Instagram Story Save

pre- and post-performance notes by @stine_diana (1-5) and @marjolein_guldentops (6) from “Passing On, Passage of Solid Presence”, at De Brakke Grond (@brakkegrond) Amsterdam, October 2025

Special note of gratitude, this vocal performance would not have known it’s cascading fluidity without the generous input, joy and trust of my fellow performers Marjolein Guldentops (@marjolein_guldentops) and Stine Sampers (@stine_diana), neither it’s wonderful cinematographic documentation, captured by the magical eyes of Anna Lugmeier (@applebacon1990)

Feeling blessed

.

pre- and post-performance notes by @stine_diana (1-5) and @marjolein_guldentops (6) from “Passing On, Passage of Solid Presence”, at De Brakke Grond (@brakkegrond) Amsterdam, October 2025

Special note of gratitude, this vocal performance would not have known it’s cascading fluidity without the generous input, joy and trust of my fellow performers Marjolein Guldentops (@marjolein_guldentops) and Stine Sampers (@stine_diana), neither it’s wonderful cinematographic documentation, captured by the magical eyes of Anna Lugmeier (@applebacon1990)

Feeling blessed

.

pre- and post-performance notes by @stine_diana (1-5) and @marjolein_guldentops (6) from “Passing On, Passage of Solid Presence”, at De Brakke Grond (@brakkegrond) Amsterdam, October 2025

Special note of gratitude, this vocal performance would not have known it’s cascading fluidity without the generous input, joy and trust of my fellow performers Marjolein Guldentops (@marjolein_guldentops) and Stine Sampers (@stine_diana), neither it’s wonderful cinematographic documentation, captured by the magical eyes of Anna Lugmeier (@applebacon1990)

Feeling blessed

.

pre- and post-performance notes by @stine_diana (1-5) and @marjolein_guldentops (6) from “Passing On, Passage of Solid Presence”, at De Brakke Grond (@brakkegrond) Amsterdam, October 2025

Special note of gratitude, this vocal performance would not have known it’s cascading fluidity without the generous input, joy and trust of my fellow performers Marjolein Guldentops (@marjolein_guldentops) and Stine Sampers (@stine_diana), neither it’s wonderful cinematographic documentation, captured by the magical eyes of Anna Lugmeier (@applebacon1990)

Feeling blessed

.

pre- and post-performance notes by @stine_diana (1-5) and @marjolein_guldentops (6) from “Passing On, Passage of Solid Presence”, at De Brakke Grond (@brakkegrond) Amsterdam, October 2025

Special note of gratitude, this vocal performance would not have known it’s cascading fluidity without the generous input, joy and trust of my fellow performers Marjolein Guldentops (@marjolein_guldentops) and Stine Sampers (@stine_diana), neither it’s wonderful cinematographic documentation, captured by the magical eyes of Anna Lugmeier (@applebacon1990)

Feeling blessed

.

pre- and post-performance notes by @stine_diana (1-5) and @marjolein_guldentops (6) from “Passing On, Passage of Solid Presence”, at De Brakke Grond (@brakkegrond) Amsterdam, October 2025

Special note of gratitude, this vocal performance would not have known it’s cascading fluidity without the generous input, joy and trust of my fellow performers Marjolein Guldentops (@marjolein_guldentops) and Stine Sampers (@stine_diana), neither it’s wonderful cinematographic documentation, captured by the magical eyes of Anna Lugmeier (@applebacon1990)

Feeling blessed

.

Last time i filmed for @dianabarbosagil & @tita.maravilha
❀
𓀤
𖤐
This play with the title "BUY YOURSELF A SOFA" is dedicated to their aunts & mothers, subjective warriors. Stories carried in their bodies. Aunts who fed them, who kept them in their wallets, who hid them in their hearts. Aunts who deserved more than applause: they deserved a golden couch, imported pans, and a huge TV to watch soap operas while shouting.

Thank you for your trust and your incredibly strong piece Diana & Tita <3

‚(♡⌒▽⌒♡)‘
go & program this piece!

sofa design: Michael Reindel @triedsomanytimes
fabric design: moi @applebacon1990
technician: Jonas Mayr
filming+editing: @applebacon1990
production: @dianabarbosagil

Premiere at BRUX – Freies Theater Innsbruck, AT 2025
(VORBRENNER)
@brux.freies.theater.innsbruck @vorbrenner

Avant premiere of our short film (me + @applebacon1990 + team 🐦‍🔥) Artemys Revival & sound set Ear Balm by Hannah Todt who made our soundtrack

as part of Swamp Sacrifices programme at @kanal.centrepompidou by @p.a.u.l.a_almiron and Wouter de Raeve
produced by @hiros.be

I am shooting you with my eyeball
I am trying not to forget 
That it’s round wet soft
Weighs as much as a 2 euro coin
And usually it is covered by the curtain of my eye lid
Good night

Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels - a place of gatherings, dialogue and queer resistance, founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XIXth century gallery passage - Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people.

concept, direction: Mar* Szydłowska & Anna Lugmeier; cinematography: Anna Lugmeier; editing: Mar* Szydłowska, Anna Lugmeier; sound on set: Laura Weissenberger-Silva
soundtrack: Hannah Todt, Mar* Szydłowska; sound design: Michael R.J. Crabbé; colour grading: Marie-Sarah Piron; styling & costume: Laura Weissenberger-Silva; starring: Mar* Szydłowska, Abigail Aleksander, Galerie Bortier; special thanks to: Alex Auris, Sofia Dati, Mattijs Driesen, The Green Corridor, Meg Mackenzies, Marian Lens, Nathaniel Moore, Emma Ydiers; Supported by Vlaamse Gemeenschapscommisie.

Avant premiere of our short film (me + @applebacon1990 + team 🐦‍🔥) Artemys Revival & sound set Ear Balm by Hannah Todt who made our soundtrack

as part of Swamp Sacrifices programme at @kanal.centrepompidou by @p.a.u.l.a_almiron and Wouter de Raeve
produced by @hiros.be

I am shooting you with my eyeball
I am trying not to forget 
That it’s round wet soft
Weighs as much as a 2 euro coin
And usually it is covered by the curtain of my eye lid
Good night

Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels - a place of gatherings, dialogue and queer resistance, founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XIXth century gallery passage - Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people.

concept, direction: Mar* Szydłowska & Anna Lugmeier; cinematography: Anna Lugmeier; editing: Mar* Szydłowska, Anna Lugmeier; sound on set: Laura Weissenberger-Silva
soundtrack: Hannah Todt, Mar* Szydłowska; sound design: Michael R.J. Crabbé; colour grading: Marie-Sarah Piron; styling & costume: Laura Weissenberger-Silva; starring: Mar* Szydłowska, Abigail Aleksander, Galerie Bortier; special thanks to: Alex Auris, Sofia Dati, Mattijs Driesen, The Green Corridor, Meg Mackenzies, Marian Lens, Nathaniel Moore, Emma Ydiers; Supported by Vlaamse Gemeenschapscommisie.

Avant premiere of our short film (me + @applebacon1990 + team 🐦‍🔥) Artemys Revival & sound set Ear Balm by Hannah Todt who made our soundtrack

as part of Swamp Sacrifices programme at @kanal.centrepompidou by @p.a.u.l.a_almiron and Wouter de Raeve
produced by @hiros.be

I am shooting you with my eyeball
I am trying not to forget 
That it’s round wet soft
Weighs as much as a 2 euro coin
And usually it is covered by the curtain of my eye lid
Good night

Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels - a place of gatherings, dialogue and queer resistance, founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XIXth century gallery passage - Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people.

concept, direction: Mar* Szydłowska & Anna Lugmeier; cinematography: Anna Lugmeier; editing: Mar* Szydłowska, Anna Lugmeier; sound on set: Laura Weissenberger-Silva
soundtrack: Hannah Todt, Mar* Szydłowska; sound design: Michael R.J. Crabbé; colour grading: Marie-Sarah Piron; styling & costume: Laura Weissenberger-Silva; starring: Mar* Szydłowska, Abigail Aleksander, Galerie Bortier; special thanks to: Alex Auris, Sofia Dati, Mattijs Driesen, The Green Corridor, Meg Mackenzies, Marian Lens, Nathaniel Moore, Emma Ydiers; Supported by Vlaamse Gemeenschapscommisie.

Avant premiere of our short film (me + @applebacon1990 + team 🐦‍🔥) Artemys Revival & sound set Ear Balm by Hannah Todt who made our soundtrack

as part of Swamp Sacrifices programme at @kanal.centrepompidou by @p.a.u.l.a_almiron and Wouter de Raeve
produced by @hiros.be

I am shooting you with my eyeball
I am trying not to forget 
That it’s round wet soft
Weighs as much as a 2 euro coin
And usually it is covered by the curtain of my eye lid
Good night

Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels - a place of gatherings, dialogue and queer resistance, founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XIXth century gallery passage - Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people.

concept, direction: Mar* Szydłowska & Anna Lugmeier; cinematography: Anna Lugmeier; editing: Mar* Szydłowska, Anna Lugmeier; sound on set: Laura Weissenberger-Silva
soundtrack: Hannah Todt, Mar* Szydłowska; sound design: Michael R.J. Crabbé; colour grading: Marie-Sarah Piron; styling & costume: Laura Weissenberger-Silva; starring: Mar* Szydłowska, Abigail Aleksander, Galerie Bortier; special thanks to: Alex Auris, Sofia Dati, Mattijs Driesen, The Green Corridor, Meg Mackenzies, Marian Lens, Nathaniel Moore, Emma Ydiers; Supported by Vlaamse Gemeenschapscommisie.

