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dp.drete
Picture This And That.
Just a man with a couple of cameras.
Cinematographer
Slamdance Audience award winning DP for feature film.
OG Red Komodo
S1ii
DZO Vespid 2
#Cinematographer Andre Myers Washington (@dp.drete) takes us #behindthescenes of GREEN: Meet the Greens, the third and final chapter in the ambitious & vibrant anthology film ‘Three Colors: Pan-African’, supported by Panavision’s #NewFilmmaker Program. Each chapter was directed and shot by different filmmakers, highlighting the dynamicism of the culture it endeavors to capture.
“With this being my first time ever working with Panavision in any capacity, from being there to actually using their equipment, I did not want to overthink my decisions,” Washington tells us. “So I kept it simple: I wanted a lens that was a happy medium between characterized and clean. Nothing too stylized or clinical. Thus, #director Tyler Ocasio Holmes (@bytyholmes) and I landed on the #Primo70 lenses as a perfect fit for the story.
The [chapter] is broken up into two visually distinct ‘worlds’ that we knew each needed their own instantly recognizable visual character: the ‘sitcom world’ shot on old-style broadcast cameras and the ‘real world’. The Primo 70’s allowed us to find a happy medium between the distinct sitcom look with the more modern narrative film look.”
To stay in the loop on upcoming screenings, tap the link in our bio!
Pictured:
Bashir Salahuddin as “Jontavious ‘John’ Rodgers”
Bashir Salahuddin, @iamkimrie, @juanitajennings912, @thejadahmarie, @amarr & @usedup914 as “The Greens”
#Cinematographer Andre Myers Washington (@dp.drete) takes us #behindthescenes of GREEN: Meet the Greens, the third and final chapter in the ambitious & vibrant anthology film ‘Three Colors: Pan-African’, supported by Panavision’s #NewFilmmaker Program. Each chapter was directed and shot by different filmmakers, highlighting the dynamicism of the culture it endeavors to capture.
“With this being my first time ever working with Panavision in any capacity, from being there to actually using their equipment, I did not want to overthink my decisions,” Washington tells us. “So I kept it simple: I wanted a lens that was a happy medium between characterized and clean. Nothing too stylized or clinical. Thus, #director Tyler Ocasio Holmes (@bytyholmes) and I landed on the #Primo70 lenses as a perfect fit for the story.
The [chapter] is broken up into two visually distinct ‘worlds’ that we knew each needed their own instantly recognizable visual character: the ‘sitcom world’ shot on old-style broadcast cameras and the ‘real world’. The Primo 70’s allowed us to find a happy medium between the distinct sitcom look with the more modern narrative film look.”
To stay in the loop on upcoming screenings, tap the link in our bio!
Pictured:
Bashir Salahuddin as “Jontavious ‘John’ Rodgers”
Bashir Salahuddin, @iamkimrie, @juanitajennings912, @thejadahmarie, @amarr & @usedup914 as “The Greens”
#Cinematographer Andre Myers Washington (@dp.drete) takes us #behindthescenes of GREEN: Meet the Greens, the third and final chapter in the ambitious & vibrant anthology film ‘Three Colors: Pan-African’, supported by Panavision’s #NewFilmmaker Program. Each chapter was directed and shot by different filmmakers, highlighting the dynamicism of the culture it endeavors to capture.
“With this being my first time ever working with Panavision in any capacity, from being there to actually using their equipment, I did not want to overthink my decisions,” Washington tells us. “So I kept it simple: I wanted a lens that was a happy medium between characterized and clean. Nothing too stylized or clinical. Thus, #director Tyler Ocasio Holmes (@bytyholmes) and I landed on the #Primo70 lenses as a perfect fit for the story.
The [chapter] is broken up into two visually distinct ‘worlds’ that we knew each needed their own instantly recognizable visual character: the ‘sitcom world’ shot on old-style broadcast cameras and the ‘real world’. The Primo 70’s allowed us to find a happy medium between the distinct sitcom look with the more modern narrative film look.”
To stay in the loop on upcoming screenings, tap the link in our bio!
Pictured:
Bashir Salahuddin as “Jontavious ‘John’ Rodgers”
Bashir Salahuddin, @iamkimrie, @juanitajennings912, @thejadahmarie, @amarr & @usedup914 as “The Greens”
#Cinematographer Andre Myers Washington (@dp.drete) takes us #behindthescenes of GREEN: Meet the Greens, the third and final chapter in the ambitious & vibrant anthology film ‘Three Colors: Pan-African’, supported by Panavision’s #NewFilmmaker Program. Each chapter was directed and shot by different filmmakers, highlighting the dynamicism of the culture it endeavors to capture.
