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I’m so excited to announce my participation in the upcoming group show opening this Friday. Brought to life with amazing colleagues, our curator, hosted by the Calcio team. I’ll be showing some of my recent paintings and a ceramic sculpture. Hope to see you all there!

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𝘪𝘧, 𝘪𝘧, 𝘪𝘧, 𝘪𝘧, 𝘪𝘧,

30th May - 29th June 2026
Opening: Friday 29th May 2026, 6-10pm

We’re excited to announce our next show, 𝘪𝘧, 𝘪𝘧, 𝘪𝘧, 𝘪𝘧, 𝘪𝘧, an exhibition by 𝘋𝘢𝘦𝘣𝘪𝘦 𝘒𝘪𝘮, 𝘉𝘢𝘴 𝘛.𝘏𝘪𝘯, 𝘊𝘩𝘢𝘭𝘪𝘯𝘦 𝘉𝘢𝘯𝘨, 𝘉𝘦𝘳𝘪𝘳𝘰𝘶𝘤𝘩𝘦 𝘍𝘦𝘥𝘥𝘢𝘭 𝘢𝘯𝘥 𝘑𝘰𝘳𝘨𝘦 𝘚𝘶á𝘳𝘦𝘻 𝘘𝘶𝘪ñ𝘰𝘯𝘦𝘴 𝘙𝘪𝘷𝘢𝘴 and curated by 𝘎𝘢𝘣𝘳𝘪𝘦𝘭 𝘝𝘪𝘳𝘨𝘪𝘭𝘪𝘰 𝘓𝘶𝘤𝘪𝘢𝘯𝘰.

Five ‘ifs’ colliding with alchemical intention — a dialogue traversing identity politics, deviations of the self, variations of lies and truths, and unrecognisable histories. Their practices elliptically relate to one another, coalescing into a possible oasis … only if, of course, it happens.

Address: Calcio, 16-28 Penarth Street, London SE15 1TX

Open by appointment only, Thursday - Saturday.

@daebiemos
@basthin_
@berirouche
@chalinebang
@jorfenagaremono
@gabriel_virgilio_luciani

<A Man That Sheds Every Day>, 2026, oil on canvas, 110x150cm

<A Man That Sheds Every Day>, 2026, oil on canvas, 110x150cm

<A Man That Sheds Every Day>, 2026, oil on canvas, 110x150cm

<A Man That Sheds Every Day>, 2026, oil on canvas, 110x150cm

<A Man That Sheds Every Day>, 2026, oil on canvas, 110x150cm

<A Man That Sheds Every Day>, 2026, oil on canvas, 110x150cm

<Unrealized Heritage>, 2026, oil on canvas

<Unrealized Heritage>, 2026, oil on canvas

<Earthquake>, 2026, oil on canvas, 180cmx155cm

<Earthquake>, 2026, oil on canvas, 180cmx155cm

<Earthquake>, 2026, oil on canvas, 180cmx155cm

<Earthquake>, 2026, oil on canvas, 180cmx155cm

<Earthquake>, 2026, oil on canvas, 180cmx155cm

<Nameless Owl>, 2026, oil in canvas, 100x130cm

<Nameless Owl>, 2026, oil in canvas, 100x130cm

<Nameless Owl>, 2026, oil in canvas, 100x130cm

<Nameless Owl>, 2026, oil in canvas, 100x130cm

Install photos from my recent group show <Soft Mechanics> curated by @pai_32_ . Amazing people and beautiful curation. Thank you!

Photo @plus1ap

Artists: @stamenov.s.g@yasemingunhos@yilina.yang@ee.choin@qiangqiangzhizhi@eveleigh_evans@gabriela.cygan@m.h.toscano@abluefurboot___

A group exhibition that brought together works exploring life as a process of repetition, fragility, variation, and change. Across installation, sound, sculpture, digital media, and performance, the exhibition considered bodies and systems as responsive, unstable, and constantly becoming.

Install photos from my recent group show <Soft Mechanics> curated by @pai_32_ . Amazing people and beautiful curation. Thank you!

