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Put your trust in Mother Ann. THE TESTAMENT OF ANN LEE, starring Amanda Seyfried and directed by Mona Fastvold. Now playing in select theaters, everywhere January 23rd. Get tickets now at the link in bio. #TheTestamentOfAnnLee

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Some of my favorite photos of and by my cast and crew. @thetestamentofannlee out in a few days on 70mm

Brady Corbet and Mona Fastvold not only live together, they have written six films together too - including The Brutalist and The Testament of Ann Lee – with each directing a handful of them. “Nothing’s been smooth for us,” they tell @louisquinze, “but also, nobody said it was supposed to be easy”. Read the interview at the link in bio.⁠
⁠
📸: @benjaminmalapris⁠
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#HTSI #CelineSong #GuestEdit #MonaFastvold #BradyCorbet #TheBrutalist #TheTestamentofAnnLee

Brady Corbet and Mona Fastvold not only live together, they have written six films together too - including The Brutalist and The Testament of Ann Lee – with each directing a handful of them. “Nothing’s been smooth for us,” they tell @louisquinze, “but also, nobody said it was supposed to be easy”. Read the interview at the link in bio.⁠
⁠
📸: @benjaminmalapris⁠
.⁠
.⁠
.⁠
.⁠
.⁠
.⁠
.⁠
#HTSI #CelineSong #GuestEdit #MonaFastvold #BradyCorbet #TheBrutalist #TheTestamentofAnnLee

Brady Corbet and Mona Fastvold not only live together, they have written six films together too - including The Brutalist and The Testament of Ann Lee – with each directing a handful of them. “Nothing’s been smooth for us,” they tell @louisquinze, “but also, nobody said it was supposed to be easy”. Read the interview at the link in bio.⁠
⁠
📸: @benjaminmalapris⁠
.⁠
.⁠
.⁠
.⁠
.⁠
.⁠
.⁠
#HTSI #CelineSong #GuestEdit #MonaFastvold #BradyCorbet #TheBrutalist #TheTestamentofAnnLee

Brady Corbet and Mona Fastvold not only live together, they have written six films together too - including The Brutalist and The Testament of Ann Lee – with each directing a handful of them. “Nothing’s been smooth for us,” they tell @louisquinze, “but also, nobody said it was supposed to be easy”. Read the interview at the link in bio.⁠
⁠
📸: @benjaminmalapris⁠
.⁠
.⁠
.⁠
.⁠
.⁠
.⁠
.⁠
#HTSI #CelineSong #GuestEdit #MonaFastvold #BradyCorbet #TheBrutalist #TheTestamentofAnnLee

‘Discipline’ directed by Mona Fastvold @fastvold

The 31st commission in the Miu Miu Women’s Tales series, directed by Norwegian filmmaker Mona Fastvold. The film examines girlhood as inherited performance-costumes worn before identity forms.

Playing now on girlsinfilm.net

—

Writer & Director: Mona Fastvold @fastvold
Produced by: Hi Production @hiproductiongroup
M+M Productions 
Co-producer: Max Brun @mbrun1340
Co-producer: Martina Maccagno Valè @marty_maccagno
Co-producer: Maddie Browning 
DOP: William Rexer @williamrexer
Music: Daniel Blumberg @_danielblumberg_ 
Choreography: Celia Rowlson-Hall @celiarowlsonhall
Editor: Sofia Subercaseaux @sofiasubx
CAST 
Amanda Seyfried @mingey
‍

‘Discipline’ directed by Mona Fastvold @fastvold

The 31st commission in the Miu Miu Women’s Tales series, directed by Norwegian filmmaker Mona Fastvold. The film examines girlhood as inherited performance-costumes worn before identity forms.