Avant premiere of our short film (me + @applebacon1990 + team 🐦‍🔥) Artemys Revival & sound set Ear Balm by Hannah Todt who made our soundtrack

as part of Swamp Sacrifices programme at @kanal.centrepompidou by @p.a.u.l.a_almiron and Wouter de Raeve
produced by @hiros.be

I am shooting you with my eyeball
I am trying not to forget 
That it’s round wet soft
Weighs as much as a 2 euro coin
And usually it is covered by the curtain of my eye lid
Good night

Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels - a place of gatherings, dialogue and queer resistance, founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XIXth century gallery passage - Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people.

concept, direction: Mar* Szydłowska & Anna Lugmeier; cinematography: Anna Lugmeier; editing: Mar* Szydłowska, Anna Lugmeier; sound on set: Laura Weissenberger-Silva
soundtrack: Hannah Todt, Mar* Szydłowska; sound design: Michael R.J. Crabbé; colour grading: Marie-Sarah Piron; styling & costume: Laura Weissenberger-Silva; starring: Mar* Szydłowska, Abigail Aleksander, Galerie Bortier; special thanks to: Alex Auris, Sofia Dati, Mattijs Driesen, The Green Corridor, Meg Mackenzies, Marian Lens, Nathaniel Moore, Emma Ydiers; Supported by Vlaamse Gemeenschapscommisie.

Avant premiere of our short film (me + @applebacon1990 + team 🐦‍🔥) Artemys Revival & sound set Ear Balm by Hannah Todt who made our soundtrack

as part of Swamp Sacrifices programme at @kanal.centrepompidou by @p.a.u.l.a_almiron and Wouter de Raeve
produced by @hiros.be

I am shooting you with my eyeball
I am trying not to forget 
That it’s round wet soft
Weighs as much as a 2 euro coin
And usually it is covered by the curtain of my eye lid
Good night

Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels - a place of gatherings, dialogue and queer resistance, founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XIXth century gallery passage - Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people.

concept, direction: Mar* Szydłowska & Anna Lugmeier; cinematography: Anna Lugmeier; editing: Mar* Szydłowska, Anna Lugmeier; sound on set: Laura Weissenberger-Silva
soundtrack: Hannah Todt, Mar* Szydłowska; sound design: Michael R.J. Crabbé; colour grading: Marie-Sarah Piron; styling & costume: Laura Weissenberger-Silva; starring: Mar* Szydłowska, Abigail Aleksander, Galerie Bortier; special thanks to: Alex Auris, Sofia Dati, Mattijs Driesen, The Green Corridor, Meg Mackenzies, Marian Lens, Nathaniel Moore, Emma Ydiers; Supported by Vlaamse Gemeenschapscommisie.

4/10 as part of Swamp Sacrifices:

Artemys revival, a film by Mar* Szydłowska & Anna Lugmeier

Avant-première
Dur: 28 min

I am shooting you with my eyeball
I am trying not to forget
That it’s round wet soft
Weighs as much as a 2 euro coin
And usually it is covered by the curtain of my eye lid
Good night

Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels – a place of gatherings, dialogue and queer resistance – founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XIXth century gallery passage Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people.

IN RESIDENCE AT VAA NAC

Anna Lugmeier
@applebacon1990

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier and Laura Weissenberger-Silva engage with lost fragments of femme storytelling and myth-making in their filmic collaboration. Currently they are writing on a screenplay for a Sci-Fi short film set in the Parnidis dune, following its characteristics of a living time capsule organism.

They use Script, editing, and visual composition as tools that directly correlate the articulation of narratives to the living conditions of FLINTAQ people and understanding film making as deeply entangled into tangible conditions of a patriarchal culture. They especially focus on the critical interaction with the medium film itself, looking at the extractive gesture of their filmic tools and thus including them as active characters to the field of the narrative.

During the second part of their residency at NAC they focused on location scouting, revising the script, conducting on-site research in the dunes, and meeting with possible collaborators for this project.

IN RESIDENCE AT VAA NAC

Anna Lugmeier
@applebacon1990

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier and Laura Weissenberger-Silva engage with lost fragments of femme storytelling and myth-making in their filmic collaboration. Currently they are writing on a screenplay for a Sci-Fi short film set in the Parnidis dune, following its characteristics of a living time capsule organism.

They use Script, editing, and visual composition as tools that directly correlate the articulation of narratives to the living conditions of FLINTAQ people and understanding film making as deeply entangled into tangible conditions of a patriarchal culture. They especially focus on the critical interaction with the medium film itself, looking at the extractive gesture of their filmic tools and thus including them as active characters to the field of the narrative.

During the second part of their residency at NAC they focused on location scouting, revising the script, conducting on-site research in the dunes, and meeting with possible collaborators for this project.

IN RESIDENCE AT VAA NAC

Anna Lugmeier
@applebacon1990

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier and Laura Weissenberger-Silva engage with lost fragments of femme storytelling and myth-making in their filmic collaboration. Currently they are writing on a screenplay for a Sci-Fi short film set in the Parnidis dune, following its characteristics of a living time capsule organism.

They use Script, editing, and visual composition as tools that directly correlate the articulation of narratives to the living conditions of FLINTAQ people and understanding film making as deeply entangled into tangible conditions of a patriarchal culture. They especially focus on the critical interaction with the medium film itself, looking at the extractive gesture of their filmic tools and thus including them as active characters to the field of the narrative.

During the second part of their residency at NAC they focused on location scouting, revising the script, conducting on-site research in the dunes, and meeting with possible collaborators for this project.

IN RESIDENCE AT VAA NAC

Anna Lugmeier
@applebacon1990

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier and Laura Weissenberger-Silva engage with lost fragments of femme storytelling and myth-making in their filmic collaboration. Currently they are writing on a screenplay for a Sci-Fi short film set in the Parnidis dune, following its characteristics of a living time capsule organism.

They use Script, editing, and visual composition as tools that directly correlate the articulation of narratives to the living conditions of FLINTAQ people and understanding film making as deeply entangled into tangible conditions of a patriarchal culture. They especially focus on the critical interaction with the medium film itself, looking at the extractive gesture of their filmic tools and thus including them as active characters to the field of the narrative.

During the second part of their residency at NAC they focused on location scouting, revising the script, conducting on-site research in the dunes, and meeting with possible collaborators for this project.

IN RESIDENCE AT VAA NAC

Anna Lugmeier
@applebacon1990

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier and Laura Weissenberger-Silva engage with lost fragments of femme storytelling and myth-making in their filmic collaboration. Currently they are writing on a screenplay for a Sci-Fi short film set in the Parnidis dune, following its characteristics of a living time capsule organism.

They use Script, editing, and visual composition as tools that directly correlate the articulation of narratives to the living conditions of FLINTAQ people and understanding film making as deeply entangled into tangible conditions of a patriarchal culture. They especially focus on the critical interaction with the medium film itself, looking at the extractive gesture of their filmic tools and thus including them as active characters to the field of the narrative.

During the second part of their residency at NAC they focused on location scouting, revising the script, conducting on-site research in the dunes, and meeting with possible collaborators for this project.

IN RESIDENCE AT VAA NAC

Anna Lugmeier
@applebacon1990

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier and Laura Weissenberger-Silva engage with lost fragments of femme storytelling and myth-making in their filmic collaboration. Currently they are writing on a screenplay for a Sci-Fi short film set in the Parnidis dune, following its characteristics of a living time capsule organism.

They use Script, editing, and visual composition as tools that directly correlate the articulation of narratives to the living conditions of FLINTAQ people and understanding film making as deeply entangled into tangible conditions of a patriarchal culture. They especially focus on the critical interaction with the medium film itself, looking at the extractive gesture of their filmic tools and thus including them as active characters to the field of the narrative.

During the second part of their residency at NAC they focused on location scouting, revising the script, conducting on-site research in the dunes, and meeting with possible collaborators for this project.

IN RESIDENCE AT VAA NAC

Anna Lugmeier
@applebacon1990

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier and Laura Weissenberger-Silva engage with lost fragments of femme storytelling and myth-making in their filmic collaboration. Currently they are writing on a screenplay for a Sci-Fi short film set in the Parnidis dune, following its characteristics of a living time capsule organism.

They use Script, editing, and visual composition as tools that directly correlate the articulation of narratives to the living conditions of FLINTAQ people and understanding film making as deeply entangled into tangible conditions of a patriarchal culture. They especially focus on the critical interaction with the medium film itself, looking at the extractive gesture of their filmic tools and thus including them as active characters to the field of the narrative.

During the second part of their residency at NAC they focused on location scouting, revising the script, conducting on-site research in the dunes, and meeting with possible collaborators for this project.

