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augusteorts

Auguste Orts

is a production and distribution platform led by artists Herman Asselberghs, Sven Augustijnen, Manon de Boer, Anouk De Clercq & Fairuz Ghammam

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Lรฉonard Pongoโ€™s film ๐˜›๐˜ข๐˜ญ๐˜ฆ๐˜ด ๐˜๐˜ณ๐˜ฐ๐˜ฎ ๐˜ต๐˜ฉ๐˜ฆ ๐˜š๐˜ฐ๐˜ถ๐˜ณ๐˜ค๐˜ฆ will be shown during the festival ((((๐—œ๐—ก๐—ง๐—˜๐—ฅ๐—™๐—˜ฬ๐—ฅ๐—˜๐—ก๐—–๐—˜_๐—ฆ)))), for an evening curated by Les Rencontres Internationales Paris/Berlin and Centre Wallonie-Bruxelles-Paris.

The festival honours the close connection between moving image and creative sound design. Weโ€™re proud to celebrate this joint work by ๐—Ÿ๐—ฒ๐—ผ๐—ป๐—ฎ๐—ฟ๐—ฑ ๐—ฃ๐—ผ๐—ป๐—ด๐—ผ, ๐—•๐—ฒ๐—ฎ๐—ฟ ๐—•๐—ผ๐—ป๐—ฒ๐˜€, ๐—Ÿ๐—ฎ๐˜† ๐—Ÿ๐—ผ๐˜„ and ๐—Ÿ๐—ฎ๐˜€๐˜‡๐—น๐—ผ ๐—จ๐—บ๐—ฏ๐—ฟ๐—ฒ๐—ถ๐˜!

Welcome on Saturday May 29 โ€“ free entry

โ–  18h30โ€“20h00 : Film screenings in the cinema :

โ€ข Zachary Epcar : Sinking Feeling
Exp. Fiction | couleur | 0:20:00 | USA | 2024
Music: Sally Decker

โ€ข Myrthe Baptist : Caresse
Video | color | 0:06:40 | Belgium | 2019
Music: Myrthe Baptist

โ€ข Maryam Tafakory : Razeh-Del
Exp. Documentary | color | 0:27:47 | Iran | 2024
Music: Maryam Tafakory

โ€ข Lรฉonard Pongo : Tales From The Source
Exp. video| color | 0:38:19 | Belgium, RDC | 2024
Sound, sound editing and mixing: Laszlo Umbreit at Empire Digital
โ€ข Music: Bear Bones, Lay Low

โ–  20h30 : Concert by Roxane Mรฉtayer in the theater
La forรชt de Soignes
Music / video

@leonardpongo @bearboneslaylow @roxanemetayer @ripbm @cwb_paris


9
2 hours ago


As part of the group exhibition JARDIN PERDU, Auguste Ortsโ€™ Fairuz Ghammam will present her short film Cultuur. This warm and generous work explores aspects of (auto)biography, shared authorship, and collaborative practices. Staged as a walk through Kortrijk -the filmmaker's hometown - Cultuur riffs on these themes, sewing kernels of family history through a narrative, and a gaze, that oscillates between private and public space.

@fairuz_solo

JARDIN PERDU
08.05.26-10.05.26

At Atelier Toekomst, an architectural practice where the relationship between garden and building is explored, Jardin Perdu creates a temporary alternative reality. The exhibition forms an oasis of art and expresses a longing for a shared primordial garden, where chaos acts as a counterbalance to the structure of everyday life. Seven artists present their work in the studio and garden: Filip Dujardin, Olivier Goethals, Fairuz Ghammam, Valerie Doutreluingne, Jannah Field, Sybren Vanoverberghe, and Bram Vanderbeke.

Atelier Toekomst, founded by Pieter Billiet and Valerie Doutreluingne, presents this exhibition on the occasion of its fifth anniversary. @billiet_pieter @valeriedoutreluingne

Discover all exhibitions on www.kortrijkart.be

#kunstinkortrijk #stadkortrijk #kortrijk #tentoonstelling


12
1
2 weeks ago

As part of the group exhibition JARDIN PERDU, Auguste Ortsโ€™ Fairuz Ghammam will present her short film Cultuur. This warm and generous work explores aspects of (auto)biography, shared authorship, and collaborative practices. Staged as a walk through Kortrijk -the filmmaker's hometown - Cultuur riffs on these themes, sewing kernels of family history through a narrative, and a gaze, that oscillates between private and public space.

@fairuz_solo

JARDIN PERDU
08.05.26-10.05.26

At Atelier Toekomst, an architectural practice where the relationship between garden and building is explored, Jardin Perdu creates a temporary alternative reality. The exhibition forms an oasis of art and expresses a longing for a shared primordial garden, where chaos acts as a counterbalance to the structure of everyday life. Seven artists present their work in the studio and garden: Filip Dujardin, Olivier Goethals, Fairuz Ghammam, Valerie Doutreluingne, Jannah Field, Sybren Vanoverberghe, and Bram Vanderbeke.

Atelier Toekomst, founded by Pieter Billiet and Valerie Doutreluingne, presents this exhibition on the occasion of its fifth anniversary. @billiet_pieter @valeriedoutreluingne

Discover all exhibitions on www.kortrijkart.be

#kunstinkortrijk #stadkortrijk #kortrijk #tentoonstelling


12
1
2 weeks ago

โ€œIn response to the exhibition Unforgettable, Women Artists from Antwerp to Amsterdam, 1600โ€“1750, the artists Christiane Blattmann, Manon de Boer, Melissa Gordon, Aglaia Konrad, Valรฉrie Mannaerts, Hana Miletiฤ‡, Annaรฏk Lou Pitteloud, Heidi Voet, and Asia Zieliล„ska have created an intervention for the museumโ€™s forum.

Together, they have developed a collective work that articulates their shared position as women artists and their alliance with other artists who were active in these historical periods and social contexts. Art-historical research for this exhibition suggests an uneven ratio: around seventy percent of women artists can be identified and catalogued, while thirty percent remain anonymous due to a lack of records. The group intuitively challenges this figure and postulates that, in fact, only one third of women artists active throughout history have been granted visibility and legacy.

To highlight this idea, the names of 179 women artists identified by art historians are hand-printed onto bicolour, corporeal latex sheets. These specific hues propose an inverted ratio: bright red stands for historical knowledge, while dark red materializes the structural amnesia surrounding womenโ€™s labour and contributions to cultural heritage.โ€

On view at Museum of Fine Arts Ghent (MSK), Belgium until 31 May 2026.

@mskgent @manonsdeboer

Photographs by Martin Corazzoli


6
2 weeks ago

โ€œIn response to the exhibition Unforgettable, Women Artists from Antwerp to Amsterdam, 1600โ€“1750, the artists Christiane Blattmann, Manon de Boer, Melissa Gordon, Aglaia Konrad, Valรฉrie Mannaerts, Hana Miletiฤ‡, Annaรฏk Lou Pitteloud, Heidi Voet, and Asia Zieliล„ska have created an intervention for the museumโ€™s forum.