Playing now on girlsinfilm.net

—

Writer & Director: Mona Fastvold @fastvold
Produced by: Hi Production @hiproductiongroup
M+M Productions 
Co-producer: Max Brun @mbrun1340
Co-producer: Martina Maccagno Valè @marty_maccagno
Co-producer: Maddie Browning 
DOP: William Rexer @williamrexer
Music: Daniel Blumberg @_danielblumberg_ 
Choreography: Celia Rowlson-Hall @celiarowlsonhall
Editor: Sofia Subercaseaux @sofiasubx
CAST 
Amanda Seyfried @mingey
‍

‘Discipline’ directed by Mona Fastvold @fastvold

The 31st commission in the Miu Miu Women’s Tales series, directed by Norwegian filmmaker Mona Fastvold. The film examines girlhood as inherited performance-costumes worn before identity forms.

Playing now on girlsinfilm.net

—

Writer & Director: Mona Fastvold @fastvold
Produced by: Hi Production @hiproductiongroup
M+M Productions 
Co-producer: Max Brun @mbrun1340
Co-producer: Martina Maccagno Valè @marty_maccagno
Co-producer: Maddie Browning 
DOP: William Rexer @williamrexer
Music: Daniel Blumberg @_danielblumberg_ 
Choreography: Celia Rowlson-Hall @celiarowlsonhall
Editor: Sofia Subercaseaux @sofiasubx
CAST 
Amanda Seyfried @mingey
‍

‘Discipline’ directed by Mona Fastvold @fastvold

The 31st commission in the Miu Miu Women’s Tales series, directed by Norwegian filmmaker Mona Fastvold. The film examines girlhood as inherited performance-costumes worn before identity forms.

Playing now on girlsinfilm.net

—

Writer & Director: Mona Fastvold @fastvold
Produced by: Hi Production @hiproductiongroup
M+M Productions 
Co-producer: Max Brun @mbrun1340
Co-producer: Martina Maccagno Valè @marty_maccagno
Co-producer: Maddie Browning 
DOP: William Rexer @williamrexer
Music: Daniel Blumberg @_danielblumberg_ 
Choreography: Celia Rowlson-Hall @celiarowlsonhall
Editor: Sofia Subercaseaux @sofiasubx
CAST 
Amanda Seyfried @mingey
‍

‘Discipline’ directed by Mona Fastvold @fastvold

The 31st commission in the Miu Miu Women’s Tales series, directed by Norwegian filmmaker Mona Fastvold. The film examines girlhood as inherited performance-costumes worn before identity forms.

Playing now on girlsinfilm.net

—

Writer & Director: Mona Fastvold @fastvold
Produced by: Hi Production @hiproductiongroup
M+M Productions 
Co-producer: Max Brun @mbrun1340
Co-producer: Martina Maccagno Valè @marty_maccagno
Co-producer: Maddie Browning 
DOP: William Rexer @williamrexer
Music: Daniel Blumberg @_danielblumberg_ 
Choreography: Celia Rowlson-Hall @celiarowlsonhall
Editor: Sofia Subercaseaux @sofiasubx
CAST 
Amanda Seyfried @mingey
‍

PUSS PUSS Magazine – The Loud & Quiet Issue 23

Cover 10 of issue 23 is @fastvold photographed by @emilysoto at @printandcontact
 & styled by @rebeccarams at @thewallgroup wearing @miumiu

Editor in Chief & Casting: @maria_joudina
Makeup & Hair: @marishten
Photographer’s assistant: @patrickbennettcox
Words: @phoebe_ann_roberts
Special thanks to @teamid

OUT ON THE 13TH OF APRIL & AVAILABLE TO PRE-ORDER NOW VIA LINK IN OUR BIO!

#monafastvold #pusspussmag #miumiu #pusspuss23

Director Mona Fastvold and actor Amanda Seyfried discuss female leadership, faith, and more in our newest Festival Voices edition for ”The Testament of Ann Lee” (Berlinale Special Gala).

In Germany and several other countries, the film hits theaters later this week!

Get ready for a one-of-a-kind cinematic experience. The Testament of Ann Lee is out now in select cinemas, nationwide from February 27.

Get ready for a one-of-a-kind cinematic experience. The Testament of Ann Lee is out now in select cinemas, nationwide from February 27.

Get ready for a one-of-a-kind cinematic experience. The Testament of Ann Lee is out now in select cinemas, nationwide from February 27.