IN RESIDENCE AT VAA NAC

Anna Lugmeier
@applebacon1990

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier and Laura Weissenberger-Silva engage with lost fragments of femme storytelling and myth-making in their filmic collaboration. Currently they are writing on a screenplay for a Sci-Fi short film set in the Parnidis dune, following its characteristics of a living time capsule organism.

They use Script, editing, and visual composition as tools that directly correlate the articulation of narratives to the living conditions of FLINTAQ people and understanding film making as deeply entangled into tangible conditions of a patriarchal culture. They especially focus on the critical interaction with the medium film itself, looking at the extractive gesture of their filmic tools and thus including them as active characters to the field of the narrative.

During the second part of their residency at NAC they focused on location scouting, revising the script, conducting on-site research in the dunes, and meeting with possible collaborators for this project.

IN RESIDENCE AT VAA NAC

Anna Lugmeier
@applebacon1990

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier and Laura Weissenberger-Silva engage with lost fragments of femme storytelling and myth-making in their filmic collaboration. Currently they are writing on a screenplay for a Sci-Fi short film set in the Parnidis dune, following its characteristics of a living time capsule organism.

They use Script, editing, and visual composition as tools that directly correlate the articulation of narratives to the living conditions of FLINTAQ people and understanding film making as deeply entangled into tangible conditions of a patriarchal culture. They especially focus on the critical interaction with the medium film itself, looking at the extractive gesture of their filmic tools and thus including them as active characters to the field of the narrative.

During the second part of their residency at NAC they focused on location scouting, revising the script, conducting on-site research in the dunes, and meeting with possible collaborators for this project.

IN RESIDENCE AT VAA NAC

Anna Lugmeier
@applebacon1990

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier and Laura Weissenberger-Silva engage with lost fragments of femme storytelling and myth-making in their filmic collaboration. Currently they are writing on a screenplay for a Sci-Fi short film set in the Parnidis dune, following its characteristics of a living time capsule organism.

They use Script, editing, and visual composition as tools that directly correlate the articulation of narratives to the living conditions of FLINTAQ people and understanding film making as deeply entangled into tangible conditions of a patriarchal culture. They especially focus on the critical interaction with the medium film itself, looking at the extractive gesture of their filmic tools and thus including them as active characters to the field of the narrative.

During the second part of their residency at NAC they focused on location scouting, revising the script, conducting on-site research in the dunes, and meeting with possible collaborators for this project.

Brussels, earlier this year.
today i miss my life and my friends in brussels and i miss federico. He always makes me feel at home. what a fucking privilege to have a home and to have friends and to live despite everything going to shits.

Brussels, earlier this year.
today i miss my life and my friends in brussels and i miss federico. He always makes me feel at home. what a fucking privilege to have a home and to have friends and to live despite everything going to shits.

Brussels, earlier this year.
today i miss my life and my friends in brussels and i miss federico. He always makes me feel at home. what a fucking privilege to have a home and to have friends and to live despite everything going to shits.

Brussels, earlier this year.
today i miss my life and my friends in brussels and i miss federico. He always makes me feel at home. what a fucking privilege to have a home and to have friends and to live despite everything going to shits.

Brussels, earlier this year.
today i miss my life and my friends in brussels and i miss federico. He always makes me feel at home. what a fucking privilege to have a home and to have friends and to live despite everything going to shits.

Brussels, earlier this year.
today i miss my life and my friends in brussels and i miss federico. He always makes me feel at home. what a fucking privilege to have a home and to have friends and to live despite everything going to shits.

ここね💥
this is the city imagined and built with the young people of @kodomomura_hot station in tokyo, in arakawa.

it was shown under a (for its tiny citizens) huge glass ceiling, which in real life luckily doesn´t exist, because it would get extremely hot.

nevertheless in tokyo during this time we experienced a great heat and it made thinking become dizzy or blurry or almost impossible. so, this little text are words, who melted away under the impact of hot air, a visceral feeling of being stuck in-between sun and asphalt dreaming about a city which is made for its people.
because, isn´t it stunning, how our daily routines, such as commuting to work, to school or to kindergarten or simply being around makes city people, no matter where we are located on the globe become citizens of the asphalt, moving around on sealed grounds.
And in summertime it gets even hotter, then people get warned to go outside, especially elderly people and that it is also due to the sealed surfaces everywhere, reflecting the sunlight and thus heating up the urban surroundings.

So in our little city there are mini pathways connecting the small houses, which are green or pink or yellow & not made out of asphalt.

In the fabric quarter of nippori there is a man painting the most beautiful fabrics, while you cannot find him on google maps i put coordinates in the comments. And there @triedsomanytimes got this beautiful piece of fabric for me to put it as a ground for the tiny city.

A great Thank you to @kodomomura_hot station for being the most incredible humans of this city, while building a space of togetherness for young people.

I am grateful for the invitation from @dianabarbosagil to contribute to the exhibition KOKONE ここね @studio_gross a special space for architecture, art, film making and curation in Arakawa, Tokyo.

For some people for various reasons its difficult to call a place your home and building small houses together was a sensitive process realizing that.
The workshop at kodomomura hotstation we did with @vikbayer @triedsomanytimes @dianabarbosagil & in the last 2 pictures you can see us trying to invent a new technology to receive good collective vibes in the city..

ここね💥
this is the city imagined and built with the young people of @kodomomura_hot station in tokyo, in arakawa.

it was shown under a (for its tiny citizens) huge glass ceiling, which in real life luckily doesn´t exist, because it would get extremely hot.

nevertheless in tokyo during this time we experienced a great heat and it made thinking become dizzy or blurry or almost impossible. so, this little text are words, who melted away under the impact of hot air, a visceral feeling of being stuck in-between sun and asphalt dreaming about a city which is made for its people.
because, isn´t it stunning, how our daily routines, such as commuting to work, to school or to kindergarten or simply being around makes city people, no matter where we are located on the globe become citizens of the asphalt, moving around on sealed grounds.
And in summertime it gets even hotter, then people get warned to go outside, especially elderly people and that it is also due to the sealed surfaces everywhere, reflecting the sunlight and thus heating up the urban surroundings.

So in our little city there are mini pathways connecting the small houses, which are green or pink or yellow & not made out of asphalt.

In the fabric quarter of nippori there is a man painting the most beautiful fabrics, while you cannot find him on google maps i put coordinates in the comments. And there @triedsomanytimes got this beautiful piece of fabric for me to put it as a ground for the tiny city.

A great Thank you to @kodomomura_hot station for being the most incredible humans of this city, while building a space of togetherness for young people.

I am grateful for the invitation from @dianabarbosagil to contribute to the exhibition KOKONE ここね @studio_gross a special space for architecture, art, film making and curation in Arakawa, Tokyo.

For some people for various reasons its difficult to call a place your home and building small houses together was a sensitive process realizing that.
The workshop at kodomomura hotstation we did with @vikbayer @triedsomanytimes @dianabarbosagil & in the last 2 pictures you can see us trying to invent a new technology to receive good collective vibes in the city..

ここね💥
this is the city imagined and built with the young people of @kodomomura_hot station in tokyo, in arakawa.

it was shown under a (for its tiny citizens) huge glass ceiling, which in real life luckily doesn´t exist, because it would get extremely hot.

nevertheless in tokyo during this time we experienced a great heat and it made thinking become dizzy or blurry or almost impossible. so, this little text are words, who melted away under the impact of hot air, a visceral feeling of being stuck in-between sun and asphalt dreaming about a city which is made for its people.
because, isn´t it stunning, how our daily routines, such as commuting to work, to school or to kindergarten or simply being around makes city people, no matter where we are located on the globe become citizens of the asphalt, moving around on sealed grounds.
And in summertime it gets even hotter, then people get warned to go outside, especially elderly people and that it is also due to the sealed surfaces everywhere, reflecting the sunlight and thus heating up the urban surroundings.

So in our little city there are mini pathways connecting the small houses, which are green or pink or yellow & not made out of asphalt.

In the fabric quarter of nippori there is a man painting the most beautiful fabrics, while you cannot find him on google maps i put coordinates in the comments. And there @triedsomanytimes got this beautiful piece of fabric for me to put it as a ground for the tiny city.

A great Thank you to @kodomomura_hot station for being the most incredible humans of this city, while building a space of togetherness for young people.

I am grateful for the invitation from @dianabarbosagil to contribute to the exhibition KOKONE ここね @studio_gross a special space for architecture, art, film making and curation in Arakawa, Tokyo.

For some people for various reasons its difficult to call a place your home and building small houses together was a sensitive process realizing that.
The workshop at kodomomura hotstation we did with @vikbayer @triedsomanytimes @dianabarbosagil & in the last 2 pictures you can see us trying to invent a new technology to receive good collective vibes in the city..

ここね💥
this is the city imagined and built with the young people of @kodomomura_hot station in tokyo, in arakawa.

it was shown under a (for its tiny citizens) huge glass ceiling, which in real life luckily doesn´t exist, because it would get extremely hot.

nevertheless in tokyo during this time we experienced a great heat and it made thinking become dizzy or blurry or almost impossible. so, this little text are words, who melted away under the impact of hot air, a visceral feeling of being stuck in-between sun and asphalt dreaming about a city which is made for its people.
because, isn´t it stunning, how our daily routines, such as commuting to work, to school or to kindergarten or simply being around makes city people, no matter where we are located on the globe become citizens of the asphalt, moving around on sealed grounds.
And in summertime it gets even hotter, then people get warned to go outside, especially elderly people and that it is also due to the sealed surfaces everywhere, reflecting the sunlight and thus heating up the urban surroundings.

