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So yeah, we set fire to a buggy. Flicked a miniature buggy off screen. Flew a drone light over a forest for night golf.

So nice when you can blend loads of different approaches to achieve all the different ways we wanted to destroy a buggy. On buggy rigs, practical fire gags, CG and even using miniatures. I threw all the techniques I could at this one and even did all the CG myself. Big up my blender gang gang. 

Monors x Reebok. No Thanks I'll Walk.

Production Company - @stinkfilms

Agency- @stinkstudios

Director - @danthomasfrench

Executive Producer - @dommckiernan

Creative Director - @lukedavies56

Producer - @jensklitnielsen

Production Manager - @hen_rxch

Photographer - @0scarjryan

Production Coordinator - @yann_selak

Production Assistant - @cerysimo

1st AD - @billy__french

2nd Ad - @carmendupreez

Director of Photography - @bencotgrove

1st AC - @anildurucamera

2nd AC - @wesolowska_ada

Camera Trainee - Zeze Ibarra

Production Designer - @ranyaelrefaey

Props / Props Master - @sparrowknox

Art Assistant - Jimmy Van Twest

Art Assistant - Felix Villiers

Stylist / Costume Designer - @sophiakatyea

Drone Op - Chris Knight

Drone Op - Stanley Thornton

Stills Assistant - @curtissweetphoto

Sfx Supervisor - Matt Strange

Sfx Technician - James Ingrey

Sfx Technician - Liam Lagan

Medic - Kieran Owens

Sound Recordist - @guidolerner

Gaffer (London) - @jedclist_lighting

Spark - Senan Flude-Fear

Grip - Alex Kellher

Composer - @crispywav

Talent - Jake Elias

Talent - James Wilson

Talent - Nathan Sampson

Talent - Chase Rhetorik

Talent - Aidan Ko

Traditional Golfer - Mike Capozzola

Parking Inspector - Monica Wong

Editor - Jack Singer

Edit Producer - Maggie Mcdermott

Edit House - @stitchediting

Colourist - @alexgregorycolour

Colour Producer - @hannahjarrold

Colour House - @harborpictureco

Sound Designer - @lukeisom

Audio Post - @creative.outpost

Audio Producer - Caz Mcnally Smith

Composer - @crispywav

So yeah, we set fire to a buggy. Flicked a miniature buggy off screen. Flew a drone light over a forest for night golf.

So nice when you can blend loads of different approaches to achieve all the different ways we wanted to destroy a buggy. On buggy rigs, practical fire gags, CG and even using miniatures. I threw all the techniques I could at this one and even did all the CG myself. Big up my blender gang gang. 

Monors x Reebok. No Thanks I'll Walk.

Production Company - @stinkfilms

Agency- @stinkstudios

Director - @danthomasfrench

Executive Producer - @dommckiernan

Creative Director - @lukedavies56

Producer - @jensklitnielsen

Production Manager - @hen_rxch

Photographer - @0scarjryan

Production Coordinator - @yann_selak

Production Assistant - @cerysimo

1st AD - @billy__french

2nd Ad - @carmendupreez

Director of Photography - @bencotgrove

1st AC - @anildurucamera

2nd AC - @wesolowska_ada

Camera Trainee - Zeze Ibarra

Production Designer - @ranyaelrefaey

Props / Props Master - @sparrowknox

Art Assistant - Jimmy Van Twest

Art Assistant - Felix Villiers

Stylist / Costume Designer - @sophiakatyea

Drone Op - Chris Knight

Drone Op - Stanley Thornton

Stills Assistant - @curtissweetphoto

Sfx Supervisor - Matt Strange

Sfx Technician - James Ingrey

Sfx Technician - Liam Lagan

Medic - Kieran Owens

Sound Recordist - @guidolerner

Gaffer (London) - @jedclist_lighting

Spark - Senan Flude-Fear

Grip - Alex Kellher

Composer - @crispywav

Talent - Jake Elias

Talent - James Wilson

Talent - Nathan Sampson

Talent - Chase Rhetorik

Talent - Aidan Ko

Traditional Golfer - Mike Capozzola

Parking Inspector - Monica Wong

Editor - Jack Singer

Edit Producer - Maggie Mcdermott

Edit House - @stitchediting

Colourist - @alexgregorycolour

Colour Producer - @hannahjarrold

Colour House - @harborpictureco

Sound Designer - @lukeisom

Audio Post - @creative.outpost

Audio Producer - Caz Mcnally Smith

Composer - @crispywav

So yeah, we set fire to a buggy. Flicked a miniature buggy off screen. Flew a drone light over a forest for night golf.

So nice when you can blend loads of different approaches to achieve all the different ways we wanted to destroy a buggy. On buggy rigs, practical fire gags, CG and even using miniatures. I threw all the techniques I could at this one and even did all the CG myself. Big up my blender gang gang. 

Monors x Reebok. No Thanks I'll Walk.

Production Company - @stinkfilms

Agency- @stinkstudios

Director - @danthomasfrench

Executive Producer - @dommckiernan

Creative Director - @lukedavies56

Producer - @jensklitnielsen

Production Manager - @hen_rxch

Photographer - @0scarjryan

Production Coordinator - @yann_selak

Production Assistant - @cerysimo

1st AD - @billy__french

2nd Ad - @carmendupreez

Director of Photography - @bencotgrove

1st AC - @anildurucamera

2nd AC - @wesolowska_ada

Camera Trainee - Zeze Ibarra

Production Designer - @ranyaelrefaey

Props / Props Master - @sparrowknox

Art Assistant - Jimmy Van Twest

Art Assistant - Felix Villiers

Stylist / Costume Designer - @sophiakatyea

Drone Op - Chris Knight

Drone Op - Stanley Thornton

Stills Assistant - @curtissweetphoto

Sfx Supervisor - Matt Strange

Sfx Technician - James Ingrey

Sfx Technician - Liam Lagan

Medic - Kieran Owens

Sound Recordist - @guidolerner

Gaffer (London) - @jedclist_lighting

Spark - Senan Flude-Fear

Grip - Alex Kellher

Composer - @crispywav

Talent - Jake Elias

Talent - James Wilson

Talent - Nathan Sampson

Talent - Chase Rhetorik

Talent - Aidan Ko

Traditional Golfer - Mike Capozzola

Parking Inspector - Monica Wong

Editor - Jack Singer

Edit Producer - Maggie Mcdermott

Edit House - @stitchediting

Colourist - @alexgregorycolour

Colour Producer - @hannahjarrold

Colour House - @harborpictureco

Sound Designer - @lukeisom

Audio Post - @creative.outpost

Audio Producer - Caz Mcnally Smith

Composer - @crispywav

So yeah, we set fire to a buggy. Flicked a miniature buggy off screen. Flew a drone light over a forest for night golf.

So nice when you can blend loads of different approaches to achieve all the different ways we wanted to destroy a buggy. On buggy rigs, practical fire gags, CG and even using miniatures. I threw all the techniques I could at this one and even did all the CG myself. Big up my blender gang gang. 