„The Testament of Ann Lee“ feiert im Rahmen der 76. Internationalen Filmfestspiele Berlin seine Deutschlandpremiere.⁣
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Erlebe Amanda Seyfried auf der großen Leinwand. Ein Film von Mona Fastvold, mit der Musik von Oscar®‑Preisträger Daniel Blumberg. Ab 12.03. nur im Kino.

Film is miraculous. Director Mona Fastvold and star Amanda Seyfried join us in the projection booth to talk us through why The Testament of Ann Lee could only be shot on film.

See The Testament of Ann Lee on 70mm film from Friday 20 February at Picturehouse Central 🎞️

Le plus beau moment du tapis rouge entre Amanda Seyfried & Mona Fastvold pendant notre interview 💣 🤗

Le Testament de Ann Lee 🎬 Bientôt dans vos salles

#movie #film #cinema #amandaseyfried

Mona Fastvold shot ‘The Testament of Ann Lee’ mere moments after she wrapped her work on ‘The Brutalist’ with director Brady Corbet, her husband and writing partner.

The duo wrote the two projects back-to-back. They then flew to Hungary with their crew and shot ‘The Brutalist’ with Corbet at the helm, before quickly reorienting the team to film @thetestamentofannlee with Fastvold in position. “You’re a little nervous,” Fastvold, who turns 45 in March, recalls of the whiplash-inducing process. “Because we might not be able to pull it off.” But, of course, they did: ‘The Brutalist’ earned three Academy Awards (including one for actor Adrien Brody) and seven additional nominations, while ‘Ann Lee’ was up for the Golden Lion and a Golden Globe, among other nods.

After cutting her teeth acting in her native Norway and the U.S. (both Fastvold and Corbet were child actors), Fastvold flexed her muscles as a director with two intimate features: 2014’s ‘The Sleepwalker’ and 2020’s ‘The World to Come.’ In contrast, ‘Ann Lee’ bursts with both movement and flair as characters flit across the screen, periodically arranging themselves into painterly compositions.

On the heels of what may well be the most pivotal two years of their careers, Fastvold and Corbet sat down for a conversation that spins almost as wildly as the Shakers themselves, covering everything from spiders to soap operas. Link in bio to read it now.

1/ Mona Fastvold wears a coat by @prada and an archival sweater by @marcjacobs.
4/ Archival @marcjacobs sweater and archival @anndemeulemeester_official boots.
8/ Archival dress by @jilsander.

Photography: @yanayatsuk
Styling: @rebeccarams
Hair: Sydney Valentine
Makeup: @yasukoshapiro
Production: Leah Oliveria

Mona Fastvold shot ‘The Testament of Ann Lee’ mere moments after she wrapped her work on ‘The Brutalist’ with director Brady Corbet, her husband and writing partner.

The duo wrote the two projects back-to-back. They then flew to Hungary with their crew and shot ‘The Brutalist’ with Corbet at the helm, before quickly reorienting the team to film @thetestamentofannlee with Fastvold in position. “You’re a little nervous,” Fastvold, who turns 45 in March, recalls of the whiplash-inducing process. “Because we might not be able to pull it off.” But, of course, they did: ‘The Brutalist’ earned three Academy Awards (including one for actor Adrien Brody) and seven additional nominations, while ‘Ann Lee’ was up for the Golden Lion and a Golden Globe, among other nods.

After cutting her teeth acting in her native Norway and the U.S. (both Fastvold and Corbet were child actors), Fastvold flexed her muscles as a director with two intimate features: 2014’s ‘The Sleepwalker’ and 2020’s ‘The World to Come.’ In contrast, ‘Ann Lee’ bursts with both movement and flair as characters flit across the screen, periodically arranging themselves into painterly compositions.

On the heels of what may well be the most pivotal two years of their careers, Fastvold and Corbet sat down for a conversation that spins almost as wildly as the Shakers themselves, covering everything from spiders to soap operas. Link in bio to read it now.

1/ Mona Fastvold wears a coat by @prada and an archival sweater by @marcjacobs.
4/ Archival @marcjacobs sweater and archival @anndemeulemeester_official boots.
8/ Archival dress by @jilsander.