So in our little city there are mini pathways connecting the small houses, which are green or pink or yellow & not made out of asphalt.

In the fabric quarter of nippori there is a man painting the most beautiful fabrics, while you cannot find him on google maps i put coordinates in the comments. And there @triedsomanytimes got this beautiful piece of fabric for me to put it as a ground for the tiny city.

A great Thank you to @kodomomura_hot station for being the most incredible humans of this city, while building a space of togetherness for young people.

I am grateful for the invitation from @dianabarbosagil to contribute to the exhibition KOKONE ここね @studio_gross a special space for architecture, art, film making and curation in Arakawa, Tokyo.

For some people for various reasons its difficult to call a place your home and building small houses together was a sensitive process realizing that.
The workshop at kodomomura hotstation we did with @vikbayer @triedsomanytimes @dianabarbosagil & in the last 2 pictures you can see us trying to invent a new technology to receive good collective vibes in the city..

ここね💥
this is the city imagined and built with the young people of @kodomomura_hot station in tokyo, in arakawa.

it was shown under a (for its tiny citizens) huge glass ceiling, which in real life luckily doesn´t exist, because it would get extremely hot.

nevertheless in tokyo during this time we experienced a great heat and it made thinking become dizzy or blurry or almost impossible. so, this little text are words, who melted away under the impact of hot air, a visceral feeling of being stuck in-between sun and asphalt dreaming about a city which is made for its people.
because, isn´t it stunning, how our daily routines, such as commuting to work, to school or to kindergarten or simply being around makes city people, no matter where we are located on the globe become citizens of the asphalt, moving around on sealed grounds.
And in summertime it gets even hotter, then people get warned to go outside, especially elderly people and that it is also due to the sealed surfaces everywhere, reflecting the sunlight and thus heating up the urban surroundings.

So in our little city there are mini pathways connecting the small houses, which are green or pink or yellow & not made out of asphalt.

In the fabric quarter of nippori there is a man painting the most beautiful fabrics, while you cannot find him on google maps i put coordinates in the comments. And there @triedsomanytimes got this beautiful piece of fabric for me to put it as a ground for the tiny city.

A great Thank you to @kodomomura_hot station for being the most incredible humans of this city, while building a space of togetherness for young people.

I am grateful for the invitation from @dianabarbosagil to contribute to the exhibition KOKONE ここね @studio_gross a special space for architecture, art, film making and curation in Arakawa, Tokyo.

For some people for various reasons its difficult to call a place your home and building small houses together was a sensitive process realizing that.
The workshop at kodomomura hotstation we did with @vikbayer @triedsomanytimes @dianabarbosagil & in the last 2 pictures you can see us trying to invent a new technology to receive good collective vibes in the city..

ここね💥
this is the city imagined and built with the young people of @kodomomura_hot station in tokyo, in arakawa.

it was shown under a (for its tiny citizens) huge glass ceiling, which in real life luckily doesn´t exist, because it would get extremely hot.

nevertheless in tokyo during this time we experienced a great heat and it made thinking become dizzy or blurry or almost impossible. so, this little text are words, who melted away under the impact of hot air, a visceral feeling of being stuck in-between sun and asphalt dreaming about a city which is made for its people.
because, isn´t it stunning, how our daily routines, such as commuting to work, to school or to kindergarten or simply being around makes city people, no matter where we are located on the globe become citizens of the asphalt, moving around on sealed grounds.
And in summertime it gets even hotter, then people get warned to go outside, especially elderly people and that it is also due to the sealed surfaces everywhere, reflecting the sunlight and thus heating up the urban surroundings.

So in our little city there are mini pathways connecting the small houses, which are green or pink or yellow & not made out of asphalt.

In the fabric quarter of nippori there is a man painting the most beautiful fabrics, while you cannot find him on google maps i put coordinates in the comments. And there @triedsomanytimes got this beautiful piece of fabric for me to put it as a ground for the tiny city.

A great Thank you to @kodomomura_hot station for being the most incredible humans of this city, while building a space of togetherness for young people.

I am grateful for the invitation from @dianabarbosagil to contribute to the exhibition KOKONE ここね @studio_gross a special space for architecture, art, film making and curation in Arakawa, Tokyo.

For some people for various reasons its difficult to call a place your home and building small houses together was a sensitive process realizing that.
The workshop at kodomomura hotstation we did with @vikbayer @triedsomanytimes @dianabarbosagil & in the last 2 pictures you can see us trying to invent a new technology to receive good collective vibes in the city..

ここね💥
this is the city imagined and built with the young people of @kodomomura_hot station in tokyo, in arakawa.

it was shown under a (for its tiny citizens) huge glass ceiling, which in real life luckily doesn´t exist, because it would get extremely hot.

nevertheless in tokyo during this time we experienced a great heat and it made thinking become dizzy or blurry or almost impossible. so, this little text are words, who melted away under the impact of hot air, a visceral feeling of being stuck in-between sun and asphalt dreaming about a city which is made for its people.
because, isn´t it stunning, how our daily routines, such as commuting to work, to school or to kindergarten or simply being around makes city people, no matter where we are located on the globe become citizens of the asphalt, moving around on sealed grounds.
And in summertime it gets even hotter, then people get warned to go outside, especially elderly people and that it is also due to the sealed surfaces everywhere, reflecting the sunlight and thus heating up the urban surroundings.

So in our little city there are mini pathways connecting the small houses, which are green or pink or yellow & not made out of asphalt.

In the fabric quarter of nippori there is a man painting the most beautiful fabrics, while you cannot find him on google maps i put coordinates in the comments. And there @triedsomanytimes got this beautiful piece of fabric for me to put it as a ground for the tiny city.

A great Thank you to @kodomomura_hot station for being the most incredible humans of this city, while building a space of togetherness for young people.

I am grateful for the invitation from @dianabarbosagil to contribute to the exhibition KOKONE ここね @studio_gross a special space for architecture, art, film making and curation in Arakawa, Tokyo.

For some people for various reasons its difficult to call a place your home and building small houses together was a sensitive process realizing that.
The workshop at kodomomura hotstation we did with @vikbayer @triedsomanytimes @dianabarbosagil & in the last 2 pictures you can see us trying to invent a new technology to receive good collective vibes in the city..

ここね💥
this is the city imagined and built with the young people of @kodomomura_hot station in tokyo, in arakawa.

it was shown under a (for its tiny citizens) huge glass ceiling, which in real life luckily doesn´t exist, because it would get extremely hot.

nevertheless in tokyo during this time we experienced a great heat and it made thinking become dizzy or blurry or almost impossible. so, this little text are words, who melted away under the impact of hot air, a visceral feeling of being stuck in-between sun and asphalt dreaming about a city which is made for its people.
because, isn´t it stunning, how our daily routines, such as commuting to work, to school or to kindergarten or simply being around makes city people, no matter where we are located on the globe become citizens of the asphalt, moving around on sealed grounds.
And in summertime it gets even hotter, then people get warned to go outside, especially elderly people and that it is also due to the sealed surfaces everywhere, reflecting the sunlight and thus heating up the urban surroundings.

So in our little city there are mini pathways connecting the small houses, which are green or pink or yellow & not made out of asphalt.

In the fabric quarter of nippori there is a man painting the most beautiful fabrics, while you cannot find him on google maps i put coordinates in the comments. And there @triedsomanytimes got this beautiful piece of fabric for me to put it as a ground for the tiny city.

A great Thank you to @kodomomura_hot station for being the most incredible humans of this city, while building a space of togetherness for young people.

I am grateful for the invitation from @dianabarbosagil to contribute to the exhibition KOKONE ここね @studio_gross a special space for architecture, art, film making and curation in Arakawa, Tokyo.

For some people for various reasons its difficult to call a place your home and building small houses together was a sensitive process realizing that.
The workshop at kodomomura hotstation we did with @vikbayer @triedsomanytimes @dianabarbosagil & in the last 2 pictures you can see us trying to invent a new technology to receive good collective vibes in the city..

ここね💥
this is the city imagined and built with the young people of @kodomomura_hot station in tokyo, in arakawa.

it was shown under a (for its tiny citizens) huge glass ceiling, which in real life luckily doesn´t exist, because it would get extremely hot.

nevertheless in tokyo during this time we experienced a great heat and it made thinking become dizzy or blurry or almost impossible. so, this little text are words, who melted away under the impact of hot air, a visceral feeling of being stuck in-between sun and asphalt dreaming about a city which is made for its people.
because, isn´t it stunning, how our daily routines, such as commuting to work, to school or to kindergarten or simply being around makes city people, no matter where we are located on the globe become citizens of the asphalt, moving around on sealed grounds.
And in summertime it gets even hotter, then people get warned to go outside, especially elderly people and that it is also due to the sealed surfaces everywhere, reflecting the sunlight and thus heating up the urban surroundings.

So in our little city there are mini pathways connecting the small houses, which are green or pink or yellow & not made out of asphalt.