Together, they have developed a collective work that articulates their shared position as women artists and their alliance with other artists who were active in these historical periods and social contexts. Art-historical research for this exhibition suggests an uneven ratio: around seventy percent of women artists can be identified and catalogued, while thirty percent remain anonymous due to a lack of records. The group intuitively challenges this figure and postulates that, in fact, only one third of women artists active throughout history have been granted visibility and legacy.

To highlight this idea, the names of 179 women artists identified by art historians are hand-printed onto bicolour, corporeal latex sheets. These specific hues propose an inverted ratio: bright red stands for historical knowledge, while dark red materializes the structural amnesia surrounding womenโ€™s labour and contributions to cultural heritage.โ€

On view at Museum of Fine Arts Ghent (MSK), Belgium until 31 May 2026.

@mskgent @manonsdeboer

Photographs by Martin Corazzoli


6
2 weeks ago

โ€œIn response to the exhibition Unforgettable, Women Artists from Antwerp to Amsterdam, 1600โ€“1750, the artists Christiane Blattmann, Manon de Boer, Melissa Gordon, Aglaia Konrad, Valรฉrie Mannaerts, Hana Miletiฤ‡, Annaรฏk Lou Pitteloud, Heidi Voet, and Asia Zieliล„ska have created an intervention for the museumโ€™s forum.

Together, they have developed a collective work that articulates their shared position as women artists and their alliance with other artists who were active in these historical periods and social contexts. Art-historical research for this exhibition suggests an uneven ratio: around seventy percent of women artists can be identified and catalogued, while thirty percent remain anonymous due to a lack of records. The group intuitively challenges this figure and postulates that, in fact, only one third of women artists active throughout history have been granted visibility and legacy.

To highlight this idea, the names of 179 women artists identified by art historians are hand-printed onto bicolour, corporeal latex sheets. These specific hues propose an inverted ratio: bright red stands for historical knowledge, while dark red materializes the structural amnesia surrounding womenโ€™s labour and contributions to cultural heritage.โ€

On view at Museum of Fine Arts Ghent (MSK), Belgium until 31 May 2026.

@mskgent @manonsdeboer

Photographs by Martin Corazzoli


6
2 weeks ago

oรฏ
SWARM Premiรจre
tomorrow 7pm @bozar
Bienvenuยทx

<> after a soft selection of strong shorts by @francesarpaia @miryam_charles Amanda Baggs and Ismail Bahri

<> after a poetry reading & performance w/ visual artist, interpret and dear friend Estelle Labes

MERCI @augusteorts @atelier.jeunes.cineastes @vlaamsaudiovisueelfonds @stukleuven @ete_78 @bozarbrussels @kioskgent THANK YOU @liyo.gong @liqvidsilver @raimon_gaffier @sophie.de.seriere @ben_grinand Laszlo Umbreit Giulio Erasmus and every friend who gave a hand / more to come


3
3
1 months ago

oรฏ
SWARM Premiรจre
tomorrow 7pm @bozar
Bienvenuยทx

<> after a soft selection of strong shorts by @francesarpaia @miryam_charles Amanda Baggs and Ismail Bahri

<> after a poetry reading & performance w/ visual artist, interpret and dear friend Estelle Labes

MERCI @augusteorts @atelier.jeunes.cineastes @vlaamsaudiovisueelfonds @stukleuven @ete_78 @bozarbrussels @kioskgent THANK YOU @liyo.gong @liqvidsilver @raimon_gaffier @sophie.de.seriere @ben_grinand Laszlo Umbreit Giulio Erasmus and every friend who gave a hand / more to come


3
3
1 months ago


oรฏ
SWARM Premiรจre
tomorrow 7pm @bozar
Bienvenuยทx

<> after a soft selection of strong shorts by @francesarpaia @miryam_charles Amanda Baggs and Ismail Bahri

<> after a poetry reading & performance w/ visual artist, interpret and dear friend Estelle Labes

MERCI @augusteorts @atelier.jeunes.cineastes @vlaamsaudiovisueelfonds @stukleuven @ete_78 @bozarbrussels @kioskgent THANK YOU @liyo.gong @liqvidsilver @raimon_gaffier @sophie.de.seriere @ben_grinand Laszlo Umbreit Giulio Erasmus and every friend who gave a hand / more to come


3
3
1 months ago

oรฏ
SWARM Premiรจre
tomorrow 7pm @bozar
Bienvenuยทx

<> after a soft selection of strong shorts by @francesarpaia @miryam_charles Amanda Baggs and Ismail Bahri

<> after a poetry reading & performance w/ visual artist, interpret and dear friend Estelle Labes

MERCI @augusteorts @atelier.jeunes.cineastes @vlaamsaudiovisueelfonds @stukleuven @ete_78 @bozarbrussels @kioskgent THANK YOU @liyo.gong @liqvidsilver @raimon_gaffier @sophie.de.seriere @ben_grinand Laszlo Umbreit Giulio Erasmus and every friend who gave a hand / more to come


3
3
1 months ago

oรฏ
SWARM Premiรจre
tomorrow 7pm @bozar
Bienvenuยทx

<> after a soft selection of strong shorts by @francesarpaia @miryam_charles Amanda Baggs and Ismail Bahri

<> after a poetry reading & performance w/ visual artist, interpret and dear friend Estelle Labes

MERCI @augusteorts @atelier.jeunes.cineastes @vlaamsaudiovisueelfonds @stukleuven @ete_78 @bozarbrussels @kioskgent THANK YOU @liyo.gong @liqvidsilver @raimon_gaffier @sophie.de.seriere @ben_grinand Laszlo Umbreit Giulio Erasmus and every friend who gave a hand / more to come


3
3
1 months ago

Our film screenings are back! Join us tomorrow at 7pm for the Egyptian premiere of "National Pride: From Jericho to Gaza", a documentary by Belgian filmmaker Sven Augustijnen. The film follows Hassan Al Balawi, a diplomat based in Brussels, as he returns to his homeland, where every checkpoint and landscape carry the weight of broken promises. In Arabic and French with English subtitles. Come watch it with us!


23
2
1 months ago

๐—ง๐˜‚๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜† ๐—”๐—ฝ๐—ฟ๐—ถ๐—น ๐Ÿณ ๐—ฎ๐˜ ๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ

BOZAR invites multidisciplinary artist ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ข๐—ฟ๐˜€๐—ผ ๐—–๐—ฎ๐—ฒ๐—น (fka Picquot) to present their latest cinematic work, ๐—ฆ๐—ช๐—”๐—ฅ๐— . On this occasion, the artist will propose a selection of short-films, followed by a poetic reading performance (in French and sign language) with the artist ๐—˜๐˜€๐˜๐—ฒ๐—น๐—น๐—ฒ ๐—Ÿ๐—ฎ๐—ฏ๐—ฒ๐˜€. The event is conceived as an invitation to reflect and engage, fostering a fully immersive, multisensory experience.

