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Power to the People: John & Yoko Live in NYC (2026)

This remarkable film captures John Lennon’s only full-length concert after leaving The Beatles, and the last time he and Yoko ever performed together. The footage was shot over two historic sold-out shows (afternoon and evening) at Madison Square Garden in 1972. It has now been remixed, restored, and re-edited under the supervision of Sean Lennon.

‘Power To The People: John & Yoko Live in NYC’ will be playing in selected Theatres from Wednesday (29.04.2026)!

A Mercury Studios production (@mercurystudios). Head of Post Production for Mercury: Rosie Holley.
Distributed by Trafalgar Releasing (@trafalgarreleasing).

Full post production by Bleat – re-recording mixers: Paul Hicks and Sam Gannon; colourist: Steve Atkins; online: Pat Wintersgill.

Surviving Earth (2026)

Thea Gajić’s (@theagajic) film, based on her true story, centres on Vlad, a refugee from the conflict in Yugoslavia, now living in Bristol. As Vlad attempts to build a new, peaceful life by forming a Balkan music band with aspirations for success, his fragile peace is threatened when past traumas resurface.

A My Accomplice (@myaccompliceldn) and Sona Films (@sonafilms22) production. Distributed by Bankside Films (@banksidefilms).

‘Surviving Earth’ will be playing in Theatres from Friday (24.04.2026)!

Full post production by Bleat – supervising sound editor, dialogue editor & re-recording mixer: Raoul Brand; re-recording mixer: George Elliott (@george_elliott6); sound effects editor: Maiken Hansen.

🎞️THE DAY JOB FILM FUND is approaching its REGULAR DEADLINE.

In partnership with @bleatpost we’re awarding up to £7,000 in cash + a professional sound mix to fund stories with heart ❤️ It’s not about your background, your education, your experience level - but how your project makes us feel ⚡️

Accepting:
💃 Live Action
🎥 Documentary
🦅 Animation

🌍 Open to filmmakers worldwide 🌎

3 rounds: Pitch deck ➡️ Script ➡️ Interview

Regular Deadline: APRIL 10th

🔥 MAKE FILMMAKING YOUR DAY JOB 🔥

#DayJobFilmFund #FilmFunding #ShortFilmFund #EmergingFilmmakers #FilmOpportunity

Aurora: What Happened To The Earth? (2026)

Director Gonzalo Lopez (@gggonzalolopez) follows Norwegian artist AURORA (@auroramusic) on her biggest ever headlining show in Mexico City’s Palacio de los Deportes as part of her ‘What Happened To The Earth?’ Tour.

Produced by Jamila Scott, Jorge Armando Martínez, David Roma.

A @mercurystudios and @lacatrinafilms production. Post Supervised by Polly Duval (@duvalpolly).

✨‘Aurora: What Happened To The Earth?’ is playing in Theatres from today (04.03.2026)!

Theatrical Dolby Atmos Final Mix & Picture Online completed at Bleat – music and sound mixed by Richard Whittaker (@richard_whittaker_official), theatrical mix by George Elliott (@george_elliott6), online by Pat Wintersgill.

The Testament of Ann Lee (2026)

Based on real events, director Mona Fastvold (@fastvold) depicts the story of the Shaker Movement’s leader, Ann Lee – proclaimed the female Christ by her loyal followers. The story chronicles Lee as she builds one of the largest utopian societies in American history through euphoria and torment.

Produced by Saskia Duff (@saskiaduff), Joshua Horsfield, and Brady Corbet (@bradycorbet).

An Intake Films and Kaplan Morrison production.

‘The Testament of Ann Lee’ is playing in Theatres from today (27.02.2026)!

Theatrical Temp Mix & ADR Record completed at Bleat – sound supervised and mixed by Steve Single, sound designed and mixed by Andy Neil (@andy.77n), ADR edited by Rob Walker (@rob_walker_), music composed by Daniel Blumberg (@_danielblumberg_), music edited by Danny Allin (@dannymallin).

At the Sea (2026)

Director Kornél Mundruczó (@kornelmundruczo) follows a woman returning to her family’s coastal holiday home after rehab, where the loss of the career that once defined her forces a fragile and deeply personal reckoning with identity, memory, and the uncertain shape of her future.

A Hammerstone Studios and Ryder Picture Company production.

Full Theatrical Mixing & Remote Mixing Services at Bleat by Steve Single.

Dust (2026)

Director Anke Blondé follows two wealthy Belgian partners whose empire is about to be exposed as their final day of freedom fractures into paranoia, betrayal, and a haunting reckoning with the truth that they can no longer outrun.

A Private View (@aprivateviewproductions), Bêtes Sauvages (@betessauvages_), Heretic (@heretic.films), Shipsboy (@shipsboy_pl) production.

Theatrical 5.1 Final Mix at Bleat by Chris Wilson and Rich Simpson.

Birds of War (2026)

In this intimate documentary, filmmakers Janay Boulos (@janayboulos) and Abd Alkader Habak (@abd_alkader_habak) turn the camera on themselves, weaving thirteen years of personal archives into a powerful testament of love forged amid revolution, war, and displacement.

A Sonja Henrici Creates (@sonjahenrici) and Habak Films production (@habakfilms).

Theatrical 5.1 Final Mix at Bleat by George Foulgham, sound supervised and dialogue edited by Michael Bates (@michaelfbates_).

Ghost School (2025)

Director Seemab Gul (@seemab_gulll) portrays a ghost story that explores corrupt local power from a child’s perspective through the journey of Rabia – a young Pakistani girl – determined to uncover why her school abruptly closed.

A @cinelava_films and @redballoonfilm production.

Theatrical 5.1 Final Mix & Printmaster at Bleat by Raoul Brand, sound designed by Andrej Bako (@andrej.bako).

Hamlet (2025)

Set against the turbulence of modern-day London, Aneil Karia’s (@_aneil_) adaptation of ‘Hamlet’ follows a young man caught between loyalty and truth as he confronts inherited power, moral paralysis, and systemic corruption.

A @confluential, Storyteller Productions, JW Films, and Left Handed Films production. Distributed by @focusfeatures and @verticalentertainment.

🗡️’Hamlet’ is playing in Theatres from today (06.02.2026)!

Full Sound Post Production by Bleat – sound supervised by Steve Little and Mike Fentum; re-recording mixing by Andrew Stirk and George Elliott (@george_elliott6); ADR mix by Barry Donnelly (@barry_donnelly_insta); foley by Universal Sound. Post production supervisor Nadiya Luthra (@life_of_nads_nads).

Jealous People Are Ugly People (2026)

Theo James Krekis’s short film follows Vasilly, whose jealousy over his best friend’s success consumes him – awakening a dark force within.

Produced by Michelle Stein (@michellestein7) and Jennifer Monks (@producerjen) at @the.foldfilmtv.

Sound Post Production by Bleat, sound designed and mixed by our very own Itzel Gonzalez Estrada (@itzel.wav). Now available to stream on @bbciplayer.