In the fabric quarter of nippori there is a man painting the most beautiful fabrics, while you cannot find him on google maps i put coordinates in the comments. And there @triedsomanytimes got this beautiful piece of fabric for me to put it as a ground for the tiny city.

A great Thank you to @kodomomura_hot station for being the most incredible humans of this city, while building a space of togetherness for young people.

I am grateful for the invitation from @dianabarbosagil to contribute to the exhibition KOKONE ここね @studio_gross a special space for architecture, art, film making and curation in Arakawa, Tokyo.

For some people for various reasons its difficult to call a place your home and building small houses together was a sensitive process realizing that.
The workshop at kodomomura hotstation we did with @vikbayer @triedsomanytimes @dianabarbosagil & in the last 2 pictures you can see us trying to invent a new technology to receive good collective vibes in the city..

ここね💥
this is the city imagined and built with the young people of @kodomomura_hot station in tokyo, in arakawa.

it was shown under a (for its tiny citizens) huge glass ceiling, which in real life luckily doesn´t exist, because it would get extremely hot.

nevertheless in tokyo during this time we experienced a great heat and it made thinking become dizzy or blurry or almost impossible. so, this little text are words, who melted away under the impact of hot air, a visceral feeling of being stuck in-between sun and asphalt dreaming about a city which is made for its people.
because, isn´t it stunning, how our daily routines, such as commuting to work, to school or to kindergarten or simply being around makes city people, no matter where we are located on the globe become citizens of the asphalt, moving around on sealed grounds.
And in summertime it gets even hotter, then people get warned to go outside, especially elderly people and that it is also due to the sealed surfaces everywhere, reflecting the sunlight and thus heating up the urban surroundings.

So in our little city there are mini pathways connecting the small houses, which are green or pink or yellow & not made out of asphalt.

In the fabric quarter of nippori there is a man painting the most beautiful fabrics, while you cannot find him on google maps i put coordinates in the comments. And there @triedsomanytimes got this beautiful piece of fabric for me to put it as a ground for the tiny city.

A great Thank you to @kodomomura_hot station for being the most incredible humans of this city, while building a space of togetherness for young people.

I am grateful for the invitation from @dianabarbosagil to contribute to the exhibition KOKONE ここね @studio_gross a special space for architecture, art, film making and curation in Arakawa, Tokyo.

For some people for various reasons its difficult to call a place your home and building small houses together was a sensitive process realizing that.
The workshop at kodomomura hotstation we did with @vikbayer @triedsomanytimes @dianabarbosagil & in the last 2 pictures you can see us trying to invent a new technology to receive good collective vibes in the city..

WE SHARE - Exhibition Announcement 💥KOKONE ＊ ここね💥

Japanese follows English
日本語の情報は下にあります

Diana Barbosa Gil concludes her residency in Tokyo by inviting all the artists, some children of the neighborhood, local craftspeople, and others she encountered during her stay to participate in an exhibition. She transforms Studio GROSS into a space for exchange, where local craft, contemporary art, chance encounters, and trust come together to hopefully enrich us. The program features performances, objects, textile pieces, ceramics, walks to the residency, and select readings exploring themes of growth, women’s rights, rest, sleep, a city made by children from Arakawa, misunderstandings, and disasters.

Anna-Sofie Lugmeier @applebacon1990
Diana Barbosa Gil @dianabarbosagil
Kodomomura Hotstation @kodomomura_hot
Lisa Gutscher @m__ulrike
Madeleine Nostitz @nordpolottosiegfried
Makiko Suzuki
Michael Reindel @triedsomanytimes
Vik Bayer @vikbayer
Yeonwoo Chang @cedilleroni

Opening Times
27.06 : 14:00-21:00
28.06: 14:00-18:00
29.06: 14:00-18:00

Opening Performance (Diana Barbosa Gil)
27.06: 19:30

Walks to the Austrian Artist Residency (Lisa Gutscher)
Start: 116-0012 Tokyo, Arakawa-Ku, Higashi Ogu, 5-14-13, Studio GROSS
Destination: 116-0012 Tokyo, Arakawa-Ku, Higashi Ogu, 6-30-3, Residency
28:06: 18:00
29:06: 18:00

ココネ
Diana Barbosa Gilは、東京でのレジデンシーを締めくくるにあたり、滞在中に出会ったアーティストたち、地域の子どもたち、地元の職人たち、そしてその他の参加者を招待し、展覧会を開催します。Studio GROSSは交流の場として変貌を遂げ、地元の工芸、現代美術、偶然の出会い、そして信頼が交差し、私たちを豊かにすることを目指します。
プログラムには、パフォーマンス、オブジェ、テキスタイル作品、陶芸、レジデンシーへの散歩、そして成長、女性の権利、休息、睡眠、荒川の子どもたちが作り上げた街、誤解、災害といったテーマを探る朗読が含まれています。

参加アーティスト：
Anna-Sofie Lugmeier
Diana Barbosa Gil
子ども村ホッとステーション
Lisa Gutscher
Madeleine Nostitz
Makiko Suzuki
Michael Reindel
Vik Bayer
Yeonwoo Chang

開館時間：
6月27日：14:00～21:00
6月28日：14:00～18:00
6月29日：14:00～18:00

オーペニングパフォーマンス (Diana Barbosa Gil)：
6月27日：19:30

オーストリア・アーティスト・レジデンシーへの散歩（Lisa Gutscherの作品）：
集合場所： 116-0012東京都荒川区東尾久5丁目14-13スタジオグロス
目的：１１６−００１２東京都荒川区東尾久6丁目30-3レジデンシー
6月28日：18:00
6月29日：18:00

The show is part of our continued partnership with the Federal Republic of Austria and the Austrian Cultural Forum, Tokyo.

@kunstkulturministerium
@austrocultjapan
@artistsaway

WE SHARE - Exhibition Announcement 💥KOKONE ＊ ここね💥

Japanese follows English
日本語の情報は下にあります

Diana Barbosa Gil concludes her residency in Tokyo by inviting all the artists, some children of the neighborhood, local craftspeople, and others she encountered during her stay to participate in an exhibition. She transforms Studio GROSS into a space for exchange, where local craft, contemporary art, chance encounters, and trust come together to hopefully enrich us. The program features performances, objects, textile pieces, ceramics, walks to the residency, and select readings exploring themes of growth, women’s rights, rest, sleep, a city made by children from Arakawa, misunderstandings, and disasters.

Anna-Sofie Lugmeier @applebacon1990
Diana Barbosa Gil @dianabarbosagil
Kodomomura Hotstation @kodomomura_hot
Lisa Gutscher @m__ulrike
Madeleine Nostitz @nordpolottosiegfried
Makiko Suzuki
Michael Reindel @triedsomanytimes
Vik Bayer @vikbayer
Yeonwoo Chang @cedilleroni

Opening Times
27.06 : 14:00-21:00
28.06: 14:00-18:00
29.06: 14:00-18:00

Opening Performance (Diana Barbosa Gil)
27.06: 19:30

Walks to the Austrian Artist Residency (Lisa Gutscher)
Start: 116-0012 Tokyo, Arakawa-Ku, Higashi Ogu, 5-14-13, Studio GROSS
Destination: 116-0012 Tokyo, Arakawa-Ku, Higashi Ogu, 6-30-3, Residency
28:06: 18:00
29:06: 18:00

ココネ
Diana Barbosa Gilは、東京でのレジデンシーを締めくくるにあたり、滞在中に出会ったアーティストたち、地域の子どもたち、地元の職人たち、そしてその他の参加者を招待し、展覧会を開催します。Studio GROSSは交流の場として変貌を遂げ、地元の工芸、現代美術、偶然の出会い、そして信頼が交差し、私たちを豊かにすることを目指します。
プログラムには、パフォーマンス、オブジェ、テキスタイル作品、陶芸、レジデンシーへの散歩、そして成長、女性の権利、休息、睡眠、荒川の子どもたちが作り上げた街、誤解、災害といったテーマを探る朗読が含まれています。

参加アーティスト：
Anna-Sofie Lugmeier
Diana Barbosa Gil
子ども村ホッとステーション
Lisa Gutscher
Madeleine Nostitz
Makiko Suzuki
Michael Reindel
Vik Bayer
Yeonwoo Chang

開館時間：
6月27日：14:00～21:00
6月28日：14:00～18:00
6月29日：14:00～18:00

オーペニングパフォーマンス (Diana Barbosa Gil)：
6月27日：19:30

オーストリア・アーティスト・レジデンシーへの散歩（Lisa Gutscherの作品）：
集合場所： 116-0012東京都荒川区東尾久5丁目14-13スタジオグロス
目的：１１６−００１２東京都荒川区東尾久6丁目30-3レジデンシー
6月28日：18:00
6月29日：18:00

The show is part of our continued partnership with the Federal Republic of Austria and the Austrian Cultural Forum, Tokyo.

@kunstkulturministerium
@austrocultjapan
@artistsaway

FLINTAQ* night at The Green Corridor this Friday 6th June , organised by @maryszydlowska and @applebacon1990!