Monors x Reebok. No Thanks I'll Walk.

Production Company - @stinkfilms

Agency- @stinkstudios

Director - @danthomasfrench

Executive Producer - @dommckiernan

Creative Director - @lukedavies56

Producer - @jensklitnielsen

Production Manager - @hen_rxch

Photographer - @0scarjryan

Production Coordinator - @yann_selak

Production Assistant - @cerysimo

1st AD - @billy__french

2nd Ad - @carmendupreez

Director of Photography - @bencotgrove

1st AC - @anildurucamera

2nd AC - @wesolowska_ada

Camera Trainee - Zeze Ibarra

Production Designer - @ranyaelrefaey

Props / Props Master - @sparrowknox

Art Assistant - Jimmy Van Twest

Art Assistant - Felix Villiers

Stylist / Costume Designer - @sophiakatyea

Drone Op - Chris Knight

Drone Op - Stanley Thornton

Stills Assistant - @curtissweetphoto

Sfx Supervisor - Matt Strange

Sfx Technician - James Ingrey

Sfx Technician - Liam Lagan

Medic - Kieran Owens

Sound Recordist - @guidolerner

Gaffer (London) - @jedclist_lighting

Spark - Senan Flude-Fear

Grip - Alex Kellher

Composer - @crispywav

Talent - Jake Elias

Talent - James Wilson

Talent - Nathan Sampson

Talent - Chase Rhetorik

Talent - Aidan Ko

Traditional Golfer - Mike Capozzola

Parking Inspector - Monica Wong

Editor - Jack Singer

Edit Producer - Maggie Mcdermott

Edit House - @stitchediting

Colourist - @alexgregorycolour

Colour Producer - @hannahjarrold

Colour House - @harborpictureco

Sound Designer - @lukeisom

Audio Post - @creative.outpost

Audio Producer - Caz Mcnally Smith

Composer - @crispywav

So yeah, we set fire to a buggy. Flicked a miniature buggy off screen. Flew a drone light over a forest for night golf.

So nice when you can blend loads of different approaches to achieve all the different ways we wanted to destroy a buggy. On buggy rigs, practical fire gags, CG and even using miniatures. I threw all the techniques I could at this one and even did all the CG myself. Big up my blender gang gang. 

Monors x Reebok. No Thanks I'll Walk.

Production Company - @stinkfilms

Agency- @stinkstudios

Director - @danthomasfrench

Executive Producer - @dommckiernan

Creative Director - @lukedavies56

Producer - @jensklitnielsen

Production Manager - @hen_rxch

Photographer - @0scarjryan

Production Coordinator - @yann_selak

Production Assistant - @cerysimo

1st AD - @billy__french

2nd Ad - @carmendupreez

Director of Photography - @bencotgrove

1st AC - @anildurucamera

2nd AC - @wesolowska_ada

Camera Trainee - Zeze Ibarra

Production Designer - @ranyaelrefaey

Props / Props Master - @sparrowknox

Art Assistant - Jimmy Van Twest

Art Assistant - Felix Villiers

Stylist / Costume Designer - @sophiakatyea

Drone Op - Chris Knight

Drone Op - Stanley Thornton

Stills Assistant - @curtissweetphoto

Sfx Supervisor - Matt Strange

Sfx Technician - James Ingrey

Sfx Technician - Liam Lagan

Medic - Kieran Owens

Sound Recordist - @guidolerner

Gaffer (London) - @jedclist_lighting

Spark - Senan Flude-Fear

Grip - Alex Kellher

Composer - @crispywav

Talent - Jake Elias

Talent - James Wilson

Talent - Nathan Sampson

Talent - Chase Rhetorik

Talent - Aidan Ko

Traditional Golfer - Mike Capozzola

Parking Inspector - Monica Wong

Editor - Jack Singer

Edit Producer - Maggie Mcdermott

Edit House - @stitchediting

Colourist - @alexgregorycolour

Colour Producer - @hannahjarrold

Colour House - @harborpictureco

Sound Designer - @lukeisom

Audio Post - @creative.outpost

Audio Producer - Caz Mcnally Smith

Composer - @crispywav

So yeah, we set fire to a buggy. Flicked a miniature buggy off screen. Flew a drone light over a forest for night golf.

So nice when you can blend loads of different approaches to achieve all the different ways we wanted to destroy a buggy. On buggy rigs, practical fire gags, CG and even using miniatures. I threw all the techniques I could at this one and even did all the CG myself. Big up my blender gang gang. 

Monors x Reebok. No Thanks I'll Walk.

Production Company - @stinkfilms

Agency- @stinkstudios

Director - @danthomasfrench

Executive Producer - @dommckiernan

Creative Director - @lukedavies56

Producer - @jensklitnielsen

Production Manager - @hen_rxch

Photographer - @0scarjryan

Production Coordinator - @yann_selak

Production Assistant - @cerysimo

1st AD - @billy__french

2nd Ad - @carmendupreez

Director of Photography - @bencotgrove

1st AC - @anildurucamera

2nd AC - @wesolowska_ada

Camera Trainee - Zeze Ibarra

Production Designer - @ranyaelrefaey

Props / Props Master - @sparrowknox

Art Assistant - Jimmy Van Twest

Art Assistant - Felix Villiers

Stylist / Costume Designer - @sophiakatyea

Drone Op - Chris Knight

Drone Op - Stanley Thornton

Stills Assistant - @curtissweetphoto

Sfx Supervisor - Matt Strange

Sfx Technician - James Ingrey

Sfx Technician - Liam Lagan

Medic - Kieran Owens

Sound Recordist - @guidolerner

Gaffer (London) - @jedclist_lighting

Spark - Senan Flude-Fear

Grip - Alex Kellher

Composer - @crispywav

Talent - Jake Elias

Talent - James Wilson

Talent - Nathan Sampson

Talent - Chase Rhetorik

Talent - Aidan Ko

Traditional Golfer - Mike Capozzola

Parking Inspector - Monica Wong

Editor - Jack Singer

Edit Producer - Maggie Mcdermott

Edit House - @stitchediting

Colourist - @alexgregorycolour

Colour Producer - @hannahjarrold

Colour House - @harborpictureco

Sound Designer - @lukeisom

Audio Post - @creative.outpost

Audio Producer - Caz Mcnally Smith

Composer - @crispywav

So yeah, we set fire to a buggy. Flicked a miniature buggy off screen. Flew a drone light over a forest for night golf.

So nice when you can blend loads of different approaches to achieve all the different ways we wanted to destroy a buggy. On buggy rigs, practical fire gags, CG and even using miniatures. I threw all the techniques I could at this one and even did all the CG myself. Big up my blender gang gang. 

Monors x Reebok. No Thanks I'll Walk.