“With this being my first time ever working with Panavision in any capacity, from being there to actually using their equipment, I did not want to overthink my decisions,” Washington tells us. “So I kept it simple: I wanted a lens that was a happy medium between characterized and clean. Nothing too stylized or clinical. Thus, #director Tyler Ocasio Holmes (@bytyholmes) and I landed on the #Primo70 lenses as a perfect fit for the story.
The [chapter] is broken up into two visually distinct ‘worlds’ that we knew each needed their own instantly recognizable visual character: the ‘sitcom world’ shot on old-style broadcast cameras and the ‘real world’. The Primo 70’s allowed us to find a happy medium between the distinct sitcom look with the more modern narrative film look.”
To stay in the loop on upcoming screenings, tap the link in our bio!
Pictured:
Bashir Salahuddin as “Jontavious ‘John’ Rodgers”
Bashir Salahuddin, @iamkimrie, @juanitajennings912, @thejadahmarie, @amarr & @usedup914 as “The Greens”
#Cinematographer Andre Myers Washington (@dp.drete) takes us #behindthescenes of GREEN: Meet the Greens, the third and final chapter in the ambitious & vibrant anthology film ‘Three Colors: Pan-African’, supported by Panavision’s #NewFilmmaker Program. Each chapter was directed and shot by different filmmakers, highlighting the dynamicism of the culture it endeavors to capture.
“With this being my first time ever working with Panavision in any capacity, from being there to actually using their equipment, I did not want to overthink my decisions,” Washington tells us. “So I kept it simple: I wanted a lens that was a happy medium between characterized and clean. Nothing too stylized or clinical. Thus, #director Tyler Ocasio Holmes (@bytyholmes) and I landed on the #Primo70 lenses as a perfect fit for the story.
The [chapter] is broken up into two visually distinct ‘worlds’ that we knew each needed their own instantly recognizable visual character: the ‘sitcom world’ shot on old-style broadcast cameras and the ‘real world’. The Primo 70’s allowed us to find a happy medium between the distinct sitcom look with the more modern narrative film look.”
To stay in the loop on upcoming screenings, tap the link in our bio!
Pictured:
Bashir Salahuddin as “Jontavious ‘John’ Rodgers”
Bashir Salahuddin, @iamkimrie, @juanitajennings912, @thejadahmarie, @amarr & @usedup914 as “The Greens”
#Cinematographer Andre Myers Washington (@dp.drete) takes us #behindthescenes of GREEN: Meet the Greens, the third and final chapter in the ambitious & vibrant anthology film ‘Three Colors: Pan-African’, supported by Panavision’s #NewFilmmaker Program. Each chapter was directed and shot by different filmmakers, highlighting the dynamicism of the culture it endeavors to capture.
“With this being my first time ever working with Panavision in any capacity, from being there to actually using their equipment, I did not want to overthink my decisions,” Washington tells us. “So I kept it simple: I wanted a lens that was a happy medium between characterized and clean. Nothing too stylized or clinical. Thus, #director Tyler Ocasio Holmes (@bytyholmes) and I landed on the #Primo70 lenses as a perfect fit for the story.
The [chapter] is broken up into two visually distinct ‘worlds’ that we knew each needed their own instantly recognizable visual character: the ‘sitcom world’ shot on old-style broadcast cameras and the ‘real world’. The Primo 70’s allowed us to find a happy medium between the distinct sitcom look with the more modern narrative film look.”
To stay in the loop on upcoming screenings, tap the link in our bio!
Pictured:
Bashir Salahuddin as “Jontavious ‘John’ Rodgers”
Bashir Salahuddin, @iamkimrie, @juanitajennings912, @thejadahmarie, @amarr & @usedup914 as “The Greens”
#Cinematographer Andre Myers Washington (@dp.drete) takes us #behindthescenes of GREEN: Meet the Greens, the third and final chapter in the ambitious & vibrant anthology film ‘Three Colors: Pan-African’, supported by Panavision’s #NewFilmmaker Program. Each chapter was directed and shot by different filmmakers, highlighting the dynamicism of the culture it endeavors to capture.
