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dimitrivenkov
Дмитрий Венков
Documentary, experimental, and artist films
UPDATED PROGRAMME
Iliggocene – The Age of Dizziness
📅 26/04/2026
🕟 16:30–18:00
📍 Blickle Kino, Belvedere 21
Arsenalstraße 1, 1030 Vienna
✨ All Welcome ✨
Yours,
Ruth, Sergio, Leo
—
@hansschabus @vil_schulman_ @belvedere21wien @annakimposta @anderwaldgrond
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
“Dizziness brings forward a collapse of the habitual and known, and can thus serve as a critique of what we deem immovable, reliable, and permanent. In the Age of Dizziness, the Iliggocene, when stability is no longer accepted as the norm, how can we re/imagine infrastructures?”
✨
Impressions from the roundtable Infrastructure of the Iliggocene at KW Institute for Contemporary Art, Berlin (March 20, 2026). With Amanda Beech, Davide Deriu, Maria Auxiliadora Galvez Perez, Warren Neidich, Dimitri Venkov, and Catherine Yass, introduced and moderated by the Iliggocene’s curators Ruth Anderwald, Sergio Edelsztein, and Leonhard Grond.
🎬
Followed by Videoart at Midnight at Babylon Cinema: “The Loss of Reality in the Iliggocene”
with works by John Smith, Cao Fei, and Dimitri Venkov.
.
Thanks to all artists and the teams at KW and Videoart at Midnight. 💫
.
#Iliggocene #KWBerlin #VideoArtAtMidnight #BerlinArt #ContemporaryArt
@kwinstitutefcontemporaryart @videoartatmidnight @anderwaldgrond @dimitrivenkov
@amandabeech22 @spaceofthenameless @zonaingravida @tim_etchells @christianfalsnaes @cao_fei @julia.fiedorczuk @danigalshimon @maria_gpmlgp @grantalexandra @eikogrimberg @jackhalberstam @annakimposta @dnymr @warrenneidich @ana_prvacki @lucyrailton @m.steinweg @theotherjohnsmith @open2type @catherine.yass @ediciones_inauditas @kindlberlin @kwinstitutefcontemporaryart @videoartatmidnight
@kulturstiftungdesbundes
KRISIS, 2015. Film by #dimitrivenkov DoP @ungrandsommeilnoir
Full film at the link in bio
#russiaukrainewar #leninstatue #stateofexception
Krisis, 2015. Film by #dimitrivenkov DoP @ungrandsommeilnoir
Full film at the link in bio
#russiaukrainewar #documenta14 #historydebate
Apparition 2-channel installation by @dimitrivenkov with @petrjo @iubileirozhdestva @antonkuryshev @grishaselskiy @donia_ksenia
#dimitrivenkov #videoart #videoartist #malevich #collectiveactions
"The Hymns of Muscovy" short film by @dimitrivenkov DoP @ungrandsommeilnoir music by @alexandermanotskov
Full film at the link in bio
#moscowcity #moscowarchitecture #artdeco #shortfilm #shortfilms #experimentalfilm #videoart #videoartist #archdaily #archdigest #architecturevideo #architecturelover #architectureoftheday #architecturephotography
"The Hymns of Muscovy" short film by @dimitrivenkov DoP @ungrandsommeilnoir music by @alexandermanotskov
Full film at the link in bio
#architecturevideo #architecturephotography #sovietarchitecture #sovietmodernism #brutalistarchitecture
"The Hymns of Muscovy" short film by @dimitrivenkov DoP @ungrandsommeilnoir music by @alexandermanotskov
Full film at the link in bio
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