Production Company - @stinkfilms

Agency- @stinkstudios

Director - @danthomasfrench

Executive Producer - @dommckiernan

Creative Director - @lukedavies56

Producer - @jensklitnielsen

Production Manager - @hen_rxch

Photographer - @0scarjryan

Production Coordinator - @yann_selak

Production Assistant - @cerysimo

1st AD - @billy__french

2nd Ad - @carmendupreez

Director of Photography - @bencotgrove

1st AC - @anildurucamera

2nd AC - @wesolowska_ada

Camera Trainee - Zeze Ibarra

Production Designer - @ranyaelrefaey

Props / Props Master - @sparrowknox

Art Assistant - Jimmy Van Twest

Art Assistant - Felix Villiers

Stylist / Costume Designer - @sophiakatyea

Drone Op - Chris Knight

Drone Op - Stanley Thornton

Stills Assistant - @curtissweetphoto

Sfx Supervisor - Matt Strange

Sfx Technician - James Ingrey

Sfx Technician - Liam Lagan

Medic - Kieran Owens

Sound Recordist - @guidolerner

Gaffer (London) - @jedclist_lighting

Spark - Senan Flude-Fear

Grip - Alex Kellher

Composer - @crispywav

Talent - Jake Elias

Talent - James Wilson

Talent - Nathan Sampson

Talent - Chase Rhetorik

Talent - Aidan Ko

Traditional Golfer - Mike Capozzola

Parking Inspector - Monica Wong

Editor - Jack Singer

Edit Producer - Maggie Mcdermott

Edit House - @stitchediting

Colourist - @alexgregorycolour

Colour Producer - @hannahjarrold

Colour House - @harborpictureco

Sound Designer - @lukeisom

Audio Post - @creative.outpost

Audio Producer - Caz Mcnally Smith

Composer - @crispywav

So yeah, we set fire to a buggy. Flicked a miniature buggy off screen. Flew a drone light over a forest for night golf.

So nice when you can blend loads of different approaches to achieve all the different ways we wanted to destroy a buggy. On buggy rigs, practical fire gags, CG and even using miniatures. I threw all the techniques I could at this one and even did all the CG myself. Big up my blender gang gang. 

Monors x Reebok. No Thanks I'll Walk.

Production Company - @stinkfilms

Agency- @stinkstudios

Director - @danthomasfrench

Executive Producer - @dommckiernan

Creative Director - @lukedavies56

Producer - @jensklitnielsen

Production Manager - @hen_rxch

Photographer - @0scarjryan

Production Coordinator - @yann_selak

Production Assistant - @cerysimo

1st AD - @billy__french

2nd Ad - @carmendupreez

Director of Photography - @bencotgrove

1st AC - @anildurucamera

2nd AC - @wesolowska_ada

Camera Trainee - Zeze Ibarra

Production Designer - @ranyaelrefaey

Props / Props Master - @sparrowknox

Art Assistant - Jimmy Van Twest

Art Assistant - Felix Villiers

Stylist / Costume Designer - @sophiakatyea

Drone Op - Chris Knight

Drone Op - Stanley Thornton

Stills Assistant - @curtissweetphoto

Sfx Supervisor - Matt Strange

Sfx Technician - James Ingrey

Sfx Technician - Liam Lagan

Medic - Kieran Owens

Sound Recordist - @guidolerner

Gaffer (London) - @jedclist_lighting

Spark - Senan Flude-Fear

Grip - Alex Kellher

Composer - @crispywav

Talent - Jake Elias

Talent - James Wilson

Talent - Nathan Sampson

Talent - Chase Rhetorik

Talent - Aidan Ko

Traditional Golfer - Mike Capozzola

Parking Inspector - Monica Wong

Editor - Jack Singer

Edit Producer - Maggie Mcdermott

Edit House - @stitchediting

Colourist - @alexgregorycolour

Colour Producer - @hannahjarrold

Colour House - @harborpictureco

Sound Designer - @lukeisom

Audio Post - @creative.outpost

Audio Producer - Caz Mcnally Smith

Composer - @crispywav

So yeah, we set fire to a buggy. Flicked a miniature buggy off screen. Flew a drone light over a forest for night golf.

So nice when you can blend loads of different approaches to achieve all the different ways we wanted to destroy a buggy. On buggy rigs, practical fire gags, CG and even using miniatures. I threw all the techniques I could at this one and even did all the CG myself. Big up my blender gang gang. 

Monors x Reebok. No Thanks I'll Walk.

Production Company - @stinkfilms

Agency- @stinkstudios

Director - @danthomasfrench

Executive Producer - @dommckiernan

Creative Director - @lukedavies56

Producer - @jensklitnielsen

Production Manager - @hen_rxch

Photographer - @0scarjryan

Production Coordinator - @yann_selak

Production Assistant - @cerysimo

1st AD - @billy__french

2nd Ad - @carmendupreez

Director of Photography - @bencotgrove

1st AC - @anildurucamera

2nd AC - @wesolowska_ada

Camera Trainee - Zeze Ibarra

Production Designer - @ranyaelrefaey

Props / Props Master - @sparrowknox

Art Assistant - Jimmy Van Twest

Art Assistant - Felix Villiers

Stylist / Costume Designer - @sophiakatyea

Drone Op - Chris Knight

Drone Op - Stanley Thornton

Stills Assistant - @curtissweetphoto

Sfx Supervisor - Matt Strange

Sfx Technician - James Ingrey

Sfx Technician - Liam Lagan

Medic - Kieran Owens

Sound Recordist - @guidolerner

Gaffer (London) - @jedclist_lighting

Spark - Senan Flude-Fear

Grip - Alex Kellher

Composer - @crispywav

Talent - Jake Elias

Talent - James Wilson

Talent - Nathan Sampson

Talent - Chase Rhetorik

Talent - Aidan Ko

Traditional Golfer - Mike Capozzola

Parking Inspector - Monica Wong

Editor - Jack Singer

Edit Producer - Maggie Mcdermott

Edit House - @stitchediting

Colourist - @alexgregorycolour

Colour Producer - @hannahjarrold

Colour House - @harborpictureco

Sound Designer - @lukeisom

Audio Post - @creative.outpost

Audio Producer - Caz Mcnally Smith

Composer - @crispywav

So yeah, we set fire to a buggy. Flicked a miniature buggy off screen. Flew a drone light over a forest for night golf.

So nice when you can blend loads of different approaches to achieve all the different ways we wanted to destroy a buggy. On buggy rigs, practical fire gags, CG and even using miniatures. I threw all the techniques I could at this one and even did all the CG myself. Big up my blender gang gang. 

Monors x Reebok. No Thanks I'll Walk.