Photography: @yanayatsuk
Styling: @rebeccarams
Hair: Sydney Valentine
Makeup: @yasukoshapiro
Production: Leah Oliveria

Mona Fastvold shot ‘The Testament of Ann Lee’ mere moments after she wrapped her work on ‘The Brutalist’ with director Brady Corbet, her husband and writing partner.

The duo wrote the two projects back-to-back. They then flew to Hungary with their crew and shot ‘The Brutalist’ with Corbet at the helm, before quickly reorienting the team to film @thetestamentofannlee with Fastvold in position. “You’re a little nervous,” Fastvold, who turns 45 in March, recalls of the whiplash-inducing process. “Because we might not be able to pull it off.” But, of course, they did: ‘The Brutalist’ earned three Academy Awards (including one for actor Adrien Brody) and seven additional nominations, while ‘Ann Lee’ was up for the Golden Lion and a Golden Globe, among other nods.

After cutting her teeth acting in her native Norway and the U.S. (both Fastvold and Corbet were child actors), Fastvold flexed her muscles as a director with two intimate features: 2014’s ‘The Sleepwalker’ and 2020’s ‘The World to Come.’ In contrast, ‘Ann Lee’ bursts with both movement and flair as characters flit across the screen, periodically arranging themselves into painterly compositions.

On the heels of what may well be the most pivotal two years of their careers, Fastvold and Corbet sat down for a conversation that spins almost as wildly as the Shakers themselves, covering everything from spiders to soap operas. Link in bio to read it now.

1/ Mona Fastvold wears a coat by @prada and an archival sweater by @marcjacobs.
4/ Archival @marcjacobs sweater and archival @anndemeulemeester_official boots.
8/ Archival dress by @jilsander.

Photography: @yanayatsuk
Styling: @rebeccarams
Hair: Sydney Valentine
Makeup: @yasukoshapiro
Production: Leah Oliveria

Mona Fastvold shot ‘The Testament of Ann Lee’ mere moments after she wrapped her work on ‘The Brutalist’ with director Brady Corbet, her husband and writing partner.

The duo wrote the two projects back-to-back. They then flew to Hungary with their crew and shot ‘The Brutalist’ with Corbet at the helm, before quickly reorienting the team to film @thetestamentofannlee with Fastvold in position. “You’re a little nervous,” Fastvold, who turns 45 in March, recalls of the whiplash-inducing process. “Because we might not be able to pull it off.” But, of course, they did: ‘The Brutalist’ earned three Academy Awards (including one for actor Adrien Brody) and seven additional nominations, while ‘Ann Lee’ was up for the Golden Lion and a Golden Globe, among other nods.

After cutting her teeth acting in her native Norway and the U.S. (both Fastvold and Corbet were child actors), Fastvold flexed her muscles as a director with two intimate features: 2014’s ‘The Sleepwalker’ and 2020’s ‘The World to Come.’ In contrast, ‘Ann Lee’ bursts with both movement and flair as characters flit across the screen, periodically arranging themselves into painterly compositions.

On the heels of what may well be the most pivotal two years of their careers, Fastvold and Corbet sat down for a conversation that spins almost as wildly as the Shakers themselves, covering everything from spiders to soap operas. Link in bio to read it now.

1/ Mona Fastvold wears a coat by @prada and an archival sweater by @marcjacobs.
4/ Archival @marcjacobs sweater and archival @anndemeulemeester_official boots.
8/ Archival dress by @jilsander.

Photography: @yanayatsuk
Styling: @rebeccarams
Hair: Sydney Valentine
Makeup: @yasukoshapiro
Production: Leah Oliveria

Mona Fastvold shot ‘The Testament of Ann Lee’ mere moments after she wrapped her work on ‘The Brutalist’ with director Brady Corbet, her husband and writing partner.

The duo wrote the two projects back-to-back. They then flew to Hungary with their crew and shot ‘The Brutalist’ with Corbet at the helm, before quickly reorienting the team to film @thetestamentofannlee with Fastvold in position. “You’re a little nervous,” Fastvold, who turns 45 in March, recalls of the whiplash-inducing process. “Because we might not be able to pull it off.” But, of course, they did: ‘The Brutalist’ earned three Academy Awards (including one for actor Adrien Brody) and seven additional nominations, while ‘Ann Lee’ was up for the Golden Lion and a Golden Globe, among other nods.