Photo @plus1ap

Artists: @stamenov.s.g@yasemingunhos@yilina.yang@ee.choin@qiangqiangzhizhi@eveleigh_evans@gabriela.cygan@m.h.toscano@abluefurboot___

A group exhibition that brought together works exploring life as a process of repetition, fragility, variation, and change. Across installation, sound, sculpture, digital media, and performance, the exhibition considered bodies and systems as responsive, unstable, and constantly becoming.

Install photos from my recent group show <Soft Mechanics> curated by @pai_32_ . Amazing people and beautiful curation. Thank you!

Photo @plus1ap

Artists: @stamenov.s.g@yasemingunhos@yilina.yang@ee.choin@qiangqiangzhizhi@eveleigh_evans@gabriela.cygan@m.h.toscano@abluefurboot___

A group exhibition that brought together works exploring life as a process of repetition, fragility, variation, and change. Across installation, sound, sculpture, digital media, and performance, the exhibition considered bodies and systems as responsive, unstable, and constantly becoming.

Install photos from my recent group show <Soft Mechanics> curated by @pai_32_ . Amazing people and beautiful curation. Thank you!

Photo @plus1ap

Artists: @stamenov.s.g@yasemingunhos@yilina.yang@ee.choin@qiangqiangzhizhi@eveleigh_evans@gabriela.cygan@m.h.toscano@abluefurboot___

A group exhibition that brought together works exploring life as a process of repetition, fragility, variation, and change. Across installation, sound, sculpture, digital media, and performance, the exhibition considered bodies and systems as responsive, unstable, and constantly becoming.

Install photos from my recent group show <Soft Mechanics> curated by @pai_32_ . Amazing people and beautiful curation. Thank you!

Photo @plus1ap

Artists: @stamenov.s.g@yasemingunhos@yilina.yang@ee.choin@qiangqiangzhizhi@eveleigh_evans@gabriela.cygan@m.h.toscano@abluefurboot___

A group exhibition that brought together works exploring life as a process of repetition, fragility, variation, and change. Across installation, sound, sculpture, digital media, and performance, the exhibition considered bodies and systems as responsive, unstable, and constantly becoming.

Install photos from my recent group show <Soft Mechanics> curated by @pai_32_ . Amazing people and beautiful curation. Thank you!

Photo @plus1ap

Artists: @stamenov.s.g@yasemingunhos@yilina.yang@ee.choin@qiangqiangzhizhi@eveleigh_evans@gabriela.cygan@m.h.toscano@abluefurboot___

A group exhibition that brought together works exploring life as a process of repetition, fragility, variation, and change. Across installation, sound, sculpture, digital media, and performance, the exhibition considered bodies and systems as responsive, unstable, and constantly becoming.

Install photos from my recent group show <Soft Mechanics> curated by @pai_32_ . Amazing people and beautiful curation. Thank you!

Photo @plus1ap

Artists: @stamenov.s.g@yasemingunhos@yilina.yang@ee.choin@qiangqiangzhizhi@eveleigh_evans@gabriela.cygan@m.h.toscano@abluefurboot___

A group exhibition that brought together works exploring life as a process of repetition, fragility, variation, and change. Across installation, sound, sculpture, digital media, and performance, the exhibition considered bodies and systems as responsive, unstable, and constantly becoming.

Install photos from my recent group show <Soft Mechanics> curated by @pai_32_ . Amazing people and beautiful curation. Thank you!

Photo @plus1ap

Artists: @stamenov.s.g@yasemingunhos@yilina.yang@ee.choin@qiangqiangzhizhi@eveleigh_evans@gabriela.cygan@m.h.toscano@abluefurboot___

A group exhibition that brought together works exploring life as a process of repetition, fragility, variation, and change. Across installation, sound, sculpture, digital media, and performance, the exhibition considered bodies and systems as responsive, unstable, and constantly becoming.

🌸⛓️SOFT MECHANICS: Difference, Repetition, Life
1–5 April 2026
Opening: Wed 1 April, 6–8pm
103 Murray Grove, London N1 7QP

🩶 ‘SILENT CHORD’ by Artist DAEBIE KIM @daebiemos

Taking pulse, breath, vibration, and repetition as its starting point, SOFT MECHANICS explores the body as a site of rhythm, sensation, and response. Here, repetition is never exact: each return carries variation, pressure, and difference. Across the exhibition, bodies become receivers and transmitters — tuning into signals, resisting noise, and navigating the intensities of a world that moves ever faster.