I am shooting you with my eyeball
I am trying not to forget
That it’s round, wet, soft
Weights as much as a 2 euro coin
And usually, it is covered by the curtain of my eye lid
Good night

Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels - a place of gatherings, dialogue and queer resistance, founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XiXth century gallery passage - Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people.

Artemys Revival will be screened 3 times on Friday 6 June at 17:30, 18:30, 19:30.

The visitors are invited for an informal drink in-between and after the seances.
The drinks will be based on a herbal liquor from Artemisia absinthium, tapping with the Artemis arrow on thy palate.

Artemys Revival
concept, direction: Mar Szydowska & Anna Lugmeier
cinematography: Anna Lugmeier
editing: Mar Szydlowska, Anna Lugmeier sound on set: Laura Weissenberger-Silva
soundtrack fragments: Hannah Todt, Mar Szydlowska
styling & costume: Laura Weissenberger-Silva
starring: Mar Szydlowska, Abigail Aleksander, Galerie Bortie
special thanks to: The Green Corridor, Marian Lens, Sofia Dati, Nathaniel Moore, Queer World vzw & Alex Auris

This project is supported with a debut grant from Vlaamse Gemeenschapscommisie

FLINTAQ* night at The Green Corridor this Friday 6th June , organised by @maryszydlowska and @applebacon1990!

I am shooting you with my eyeball
I am trying not to forget
That it’s round, wet, soft
Weights as much as a 2 euro coin
And usually, it is covered by the curtain of my eye lid
Good night

Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels - a place of gatherings, dialogue and queer resistance, founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XiXth century gallery passage - Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people.

Artemys Revival will be screened 3 times on Friday 6 June at 17:30, 18:30, 19:30.

The visitors are invited for an informal drink in-between and after the seances.
The drinks will be based on a herbal liquor from Artemisia absinthium, tapping with the Artemis arrow on thy palate.

Artemys Revival
concept, direction: Mar Szydowska & Anna Lugmeier
cinematography: Anna Lugmeier
editing: Mar Szydlowska, Anna Lugmeier sound on set: Laura Weissenberger-Silva
soundtrack fragments: Hannah Todt, Mar Szydlowska
styling & costume: Laura Weissenberger-Silva
starring: Mar Szydlowska, Abigail Aleksander, Galerie Bortie
special thanks to: The Green Corridor, Marian Lens, Sofia Dati, Nathaniel Moore, Queer World vzw & Alex Auris

This project is supported with a debut grant from Vlaamse Gemeenschapscommisie

FLINTAQ* night at The Green Corridor this Friday 6th June , organised by @maryszydlowska and @applebacon1990!

I am shooting you with my eyeball
I am trying not to forget
That it’s round, wet, soft
Weights as much as a 2 euro coin
And usually, it is covered by the curtain of my eye lid
Good night

Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels - a place of gatherings, dialogue and queer resistance, founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XiXth century gallery passage - Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people.

Artemys Revival will be screened 3 times on Friday 6 June at 17:30, 18:30, 19:30.

The visitors are invited for an informal drink in-between and after the seances.
The drinks will be based on a herbal liquor from Artemisia absinthium, tapping with the Artemis arrow on thy palate.

Artemys Revival
concept, direction: Mar Szydowska & Anna Lugmeier
cinematography: Anna Lugmeier
editing: Mar Szydlowska, Anna Lugmeier sound on set: Laura Weissenberger-Silva
soundtrack fragments: Hannah Todt, Mar Szydlowska
styling & costume: Laura Weissenberger-Silva
starring: Mar Szydlowska, Abigail Aleksander, Galerie Bortie
special thanks to: The Green Corridor, Marian Lens, Sofia Dati, Nathaniel Moore, Queer World vzw & Alex Auris

This project is supported with a debut grant from Vlaamse Gemeenschapscommisie

FLINTAQ* night at The Green Corridor this Friday 6th June , organised by @maryszydlowska and @applebacon1990!

I am shooting you with my eyeball
I am trying not to forget
That it’s round, wet, soft
Weights as much as a 2 euro coin
And usually, it is covered by the curtain of my eye lid
Good night

Artemys Revival is a short film revolving around the architectural site of the first feminist & lesbian bookshop “Artemys” in Brussels - a place of gatherings, dialogue and queer resistance, founded and led by queer activist and scholar Marian Lens between 1985 and 2002. Informed by choreographic strategies of guiding a walking, moving, sensing body, the film merges embodied experiences of being-in-the-city with complex layers and historical frictions between the XiXth century gallery passage - Galerie Bortier and queer identities. Calling upon the mythological figure of Artemis and her arrows, the film weaves a visual speculative thought, a daydream about urban spaces for FLINTAQ* people.

Artemys Revival will be screened 3 times on Friday 6 June at 17:30, 18:30, 19:30.

The visitors are invited for an informal drink in-between and after the seances.
The drinks will be based on a herbal liquor from Artemisia absinthium, tapping with the Artemis arrow on thy palate.

Artemys Revival
concept, direction: Mar Szydowska & Anna Lugmeier
cinematography: Anna Lugmeier
editing: Mar Szydlowska, Anna Lugmeier sound on set: Laura Weissenberger-Silva
soundtrack fragments: Hannah Todt, Mar Szydlowska
styling & costume: Laura Weissenberger-Silva
starring: Mar Szydlowska, Abigail Aleksander, Galerie Bortie
special thanks to: The Green Corridor, Marian Lens, Sofia Dati, Nathaniel Moore, Queer World vzw & Alex Auris

This project is supported with a debut grant from Vlaamse Gemeenschapscommisie

IN RESIDENCE AT NAC

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier
@applebacon1990

The work of Laura Weissenberger-Silva & Anna Lugmeier sets focus on the deconstruction of patriarchal storytelling strategies in film and extractivist gestures inscribed into film as a medium itself. Their collective „baubo crew“ highlights the articulation of femme worlding in script, editing and in relation to the camera. At the core of their projects is a collaborative approach, while implying and challenging politics of care for the work and for each other as collaborators. In their practice they combine different fields of image (re)production including film, drawing, photography, scenography, props-making and costume design.

-

During their residency stay they were working with Sci-Fi speculation and humor as a co-creation strategy for feminist* storytelling, using speculation as a form of envisioning a future, in which FLINTAQ realities find expression and transformation. In resonance with the ever moving Parnidis dune landscape they embarked on a narrative journey to speculate about memory loss and femme knowledge networks on earth set 200 years from now in the future. This work in progress is informed by filmic material, analogue photographs, sound recordings and encounters with local collaborators on the Curonian Spit. 

Photos: Laura Weissenberger-Silva and Anna Lugmeier

Weissenberger-Silva & Anna Lugmeier residency is supported by the Culture Moves Europe Fund of the Goethe Institute @culturemoveseurope @goetheinstitute @nidaartcolony

IN RESIDENCE AT NAC

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier
@applebacon1990

The work of Laura Weissenberger-Silva & Anna Lugmeier sets focus on the deconstruction of patriarchal storytelling strategies in film and extractivist gestures inscribed into film as a medium itself. Their collective „baubo crew“ highlights the articulation of femme worlding in script, editing and in relation to the camera. At the core of their projects is a collaborative approach, while implying and challenging politics of care for the work and for each other as collaborators. In their practice they combine different fields of image (re)production including film, drawing, photography, scenography, props-making and costume design.

-

During their residency stay they were working with Sci-Fi speculation and humor as a co-creation strategy for feminist* storytelling, using speculation as a form of envisioning a future, in which FLINTAQ realities find expression and transformation. In resonance with the ever moving Parnidis dune landscape they embarked on a narrative journey to speculate about memory loss and femme knowledge networks on earth set 200 years from now in the future. This work in progress is informed by filmic material, analogue photographs, sound recordings and encounters with local collaborators on the Curonian Spit. 

Photos: Laura Weissenberger-Silva and Anna Lugmeier

Weissenberger-Silva & Anna Lugmeier residency is supported by the Culture Moves Europe Fund of the Goethe Institute @culturemoveseurope @goetheinstitute @nidaartcolony

IN RESIDENCE AT NAC

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier
@applebacon1990

The work of Laura Weissenberger-Silva & Anna Lugmeier sets focus on the deconstruction of patriarchal storytelling strategies in film and extractivist gestures inscribed into film as a medium itself. Their collective „baubo crew“ highlights the articulation of femme worlding in script, editing and in relation to the camera. At the core of their projects is a collaborative approach, while implying and challenging politics of care for the work and for each other as collaborators. In their practice they combine different fields of image (re)production including film, drawing, photography, scenography, props-making and costume design.

-

During their residency stay they were working with Sci-Fi speculation and humor as a co-creation strategy for feminist* storytelling, using speculation as a form of envisioning a future, in which FLINTAQ realities find expression and transformation. In resonance with the ever moving Parnidis dune landscape they embarked on a narrative journey to speculate about memory loss and femme knowledge networks on earth set 200 years from now in the future. This work in progress is informed by filmic material, analogue photographs, sound recordings and encounters with local collaborators on the Curonian Spit. 