After cutting her teeth acting in her native Norway and the U.S. (both Fastvold and Corbet were child actors), Fastvold flexed her muscles as a director with two intimate features: 2014’s ‘The Sleepwalker’ and 2020’s ‘The World to Come.’ In contrast, ‘Ann Lee’ bursts with both movement and flair as characters flit across the screen, periodically arranging themselves into painterly compositions.

On the heels of what may well be the most pivotal two years of their careers, Fastvold and Corbet sat down for a conversation that spins almost as wildly as the Shakers themselves, covering everything from spiders to soap operas. Link in bio to read it now.

1/ Mona Fastvold wears a coat by @prada and an archival sweater by @marcjacobs.
4/ Archival @marcjacobs sweater and archival @anndemeulemeester_official boots.
8/ Archival dress by @jilsander.

Photography: @yanayatsuk
Styling: @rebeccarams
Hair: Sydney Valentine
Makeup: @yasukoshapiro
Production: Leah Oliveria

Mona Fastvold shot ‘The Testament of Ann Lee’ mere moments after she wrapped her work on ‘The Brutalist’ with director Brady Corbet, her husband and writing partner.

The duo wrote the two projects back-to-back. They then flew to Hungary with their crew and shot ‘The Brutalist’ with Corbet at the helm, before quickly reorienting the team to film @thetestamentofannlee with Fastvold in position. “You’re a little nervous,” Fastvold, who turns 45 in March, recalls of the whiplash-inducing process. “Because we might not be able to pull it off.” But, of course, they did: ‘The Brutalist’ earned three Academy Awards (including one for actor Adrien Brody) and seven additional nominations, while ‘Ann Lee’ was up for the Golden Lion and a Golden Globe, among other nods.

After cutting her teeth acting in her native Norway and the U.S. (both Fastvold and Corbet were child actors), Fastvold flexed her muscles as a director with two intimate features: 2014’s ‘The Sleepwalker’ and 2020’s ‘The World to Come.’ In contrast, ‘Ann Lee’ bursts with both movement and flair as characters flit across the screen, periodically arranging themselves into painterly compositions.

On the heels of what may well be the most pivotal two years of their careers, Fastvold and Corbet sat down for a conversation that spins almost as wildly as the Shakers themselves, covering everything from spiders to soap operas. Link in bio to read it now.

1/ Mona Fastvold wears a coat by @prada and an archival sweater by @marcjacobs.
4/ Archival @marcjacobs sweater and archival @anndemeulemeester_official boots.
8/ Archival dress by @jilsander.

Photography: @yanayatsuk
Styling: @rebeccarams
Hair: Sydney Valentine
Makeup: @yasukoshapiro
Production: Leah Oliveria

Mona Fastvold shot ‘The Testament of Ann Lee’ mere moments after she wrapped her work on ‘The Brutalist’ with director Brady Corbet, her husband and writing partner.

The duo wrote the two projects back-to-back. They then flew to Hungary with their crew and shot ‘The Brutalist’ with Corbet at the helm, before quickly reorienting the team to film @thetestamentofannlee with Fastvold in position. “You’re a little nervous,” Fastvold, who turns 45 in March, recalls of the whiplash-inducing process. “Because we might not be able to pull it off.” But, of course, they did: ‘The Brutalist’ earned three Academy Awards (including one for actor Adrien Brody) and seven additional nominations, while ‘Ann Lee’ was up for the Golden Lion and a Golden Globe, among other nods.

After cutting her teeth acting in her native Norway and the U.S. (both Fastvold and Corbet were child actors), Fastvold flexed her muscles as a director with two intimate features: 2014’s ‘The Sleepwalker’ and 2020’s ‘The World to Come.’ In contrast, ‘Ann Lee’ bursts with both movement and flair as characters flit across the screen, periodically arranging themselves into painterly compositions.