“With this being my first time ever working with Panavision in any capacity, from being there to actually using their equipment, I did not want to overthink my decisions,” Washington tells us. “So I kept it simple: I wanted a lens that was a happy medium between characterized and clean. Nothing too stylized or clinical. Thus, #director Tyler Ocasio Holmes (@bytyholmes) and I landed on the #Primo70 lenses as a perfect fit for the story.
The [chapter] is broken up into two visually distinct ‘worlds’ that we knew each needed their own instantly recognizable visual character: the ‘sitcom world’ shot on old-style broadcast cameras and the ‘real world’. The Primo 70’s allowed us to find a happy medium between the distinct sitcom look with the more modern narrative film look.”
To stay in the loop on upcoming screenings, tap the link in our bio!
Pictured:
Bashir Salahuddin as “Jontavious ‘John’ Rodgers”
Bashir Salahuddin, @iamkimrie, @juanitajennings912, @thejadahmarie, @amarr & @usedup914 as “The Greens”
#Cinematographer Andre Myers Washington (@dp.drete) takes us #behindthescenes of GREEN: Meet the Greens, the third and final chapter in the ambitious & vibrant anthology film ‘Three Colors: Pan-African’, supported by Panavision’s #NewFilmmaker Program. Each chapter was directed and shot by different filmmakers, highlighting the dynamicism of the culture it endeavors to capture.
“With this being my first time ever working with Panavision in any capacity, from being there to actually using their equipment, I did not want to overthink my decisions,” Washington tells us. “So I kept it simple: I wanted a lens that was a happy medium between characterized and clean. Nothing too stylized or clinical. Thus, #director Tyler Ocasio Holmes (@bytyholmes) and I landed on the #Primo70 lenses as a perfect fit for the story.
The [chapter] is broken up into two visually distinct ‘worlds’ that we knew each needed their own instantly recognizable visual character: the ‘sitcom world’ shot on old-style broadcast cameras and the ‘real world’. The Primo 70’s allowed us to find a happy medium between the distinct sitcom look with the more modern narrative film look.”
To stay in the loop on upcoming screenings, tap the link in our bio!
Pictured:
Bashir Salahuddin as “Jontavious ‘John’ Rodgers”
Bashir Salahuddin, @iamkimrie, @juanitajennings912, @thejadahmarie, @amarr & @usedup914 as “The Greens”
#Cinematographer Andre Myers Washington (@dp.drete) takes us #behindthescenes of GREEN: Meet the Greens, the third and final chapter in the ambitious & vibrant anthology film ‘Three Colors: Pan-African’, supported by Panavision’s #NewFilmmaker Program. Each chapter was directed and shot by different filmmakers, highlighting the dynamicism of the culture it endeavors to capture.
“With this being my first time ever working with Panavision in any capacity, from being there to actually using their equipment, I did not want to overthink my decisions,” Washington tells us. “So I kept it simple: I wanted a lens that was a happy medium between characterized and clean. Nothing too stylized or clinical. Thus, #director Tyler Ocasio Holmes (@bytyholmes) and I landed on the #Primo70 lenses as a perfect fit for the story.
The [chapter] is broken up into two visually distinct ‘worlds’ that we knew each needed their own instantly recognizable visual character: the ‘sitcom world’ shot on old-style broadcast cameras and the ‘real world’. The Primo 70’s allowed us to find a happy medium between the distinct sitcom look with the more modern narrative film look.”
To stay in the loop on upcoming screenings, tap the link in our bio!
Pictured:
Bashir Salahuddin as “Jontavious ‘John’ Rodgers”
Bashir Salahuddin, @iamkimrie, @juanitajennings912, @thejadahmarie, @amarr & @usedup914 as “The Greens”
#Cinematographer Andre Myers Washington (@dp.drete) takes us #behindthescenes of GREEN: Meet the Greens, the third and final chapter in the ambitious & vibrant anthology film ‘Three Colors: Pan-African’, supported by Panavision’s #NewFilmmaker Program. Each chapter was directed and shot by different filmmakers, highlighting the dynamicism of the culture it endeavors to capture.
“With this being my first time ever working with Panavision in any capacity, from being there to actually using their equipment, I did not want to overthink my decisions,” Washington tells us. “So I kept it simple: I wanted a lens that was a happy medium between characterized and clean. Nothing too stylized or clinical. Thus, #director Tyler Ocasio Holmes (@bytyholmes) and I landed on the #Primo70 lenses as a perfect fit for the story.