Film selection, curated by Camille Orso Caรซl :

ยฐ ๐— ๐˜†๐—ฟ๐—ถ๐—ฎ๐—บ ๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ฒ๐˜€, ๐—ฉ๐—ผ๐—น๐—ฒ ๐—ฉ๐—ผ๐—น๐—ฒ ๐—ง๐—ฟ๐—ถ๐˜€๐˜๐—ฒ๐˜€๐˜€๐—ฒ (2015), DCP, sound & color, 6โ€™
ยฐ ๐—”๐—บ๐—ฎ๐—ป๐—ฑ๐—ฎ ๐—•๐—ฎ๐—ด๐—ด๐˜€, ๐—œ๐—ป ๐—บ๐˜† ๐—น๐—ฎ๐—ป๐—ด๐˜‚๐—ฎ๐—ด๐—ฒ (2007), digital, sound & color, 8โ€™36
ยฐ ๐—™๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ฒ๐˜€ ๐——๐—ฎ๐—บ๐—ถ๐—ฎ๐—ป ๐—”๐—ฟ๐—ฝ๐—ฎ๐—ถ๐—ฎ, ๐—ง๐˜„๐—ผ ๐—ฑ๐—ฟ๐—ฒ๐—ฎ๐—บ๐˜€ ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ฒ๐—ป๐—ฑ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐˜„๐—ผ๐—ฟ๐—น๐—ฑ (2026), super8 to digital, sound & color, 5โ€™03
ยฐ ๐—œ๐˜€๐—บ๐—ฎ๐—ถ๐—น ๐—•๐—ฎ๐—ต๐—ฟ๐—ถ, ๐—”๐—ฝ๐—ฝ๐—ฎ๐—ฟ๐—ถ๐˜๐—ถ๐—ผ๐—ป (2019), HD video, sound & color, 3โ€™

๐—ฆ๐—ช๐—”๐—ฅ๐—  โ€“ ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ข๐—ฟ๐˜€๐—ผ ๐—–๐—ฎ๐—ฒ๐—น (HD video, color, 16:9, no dialogue, BE, 2025, 30โ€™)

๐˜๐˜ฏ ๐˜ข ๐˜ฎ๐˜ถ๐˜ต๐˜ฆ ๐˜ค๐˜ช๐˜ต๐˜บ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ท๐˜ช๐˜ฅ๐˜ฆ๐˜ฐ๐˜ด ๐˜ฐ๐˜ง ๐˜ธ๐˜ช๐˜ญ๐˜ฅ๐˜ง๐˜ช๐˜ณ๐˜ฆ๐˜ด ๐˜จ๐˜ฐ ๐˜ท๐˜ช๐˜ณ๐˜ข๐˜ญ, ๐˜ข ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ต๐˜บ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ช๐˜ต๐˜ด ๐˜ต๐˜ฐ ๐˜ข ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜จ๐˜ฆ ๐˜ด๐˜ญ๐˜ถ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ. ๐˜›๐˜ช๐˜ณ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ด๐˜ต๐˜ณ๐˜ถ๐˜จ๐˜จ๐˜ญ๐˜ช๐˜ฏ๐˜จ, ๐˜ข ๐˜บ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ฆ๐˜ณ ๐˜ฅ๐˜ฆ๐˜ค๐˜ช๐˜ฅ๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜จ๐˜ช๐˜ท๐˜ฆ ๐˜ช๐˜ฏ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ค๐˜ข๐˜ญ๐˜ญ. ๐˜›๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ฆ๐˜ฏ๐˜ค๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ด๐˜ช๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ, ๐˜ฉ๐˜ฆ ๐˜จ๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ด ๐˜ข๐˜ฏ๐˜ต๐˜ช๐˜ฅ๐˜ฐ๐˜ต๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜ฅ๐˜ฆ๐˜ด๐˜ฑ๐˜ข๐˜ช๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฌ๐˜ฆ๐˜บ๐˜ด ๐˜ต๐˜ฐ ๐˜ณ๐˜ฆ๐˜ท๐˜ช๐˜ท๐˜ฆ ๐˜ญ๐˜ข๐˜ฏ๐˜จ๐˜ถ๐˜ข๐˜จ๐˜ฆ. ๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ฌ๐˜ฆ๐˜ด ๐˜ถ๐˜ฑ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ข๐˜ช๐˜ฏ๐˜ด ๐˜ถ๐˜ฏ๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ฅ ๐˜บ๐˜ฆ๐˜ต ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ด ๐˜ฅ๐˜ช๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ๐˜ต. ๐˜‰๐˜ญ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜บ๐˜ด๐˜ต๐˜ช๐˜ค๐˜ช๐˜ด๐˜ฎ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ-๐˜ถ๐˜ต๐˜ฐ๐˜ฑ๐˜ช๐˜ข, ๐˜š๐˜ธ๐˜ข๐˜ณ๐˜ฎ ๐˜ฆ๐˜น๐˜ฑ๐˜ญ๐˜ฐ๐˜ณ๐˜ฆ๐˜ด ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฉ๐˜ฐ๐˜ญ๐˜ฅ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ง๐˜ฐ๐˜ณ๐˜ฎ ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ.

Camille Orso Caรซl (fka Camille Picquot) is a filmmaker, photographer and writer. Their artistic work questions normativity, focusing on themes of margins, urban life, resistance and enchantment.

Tickets: https://shorturl.at/pVs3O


26
1 months ago

๐—ง๐˜‚๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜† ๐—”๐—ฝ๐—ฟ๐—ถ๐—น ๐Ÿณ ๐—ฎ๐˜ ๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ

BOZAR invites multidisciplinary artist ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ข๐—ฟ๐˜€๐—ผ ๐—–๐—ฎ๐—ฒ๐—น (fka Picquot) to present their latest cinematic work, ๐—ฆ๐—ช๐—”๐—ฅ๐— . On this occasion, the artist will propose a selection of short-films, followed by a poetic reading performance (in French and sign language) with the artist ๐—˜๐˜€๐˜๐—ฒ๐—น๐—น๐—ฒ ๐—Ÿ๐—ฎ๐—ฏ๐—ฒ๐˜€. The event is conceived as an invitation to reflect and engage, fostering a fully immersive, multisensory experience.

Film selection, curated by Camille Orso Caรซl :

ยฐ ๐— ๐˜†๐—ฟ๐—ถ๐—ฎ๐—บ ๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ฒ๐˜€, ๐—ฉ๐—ผ๐—น๐—ฒ ๐—ฉ๐—ผ๐—น๐—ฒ ๐—ง๐—ฟ๐—ถ๐˜€๐˜๐—ฒ๐˜€๐˜€๐—ฒ (2015), DCP, sound & color, 6โ€™
ยฐ ๐—”๐—บ๐—ฎ๐—ป๐—ฑ๐—ฎ ๐—•๐—ฎ๐—ด๐—ด๐˜€, ๐—œ๐—ป ๐—บ๐˜† ๐—น๐—ฎ๐—ป๐—ด๐˜‚๐—ฎ๐—ด๐—ฒ (2007), digital, sound & color, 8โ€™36
ยฐ ๐—™๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ฒ๐˜€ ๐——๐—ฎ๐—บ๐—ถ๐—ฎ๐—ป ๐—”๐—ฟ๐—ฝ๐—ฎ๐—ถ๐—ฎ, ๐—ง๐˜„๐—ผ ๐—ฑ๐—ฟ๐—ฒ๐—ฎ๐—บ๐˜€ ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ฒ๐—ป๐—ฑ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐˜„๐—ผ๐—ฟ๐—น๐—ฑ (2026), super8 to digital, sound & color, 5โ€™03
ยฐ ๐—œ๐˜€๐—บ๐—ฎ๐—ถ๐—น ๐—•๐—ฎ๐—ต๐—ฟ๐—ถ, ๐—”๐—ฝ๐—ฝ๐—ฎ๐—ฟ๐—ถ๐˜๐—ถ๐—ผ๐—ป (2019), HD video, sound & color, 3โ€™