Production Company - @stinkfilms

Agency- @stinkstudios

Director - @danthomasfrench

Executive Producer - @dommckiernan

Creative Director - @lukedavies56

Producer - @jensklitnielsen

Production Manager - @hen_rxch

Photographer - @0scarjryan

Production Coordinator - @yann_selak

Production Assistant - @cerysimo

1st AD - @billy__french

2nd Ad - @carmendupreez

Director of Photography - @bencotgrove

1st AC - @anildurucamera

2nd AC - @wesolowska_ada

Camera Trainee - Zeze Ibarra

Production Designer - @ranyaelrefaey

Props / Props Master - @sparrowknox

Art Assistant - Jimmy Van Twest

Art Assistant - Felix Villiers

Stylist / Costume Designer - @sophiakatyea

Drone Op - Chris Knight

Drone Op - Stanley Thornton

Stills Assistant - @curtissweetphoto

Sfx Supervisor - Matt Strange

Sfx Technician - James Ingrey

Sfx Technician - Liam Lagan

Medic - Kieran Owens

Sound Recordist - @guidolerner

Gaffer (London) - @jedclist_lighting

Spark - Senan Flude-Fear

Grip - Alex Kellher

Composer - @crispywav

Talent - Jake Elias

Talent - James Wilson

Talent - Nathan Sampson

Talent - Chase Rhetorik

Talent - Aidan Ko

Traditional Golfer - Mike Capozzola

Parking Inspector - Monica Wong

Editor - Jack Singer

Edit Producer - Maggie Mcdermott

Edit House - @stitchediting

Colourist - @alexgregorycolour

Colour Producer - @hannahjarrold

Colour House - @harborpictureco

Sound Designer - @lukeisom

Audio Post - @creative.outpost

Audio Producer - Caz Mcnally Smith

Composer - @crispywav

What a fun lil' film this was! Absolute jokes, from scripting through to shooting. Loved making every little number-related gag we can fit in one ad - so many easter eggs for those with keen eyes.
Gotta say a big thanks to everyone on the team who helped make it happen. Big up @twentyfourseven_______tv @radioaktivefilm in Lithuania for finding some of the most insane locations ever! To the whole Impossible and Meridian gang who really trusted me on this and let me loose on this alternate universe ❤️❤️. To all the HODs who absolutely killed the prod design, wardrobe, cinematography and to @pinkyswearvfx who literally painted out everything I ever asked for, including a lil' bird that ruined the symmetry of one shot (lol). And we canne forget big boy @alexgregorycolour who killed the look and @lukeisom who brought the whole thing to life with such a juicy juicy mix boyyy 🔊😌👌🏻. No big up tho to the wrap party straight into a flight, into a house move though - I'd give that a miss if I did it all again. Over and out from account #80085

Meridian - World of Numbers (DC)

Client: Meridian @meridiancreditunion
Chief Digital & Marketing Officer: Matthew Seagrim
VP Marketing: Susan LeBlanc
Director, Creative: Donovan Bond
Project Manager: Genevieve Ross
Director, Brand: Ghazal Taheri
Sr Strategist, Brand: Rebecca Tsonis
Sr Manager, Brand: Scott Dane

Agency: Elemental @elemental_to
Partner, Chief Strategy Officer: Dustin Brown
VP, Client Services: Justin Haberman
Creative Director: Scott Fess
Senior Strategist: Lindsay Chase
Account Director: Adam Resman
Account Executive: Shanika Shinde

Production Company: Impossible Studios @impossiblestudiosinc
Director: Dan French @danthomasfrench
Executive Producer: Marco D'Angelo @zrkmarco
Producer: Adrian Cheung @picturelocked
DP: Ben Cotgrove @bencotgrove

Service Company: 247 x Radioaktivefilm @twentyfourseven_______tv @radioaktivefilm
Executive Producer: Kate Galytska
Producer: Tadas Vaitmonas
Production Manager: Ieva Biliūnaitė
Production Manager: Auksė Veitaitė
Editorial: School Editing @schoolediting
Editor: Monica Remba: @mon_lynn
Executive Producer: Yumi Suyama @yumisuyama
Full credits can't fit!

BTS gang ✌🏻🎥 I got one for ya. Here's a lil peek behind the scenes on Swatch. From square balls, to time bending tunnels, we used a lot of tricks to put this all together.

I've never been so detail focussed and I gotta say thanks to everyone that leant into it. It was a fun few days on set. @rpjmorgan bringing the vibes clearly 😂

Thanks to @_atck_ and @marionrenerre for the BTS edit. Nailed it.

Director — me ✌🏻
Production Company - @sticker_studios
Executive Producer — Luke Brookner @lukebrookner_director
Executive Producer — Ryan Morgan @rpjmorgan
Producer — Edward Whelan @edwhelan_film
PC — Sarah Dines
Client & Creative: Swatch
Copy Writer: @danthomasfrench
Service Production, Barcelona - Altipla Films
Service Producer - Jordi Estape @jordiesmo & Carles Paune @paunezz

DOP - Ben Cotgrove @bencotgrove
Production Designer - Mario Serrano Ruiz
Costume Designer - Isabel Greece
Casting: Lane Casting Spain @lanecasting

Service Production, Barcelona - Altipla Films
Service Producer - Jordi Estape

Post Producer - Edward Whelan @edwhelan_film
Editor - Beth Roberts @betheditsldn
Edit House - TenThree @tenthree_editing
VFX (3D) - RUR @rur_postproduction
VFX (2D) - Jakob Thorhallsson @jakobthorhallsson
Sound Design - Luke Isom @lukeisom
Sound House - Jungle Studios @junglestudiosuk
Sound Producer - Coral Clayton @coralclayton
Grade - Meg Lee @colourbymegwan
Grade House - ETC @etc.colour
Grade Producer - Liv Jessop @_oliviarosejessop
Composition - JJ Michell @crispywav
Film Scan - Cinelab @cinelabuk

Kia BTSSSSSS

Credits in main post! Thanks to everyone for making it so fun.

#behindthescenes #director #35mmfilm @kodak_shootfilm #dayinthelife

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Some of my favourite snippets from the Kia Australian Open campaign, shot on 35mm. The main challenge, it all had to all be POV. So did the twin thing, using arm each side of the camera to avoid having to use a headrig throughout. This meant @joecookdop could operate camera and the actors just act using their arms. It also meant we could use a big ol' 35mm camera. Win win.

Dan French captures Rafa Nadal’s POV for KIA

@rafaelnadal@danthomasfrench@kia.worldwide@australianopen

Production: Stink UK @stinkfilms
Stink President / Executive Producer: Daniel Bergmann @danielstinkco
Director: Dan French @danthomasfrench
Executive Producer: Blake Powell @blakepowell9
Producer: Shea Coleman @shea__c
Production Manager: Claire Adcock
Production Assistant: Gerard Argemi
Runner: Hector Molina, Toni Munne, Carlos Mariscal, Sergi Suarez, Joao Santos, David Centeno
Location Manager: Sergi Cabrera
1st AD: Lucas Cuevas @mr_stollery
2nd AD: Julieta Alcaide @julieta_alcaide_ad
Director of Photography: Joe Cook @joecookdop
Focus Puller: Ivan Bunuel
2nd AC: Raul Caso
VRT: Dani García
Gaffer: Carlos Melville
Colourist: @alexgregorycolour
VFX: @gusribeiro7 @alex_mariale_mayita, sarah maertz
Sound: @jim_db @rscottsound @savannahrk
Edit: @stitchediting @hijacksinger @maggiemcdermott_
Art Director / Set Designer: Ariel Santiago @ariel.santiago.zalazar
Art Director Assistant: Karen Torres
Wardrobe Stylist: Nuria Durà @nuriadurawork
Wardrobe Assistant: Patrycja Juraszczyk
Cast: Johan Plante, Mathieu Plante, Thalita Mitchel, Jana Badosa, Antoine de Bujadoux, David O’Connor, David Fang, Lisbel Alfonso, Lluc Serrat, Mahamadou Jabbie, Ivan Hidalgo
Global PR & Marketing: @valentinatarelli_
Stink Head or Sales: @jackhilton.96