The [chapter] is broken up into two visually distinct ‘worlds’ that we knew each needed their own instantly recognizable visual character: the ‘sitcom world’ shot on old-style broadcast cameras and the ‘real world’. The Primo 70’s allowed us to find a happy medium between the distinct sitcom look with the more modern narrative film look.”
To stay in the loop on upcoming screenings, tap the link in our bio!
Pictured:
Bashir Salahuddin as “Jontavious ‘John’ Rodgers”
Bashir Salahuddin, @iamkimrie, @juanitajennings912, @thejadahmarie, @amarr & @usedup914 as “The Greens”
#Cinematographer Andre Myers Washington (@dp.drete) takes us #behindthescenes of GREEN: Meet the Greens, the third and final chapter in the ambitious & vibrant anthology film ‘Three Colors: Pan-African’, supported by Panavision’s #NewFilmmaker Program. Each chapter was directed and shot by different filmmakers, highlighting the dynamicism of the culture it endeavors to capture.
“With this being my first time ever working with Panavision in any capacity, from being there to actually using their equipment, I did not want to overthink my decisions,” Washington tells us. “So I kept it simple: I wanted a lens that was a happy medium between characterized and clean. Nothing too stylized or clinical. Thus, #director Tyler Ocasio Holmes (@bytyholmes) and I landed on the #Primo70 lenses as a perfect fit for the story.
The [chapter] is broken up into two visually distinct ‘worlds’ that we knew each needed their own instantly recognizable visual character: the ‘sitcom world’ shot on old-style broadcast cameras and the ‘real world’. The Primo 70’s allowed us to find a happy medium between the distinct sitcom look with the more modern narrative film look.”
To stay in the loop on upcoming screenings, tap the link in our bio!
Pictured:
Bashir Salahuddin as “Jontavious ‘John’ Rodgers”
Bashir Salahuddin, @iamkimrie, @juanitajennings912, @thejadahmarie, @amarr & @usedup914 as “The Greens”
Kicking January off with some short content to sharpen my craft. Here’s the “Rotation”. Stay tuned, more to come! 🎥
Director: Me
Actors: @nigethecreator, @oliverhaeden, ayawashington, @graynist
Writer: @drete
Cinematography: @dp.drete
1st AC: Christian Rose
Editor: @drete
SfX: @iamneither
SFX op: @bytyholmes
I had to beg them for 5 days straight just to get 15 seconds worth of footage, but this will last forever.
#redkomodo #cinematography #nikon #nikonais #grandparents
Wanted to get some shots up, brush up on my editing skills after 5 years of not touching an editing program. So I decided to shoot a short film inspired by a guy I saw one day on my way home who smacked his face on the concrete doing tricks. He kicked his bike, looked around, got right back on it, and kept it pushing.
Thanks to my dawgs @oliverhaeden and @_hiphopfiend for helping out by taking 2 hours out of their day to do this random ass impulsive exercise. Yes, this is my Bike.
#redcinema #redkomodo #nikon #cinematography
#shortfilm #bmx
Grace.
.
.
.
#redkomodo #redcinema #cinematography #shillouette #nikonais #50mm #testshoot
Family day at the beach.
#redkomodo #nikonais #vintagelens #redcinema #beachday
My first ever lighting diagram was done for this project. One of my favorite frames from this particular short.
Camera: Sony Venice
Lens: Cooke Panchros
S/o to my boy @rosarxproductions for being a great Gaffer
And @jalenblot for challenging me with something new and progressive.
#cinematography #cinematographer #sonyvenice #cookelenses #cookeoptics #gafferlife
My first ever lighting diagram was done for this project. One of my favorite frames from this particular short.
Camera: Sony Venice
Lens: Cooke Panchros
S/o to my boy @rosarxproductions for being a great Gaffer
And @jalenblot for challenging me with something new and progressive.
#cinematography #cinematographer #sonyvenice #cookelenses #cookeoptics #gafferlife
My first ever lighting diagram was done for this project. One of my favorite frames from this particular short.
Camera: Sony Venice
Lens: Cooke Panchros
S/o to my boy @rosarxproductions for being a great Gaffer
And @jalenblot for challenging me with something new and progressive.