๐—ฆ๐—ช๐—”๐—ฅ๐—  โ€“ ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ข๐—ฟ๐˜€๐—ผ ๐—–๐—ฎ๐—ฒ๐—น (HD video, color, 16:9, no dialogue, BE, 2025, 30โ€™)

๐˜๐˜ฏ ๐˜ข ๐˜ฎ๐˜ถ๐˜ต๐˜ฆ ๐˜ค๐˜ช๐˜ต๐˜บ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ท๐˜ช๐˜ฅ๐˜ฆ๐˜ฐ๐˜ด ๐˜ฐ๐˜ง ๐˜ธ๐˜ช๐˜ญ๐˜ฅ๐˜ง๐˜ช๐˜ณ๐˜ฆ๐˜ด ๐˜จ๐˜ฐ ๐˜ท๐˜ช๐˜ณ๐˜ข๐˜ญ, ๐˜ข ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ต๐˜บ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ช๐˜ต๐˜ด ๐˜ต๐˜ฐ ๐˜ข ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜จ๐˜ฆ ๐˜ด๐˜ญ๐˜ถ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ. ๐˜›๐˜ช๐˜ณ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ด๐˜ต๐˜ณ๐˜ถ๐˜จ๐˜จ๐˜ญ๐˜ช๐˜ฏ๐˜จ, ๐˜ข ๐˜บ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ฆ๐˜ณ ๐˜ฅ๐˜ฆ๐˜ค๐˜ช๐˜ฅ๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜จ๐˜ช๐˜ท๐˜ฆ ๐˜ช๐˜ฏ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ค๐˜ข๐˜ญ๐˜ญ. ๐˜›๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ฆ๐˜ฏ๐˜ค๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ด๐˜ช๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ, ๐˜ฉ๐˜ฆ ๐˜จ๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ด ๐˜ข๐˜ฏ๐˜ต๐˜ช๐˜ฅ๐˜ฐ๐˜ต๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜ฅ๐˜ฆ๐˜ด๐˜ฑ๐˜ข๐˜ช๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฌ๐˜ฆ๐˜บ๐˜ด ๐˜ต๐˜ฐ ๐˜ณ๐˜ฆ๐˜ท๐˜ช๐˜ท๐˜ฆ ๐˜ญ๐˜ข๐˜ฏ๐˜จ๐˜ถ๐˜ข๐˜จ๐˜ฆ. ๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ฌ๐˜ฆ๐˜ด ๐˜ถ๐˜ฑ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ข๐˜ช๐˜ฏ๐˜ด ๐˜ถ๐˜ฏ๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ฅ ๐˜บ๐˜ฆ๐˜ต ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ด ๐˜ฅ๐˜ช๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ๐˜ต. ๐˜‰๐˜ญ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜บ๐˜ด๐˜ต๐˜ช๐˜ค๐˜ช๐˜ด๐˜ฎ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ-๐˜ถ๐˜ต๐˜ฐ๐˜ฑ๐˜ช๐˜ข, ๐˜š๐˜ธ๐˜ข๐˜ณ๐˜ฎ ๐˜ฆ๐˜น๐˜ฑ๐˜ญ๐˜ฐ๐˜ณ๐˜ฆ๐˜ด ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฉ๐˜ฐ๐˜ญ๐˜ฅ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ง๐˜ฐ๐˜ณ๐˜ฎ ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ.

Camille Orso Caรซl (fka Camille Picquot) is a filmmaker, photographer and writer. Their artistic work questions normativity, focusing on themes of margins, urban life, resistance and enchantment.

Tickets: https://shorturl.at/pVs3O


26
1 months ago

๐—ง๐˜‚๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜† ๐—”๐—ฝ๐—ฟ๐—ถ๐—น ๐Ÿณ ๐—ฎ๐˜ ๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ

BOZAR invites multidisciplinary artist ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ข๐—ฟ๐˜€๐—ผ ๐—–๐—ฎ๐—ฒ๐—น (fka Picquot) to present their latest cinematic work, ๐—ฆ๐—ช๐—”๐—ฅ๐— . On this occasion, the artist will propose a selection of short-films, followed by a poetic reading performance (in French and sign language) with the artist ๐—˜๐˜€๐˜๐—ฒ๐—น๐—น๐—ฒ ๐—Ÿ๐—ฎ๐—ฏ๐—ฒ๐˜€. The event is conceived as an invitation to reflect and engage, fostering a fully immersive, multisensory experience.

Film selection, curated by Camille Orso Caรซl :

ยฐ ๐— ๐˜†๐—ฟ๐—ถ๐—ฎ๐—บ ๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ฒ๐˜€, ๐—ฉ๐—ผ๐—น๐—ฒ ๐—ฉ๐—ผ๐—น๐—ฒ ๐—ง๐—ฟ๐—ถ๐˜€๐˜๐—ฒ๐˜€๐˜€๐—ฒ (2015), DCP, sound & color, 6โ€™
ยฐ ๐—”๐—บ๐—ฎ๐—ป๐—ฑ๐—ฎ ๐—•๐—ฎ๐—ด๐—ด๐˜€, ๐—œ๐—ป ๐—บ๐˜† ๐—น๐—ฎ๐—ป๐—ด๐˜‚๐—ฎ๐—ด๐—ฒ (2007), digital, sound & color, 8โ€™36
ยฐ ๐—™๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ฒ๐˜€ ๐——๐—ฎ๐—บ๐—ถ๐—ฎ๐—ป ๐—”๐—ฟ๐—ฝ๐—ฎ๐—ถ๐—ฎ, ๐—ง๐˜„๐—ผ ๐—ฑ๐—ฟ๐—ฒ๐—ฎ๐—บ๐˜€ ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ฒ๐—ป๐—ฑ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐˜„๐—ผ๐—ฟ๐—น๐—ฑ (2026), super8 to digital, sound & color, 5โ€™03
ยฐ ๐—œ๐˜€๐—บ๐—ฎ๐—ถ๐—น ๐—•๐—ฎ๐—ต๐—ฟ๐—ถ, ๐—”๐—ฝ๐—ฝ๐—ฎ๐—ฟ๐—ถ๐˜๐—ถ๐—ผ๐—ป (2019), HD video, sound & color, 3โ€™

๐—ฆ๐—ช๐—”๐—ฅ๐—  โ€“ ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ข๐—ฟ๐˜€๐—ผ ๐—–๐—ฎ๐—ฒ๐—น (HD video, color, 16:9, no dialogue, BE, 2025, 30โ€™)