A little look behind the scenes at the full CG animated music video I made for @jianboforever

@stinkfilms

#bts #behindthescenes #director #blender

NEW!⁠ Step into Dan French’s cyberpunk-inspired 3D-animated world in a music video for Jianbo @jianboforever 🌇🧫⁠
⁠
⁠​Director Dan French channels Jianbo’s slow and melancholic track 'For The Honour' to create an immersive 3D-animated world. Themes of honour and misplaced ideals saturate the neon-tinged music video, impressing upon viewers the belief that “real honour comes from sticking by your family and friends.”⁠
⁠
Tap the link in bio to watch the music video on NOWNESS ASIA 🎶⁠
⁠
Production Company: @stinkfilms⁠
Director, CGI & Animation: @danthomasfrench⁠
Executive Producer: @dommckiernan⁠
Edit: @danthomasfrench⁠
Grade: @alexgregorycolour @harborpictureco⁠
Stink PR & Marketing: @valyriansteel_, @l3mon_amy⁠

NEW!⁠ Step into Dan French’s cyberpunk-inspired 3D-animated world in a music video for Jianbo @jianboforever 🌇🧫⁠
⁠
⁠​Director Dan French channels Jianbo’s slow and melancholic track 'For The Honour' to create an immersive 3D-animated world. Themes of honour and misplaced ideals saturate the neon-tinged music video, impressing upon viewers the belief that “real honour comes from sticking by your family and friends.”⁠
⁠
Tap the link in bio to watch the music video on NOWNESS ASIA 🎶⁠
⁠
Production Company: @stinkfilms⁠
Director, CGI & Animation: @danthomasfrench⁠
Executive Producer: @dommckiernan⁠
Edit: @danthomasfrench⁠
Grade: @alexgregorycolour @harborpictureco⁠
Stink PR & Marketing: @valyriansteel_, @l3mon_amy⁠

NEW!⁠ Step into Dan French’s cyberpunk-inspired 3D-animated world in a music video for Jianbo @jianboforever 🌇🧫⁠
⁠
⁠​Director Dan French channels Jianbo’s slow and melancholic track 'For The Honour' to create an immersive 3D-animated world. Themes of honour and misplaced ideals saturate the neon-tinged music video, impressing upon viewers the belief that “real honour comes from sticking by your family and friends.”⁠
⁠
Tap the link in bio to watch the music video on NOWNESS ASIA 🎶⁠
⁠
Production Company: @stinkfilms⁠
Director, CGI & Animation: @danthomasfrench⁠
Executive Producer: @dommckiernan⁠
Edit: @danthomasfrench⁠
Grade: @alexgregorycolour @harborpictureco⁠
Stink PR & Marketing: @valyriansteel_, @l3mon_amy⁠

NEW!⁠ Step into Dan French’s cyberpunk-inspired 3D-animated world in a music video for Jianbo @jianboforever 🌇🧫⁠
⁠
⁠​Director Dan French channels Jianbo’s slow and melancholic track 'For The Honour' to create an immersive 3D-animated world. Themes of honour and misplaced ideals saturate the neon-tinged music video, impressing upon viewers the belief that “real honour comes from sticking by your family and friends.”⁠
⁠
Tap the link in bio to watch the music video on NOWNESS ASIA 🎶⁠
⁠
Production Company: @stinkfilms⁠
Director, CGI & Animation: @danthomasfrench⁠
Executive Producer: @dommckiernan⁠
Edit: @danthomasfrench⁠
Grade: @alexgregorycolour @harborpictureco⁠
Stink PR & Marketing: @valyriansteel_, @l3mon_amy⁠

NEW!⁠ Step into Dan French’s cyberpunk-inspired 3D-animated world in a music video for Jianbo @jianboforever 🌇🧫⁠
⁠
⁠​Director Dan French channels Jianbo’s slow and melancholic track 'For The Honour' to create an immersive 3D-animated world. Themes of honour and misplaced ideals saturate the neon-tinged music video, impressing upon viewers the belief that “real honour comes from sticking by your family and friends.”⁠
⁠
Tap the link in bio to watch the music video on NOWNESS ASIA 🎶⁠
⁠
Production Company: @stinkfilms⁠
Director, CGI & Animation: @danthomasfrench⁠
Executive Producer: @dommckiernan⁠
Edit: @danthomasfrench⁠
Grade: @alexgregorycolour @harborpictureco⁠
Stink PR & Marketing: @valyriansteel_, @l3mon_amy⁠

A little behind the scenes look at how we shot Minecraft with real creatures we used as puppets, a square earth prop made for real and a mad double fisheye pov rig.

Credits in other post

#behindthescenes #director #minecraft #vfx

👾 I did a thing! Shape Your World - Minecraft! 👾

Got to say a big thanks to everyone that worked on this project, you all killed it.

And thanks to Minecraft for trusting me to make it! It was such a nice process creating this little Minecraft short that celebrates how the game can connect you even when you're halfway across the world.

Client: Minecraft
Producer: Ronald Meier
Art Director: Carl Cerstrand
Content creator: Alban Jusufi
Agency: Boo Agency
Creative Director: Izaak FLANDERS
Managing director: Jack WHITE
Account director: Annique PIRIE & Hannah LIVETT

Production: @bigprodparis Big productions
Producer: @kasia_stania
Creative Department: rapayelle
Line producer: @godinhoanelore
Production coordinator: @carolleguy
Production coordinator Big: @yannmorisse
DOP: @konradlosch
Prod designer: @julijafricsone

Post-producer: @jla972
VFX Supervisor: Adrien RENAY
Editor: Jack Singer @hijacksinger
Edit Assist: Laura Reyes @laurar_cuts
Edit Producer: Maggie McDermott
Edit House: @stitchediting
Music: JJ Mitchell @crispywav
Sound design: @lukeisom
Color grade: @arthurpaux
Executive production: @some_films

Chinese-Vietnamese-British artist
Jianbo returned with a groundbreaking music video for his latest track “For The Honour”, featuring Nix Northwest. The fully CGI visual, directed and animated by Dan French and produced by Stink, transports viewers into a surreal underground cyber world, exploring themes of identity, ancestry and honour.