#cinematography #cinematographer #sonyvenice #cookelenses #cookeoptics #gafferlife
“Vows”
CAST
Stanley: @oliverhaeden
Erykah: @giannasnapped
CREW
Writer/Director/Producer: @jalenblot
DP/Producer: @drete/ @dp.drete
1st AC: @kelvinator_getdown
2nd AC: @dangoledale
Gaffer: @rosarxproductions
Key Grip: @iamneither
Sound Mixing: @jackhighberger & @iamneither
Production Designer: @anastasiafromrussia
Composer: @wyatony
Colorist: @benone69
Editor: @jalenblot
Post Production Sound Mixer: @it_groovy
Still Photographer: @bytyholmes
SPECIAL THANKS
@breleased, @traceycreate, @jamadownflava, @omgeeds
“Vows”
CAST
Stanley: @oliverhaeden
Erykah: @giannasnapped
CREW
Writer/Director/Producer: @jalenblot
DP/Producer: @drete/ @dp.drete
1st AC: @kelvinator_getdown
2nd AC: @dangoledale
Gaffer: @rosarxproductions
Key Grip: @iamneither
Sound Mixing: @jackhighberger & @iamneither
Production Designer: @anastasiafromrussia
Composer: @wyatony
Colorist: @benone69
Editor: @jalenblot
Post Production Sound Mixer: @it_groovy
Still Photographer: @bytyholmes
SPECIAL THANKS
@breleased, @traceycreate, @jamadownflava, @omgeeds
“Vows”
CAST
Stanley: @oliverhaeden
Erykah: @giannasnapped
CREW
Writer/Director/Producer: @jalenblot
DP/Producer: @drete/ @dp.drete
1st AC: @kelvinator_getdown
2nd AC: @dangoledale
Gaffer: @rosarxproductions
Key Grip: @iamneither
Sound Mixing: @jackhighberger & @iamneither
Production Designer: @anastasiafromrussia
Composer: @wyatony
Colorist: @benone69
Editor: @jalenblot
Post Production Sound Mixer: @it_groovy
Still Photographer: @bytyholmes
SPECIAL THANKS
@breleased, @traceycreate, @jamadownflava, @omgeeds
“Vows”
CAST
Stanley: @oliverhaeden
Erykah: @giannasnapped
CREW
Writer/Director/Producer: @jalenblot
DP/Producer: @drete/ @dp.drete
1st AC: @kelvinator_getdown
2nd AC: @dangoledale
Gaffer: @rosarxproductions
Key Grip: @iamneither
Sound Mixing: @jackhighberger & @iamneither
Production Designer: @anastasiafromrussia
Composer: @wyatony
Colorist: @benone69
Editor: @jalenblot
Post Production Sound Mixer: @it_groovy
Still Photographer: @bytyholmes
SPECIAL THANKS
@breleased, @traceycreate, @jamadownflava, @omgeeds
Love stuck in time.
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#filmphotography #nikonphotography #canonphotography #portrait #portra400 #canonae1 #canona1 #nikonf #nikonf2 #canonp #50mm
Love stuck in time.
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#filmphotography #nikonphotography #canonphotography #portrait #portra400 #canonae1 #canona1 #nikonf #nikonf2 #canonp #50mm
Love stuck in time.
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#filmphotography #nikonphotography #canonphotography #portrait #portra400 #canonae1 #canona1 #nikonf #nikonf2 #canonp #50mm
Love stuck in time.
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#filmphotography #nikonphotography #canonphotography #portrait #portra400 #canonae1 #canona1 #nikonf #nikonf2 #canonp #50mm
Love stuck in time.
•
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#filmphotography #nikonphotography #canonphotography #portrait #portra400 #canonae1 #canona1 #nikonf #nikonf2 #canonp #50mm
Love stuck in time.
•
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#filmphotography #nikonphotography #canonphotography #portrait #portra400 #canonae1 #canona1 #nikonf #nikonf2 #canonp #50mm
Love stuck in time.
•
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#filmphotography #nikonphotography #canonphotography #portrait #portra400 #canonae1 #canona1 #nikonf #nikonf2 #canonp #50mm
Love stuck in time.
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#filmphotography #nikonphotography #canonphotography #portrait #portra400 #canonae1 #canona1 #nikonf #nikonf2 #canonp #50mm
• Arching.
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#sonya7rii #vscofilter #vsco #vscocam #wideangle #buildingphotography #streetphotography #iphotography #architecturephotography #downtown #midwest #shotoniphonexsmax #appleiphonexsmax #stlouis #stlouisarch #blackandwhitephotography #blackandwhite
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