๐˜๐˜ฏ ๐˜ข ๐˜ฎ๐˜ถ๐˜ต๐˜ฆ ๐˜ค๐˜ช๐˜ต๐˜บ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ท๐˜ช๐˜ฅ๐˜ฆ๐˜ฐ๐˜ด ๐˜ฐ๐˜ง ๐˜ธ๐˜ช๐˜ญ๐˜ฅ๐˜ง๐˜ช๐˜ณ๐˜ฆ๐˜ด ๐˜จ๐˜ฐ ๐˜ท๐˜ช๐˜ณ๐˜ข๐˜ญ, ๐˜ข ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ต๐˜บ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ช๐˜ต๐˜ด ๐˜ต๐˜ฐ ๐˜ข ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜จ๐˜ฆ ๐˜ด๐˜ญ๐˜ถ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ. ๐˜›๐˜ช๐˜ณ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ด๐˜ต๐˜ณ๐˜ถ๐˜จ๐˜จ๐˜ญ๐˜ช๐˜ฏ๐˜จ, ๐˜ข ๐˜บ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ฆ๐˜ณ ๐˜ฅ๐˜ฆ๐˜ค๐˜ช๐˜ฅ๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜จ๐˜ช๐˜ท๐˜ฆ ๐˜ช๐˜ฏ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ค๐˜ข๐˜ญ๐˜ญ. ๐˜›๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ฆ๐˜ฏ๐˜ค๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ด๐˜ช๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ, ๐˜ฉ๐˜ฆ ๐˜จ๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ด ๐˜ข๐˜ฏ๐˜ต๐˜ช๐˜ฅ๐˜ฐ๐˜ต๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜ฅ๐˜ฆ๐˜ด๐˜ฑ๐˜ข๐˜ช๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฌ๐˜ฆ๐˜บ๐˜ด ๐˜ต๐˜ฐ ๐˜ณ๐˜ฆ๐˜ท๐˜ช๐˜ท๐˜ฆ ๐˜ญ๐˜ข๐˜ฏ๐˜จ๐˜ถ๐˜ข๐˜จ๐˜ฆ. ๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ฌ๐˜ฆ๐˜ด ๐˜ถ๐˜ฑ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ข๐˜ช๐˜ฏ๐˜ด ๐˜ถ๐˜ฏ๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ฅ ๐˜บ๐˜ฆ๐˜ต ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ด ๐˜ฅ๐˜ช๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ๐˜ต. ๐˜‰๐˜ญ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜บ๐˜ด๐˜ต๐˜ช๐˜ค๐˜ช๐˜ด๐˜ฎ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ-๐˜ถ๐˜ต๐˜ฐ๐˜ฑ๐˜ช๐˜ข, ๐˜š๐˜ธ๐˜ข๐˜ณ๐˜ฎ ๐˜ฆ๐˜น๐˜ฑ๐˜ญ๐˜ฐ๐˜ณ๐˜ฆ๐˜ด ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฉ๐˜ฐ๐˜ญ๐˜ฅ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ง๐˜ฐ๐˜ณ๐˜ฎ ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ.

Camille Orso Caรซl (fka Camille Picquot) is a filmmaker, photographer and writer. Their artistic work questions normativity, focusing on themes of margins, urban life, resistance and enchantment.

Tickets: https://shorturl.at/pVs3O


26
1 months ago


๐—ง๐˜‚๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜† ๐—”๐—ฝ๐—ฟ๐—ถ๐—น ๐Ÿณ ๐—ฎ๐˜ ๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ

BOZAR invites multidisciplinary artist ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ข๐—ฟ๐˜€๐—ผ ๐—–๐—ฎ๐—ฒ๐—น (fka Picquot) to present their latest cinematic work, ๐—ฆ๐—ช๐—”๐—ฅ๐— . On this occasion, the artist will propose a selection of short-films, followed by a poetic reading performance (in French and sign language) with the artist ๐—˜๐˜€๐˜๐—ฒ๐—น๐—น๐—ฒ ๐—Ÿ๐—ฎ๐—ฏ๐—ฒ๐˜€. The event is conceived as an invitation to reflect and engage, fostering a fully immersive, multisensory experience.

Film selection, curated by Camille Orso Caรซl :

ยฐ ๐— ๐˜†๐—ฟ๐—ถ๐—ฎ๐—บ ๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ฒ๐˜€, ๐—ฉ๐—ผ๐—น๐—ฒ ๐—ฉ๐—ผ๐—น๐—ฒ ๐—ง๐—ฟ๐—ถ๐˜€๐˜๐—ฒ๐˜€๐˜€๐—ฒ (2015), DCP, sound & color, 6โ€™
ยฐ ๐—”๐—บ๐—ฎ๐—ป๐—ฑ๐—ฎ ๐—•๐—ฎ๐—ด๐—ด๐˜€, ๐—œ๐—ป ๐—บ๐˜† ๐—น๐—ฎ๐—ป๐—ด๐˜‚๐—ฎ๐—ด๐—ฒ (2007), digital, sound & color, 8โ€™36
ยฐ ๐—™๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ฒ๐˜€ ๐——๐—ฎ๐—บ๐—ถ๐—ฎ๐—ป ๐—”๐—ฟ๐—ฝ๐—ฎ๐—ถ๐—ฎ, ๐—ง๐˜„๐—ผ ๐—ฑ๐—ฟ๐—ฒ๐—ฎ๐—บ๐˜€ ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ฒ๐—ป๐—ฑ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐˜„๐—ผ๐—ฟ๐—น๐—ฑ (2026), super8 to digital, sound & color, 5โ€™03
ยฐ ๐—œ๐˜€๐—บ๐—ฎ๐—ถ๐—น ๐—•๐—ฎ๐—ต๐—ฟ๐—ถ, ๐—”๐—ฝ๐—ฝ๐—ฎ๐—ฟ๐—ถ๐˜๐—ถ๐—ผ๐—ป (2019), HD video, sound & color, 3โ€™

๐—ฆ๐—ช๐—”๐—ฅ๐—  โ€“ ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ข๐—ฟ๐˜€๐—ผ ๐—–๐—ฎ๐—ฒ๐—น (HD video, color, 16:9, no dialogue, BE, 2025, 30โ€™)