On the heels of what may well be the most pivotal two years of their careers, Fastvold and Corbet sat down for a conversation that spins almost as wildly as the Shakers themselves, covering everything from spiders to soap operas. Link in bio to read it now.

1/ Mona Fastvold wears a coat by @prada and an archival sweater by @marcjacobs.
4/ Archival @marcjacobs sweater and archival @anndemeulemeester_official boots.
8/ Archival dress by @jilsander.

Photography: @yanayatsuk
Styling: @rebeccarams
Hair: Sydney Valentine
Makeup: @yasukoshapiro
Production: Leah Oliveria

Mona Fastvold shot ‘The Testament of Ann Lee’ mere moments after she wrapped her work on ‘The Brutalist’ with director Brady Corbet, her husband and writing partner.

The duo wrote the two projects back-to-back. They then flew to Hungary with their crew and shot ‘The Brutalist’ with Corbet at the helm, before quickly reorienting the team to film @thetestamentofannlee with Fastvold in position. “You’re a little nervous,” Fastvold, who turns 45 in March, recalls of the whiplash-inducing process. “Because we might not be able to pull it off.” But, of course, they did: ‘The Brutalist’ earned three Academy Awards (including one for actor Adrien Brody) and seven additional nominations, while ‘Ann Lee’ was up for the Golden Lion and a Golden Globe, among other nods.

After cutting her teeth acting in her native Norway and the U.S. (both Fastvold and Corbet were child actors), Fastvold flexed her muscles as a director with two intimate features: 2014’s ‘The Sleepwalker’ and 2020’s ‘The World to Come.’ In contrast, ‘Ann Lee’ bursts with both movement and flair as characters flit across the screen, periodically arranging themselves into painterly compositions.

On the heels of what may well be the most pivotal two years of their careers, Fastvold and Corbet sat down for a conversation that spins almost as wildly as the Shakers themselves, covering everything from spiders to soap operas. Link in bio to read it now.

1/ Mona Fastvold wears a coat by @prada and an archival sweater by @marcjacobs.
4/ Archival @marcjacobs sweater and archival @anndemeulemeester_official boots.
8/ Archival dress by @jilsander.

Photography: @yanayatsuk
Styling: @rebeccarams
Hair: Sydney Valentine
Makeup: @yasukoshapiro
Production: Leah Oliveria

“Ann Lee was wild.”
 
Not wild in the way history trivialises women - but wild in the way that threatens structure. Wild in her refusal to submit. Wild in her belief that the world could be reordered.
 
Director Mona Fastvold talks to Club Ciné’s Editor-in-Chief Tom Macklin about the origins of Ann Lee - a working-class woman from Manchester who crossed the Atlantic in 1774 and founded the Shakers, one of the most radical spiritual communities in modern history. Her followers believed she was the female embodiment of Christ. At its peak, the movement spread across America, built on equality, communal living, and total spiritual devotion. Today, only three Shakers remain.
 
What Mona captures in The Testament of Ann Lee isn’t just the historical figure, but the emotional and political force she represented - a woman who stepped outside the systems designed to contain her, and in doing so, built something entirely new.
 
Watching these images - the ecstatic worship, the stillness, the resolve - you understand why her presence was so destabilising. Why she was feared. Why she was followed. And why her story still resonates now.
 
This is where her story begins.
 
—
 
The Testament of Ann Lee
Directed by Mona Fastvold
Starring Amanda Seyfried
 
Thank you to our screening partner@giorgioarmani for their support during this season. 

Thank you @fastvold@mingey@_danielblumberg_@searchlightuk

Videographer @shay.page

Club Ciné Editor-in-Chief @tommacklin@tommacklinstudio

The Testament of Ann Lee is released in the UK AND Ireland on February 27.
 
#TheTestamentOfAnnLee #AnnLee #MonaFastvold #AmandaSeyfried #ClubCine SearchlightPictures FilmHistory WomenInFilm FilmCulture CinemaHistory IndependentFilm FilmInterview Cinephile FilmReel FilmCommunity ArthouseCinema DirectorInterview CinemaLovers FilmInstagram FilmLaunch