🌟Curated with love by PAI_32.

#SoftMechanics #PAI32 #LondonArt #OpenCall #contemporaryart

<Moroccan Landscape with a Spotted Dog and a Camel>, 2026, oil on canvas, 102cmx86cm

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I’m still making a bunch of paintings from my Moroccan trip - where I saw many wild dogs living on the streets and camels casually taking a nap on the beach. I don’t always understand why I’m intrigued to paint certain forms, but as I paint them my investigations begin. What are the functions of the moles and spots in our body? Could they be manifestations of something running deeper?

<Moroccan Landscape with a Spotted Dog and a Camel>, 2026, oil on canvas, 102cmx86cm

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I’m still making a bunch of paintings from my Moroccan trip - where I saw many wild dogs living on the streets and camels casually taking a nap on the beach. I don’t always understand why I’m intrigued to paint certain forms, but as I paint them my investigations begin. What are the functions of the moles and spots in our body? Could they be manifestations of something running deeper?

<Moroccan Landscape with a Spotted Dog and a Camel>, 2026, oil on canvas, 102cmx86cm

-

I’m still making a bunch of paintings from my Moroccan trip - where I saw many wild dogs living on the streets and camels casually taking a nap on the beach. I don’t always understand why I’m intrigued to paint certain forms, but as I paint them my investigations begin. What are the functions of the moles and spots in our body? Could they be manifestations of something running deeper?

<Moroccan Landscape with a Spotted Dog and a Camel>, 2026, oil on canvas, 102cmx86cm

-

I’m still making a bunch of paintings from my Moroccan trip - where I saw many wild dogs living on the streets and camels casually taking a nap on the beach. I don’t always understand why I’m intrigued to paint certain forms, but as I paint them my investigations begin. What are the functions of the moles and spots in our body? Could they be manifestations of something running deeper?

<Moroccan Landscape with a Spotted Dog and a Camel>, 2026, oil on canvas, 102cmx86cm

-

I’m still making a bunch of paintings from my Moroccan trip - where I saw many wild dogs living on the streets and camels casually taking a nap on the beach. I don’t always understand why I’m intrigued to paint certain forms, but as I paint them my investigations begin. What are the functions of the moles and spots in our body? Could they be manifestations of something running deeper?

<Moroccan Landscape with a Spotted Dog and a Camel>, 2026, oil on canvas, 102cmx86cm

-

I’m still making a bunch of paintings from my Moroccan trip - where I saw many wild dogs living on the streets and camels casually taking a nap on the beach. I don’t always understand why I’m intrigued to paint certain forms, but as I paint them my investigations begin. What are the functions of the moles and spots in our body? Could they be manifestations of something running deeper?

I am delighted to announce that I’ll be part of a group exhibition in London, curated by @pai_32_
I’m particularly excited to share my recent painting made here. Opening next Wednesday, April 1st 6-9pm. Join me if you can🪽

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🌸⛓️ SOFT MECHANICS: Difference, Repetition, Life
1–5 April 2026
Opening: Wed 1 April, 6–9pm

103 Murray Grove, London N1 7QP

Taking pulse, breath, vibration, and repetition as its starting point, SOFT MECHANICS explores the body as a site of rhythm, sensation, and response. Here, repetition is never exact: each return carries variation, pressure, and difference. Across the exhibition, bodies become receivers and transmitters — tuning into signals, resisting noise, and navigating the intensities of a world that moves ever faster.

Curated by PAI_32.

Featured artists:

@yasemingunhos
@yilina.yang
@ee.choin
@stamenov.s.g
@qiangqiangzhizhi
@eveleigh_evans
@gabriela.cygan
@m.h.toscano

#SoftMechanics #PAI32 #LondonArt #OpenCall #ContemporaryArt

<Silent Chord>, 2026, oil on canvas, 95cmx75cm

<Silent Chord>, 2026, oil on canvas, 95cmx75cm

<Silent Chord>, 2026, oil on canvas, 95cmx75cm

<Silent Chord>, 2026, oil on canvas, 95cmx75cm

<Silent Chord>, 2026, oil on canvas, 95cmx75cm

<Sound from Old Times>, 2026, oil on canvas, 130x100cm

During my winter trip to Morocco, I stumbled upon a sight no theater could replicate. In the dark corner of a decaying home sat an old record player alongside a small Moroccan drum. The dust on the ancient gramophone was so thick it almost looked like an emerald moss.

