process from digital file to physical object should be kept as direct as possible. By printing it on the CD, that is.

Each CD is unique and represents 1/25th of a the photograph. Joyful and generous, they complement the carefully curated music and monochrome package design perfectly. By purchasing a CD, you acquire an original piece of art by Dea Khalvashi, and engage in a conversation with Fourslash about design, music, and the importance of physical objects in an increasingly digital era.

[product] Fourslash Radio Volume 2

Creative Direction: @four.slash
Product photography: @timmohesselink
Mixtape: @four.slash
Graphic Design: @four.slash
CD artwork: @deasideaz
Production: @four.slash & @onno.els

[product] Fourslash Radio Volume 2

Creative Direction: @four.slash
Product photography: @timmohesselink
Mixtape: @four.slash
Graphic Design: @four.slash
CD artwork: @deasideaz
Production: @four.slash & @onno.els

[product] Fourslash Radio Volume 2

We’re proud to present to you the second volume in the Fourslash Radio series—a concept born out of frustration with the limitations of digital playlists and a desire to remind people of the importance and beauty of physical music formats.

VOL. 2 – The CD – is the carrier of a 11-track curated selection of magnificent pieces of music.
The mixtape—design, typography, cover art, tracklist, and packaging—has been put together with a single purpose: to make the listening (and sensory) experience of this object magical (and AS physical as possible!).

Limited to 25 hand-numbered copies.

Consider it a must-have for CD lovers and collectors alike.
For €15, VOL. 2 is available to you while stock lasts. DM to order. Be fast.

Okay, now play that ish.

—————————

Creative Direction: @four.slash
Product photography: @timmohesselink
Mixtape: @four.slash
Graphic Design: @four.slash
CD artwork: @deasideaz
Production: @four.slash & @onno.els

[product] Fourslash Radio Volume 2

We’re proud to present to you the second volume in the Fourslash Radio series—a concept born out of frustration with the limitations of digital playlists and a desire to remind people of the importance and beauty of physical music formats.

VOL. 2 – The CD – is the carrier of a 11-track curated selection of magnificent pieces of music.
The mixtape—design, typography, cover art, tracklist, and packaging—has been put together with a single purpose: to make the listening (and sensory) experience of this object magical (and AS physical as possible!).

Limited to 25 hand-numbered copies.

Consider it a must-have for CD lovers and collectors alike.
For €15, VOL. 2 is available to you while stock lasts. DM to order. Be fast.

Okay, now play that ish.

—————————

Creative Direction: @four.slash
Product photography: @timmohesselink
Mixtape: @four.slash
Graphic Design: @four.slash
CD artwork: @deasideaz
Production: @four.slash & @onno.els

[documentation] selection of analog pictures during the making of “To Each Their Own”, taken by @timmohesselink on Leica Mini I charged with Fuji 400

[documentation] selection of analog pictures during the making of “To Each Their Own”, taken by @timmohesselink on Leica Mini I charged with Fuji 400

[documentation] selection of analog pictures during the making of “To Each Their Own”, taken by @timmohesselink on Leica Mini I charged with Fuji 400

[documentation] selection of analog pictures during the making of “To Each Their Own”, taken by @timmohesselink on Leica Mini I charged with Fuji 400

[documentation] selection of analog pictures during the making of “To Each Their Own”, taken by @timmohesselink on Leica Mini I charged with Fuji 400

Fourslash Radio: Vol. 2 (CD) “To Each Their Own” promo video

Director: @oscarfjc
Creative direction: @four.slash & @mustaqeem.cine
DOP: @younesachvkk
Editing: @mustaqeem.cine
Typography: @four.slash
Styling: @four.slash
Cast: @timmohesselink @2001.1437
@green_punch_007 @jibemoney
Special thanks to: @onno.els & @bastianpalmarojas

[creative direction] for @mourningriot LOOKBOOK
Creative direction: @four.slash
Styling: @four.slash & @mourningriot
Photography: @2001.1437
Post-production: @2001.1437
Models: @_nicotovar_ @loanverbanck @emareghost

[creative direction] for @mourningriot LOOKBOOK
Creative direction: @four.slash
Styling: @four.slash & @mourningriot
Photography: @2001.1437
Post-production: @2001.1437
Models: @_nicotovar_ @loanverbanck @emareghost

[creative direction] for @mourningriot LOOKBOOK
Creative direction: @four.slash
Styling: @four.slash & @mourningriot
Photography: @2001.1437
Post-production: @2001.1437
Models: @_nicotovar_ @loanverbanck @emareghost

[creative direction] for @mourningriot LOOKBOOK
Creative direction: @four.slash
Styling: @four.slash & @mourningriot
Photography: @2001.1437
Post-production: @2001.1437
Models: @_nicotovar_ @loanverbanck @emareghost

[creative direction] for @mourningriot LOOKBOOK
Creative direction: @four.slash
Styling: @four.slash & @mourningriot
Photography: @2001.1437
Post-production: @2001.1437
Models: @loanverbanck @_nicotovar_ @emareghost

[creative direction] for @mourningriot LOOKBOOK
Creative direction: @four.slash
Styling: @four.slash & @mourningriot
Photography: @2001.1437
Post-production: @2001.1437
Models: @loanverbanck @_nicotovar_ @emareghost

[creative direction] for @mourningriot LOOKBOOK
Creative direction: @four.slash
Styling: @four.slash & @mourningriot
Photography: @2001.1437
Post-production: @2001.1437
Models: @loanverbanck @_nicotovar_ @emareghost

[creative direction] for @mourningriot LOOKBOOK
Creative direction: @four.slash
Styling: @four.slash & @mourningriot
Photography: @2001.1437
Post-production: @2001.1437
Models: @loanverbanck @_nicotovar_ @emareghost