๐˜๐˜ฏ ๐˜ข ๐˜ฎ๐˜ถ๐˜ต๐˜ฆ ๐˜ค๐˜ช๐˜ต๐˜บ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ท๐˜ช๐˜ฅ๐˜ฆ๐˜ฐ๐˜ด ๐˜ฐ๐˜ง ๐˜ธ๐˜ช๐˜ญ๐˜ฅ๐˜ง๐˜ช๐˜ณ๐˜ฆ๐˜ด ๐˜จ๐˜ฐ ๐˜ท๐˜ช๐˜ณ๐˜ข๐˜ญ, ๐˜ข ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ต๐˜บ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ช๐˜ต๐˜ด ๐˜ต๐˜ฐ ๐˜ข ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜จ๐˜ฆ ๐˜ด๐˜ญ๐˜ถ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ. ๐˜›๐˜ช๐˜ณ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ด๐˜ต๐˜ณ๐˜ถ๐˜จ๐˜จ๐˜ญ๐˜ช๐˜ฏ๐˜จ, ๐˜ข ๐˜บ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ฆ๐˜ณ ๐˜ฅ๐˜ฆ๐˜ค๐˜ช๐˜ฅ๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜จ๐˜ช๐˜ท๐˜ฆ ๐˜ช๐˜ฏ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ค๐˜ข๐˜ญ๐˜ญ. ๐˜›๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ฆ๐˜ฏ๐˜ค๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ด๐˜ช๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ, ๐˜ฉ๐˜ฆ ๐˜จ๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ด ๐˜ข๐˜ฏ๐˜ต๐˜ช๐˜ฅ๐˜ฐ๐˜ต๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜ฅ๐˜ฆ๐˜ด๐˜ฑ๐˜ข๐˜ช๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฌ๐˜ฆ๐˜บ๐˜ด ๐˜ต๐˜ฐ ๐˜ณ๐˜ฆ๐˜ท๐˜ช๐˜ท๐˜ฆ ๐˜ญ๐˜ข๐˜ฏ๐˜จ๐˜ถ๐˜ข๐˜จ๐˜ฆ. ๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ฌ๐˜ฆ๐˜ด ๐˜ถ๐˜ฑ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ข๐˜ช๐˜ฏ๐˜ด ๐˜ถ๐˜ฏ๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ฅ ๐˜บ๐˜ฆ๐˜ต ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ด ๐˜ฅ๐˜ช๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ๐˜ต. ๐˜‰๐˜ญ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜บ๐˜ด๐˜ต๐˜ช๐˜ค๐˜ช๐˜ด๐˜ฎ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ-๐˜ถ๐˜ต๐˜ฐ๐˜ฑ๐˜ช๐˜ข, ๐˜š๐˜ธ๐˜ข๐˜ณ๐˜ฎ ๐˜ฆ๐˜น๐˜ฑ๐˜ญ๐˜ฐ๐˜ณ๐˜ฆ๐˜ด ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฉ๐˜ฐ๐˜ญ๐˜ฅ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ง๐˜ฐ๐˜ณ๐˜ฎ ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ.

Camille Orso Caรซl (fka Camille Picquot) is a filmmaker, photographer and writer. Their artistic work questions normativity, focusing on themes of margins, urban life, resistance and enchantment.

Tickets: https://shorturl.at/pVs3O


26
1 months ago

๐—ง๐˜‚๐—ฒ๐˜€๐—ฑ๐—ฎ๐˜† ๐—”๐—ฝ๐—ฟ๐—ถ๐—น ๐Ÿณ ๐—ฎ๐˜ ๐Ÿญ๐Ÿต:๐Ÿฌ๐Ÿฌ

BOZAR invites multidisciplinary artist ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ข๐—ฟ๐˜€๐—ผ ๐—–๐—ฎ๐—ฒ๐—น (fka Picquot) to present their latest cinematic work, ๐—ฆ๐—ช๐—”๐—ฅ๐— . On this occasion, the artist will propose a selection of short-films, followed by a poetic reading performance (in French and sign language) with the artist ๐—˜๐˜€๐˜๐—ฒ๐—น๐—น๐—ฒ ๐—Ÿ๐—ฎ๐—ฏ๐—ฒ๐˜€. The event is conceived as an invitation to reflect and engage, fostering a fully immersive, multisensory experience.

Film selection, curated by Camille Orso Caรซl :

ยฐ ๐— ๐˜†๐—ฟ๐—ถ๐—ฎ๐—บ ๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ฒ๐˜€, ๐—ฉ๐—ผ๐—น๐—ฒ ๐—ฉ๐—ผ๐—น๐—ฒ ๐—ง๐—ฟ๐—ถ๐˜€๐˜๐—ฒ๐˜€๐˜€๐—ฒ (2015), DCP, sound & color, 6โ€™
ยฐ ๐—”๐—บ๐—ฎ๐—ป๐—ฑ๐—ฎ ๐—•๐—ฎ๐—ด๐—ด๐˜€, ๐—œ๐—ป ๐—บ๐˜† ๐—น๐—ฎ๐—ป๐—ด๐˜‚๐—ฎ๐—ด๐—ฒ (2007), digital, sound & color, 8โ€™36
ยฐ ๐—™๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ฒ๐˜€ ๐——๐—ฎ๐—บ๐—ถ๐—ฎ๐—ป ๐—”๐—ฟ๐—ฝ๐—ฎ๐—ถ๐—ฎ, ๐—ง๐˜„๐—ผ ๐—ฑ๐—ฟ๐—ฒ๐—ฎ๐—บ๐˜€ ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ฒ๐—ป๐—ฑ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐˜„๐—ผ๐—ฟ๐—น๐—ฑ (2026), super8 to digital, sound & color, 5โ€™03
ยฐ ๐—œ๐˜€๐—บ๐—ฎ๐—ถ๐—น ๐—•๐—ฎ๐—ต๐—ฟ๐—ถ, ๐—”๐—ฝ๐—ฝ๐—ฎ๐—ฟ๐—ถ๐˜๐—ถ๐—ผ๐—ป (2019), HD video, sound & color, 3โ€™

๐—ฆ๐—ช๐—”๐—ฅ๐—  โ€“ ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ข๐—ฟ๐˜€๐—ผ ๐—–๐—ฎ๐—ฒ๐—น (HD video, color, 16:9, no dialogue, BE, 2025, 30โ€™)