These days scientists speak of time as non-linear but a spiral. This was the moment when I felt my existence dropped into a single point of a funnel, a leap across centuries. The “otherness” of African land suddenly felt like a homecoming - watching the local people in their long, flowing robes, I saw the shadows of my own ancestors walking through the same dust-filled air a century ago. This painting is a record of that fascination. A moment where the past and the present overlapped so perfectly that it felt as if I had lived this life before.

지난 겨울을 모로코에서 보낸 나는 그 어떤 연극이나 영화도 데려다주지 못할 광경을 마주했다. 무너져내린 빈 집의 어두운 벽 뒤에는 아주 오래된 레코드 플레이어 하나와 작은 모로칸 북이 하나 놓여 있었다. 내려앉은 먼지는 너무 두꺼워 거의 녹색 이끼처럼 보일 지경이었다.

요즘 과학자들은 시간이 선형적인 것이 아니라 나선형이라고 말한다. 이 순간 정말로 나선의 모양으로 펼쳐진 시간의 고깔콘 위에 내 몸이 갑자기 뚝 떨어진 듯한 기분이었다. "타자"의 상징으로 상정이 되고는 하는 아프리카 땅은묘하게도 오래전 내가 살던 땅에 환생을 한것 같은 안도감을 주었다. 긴 천을 둘러 입은 모로코인들을 보며 나는 비교적 최근 백 년 전까지 먼지가 풀풀 날리는 거리에서 살았던 나의 조상들을 떠올렸다. 이 그림은 그 매혹에 대한 기록이다. 과거와 모든 현재의 것들이 절묘하게 중첩된 시공간, 마치 내가 이 삶을 이전에 이미 살았던 것만 같은 기분에 대하여.

<Sound from Old Times>, 2026, oil on canvas, 130x100cm

During my winter trip to Morocco, I stumbled upon a sight no theater could replicate. In the dark corner of a decaying home sat an old record player alongside a small Moroccan drum. The dust on the ancient gramophone was so thick it almost looked like an emerald moss.

These days scientists speak of time as non-linear but a spiral. This was the moment when I felt my existence dropped into a single point of a funnel, a leap across centuries. The “otherness” of African land suddenly felt like a homecoming - watching the local people in their long, flowing robes, I saw the shadows of my own ancestors walking through the same dust-filled air a century ago. This painting is a record of that fascination. A moment where the past and the present overlapped so perfectly that it felt as if I had lived this life before.

지난 겨울을 모로코에서 보낸 나는 그 어떤 연극이나 영화도 데려다주지 못할 광경을 마주했다. 무너져내린 빈 집의 어두운 벽 뒤에는 아주 오래된 레코드 플레이어 하나와 작은 모로칸 북이 하나 놓여 있었다. 내려앉은 먼지는 너무 두꺼워 거의 녹색 이끼처럼 보일 지경이었다.

요즘 과학자들은 시간이 선형적인 것이 아니라 나선형이라고 말한다. 이 순간 정말로 나선의 모양으로 펼쳐진 시간의 고깔콘 위에 내 몸이 갑자기 뚝 떨어진 듯한 기분이었다. "타자"의 상징으로 상정이 되고는 하는 아프리카 땅은묘하게도 오래전 내가 살던 땅에 환생을 한것 같은 안도감을 주었다. 긴 천을 둘러 입은 모로코인들을 보며 나는 비교적 최근 백 년 전까지 먼지가 풀풀 날리는 거리에서 살았던 나의 조상들을 떠올렸다. 이 그림은 그 매혹에 대한 기록이다. 과거와 모든 현재의 것들이 절묘하게 중첩된 시공간, 마치 내가 이 삶을 이전에 이미 살았던 것만 같은 기분에 대하여.

<Sound from Old Times>, 2026, oil on canvas, 130x100cm

During my winter trip to Morocco, I stumbled upon a sight no theater could replicate. In the dark corner of a decaying home sat an old record player alongside a small Moroccan drum. The dust on the ancient gramophone was so thick it almost looked like an emerald moss.