Developed as a passion project between French and Jianbo, the video was crafted entirely in French’s spare time-built frame by frame without the aid of motion capture technology. Using iPhone footage of Jianbo dancing as reference, French manually animated each sequence, embracing a stylised aesthetic inspired by early-2000s video games like GTA.

The video blends cyberpunk visuals with cultural references drawn from Jianbo’s life, nodding to the cinematic style of Wong Kar Wai and the neon grit of Tokyo’s urban landscape. The result is a gamified narrative that tackles loyalty, sacrifice and the weight of legacy through a hyper-stylised digital lens.

Explore footage from the music video above alongside some BTS clips highlighting how it was created.

Artist: @jianboforever
Production Company: @stinkfilms
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Grade: @alexgregorycolour @harborpictureco
Featured Artist: @youthful.wizardry
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

Chinese-Vietnamese-British artist
Jianbo returned with a groundbreaking music video for his latest track “For The Honour”, featuring Nix Northwest. The fully CGI visual, directed and animated by Dan French and produced by Stink, transports viewers into a surreal underground cyber world, exploring themes of identity, ancestry and honour.

Developed as a passion project between French and Jianbo, the video was crafted entirely in French’s spare time-built frame by frame without the aid of motion capture technology. Using iPhone footage of Jianbo dancing as reference, French manually animated each sequence, embracing a stylised aesthetic inspired by early-2000s video games like GTA.

The video blends cyberpunk visuals with cultural references drawn from Jianbo’s life, nodding to the cinematic style of Wong Kar Wai and the neon grit of Tokyo’s urban landscape. The result is a gamified narrative that tackles loyalty, sacrifice and the weight of legacy through a hyper-stylised digital lens.

Explore footage from the music video above alongside some BTS clips highlighting how it was created.

Artist: @jianboforever
Production Company: @stinkfilms
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Grade: @alexgregorycolour @harborpictureco
Featured Artist: @youthful.wizardry
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

Chinese-Vietnamese-British artist
Jianbo returned with a groundbreaking music video for his latest track “For The Honour”, featuring Nix Northwest. The fully CGI visual, directed and animated by Dan French and produced by Stink, transports viewers into a surreal underground cyber world, exploring themes of identity, ancestry and honour.

Developed as a passion project between French and Jianbo, the video was crafted entirely in French’s spare time-built frame by frame without the aid of motion capture technology. Using iPhone footage of Jianbo dancing as reference, French manually animated each sequence, embracing a stylised aesthetic inspired by early-2000s video games like GTA.

The video blends cyberpunk visuals with cultural references drawn from Jianbo’s life, nodding to the cinematic style of Wong Kar Wai and the neon grit of Tokyo’s urban landscape. The result is a gamified narrative that tackles loyalty, sacrifice and the weight of legacy through a hyper-stylised digital lens.

Explore footage from the music video above alongside some BTS clips highlighting how it was created.

Artist: @jianboforever
Production Company: @stinkfilms
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Grade: @alexgregorycolour @harborpictureco
Featured Artist: @youthful.wizardry
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

Chinese-Vietnamese-British artist
Jianbo returned with a groundbreaking music video for his latest track “For The Honour”, featuring Nix Northwest. The fully CGI visual, directed and animated by Dan French and produced by Stink, transports viewers into a surreal underground cyber world, exploring themes of identity, ancestry and honour.

Developed as a passion project between French and Jianbo, the video was crafted entirely in French’s spare time-built frame by frame without the aid of motion capture technology. Using iPhone footage of Jianbo dancing as reference, French manually animated each sequence, embracing a stylised aesthetic inspired by early-2000s video games like GTA.

The video blends cyberpunk visuals with cultural references drawn from Jianbo’s life, nodding to the cinematic style of Wong Kar Wai and the neon grit of Tokyo’s urban landscape. The result is a gamified narrative that tackles loyalty, sacrifice and the weight of legacy through a hyper-stylised digital lens.

Explore footage from the music video above alongside some BTS clips highlighting how it was created.

Artist: @jianboforever
Production Company: @stinkfilms
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Grade: @alexgregorycolour @harborpictureco
Featured Artist: @youthful.wizardry
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

Chinese-Vietnamese-British artist
Jianbo returned with a groundbreaking music video for his latest track “For The Honour”, featuring Nix Northwest. The fully CGI visual, directed and animated by Dan French and produced by Stink, transports viewers into a surreal underground cyber world, exploring themes of identity, ancestry and honour.

Developed as a passion project between French and Jianbo, the video was crafted entirely in French’s spare time-built frame by frame without the aid of motion capture technology. Using iPhone footage of Jianbo dancing as reference, French manually animated each sequence, embracing a stylised aesthetic inspired by early-2000s video games like GTA.

The video blends cyberpunk visuals with cultural references drawn from Jianbo’s life, nodding to the cinematic style of Wong Kar Wai and the neon grit of Tokyo’s urban landscape. The result is a gamified narrative that tackles loyalty, sacrifice and the weight of legacy through a hyper-stylised digital lens.

Explore footage from the music video above alongside some BTS clips highlighting how it was created.

Artist: @jianboforever
Production Company: @stinkfilms
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Grade: @alexgregorycolour @harborpictureco
Featured Artist: @youthful.wizardry
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

Chinese-Vietnamese-British artist
Jianbo returned with a groundbreaking music video for his latest track “For The Honour”, featuring Nix Northwest. The fully CGI visual, directed and animated by Dan French and produced by Stink, transports viewers into a surreal underground cyber world, exploring themes of identity, ancestry and honour.

Developed as a passion project between French and Jianbo, the video was crafted entirely in French’s spare time-built frame by frame without the aid of motion capture technology. Using iPhone footage of Jianbo dancing as reference, French manually animated each sequence, embracing a stylised aesthetic inspired by early-2000s video games like GTA.

The video blends cyberpunk visuals with cultural references drawn from Jianbo’s life, nodding to the cinematic style of Wong Kar Wai and the neon grit of Tokyo’s urban landscape. The result is a gamified narrative that tackles loyalty, sacrifice and the weight of legacy through a hyper-stylised digital lens.

Explore footage from the music video above alongside some BTS clips highlighting how it was created.

Artist: @jianboforever
Production Company: @stinkfilms
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Grade: @alexgregorycolour @harborpictureco
Featured Artist: @youthful.wizardry
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

Chinese-Vietnamese-British artist
Jianbo returned with a groundbreaking music video for his latest track “For The Honour”, featuring Nix Northwest. The fully CGI visual, directed and animated by Dan French and produced by Stink, transports viewers into a surreal underground cyber world, exploring themes of identity, ancestry and honour.

Developed as a passion project between French and Jianbo, the video was crafted entirely in French’s spare time-built frame by frame without the aid of motion capture technology. Using iPhone footage of Jianbo dancing as reference, French manually animated each sequence, embracing a stylised aesthetic inspired by early-2000s video games like GTA.

The video blends cyberpunk visuals with cultural references drawn from Jianbo’s life, nodding to the cinematic style of Wong Kar Wai and the neon grit of Tokyo’s urban landscape. The result is a gamified narrative that tackles loyalty, sacrifice and the weight of legacy through a hyper-stylised digital lens.