๐˜๐˜ฏ ๐˜ข ๐˜ฎ๐˜ถ๐˜ต๐˜ฆ ๐˜ค๐˜ช๐˜ต๐˜บ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ท๐˜ช๐˜ฅ๐˜ฆ๐˜ฐ๐˜ด ๐˜ฐ๐˜ง ๐˜ธ๐˜ช๐˜ญ๐˜ฅ๐˜ง๐˜ช๐˜ณ๐˜ฆ๐˜ด ๐˜จ๐˜ฐ ๐˜ท๐˜ช๐˜ณ๐˜ข๐˜ญ, ๐˜ข ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ต๐˜บ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ช๐˜ต๐˜ด ๐˜ต๐˜ฐ ๐˜ข ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜จ๐˜ฆ ๐˜ด๐˜ญ๐˜ถ๐˜ฎ๐˜ฃ๐˜ฆ๐˜ณ. ๐˜›๐˜ช๐˜ณ๐˜ฆ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ด๐˜ต๐˜ณ๐˜ถ๐˜จ๐˜จ๐˜ญ๐˜ช๐˜ฏ๐˜จ, ๐˜ข ๐˜บ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ฆ๐˜ณ ๐˜ฅ๐˜ฆ๐˜ค๐˜ช๐˜ฅ๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜จ๐˜ช๐˜ท๐˜ฆ ๐˜ช๐˜ฏ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ค๐˜ข๐˜ญ๐˜ญ. ๐˜›๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ฆ๐˜ฏ๐˜ค๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ด๐˜ช๐˜ฅ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ, ๐˜ฉ๐˜ฆ ๐˜จ๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ด ๐˜ข๐˜ฏ๐˜ต๐˜ช๐˜ฅ๐˜ฐ๐˜ต๐˜ฆ๐˜ด ๐˜ต๐˜ฐ ๐˜ฅ๐˜ฆ๐˜ด๐˜ฑ๐˜ข๐˜ช๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฌ๐˜ฆ๐˜บ๐˜ด ๐˜ต๐˜ฐ ๐˜ณ๐˜ฆ๐˜ท๐˜ช๐˜ท๐˜ฆ ๐˜ญ๐˜ข๐˜ฏ๐˜จ๐˜ถ๐˜ข๐˜จ๐˜ฆ. ๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ฉ๐˜ฆ ๐˜ธ๐˜ข๐˜ฌ๐˜ฆ๐˜ด ๐˜ถ๐˜ฑ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ข๐˜ช๐˜ฏ๐˜ด ๐˜ถ๐˜ฏ๐˜ค๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ฅ ๐˜บ๐˜ฆ๐˜ต ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ด ๐˜ฅ๐˜ช๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ๐˜ต. ๐˜‰๐˜ญ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜บ๐˜ด๐˜ต๐˜ช๐˜ค๐˜ช๐˜ด๐˜ฎ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ-๐˜ถ๐˜ต๐˜ฐ๐˜ฑ๐˜ช๐˜ข, ๐˜š๐˜ธ๐˜ข๐˜ณ๐˜ฎ ๐˜ฆ๐˜น๐˜ฑ๐˜ญ๐˜ฐ๐˜ณ๐˜ฆ๐˜ด ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ช๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฉ๐˜ฐ๐˜ญ๐˜ฅ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ฐ๐˜ธ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ง๐˜ฐ๐˜ณ๐˜ฎ ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ.

Camille Orso Caรซl (fka Camille Picquot) is a filmmaker, photographer and writer. Their artistic work questions normativity, focusing on themes of margins, urban life, resistance and enchantment.

Tickets: https://shorturl.at/pVs3O


26
1 months ago

๐—ก๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ฃ๐—ฟ๐—ถ๐—ฑ๐—ฒ: ๐—™๐—ฟ๐—ผ๐—บ ๐—๐—ฒ๐—ฟ๐—ถ๐—ฐ๐—ต๐—ผ ๐˜๐—ผ ๐—š๐—ฎ๐˜‡๐—ฎ will screen this Sunday at the Netherlands-Flemish Institute in Cairo!

We're excited about this Egyptian premiere, which will be held in the institute's library.

Pictured is a still from the film, a child praying during the 15th anniversary of the death of Yasser Arafat. It's the occasion that brings diplomat Hassan Al Balawi back to his home country, revisiting the landmarks and people that bear witness to decades of struggle for Palestinian liberation.

A documentary by Sven Augustijnen | 2025 | Belgium | 1h33 min | In Arabic and French with English subtitles

Doors 18:30, screening at 19:00 - limited capacity, come early!

@nvicairo


24
1
1 months ago

๐Ÿ”ฅ DANS UNE SEMAINE !! ๐Ÿ”ฅ

PREMIรˆRE BELGE
โœจ๏ธ SWARM โœจ๏ธ
de Camille Orso Caรซl

@bozarbrussels
Mardi 7 avril 2026 - 19h

"Swarm", produit par Auguste Orts, en coproduction avec l'AJC, sera prรฉsentรฉ pour la premiรจre fois le 7 avril ร  BOZAR!

La projection aura lieu en prรฉsence de @orso_cael qui pour l'occasion a concoctรฉ une soirรฉe spรฉciale avec notamment une sรฉlection de courts-mรฉtrages et une lecture de texte.

ร€ ne pas louper !
Rรฉservez rapidement vos places ici ๐Ÿ‘‰ https://www.bozar.be/fr/calendrier/swarm-camille-orso-cael-fka-picquot

@augusteorts @orso_cael @vlaamsaudiovisueelfonds @atelier.jeunes.cineastes @bozarbrussels @ete_78 @stukleuven


17
1
1 months ago

Our own Fairuz Ghammam will present her film ๐—–๐˜‚๐—น๐˜๐˜‚๐˜‚๐—ฟ this Saturday during @caillou.filmfestivaldefilm at @mona_1090_bxl !

This warm and generous work explores aspects of (auto)biography, shared authorship, and collaborative practices. Staged as a walk through her hometown, Kortrijk, Culture riffs on these themes, sewing kernels of family history through a narrative, and a gaze, that oscillates between private and public space.

๐ŸŽฌ ๐—ฆ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฑ๐—ฎ๐˜† ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐Ÿฎ๐Ÿต ๐—ฎ๐˜ ๐Ÿญ๐Ÿฐ:๐Ÿฐ๐Ÿฑ

With @fairuz_solo


26
1 months ago

After a world premiere at Berlinale, Marthe Peters' dear Henry is embarking on a (not so) sleepy journey!

Starting with a Belgian premiere at Courtisane in presence of the director @mamamamarthe

โ–ท Wednesday, Apr 1 2026 20:00
๐—–๐—ผ๐˜‚๐—ฟ๐˜๐—ถ๐˜€๐—ฎ๐—ป๐—ฒ, ๐—š๐—ต๐—ฒ๐—ป๐˜ (๐—•๐—˜)

โ–ท Thursday, Apr 2 2026
๐—จ๐—ฟ๐˜‚๐—ด๐˜‚๐—ฎ๐˜† ๐—œ๐—™๐—™, ๐— ๐—ผ๐—ป๐˜๐—ฒ๐˜ƒ๐—ถ๐—ฑ๐—ฒ๐—ผ (๐—จ๐—ฌ)

โ–ท Apr 1-Apr10
๐—–๐—ฟ๐—ถ๐—ฝ ๐—–๐—ถ๐—ป๐—ฒ @ ๐—˜๐˜€๐—ฝ๐—ผ๐—ผ ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น (๐—™๐—œ)

โ–ท Saturday, Apr 4 2026 11:00
๐—–๐—ผ๐˜‚๐—ฟ๐˜๐—ถ๐˜€๐—ฎ๐—ป๐—ฒ, ๐—š๐—ต๐—ฒ๐—ป๐˜ (๐—•๐—˜)
๐’ฎ๐’ธ๐“‡๐‘’๐‘’๐“ƒ๐’พ๐“ƒ๐‘” & ๐’ฏ๐’ถ๐“๐“€

โ–ท Apr 9โ€“Apr 11 2026
๐—š๐—ผ ๐—ฆ๐—ต๐—ผ๐—ฟ๐˜, ๐—ก๐—ถ๐—ท๐—บ๐—ฒ๐—ด๐—ฒ๐—ป (๐—ก๐—Ÿ)
๐’ฎ๐’ธ๐“‡๐‘’๐‘’๐“ƒ๐’พ๐“ƒ๐‘” & ๐’ฏ๐’ถ๐“๐“€

โ–ท Saturday, Apr 18 2026
๐—ข๐—ฝ๐—ฒ๐—ป ๐—–๐—ถ๐˜๐˜†, ๐—Ÿ๐—ผ๐—ป๐—ฑ๐—ผ๐—ป (๐—š๐—•)
๐’ฎ๐’ธ๐“‡๐‘’๐‘’๐“ƒ๐’พ๐“ƒ๐‘” & ๐’ฏ๐’ถ๐“๐“€

โ–ท Jul 8โ€“Jul 13 2026
๐—•๐—œ๐—ž๐—ฌ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น, ๐—•๐˜‚๐˜€๐—ฎ๐—ป (๐—ž๐—ฅ)

@courtisane.be @biky_filmfest @opencitydocs @goshort @espoocine @cinematecauruguaya


45
2 months ago


โœจ๏ธ SWARM โœจ๏ธ
de Camille Orso Caรซl

Premiรจre belge ร  @bozarbrussels
Mardi 7 avril 2026 - 19h

"Swarm", produit par Auguste Orts et en coproduction avec l'AJC sera prรฉsentรฉ pour la premiรจre fois le 7 avril ร  BOZAR!