Photos: Laura Weissenberger-Silva and Anna Lugmeier

Weissenberger-Silva & Anna Lugmeier residency is supported by the Culture Moves Europe Fund of the Goethe Institute @culturemoveseurope @goetheinstitute @nidaartcolony

IN RESIDENCE AT NAC

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier
@applebacon1990

The work of Laura Weissenberger-Silva & Anna Lugmeier sets focus on the deconstruction of patriarchal storytelling strategies in film and extractivist gestures inscribed into film as a medium itself. Their collective „baubo crew“ highlights the articulation of femme worlding in script, editing and in relation to the camera. At the core of their projects is a collaborative approach, while implying and challenging politics of care for the work and for each other as collaborators. In their practice they combine different fields of image (re)production including film, drawing, photography, scenography, props-making and costume design.

-

During their residency stay they were working with Sci-Fi speculation and humor as a co-creation strategy for feminist* storytelling, using speculation as a form of envisioning a future, in which FLINTAQ realities find expression and transformation. In resonance with the ever moving Parnidis dune landscape they embarked on a narrative journey to speculate about memory loss and femme knowledge networks on earth set 200 years from now in the future. This work in progress is informed by filmic material, analogue photographs, sound recordings and encounters with local collaborators on the Curonian Spit. 

Photos: Laura Weissenberger-Silva and Anna Lugmeier

Weissenberger-Silva & Anna Lugmeier residency is supported by the Culture Moves Europe Fund of the Goethe Institute @culturemoveseurope @goetheinstitute @nidaartcolony

IN RESIDENCE AT NAC

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier
@applebacon1990

The work of Laura Weissenberger-Silva & Anna Lugmeier sets focus on the deconstruction of patriarchal storytelling strategies in film and extractivist gestures inscribed into film as a medium itself. Their collective „baubo crew“ highlights the articulation of femme worlding in script, editing and in relation to the camera. At the core of their projects is a collaborative approach, while implying and challenging politics of care for the work and for each other as collaborators. In their practice they combine different fields of image (re)production including film, drawing, photography, scenography, props-making and costume design.

-

During their residency stay they were working with Sci-Fi speculation and humor as a co-creation strategy for feminist* storytelling, using speculation as a form of envisioning a future, in which FLINTAQ realities find expression and transformation. In resonance with the ever moving Parnidis dune landscape they embarked on a narrative journey to speculate about memory loss and femme knowledge networks on earth set 200 years from now in the future. This work in progress is informed by filmic material, analogue photographs, sound recordings and encounters with local collaborators on the Curonian Spit. 

Photos: Laura Weissenberger-Silva and Anna Lugmeier

Weissenberger-Silva & Anna Lugmeier residency is supported by the Culture Moves Europe Fund of the Goethe Institute @culturemoveseurope @goetheinstitute @nidaartcolony

IN RESIDENCE AT NAC

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier
@applebacon1990

The work of Laura Weissenberger-Silva & Anna Lugmeier sets focus on the deconstruction of patriarchal storytelling strategies in film and extractivist gestures inscribed into film as a medium itself. Their collective „baubo crew“ highlights the articulation of femme worlding in script, editing and in relation to the camera. At the core of their projects is a collaborative approach, while implying and challenging politics of care for the work and for each other as collaborators. In their practice they combine different fields of image (re)production including film, drawing, photography, scenography, props-making and costume design.

-

During their residency stay they were working with Sci-Fi speculation and humor as a co-creation strategy for feminist* storytelling, using speculation as a form of envisioning a future, in which FLINTAQ realities find expression and transformation. In resonance with the ever moving Parnidis dune landscape they embarked on a narrative journey to speculate about memory loss and femme knowledge networks on earth set 200 years from now in the future. This work in progress is informed by filmic material, analogue photographs, sound recordings and encounters with local collaborators on the Curonian Spit. 

Photos: Laura Weissenberger-Silva and Anna Lugmeier

Weissenberger-Silva & Anna Lugmeier residency is supported by the Culture Moves Europe Fund of the Goethe Institute @culturemoveseurope @goetheinstitute @nidaartcolony

IN RESIDENCE AT NAC

Laura Weissenberger-Silva
@laura__weissenberger

Anna Lugmeier
@applebacon1990

The work of Laura Weissenberger-Silva & Anna Lugmeier sets focus on the deconstruction of patriarchal storytelling strategies in film and extractivist gestures inscribed into film as a medium itself. Their collective „baubo crew“ highlights the articulation of femme worlding in script, editing and in relation to the camera. At the core of their projects is a collaborative approach, while implying and challenging politics of care for the work and for each other as collaborators. In their practice they combine different fields of image (re)production including film, drawing, photography, scenography, props-making and costume design.

-

During their residency stay they were working with Sci-Fi speculation and humor as a co-creation strategy for feminist* storytelling, using speculation as a form of envisioning a future, in which FLINTAQ realities find expression and transformation. In resonance with the ever moving Parnidis dune landscape they embarked on a narrative journey to speculate about memory loss and femme knowledge networks on earth set 200 years from now in the future. This work in progress is informed by filmic material, analogue photographs, sound recordings and encounters with local collaborators on the Curonian Spit. 

Photos: Laura Weissenberger-Silva and Anna Lugmeier

Weissenberger-Silva & Anna Lugmeier residency is supported by the Culture Moves Europe Fund of the Goethe Institute @culturemoveseurope @goetheinstitute @nidaartcolony

Stills from the short film "𝙼𝚎𝚖𝚘𝚛𝚒𝚎𝚜 𝚘𝚏 𝚊 𝙲𝚊𝚖𝚎𝚛𝚊 𝙿𝚎𝚛𝚜𝚙𝚎𝚌𝚝𝚒𝚟𝚎".
An audio-visual poem speculating on female* film production as a place of belonging and holding space for memory loss and exhausted images.

a collaborative project I took part in and the 1st episode of the ongoing series "Baubo, when our Lips speak together" initiated by @applebacon1990 and me.

credits_

editing / script
Anna Lugmeier @applebacon1990

camera
Vik Bayer @vikbayer
Anna Lugmeier
Mary Szydlowska @maryszydlowska
Laura Weissenberger Silva

soundtrack composition
Mlondiwethu Dubazane @sound.seeeker

"untitled, green"
by Evamaria Liane Müller @gmorrk

sound recordings
Anna Lugmeier
Laura Weissenberger Silva

contact microphone recordings
Hannah Todt @todtgeboren

Stills from the short film "𝙼𝚎𝚖𝚘𝚛𝚒𝚎𝚜 𝚘𝚏 𝚊 𝙲𝚊𝚖𝚎𝚛𝚊 𝙿𝚎𝚛𝚜𝚙𝚎𝚌𝚝𝚒𝚟𝚎".
An audio-visual poem speculating on female* film production as a place of belonging and holding space for memory loss and exhausted images.

a collaborative project I took part in and the 1st episode of the ongoing series "Baubo, when our Lips speak together" initiated by @applebacon1990 and me.

credits_

editing / script
Anna Lugmeier @applebacon1990

camera
Vik Bayer @vikbayer
Anna Lugmeier
Mary Szydlowska @maryszydlowska
Laura Weissenberger Silva

soundtrack composition
Mlondiwethu Dubazane @sound.seeeker

"untitled, green"
by Evamaria Liane Müller @gmorrk

sound recordings
Anna Lugmeier
Laura Weissenberger Silva

contact microphone recordings
Hannah Todt @todtgeboren

Stills from the short film "𝙼𝚎𝚖𝚘𝚛𝚒𝚎𝚜 𝚘𝚏 𝚊 𝙲𝚊𝚖𝚎𝚛𝚊 𝙿𝚎𝚛𝚜𝚙𝚎𝚌𝚝𝚒𝚟𝚎".
An audio-visual poem speculating on female* film production as a place of belonging and holding space for memory loss and exhausted images.

a collaborative project I took part in and the 1st episode of the ongoing series "Baubo, when our Lips speak together" initiated by @applebacon1990 and me.

credits_

editing / script
Anna Lugmeier @applebacon1990

camera
Vik Bayer @vikbayer
Anna Lugmeier
Mary Szydlowska @maryszydlowska
Laura Weissenberger Silva

soundtrack composition
Mlondiwethu Dubazane @sound.seeeker

"untitled, green"
by Evamaria Liane Müller @gmorrk

sound recordings
Anna Lugmeier
Laura Weissenberger Silva

contact microphone recordings
Hannah Todt @todtgeboren

Stills from the short film "𝙼𝚎𝚖𝚘𝚛𝚒𝚎𝚜 𝚘𝚏 𝚊 𝙲𝚊𝚖𝚎𝚛𝚊 𝙿𝚎𝚛𝚜𝚙𝚎𝚌𝚝𝚒𝚟𝚎".
An audio-visual poem speculating on female* film production as a place of belonging and holding space for memory loss and exhausted images.

a collaborative project I took part in and the 1st episode of the ongoing series "Baubo, when our Lips speak together" initiated by @applebacon1990 and me.