Explore footage from the music video above alongside some BTS clips highlighting how it was created.

Artist: @jianboforever
Production Company: @stinkfilms
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Grade: @alexgregorycolour @harborpictureco
Featured Artist: @youthful.wizardry
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

Chinese-Vietnamese-British artist
Jianbo returned with a groundbreaking music video for his latest track “For The Honour”, featuring Nix Northwest. The fully CGI visual, directed and animated by Dan French and produced by Stink, transports viewers into a surreal underground cyber world, exploring themes of identity, ancestry and honour.

Developed as a passion project between French and Jianbo, the video was crafted entirely in French’s spare time-built frame by frame without the aid of motion capture technology. Using iPhone footage of Jianbo dancing as reference, French manually animated each sequence, embracing a stylised aesthetic inspired by early-2000s video games like GTA.

The video blends cyberpunk visuals with cultural references drawn from Jianbo’s life, nodding to the cinematic style of Wong Kar Wai and the neon grit of Tokyo’s urban landscape. The result is a gamified narrative that tackles loyalty, sacrifice and the weight of legacy through a hyper-stylised digital lens.

Explore footage from the music video above alongside some BTS clips highlighting how it was created.

Artist: @jianboforever
Production Company: @stinkfilms
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Grade: @alexgregorycolour @harborpictureco
Featured Artist: @youthful.wizardry
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

Chinese-Vietnamese-British artist
Jianbo returned with a groundbreaking music video for his latest track “For The Honour”, featuring Nix Northwest. The fully CGI visual, directed and animated by Dan French and produced by Stink, transports viewers into a surreal underground cyber world, exploring themes of identity, ancestry and honour.

Developed as a passion project between French and Jianbo, the video was crafted entirely in French’s spare time-built frame by frame without the aid of motion capture technology. Using iPhone footage of Jianbo dancing as reference, French manually animated each sequence, embracing a stylised aesthetic inspired by early-2000s video games like GTA.

The video blends cyberpunk visuals with cultural references drawn from Jianbo’s life, nodding to the cinematic style of Wong Kar Wai and the neon grit of Tokyo’s urban landscape. The result is a gamified narrative that tackles loyalty, sacrifice and the weight of legacy through a hyper-stylised digital lens.

Explore footage from the music video above alongside some BTS clips highlighting how it was created.

Artist: @jianboforever
Production Company: @stinkfilms
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Grade: @alexgregorycolour @harborpictureco
Featured Artist: @youthful.wizardry
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

Chinese-Vietnamese-British artist
Jianbo returned with a groundbreaking music video for his latest track “For The Honour”, featuring Nix Northwest. The fully CGI visual, directed and animated by Dan French and produced by Stink, transports viewers into a surreal underground cyber world, exploring themes of identity, ancestry and honour.

Developed as a passion project between French and Jianbo, the video was crafted entirely in French’s spare time-built frame by frame without the aid of motion capture technology. Using iPhone footage of Jianbo dancing as reference, French manually animated each sequence, embracing a stylised aesthetic inspired by early-2000s video games like GTA.

The video blends cyberpunk visuals with cultural references drawn from Jianbo’s life, nodding to the cinematic style of Wong Kar Wai and the neon grit of Tokyo’s urban landscape. The result is a gamified narrative that tackles loyalty, sacrifice and the weight of legacy through a hyper-stylised digital lens.

Explore footage from the music video above alongside some BTS clips highlighting how it was created.

Artist: @jianboforever
Production Company: @stinkfilms
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Grade: @alexgregorycolour @harborpictureco
Featured Artist: @youthful.wizardry
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

I can’t quite believe this ones finally out. Call me crazy but I decided to take on a bit of a madness and do a whole CGI music video. Did all the animation, mocap, modelling of robots, music studios and so on. It was kinda a crazy idea and I was learning a lot as I went but I loved the freedom of just thinking about an idea and making it. So here’s a little GTA inspired Jianbo vid. Check the link in my bio for the real deal. It’s worth the watch I promise.

Big thanks to @jianboforever and @youthful.wizardry for the trust and letting me cook away for a few months and say hey this is the thing. Big up to @stinkfilms and @dommckiernanfor the support along the way.

And of course big shout out to @blender.official which blows my mind that it's free. Love you blender

Jianbo - For the Honour

Check out this tiny credits list

Production Company: Stink
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Edit: @danthomasfrench
Grade: @alexgregorycolour @harborpictureco
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

I can’t quite believe this ones finally out. Call me crazy but I decided to take on a bit of a madness and do a whole CGI music video. Did all the animation, mocap, modelling of robots, music studios and so on. It was kinda a crazy idea and I was learning a lot as I went but I loved the freedom of just thinking about an idea and making it. So here’s a little GTA inspired Jianbo vid. Check the link in my bio for the real deal. It’s worth the watch I promise.

Big thanks to @jianboforever and @youthful.wizardry for the trust and letting me cook away for a few months and say hey this is the thing. Big up to @stinkfilms and @dommckiernanfor the support along the way.

And of course big shout out to @blender.official which blows my mind that it's free. Love you blender

Jianbo - For the Honour

Check out this tiny credits list

Production Company: Stink
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Edit: @danthomasfrench
Grade: @alexgregorycolour @harborpictureco
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

I can’t quite believe this ones finally out. Call me crazy but I decided to take on a bit of a madness and do a whole CGI music video. Did all the animation, mocap, modelling of robots, music studios and so on. It was kinda a crazy idea and I was learning a lot as I went but I loved the freedom of just thinking about an idea and making it. So here’s a little GTA inspired Jianbo vid. Check the link in my bio for the real deal. It’s worth the watch I promise.

Big thanks to @jianboforever and @youthful.wizardry for the trust and letting me cook away for a few months and say hey this is the thing. Big up to @stinkfilms and @dommckiernanfor the support along the way.

And of course big shout out to @blender.official which blows my mind that it's free. Love you blender

Jianbo - For the Honour

Check out this tiny credits list

Production Company: Stink
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Edit: @danthomasfrench
Grade: @alexgregorycolour @harborpictureco
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

I can’t quite believe this ones finally out. Call me crazy but I decided to take on a bit of a madness and do a whole CGI music video. Did all the animation, mocap, modelling of robots, music studios and so on. It was kinda a crazy idea and I was learning a lot as I went but I loved the freedom of just thinking about an idea and making it. So here’s a little GTA inspired Jianbo vid. Check the link in my bio for the real deal. It’s worth the watch I promise.

Big thanks to @jianboforever and @youthful.wizardry for the trust and letting me cook away for a few months and say hey this is the thing. Big up to @stinkfilms and @dommckiernanfor the support along the way.