These days scientists speak of time as non-linear but a spiral. This was the moment when I felt my existence dropped into a single point of a funnel, a leap across centuries. The “otherness” of African land suddenly felt like a homecoming - watching the local people in their long, flowing robes, I saw the shadows of my own ancestors walking through the same dust-filled air a century ago. This painting is a record of that fascination. A moment where the past and the present overlapped so perfectly that it felt as if I had lived this life before.

지난 겨울을 모로코에서 보낸 나는 그 어떤 연극이나 영화도 데려다주지 못할 광경을 마주했다. 무너져내린 빈 집의 어두운 벽 뒤에는 아주 오래된 레코드 플레이어 하나와 작은 모로칸 북이 하나 놓여 있었다. 내려앉은 먼지는 너무 두꺼워 거의 녹색 이끼처럼 보일 지경이었다.

요즘 과학자들은 시간이 선형적인 것이 아니라 나선형이라고 말한다. 이 순간 정말로 나선의 모양으로 펼쳐진 시간의 고깔콘 위에 내 몸이 갑자기 뚝 떨어진 듯한 기분이었다. "타자"의 상징으로 상정이 되고는 하는 아프리카 땅은묘하게도 오래전 내가 살던 땅에 환생을 한것 같은 안도감을 주었다. 긴 천을 둘러 입은 모로코인들을 보며 나는 비교적 최근 백 년 전까지 먼지가 풀풀 날리는 거리에서 살았던 나의 조상들을 떠올렸다. 이 그림은 그 매혹에 대한 기록이다. 과거와 모든 현재의 것들이 절묘하게 중첩된 시공간, 마치 내가 이 삶을 이전에 이미 살았던 것만 같은 기분에 대하여.

<Sound from Old Times>, 2026, oil on canvas, 130x100cm

During my winter trip to Morocco, I stumbled upon a sight no theater could replicate. In the dark corner of a decaying home sat an old record player alongside a small Moroccan drum. The dust on the ancient gramophone was so thick it almost looked like an emerald moss.

These days scientists speak of time as non-linear but a spiral. This was the moment when I felt my existence dropped into a single point of a funnel, a leap across centuries. The “otherness” of African land suddenly felt like a homecoming - watching the local people in their long, flowing robes, I saw the shadows of my own ancestors walking through the same dust-filled air a century ago. This painting is a record of that fascination. A moment where the past and the present overlapped so perfectly that it felt as if I had lived this life before.

지난 겨울을 모로코에서 보낸 나는 그 어떤 연극이나 영화도 데려다주지 못할 광경을 마주했다. 무너져내린 빈 집의 어두운 벽 뒤에는 아주 오래된 레코드 플레이어 하나와 작은 모로칸 북이 하나 놓여 있었다. 내려앉은 먼지는 너무 두꺼워 거의 녹색 이끼처럼 보일 지경이었다.

요즘 과학자들은 시간이 선형적인 것이 아니라 나선형이라고 말한다. 이 순간 정말로 나선의 모양으로 펼쳐진 시간의 고깔콘 위에 내 몸이 갑자기 뚝 떨어진 듯한 기분이었다. "타자"의 상징으로 상정이 되고는 하는 아프리카 땅은묘하게도 오래전 내가 살던 땅에 환생을 한것 같은 안도감을 주었다. 긴 천을 둘러 입은 모로코인들을 보며 나는 비교적 최근 백 년 전까지 먼지가 풀풀 날리는 거리에서 살았던 나의 조상들을 떠올렸다. 이 그림은 그 매혹에 대한 기록이다. 과거와 모든 현재의 것들이 절묘하게 중첩된 시공간, 마치 내가 이 삶을 이전에 이미 살았던 것만 같은 기분에 대하여.

<Study: Hard Opening on the Painted Surface IV>, 2025, Stoneware, PVC, Fabric, 45x35x20cm

<Study: Hard Opening on the Painted Surface IV>, 2025, Stoneware, PVC, Fabric, 45x35x20cm

<Study: Hard Opening on the Painted Surface IV>, 2025, Stoneware, PVC, Fabric, 45x35x20cm