credits_

editing / script
Anna Lugmeier @applebacon1990

camera
Vik Bayer @vikbayer
Anna Lugmeier
Mary Szydlowska @maryszydlowska
Laura Weissenberger Silva

soundtrack composition
Mlondiwethu Dubazane @sound.seeeker

"untitled, green"
by Evamaria Liane Müller @gmorrk

sound recordings
Anna Lugmeier
Laura Weissenberger Silva

contact microphone recordings
Hannah Todt @todtgeboren

seeing isn´t the only sense after all

a sentence, so profound and really not deep at all stuck with me, reading Chantal Akerman´s book „my mother laughs“, a book written so brutally honest that i couldnt read it until just now, when i tried starting to reread it finally (!!) for the 4th freaking time lol. reading it made me instantly realize a feeling that seems to be lingering around quite a lot and maybe it was and will never be different.
a feeling of disconnection and people trying to deal with that, but also a feeling of not belonging amongst ppl/fellow artists or a certain disconnetion from what "they" do, whoever "they" are, they must be someone else, not me. I thought. but why do i need my fellow artists and their positionality so badly? It is as we learn to see through our friends` eyes, hearing what they experience, while it creates space through a strange social weaving, a bonding texture of something yet to come, half there yet. It makes me curious, able to feel or understand or to go on with life, like we belong to something, to a sense of how we (also politically) envision this imagined world to be like. its a bit like emotions spilled out in a space, giving us a vague destination to go to, like we are actually doing something, heading somewhere, building on something, while we are actually reconstructing it, to be able to understand why some of us really dont feel like they can belong at all. and of course it varies in intensity and severity, as we ofc don´t share the same body and all our life´s experiences are so very different. What i want to say is, this time is extremely brutal and you got to protect what you dream of. appreciation to all of you, who are doing so with the ambition to stay with the trouble. before this wisdom came to me while sitting on the toilet i actually just wanted to say something about simple gestures and magic:
Its very easy to make and its best practiced in company. pls stay juicy and antifascist and dont stop speaking up, wherever u can.

seeing isn´t the only sense after all

a sentence, so profound and really not deep at all stuck with me, reading Chantal Akerman´s book „my mother laughs“, a book written so brutally honest that i couldnt read it until just now, when i tried starting to reread it finally (!!) for the 4th freaking time lol. reading it made me instantly realize a feeling that seems to be lingering around quite a lot and maybe it was and will never be different.
a feeling of disconnection and people trying to deal with that, but also a feeling of not belonging amongst ppl/fellow artists or a certain disconnetion from what "they" do, whoever "they" are, they must be someone else, not me. I thought. but why do i need my fellow artists and their positionality so badly? It is as we learn to see through our friends` eyes, hearing what they experience, while it creates space through a strange social weaving, a bonding texture of something yet to come, half there yet. It makes me curious, able to feel or understand or to go on with life, like we belong to something, to a sense of how we (also politically) envision this imagined world to be like. its a bit like emotions spilled out in a space, giving us a vague destination to go to, like we are actually doing something, heading somewhere, building on something, while we are actually reconstructing it, to be able to understand why some of us really dont feel like they can belong at all. and of course it varies in intensity and severity, as we ofc don´t share the same body and all our life´s experiences are so very different. What i want to say is, this time is extremely brutal and you got to protect what you dream of. appreciation to all of you, who are doing so with the ambition to stay with the trouble. before this wisdom came to me while sitting on the toilet i actually just wanted to say something about simple gestures and magic:
Its very easy to make and its best practiced in company. pls stay juicy and antifascist and dont stop speaking up, wherever u can.

seeing isn´t the only sense after all

a sentence, so profound and really not deep at all stuck with me, reading Chantal Akerman´s book „my mother laughs“, a book written so brutally honest that i couldnt read it until just now, when i tried starting to reread it finally (!!) for the 4th freaking time lol. reading it made me instantly realize a feeling that seems to be lingering around quite a lot and maybe it was and will never be different.
a feeling of disconnection and people trying to deal with that, but also a feeling of not belonging amongst ppl/fellow artists or a certain disconnetion from what "they" do, whoever "they" are, they must be someone else, not me. I thought. but why do i need my fellow artists and their positionality so badly? It is as we learn to see through our friends` eyes, hearing what they experience, while it creates space through a strange social weaving, a bonding texture of something yet to come, half there yet. It makes me curious, able to feel or understand or to go on with life, like we belong to something, to a sense of how we (also politically) envision this imagined world to be like. its a bit like emotions spilled out in a space, giving us a vague destination to go to, like we are actually doing something, heading somewhere, building on something, while we are actually reconstructing it, to be able to understand why some of us really dont feel like they can belong at all. and of course it varies in intensity and severity, as we ofc don´t share the same body and all our life´s experiences are so very different. What i want to say is, this time is extremely brutal and you got to protect what you dream of. appreciation to all of you, who are doing so with the ambition to stay with the trouble. before this wisdom came to me while sitting on the toilet i actually just wanted to say something about simple gestures and magic:
Its very easy to make and its best practiced in company. pls stay juicy and antifascist and dont stop speaking up, wherever u can.

seeing isn´t the only sense after all

a sentence, so profound and really not deep at all stuck with me, reading Chantal Akerman´s book „my mother laughs“, a book written so brutally honest that i couldnt read it until just now, when i tried starting to reread it finally (!!) for the 4th freaking time lol. reading it made me instantly realize a feeling that seems to be lingering around quite a lot and maybe it was and will never be different.
a feeling of disconnection and people trying to deal with that, but also a feeling of not belonging amongst ppl/fellow artists or a certain disconnetion from what "they" do, whoever "they" are, they must be someone else, not me. I thought. but why do i need my fellow artists and their positionality so badly? It is as we learn to see through our friends` eyes, hearing what they experience, while it creates space through a strange social weaving, a bonding texture of something yet to come, half there yet. It makes me curious, able to feel or understand or to go on with life, like we belong to something, to a sense of how we (also politically) envision this imagined world to be like. its a bit like emotions spilled out in a space, giving us a vague destination to go to, like we are actually doing something, heading somewhere, building on something, while we are actually reconstructing it, to be able to understand why some of us really dont feel like they can belong at all. and of course it varies in intensity and severity, as we ofc don´t share the same body and all our life´s experiences are so very different. What i want to say is, this time is extremely brutal and you got to protect what you dream of. appreciation to all of you, who are doing so with the ambition to stay with the trouble. before this wisdom came to me while sitting on the toilet i actually just wanted to say something about simple gestures and magic:
Its very easy to make and its best practiced in company. pls stay juicy and antifascist and dont stop speaking up, wherever u can.

seeing isn´t the only sense after all

a sentence, so profound and really not deep at all stuck with me, reading Chantal Akerman´s book „my mother laughs“, a book written so brutally honest that i couldnt read it until just now, when i tried starting to reread it finally (!!) for the 4th freaking time lol. reading it made me instantly realize a feeling that seems to be lingering around quite a lot and maybe it was and will never be different.
a feeling of disconnection and people trying to deal with that, but also a feeling of not belonging amongst ppl/fellow artists or a certain disconnetion from what "they" do, whoever "they" are, they must be someone else, not me. I thought. but why do i need my fellow artists and their positionality so badly? It is as we learn to see through our friends` eyes, hearing what they experience, while it creates space through a strange social weaving, a bonding texture of something yet to come, half there yet. It makes me curious, able to feel or understand or to go on with life, like we belong to something, to a sense of how we (also politically) envision this imagined world to be like. its a bit like emotions spilled out in a space, giving us a vague destination to go to, like we are actually doing something, heading somewhere, building on something, while we are actually reconstructing it, to be able to understand why some of us really dont feel like they can belong at all. and of course it varies in intensity and severity, as we ofc don´t share the same body and all our life´s experiences are so very different. What i want to say is, this time is extremely brutal and you got to protect what you dream of. appreciation to all of you, who are doing so with the ambition to stay with the trouble. before this wisdom came to me while sitting on the toilet i actually just wanted to say something about simple gestures and magic:
Its very easy to make and its best practiced in company. pls stay juicy and antifascist and dont stop speaking up, wherever u can.

seeing isn´t the only sense after all

a sentence, so profound and really not deep at all stuck with me, reading Chantal Akerman´s book „my mother laughs“, a book written so brutally honest that i couldnt read it until just now, when i tried starting to reread it finally (!!) for the 4th freaking time lol. reading it made me instantly realize a feeling that seems to be lingering around quite a lot and maybe it was and will never be different.
a feeling of disconnection and people trying to deal with that, but also a feeling of not belonging amongst ppl/fellow artists or a certain disconnetion from what "they" do, whoever "they" are, they must be someone else, not me. I thought. but why do i need my fellow artists and their positionality so badly? It is as we learn to see through our friends` eyes, hearing what they experience, while it creates space through a strange social weaving, a bonding texture of something yet to come, half there yet. It makes me curious, able to feel or understand or to go on with life, like we belong to something, to a sense of how we (also politically) envision this imagined world to be like. its a bit like emotions spilled out in a space, giving us a vague destination to go to, like we are actually doing something, heading somewhere, building on something, while we are actually reconstructing it, to be able to understand why some of us really dont feel like they can belong at all. and of course it varies in intensity and severity, as we ofc don´t share the same body and all our life´s experiences are so very different. What i want to say is, this time is extremely brutal and you got to protect what you dream of. appreciation to all of you, who are doing so with the ambition to stay with the trouble. before this wisdom came to me while sitting on the toilet i actually just wanted to say something about simple gestures and magic:
Its very easy to make and its best practiced in company. pls stay juicy and antifascist and dont stop speaking up, wherever u can.