And of course big shout out to @blender.official which blows my mind that it's free. Love you blender

Jianbo - For the Honour

Check out this tiny credits list

Production Company: Stink
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Edit: @danthomasfrench
Grade: @alexgregorycolour @harborpictureco
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

I can’t quite believe this ones finally out. Call me crazy but I decided to take on a bit of a madness and do a whole CGI music video. Did all the animation, mocap, modelling of robots, music studios and so on. It was kinda a crazy idea and I was learning a lot as I went but I loved the freedom of just thinking about an idea and making it. So here’s a little GTA inspired Jianbo vid. Check the link in my bio for the real deal. It’s worth the watch I promise.

Big thanks to @jianboforever and @youthful.wizardry for the trust and letting me cook away for a few months and say hey this is the thing. Big up to @stinkfilms and @dommckiernanfor the support along the way.

And of course big shout out to @blender.official which blows my mind that it's free. Love you blender

Jianbo - For the Honour

Check out this tiny credits list

Production Company: Stink
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Edit: @danthomasfrench
Grade: @alexgregorycolour @harborpictureco
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

I can’t quite believe this ones finally out. Call me crazy but I decided to take on a bit of a madness and do a whole CGI music video. Did all the animation, mocap, modelling of robots, music studios and so on. It was kinda a crazy idea and I was learning a lot as I went but I loved the freedom of just thinking about an idea and making it. So here’s a little GTA inspired Jianbo vid. Check the link in my bio for the real deal. It’s worth the watch I promise.

Big thanks to @jianboforever and @youthful.wizardry for the trust and letting me cook away for a few months and say hey this is the thing. Big up to @stinkfilms and @dommckiernanfor the support along the way.

And of course big shout out to @blender.official which blows my mind that it's free. Love you blender

Jianbo - For the Honour

Check out this tiny credits list

Production Company: Stink
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Edit: @danthomasfrench
Grade: @alexgregorycolour @harborpictureco
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

I can’t quite believe this ones finally out. Call me crazy but I decided to take on a bit of a madness and do a whole CGI music video. Did all the animation, mocap, modelling of robots, music studios and so on. It was kinda a crazy idea and I was learning a lot as I went but I loved the freedom of just thinking about an idea and making it. So here’s a little GTA inspired Jianbo vid. Check the link in my bio for the real deal. It’s worth the watch I promise.

Big thanks to @jianboforever and @youthful.wizardry for the trust and letting me cook away for a few months and say hey this is the thing. Big up to @stinkfilms and @dommckiernanfor the support along the way.

And of course big shout out to @blender.official which blows my mind that it's free. Love you blender

Jianbo - For the Honour

Check out this tiny credits list

Production Company: Stink
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Edit: @danthomasfrench
Grade: @alexgregorycolour @harborpictureco
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

I can’t quite believe this ones finally out. Call me crazy but I decided to take on a bit of a madness and do a whole CGI music video. Did all the animation, mocap, modelling of robots, music studios and so on. It was kinda a crazy idea and I was learning a lot as I went but I loved the freedom of just thinking about an idea and making it. So here’s a little GTA inspired Jianbo vid. Check the link in my bio for the real deal. It’s worth the watch I promise.

Big thanks to @jianboforever and @youthful.wizardry for the trust and letting me cook away for a few months and say hey this is the thing. Big up to @stinkfilms and @dommckiernanfor the support along the way.

And of course big shout out to @blender.official which blows my mind that it's free. Love you blender

Jianbo - For the Honour

Check out this tiny credits list

Production Company: Stink
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Edit: @danthomasfrench
Grade: @alexgregorycolour @harborpictureco
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

I can’t quite believe this ones finally out. Call me crazy but I decided to take on a bit of a madness and do a whole CGI music video. Did all the animation, mocap, modelling of robots, music studios and so on. It was kinda a crazy idea and I was learning a lot as I went but I loved the freedom of just thinking about an idea and making it. So here’s a little GTA inspired Jianbo vid. Check the link in my bio for the real deal. It’s worth the watch I promise.

Big thanks to @jianboforever and @youthful.wizardry for the trust and letting me cook away for a few months and say hey this is the thing. Big up to @stinkfilms and @dommckiernanfor the support along the way.

And of course big shout out to @blender.official which blows my mind that it's free. Love you blender

Jianbo - For the Honour

Check out this tiny credits list

Production Company: Stink
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Edit: @danthomasfrench
Grade: @alexgregorycolour @harborpictureco
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

I can’t quite believe this ones finally out. Call me crazy but I decided to take on a bit of a madness and do a whole CGI music video. Did all the animation, mocap, modelling of robots, music studios and so on. It was kinda a crazy idea and I was learning a lot as I went but I loved the freedom of just thinking about an idea and making it. So here’s a little GTA inspired Jianbo vid. Check the link in my bio for the real deal. It’s worth the watch I promise.

Big thanks to @jianboforever and @youthful.wizardry for the trust and letting me cook away for a few months and say hey this is the thing. Big up to @stinkfilms and @dommckiernanfor the support along the way.

And of course big shout out to @blender.official which blows my mind that it's free. Love you blender

Jianbo - For the Honour

Check out this tiny credits list

Production Company: Stink
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Edit: @danthomasfrench
Grade: @alexgregorycolour @harborpictureco
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

I can’t quite believe this ones finally out. Call me crazy but I decided to take on a bit of a madness and do a whole CGI music video. Did all the animation, mocap, modelling of robots, music studios and so on. It was kinda a crazy idea and I was learning a lot as I went but I loved the freedom of just thinking about an idea and making it. So here’s a little GTA inspired Jianbo vid. Check the link in my bio for the real deal. It’s worth the watch I promise.

Big thanks to @jianboforever and @youthful.wizardry for the trust and letting me cook away for a few months and say hey this is the thing. Big up to @stinkfilms and @dommckiernanfor the support along the way.

And of course big shout out to @blender.official which blows my mind that it's free. Love you blender

Jianbo - For the Honour

Check out this tiny credits list

Production Company: Stink
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Edit: @danthomasfrench
Grade: @alexgregorycolour @harborpictureco
Stink PR & Marketing: @valyriansteel_, @l3mon_amy

I can’t quite believe this ones finally out. Call me crazy but I decided to take on a bit of a madness and do a whole CGI music video. Did all the animation, mocap, modelling of robots, music studios and so on. It was kinda a crazy idea and I was learning a lot as I went but I loved the freedom of just thinking about an idea and making it. So here’s a little GTA inspired Jianbo vid. Check the link in my bio for the real deal. It’s worth the watch I promise.

Big thanks to @jianboforever and @youthful.wizardry for the trust and letting me cook away for a few months and say hey this is the thing. Big up to @stinkfilms and @dommckiernanfor the support along the way.

And of course big shout out to @blender.official which blows my mind that it's free. Love you blender

Jianbo - For the Honour

Check out this tiny credits list

Production Company: Stink
Director, CGI & Animation: @danthomasfrench
Executive Producer: @dommckiernan
Edit: @danthomasfrench
Grade: @alexgregorycolour @harborpictureco
Stink PR & Marketing: @valyriansteel_, @l3mon_amy