La projection commencera ร  19h en prรฉsence de @orso_cael qui pour l'occasion a concoctรฉ une soirรฉe spรฉciale avec une sรฉlection de courts-mรฉtrages, une lecture de texte et bien sรปr son nouveau film "Swarm".

Rรฉservez rapidement vos places ici ๐Ÿ‘‰ https://www.bozar.be/.../swarm-camille-orso-cael-fka-picquot

" Dans une ville muette oรน les รฉcrans sโ€™embrasent, une communautรฉ de dรฉserteurยทses se voue ร  un รฉtrange sommeil. Las de lutter, un jeune travailleur de nuit se rรฉsout ร  les rejoindre. Depuis cet autre pan de rรฉalitรฉ, il rรฉcolte des antidotes ร  lโ€™impuissance au fil de rencontres qui ressuscitent le langage. ร€ son rรฉveil, rien nโ€™a changรฉ mais tout est diffรฉrent. Swarm est une ode aux collisions magiques et ร  lโ€™imaginaire comme moyen de transformer le rรฉel. "

@augusteorts @orso_cael @vlaamsaudiovisueelfonds @atelier.jeunes.cineastes @bozarbrussels @ete_78 @stukleuven


9
1
2 months ago

๐—ฆ๐˜„๐—ฎ๐—ฟ๐—บ is awakening!

After a long gestation, weโ€™re excited to present the Belgian premiere of ๐—ฆ๐˜„๐—ฎ๐—ฟ๐—บ by ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ข๐—ฟ๐˜€๐—ผ ๐—–๐—ฎ๐—ฒ๐—น in @bozarbrussels on April 7 at 19:00. Blending mysticism and counter-utopia, Swarm explores how imagination holds the power to transform reality. Set in a mute city where videos of wildfires go viral, the film follows figures succumbing to an enigmatic slumber. A community forms, gathering antidotes to despair and keys to revive language.

For this special occasion, @orso_cael has curated a programme of short films to accompany their work, exploring themes of dissidence, language, and movement, as well as a live performance based on a poetic text.

Tickets can be purchased here: https://www.bozar.be/en/calendar/swarm-camille-orso-cael

A very warm and huge thank you to all who have given this dream shape:

Actor ๐—ก๐—ถ๐—ฎ๐—น๐—น ๐—ฃ๐—น๐˜‚๐—บ๐—ฏ
Cinematography ๐—ฅ๐—ฎ๐—ถ๐—บ๐—ผ๐—ป ๐—š๐—ฎ๐—ณ๐—ณ๐—ถ๐—ฒ๐—ฟ
Sound ๐—š๐—ถ๐˜‚๐—น๐—ถ๐—ผ ๐—˜๐—ฟ๐—ฎ๐˜€๐—บ๐˜‚๐˜€
Production assistant ๐—ฆ๐—ผ๐—ฝ๐—ต๐—ถ๐—ฒ ๐—ฑ๐—ฒ ๐—ฆ๐—ฒ๐—ฟ๐—ถ๐—ฒ๐—ฟ๐—ฒ
Editing ๐—Ÿ๐—ถ๐˜†๐—ผ ๐—š๐—ผ๐—ป๐—ด
Music ๐—•๐—ฎ๐˜€๐—ถ๐—น๐—ฒ๐Ÿฏ
Sound editing & mixing ๐—Ÿ๐—ฎ๐˜€๐˜‡๐—น๐—ผ ๐—จ๐—บ๐—ฏ๐—ฟ๐—ฒ๐—ถ๐˜ ๐—ฎ๐˜ ๐—˜๐—บ๐—ฝ๐—ถ๐—ฟ๐—ฒ ๐——๐—ถ๐—ด๐—ถ๐˜๐—ฎ๐—น
Poem & photographs ๐—–๐—ฎ๐—บ๐—ถ๐—น๐—น๐—ฒ ๐—ข๐—ฟ๐˜€๐—ผ ๐—–๐—ฎ๐—ฒ๐—น
Grading ๐—•๐—ฒ๐—ป๐—ท๐—ฎ๐—บ๐—ถ๐—ป ๐—š๐—ฟ๐—ถ๐—ป๐—ฎ๐—ป๐—ฑ
Graphic Design ๐—”๐—น๐—น๐—ถ๐—ฎ๐—ด๐—ฒ
Produced by ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜๐—ฒ ๐—ข๐—ฟ๐˜๐˜€
Co-produced by ๐—”๐˜๐—ฒ๐—น๐—ถ๐—ฒ๐—ฟ ๐—๐—ฒ๐˜‚๐—ป๐—ฒ๐˜€ ๐—–๐—ถ๐—ป๐—ฒ๐—ฎ๐˜€๐˜๐—ฒ๐˜€ & ๐—ฆ๐—ง๐—จ๐—ž, ๐—›๐—ผ๐˜‚๐˜€๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐——๐—ฎ๐—ป๐—ฐ๐—ฒ, ๐—œ๐—บ๐—ฎ๐—ด๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฆ๐—ผ๐˜‚๐—ป๐—ฑ
With the support of ๐—ฉ๐—น๐—ฎ๐—ฎ๐—บ๐˜€ ๐—”๐˜‚๐—ฑ๐—ถ๐—ผ๐˜ƒ๐—ถ๐˜€๐˜‚๐—ฒ๐—ฒ๐—น ๐—™๐—ผ๐—ป๐—ฑ๐˜€, ๐—ฉ๐—น๐—ฎ๐—ฎ๐—บ๐˜€๐—ฒ ๐—š๐—ฒ๐—บ๐—ฒ๐—ฒ๐—ป๐˜€๐—ฐ๐—ต๐—ฎ๐—ฝ๐˜€๐—ฐ๐—ผ๐—บ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ฒ ๐—˜๐—ง๐—˜ ๐Ÿณ๐Ÿด, ๐—™๐—ฟ๐—ถ๐—ฒ๐—ป๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜๐—ฒ ๐—ข๐—ฟ๐˜๐˜€ ๐—™๐˜‚๐—ป๐—ฑ

@vlaamsaudiovisueelfonds
@ete_78
@atelier.jeunes.cineastes
@stukleuven


15
2 months ago


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